SeventeenTonePianoProject - Revision history

Fredg999 category edits: Moving from Category:Project to Category:Projects using Cat-a-lot

2023-02-21T05:38:50Z

Moving from Category:Project to Category:Projects using Cat-a-lot

← Older revision		Revision as of 05:38, 21 February 2023
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	[[Category:17edo]]		[[Category:17edo]]
	[[Category:piano]]		[[Category:piano]]
	[[Category:~~project~~]]		[[Category:Projects]]

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

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Wikispaces>genewardsmith: Imported revision 281810634 - Original comment: Reverted to Sep 29, 2011 12:47 pm: spam

2011-12-03T03:03:26Z

**Imported revision 281810634 - Original comment: Reverted to Sep 29, 2011 12:47 pm: spam**

← Older revision		Revision as of 03:03, 3 December 2011
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	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:genewardsmith\|genewardsmith]] and made on <tt>2011-09-~~29 15~~:47:44 UTC</tt>.<br>		: This revision was by author [[User:genewardsmith\|genewardsmith]] and made on <tt>2011-12-03 03:03:26 UTC</tt>.<br>
	: The original revision id was <tt>~~259741470~~</tt>.<br>		: The original revision id was <tt>281810634</tt>.<br>
	: The revision comment was: <tt>Reverted to ~~Aug 24~~, ~~2008 10~~:04 pm: ~~I can't see a problem, but this guy has been vandalizing.~~</tt><br>		: The revision comment was: <tt>Reverted to Sep 29, 2011 12:47 pm: spam</tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
	<h4>Original Wikitext content:</h4>		<h4>Original Wikitext content:</h4>

Wikispaces>genewardsmith: Imported revision 259741470 - Original comment: Reverted to Aug 24, 2008 10:04 pm: I can't see a problem, but this guy has been vandalizing.

2011-09-29T15:47:44Z

**Imported revision 259741470 - Original comment: Reverted to Aug 24, 2008 10:04 pm: I can't see a problem, but this guy has been vandalizing.**

← Older revision		Revision as of 15:47, 29 September 2011
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	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:~~guest~~\|~~guest~~]] and made on <tt>2011-09-29 14:22:52 UTC</tt>.<br>		: This revision was by author [[User:genewardsmith\|genewardsmith]] and made on <tt>2011-09-29 15:47:44 UTC</tt>.<br>
	: The original revision id was <tt>~~259707732~~</tt>.<br>		: The original revision id was <tt>259741470</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt>Reverted to Aug 24, 2008 10:04 pm: I can't see a problem, but this guy has been vandalizing.</tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
	<h4>Original Wikitext content:</h4>		<h4>Original Wikitext content:</h4>
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	In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.		In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.

	The pianos (baby grands, did I mention playing inside the ~~[[http://PianoRiveSud.com\|~~piano]] is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</pre></div>		The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>SeventeenTonePianoProject</title></head><body>The Seventeen-Tone Piano Project began with tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them. The project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain.<br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>SeventeenTonePianoProject</title></head><body>The Seventeen-Tone Piano Project began with tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them. The project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain.<br />
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	In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.<br />		In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.<br />
	<br />		<br />
	The pianos (baby grands, did I mention playing inside the ~~<a class="wiki_link_ext" href="http://PianoRiveSud.com" rel="nofollow">~~piano~~</a>~~ is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</body></html></pre></div>		The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</body></html></pre></div>

Wikispaces>guest: Imported revision 259707732 - Original comment:

2011-09-29T14:22:52Z

**Imported revision 259707732 - Original comment: **

← Older revision		Revision as of 14:22, 29 September 2011
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	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:~~xenjacob~~\|~~xenjacob~~]] and made on <tt>~~2008~~-08-~~25 01~~:04:27 UTC</tt>.<br>		: This revision was by author [[User:guest\|guest]] and made on <tt>2011-09-29 14:22:52 UTC</tt>.<br>
	: The original revision id was <tt>~~35942017~~</tt>.<br>		: The original revision id was <tt>259707732</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.		In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.

	The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</pre></div>		The pianos (baby grands, did I mention playing inside the [[http://PianoRiveSud.com\|piano]] is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>SeventeenTonePianoProject</title></head><body>The Seventeen-Tone Piano Project began with tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them. The project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain.<br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>SeventeenTonePianoProject</title></head><body>The Seventeen-Tone Piano Project began with tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them. The project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain.<br />
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	In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.<br />		In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.<br />
	<br />		<br />
	The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</body></html></pre></div>		The pianos (baby grands, did I mention playing inside the <a class="wiki_link_ext" href="http://PianoRiveSud.com" rel="nofollow">piano</a> is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</body></html></pre></div>

Wikispaces>xenjacob: Imported revision 35942017 - Original comment:

2008-08-25T01:04:27Z

**Imported revision 35942017 - Original comment: **

← Older revision		Revision as of 01:04, 25 August 2008
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	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:~~hstraub~~\|~~hstraub~~]] and made on <tt>2008-08-~~19 06~~:11:02 UTC</tt>.<br>		: This revision was by author [[User:xenjacob\|xenjacob]] and made on <tt>2008-08-25 01:04:27 UTC</tt>.<br>
	: The original revision id was <tt>~~35522613~~</tt>.<br>		: The original revision id was <tt>35942017</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">The Seventeen-Tone Piano Project began with tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them. The project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain.		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">The Seventeen-Tone Piano Project began with tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them. The project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain.

