User:BudjarnLambeth/Ed15/8 - Revision history

BudjarnLambeth at 11:59, 18 May 2025

2025-05-18T11:59:55Z

← Older revision		Revision as of 11:59, 18 May 2025
Line 1:		Line 1:
			{{Editable user page}}
	The '''equal division of 15/8''' ('''ed15/8''') is a [[tuning]] obtained by dividing the [[15/8\|classic major seventh (15/8)]] in a certain number of [[equal]] steps.		The '''equal division of 15/8''' ('''ed15/8''') is a [[tuning]] obtained by dividing the [[15/8\|classic major seventh (15/8)]] in a certain number of [[equal]] steps.

BudjarnLambeth: BudjarnLambeth moved page Ed15/8 to User:BudjarnLambeth/Ed15/8

2025-05-18T11:59:46Z

BudjarnLambeth moved page Ed15/8 to User:BudjarnLambeth/Ed15/8

← Older revision	Revision as of 11:59, 18 May 2025
(No difference)

BudjarnLambeth: Adapted wording from ed16/15

2025-04-25T01:44:47Z

Adapted wording from ed16/15

← Older revision		Revision as of 01:44, 25 April 2025
Line 1:		Line 1:
	The '''equal division of 15/8''' ('''ed15/8''') is a [[tuning]] obtained by dividing the [[15/8\|classic major seventh (15/8)]] in a certain number of [[equal]] steps.		The '''equal division of 15/8''' ('''ed15/8''') is a [[tuning]] obtained by dividing the [[15/8\|classic major seventh (15/8)]] in a certain number of [[equal]] steps.

	Division of 15/8 into equal parts does not necessarily imply directly using this interval as an [[equivalence]]. The ~~utility~~ of 15/8 ~~(or another seventh) as a base though,~~ is ~~apparent~~ by being ~~used at~~ the ~~base of so much modern tonal~~ harmony.		Division of 15/8 into equal parts does not necessarily imply directly using this interval as an [[equivalence]]. Many, though not all, ed15/8 scales have a perceptually important [[Pseudo-octave\|false octave]], with various degrees of accuracy.

			The structural importance of 15/8 is hinted by [[12edo\|11\12]] being the second most common width for a [[tetrad]] in Western harmony, after 10\12.

	== List of ed15/18s ==		== List of ed15/18s ==

BudjarnLambeth at 03:57, 28 September 2024

2024-09-28T03:57:24Z

← Older revision		Revision as of 03:57, 28 September 2024
Line 1:		Line 1:
	The '''equal division of 15/8''' ('''ed15/8''') is a [[tuning]] obtained by dividing the [[15/8\|~~Classic~~ major seventh (15/8)]] in a certain number of [[equal]] steps.		The '''equal division of 15/8''' ('''ed15/8''') is a [[tuning]] obtained by dividing the [[15/8\|classic major seventh (15/8)]] in a certain number of [[equal]] steps.

	Division of 15/8 into equal parts does not necessarily imply directly using this interval as an [[equivalence]]. The utility of 15/8 (or another seventh) as a base though, is apparent by being used at the base of so much modern tonal harmony.		Division of 15/8 into equal parts does not necessarily imply directly using this interval as an [[equivalence]]. The utility of 15/8 (or another seventh) as a base though, is apparent by being used at the base of so much modern tonal harmony.

BudjarnLambeth: Create page for type of ed that has seen a little use

2024-09-28T03:57:10Z

Create page for type of ed that has seen a little use

New page

The '''equal division of 15/8''' ('''ed15/8''') is a [[tuning]] obtained by dividing the [[15/8|Classic major seventh (15/8)]] in a certain number of [[equal]] steps.

Division of 15/8 into equal parts does not necessarily imply directly using this interval as an [[equivalence]]. The utility of 15/8 (or another seventh) as a base though, is apparent by being used at the base of so much modern tonal harmony.

== List of ed15/18s ==
* [[39ed15/8]]

[[Category:Ed15/8| ]] 
[[Category:Edonoi]]
[[Category:Lists of scales]]