User:Fitzgerald Lee/EDO Rankings - Revision history

Fitzgerald Lee at 09:35, 17 November 2025

2025-11-17T09:35:59Z

← Older revision		Revision as of 09:35, 17 November 2025
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	\|2\|\|\|\|[[17edo\|17]]\|\|		\|2\|\|\|\|[[17edo\|17]]\|\|
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	\|2\|\|\|\|[[18edo\|18]]\|\|		\|2\|\|\|\|[[18edo\|18]]\|\|
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Fitzgerald Lee at 09:35, 17 November 2025

2025-11-17T09:35:39Z

← Older revision		Revision as of 09:35, 17 November 2025
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	\|2\|\|\|\|[[16edo\|16]]\|\|		\|2\|\|\|\|[[16edo\|16]]\|\|
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			\|2\|\|\|\|[[17edo\|17]]\|\|
	\|2\|\|\|\|[[18edo\|18]]\|\|		\|2\|\|\|\|[[18edo\|18]]\|\|
	\|-		\|-

Fitzgerald Lee at 09:44, 14 November 2025

2025-11-14T09:44:02Z

← Older revision		Revision as of 09:44, 14 November 2025
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	\|2\|\|\|\|[[31edo\|31]]\|\|		\|2\|\|\|\|[[31edo\|31]]\|\|
			\|-
			\|2\|\|\|\|[[46edo\|46]]\|\|
	\|}		\|}

Fitzgerald Lee at 09:39, 14 November 2025

2025-11-14T09:39:19Z

← Older revision		Revision as of 09:39, 14 November 2025
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	\|1\|\|\|\|[[94edo\|94]]\|\|Due to its record high consistency limit, I use it to categorise intervals. Nothing else either close to its size or reasonably sized matches its consistency limit, so it's safe to stop here.		\|1\|\|\|\|[[94edo\|94]]\|\|Due to its record high consistency limit, I use it to categorise intervals. Nothing else either close to its size or reasonably sized matches its consistency limit, so it's safe to stop here.
	\|-		\|-
	\|2\|\|Edos that are sidegrades or alternatives to the edos listed above that I don't consider to be good enough to be the best. They're still pretty good though.\|\|[[6edo\|6]]\|\|		\|2\|\|Edos that are sidegrades or alternatives to the edos listed above in Tier 1 that I don't consider to be good enough to be the best. They're still pretty good though.\|\|[[6edo\|6]]\|\|
	\|-		\|-
	\|2\|\|\|\|[[8edo\|8]]\|\|		\|2\|\|\|\|[[8edo\|8]]\|\|

