User:Fitzgerald Lee/15edo Chord Names - Revision history

Fitzgerald Lee: fixed desc

2025-11-04T02:23:26Z

fixed desc

← Older revision		Revision as of 02:23, 4 November 2025
Line 1:		Line 1:
	==Chord Names==		==Chord Names==
	Triads shown here are the ones built from thirds, or from a second or fourth with a fifth.		Triads shown here are the ones built from thirds, or from a second or fourth with a [[3/2]] fifth.
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: 120%;" \|		\|+ style="font-size: 120%;" \|

Fitzgerald Lee: fixed correspondence

2025-11-04T02:10:14Z

fixed correspondence

← Older revision		Revision as of 02:10, 4 November 2025
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	\| 18\15 \|\| 16/7 \|\| s \|\| Subminor Tenth		\| 18\15 \|\| 16/7 \|\| s \|\| Subminor Tenth
	\|}		\|}
	X: The seventh which is derived from going the corresponding third up from the fifth (only applicable to ~~subminor~~, ~~minor~~ and ~~major~~ chords).		X: The seventh which is derived from going the corresponding third up from the fifth (only applicable to Triforce, Diminished and Wolf chords).
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: 102%;" \|		\|+ style="font-size: 102%;" \|

Fitzgerald Lee at 08:02, 2 September 2025

2025-09-02T08:02:21Z

← Older revision		Revision as of 08:02, 2 September 2025
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	\| [0,5,10] \|\| 20:25:32 \|\| Ca \|\| Augmented		\| [0,5,10] \|\| 20:25:32 \|\| Ca \|\| Augmented
	\|}		\|}
	Tetradic and pentadic extensions have different intervals to use, depending on the top note of the triad in root position. Extensions shown below are assuming that tetradic and pentadic extensions extend by thirds (except ~~major~~ 6th chords, which usually only extends by a fourth to a 6/9 chord but is still notatable in this system).		Tetradic and pentadic extensions have different intervals to use, depending on the top note of the triad in root position. Extensions shown below are assuming that tetradic and pentadic extensions extend by thirds (except 6th chords, which usually only extends by a fourth to a 6/9 chord but is still notatable in this system).
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: 102%;" \|		\|+ style="font-size: 102%;" \|

Fitzgerald Lee at 07:58, 2 September 2025

2025-09-02T07:58:33Z

← Older revision		Revision as of 07:58, 2 September 2025
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	==Examples==		==Examples==
	Assuming the root note is C,		Assuming the root note is C,
	</br>		<br>
	[0,3,8,11] → Ct6		[0,3,8,11] → Ct6
	</br>		<br>
	[0,4,8,12] → Cd7		[0,4,8,12] → Cd7
	</br>		<br>
	[0,5,9,13] → Cn		[0,5,9,13] → Cn
	</br>		<br>
			[0,3,6,9,13] → Cf5n
			<br>
			[0,4,9,14,19] → CmMm
			<br>
			[0,5,9,12,17] → Ch9
			<br>
	Etc.		Etc.

