Unusual microtonal chords - Revision history

VectorGraphics: melodic notation

2025-07-30T06:13:21Z

melodic notation

← Older revision		Revision as of 06:13, 30 July 2025
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	== Minor seventh half-flat 5 chord ==		== Minor seventh half-flat 5 chord ==
	The minor seven half-flat 5 chord is a version of the standard m7b5 chord that exists in edos such as 24 and 31. In 24edo, it has a formula of 1-b3-d5-b7, or edosteps 0-6-13-20. In 31edo, the edosteps are 0-8-17-26. This chord is reminiscent of mavila temperament’s ~~“major~~ 7th” chord, because the 5th ~~can be considered mavila~~.		The minor seven half-flat 5 chord is a version of the standard m7b5 chord that exists in edos such as 24 and 31. In 24edo, it has a formula of 1-b3-d5-b7, or edosteps 0-6-13-20. In 31edo, the edosteps are 0-8-17-26. This chord is reminiscent of mavila temperament’s “minor 7th” chord, because the 5th is flat.

	== Suspended seven chord ==		== Suspended seven chord ==

MisterShafXen at 14:02, 11 April 2025

2025-04-11T14:02:40Z

← Older revision		Revision as of 14:02, 11 April 2025
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	This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords.		This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords.

			== Minor seventh half-flat 5 chord ==
			The minor seven half-flat 5 chord is a version of the standard m7b5 chord that exists in edos such as 24 and 31. In 24edo, it has a formula of 1-b3-d5-b7, or edosteps 0-6-13-20. In 31edo, the edosteps are 0-8-17-26. This chord is reminiscent of mavila temperament’s “major 7th” chord, because the 5th can be considered mavila.

	== Suspended seven chord ==		== Suspended seven chord ==

ArrowHead294 at 01:56, 15 December 2024

2024-12-15T01:56:23Z

← Older revision		Revision as of 01:56, 15 December 2024
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	This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords.		This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords.

	== Suspended ~~Seven Chord~~ ==		== Suspended seven chord ==
	Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. Thus, a chord of 6:9:11 can be considered a sus7 chord. Unlike its close neighbors, 11/6 has a floaty like sound which works perfectly for that light sound people want in modern music yet is xen enough to feel fresh. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.		Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. Thus, a chord of 6:9:11 can be considered a sus7 chord. Unlike its close neighbors, 11/6 has a floaty like sound which works perfectly for that light sound people want in modern music yet is xen enough to feel fresh. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.

ArrowHead294: ArrowHead294 moved page Unusual Microtonal Chords to Unusual microtonal chords: Capitalisation

2024-12-15T01:56:09Z

ArrowHead294 moved page Unusual Microtonal Chords to Unusual microtonal chords: Capitalisation

← Older revision	Revision as of 01:56, 15 December 2024
(No difference)

BudjarnLambeth: Todo

2024-12-15T01:46:59Z

Todo

← Older revision		Revision as of 01:46, 15 December 2024
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	Listen to the Sus7 chord [[File:Sus7_chord_midi.mp3]] [[:File:Sus7_chord_midi.mp3\|Sus7 chord midi.mp3]]		Listen to the Sus7 chord [[File:Sus7_chord_midi.mp3]] [[:File:Sus7_chord_midi.mp3\|Sus7 chord midi.mp3]]

	{{~~stub~~}}
			{{todo\|inline=1\|expand\|add examples}}

	[[Category:Chords]]		[[Category:Chords]]
	[[Category:Pages with internal sound examples]]		[[Category:Pages with internal sound examples]]

BudjarnLambeth: /* Suspended Seven Chord */ spelling

2024-12-01T23:17:47Z

Suspended Seven Chord: spelling

← Older revision		Revision as of 23:17, 1 December 2024
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	== Suspended Seven Chord ==		== Suspended Seven Chord ==
	Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. Thus, a chord of 6:9:11 can be considered a sus7 chord. Unlike ~~it's~~ close neighbors, 11/6 has a floaty like sound which works perfectly for that light sound people want in modern music yet is xen enough to feel fresh. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.		Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. Thus, a chord of 6:9:11 can be considered a sus7 chord. Unlike its close neighbors, 11/6 has a floaty like sound which works perfectly for that light sound people want in modern music yet is xen enough to feel fresh. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.

	Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.		Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.

BudjarnLambeth: Stub

2024-10-20T08:12:03Z

Stub

← Older revision		Revision as of 08:12, 20 October 2024
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	Listen to the Sus7 chord [[File:Sus7_chord_midi.mp3]] [[:File:Sus7_chord_midi.mp3\|Sus7 chord midi.mp3]]		Listen to the Sus7 chord [[File:Sus7_chord_midi.mp3]] [[:File:Sus7_chord_midi.mp3\|Sus7 chord midi.mp3]]

			{{stub}}

	[[Category:Chords]]		[[Category:Chords]]
	[[Category:Pages with internal sound examples]]		[[Category:Pages with internal sound examples]]

Fredg999 category edits: Categories

2023-04-17T03:00:55Z

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

← Older revision		Revision as of 00:00, 17 July 2018
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	~~<h2>IMPORTED REVISION FROM WIKISPACES</h2>~~		This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords.
	~~This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>~~
	~~: This revision was by author [[User:xenwolf\|xenwolf]] and made on <tt>2016-02-15 12:30:50 UTC</tt>.<br>~~
	~~: The original revision id was <tt>574882163</tt>.<br>~~
	~~: The revision comment was: <tt></tt><br>~~
	~~The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>~~
	~~<h4>Original Wikitext content:</h4>~~
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords.

	==Suspended Seven Chord==		==Suspended Seven Chord==
	Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. Thus, a chord of 6:9:11 can be considered a sus7 chord. Unlike it's close neighbors, 11/6 has a floaty like sound which works perfectly for that light sound people want in modern music yet is xen enough to feel fresh. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.		Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. Thus, a chord of 6:9:11 can be considered a sus7 chord. Unlike it's close neighbors, 11/6 has a floaty like sound which works perfectly for that light sound people want in modern music yet is xen enough to feel fresh. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.

	Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.		Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.
	Listen to the Sus7 chord [[~~media type="file" key="Sus7 chord midi~~.mp3~~" width="240" height="20"~~]] [[~~file~~:Sus7 chord midi.mp3]]~~</pre></div>~~
	~~<h4>Original HTML content:</h4>~~		Listen to the Sus7 chord [[File:Sus7_chord_midi.mp3]] [[:File:Sus7_chord_midi.mp3\|Sus7 chord midi.mp3]] [[Category:chords]]
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Unusual Microtonal Chords</title></head><body>This page talks about odd terminology and interesting chords ~~that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords.<br />~~		[[Category:listening]]
	~~<br />~~		[[Category:sound_example]]
	~~<!-- ws~~:~~start:WikiTextHeadingRule:1:&lt;h2&gt; --><h2 id="toc0"><a name="x-Suspended Seven Chord"></a><!-- ws:end:WikiTextHeadingRule:1 -->Suspended Seven Chord</h2>~~
	Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. Thus, a chord of 6:9:11 can be considered a sus7 chord. Unlike it's close neighbors, 11/6 has a floaty like sound which works perfectly for that light sound people want in modern music yet is xen enough to feel fresh. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.<br />
	~~<br />~~
	~~Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.<br />~~
	Listen to the Sus7 chord <!-- ws:start:WikiTextMediaRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/Sus7%20chord%20midi.mp3?h=20&amp;w=240&quot; class=&quot;WikiMedia WikiMediaFile&quot; id=&quot;wikitext@@media@@type=&amp;quot;file&amp;quot; key=&amp;quot;Sus7 chord midi.mp3&amp;quot; width=&amp;quot;240&amp;quot; height=&amp;quot;20&amp;quot;&quot; title=&quot;Local Media File&quot;height=&quot;20&quot; width=&quot;240&quot;/&gt; --><embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252FSus7%252Bchord%252Bmidi.mp3?file_extension=mp3&autostart=false&repeat=false&showdigits=true&showfsbutton=false&width=240&height=20"></embed><!-- ws:end:WikiTextMediaRule:0 --> <!-- ws:start:WikiTextFileRule:3:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/file/Sus7%20chord%20midi.mp3?h=52&amp;w=320&quot; class=&quot;WikiFile&quot; id=&quot;wikitext@@file@@Sus7 chord midi.mp3&quot; title=&quot;File: Sus7 chord midi.mp3&quot; width=&quot;320&quot; height=&quot;52&quot; /&gt; --><div class="objectEmbed"><a href="/file/view/Sus7%20chord%20midi.mp3/548354390/Sus7%20chord%20midi.mp3" onclick="ws.common.trackFileLink('/file/view/Sus7%20chord%20midi.mp3/548354390/Sus7%20chord%20midi.mp3');"><img src="http://www.wikispaces.com/i/mime/32/audio/mp3.png" height="32" width="32" alt="Sus7 chord midi.mp3" /></a><div><a href="/file/view/Sus7%20chord%20midi.mp3/548354390/Sus7%20chord%20midi.mp3" onclick="ws.common.trackFileLink('/file/view/Sus7%20chord%20midi.mp3/548354390/Sus7%20chord%20midi.mp3');" class="filename" title="Sus7 chord midi.mp3">Sus7 chord midi.mp3</a><br /><ul><li><a href="/file/detail/Sus7%20chord%20midi.mp3">Details</a></li><li><a href="/file/view/Sus7%20chord%20midi.mp3/548354390/Sus7%20chord%20midi.mp3">Download</a></li><li style="color: #666">145 KB</li></ul></div></div><!-- ws:end:WikiTextFileRule:3 --></body></html></pre></div>

Wikispaces>xenwolf: Imported revision 574882163 - Original comment:

