User:Contribution/Chanopif Project - Revision history

Contribution: /* Implementation */

2025-01-21T11:18:00Z

Implementation

← Older revision		Revision as of 11:18, 21 January 2025
Line 154:		Line 154:
	* '''Overcoming 128-Note Limitations''': By combining multiple channels (up to 256 in MIDI 2.0), each with fully customized tuning for every note, composers can effectively bypass the traditional 128-note limitation of MIDI. This is especially beneficial for large-scale works requiring extensive microtonal ranges.		* '''Overcoming 128-Note Limitations''': By combining multiple channels (up to 256 in MIDI 2.0), each with fully customized tuning for every note, composers can effectively bypass the traditional 128-note limitation of MIDI. This is especially beneficial for large-scale works requiring extensive microtonal ranges.
	* '''Flexibility''': By assigning independant tuning configurations per channel, it becomes possible to create scales that do not rely on octave equivalence.		* '''Flexibility''': By assigning independant tuning configurations per channel, it becomes possible to create scales that do not rely on octave equivalence.
	* '''High Precision''': At around 1.49 × 10^-6 cents per step, the resolution far exceeds what the human ear can typically discern, making it suitable for studio recording, live performance, or any scenario requiring advanced microtonal control. At 20,000 Hz, the maximum phase deviation caused by Chanopif’s rounding occurs only once every 16 hours~~, ensuring extremely precise tuning in the human range~~.		* '''High Precision''': At around 1.49 × 10^-6 cents per step, the resolution far exceeds what the human ear can typically discern, making it suitable for studio recording, live performance, or any scenario requiring advanced microtonal control. At 20,000 Hz, the maximum phase deviation caused by Chanopif’s rounding occurs only once every 16 hours.
	* '''Data Efficiency''': By using the most concise syntax possible, compressing 7-bit words in hexadecimal and 25-bit words into 5 letters of 5-bit (base 32), it ensures optimal space savings in storage and transmission.		* '''Data Efficiency''': By using the most concise syntax possible, compressing 7-bit words in hexadecimal and 25-bit words into 5 letters of 5-bit (base 32), it ensures optimal space savings in storage and transmission.
	* '''Compatibility''': The format complies with the MIDI 2.0 standard, fully supporting the 7.25 pitch attribute for enhanced musical expression and precision.		* '''Compatibility''': The format complies with the MIDI 2.0 standard, fully supporting the 7.25 pitch attribute for enhanced musical expression and precision.

Contribution: /* Implementation */

2025-01-21T11:16:31Z

Implementation

← Older revision		Revision as of 11:16, 21 January 2025
Line 154:		Line 154:
	* '''Overcoming 128-Note Limitations''': By combining multiple channels (up to 256 in MIDI 2.0), each with fully customized tuning for every note, composers can effectively bypass the traditional 128-note limitation of MIDI. This is especially beneficial for large-scale works requiring extensive microtonal ranges.		* '''Overcoming 128-Note Limitations''': By combining multiple channels (up to 256 in MIDI 2.0), each with fully customized tuning for every note, composers can effectively bypass the traditional 128-note limitation of MIDI. This is especially beneficial for large-scale works requiring extensive microtonal ranges.
	* '''Flexibility''': By assigning independant tuning configurations per channel, it becomes possible to create scales that do not rely on octave equivalence.		* '''Flexibility''': By assigning independant tuning configurations per channel, it becomes possible to create scales that do not rely on octave equivalence.
	* '''High Precision''': At around 1.49 × 10^-6 cents per step, the resolution far exceeds what the human ear can typically discern, making it suitable for studio recording, live performance, or any scenario requiring advanced microtonal control. At 20,000 Hz, the maximum phase deviation caused by Chanopif’s rounding occurs only once every 16 hours, ensuring extremely precise tuning.		* '''High Precision''': At around 1.49 × 10^-6 cents per step, the resolution far exceeds what the human ear can typically discern, making it suitable for studio recording, live performance, or any scenario requiring advanced microtonal control. At 20,000 Hz, the maximum phase deviation caused by Chanopif’s rounding occurs only once every 16 hours, ensuring extremely precise tuning in the human range.
	* '''Data Efficiency''': By using the most concise syntax possible, compressing 7-bit words in hexadecimal and 25-bit words into 5 letters of 5-bit (base 32), it ensures optimal space savings in storage and transmission.		* '''Data Efficiency''': By using the most concise syntax possible, compressing 7-bit words in hexadecimal and 25-bit words into 5 letters of 5-bit (base 32), it ensures optimal space savings in storage and transmission.
	* '''Compatibility''': The format complies with the MIDI 2.0 standard, fully supporting the 7.25 pitch attribute for enhanced musical expression and precision.		* '''Compatibility''': The format complies with the MIDI 2.0 standard, fully supporting the 7.25 pitch attribute for enhanced musical expression and precision.