Fitzgerald Lee at 04:57, 14 November 2025

2025-11-14T04:57:21Z

← Older revision		Revision as of 04:57, 14 November 2025
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	!rowspan="1"\|Tier!!rowspan="1"\|Tier description!!rowspan="1"\|Edo!!rowspan="1"\|Explanation		!rowspan="1"\|Tier!!rowspan="1"\|Tier description!!rowspan="1"\|Edo!!rowspan="1"\|Explanation
	\|-5-limit		\|-5-limit
	\|1\|\|Edos I consider the best in their own areas and sizes. If someone dislikes one of them, I am ready to fight them with whatever I got.\|\|[[5edo\|5]]\|\|The first xenharmonic edo, and it sounds really unique. A really good 2.3.7 system that's used in the edo below, though it doesn't have a good 5. It's also the first edo to have two distinct and consistent thirds, with its [[Extraclassical tonality\|arto and tendo]] thirds acting as approximations of 7/6 and 9/7.		\|1\|\|Edos I consider the best in their own areas and sizes. If someone dislikes one of them, I am ready to fight them with whatever I got.\|\|[[5edo\|5]]\|\|The first xenharmonic edo, and it sounds really unique. A really good 2.3.7 system that's used in the edo below, though it doesn't have a good 5. It's also the first edo to have two distinct and consistent thirds, with its [[Extraclassical tonality\|arto and tendo]] thirds acting as approximations of [[7/6]] and [[9/7]].
	\|-		\|-
	\|1\|\|\|\|[[15edo\|15]]\|\|The edo I consider to first be usable in the [[7-odd-limit]], as it is the first edo to both be [[consistency\|consistent]] in that limit and distinguish all 3 thirds within it ([[7/6]], [[6/5]], [[5/4]]). It comes with a usable 5-odd-limit, a pretty good [[4:5:6:7]] and very interesting structure. All in all, a pretty good tuning system for the 7-odd-limit, and especially for its size.		\|1\|\|\|\|[[15edo\|15]]\|\|The edo I consider to first be usable in the [[7-odd-limit]], as it is the first edo to both be [[consistency\|consistent]] in that limit and distinguish all 3 thirds within it (7/6, [[6/5]], [[5/4]]). It comes with a usable 5-odd-limit, a pretty good [[4:5:6:7]] and very interesting structure. All in all, a pretty good tuning system for the 7-odd-limit, and especially for its size.
	\|-		\|-
	\|1\|\|\|\|[[19edo\|19]]\|\|Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. However, in exchange, 19edo’s [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion, since its [[7/4]] is ''really'' off compared to 15edo. Nevertheless, not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner.		\|1\|\|\|\|[[19edo\|19]]\|\|Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent 9/7, but also outshines it and even [[12edo]] in the [[5-odd-limit]]. However, in exchange, 19edo’s [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion, since its [[7/4]] is ''really'' off compared to 15edo. Nevertheless, not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner.
	\|-		\|-
	\|1\|\|\|\|[[22edo\|22]]\|\|If you're looking at 19edo and want to exchange some 5-limit accuracy for some in the 7-limit, 22edo has got you covered. Its 7/4 is about as far as 5/4 is from 1\3 (400c), and its 5-limit is still better than 15edo's. It's in fact the second edo to represent the 9-odd-limit thirds distinctly and consistently, and takes it a step further by being the first edo to be consistent in the [[11-odd-limit]]. It's basically a direct upgrade from 15edo, having both [[nicetone]] and [[porcupine]] while also being consistent in odd-limits higher than 7.		\|1\|\|\|\|[[22edo\|22]]\|\|If you're looking at 19edo and want to exchange some 5-limit accuracy for some in the 7-limit, 22edo has got you covered. Its 7/4 is about as far as 5/4 is from 1\3 (400c), and its 5-limit is still better than 15edo's. It's in fact the second edo to represent the 9-odd-limit thirds distinctly and consistently, and takes it a step further by being the first edo to be consistent in the [[11-odd-limit]]. It's basically a direct upgrade from 15edo, having both [[nicetone]] and [[porcupine]] while also being consistent in odd-limits higher than 7.

