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	<id>https://en.xen.wiki/index.php?action=history&amp;feed=atom&amp;title=Tuba</id>
	<title>Tuba - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.xen.wiki/index.php?action=history&amp;feed=atom&amp;title=Tuba"/>
	<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Tuba&amp;action=history"/>
	<updated>2026-08-13T20:30:44Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.xen.wiki/index.php?title=Tuba&amp;diff=235599&amp;oldid=prev</id>
		<title>Fredg999: Add missing closing parenthesis, misc. edits</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Tuba&amp;diff=235599&amp;oldid=prev"/>
		<updated>2026-08-12T15:50:45Z</updated>

		<summary type="html">&lt;p&gt;Add missing closing parenthesis, misc. edits&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:50, 12 August 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Wikipedia&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Tuba&lt;/del&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Wikipedia}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The tuba is a brass instrument having an even wider and more rapidly-expanding bore than the French [[horn]], likewise having valves (three or more) and tuning slides to alter the pitch; unlike the French horn, the tuba never had an older version having no valves (its closest functional predecessors, the serpent and ophicleide, having finger holes and keys, respectively. Normally, when additional valves and tuning slides are added, their purpose is to fill in chromatic (nominally [[12edo]]) notes in the low range, as well as providing additional options for getting such notes in tune when the slides cannot be moved quickly enough; but it is also possible to add valves and slides to get microtones. In the following example, an 1890 Schmidt six-valve F tuba (having four originally-standard valves operated by the right hand and two valves operated by the left hand) has been modified in the following ways: the third valve tubing has been lengthened to lower pitch by a major third instead of a minor third; the fourth valve tubing has been lengthened to lower pitch by a perfect fifth instead of a perfect fourth; and the fifth and sixth valves and their associated tubing have been substituted to lower pitch by a quarter-tone and an an eighth-tone, respectively, and a right-hand lever-actuated tuning slide is capable of lowering the pitch by at least another eighth-tone to fill in gaps and/or correct the intonation deficiencies inherent in brass instrument valve systems.&amp;lt;ref&amp;gt;Hayward, Robin (2011) &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;The Microtonal Tuba&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/del&gt;&#039;&#039;The Galpin Society Journal&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&lt;/del&gt;&#039;&#039; Vol. 64 (March 2011), pp. 125-177 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;No DOI, [https://www&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jstor.org/stable/23209394 &lt;/del&gt;https://www.jstor.org/stable/23209394&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/del&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/ins&gt;tuba&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039; &lt;/ins&gt;is a brass instrument having an even wider and more rapidly-expanding bore than the French [[horn]], likewise having valves (three or more) and tuning slides to alter the pitch; unlike the French horn, the tuba never had an older version having no valves (its closest functional predecessors, the serpent and ophicleide, having finger holes and keys, respectively&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Normally, when additional valves and tuning slides are added, their purpose is to fill in chromatic (nominally [[12edo]]) notes in the low range, as well as providing additional options for getting such notes in tune when the slides cannot be moved quickly enough; but it is also possible to add valves and slides to get microtones. In the following example, an 1890 Schmidt six-valve F tuba (having four originally-standard valves operated by the right hand and two valves operated by the left hand) has been modified in the following ways: the third valve tubing has been lengthened to lower pitch by a major third instead of a minor third; the fourth valve tubing has been lengthened to lower pitch by a perfect fifth instead of a perfect fourth; and the fifth and sixth valves and their associated tubing have been substituted to lower pitch by a quarter-tone and an an eighth-tone, respectively, and a right-hand lever-actuated tuning slide is capable of lowering the pitch by at least another eighth-tone to fill in gaps and/or correct the intonation deficiencies inherent in brass instrument valve systems.&amp;lt;ref&amp;gt;Hayward, Robin (2011) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/ins&gt;The Microtonal Tuba,&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot; &lt;/ins&gt;&#039;&#039;The Galpin Society Journal&#039;&#039; Vol. 64 (March 2011), pp. 125-177. https://www.jstor.org/stable/23209394&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;; [[Robin Hayward]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;; [[Robin Hayward]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot;&gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Instruments]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Instruments]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Stub}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Stub}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fredg999</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Tuba&amp;diff=235597&amp;oldid=prev</id>
		<title>Lucius Chiaraviglio: Found that Microtonal Tuba article has no DOI because it is an older JSTOR article</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Tuba&amp;diff=235597&amp;oldid=prev"/>