Contribution: /* Implementation */

2025-01-21T11:13:16Z

Implementation

← Older revision		Revision as of 11:13, 21 January 2025
Line 154:		Line 154:
	* '''Overcoming 128-Note Limitations''': By combining multiple channels (up to 256 in MIDI 2.0), each with fully customized tuning for every note, composers can effectively bypass the traditional 128-note limitation of MIDI. This is especially beneficial for large-scale works requiring extensive microtonal ranges.		* '''Overcoming 128-Note Limitations''': By combining multiple channels (up to 256 in MIDI 2.0), each with fully customized tuning for every note, composers can effectively bypass the traditional 128-note limitation of MIDI. This is especially beneficial for large-scale works requiring extensive microtonal ranges.
	* '''Flexibility''': By assigning independant tuning configurations per channel, it becomes possible to create scales that do not rely on octave equivalence.		* '''Flexibility''': By assigning independant tuning configurations per channel, it becomes possible to create scales that do not rely on octave equivalence.
	* '''High Precision''': At around 1.49 × 10^-6 cents per step, the resolution far exceeds what the human ear can typically discern, making it suitable for studio recording, live performance, or any scenario requiring advanced microtonal control. At ~~20000~~ Hz, the phase ~~difference between two adjacent pitches is approximately~~ 16 hours.		* '''High Precision''': At around 1.49 × 10^-6 cents per step, the resolution far exceeds what the human ear can typically discern, making it suitable for studio recording, live performance, or any scenario requiring advanced microtonal control. At 20,000 Hz, the maximum phase deviation caused by Chanopif’s rounding occurs only once every 16 hours, ensuring extremely precise tuning.
	* '''Data Efficiency''': By using the most concise syntax possible, compressing 7-bit words in hexadecimal and 25-bit words into 5 letters of 5-bit (base 32), it ensures optimal space savings in storage and transmission.		* '''Data Efficiency''': By using the most concise syntax possible, compressing 7-bit words in hexadecimal and 25-bit words into 5 letters of 5-bit (base 32), it ensures optimal space savings in storage and transmission.
	* '''Compatibility''': The format complies with the MIDI 2.0 standard, fully supporting the 7.25 pitch attribute for enhanced musical expression and precision.		* '''Compatibility''': The format complies with the MIDI 2.0 standard, fully supporting the 7.25 pitch attribute for enhanced musical expression and precision.

Contribution: /* Examples */

2025-01-21T11:00:03Z

Examples

← Older revision		Revision as of 11:00, 21 January 2025
Line 144:		Line 144:
	\|}		\|}

	{{todo\|Generate the ~~seven~~ files\|inline=1\|comment=Upload the files and insert their respective links here.}}		{{todo\|Generate the eight files\|inline=1\|comment=Upload the files and insert their respective links here.}}

	== Implementation ==		== Implementation ==

Contribution: /* Examples */

2025-01-21T10:59:36Z

Examples

← Older revision		Revision as of 10:59, 21 January 2025
Line 136:		Line 136:
	\|128, 256, 311		\|128, 256, 311
	\|F0-F8 (8 octaves)		\|F0-F8 (8 octaves)
			\|
			\|-
			\|[[Orwell\|Orwell[5], Orwell[9], Orwell[13], Orwell[22], Orwell[31], Orwell[53]]]
			\|Parallel tunings (1\1)
			\|Various
	\|		\|
	\|}		\|}

Contribution: /* Examples */

2025-01-21T10:38:20Z

Examples

← Older revision		Revision as of 10:38, 21 January 2025
Line 105:		Line 105:
	\|[[Carlos Alpha]]		\|[[Carlos Alpha]]
	\|9 (3/2)		\|9 (3/2)
	\|~~8 octaves (~~F0-F8)		\|F0-F8 (8 octaves)
	\|		\|
	\|-		\|-
	\|[[68edo\|3\68]] ([[Quartkeenlig]])		\|[[68edo\|3\68]] ([[Quartkeenlig]])
	\|23 (pseudo 2/1)		\|23 (pseudo 2/1)
	\|~~8 octaves (~~F0-F8)		\|F0-F8 (8 octaves)
	\|		\|
	\|-		\|-
	\|[[127zpi]] ([[31edo#Zeta peak index\|31-EDO Zeta stretch]])		\|[[127zpi]] ([[31edo#Zeta peak index\|31-EDO Zeta stretch]])
	\|31 (pseudo 2/1)		\|31 (pseudo 2/1)
	\|~~8 octaves (~~F0-F8)		\|F0-F8 (8 octaves)
	\|		\|
	\|-		\|-
	\|[[96ed5\|96-ED5/1]]		\|[[96ed5\|96-ED5/1]]
	\|96 (5/1)		\|96 (5/1)
	\|~~8 octaves (~~F0-F8)		\|F0-F8 (8 octaves)
	\|		\|
	\|-		\|-
	\|[[380zpi]] ([[72edo#Zeta peak index\|72-EDO Zeta stretch]])		\|[[380zpi]] ([[72edo#Zeta peak index\|72-EDO Zeta stretch]])
	\|72 (pseudo 2/1)		\|72 (pseudo 2/1)
	\|~~8 octaves (~~F0-F8)		\|F0-F8 (8 octaves)
	\|		\|
	\|-		\|-
	\|[[270edo\|270-EDO]]		\|[[270edo\|270-EDO]]
	\|90, 180, 270 (1\3, 2\3, 2/1)		\|90, 180, 270 (1\3, 2\3, 2/1)
	\|~~8 octaves (~~F0-F8)		\|F0-F8 (8 octaves)
	\|		\|
	\|-		\|-
	\|[[311edo\|311-EDO]]		\|[[311edo\|311-EDO]]
	\|128, 256, 311		\|128, 256, 311
	\|~~8 octaves (~~F0-F8)		\|F0-F8 (8 octaves)
	\|		\|
	\|}		\|}

