Universal solfege - Revision history

Nick Vuci: forgot something

2024-02-02T02:01:49Z

forgot something

← Older revision		Revision as of 02:01, 2 February 2024
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	This means that ultimately you should define the intervals as you hear them and as they function to you, not necessarily as they strictly fall on this chart. If a scale contains an interval that is 259 cents, but you hear it as a minor third in context, then give it the solfege syllable of a minor third instead of a semifourth.		This means that ultimately you should define the intervals as you hear them and as they function to you, not necessarily as they strictly fall on this chart. If a scale contains an interval that is 259 cents, but you hear it as a minor third in context, then give it the solfege syllable of a minor third instead of a semifourth.

			Furthermore, if desired the middle range of each category (distinguished in bold) may be used primarily if finer subdivisions aren't required for a scale.

	== Full gamut ==		== Full gamut ==

Fredg999: Fredg999 moved page Universal Solfege to Universal solfege: WP:NCCAPS

2023-12-12T06:26:46Z

Fredg999 moved page Universal Solfege to Universal solfege: WP:NCCAPS

← Older revision	Revision as of 06:26, 12 December 2023
(No difference)

Fredg999: WP:NCCAPS

2023-12-12T06:26:37Z

WP:NCCAPS

← Older revision		Revision as of 06:26, 12 December 2023
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	{{Distinguish\|Uniform solfege}}		{{Distinguish\|Uniform solfege}}

	'''Universal ~~Solfege~~'''{{idiosyncratic}} was invented by [[User:Nick Vuci\|Nick Vuci]]. It builds on [[Margo Schulter]]'s [https://www.bestii.com/~mschulter/IntervalSpectrumRegions.txt "Regions of the Interval Spectrum"] to create a systematic solfege which can be applied to a variety of microtonal scales.		'''Universal solfege'''{{idiosyncratic}} was invented by [[User:Nick Vuci\|Nick Vuci]]. It builds on [[Margo Schulter]]'s [https://www.bestii.com/~mschulter/IntervalSpectrumRegions.txt "Regions of the Interval Spectrum"] to create a systematic solfege which can be applied to a variety of microtonal scales.

	The principle is that we can divide the interval spectrum into discrete areas which can then be used to take subsets for most microtonal scales we can imagine (although it works best with scales that have around 5-9 notes). It's not an exhaustive solution but a practical and practicible one.		The principle is that we can divide the interval spectrum into discrete areas which can then be used to take subsets for most microtonal scales we can imagine (although it works best with scales that have around 5-9 notes). It's not an exhaustive solution but a practical and practicible one.

Fredg999: Improve structure, add distinguish template, mark as idiosyncratic (term not widespread and sounds like it might be)

2023-12-12T06:25:39Z

Improve structure, add distinguish template, mark as idiosyncratic (term not widespread and sounds like it might be)

← Older revision		Revision as of 06:25, 12 December 2023
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	WORK IN PROGRESS		{{Mbox\|type=notice\|text=WORK IN PROGRESS}}
			{{Distinguish\|Uniform solfege}}

			'''Universal Solfege'''{{idiosyncratic}} was invented by [[User:Nick Vuci\|Nick Vuci]]. It builds on [[Margo Schulter]]'s [https://www.bestii.com/~mschulter/IntervalSpectrumRegions.txt "Regions of the Interval Spectrum"] to create a systematic solfege which can be applied to a variety of microtonal scales.

			The principle is that we can divide the interval spectrum into discrete areas which can then be used to take subsets for most microtonal scales we can imagine (although it works best with scales that have around 5-9 notes). It's not an exhaustive solution but a practical and practicible one.

	~~Universal Solfege was invented by [[User:Nick Vuci\|Nick Vuci]]~~. ~~It builds on [[Margo Schulter\|Margo Schulter's]] [https://www.bestii.com/~mschulter/IntervalSpectrumRegions.txt "Regions~~ of ~~the Interval Spectrum"] to create~~ a ~~systematic solfege which can be applied~~ to a ~~variety of microtonal scales~~.		While the chart gives solfege syllables for 59 distinct intervals, the entire gamut is not meant to be used in one instance. Instead it is meant to be used via selection of a subset relevant to a main scale.

	~~The principle is that we can divide~~ the ~~interval spectrum into discrete areas which~~ can ~~then~~ be used to ~~take subsets for most~~ microtonal ~~scales we can imagine~~ (~~although~~ it ~~works best with scales that have around 5-9~~ notes)~~. It's not an exhaustive solution but a practical and practicible one.~~		When using MOS, the system can be used in conjunction with "hexachords" to create a microtonal "hexachordal solfeggio." (Of course, "hexachord" is the common term but here it is insufficient since the set may contain more or less than 6 notes depending on the MOS.)