	==Links==		==Links==
	[https://luphoria.com/xenpaper/#%7B15edo%7D(bpm%3A10)%0A%5B0%2C3%2C6%5D_%23Cf_(semaphore)_21%3A24%3A28%0A%5B0%2C3%2C7%5D_%23Cu_(utonal_diminished)_7%2F6%2F5%0A%5B0%2C4%2C7%5D_%23Co_(otonal_diminished)_5%3A6%3A7%0A%5B0%2C3%2C8%5D_%23Ct_(triforce)_7%3A8%3A10%0A%5B0%2C4%2C8%5D_%23Cd_(diminished)_35%3A42%3A50%0A%5B0%2C5%2C8%5D_%23Cw_(wolf)_10%2F8%2F7%0A%5B0%2C2%2C9%5D_%23C2_(suspended_second)_18%3A20%3A27%0A%5B0%2C3%2C9%5D_%23Cs_(subminor)_6%3A7%3A9%0A%5B0%2C4%2C9%5D_%23Cm_(minor)_6%2F5%2F4%0A%5B0%2C5%2C9%5D_%23C_(major)_4%3A5%3A6%0A%5B0%2C6%2C9%5D_%23C4_(suspended_fourth)_6%3A8%3A9%0A%5B0%2C5%2C10%5D_%23Ca_(augmented)_20%3A25%3A32%0A%0A%5B0%2C3%2C6%2C8%5D_%23Cfd%0A%5B0%2C3%2C6%2C9%5D_%23Cf5%0A%5B0%2C3%2C6%2C10%5D_%23Cfm%0A%5B0%2C3%2C6%2C11%5D_%23Cf6%0A%0A%5B0%2C3%2C7%2C9%5D_%23Cu5%0A%5B0%2C3%2C7%2C10%5D_%23Cum%0A%5B0%2C3%2C7%2C11%5D_%23Cu6%0A%5B0%2C3%2C7%2C12%5D_%23Cuh%0A%0A%5B0%2C4%2C7%2C9%5D_%23Co5%0A%5B0%2C4%2C7%2C10%5D_%23Com%0A%5B0%2C4%2C7%2C11%5D_%23Co6%0A%5B0%2C4%2C7%2C12%5D_%23Coh%0A%0A%5B0%2C3%2C8%2C10%5D_%23Ctm%0A%5B0%2C3%2C8%2C11%5D_%23Ct7%0A%5B0%2C3%2C8%2C12%5D_%23Cth%0A%5B0%2C3%2C8%2C13%5D_%23Ctn%0A%0A%5B0%2C4%2C8%2C10%5D_%23Cdm%0A%5B0%2C4%2C8%2C11%5D_%23Cd6%0A%5B0%2C4%2C8%2C12%5D_%23Cd7%0A%5B0%2C4%2C8%2C13%5D_%23Cdn%0A%0A%5B0%2C5%2C8%2C10%5D_%23Cwm%0A%5B0%2C5%2C8%2C11%5D_%23Cw6%0A%5B0%2C5%2C8%2C12%5D_%23Cwh%0A%5B0%2C5%2C8%2C13%5D_%23Cw7%0A%0A%5B0%2C2%2C9%2C11%5D_%23C26%0A%5B0%2C2%2C9%2C12%5D_%23C2h%0A%5B0%2C2%2C9%2C13%5D_%23C2n%0A%5B0%2C2%2C9%2C14%5D_%23C2M%0A%0A%5B0%2C3%2C9%2C11%5D_%23Cs6%0A%5B0%2C3%2C9%2C12%5D_%23Cs7%0A%5B0%2C3%2C9%2C13%5D_%23Csn%0A%5B0%2C3%2C9%2C14%5D_%23CsM%0A%0A%5B0%2C4%2C9%2C11%5D_%23Cm6%0A%5B0%2C4%2C9%2C12%5D_%23Cmh%0A%5B0%2C4%2C9%2C13%5D_%23Cm7%0A%5B0%2C4%2C9%2C14%5D_%23CmM%0A%0A%5B0%2C5%2C9%2C11%5D_%23C6%0A%5B0%2C5%2C9%2C12%5D_%23Ch%0A%5B0%2C5%2C9%2C13%5D_%23Cn%0A%5B0%2C5%2C9%2C14%5D_%23C7%0A%0A%5B0%2C6%2C9%2C11%5D_%23C46%0A%5B0%2C6%2C9%2C12%5D_%23C4h%0A%5B0%2C6%2C9%2C13%5D_%23C4n%0A%5B0%2C6%2C9%2C14%5D_%23C4M%0A%0A%5B0%2C5%2C10%2C12%5D_%23Cah%0A%5B0%2C5%2C10%2C13%5D_%23Can%0A%5B0%2C5%2C10%2C14%5D_%23Ca7 15edo Triad and Tetrad Names in