Contribution: /* Examples */

2025-01-21T10:35:18Z

Examples

← Older revision		Revision as of 10:35, 21 January 2025
Line 105:		Line 105:
	\|[[Carlos Alpha]]		\|[[Carlos Alpha]]
	\|9 (3/2)		\|9 (3/2)
	\|8 octaves		\|8 octaves (F0-F8)
	\|		\|
	\|-		\|-
	\|[[68edo\|3\68]] ([[Quartkeenlig]])		\|[[68edo\|3\68]] ([[Quartkeenlig]])
	\|23 (pseudo 2/1)		\|23 (pseudo 2/1)
	\|8 octaves		\|8 octaves (F0-F8)
	\|		\|
	\|-		\|-
	\|[[127zpi]] ([[31edo#Zeta peak index\|31-EDO Zeta stretch]])		\|[[127zpi]] ([[31edo#Zeta peak index\|31-EDO Zeta stretch]])
	\|31 (pseudo 2/1)		\|31 (pseudo 2/1)
	\|8 octaves		\|8 octaves (F0-F8)
	\|		\|
	\|-		\|-
	\|[[96ed5\|96-ED5/1]]		\|[[96ed5\|96-ED5/1]]
	\|96 (5/1)		\|96 (5/1)
	\|8 octaves		\|8 octaves (F0-F8)
	\|		\|
	\|-		\|-
	\|[[380zpi]] ([[72edo#Zeta peak index\|72-EDO Zeta stretch]])		\|[[380zpi]] ([[72edo#Zeta peak index\|72-EDO Zeta stretch]])
	\|72 (pseudo 2/1)		\|72 (pseudo 2/1)
	\|8 octaves		\|8 octaves (F0-F8)
	\|		\|
	\|-		\|-
	\|[[270edo\|270-EDO]]		\|[[270edo\|270-EDO]]
	\|90, 180, 270 (1\3, 2\3, 2/1)		\|90, 180, 270 (1\3, 2\3, 2/1)
	\|8 octaves		\|8 octaves (F0-F8)
	\|		\|
	\|-		\|-
	\|[[311edo\|311-EDO]]		\|[[311edo\|311-EDO]]
	\|128, 256, 311		\|128, 256, 311
	\|8 octaves		\|8 octaves (F0-F8)
	\|		\|
	\|}		\|}

Contribution: /* Examples */

2025-01-21T10:30:50Z

Examples

← Older revision		Revision as of 10:30, 21 January 2025
Line 139:		Line 139:
	\|}		\|}

	{{todo\|Generate the ~~six~~ files\|inline=1\|comment=Upload the files and insert their respective links here.}}		{{todo\|Generate the seven files\|inline=1\|comment=Upload the files and insert their respective links here.}}

	== Implementation ==		== Implementation ==

Contribution: /* Examples */

2025-01-21T10:30:31Z

Examples

← Older revision		Revision as of 10:30, 21 January 2025
Line 105:		Line 105:
	\|[[Carlos Alpha]]		\|[[Carlos Alpha]]
	\|9 (3/2)		\|9 (3/2)
			\|8 octaves
			\|
			\|-
			\|[[68edo\|3\68]] ([[Quartkeenlig]])
			\|23 (pseudo 2/1)
	\|8 octaves		\|8 octaves
	\|		\|

Contribution: /* Examples */

2025-01-21T10:06:14Z

Examples

← Older revision		Revision as of 10:06, 21 January 2025
Line 124:		Line 124:
	\|-		\|-
	\|[[270edo\|270-EDO]]		\|[[270edo\|270-EDO]]
	\|90 (1\3)		\|90, 180, 270 (1\3, 2\3, 2/1)
	\|8 octaves		\|8 octaves
	\|		\|