User:Burkhard - Revision history

Burkhard: /* Music you can listen to (non-12edo only listed) */ added more music

2018-09-28T18:09:41Z

Music you can listen to (non-12edo only listed): added more music

← Older revision		Revision as of 18:09, 28 September 2018
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	Tuning recipe: Start with a 9:10:11 chord. Repeat it all over in 7:9 periods. While giving you savvy 7:9:10:11 harmonies, it lacks a clear octave period, forcing you to seemingly polytonal settings.		Tuning recipe: Start with a 9:10:11 chord. Repeat it all over in 7:9 periods. While giving you savvy 7:9:10:11 harmonies, it lacks a clear octave period, forcing you to seemingly polytonal settings.

	[https://soundcloud.com/user-824310486/bell-dance Bell Dance] (ICT 10:12:13:14 / 3:1)		[https://soundcloud.com/user-824310486/bell-dance '''Bell Dance'''] (ICT 10:12:13:14 / 3:1)

	[https://soundcloud.com/user-824310486/insectoids Insectoids] (ICT 7:9:10:11 / 3:1)		[https://soundcloud.com/user-824310486/insectoids '''Insectoids'''] (ICT 7:9:10:11 / 3:1)

	[https://soundcloud.com/user-824310486/orbiting-an-exotic-world Orbiting an Exotic World] in 5-~~edo~~		[https://soundcloud.com/user-824310486/orbiting-an-exotic-world '''Orbiting an Exotic World'''] in 5edo

			[https://soundcloud.com/user-824310486/keepin-cool-in-the-rush '''Keepin' cool in the rush'''] in a 10-note-MOS subset of 24edo

			[https://soundcloud.com/user-824310486/sweetness '''Sweetness'''] in a 9-note-MOS subset of 24-edo

			'''[https://soundcloud.com/user-824310486/4-edt-rocks How to Dance on a Comet]''' in 4ed3

			How many notes does one need to make music? Here, I used no more than 4 in a 1:3 range, at intervals barely less than a Fourth in traditional western notation. Or about half a 5-equal division of the octave.

	== Scales and tuning recipes ==		== Scales and tuning recipes ==

Burkhard: adding new pieces; giving the scales a nomenclature.

2018-09-28T18:04:14Z

adding new pieces; giving the scales a nomenclature.

← Older revision		Revision as of 18:04, 28 September 2018
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	I am Burkhard von Stackelberg, an ambitious musical hobbyist living in Stuttgart. Not the one in Kansas nor the one in Arkansas, but the much bigger one in Germany. While I mainly compose in 12edo (or, let's say, my music is mostly interpretable and understandable in 12edo), some of it is microtonal. Like most of us, I am grown up in a 12edo context culture, and most instruments I deal with strengthen a 12edo position, but in electronic music I like to use a bunch of possibilities, of which 12edo is but one.		I am Burkhard von Stackelberg, an ambitious musical hobbyist living in Stuttgart. Not the one in Kansas nor the one in Arkansas, but the much bigger one in Germany. While I mainly compose in 12edo (or, let's say, my music is mostly interpretable and understandable in 12edo), some of it is microtonal. Like most of us, I am grown up in a 12edo context culture, and most instruments I deal with strengthen a 12edo position, but in electronic music I like to use a bunch of possibilities, of which 12edo is but one.

	== Music you can listen to ==		== Music you can listen to (non-12edo only listed) ==
	At https://soundcloud.com/user-824310486 you find me as '''Muckotron''' with my electronic music.		At https://soundcloud.com/user-824310486 you find me as '''Muckotron''' with my electronic music.

	'''[https://soundcloud.com/user-824310486/jolly-ride Jolly Ride]''' is a piece written in the equal-tempered Bohlen-Piercescale (13ed3). Using an eclectic musical language from baroque, jazz/ragtime, and impressionism, I tried to shed light on the possibilities of BP. Using mostly the lambda scale as a base, modulating between different tonalities, I also use False Father with its pseudo-octave at one point. BP is mostly known as a scale with low tension, I found that there is more in it. Enjoy a jolly ride on an exoplanetary camel!		'''[https://soundcloud.com/user-824310486/jolly-ride Jolly Ride]''' is a piece written in the equal-tempered Bohlen-Piercescale (13ed3). Using an eclectic musical language from baroque, jazz/ragtime, and impressionism, I tried to shed light on the possibilities of BP. Using mostly the lambda scale as a base, modulating between different tonalities, I also use False Father with its pseudo-octave at one point. BP is mostly known as a scale with low tension, I found that there is more in it. Enjoy a jolly ride on an exoplanetary camel!