Xenpaper]		[https://luphoria.com/xenpaper/#%7B15edo%7D(bpm%3A10)%0A%5B0%2C3%2C6%5D_%23Cf_(semaphore)_21%3A24%3A28%0A%5B0%2C3%2C7%5D_%23Cu_(utonal_diminished)_7%2F6%2F5%0A%5B0%2C4%2C7%5D_%23Co_(otonal_diminished)_5%3A6%3A7%0A%5B0%2C3%2C8%5D_%23Ct_(triforce)_7%3A8%3A10%0A%5B0%2C4%2C8%5D_%23Cd_(diminished)_35%3A42%3A50%0A%5B0%2C5%2C8%5D_%23Cw_(wolf)_10%2F8%2F7%0A%5B0%2C2%2C9%5D_%23C2_(suspended_second)_18%3A20%3A27%0A%5B0%2C3%2C9%5D_%23Cs_(subminor)_6%3A7%3A9%0A%5B0%2C4%2C9%5D_%23Cm_(minor)_6%2F5%2F4%0A%5B0%2C5%2C9%5D_%23C_(major)_4%3A5%3A6%0A%5B0%2C6%2C9%5D_%23C4_(suspended_fourth)_6%3A8%3A9%0A%5B0%2C5%2C10%5D_%23Ca_(augmented)_20%3A25%3A32%0A%0A%5B0%2C3%2C6%2C8%5D_%23Cfd%0A%5B0%2C3%2C6%2C9%5D_%23Cf5%0A%5B0%2C3%2C6%2C10%5D_%23Cfm%0A%5B0%2C3%2C6%2C11%5D_%23Cf6%0A%0A%5B0%2C3%2C7%2C9%5D_%23Cu5%0A%5B0%2C3%2C7%2C10%5D_%23Cum%0A%5B0%2C3%2C7%2C11%5D_%23Cu6%0A%5B0%2C3%2C7%2C12%5D_%23Cuh%0A%0A%5B0%2C4%2C7%2C9%5D_%23Co5%0A%5B0%2C4%2C7%2C10%5D_%23Com%0A%5B0%2C4%2C7%2C11%5D_%23Co6%0A%5B0%2C4%2C7%2C12%5D_%23Coh%0A%0A%5B0%2C3%2C8%2C10%5D_%23Ctm%0A%5B0%2C3%2C8%2C11%5D_%23Ct7%0A%5B0%2C3%2C8%2C12%5D_%23Cth%0A%5B0%2C3%2C8%2C13%5D_%23Ctn%0A%0A%5B0%2C4%2C8%2C10%5D_%23Cdm%0A%5B0%2C4%2C8%2C11%5D_%23Cd6%0A%5B0%2C4%2C8%2C12%5D_%23Cd7%0A%5B0%2C4%2C8%2C13%5D_%23Cdn%0A%0A%5B0%2C5%2C8%2C10%5D_%23Cwm%0A%5B0%2C5%2C8%2C11%5D_%23Cw6%0A%5B0%2C5%2C8%2C12%5D_%23Cwh%0A%5B0%2C5%2C8%2C13%5D_%23Cw7%0A%0A%5B0%2C2%2C9%2C11%5D_%23C26%0A%5B0%2C2%2C9%2C12%5D_%23C2h%0A%5B0%2C2%2C9%2C13%5D_%23C2n%0A%5B0%2C2%2C9%2C14%5D_%23C2M%0A%0A%5B0%2C3%2C9%2C11%5D_%23Cs6%0A%5B0%2C3%2C9%2C12%5D_%23Cs7%0A%5B0%2C3%2C9%2C13%5D_%23Csn%0A%5B0%2C3%2C9%2C14%5D_%23CsM%0A%0A%5B0%2C4%2C9%2C11%5D_%23Cm6%0A%5B0%2C4%2C9%2C12%5D_%23Cmh%0A%5B0%2C4%2C9%2C13%5D_%23Cm7%0A%5B0%2C4%2C9%2C14%5D_%23CmM%0A%0A%5B0%2C5%2C9%2C11%5D_%23C6%0A%5B0%2C5%2C9%2C12%5D_%23Ch%0A%5B0%2C5%2C9%2C13%5D_%23Cn%0A%5B0%2C5%2C9%2C14%5D_%23C7%0A%0A%5B0%2C6%2C9%2C11%5D_%23C46%0A%5B0%2C6%2C9%2C12%5D_%23C4h%0A%5B0%2C6%2C9%2C13%5D_%23C4n%0A%5B0%2C6%2C9%2C14%5D_%23C4M%0A%0A%5B0%2C5%2C10%2C12%5D_%23Cah%0A%5B0%2C5%2C10%2C13%5D_%23Can%0A%5B0%2C5%2C10%2C14%5D_%23Ca7 15edo Triad and Tetrad Names in Xenpaper]