Fitzgerald Lee at 04:42, 14 November 2025

2025-11-14T04:42:56Z

← Older revision		Revision as of 04:42, 14 November 2025
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	\|1\|\|\|\|[[19edo\|19]]\|\|Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. However, in exchange, 19edo’s [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion, since its [[7/4]] is ''really'' off compared to 15edo. Nevertheless, not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner.		\|1\|\|\|\|[[19edo\|19]]\|\|Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. However, in exchange, 19edo’s [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion, since its [[7/4]] is ''really'' off compared to 15edo. Nevertheless, not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner.
	\|-		\|-
	\|1\|\|\|\|[[22edo\|22]]\|\|If you're looking at 19edo and want to exchange some 5-limit accuracy for some in the 7-limit, 22edo has got you covered. Its 7/4 is about as far as 5/4 is from 1\3 (400c), and its 5-limit is still better than 15edo's. It's in fact the second edo to represent the 9-odd-limit thirds distinctly and consistently, and takes it a step further by being the first edo to be consistent in the [[11-odd-limit]]. It's basically a direct upgrade from 15edo, having both [[nicetone]] and [[porcupine]] while also being consistent in limits higher than 7.		\|1\|\|\|\|[[22edo\|22]]\|\|If you're looking at 19edo and want to exchange some 5-limit accuracy for some in the 7-limit, 22edo has got you covered. Its 7/4 is about as far as 5/4 is from 1\3 (400c), and its 5-limit is still better than 15edo's. It's in fact the second edo to represent the 9-odd-limit thirds distinctly and consistently, and takes it a step further by being the first edo to be consistent in the [[11-odd-limit]]. It's basically a direct upgrade from 15edo, having both [[nicetone]] and [[porcupine]] while also being consistent in odd-limits higher than 7.
	\|-		\|-
	\|1\|\|\|\|[[29edo\|29]]\|\|The first edo to be consistent in the [[15-odd-limit]] and have three pairs of consistent thirds (arto/tendo, [[Neogothic major and minor\|neominor/neomajor]] and [[Submajor and supraminor\|superminor/submajor]]). It's also a near-pyth edo, so the familiar 3-limit harmony from 12edo is also usable here. In my opinion, this edo is the perfect size for its consistency, though if you want more accuracy to [[just intonation]], then the edo below is perfect for that.		\|1\|\|\|\|[[29edo\|29]]\|\|The first edo to be consistent in the [[15-odd-limit]] and have three pairs of consistent thirds (arto/tendo, [[Neogothic major and minor\|neominor/neomajor]] and [[Submajor and supraminor\|superminor/submajor]]). It's also a near-pyth edo, so the familiar 3-limit harmony from 12edo is also usable here. In my opinion, this edo is the perfect size for its consistency, though if you want more accuracy to [[just intonation]], then the edo below is perfect for that.
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	\|-		\|-
	\|2\|\|\|\|[[26edo\|26]]\|\|		\|2\|\|\|\|[[26edo\|26]]\|\|
			\|-
			\|2\|\|\|\|[[27edo\|27]]\|\|
			\|-
			\|2\|\|\|\|[[31edo\|31]]\|\|
	\|}		\|}