	~~While the chart gives solfege syllables for 59 distinct intervals~~, ~~the entire gamut is not meant~~ to ~~be used in one instance. Instead it is meant to be used via selection of a subset relevant to a main scale.~~		Finally, to quote Schulter:

	~~When using MOS,~~ the ~~system can be used in conjunction with~~ "~~hexachords" to create a microtonal "hexachordal solfeggio." (Of course~~, "~~hexachord" is the common term but here it is insufficient since the set may contain~~ more ~~or less~~ than ~~6 notes depending on the MOS~~.)		<blockquote>A main caution is that the borders are inevitably "fuzzy," so that one region shades into another and suggested values in cents are more illustrative than definitive.<ref>https://www.bestii.com/~mschulter/IntervalSpectrumRegions.txt</ref></blockquote>

	~~Finally, to quote Schulter: <blockquote>~~		This means that ultimately you should define the intervals as you hear them and as they function to you, not necessarily as they strictly fall on this chart. If a scale contains an interval that is 259 cents, but you hear it as a minor third in context, then give it the solfege syllable of a minor third instead of a semifourth.
	A main caution is that the borders are inevitably "fuzzy," so that one region shades into another and suggested values in cents are more illustrative than definitive.<ref>https://www.bestii.com/~mschulter/IntervalSpectrumRegions.txt</ref> </blockquote>This means that ultimately you should define the intervals as you hear them and as they function to you, not necessarily as they strictly fall on this chart. If a scale contains an interval that is 259 cents, but you hear it as a minor third in context, then give it the solfege syllable of a minor third instead of a semifourth.

			== Full gamut ==
	A chart below lays things out:		A chart below lays things out:
	{\| class="wikitable"		{\| class="wikitable"
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	\|}		\|}

	The ~~Unison~~ and the ~~Octave~~ (ie the "tonic") is always denoted with "A." (IPA: a)		The unison and the octave (i.e. the "tonic") is always denoted with "A." (IPA: a)

	For the main intervals which do not have major or minor forms, we give the following syllables:		For the main intervals which do not have major or minor forms, we give the following syllables:
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	** "Twe" for semitwelfth		** "Twe" for semitwelfth

			== Examples ==
	We will now show some examples of how this system can be used in practice.		We will now show some examples of how this system can be used in practice.

			=== 12edo diatonic (major mode) ===
	{\| class="wikitable"		{\| class="wikitable"
	! colspan="3" \|<nowiki>12edo 5L2s 5\|1</nowiki>		! colspan="3" \|<nowiki>12edo 5L2s 5\|1</nowiki>
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	\|Octave		\|Octave
	\|}		\|}

			=== 31edo diatonic (major mode) ===
	{\| class="wikitable"		{\| class="wikitable"
	! colspan="3" \|<nowiki>31edo 5L2s 5\|1</nowiki>		! colspan="3" \|<nowiki>31edo 5L2s 5\|1</nowiki>
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	\|Octave		\|Octave
	\|}		\|}

			=== 31edo mosh (bish mode) ===
	{\| class="wikitable"		{\| class="wikitable"
	! colspan="3" \|<nowiki>31edo 3L4s 3\|3</nowiki>		! colspan="3" \|<nowiki>31edo 3L4s 3\|3</nowiki>
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	\|Octave		\|Octave
	\|}		\|}

			=== 24edo mosh (bish mode) ===
	{\| class="wikitable"		{\| class="wikitable"
	\|+		\|+
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	\|Octave		\|Octave
	\|}		\|}

			=== 24edo manual (medial mode) ===
	{\| class="wikitable"		{\| class="wikitable"
	! colspan="3" \|<nowiki>24edo 4L1s 2\|2</nowiki>		! colspan="3" \|<nowiki>24edo 4L1s 2\|2</nowiki>
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	\|Octave		\|Octave
	\|}		\|}

			=== 19edo manual (medial mode) ===
	{\| class="wikitable"		{\| class="wikitable"
	! colspan="3" \|<nowiki>19edo 4L1s 2\|2</nowiki>		! colspan="3" \|<nowiki>19edo 4L1s 2\|2</nowiki>
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	\|Octave		\|Octave
	\|}		\|}

			=== 19edo diatonic (major mode) ===
	{\| class="wikitable"		{\| class="wikitable"
	! colspan="3" \|<nowiki>19edo 5L2s 5\|1</nowiki>		! colspan="3" \|<nowiki>19edo 5L2s 5\|1</nowiki>
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	\|Octave		\|Octave
	\|}		\|}

			=== Harmonics 8::16 ===
	{\| class="wikitable"		{\| class="wikitable"
	! colspan="3" \|Harmonics 8::16		! colspan="3" \|Harmonics 8::16
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	\|Octave		\|Octave
	\|}		\|}

			=== 13edo oneirotonic (Celephaïsian mode) ===
	{\| class="wikitable"		{\| class="wikitable"
	\|+		\|+
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	\|Major Seventh		\|Major Seventh
	\|}		\|}