Fitzgerald Lee at 07:42, 2 September 2025

2025-09-02T07:42:22Z

← Older revision		Revision as of 07:42, 2 September 2025
Line 100:		Line 100:
	\| 18\15 \|\| 16/7 \|\| s \|\| Subminor Tenth		\| 18\15 \|\| 16/7 \|\| s \|\| Subminor Tenth
	\|}		\|}
	X: The ~~interval~~ which is derived from going up the corresponding third up from the fifth (only applicable to subminor, minor and major chords).		X: The seventh which is derived from going the corresponding third up from the fifth (only applicable to subminor, minor and major chords).
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: 102%;" \|		\|+ style="font-size: 102%;" \|
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	\|-		\|-
	\|}		\|}
	X: The ~~interval~~ which is derived from going up the corresponding third up from the fifth (only applicable to subminor, minor and major chords).		X: The seventh which is derived from going the corresponding third up from the fifth (only applicable to subminor, minor and major chords).
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: 102%;" \|		\|+ style="font-size: 102%;" \|

Fitzgerald Lee at 07:38, 2 September 2025

2025-09-02T07:38:31Z

← Older revision		Revision as of 07:38, 2 September 2025
Line 31:		Line 31:
	\| [0,5,10] \|\| 20:25:32 \|\| Ca \|\| Augmented		\| [0,5,10] \|\| 20:25:32 \|\| Ca \|\| Augmented
	\|}		\|}
	Tetradic and pentadic extensions have different intervals to use, depending on the top note of the triad in root position. Extensions shown below are assuming that tetradic and pentadic extensions extend by thirds (except major 6th chords, which usually ~~don't extend~~ by ~~thirds again anyway~~).		Tetradic and pentadic extensions have different intervals to use, depending on the top note of the triad in root position. Extensions shown below are assuming that tetradic and pentadic extensions extend by thirds (except major 6th chords, which usually only extends by a fourth to a 6/9 chord but is still notatable in this system).
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: 102%;" \|		\|+ style="font-size: 102%;" \|

Fitzgerald Lee at 07:34, 2 September 2025

2025-09-02T07:34:54Z

← Older revision		Revision as of 07:34, 2 September 2025
Line 31:		Line 31:
	\| [0,5,10] \|\| 20:25:32 \|\| Ca \|\| Augmented		\| [0,5,10] \|\| 20:25:32 \|\| Ca \|\| Augmented
	\|}		\|}
	Tetradic and pentadic extensions have different intervals to use, depending on the top note of the triad in root position.		Tetradic and pentadic extensions have different intervals to use, depending on the top note of the triad in root position. Extensions shown below are assuming that tetradic and pentadic extensions extend by thirds (except major 6th chords, which usually don't extend by thirds again anyway).
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: 102%;" \|		\|+ style="font-size: 102%;" \|

Fitzgerald Lee at 07:27, 2 September 2025

2025-09-02T07:27:06Z

← Older revision		Revision as of 07:27, 2 September 2025
Line 100:		Line 100:
	\| 18\15 \|\| 16/7 \|\| s \|\| Subminor Tenth		\| 18\15 \|\| 16/7 \|\| s \|\| Subminor Tenth
	\|}		\|}
	X: ~~Extend the chord by~~ the corresponding third in the ~~chord~~ (only applicable to ~~triforce~~, ~~diminished~~ and ~~wolf~~ chords).		X: The interval which is derived from going up the corresponding third up from the fifth (only applicable to subminor, minor and major chords).
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: 102%;" \|		\|+ style="font-size: 102%;" \|
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	\|-		\|-
	\|}		\|}
	X: ~~Add the~~ interval which is the corresponding third up from the fifth (only applicable to subminor, minor and major chords).		X: The interval which is derived from going up the corresponding third up from the fifth (only applicable to subminor, minor and major chords).
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: 102%;" \|		\|+ style="font-size: 102%;" \|