Fitzgerald Lee at 04:32, 14 November 2025

2025-11-14T04:32:25Z

← Older revision		Revision as of 04:32, 14 November 2025
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	!rowspan="1"\|Tier!!rowspan="1"\|Tier description!!rowspan="1"\|Edo!!rowspan="1"\|Explanation		!rowspan="1"\|Tier!!rowspan="1"\|Tier description!!rowspan="1"\|Edo!!rowspan="1"\|Explanation
	\|-5-limit		\|-5-limit
	\|1\|\|Edos I consider the best in their own areas and sizes. If someone dislikes one of them, I am ready to fight them with whatever I got.\|\|[[15edo\|15]]\|\|The edo I consider to first be usable in the [[7-odd-limit]], as it is the first edo to both be [[consistency\|consistent]] in that limit and distinguish all 3 thirds within it ([[7/6]], [[6/5]], [[5/4]]). It comes with a usable 5-odd-limit, a pretty good [[4:5:6:7]] and very interesting structure. All in all, a pretty good tuning system for the 7-odd-limit, and especially for its size.		\|1\|\|Edos I consider the best in their own areas and sizes. If someone dislikes one of them, I am ready to fight them with whatever I got.\|\|[[5edo\|5]]\|\|The first xenharmonic edo, and it sounds really unique. A really good 2.3.7 system that's used in the edo below, though it doesn't have a good 5. It's also the first edo to have two distinct and consistent thirds, with its [[Extraclassical tonality\|arto and tendo]] thirds acting as approximations of 7/6 and 9/7.
			\|-
			\|1\|\|\|\|[[15edo\|15]]\|\|The edo I consider to first be usable in the [[7-odd-limit]], as it is the first edo to both be [[consistency\|consistent]] in that limit and distinguish all 3 thirds within it ([[7/6]], [[6/5]], [[5/4]]). It comes with a usable 5-odd-limit, a pretty good [[4:5:6:7]] and very interesting structure. All in all, a pretty good tuning system for the 7-odd-limit, and especially for its size.
	\|-		\|-
	\|1\|\|\|\|[[19edo\|19]]\|\|Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. However, in exchange, 19edo’s [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion, since its [[7/4]] is ''really'' off compared to 15edo. Nevertheless, not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner.		\|1\|\|\|\|[[19edo\|19]]\|\|Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. However, in exchange, 19edo’s [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion, since its [[7/4]] is ''really'' off compared to 15edo. Nevertheless, not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner.
Line 9:		Line 11:
	\|1\|\|\|\|[[22edo\|22]]\|\|If you're looking at 19edo and want to exchange some 5-limit accuracy for some in the 7-limit, 22edo has got you covered. Its 7/4 is about as far as 5/4 is from 1\3 (400c), and its 5-limit is still better than 15edo's. It's in fact the second edo to represent the 9-odd-limit thirds distinctly and consistently, and takes it a step further by being the first edo to be consistent in the [[11-odd-limit]]. It's basically a direct upgrade from 15edo, having both [[nicetone]] and [[porcupine]] while also being consistent in limits higher than 7.		\|1\|\|\|\|[[22edo\|22]]\|\|If you're looking at 19edo and want to exchange some 5-limit accuracy for some in the 7-limit, 22edo has got you covered. Its 7/4 is about as far as 5/4 is from 1\3 (400c), and its 5-limit is still better than 15edo's. It's in fact the second edo to represent the 9-odd-limit thirds distinctly and consistently, and takes it a step further by being the first edo to be consistent in the [[11-odd-limit]]. It's basically a direct upgrade from 15edo, having both [[nicetone]] and [[porcupine]] while also being consistent in limits higher than 7.
	\|-		\|-
	\|1\|\|\|\|[[29edo\|29]]\|\|The first edo to be consistent in the [[15-odd-limit]] and have three pairs of consistent thirds (~~[[Extraclassical tonality\|~~arto/tendo]], [[Neogothic major and minor\|neominor/neomajor]] and [[Submajor and supraminor\|superminor/submajor]]). It's also a near-pyth edo, so the familiar 3-limit harmony from 12edo is also usable here. In my opinion, this edo is the perfect size for its consistency, though if you want more accuracy to [[just intonation]], then the edo below is perfect for that.		\|1\|\|\|\|[[29edo\|29]]\|\|The first edo to be consistent in the [[15-odd-limit]] and have three pairs of consistent thirds (arto/tendo, [[Neogothic major and minor\|neominor/neomajor]] and [[Submajor and supraminor\|superminor/submajor]]). It's also a near-pyth edo, so the familiar 3-limit harmony from 12edo is also usable here. In my opinion, this edo is the perfect size for its consistency, though if you want more accuracy to [[just intonation]], then the edo below is perfect for that.
	\|-		\|-
	\|1\|\|\|\|[[41edo\|41]]\|\|Somewhat of a fan favourite within the xen community due to its wonderful JI approximation. It's used best in the 15-odd-limit, where it serves as a direct improvement to 29edo. Though its size might be too unwieldy or daunting, like 19edo, it also has many resources online for any to peruse.		\|1\|\|\|\|[[41edo\|41]]\|\|Somewhat of a fan favourite within the xen community due to its wonderful JI approximation. It's used best in the 15-odd-limit, where it serves as a direct improvement to 29edo. Though its size might be too unwieldy or daunting, like 19edo, it also has many resources online for any to peruse.
	\|-		\|-
	\|1\|\|\|\|[[94edo\|94]]\|\|Due to its record high consistency limit, I use it to categorise intervals. Nothing else either close to its size or reasonably sized matches its consistency limit, so it's safe to stop here.		\|1\|\|\|\|[[94edo\|94]]\|\|Due to its record high consistency limit, I use it to categorise intervals. Nothing else either close to its size or reasonably sized matches its consistency limit, so it's safe to stop here.
			\|-
			\|2\|\|Edos that are sidegrades or alternatives to the edos listed above that I don't consider to be good enough to be the best. They're still pretty good though.\|\|[[6edo\|6]]\|\|
			\|-
			\|2\|\|\|\|[[8edo\|8]]\|\|
			\|-
			\|2\|\|\|\|[[9edo\|9]]\|\|
			\|-
			\|2\|\|\|\|[[10edo\|10]]\|\|
			\|-
			\|2\|\|\|\|[[12edo\|12]]\|\|
			\|-
			\|2\|\|\|\|[[16edo\|16]]\|\|
			\|-
			\|2\|\|\|\|[[18edo\|18]]\|\|
			\|-
			\|2\|\|\|\|[[21edo\|21]]\|\|
			\|-
			\|2\|\|\|\|[[26edo\|26]]\|\|
	\|}		\|}

