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	<id>https://en.xen.wiki/index.php?action=history&amp;feed=atom&amp;title=Skip_fretting_system_53_3_14</id>
	<title>Skip fretting system 53 3 14 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.xen.wiki/index.php?action=history&amp;feed=atom&amp;title=Skip_fretting_system_53_3_14"/>
	<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Skip_fretting_system_53_3_14&amp;action=history"/>
	<updated>2026-06-16T22:27:24Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.6</generator>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Skip_fretting_system_53_3_14&amp;diff=212239&amp;oldid=prev</id>
		<title>Yourmusic Productions: Fix math error, remove depreciated temperament name.</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Skip_fretting_system_53_3_14&amp;diff=212239&amp;oldid=prev"/>
		<updated>2025-10-07T11:30:07Z</updated>

		<summary type="html">&lt;p&gt;Fix math error, remove depreciated temperament name.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:30, 7 October 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A good way to play 53-edo on a 17.66-edo guitar (effectively 28edt, or an 18edo guitar with the intonation on the [[Moving_the_bridge_hack|bridge shifted forwards]] so the third harmonic and the 28th fret sound the same note.) is to tune each pair of adjacent strings 14\&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;43 &lt;/del&gt;apart. (That&#039;s 317 cents, a bit sharp of [[6/5]].) This is probably best accomplished by ear via fretting a string at the 13th fret and then tuning it to an octave above the one below.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A good way to play 53-edo on a 17.66-edo guitar (effectively &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;28edt&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, or an &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;18edo&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;guitar with the intonation on the [[Moving_the_bridge_hack|bridge shifted forwards]] so the third harmonic and the 28th fret sound the same note.) is to tune each pair of adjacent strings 14\&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;53 &lt;/ins&gt;apart. (That&#039;s 317 cents, a bit sharp of [[6/5]].) This is probably best accomplished by ear via fretting a string at the 13th fret and then tuning it to an octave above the one below.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the possible [[skip fretting]] systems for 53-edo, the (53,3,14) system is especially effective because every ratio in the 2.3.5.13 subgroup can be reached with a stretch of 4 frets or less. Conveniently, this is also the subgroup 53edo is best tuned in, with less than 3 cents error, audibly indistinguishable from just intonation, making the most in tune harmonies also the easiest to play. For this reason, it could also be called a [[Kleismic_family#Catakleismic|catakleismic&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] or [[The_Archipelago#Trinidad_aka_cata|Trinidad&lt;/del&gt;]] guitar, as it&#039;s optimised for playing music in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;those temperaments&lt;/del&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the possible [[skip fretting]] systems for 53-edo, the (53,3,14) system is especially effective because every ratio in the 2.3.5.13 subgroup can be reached with a stretch of 4 frets or less. Conveniently, this is also the subgroup 53edo is best tuned in, with less than 3 cents error, audibly indistinguishable from just intonation, making the most in tune harmonies also the easiest to play. For this reason, it could also be called a [[Kleismic_family#Catakleismic|catakleismic]] guitar, as it&#039;s optimised for playing music in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;that temperament&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Yourmusic Productions</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Skip_fretting_system_53_3_14&amp;diff=107188&amp;oldid=prev</id>
		<title>Dave Keenan: Corrected spelling from &quot;cataklesmic&quot; to &quot;catakleismic&quot;.</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Skip_fretting_system_53_3_14&amp;diff=107188&amp;oldid=prev"/>
		<updated>2023-04-09T22:59:39Z</updated>

		<summary type="html">&lt;p&gt;Corrected spelling from &amp;quot;cataklesmic&amp;quot; to &amp;quot;catakleismic&amp;quot;.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:59, 9 April 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A good way to play 53-edo on a 17.66-edo guitar (effectively 28edt, or an 18edo guitar with the intonation on the [[Moving_the_bridge_hack|bridge shifted forwards]] so the third harmonic and the 28th fret sound the same note.) is to tune each pair of adjacent strings 14\43 apart. (That&amp;#039;s 317 cents, a bit sharp of [[6/5]].) This is probably best accomplished by ear via fretting a string at the 13th fret and then tuning it to an octave above the one below.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A good way to play 53-edo on a 17.66-edo guitar (effectively 28edt, or an 18edo guitar with the intonation on the [[Moving_the_bridge_hack|bridge shifted forwards]] so the third harmonic and the 28th fret sound the same note.) is to tune each pair of adjacent strings 14\43 apart. (That&amp;#039;s 317 cents, a bit sharp of [[6/5]].) This is probably best accomplished by ear via fretting a string at the 13th fret and then tuning it to an octave above the one below.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the possible [[skip fretting]] systems for 53-edo, the (53,3,14) system is especially effective because every ratio in the 2.3.5.13 subgroup can be reached with a stretch of 4 frets or less. Conveniently, this is also the subgroup 53edo is best tuned in, with less than 3 cents error, audibly indistinguishable from just intonation, making the most in tune harmonies also the easiest to play. For this reason, it could also be called a [[Kleismic_family#Catakleismic|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cataklesmic&lt;/del&gt;]] or [[The_Archipelago#Trinidad_aka_cata|Trinidad]] guitar, as it&#039;s optimised for playing music in those temperaments.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Among the possible [[skip fretting]] systems for 53-edo, the (53,3,14) system is especially effective because every ratio in the 2.3.5.13 subgroup can be reached with a stretch of 4 frets or less. Conveniently, this is also the subgroup 53edo is best tuned in, with less than 3 cents error, audibly indistinguishable from just intonation, making the most in tune harmonies also the easiest to play. For this reason, it could also be called a [[Kleismic_family#Catakleismic|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;catakleismic&lt;/ins&gt;]] or [[The_Archipelago#Trinidad_aka_cata|Trinidad]] guitar, as it&#039;s optimised for playing music in those temperaments.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Dave Keenan</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Skip_fretting_system_53_3_14&amp;diff=79876&amp;oldid=prev</id>
		<title>Yourmusic Productions: Formatting</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Skip_fretting_system_53_3_14&amp;diff=79876&amp;oldid=prev"/>
		<updated>2021-10-24T11:49:47Z</updated>