Fitzgerald Lee: added stuff

2025-09-02T07:20:42Z

added stuff

← Older revision		Revision as of 07:20, 2 September 2025
Line 31:		Line 31:
	\| [0,5,10] \|\| 20:25:32 \|\| Ca \|\| Augmented		\| [0,5,10] \|\| 20:25:32 \|\| Ca \|\| Augmented
	\|}		\|}
	Tetradic extensions have different intervals to use, depending on the top note of the triad in root position.		Tetradic and pentadic extensions have different intervals to use, depending on the top note of the triad in root position.
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: ~~120~~%;" \|		\|+ style="font-size: 102%;" \|
	Tetradic extensions (top note 6\15)		Tetradic and pentadic extensions (top note 6\15)
	\|-		\|-
	! Interval !! Approx. JI !! Shorthand !! Name		! Interval !! Approx. JI !! Shorthand !! Name
Line 45:		Line 45:
	\|-		\|-
	\| 11\15 \|\| 5/3 \|\| 6 \|\| Major Sixth		\| 11\15 \|\| 5/3 \|\| 6 \|\| Major Sixth
			\|-
			\| 12\15 \|\| 7/4 \|\| h \|\| Harmonic Seventh
			\|-
			\| 13\15 \|\| 9/5 \|\| n \|\| Neutral Seventh
			\|-
			\| 14\15 \|\| 15/8 \|\| M \|\| Major Seventh
			\|-
			\| 16\15 \|\| 32/15 \|\| m \|\| Minor Ninth
	\|}		\|}
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: ~~120~~%;" \|		\|+ style="font-size: 102%;" \|
	Tetradic extensions (top note 7\15)		Tetradic and pentadic extensions (top note 7\15)
	\|-		\|-
	! Interval !! Approx. JI !! Shorthand !! Name		! Interval !! Approx. JI !! Shorthand !! Name
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	\|-		\|-
	\| 12\15 \|\| 7/4 \|\| h \|\| Harmonic Seventh		\| 12\15 \|\| 7/4 \|\| h \|\| Harmonic Seventh
			\|-
			\| 13\15 \|\| 9/5 \|\| n \|\| Neutral Seventh
			\|-
			\| 14\15 \|\| 15/8 \|\| M \|\| Major Seventh
			\|-
			\| 16\15 \|\| 32/15 \|\| m \|\| Minor Ninth
			\|-
			\| 17\15 \|\| 20/9 \|\| 9 \|\| Major Ninth
	\|}		\|}
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: ~~120~~%;" \|		\|+ style="font-size: 102%;" \|
	Tetradic extensions (top note 8\15)		Tetradic and pentadic extensions (top note 8\15)
	\|-		\|-
	! Interval !! Approx. JI !! Shorthand !! Name		! Interval !! Approx. JI !! Shorthand !! Name
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	\|-		\|-
	\| 13\15 \|\| 9/5 \|\| n \|\| Neutral Seventh		\| 13\15 \|\| 9/5 \|\| n \|\| Neutral Seventh
			\|-
			\| 14\15 \|\| 15/8 \|\| M \|\| Major Seventh
	\|-		\|-
	\| X \|\| X \|\| 7 \|\| Seventh		\| X \|\| X \|\| 7 \|\| Seventh
			\|-
			\| 16\15 \|\| 32/15 \|\| m \|\| Minor Ninth
			\|-
			\| 17\15 \|\| 20/9 \|\| 9 \|\| Major Ninth
			\|-
			\| 18\15 \|\| 16/7 \|\| s \|\| Subminor Tenth
	\|}		\|}
	X: Extend the chord by the corresponding third in the chord (only applicable to triforce, diminished and wolf chords).		X: Extend the chord by the corresponding third in the chord (only applicable to triforce, diminished and wolf chords).
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: ~~120~~%;" \|		\|+ style="font-size: 102%;" \|
	Tetradic extensions (top note 9\15)		Tetradic and pentadic extensions (top note 9\15)
	\|-		\|-
	! Interval !! Approx. JI !! Shorthand !! Name		! Interval !! Approx. JI !! Shorthand !! Name
Line 92:		Line 116:
	\|-		\|-
	\| X \|\| X \|\| 7 \|\| Seventh		\| X \|\| X \|\| 7 \|\| Seventh
			\|-
			\| 16\15 \|\| 32/15 \|\| m \|\| Minor Ninth
			\|-
			\| 17\15 \|\| 20/9 \|\| M \|\| Major Ninth
			\|-
			\| 18\15 \|\| 16/7 \|\| s \|\| Subminor Tenth
			\|-
			\| 19\15 \|\| 12/5 \|\| m \|\| Minor Tenth
			\|-
	\|}		\|}
	X: ~~Extend~~ the ~~chord by~~ the corresponding third in the ~~chord~~ (only applicable to subminor, minor and major chords).		X: Add the interval which is the corresponding third up from the fifth (only applicable to subminor, minor and major chords).
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: ~~120~~%;" \|		\|+ style="font-size: 102%;" \|
	Tetradic extensions (top note 10\15)		Tetradic and pentadic extensions (top note 10\15)
	\|-		\|-
	! Interval !! Approx. JI !! Shorthand !! Name		! Interval !! Approx. JI !! Shorthand !! Name
Line 105:		Line 138:
	\|-		\|-
	\| 14\15 \|\| 15/8 \|\| 7 \|\| (Major) Seventh		\| 14\15 \|\| 15/8 \|\| 7 \|\| (Major) Seventh
			\|-
			\| 16\15 \|\| 32/15 \|\| m \|\| Minor Ninth
			\|-
			\| 17\15 \|\| 20/9 \|\| 9 \|\| Major Ninth
			\|-
			\| 18\15 \|\| 16/7 \|\| s \|\| Subminor Tenth
			\|-
			\| 19\15 \|\| 12/5 \|\| m \|\| Minor Tenth
	\|}		\|}