Fitzgerald Lee at 02:47, 14 November 2025

2025-11-14T02:47:18Z

← Older revision		Revision as of 02:47, 14 November 2025
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	{\|class="wikitable"		{\|class="wikitable"
	!rowspan="1"\|Tier!!rowspan="1"\|Tier description!!rowspan="1"\|Edo!!rowspan="1"\|Explanation		!rowspan="1"\|Tier!!rowspan="1"\|Tier description!!rowspan="1"\|Edo!!rowspan="1"\|Explanation
			\|-5-limit
			\|1\|\|Edos I consider the best in their own areas and sizes. If someone dislikes one of them, I am ready to fight them with whatever I got.\|\|[[15edo\|15]]\|\|The edo I consider to first be usable in the [[7-odd-limit]], as it is the first edo to both be [[consistency\|consistent]] in that limit and distinguish all 3 thirds within it ([[7/6]], [[6/5]], [[5/4]]). It comes with a usable 5-odd-limit, a pretty good [[4:5:6:7]] and very interesting structure. All in all, a pretty good tuning system for the 7-odd-limit, and especially for its size.
	\|-		\|-
	\|1\|\|~~Edos I consider the best in their own areas. If someone dislikes one of them, I am ready to fight them with whatever I got.~~\|\|[[~~15edo~~\|15]]\|\|~~The edo I consider to first be usable~~ in the [[7-odd-limit]], as ~~it is the first edo to both be~~ [[~~consistency\|consistent~~]] ~~in that limit~~ and ~~distinguish all 3 thirds within it (~~[[~~7/6~~]], [[6/5]], [[~~5/4~~]]~~). It comes with a usable 5-odd-limit~~, ~~a pretty good~~ [[4~~:5:6:7~~]] ~~and very interesting structure~~. ~~All in all~~, a ~~pretty good tuning system~~ for ~~the 7-odd-limit~~, ~~and especially for its size~~.		\|1\|\|\|\|[[19edo\|19]]\|\|Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. However, in exchange, 19edo’s [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion, since its [[7/4]] is ''really'' off compared to 15edo. Nevertheless, not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner.
	\|-		\|-
	\|1\|\|\|\|[[~~19edo~~\|19]]\|\|~~Same case~~ for 15edo ~~but~~ in the [[9-odd-limit]], ~~as 19edo not only improves upon 15edo~~ by ~~getting a~~ consistent ~~[[9/7]], but also outshines it and even [[12edo]]~~ in the [[5-odd-limit]]. ~~However, in exchange~~, ~~19edo’s~~ [[~~7-limit~~]] ~~chords~~ and ~~intervals isn't as good as 15edo's in my opinion, since its~~ [[~~7/4~~]] ~~is ''really'' off compared to 15edo. Nevertheless, not only does it come with a handy notation, it~~ also ~~has loads of online resources for it, so it's very easy to pick up as a beginner~~.		\|1\|\|\|\|[[22edo\|22]]\|\|If you're looking at 19edo and want to exchange some 5-limit accuracy for some in the 7-limit, 22edo has got you covered. Its 7/4 is about as far as 5/4 is from 1\3 (400c), and its 5-limit is still better than 15edo's. It's in fact the second edo to represent the 9-odd-limit thirds distinctly and consistently, and takes it a step further by being the first edo to be consistent in the [[11-odd-limit]]. It's basically a direct upgrade from 15edo, having both [[nicetone]] and [[porcupine]] while also being consistent in limits higher than 7.
	\|-		\|-
	\|1\|\|\|\|[[29edo\|29]]\|\|The first edo to be consistent in the [[15-odd-limit]] and have three pairs of consistent thirds ([[Extraclassical tonality\|arto/tendo]], [[Neogothic major and minor\|neominor/neomajor]] and [[Submajor and supraminor\|superminor/submajor]]). It's also a near-pyth edo, so the familiar 3-limit harmony from 12edo is also usable here. In my opinion, this edo is the perfect size for its consistency, though if you want more accuracy to [[just intonation]], then the edo below is perfect for that.		\|1\|\|\|\|[[29edo\|29]]\|\|The first edo to be consistent in the [[15-odd-limit]] and have three pairs of consistent thirds ([[Extraclassical tonality\|arto/tendo]], [[Neogothic major and minor\|neominor/neomajor]] and [[Submajor and supraminor\|superminor/submajor]]). It's also a near-pyth edo, so the familiar 3-limit harmony from 12edo is also usable here. In my opinion, this edo is the perfect size for its consistency, though if you want more accuracy to [[just intonation]], then the edo below is perfect for that.