	[https://soundcloud.com/user-824310486/blues-around-trappist-1 '''Blues around Trappist-1''']		[https://soundcloud.com/user-824310486/blues-around-trappist-1 '''Blues around Trappist-1'''] (ICT 7:9:10:11 open)

	Would blues on an other world sound like that?		Would blues on an other world sound like that?

	Tuning recipe: Start with a 9:10:11 chord. Repeat it all over in 7:9 periods. While giving you savvy 7:9:10:11 harmonies, it lacks a clear octave period, forcing you to seemingly polytonal settings.		Tuning recipe: Start with a 9:10:11 chord. Repeat it all over in 7:9 periods. While giving you savvy 7:9:10:11 harmonies, it lacks a clear octave period, forcing you to seemingly polytonal settings.

			[https://soundcloud.com/user-824310486/bell-dance Bell Dance] (ICT 10:12:13:14 / 3:1)

			[https://soundcloud.com/user-824310486/insectoids Insectoids] (ICT 7:9:10:11 / 3:1)

			[https://soundcloud.com/user-824310486/orbiting-an-exotic-world Orbiting an Exotic World] in 5-edo

	== Scales and tuning recipes ==		== Scales and tuning recipes ==

	=== ~~Interleaving~~ scales (for no better name) ===		=== Intersecting Chord Tetrachord scales (for no better name) ===
	Experimenting in the neighbourhood of diatonic JI, I found some scales with astonishing similarities in the way they can be build, leading to a whole scale family with low harmonic entropy.		Experimenting in the neighbourhood of diatonic JI, I found some scales with astonishing similarities in the way they can be build, leading to a whole scale family with low harmonic entropy.

	==== Diatonic JI scale ====		==== Diatonic JI scale (ICT 6:8:9:10 / 2:1) ====
	* Start with a 8:9:10 chord.		* Start with a 8:9:10 chord.
	* Iterate this pattern every 6:8, i.e. 3:4.		* Iterate this pattern every 6:8, i.e. 3:4.
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	The scale steps are: 9/8, 10/9, 16/15, 9/8, 10/9, 16/15, 9/8.		The scale steps are: 9/8, 10/9, 16/15, 9/8, 10/9, 16/15, 9/8.

	==== Slendro JI scale ====		==== Slendro JI scale (ICT 4:6:7:8 / 2:1) ====
	* Start with a 6:7:8 chord.		* Start with a 6:7:8 chord.
	* Iterate this pattern every 6:4, i.e. 3:2.		* Iterate this pattern every 6:4, i.e. 3:2.
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	The scale steps are: 7/6, 8/7, 9/8, 7/6, 8/7		The scale steps are: 7/6, 8/7, 9/8, 7/6, 8/7

	==== Sweet Nine ====		==== Sweet Nine (ICT 8:10:11:12 / 2:1) ====
	* Start with a 10:11:12 chord.		* Start with a 10:11:12 chord.
	* Iterate this pattern every 10:8, i.e. 5:4.		* Iterate this pattern every 10:8, i.e. 5:4.

Burkhard: /* Sweet Nine */ changed scale style to Preformatted

2018-09-28T17:50:48Z

Sweet Nine: changed scale style to Preformatted

← Older revision		Revision as of 17:50, 28 September 2018
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	The resulting scale:		The resulting scale:

	! sweetnine.scl		! sweetnine.scl
			Sweet Nine. Based on an 8:10:11:12 chord.
	Sweet Nine. Based on an 8:10:11:12 chord.		!
			9
	!		!
			11/10
	9		6/5
			5/4
	!		11/8
			3/2
	11/10		25/16
			55/32
	6/5		15/8
			2
	5/4

	11/8

	3/2

	25/16

	55/32

	15/8

	2

	==== General pattern ====		==== General pattern ====

Burkhard: /* Diatonic JI scale */ cleared formatting

2018-09-28T17:49:45Z

Diatonic JI scale: cleared formatting

← Older revision		Revision as of 17:49, 28 September 2018
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	The resulting scale:		The resulting scale:
	! byzantine.scl		! byzantine.scl

	Byzantine Diatonic		Byzantine Diatonic

	! repeats every 4:3 until iteration stops at the octave.		! repeats every 4:3 until iteration stops at the octave.

	7		7

	!		!

	9/8		9/8

	5/4		5/4

	4/3		4/3

	3/2		3/2

	5/3		5/3

	6/9		6/9

	2		2
	The scale steps are: 9/8, 10/9, 16/15, 9/8, 10/9, 16/15, 9/8.		The scale steps are: 9/8, 10/9, 16/15, 9/8, 10/9, 16/15, 9/8.