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	==Links==		==Links==
	[https://luphoria.com/xenpaper/#%7B15edo%7D(bpm%3A10)%0A%5B0%2C3%2C6%5D_%23Cf_(semaphore)_21%3A24%3A28%0A%5B0%2C3%2C7%5D_%23Cu_(utonal_diminished)_7%2F6%2F5%0A%5B0%2C4%2C7%5D_%23Co_(otonal_diminished)_5%3A6%3A7%0A%5B0%2C3%2C8%5D_%23Ct_(triforce)_7%3A8%3A10%0A%5B0%2C4%2C8%5D_%23Cd_(diminished)_35%3A42%3A50%0A%5B0%2C5%2C8%5D_%23Cw_(wolf)_10%2F8%2F7%0A%5B0%2C2%2C9%5D_%23C2_(suspended_second)_18%3A20%3A27%0A%5B0%2C3%2C9%5D_%23Cs_(subminor)_6%3A7%3A9%0A%5B0%2C4%2C9%5D_%23Cm_(minor)_6%2F5%2F4%0A%5B0%2C5%2C9%5D_%23C_(major)_4%3A5%3A6%0A%5B0%2C6%2C9%5D_%23C4_(suspended_fourth)_6%3A8%3A9%0A%5B0%2C5%2C10%5D_%23Ca_(augmented)_20%3A25%3A32%0A%0A%5B0%2C3%2C6%2C8%5D_%23Cfd%0A%5B0%2C3%2C6%2C9%5D_%23Cf5%0A%5B0%2C3%2C6%2C10%5D_%23Cfm%0A%5B0%2C3%2C6%2C11%5D_%23Cf6%0A%0A%5B0%2C3%2C7%2C9%5D_%23Cu5%0A%5B0%2C3%2C7%2C10%5D_%23Cum%0A%5B0%2C3%2C7%2C11%5D_%23Cu6%0A%5B0%2C3%2C7%2C12%5D_%23Cuh%0A%0A%5B0%2C4%2C7%2C9%5D_%23Co5%0A%5B0%2C4%2C7%2C10%5D_%23Com%0A%5B0%2C4%2C7%2C11%5D_%23Co6%0A%5B0%2C4%2C7%2C12%5D_%23Coh%0A%0A%5B0%2C3%2C8%2C10%5D_%23Ctm%0A%5B0%2C3%2C8%2C11%5D_%23Ct7%0A%5B0%2C3%2C8%2C12%5D_%23Cth%0A%5B0%2C3%2C8%2C13%5D_%23Ctn%0A%0A%5B0%2C4%2C8%2C10%5D_%23Cdm%0A%5B0%2C4%2C8%2C11%5D_%23Cd6%0A%5B0%2C4%2C8%2C12%5D_%23Cd7%0A%5B0%2C4%2C8%2C13%5D_%23Cdn%0A%0A%5B0%2C5%2C8%2C10%5D_%23Cwm%0A%5B0%2C5%2C8%2C11%5D_%23Cw6%0A%5B0%2C5%2C8%2C12%5D_%23Cwh%0A%5B0%2C5%2C8%2C13%5D_%23Cw7%0A%0A%5B0%2C2%2C9%2C11%5D_%23C26%0A%5B0%2C2%2C9%2C12%5D_%23C2h%0A%5B0%2C2%2C9%2C13%5D_%23C2n%0A%5B0%2C2%2C9%2C14%5D_%23C2M%0A%0A%5B0%2C3%2C9%2C11%5D_%23Cs6%0A%5B0%2C3%2C9%2C12%5D_%23Cs7%0A%5B0%2C3%2C9%2C13%5D_%23Csn%0A%5B0%2C3%2C9%2C14%5D_%23CsM%0A%0A%5B0%2C4%2C9%2C11%5D_%23Cm6