Fitzgerald Lee at 01:06, 14 November 2025

2025-11-14T01:06:40Z

← Older revision		Revision as of 01:06, 14 November 2025
Line 11:		Line 11:
	\|1\|\|\|\|[[41edo\|41]]\|\|Somewhat of a fan favourite within the xen community due to its wonderful JI approximation. It's used best in the 15-odd-limit, where it serves as a direct improvement to 29edo. Though its size might be too unwieldy or daunting, like 19edo, it also has many resources online for any to peruse.		\|1\|\|\|\|[[41edo\|41]]\|\|Somewhat of a fan favourite within the xen community due to its wonderful JI approximation. It's used best in the 15-odd-limit, where it serves as a direct improvement to 29edo. Though its size might be too unwieldy or daunting, like 19edo, it also has many resources online for any to peruse.
	\|-		\|-
	\|1\|\|\|\|[[94edo\|94]]\|\|Due to its record high consistency limit, I use it to categorise intervals. Nothing else either close to its size or reasonably sized ~~even comes close to~~ its consistency limit, so it's safe to stop here.		\|1\|\|\|\|[[94edo\|94]]\|\|Due to its record high consistency limit, I use it to categorise intervals. Nothing else either close to its size or reasonably sized matches its consistency limit, so it's safe to stop here.
	\|}		\|}

Fitzgerald Lee at 01:05, 14 November 2025

2025-11-14T01:05:26Z

← Older revision		Revision as of 01:05, 14 November 2025
Line 5:		Line 5:
	\|1\|\|Edos I consider the best in their own areas. If someone dislikes one of them, I am ready to fight them with whatever I got.\|\|[[15edo\|15]]\|\|The edo I consider to first be usable in the [[7-odd-limit]], as it is the first edo to both be [[consistency\|consistent]] in that limit and distinguish all 3 thirds within it ([[7/6]], [[6/5]], [[5/4]]). It comes with a usable 5-odd-limit, a pretty good [[4:5:6:7]] and very interesting structure. All in all, a pretty good tuning system for the 7-odd-limit, and especially for its size.		\|1\|\|Edos I consider the best in their own areas. If someone dislikes one of them, I am ready to fight them with whatever I got.\|\|[[15edo\|15]]\|\|The edo I consider to first be usable in the [[7-odd-limit]], as it is the first edo to both be [[consistency\|consistent]] in that limit and distinguish all 3 thirds within it ([[7/6]], [[6/5]], [[5/4]]). It comes with a usable 5-odd-limit, a pretty good [[4:5:6:7]] and very interesting structure. All in all, a pretty good tuning system for the 7-odd-limit, and especially for its size.
	\|-		\|-
	\|1\|\|\|\|[[19edo\|19]]\|\|Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. However, in exchange, 19edo’s [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion, since its [[7/4]] is ''really'' off compared to 15edo. Nevertheless, ~~noy~~ only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner.		\|1\|\|\|\|[[19edo\|19]]\|\|Same case for 15edo but in the [[9-odd-limit]], as 19edo not only improves upon 15edo by getting a consistent [[9/7]], but also outshines it and even [[12edo]] in the [[5-odd-limit]]. However, in exchange, 19edo’s [[7-limit]] chords and intervals isn't as good as 15edo's in my opinion, since its [[7/4]] is ''really'' off compared to 15edo. Nevertheless, not only does it come with a handy notation, it also has loads of online resources for it, so it's very easy to pick up as a beginner.
	\|-		\|-
	\|1\|\|\|\|[[29edo\|29]]\|\|The first edo to be consistent in the [[15-odd-limit]] and have three pairs of consistent thirds ([[Extraclassical tonality\|arto/tendo]], [[Neogothic major and minor\|neominor/neomajor]] and [[Submajor and supraminor\|superminor/submajor]]). It's also a near-pyth edo, so the familiar 3-limit harmony from 12edo is also usable here. In my opinion, this edo is the perfect size for its consistency, though if you want more accuracy to [[just intonation]], then the edo below is perfect for that.		\|1\|\|\|\|[[29edo\|29]]\|\|The first edo to be consistent in the [[15-odd-limit]] and have three pairs of consistent thirds ([[Extraclassical tonality\|arto/tendo]], [[Neogothic major and minor\|neominor/neomajor]] and [[Submajor and supraminor\|superminor/submajor]]). It's also a near-pyth edo, so the familiar 3-limit harmony from 12edo is also usable here. In my opinion, this edo is the perfect size for its consistency, though if you want more accuracy to [[just intonation]], then the edo below is perfect for that.