2016-02-15T12:30:50Z

**Imported revision 574882163 - Original comment: **

← Older revision		Revision as of 12:30, 15 February 2016
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	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:~~k9assassin~~\|~~k9assassin~~]] and made on <tt>~~2015~~-04-~~23 01~~:29:46 UTC</tt>.<br>		: This revision was by author [[User:xenwolf\|xenwolf]] and made on <tt>2016-02-15 12:30:50 UTC</tt>.<br>
	: The original revision id was <tt>~~548354560~~</tt>.<br>		: The original revision id was <tt>574882163</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.		Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.
	Listen to the Sus7 chord [[media type="file" key="Sus7 chord midi.mp3" width="240" height="20"]]</pre></div>		Listen to the Sus7 chord [[media type="file" key="Sus7 chord midi.mp3" width="240" height="20"]] [[file:Sus7 chord midi.mp3]]</pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Unusual Microtonal Chords</title></head><body>This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords.<br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Unusual Microtonal Chords</title></head><body>This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords.<br />
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	<br />		<br />
	Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.<br />		Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.<br />
	Listen to the Sus7 chord <!-- ws:start:WikiTextMediaRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/Sus7%20chord%20midi.mp3?h=20&amp;w=240&quot; class=&quot;WikiMedia WikiMediaFile&quot; id=&quot;wikitext@@media@@type=&amp;quot;file&amp;quot; key=&amp;quot;Sus7 chord midi.mp3&amp;quot; width=&amp;quot;240&amp;quot; height=&amp;quot;20&amp;quot;&quot; title=&quot;Local Media File&quot;height=&quot;20&quot; width=&quot;240&quot;/&gt; --><embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252FSus7%252Bchord%252Bmidi.mp3?file_extension=mp3&autostart=false&repeat=false&showdigits=true&showfsbutton=false&width=240&height=20"></embed><!-- ws:end:WikiTextMediaRule:0 --></body></html></pre></div>		Listen to the Sus7 chord <!-- ws:start:WikiTextMediaRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/Sus7%20chord%20midi.mp3?h=20&amp;w=240&quot; class=&quot;WikiMedia WikiMediaFile&quot; id=&quot;wikitext@@media@@type=&amp;quot;file&amp;quot; key=&amp;quot;Sus7 chord midi.mp3&amp;quot; width=&amp;quot;240&amp;quot; height=&amp;quot;20&amp;quot;&quot; title=&quot;Local Media File&quot;height=&quot;20&quot; width=&quot;240&quot;/&gt; --><embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252FSus7%252Bchord%252Bmidi.mp3?file_extension=mp3&autostart=false&repeat=false&showdigits=true&showfsbutton=false&width=240&height=20"></embed><!-- ws:end:WikiTextMediaRule:0 --> <!-- ws:start:WikiTextFileRule:3:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/file/Sus7%20chord%20midi.mp3?h=52&amp;w=320&quot; class=&quot;WikiFile&quot; id=&quot;wikitext@@file@@Sus7 chord midi.mp3&quot; title=&quot;File: Sus7 chord midi.mp3&quot; width=&quot;320&quot; height=&quot;52&quot; /&gt; --><div class="objectEmbed"><a href="/file/view/Sus7%20chord%20midi.mp3/548354390/Sus7%20chord%20midi.mp3" onclick="ws.common.trackFileLink('/file/view/Sus7%20chord%20midi.mp3/548354390/Sus7%20chord%20midi.mp3');"><img src="http://www.wikispaces.com/i/mime/32/audio/mp3.png" height="32" width="32" alt="Sus7 chord midi.mp3" /></a><div><a href="/file/view/Sus7%20chord%20midi.mp3/548354390/Sus7%20chord%20midi.mp3" onclick="ws.common.trackFileLink('/file/view/Sus7%20chord%20midi.mp3/548354390/Sus7%20chord%20midi.mp3');" class="filename" title="Sus7 chord midi.mp3">Sus7 chord midi.mp3</a><br /><ul><li><a href="/file/detail/Sus7%20chord%20midi.mp3">Details</a></li><li><a href="/file/view/Sus7%20chord%20midi.mp3/548354390/Sus7%20chord%20midi.mp3">Download</a></li><li style="color: #666">145 KB</li></ul></div></div><!-- ws:end:WikiTextFileRule:3 --></body></html></pre></div>

← Older revision		Revision as of 03:00, 17 April 2023
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	This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords.		This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords.

	==Suspended Seven Chord==		== Suspended Seven Chord ==
	Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. Thus, a chord of 6:9:11 can be considered a sus7 chord. Unlike it's close neighbors, 11/6 has a floaty like sound which works perfectly for that light sound people want in modern music yet is xen enough to feel fresh. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.		Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. Thus, a chord of 6:9:11 can be considered a sus7 chord. Unlike it's close neighbors, 11/6 has a floaty like sound which works perfectly for that light sound people want in modern music yet is xen enough to feel fresh. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.

	Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.		Technical name is a Neutral Seventh Omit 5 but sus7 tends to work.

	Listen to the Sus7 chord [[File:Sus7_chord_midi.mp3]] [[:File:Sus7_chord_midi.mp3\|Sus7 chord midi.mp3]] ~~[[Category:chords]]~~		Listen to the Sus7 chord [[File:Sus7_chord_midi.mp3]] [[:File:Sus7_chord_midi.mp3\|Sus7 chord midi.mp3]]
	[[Category:~~listening~~]]
	[[Category:~~sound_example~~]]		[[Category:Chords]]
			[[Category:Pages with internal sound examples]]