		<summary type="html">&lt;p&gt;Formatting&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:49, 24 October 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l49&quot;&gt;Line 49:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 49:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From these, the location of a compound intervals N can be added by vector-summing the string-fret positions of N&amp;#039;s factors. For instance, since 3%2 lies at (string 2, fret 1) and 5%4 lies at (string 1, fret 1), their product 15%8 lies at (string 3, fret 2).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From these, the location of a compound intervals N can be added by vector-summing the string-fret positions of N&amp;#039;s factors. For instance, since 3%2 lies at (string 2, fret 1) and 5%4 lies at (string 1, fret 1), their product 15%8 lies at (string 3, fret 2).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Skip fretting]] [[Category:53edo]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Skip fretting]] [[Category:53edo&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] [[Category:Guitar]&lt;/ins&gt;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Yourmusic Productions</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Skip_fretting_system_53_3_14&amp;diff=79863&amp;oldid=prev</id>
		<title>Yourmusic Productions: Create page.</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Skip_fretting_system_53_3_14&amp;diff=79863&amp;oldid=prev"/>
		<updated>2021-10-24T07:46:36Z</updated>

		<summary type="html">&lt;p&gt;Create page.&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;A good way to play 53-edo on a 17.66-edo guitar (effectively 28edt, or an 18edo guitar with the intonation on the [[Moving_the_bridge_hack|bridge shifted forwards]] so the third harmonic and the 28th fret sound the same note.) is to tune each pair of adjacent strings 14\43 apart. (That&amp;#039;s 317 cents, a bit sharp of [[6/5]].) This is probably best accomplished by ear via fretting a string at the 13th fret and then tuning it to an octave above the one below. &lt;br /&gt;
&lt;br /&gt;
Among the possible [[skip fretting]] systems for 53-edo, the (53,3,14) system is especially effective because every ratio in the 2.3.5.13 subgroup can be reached with a stretch of 4 frets or less. Conveniently, this is also the subgroup 53edo is best tuned in, with less than 3 cents error, audibly indistinguishable from just intonation, making the most in tune harmonies also the easiest to play. For this reason, it could also be called a [[Kleismic_family#Catakleismic|cataklesmic]] or [[The_Archipelago#Trinidad_aka_cata|Trinidad]] guitar, as it&amp;#039;s optimised for playing music in those temperaments. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Here is where all the prime intervals lie. &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! note&lt;br /&gt;
! fretboard position&lt;br /&gt;
|-&lt;br /&gt;
| 0 steps = 1 % 1&lt;br /&gt;
| string 0 fret  0&lt;br /&gt;
|-&lt;br /&gt;
| 53 steps = 2 % 1&lt;br /&gt;
| string 4 fret -1&lt;br /&gt;
|-&lt;br /&gt;
| 31 steps = 3 % 2&lt;br /&gt;
| string 2 fret  1&lt;br /&gt;
|-&lt;br /&gt;
| 17 steps = 5 % 4&lt;br /&gt;
| string 1 fret  1&lt;br /&gt;
|-&lt;br /&gt;
| 43 steps = 7 % 4&lt;br /&gt;
| string 2 fret  5&lt;br /&gt;
|-&lt;br /&gt;
| 24 steps = 11 % 8&lt;br /&gt;
| string 3 fret -7&lt;br /&gt;
|-&lt;br /&gt;
| 37 steps = 13 % 8&lt;br /&gt;
| string 2 fret  3&lt;br /&gt;
|-&lt;br /&gt;
| 5 steps = 17 % 16&lt;br /&gt;
| string 1 fret -3&lt;br /&gt;
|-&lt;br /&gt;
| 13 steps = 19 % 16&lt;br /&gt;
| string 2 fret -5&lt;br /&gt;
|-&lt;br /&gt;
| 28 steps = 23 % 16&lt;br /&gt;
| string 2 fret  0&lt;br /&gt;
|-&lt;br /&gt;
| 45 steps = 29 % 16&lt;br /&gt;
| string 3 fret  1&lt;br /&gt;
|-&lt;br /&gt;
| 51 steps = 31 % 16&lt;br /&gt;
| string 3 fret  3&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
From these, the location of a compound intervals N can be added by vector-summing the string-fret positions of N&amp;#039;s factors. For instance, since 3%2 lies at (string 2, fret 1) and 5%4 lies at (string 1, fret 1), their product 15%8 lies at (string 3, fret 2).&lt;br /&gt;
&lt;br /&gt;
[[Category:Skip fretting]] [[Category:53edo]&lt;/div&gt;</summary>
		<author><name>Yourmusic Productions</name></author>
	</entry>
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