%0A%5B0%2C4%2C9%2C12%5D_%23Cmh%0A%5B0%2C4%2C9%2C13%5D_%23Cm7%0A%5B0%2C4%2C9%2C14%5D_%23CmM%0A%0A%5B0%2C5%2C9%2C11%5D_%23C6%0A%5B0%2C5%2C9%2C12%5D_%23Ch%0A%5B0%2C5%2C9%2C13%5D_%23Cn%0A%5B0%2C5%2C9%2C14%5D_%23C7%0A%0A%5B0%2C6%2C9%2C11%5D_%23C46%0A%5B0%2C6%2C9%2C12%5D_%23C4h%0A%5B0%2C6%2C9%2C13%5D_%23C4n%0A%5B0%2C6%2C9%2C14%5D_%23C4M%0A%0A%5B0%2C5%2C10%2C12%5D_%23Cah%0A%5B0%2C5%2C10%2C13%5D_%23Can%0A%5B0%2C5%2C10%2C14%5D_%23Ca7 15edo ~~Chord~~ Names in Xenpaper]		[https://luphoria.com/xenpaper/#%7B15edo%7D(bpm%3A10)%0A%5B0%2C3%2C6%5D_%23Cf_(semaphore)_21%3A24%3A28%0A%5B0%2C3%2C7%5D_%23Cu_(utonal_diminished)_7%2F6%2F5%0A%5B0%2C4%2C7%5D_%23Co_(otonal_diminished)_5%3A6%3A7%0A%5B0%2C3%2C8%5D_%23Ct_(triforce)_7%3A8%3A10%0A%5B0%2C4%2C8%5D_%23Cd_(diminished)_35%3A42%3A50%0A%5B0%2C5%2C8%5D_%23Cw_(wolf)_10%2F8%2F7%0A%5B0%2C2%2C9%5D_%23C2_(suspended_second)_18%3A20%3A27%0A%5B0%2C3%2C9%5D_%23Cs_(subminor)_6%3A7%3A9%0A%5B0%2C4%2C9%5D_%23Cm_(minor)_6%2F5%2F4%0A%5B0%2C5%2C9%5D_%23C_(major)_4%3A5%3A6%0A%5B0%2C6%2C9%5D_%23C4_(suspended_fourth)_6%3A8%3A9%0A%5B0%2C5%2C10%5D_%23Ca_(augmented)_20%3A25%3A32%0A%0A%5B0%2C3%2C6%2C8%5D_%23Cfd%0A%5B0%2C3%2C6%2C9%5D_%23Cf5%0A%5B0%2C3%2C6%2C10%5D_%23Cfm%0A%5B0%2C3%2C6%2C11%5D_%23Cf6%0A%0A%5B0%2C3%2C7%2C9%5D_%23Cu5%0A%5B0%2C3%2C7%2C10%5D_%23Cum%0A%5B0%2C3%2C7%2C11%5D_%23Cu6%0A%5B0%2C3%2C7%2C12%5D_%23Cuh%0A%0A%5B0%2C4%2C7%2C9%5D_%23Co5%0A%5B0%2C4%2C7%2C10%5D_%23Com%0A%5B0%2C4%2C7%2C11%5D_%23Co6%0A%5B0%2C4%2C7%2C12%5D_%23Coh%0A%0A%5B0%2C3%2C8%2C10%5D_%23Ctm%0A%5B0%2C3%2C8%2C11%5D_%23Ct7%0A%5B0%2C3%2C8%2C12%5D_%23Cth%0A%5B0%2C3%2C8%2C13%5D_%23Ctn%0A%0A%5B0%2C4%2C8%2C10%5D_%23Cdm%0A%5B0%2C4%2C8%2C11%5D_%23Cd6%0A%5B0%2C4%2C8%2C12%5D_%23Cd7%0A%5B0%2C4%2C8%2C13%5D_%23Cdn%0A%0A%5B0%2C5