Shruti - Revision history

Sintel: correct template

2026-07-16T12:46:54Z

correct template

← Older revision		Revision as of 12:46, 16 July 2026
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	~~[[Stub]]~~		{{stub}}
	[[Category:Indian music]]		[[Category:Indian music]]

Sintel: nonsense

2026-07-16T12:46:08Z

nonsense

Show changes

Fredg999: Forgot the todo:discuss title at the end

2026-07-16T06:14:25Z

Forgot the todo:discuss title at the end

← Older revision		Revision as of 06:14, 16 July 2026
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	{{inaccessible}}		{{inaccessible}}
	{{todo\|inline=1\|~~review~~\|review heading structure}}		{{todo\|inline=1\|cleanup\|review heading structure}}

	'''Secondary functions and "artifact shrutis" introduced by using 19 or 22 or 23 or 25 or 26 or 29 (out of n) edo to simulate ragas'''		'''Secondary functions and "artifact shrutis" introduced by using 19 or 22 or 23 or 25 or 26 or 29 (out of n) edo to simulate ragas'''
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	[[Category:Indian music]]		[[Category:Indian music]]

	~~{{Todo\| discuss title \| cleanup }}~~

Fredg999: Link

2026-07-16T06:08:15Z

Link

← Older revision		Revision as of 06:08, 16 July 2026
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	{{Wikipedia\|Shruti (music)}}		{{Wikipedia\|Shruti (music)}}
	In Indian ~~classical~~ music, the '''shruti''' or '''śruti''' is the smallest interval that the human ear can detect and a singer or musical instrument can produce.		In [[Indian music]], the '''shruti''' or '''śruti''' is the smallest interval that the human ear can detect and a singer or musical instrument can produce.

	== List of shrutis ==		== List of shrutis ==

Fredg999: Wikipedia box, lead section, mark as inaccessible/todo:review heading structure

2026-07-16T06:07:44Z

Wikipedia box, lead section, mark as inaccessible/todo:review heading structure

← Older revision		Revision as of 06:07, 16 July 2026
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	:''<tt>[https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_63593.html#72704 Original article] by ma1937, on the Yahoo tuning forum, is quoted here:</tt>''		{{Wikipedia\|Shruti (music)}}
			In Indian classical music, the '''shruti''' or '''śruti''' is the smallest interval that the human ear can detect and a singer or musical instrument can produce.

			== List of shrutis ==
			:''<tt>[https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_63593.html#72704 Original article] by Marc Savage (ma1937), on the Yahoo tuning forum, is quoted here:</tt>''

	The listing of the srutis of Indian classical music given below is based on decades of study of the srutis, study with several masters of Indian classical music, pitch analysis of recordings by several masters of raga performance, and the following quote by Ali Akbar Khan:<blockquote>"I am still learning about the srutis. They reach to your heart and help you feel the ragas and the notes. In old theory, they say that there are twenty-two in number, but right now I feel that there are more like twenty-three and a half. There is only one sa and one pa. Komal re, komal ga, and komal dha all have three. Shuddha ma, tivra ma, shuddha dha, and komal ni each have two. And shuddha re, shuddha ga, and shuddha ni each have one and a half." - Ali Akbar Khan</blockquote>This quotation yields many insights... Below I have just listed the twenty-three and a half srutis he is referring to.		The listing of the srutis of Indian classical music given below is based on decades of study of the srutis, study with several masters of Indian classical music, pitch analysis of recordings by several masters of raga performance, and the following quote by Ali Akbar Khan:<blockquote>"I am still learning about the srutis. They reach to your heart and help you feel the ragas and the notes. In old theory, they say that there are twenty-two in number, but right now I feel that there are more like twenty-three and a half. There is only one sa and one pa. Komal re, komal ga, and komal dha all have three. Shuddha ma, tivra ma, shuddha dha, and komal ni each have two. And shuddha re, shuddha ga, and shuddha ni each have one and a half." - Ali Akbar Khan</blockquote>This quotation yields many insights... Below I have just listed the twenty-three and a half srutis he is referring to.
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			{{inaccessible}}
			{{todo\|inline=1\|review\|review heading structure}}

	'''Secondary functions and "artifact shrutis" introduced by using 19 or 22 or 23 or 25 or 26 or 29 (out of n) edo to simulate ragas'''		'''Secondary functions and "artifact shrutis" introduced by using 19 or 22 or 23 or 25 or 26 or 29 (out of n) edo to simulate ragas'''

Fredg999: Fredg999 moved page A shruti list to Shruti: Page title for the general concept

2026-07-16T05:47:08Z

Fredg999 moved page A shruti list to Shruti: Page title for the general concept

← Older revision	Revision as of 05:47, 16 July 2026
(No difference)

FloraC: Recategorize

2023-08-29T09:07:47Z

Recategorize

← Older revision		Revision as of 09:07, 29 August 2023
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	[[Category:Indian]]		[[Category:Indian music]]

			{{Todo\| discuss title \| cleanup }}

Fredg999 category edits: Categories (name can be discussed if necessary)

2022-08-14T01:28:33Z

Categories (name can be discussed if necessary)

← Older revision		Revision as of 01:28, 14 August 2022
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	\| \|''g+1-28g = 1-27g''		\| \|''g+1-28g = 1-27g''
	\|}		\|}

			[[Category:Indian]]

Moremajorthanmajor: /* Underlying full status shrutis */

2021-05-28T04:21:32Z

Underlying full status shrutis

Show changes

Xenwolf: more typography

2020-06-01T10:28:29Z

more typography

← Older revision		Revision as of 10:28, 1 June 2020
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	:''[https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_63593.html#72704 Original article] by ma1937, on the Yahoo tuning forum, is quoted here:''		:''<tt>[https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_63593.html#72704 Original article] by ma1937, on the Yahoo tuning forum, is quoted here:</tt>''

	The listing of the srutis of Indian classical music given below is based on decades of study of the srutis, study with several masters of Indian classical music, pitch analysis of recordings by several masters of raga performance, and the following quote by Ali Akbar Khan:<blockquote>"I am still learning about the srutis. They reach to your heart and help you feel the ragas and the notes. In old theory, they say that there are twenty-two in number, but right now I feel that there are more like twenty-three and a half. There is only one sa and one pa. Komal re, komal ga, and komal dha all have three. Shuddha ma, tivra ma, shuddha dha, and komal ni each have two. And shuddha re, shuddha ga, and shuddha ni each have one and a half." - Ali Akbar Khan</blockquote>This quotation yields many insights... Below I have just listed the twenty-three and a half srutis he is referring to.		The listing of the srutis of Indian classical music given below is based on decades of study of the srutis, study with several masters of Indian classical music, pitch analysis of recordings by several masters of raga performance, and the following quote by Ali Akbar Khan:<blockquote>"I am still learning about the srutis. They reach to your heart and help you feel the ragas and the notes. In old theory, they say that there are twenty-two in number, but right now I feel that there are more like twenty-three and a half. There is only one sa and one pa. Komal re, komal ga, and komal dha all have three. Shuddha ma, tivra ma, shuddha dha, and komal ni each have two. And shuddha re, shuddha ga, and shuddha ni each have one and a half." - Ali Akbar Khan</blockquote>This quotation yields many insights... Below I have just listed the twenty-three and a half srutis he is referring to.