			== References ==
	<references />		<references />

	[[Category:Solfege]]		[[Category:Solfege]]

BudjarnLambeth: Categorised this uncategorised page

2023-11-27T14:03:32Z

Categorised this uncategorised page

← Older revision		Revision as of 14:03, 27 November 2023
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	\|Major Seventh		\|Major Seventh
	\|}		\|}
			<references />
			[[Category:Solfege]]

Nick Vuci at 20:40, 22 November 2023

2023-11-22T20:40:58Z

← Older revision		Revision as of 20:40, 22 November 2023
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	Universal Solfege was invented by [[User:Nick Vuci\|Nick Vuci]]. It builds on [[Margo Schulter\|Margo Schulter's]] [https://www.bestii.com/~mschulter/IntervalSpectrumRegions.txt "Regions of the Interval Spectrum"] to create a systematic solfege which can be applied to a variety of microtonal scales.		Universal Solfege was invented by [[User:Nick Vuci\|Nick Vuci]]. It builds on [[Margo Schulter\|Margo Schulter's]] [https://www.bestii.com/~mschulter/IntervalSpectrumRegions.txt "Regions of the Interval Spectrum"] to create a systematic solfege which can be applied to a variety of microtonal scales.

	The principle is that we can divide the interval spectrum into discrete areas which can then be used to take subsets for most microtonal scales we can imagine. It's not an exhaustive solution but a practical and practicible one.		The principle is that we can divide the interval spectrum into discrete areas which can then be used to take subsets for most microtonal scales we can imagine (although it works best with scales that have around 5-9 notes). It's not an exhaustive solution but a practical and practicible one.

	While the chart gives solfege syllables for 59 distinct intervals, the entire gamut is not meant to be used in one instance. Instead it is meant to be used via selection of a subset relevant to a main scale.		While the chart gives solfege syllables for 59 distinct intervals, the entire gamut is not meant to be used in one instance. Instead it is meant to be used via selection of a subset relevant to a main scale.

	When using MOS, the system can be used in conjunction with "hexachords" to create a microtonal "hexachordal solfeggio." (Of course, "hexachord" is the common term but here it is insufficient since the set ~~many~~ contain more or less than 6 notes depending on the MOS.)		When using MOS, the system can be used in conjunction with "hexachords" to create a microtonal "hexachordal solfeggio." (Of course, "hexachord" is the common term but here it is insufficient since the set may contain more or less than 6 notes depending on the MOS.)

	Finally, to quote Schulter: <blockquote>		Finally, to quote Schulter: <blockquote>

Nick Vuci: Fixed typo

2023-11-22T03:52:21Z

Fixed typo

← Older revision		Revision as of 03:52, 22 November 2023
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	\|'''Middle'''		\|'''Middle'''
	\|'''695-709'''		\|'''695-709'''
	\|'''~~Fim~~'''		\|'''Fi'''
	\|'''fɪ'''		\|'''fɪ'''
	\|-		\|-

Nick Vuci: Fixed typo

2023-11-18T20:30:59Z

Fixed typo

← Older revision		Revision as of 20:30, 18 November 2023
Line 5:		Line 5:
	Universal Solfege was invented by [[User:Nick Vuci\|Nick Vuci]]. It builds on [[Margo Schulter\|Margo Schulter's]] [https://www.bestii.com/~mschulter/IntervalSpectrumRegions.txt "Regions of the Interval Spectrum"] to create a systematic solfege which can be applied to a variety of microtonal scales.		Universal Solfege was invented by [[User:Nick Vuci\|Nick Vuci]]. It builds on [[Margo Schulter\|Margo Schulter's]] [https://www.bestii.com/~mschulter/IntervalSpectrumRegions.txt "Regions of the Interval Spectrum"] to create a systematic solfege which can be applied to a variety of microtonal scales.

	The principle is that we can divide the interval spectrum into ~~discreet~~ areas which can then be used to take subsets for most microtonal scales we can imagine. It's not an exhaustive solution but a practical and practicible one.		The principle is that we can divide the interval spectrum into discrete areas which can then be used to take subsets for most microtonal scales we can imagine. It's not an exhaustive solution but a practical and practicible one.

	While the chart gives solfege syllables for 59 distinct intervals, the entire gamut is not meant to be used in one instance. Instead it is meant to be used via selection of a subset relevant to a main scale.		While the chart gives solfege syllables for 59 distinct intervals, the entire gamut is not meant to be used in one instance. Instead it is meant to be used via selection of a subset relevant to a main scale.

Nick Vuci: added non-edo example

2023-11-18T18:53:36Z

added non-edo example

@@ Line 632: / Line 632: @@
 |Vool
 |Large Neutral Seventh
 |-
 |1200

Nick Vuci: many things

2023-11-18T18:30:51Z

many things

Show changes