Burkhard: /* Diatonic JI scale */ changed scale formatting to Preformatted

2018-09-28T17:49:19Z

Diatonic JI scale: changed scale formatting to Preformatted

@@ Line 24: / Line 24: @@
 The scale contains a 6:8:9:10 chord, whose inversion is a (filled) major chord: 8:9:10:12. This pattern occurs twice. The third major chord contains a Pythagorean major third (diapasson).
-The resulting scale:<blockquote>! byzantine.scl</blockquote><blockquote>Byzantine Diatonic</blockquote><blockquote>! repeats every 4:3 until iteration stops at the octave.</blockquote><blockquote>7</blockquote><blockquote>!</blockquote><blockquote>9/8</blockquote><blockquote>5/4</blockquote><blockquote>4/3</blockquote><blockquote>3/2</blockquote><blockquote>5/3</blockquote><blockquote>6/9</blockquote><blockquote>2</blockquote>The scale steps are: 9/8, 10/9, 16/15, 9/8, 10/9, 16/15, 9/8.
+The resulting scale:
 ==== Slendro JI scale ====

Burkhard: /* Slendro JI scale */ edited formating

2018-09-28T17:48:17Z

Slendro JI scale: edited formating

← Older revision		Revision as of 17:48, 28 September 2018
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	The resulting scale:		The resulting scale:
	! ji-slendro.scl		! ji-slendro.scl

	JI Slendro		JI Slendro

	!		!

	5		5

	!		!

	7/6		7/6

	4/3		4/3

	3/2		3/2

	7/4		7/4

	2		2
	The scale steps are: 7/6, 8/7, 9/8, 7/6, 8/7		The scale steps are: 7/6, 8/7, 9/8, 7/6, 8/7

Burkhard: Added some scales

2018-09-28T17:47:14Z

Added some scales

← Older revision		Revision as of 17:47, 28 September 2018
Line 6:		Line 6:

	'''[https://soundcloud.com/user-824310486/jolly-ride Jolly Ride]''' is a piece written in the equal-tempered Bohlen-Piercescale (13ed3). Using an eclectic musical language from baroque, jazz/ragtime, and impressionism, I tried to shed light on the possibilities of BP. Using mostly the lambda scale as a base, modulating between different tonalities, I also use False Father with its pseudo-octave at one point. BP is mostly known as a scale with low tension, I found that there is more in it. Enjoy a jolly ride on an exoplanetary camel!		'''[https://soundcloud.com/user-824310486/jolly-ride Jolly Ride]''' is a piece written in the equal-tempered Bohlen-Piercescale (13ed3). Using an eclectic musical language from baroque, jazz/ragtime, and impressionism, I tried to shed light on the possibilities of BP. Using mostly the lambda scale as a base, modulating between different tonalities, I also use False Father with its pseudo-octave at one point. BP is mostly known as a scale with low tension, I found that there is more in it. Enjoy a jolly ride on an exoplanetary camel!

			[https://soundcloud.com/user-824310486/blues-around-trappist-1 '''Blues around Trappist-1''']

			Would blues on an other world sound like that?

			Tuning recipe: Start with a 9:10:11 chord. Repeat it all over in 7:9 periods. While giving you savvy 7:9:10:11 harmonies, it lacks a clear octave period, forcing you to seemingly polytonal settings.

			== Scales and tuning recipes ==

			=== Interleaving scales (for no better name) ===
			Experimenting in the neighbourhood of diatonic JI, I found some scales with astonishing similarities in the way they can be build, leading to a whole scale family with low harmonic entropy.

			==== Diatonic JI scale ====
			* Start with a 8:9:10 chord.
			* Iterate this pattern every 6:8, i.e. 3:4.
			* Stop iteration at the octave (2:1).
			The scale contains a 6:8:9:10 chord, whose inversion is a (filled) major chord: 8:9:10:12. This pattern occurs twice. The third major chord contains a Pythagorean major third (diapasson).

			The resulting scale:<blockquote>! byzantine.scl</blockquote><blockquote>Byzantine Diatonic</blockquote><blockquote>! repeats every 4:3 until iteration stops at the octave.</blockquote><blockquote>7</blockquote><blockquote>!</blockquote><blockquote>9/8</blockquote><blockquote>5/4</blockquote><blockquote>4/3</blockquote><blockquote>3/2</blockquote><blockquote>5/3</blockquote><blockquote>6/9</blockquote><blockquote>2</blockquote>The scale steps are: 9/8, 10/9, 16/15, 9/8, 10/9, 16/15, 9/8.

			==== Slendro JI scale ====
			* Start with a 6:7:8 chord.
			* Iterate this pattern every 6:4, i.e. 3:2.
			* Stop iteration at the octave (2:1)
			The pattern contains a 4:6:7:8 chord, which can be interpreted as a 2:3:4 open-fifth chord, which is septimally filled. This pattern occurs once

			The resulting scale:
			! ji-slendro.scl

			JI Slendro

			!

			5

			!