		<updated>2026-08-12T15:18:50Z</updated>

		<summary type="html">&lt;p&gt;Found that Microtonal Tuba article has no DOI because it is an older JSTOR article&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:18, 12 August 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Wikipedia|Tuba}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Wikipedia|Tuba}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The tuba is a brass instrument having an even wider and more rapidly-expanding bore than the French [[horn]], likewise having valves (three or more) and tuning slides to alter the pitch; unlike the French horn, the tuba never had an older version having no valves (its closest functional predecessors, the serpent and ophicleide, having finger holes and keys, respectively. Normally, when additional valves and tuning slides are added, their purpose is to fill in chromatic (nominally [[12edo]]) notes in the low range, as well as providing additional options for getting such notes in tune when the slides cannot be moved quickly enough; but it is also possible to add valves and slides to get microtones. In the following example, an 1890 Schmidt six-valve F tuba (having four originally-standard valves operated by the right hand and two valves operated by the left hand) has been modified in the following ways: the third valve tubing has been lengthened to lower pitch by a major third instead of a minor third; the fourth valve tubing has been lengthened to lower pitch by a perfect fifth instead of a perfect fourth; and the fifth and sixth valves and their associated tubing have been substituted to lower pitch by a quarter-tone and an an eighth-tone, respectively, and a right-hand lever-actuated tuning slide is capable of lowering the pitch by at least another eighth-tone to fill in gaps and/or correct the intonation deficiencies inherent in brass instrument valve systems.&amp;lt;ref&amp;gt;Hayward, Robin (2011) &#039;&#039;The Microtonal Tuba&#039;&#039;, &#039;&#039;&#039;The Galpin Society Journal&#039;&#039;&#039; Vol. 64 (March 2011), pp. 125-177 [https://www.jstor.org/stable/23209394 https://www.jstor.org/stable/23209394]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The tuba is a brass instrument having an even wider and more rapidly-expanding bore than the French [[horn]], likewise having valves (three or more) and tuning slides to alter the pitch; unlike the French horn, the tuba never had an older version having no valves (its closest functional predecessors, the serpent and ophicleide, having finger holes and keys, respectively. Normally, when additional valves and tuning slides are added, their purpose is to fill in chromatic (nominally [[12edo]]) notes in the low range, as well as providing additional options for getting such notes in tune when the slides cannot be moved quickly enough; but it is also possible to add valves and slides to get microtones. In the following example, an 1890 Schmidt six-valve F tuba (having four originally-standard valves operated by the right hand and two valves operated by the left hand) has been modified in the following ways: the third valve tubing has been lengthened to lower pitch by a major third instead of a minor third; the fourth valve tubing has been lengthened to lower pitch by a perfect fifth instead of a perfect fourth; and the fifth and sixth valves and their associated tubing have been substituted to lower pitch by a quarter-tone and an an eighth-tone, respectively, and a right-hand lever-actuated tuning slide is capable of lowering the pitch by at least another eighth-tone to fill in gaps and/or correct the intonation deficiencies inherent in brass instrument valve systems.&amp;lt;ref&amp;gt;Hayward, Robin (2011) &#039;&#039;The Microtonal Tuba&#039;&#039;, &#039;&#039;&#039;The Galpin Society Journal&#039;&#039;&#039; Vol. 64 (March 2011), pp. 125-177 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;No DOI, &lt;/ins&gt;[https://www.jstor.org/stable/23209394 https://www.jstor.org/stable/23209394]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;; [[Robin Hayward]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;; [[Robin Hayward]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Lucius Chiaraviglio</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Tuba&amp;diff=235596&amp;oldid=prev</id>
		<title>Lucius Chiaraviglio: Correct description of valves; add reference for microtonal tuba history and construction</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Tuba&amp;diff=235596&amp;oldid=prev"/>
		<updated>2026-08-12T15:16:32Z</updated>

		<summary type="html">&lt;p&gt;Correct description of valves; add reference for microtonal tuba history and construction&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:16, 12 August 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Wikipedia|Tuba}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Wikipedia|Tuba}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The tuba is a brass instrument having an even wider and more rapidly-expanding bore than the French [[horn]], likewise having valves (three or more) and tuning slides to alter the pitch. Normally, when additional valves and tuning slides are added, their purpose is to fill in chromatic (nominally [[12edo]]) notes in the low range, as well as providing additional options for getting such notes in tune when the slides cannot be moved quickly enough; but it is also possible to add valves and slides to get microtones. In the following example, an 1890 Schmidt F tuba (having &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;three &lt;/del&gt;standard valves operated by the right hand) has been &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fitted with an additional group &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;controls (operated &lt;/del&gt;by the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;left hand), which includes &lt;/del&gt;a quarter-tone &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;valve, &lt;/del&gt;an eighth-tone &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;valve&lt;/del&gt;, and a lever-actuated tuning slide capable of lowering the pitch by at least another eighth-tone to fill in gaps.