%2C8%2C10%5D_%23Cwm%0A%5B0%2C5%2C8%2C11%5D_%23Cw6%0A%5B0%2C5%2C8%2C12%5D_%23Cwh%0A%5B0%2C5%2C8%2C13%5D_%23Cw7%0A%0A%5B0%2C2%2C9%2C11%5D_%23C26%0A%5B0%2C2%2C9%2C12%5D_%23C2h%0A%5B0%2C2%2C9%2C13%5D_%23C2n%0A%5B0%2C2%2C9%2C14%5D_%23C2M%0A%0A%5B0%2C3%2C9%2C11%5D_%23Cs6%0A%5B0%2C3%2C9%2C12%5D_%23Cs7%0A%5B0%2C3%2C9%2C13%5D_%23Csn%0A%5B0%2C3%2C9%2C14%5D_%23CsM%0A%0A%5B0%2C4%2C9%2C11%5D_%23Cm6%0A%5B0%2C4%2C9%2C12%5D_%23Cmh%0A%5B0%2C4%2C9%2C13%5D_%23Cm7%0A%5B0%2C4%2C9%2C14%5D_%23CmM%0A%0A%5B0%2C5%2C9%2C11%5D_%23C6%0A%5B0%2C5%2C9%2C12%5D_%23Ch%0A%5B0%2C5%2C9%2C13%5D_%23Cn%0A%5B0%2C5%2C9%2C14%5D_%23C7%0A%0A%5B0%2C6%2C9%2C11%5D_%23C46%0A%5B0%2C6%2C9%2C12%5D_%23C4h%0A%5B0%2C6%2C9%2C13%5D_%23C4n%0A%5B0%2C6%2C9%2C14%5D_%23C4M%0A%0A%5B0%2C5%2C10%2C12%5D_%23Cah%0A%5B0%2C5%2C10%2C13%5D_%23Can%0A%5B0%2C5%2C10%2C14%5D_%23Ca7 15edo Triad and Tetrad Names in Xenpaper]

Fitzgerald Lee: /* Chord Names */

2025-09-02T04:14:27Z

Chord Names

← Older revision		Revision as of 04:14, 2 September 2025
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	\| [0,5,10] \|\| 20:25:32 \|\| Ca \|\| Augmented		\| [0,5,10] \|\| 20:25:32 \|\| Ca \|\| Augmented
	\|}		\|}
	Tetradic extensions ~~are named differently~~ depending on the top note of the triad in root position.		Tetradic extensions have different intervals to use, depending on the top note of the triad in root position.
	{\| class="wikitable"		{\| class="wikitable"
	\|+ style="font-size: 120%;" \|		\|+ style="font-size: 120%;" \|
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	\| 14\15 \|\| 15/8 \|\| 7 \|\| (Major) Seventh		\| 14\15 \|\| 15/8 \|\| 7 \|\| (Major) Seventh
	\|}		\|}

	==Examples==		==Examples==
	Assuming the root note is C,		Assuming the root note is C,