			7/6

			4/3

			3/2

			7/4

			2
			The scale steps are: 7/6, 8/7, 9/8, 7/6, 8/7

			==== Sweet Nine ====
			* Start with a 10:11:12 chord.
			* Iterate this pattern every 10:8, i.e. 5:4.
			* Stop iteration at the octave.
			The base chord ist 8:10:11:12.

			The basic scale steps are 11/10, 12/11 and 25/24. The iteration stops at a 16/15 interval.

			The resulting scale:

			! sweetnine.scl

			Sweet Nine. Based on an 8:10:11:12 chord.

			!

			9

			!

			11/10

			6/5

			5/4

			11/8

			3/2

			25/16

			55/32

			15/8

			2

			==== General pattern ====
			* Choose a chord of 3 following integers, for example 3:4:5
			* Double the numbers, filling the upper gap. Example: 6:8:9:10. This is your base chord.
			* Start your scale with the upper triad as your chord.
			* Iterate this chord, using the lower dyad as generator.
			* Stop iteration at a chosen period interval. Example: 2:1

Burkhard: set link to Jolly Ride

2018-09-28T16:57:00Z

set link to Jolly Ride

← Older revision		Revision as of 16:57, 28 September 2018
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	At https://soundcloud.com/user-824310486 you find me as '''Muckotron''' with my electronic music.		At https://soundcloud.com/user-824310486 you find me as '''Muckotron''' with my electronic music.

	'''Jolly Ride''' is a piece written in the equal-tempered Bohlen-Piercescale (13ed3). Using an eclectic musical language from baroque, jazz/ragtime, and impressionism, I tried to shed light on the possibilities of BP. Using mostly the lambda scale as a base, modulating between different tonalities, I also use False Father with its pseudo-octave at one point. BP is mostly known as a scale with low tension, I found that there is more in it. Enjoy a jolly ride on an exoplanetary camel!		'''[https://soundcloud.com/user-824310486/jolly-ride Jolly Ride]''' is a piece written in the equal-tempered Bohlen-Piercescale (13ed3). Using an eclectic musical language from baroque, jazz/ragtime, and impressionism, I tried to shed light on the possibilities of BP. Using mostly the lambda scale as a base, modulating between different tonalities, I also use False Father with its pseudo-octave at one point. BP is mostly known as a scale with low tension, I found that there is more in it. Enjoy a jolly ride on an exoplanetary camel!

Burkhard: added my name

2018-09-28T16:54:01Z

added my name

← Older revision		Revision as of 16:54, 28 September 2018
Line 1:		Line 1:
	== About me ==		== About me ==
	I am an ambitious musical hobbyist living in Stuttgart. Not the one in Kansas nor the one in Arkansas, but the much bigger one in Germany. While I mainly compose in 12edo (or, let's say, my music is mostly interpretable and understandable in 12edo), some of it is microtonal. Like most of us, I am grown up in a 12edo context culture, and most instruments I deal with strengthen a 12edo position, but in electronic music I like to use a bunch of possibilities, of which 12edo is but one.		I am Burkhard von Stackelberg, an ambitious musical hobbyist living in Stuttgart. Not the one in Kansas nor the one in Arkansas, but the much bigger one in Germany. While I mainly compose in 12edo (or, let's say, my music is mostly interpretable and understandable in 12edo), some of it is microtonal. Like most of us, I am grown up in a 12edo context culture, and most instruments I deal with strengthen a 12edo position, but in electronic music I like to use a bunch of possibilities, of which 12edo is but one.

	== Music you can listen to ==		== Music you can listen to ==

Burkhard: My hello to the Xen

2018-09-28T16:28:24Z

My hello to the Xen

← Older revision		Revision as of 16:28, 28 September 2018
Line 1:		Line 1:
	~~Test~~ - ~~mobile~~, ~~mobile mode~~		== About me ==
			I am an ambitious musical hobbyist living in Stuttgart. Not the one in Kansas nor the one in Arkansas, but the much bigger one in Germany. While I mainly compose in 12edo (or, let's say, my music is mostly interpretable and understandable in 12edo), some of it is microtonal. Like most of us, I am grown up in a 12edo context culture, and most instruments I deal with strengthen a 12edo position, but in electronic music I like to use a bunch of possibilities, of which 12edo is but one.

			== Music you can listen to ==
			At https://soundcloud.com/user-824310486 you find me as '''Muckotron''' with my electronic music.

			'''Jolly Ride''' is a piece written in the equal-tempered Bohlen-Piercescale (13ed3). Using an eclectic musical language from baroque, jazz/ragtime, and impressionism, I tried to shed light on the possibilities of BP. Using mostly the lambda scale as a base, modulating between different tonalities, I also use False Father with its pseudo-octave at one point. BP is mostly known as a scale with low tension, I found that there is more in it. Enjoy a jolly ride on an exoplanetary camel!