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The tuba is a brass instrument having an even wider and more rapidly-expanding bore than the French [[horn]], likewise having valves (three or more) and tuning slides to alter the pitch&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; unlike the French horn, the tuba never had an older version having no valves (its closest functional predecessors, the serpent and ophicleide, having finger holes and keys, respectively&lt;/ins&gt;. Normally, when additional valves and tuning slides are added, their purpose is to fill in chromatic (nominally [[12edo]]) notes in the low range, as well as providing additional options for getting such notes in tune when the slides cannot be moved quickly enough; but it is also possible to add valves and slides to get microtones. In the following example, an 1890 Schmidt &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;six-valve &lt;/ins&gt;F tuba (having &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;four originally-&lt;/ins&gt;standard valves operated by the right &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;hand and two valves operated by the left &lt;/ins&gt;hand) has been &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;modified in the following ways: the third valve tubing has been lengthened to lower pitch by a major third instead &lt;/ins&gt;of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a minor third; the fourth valve tubing has been lengthened to lower pitch &lt;/ins&gt;by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a perfect fifth instead of a perfect fourth; and &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fifth and sixth valves and their associated tubing have been substituted to lower pitch by &lt;/ins&gt;a quarter-tone &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and an &lt;/ins&gt;an eighth-tone&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, respectively&lt;/ins&gt;, and a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;right-hand &lt;/ins&gt;lever-actuated tuning slide &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is &lt;/ins&gt;capable of lowering the pitch by at least another eighth-tone to fill in gaps &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and/or correct the intonation deficiencies inherent in brass instrument valve systems.&amp;lt;ref&amp;gt;Hayward, Robin (2011) &#039;&#039;The Microtonal Tuba&#039;&#039;, &#039;&#039;&#039;The Galpin Society Journal&#039;&#039;&#039; Vol. 64 (March 2011), pp. 125-177 [https://www.jstor.org/stable/23209394 https://www&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jstor.org/stable/23209394]&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;; [[Robin Hayward]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;; [[Robin Hayward]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://www.youtube.com/watch?v=mFEOny8Mvuc &amp;#039;&amp;#039;Splitting the semitone&amp;#039;&amp;#039;] (2026) (valve system made in collaboration with [[The Berliner Tuba]])&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://www.youtube.com/watch?v=mFEOny8Mvuc &amp;#039;&amp;#039;Splitting the semitone&amp;#039;&amp;#039;] (2026) (valve system made in collaboration with [[The Berliner Tuba]])&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== References ==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;references /&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Instruments]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Instruments]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Stub}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Stub}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Lucius Chiaraviglio</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Tuba&amp;diff=235587&amp;oldid=prev</id>
		<title>Lucius Chiaraviglio: Found an example of microtonal tuba, so created page</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Tuba&amp;diff=235587&amp;oldid=prev"/>
		<updated>2026-08-12T04:33:33Z</updated>

		<summary type="html">&lt;p&gt;Found an example of microtonal tuba, so created page&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Wikipedia|Tuba}}&lt;br /&gt;
The tuba is a brass instrument having an even wider and more rapidly-expanding bore than the French [[horn]], likewise having valves (three or more) and tuning slides to alter the pitch. Normally, when additional valves and tuning slides are added, their purpose is to fill in chromatic (nominally [[12edo]]) notes in the low range, as well as providing additional options for getting such notes in tune when the slides cannot be moved quickly enough; but it is also possible to add valves and slides to get microtones. In the following example, an 1890 Schmidt F tuba (having three standard valves operated by the right hand) has been fitted with an additional group of controls (operated by the left hand), which includes a quarter-tone valve, an eighth-tone valve, and a lever-actuated tuning slide capable of lowering the pitch by at least another eighth-tone to fill in gaps.&lt;br /&gt;
&lt;br /&gt;
; [[Robin Hayward]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=mFEOny8Mvuc &amp;#039;&amp;#039;Splitting the semitone&amp;#039;&amp;#039;] (2026) (valve system made in collaboration with [[The Berliner Tuba]])&lt;br /&gt;
&lt;br /&gt;
[[Category:Instruments]]&lt;br /&gt;
{{Stub}}&lt;/div&gt;</summary>
		<author><name>Lucius Chiaraviglio</name></author>
	</entry>
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