	===~~Current~~ phase===		===Most recent phase===
	~~Note: The dates for the Phase Four events have been moved back four days:~~		[[17tppp4\|Phase Four]] began with a call for MICROTONAL SONGS, vocal music in all kinds of non-12 tunings, culminating in a sing-along session on April 30 and a concert on May 1, 2008.
	[[17tppp4\|Phase Four]]~~, the current phase, consists of~~ a call for MICROTONAL SONGS, vocal music in all kinds of non-12 tunings, ~~and two events:~~ a sing-along session on April 30 and a concert on May 1, 2008.

	===Past phases===		===Past phases===
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	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>SeventeenTonePianoProject</title></head><body>The Seventeen-Tone Piano Project began with tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them. The project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain.<br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>SeventeenTonePianoProject</title></head><body>The Seventeen-Tone Piano Project began with tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them. The project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain.<br />
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:0:&lt;h3&gt; --><h3 id="toc0"><a name="x--~~Current~~ phase"></a><!-- ws:end:WikiTextHeadingRule:0 -->~~Current~~ phase</h3>		<!-- ws:start:WikiTextHeadingRule:0:&lt;h3&gt; --><h3 id="toc0"><a name="x--Most recent phase"></a><!-- ws:end:WikiTextHeadingRule:0 -->Most recent phase</h3>
	~~<strong>Note: The dates for the Phase Four events have been moved back four days:</strong><br />~~		<a class="wiki_link" href="/17tppp4">Phase Four</a> began with a call for MICROTONAL SONGS, vocal music in all kinds of non-12 tunings, culminating in a sing-along session on April 30 and a concert on May 1, 2008.<br />
	<a class="wiki_link" href="/17tppp4">Phase Four</a>~~, the current phase, consists of~~ a call for MICROTONAL SONGS, vocal music in all kinds of non-12 tunings, ~~and two events:~~ a sing-along session on April 30 and a concert on May 1, 2008.<br />
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:2:&lt;h3&gt; --><h3 id="toc1"><a name="x--Past phases"></a><!-- ws:end:WikiTextHeadingRule:2 -->Past phases</h3>		<!-- ws:start:WikiTextHeadingRule:2:&lt;h3&gt; --><h3 id="toc1"><a name="x--Past phases"></a><!-- ws:end:WikiTextHeadingRule:2 -->Past phases</h3>

Wikispaces>hstraub: Imported revision 35522613 - Original comment:

2008-08-19T06:11:02Z

**Imported revision 35522613 - Original comment: **

← Older revision		Revision as of 06:11, 19 August 2008
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	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:~~xenjacob~~\|~~xenjacob~~]] and made on <tt>2008-02-~~12 10~~:40:21 UTC</tt>.<br>		: This revision was by author [[User:hstraub\|hstraub]] and made on <tt>2008-08-19 06:11:02 UTC</tt>.<br>
	: The original revision id was <tt>~~16781482~~</tt>.<br>		: The original revision id was <tt>35522613</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	===[[SeventeenTheory\|Music theory through the eyes of the 17 Tone Piano Project]]===		===[[SeventeenTheory\|Music theory through the eyes of the 17 Tone Piano Project]]===

	===Piano tuning and performable scores.===		===Piano tuning and performable scores.[[#pianotuningdetails]]===
	Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The piano called "flat" has black keys tuned to Db Eb Gb Ab Bb; the one called "sharp" has C# D# F# G# A#. This way we get the 7+5+5 = 17 notes. Remember, C# is HIGHER than Db!		Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The piano called "flat" has black keys tuned to Db Eb Gb Ab Bb; the one called "sharp" has C# D# F# G# A#. This way we get the 7+5+5 = 17 notes. Remember, C# is HIGHER than Db!

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	<!-- ws:start:WikiTextHeadingRule:8:&lt;h3&gt; --><h3 id="toc4"><a name="x--Music theory through the eyes of the 17 Tone Piano Project"></a><!-- ws:end:WikiTextHeadingRule:8 --><strong><a class="wiki_link" href="/SeventeenTheory">Music theory through the eyes of the 17 Tone Piano Project</a></strong></h3>		<!-- ws:start:WikiTextHeadingRule:8:&lt;h3&gt; --><h3 id="toc4"><a name="x--Music theory through the eyes of the 17 Tone Piano Project"></a><!-- ws:end:WikiTextHeadingRule:8 --><strong><a class="wiki_link" href="/SeventeenTheory">Music theory through the eyes of the 17 Tone Piano Project</a></strong></h3>
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:10:&lt;h3&gt; --><h3 id="toc5"><a name="x--Piano tuning and performable scores."></a><!-- ws:end:WikiTextHeadingRule:10 --><strong>Piano tuning and performable scores.</strong></h3>		<!-- ws:start:WikiTextHeadingRule:10:&lt;h3&gt; --><h3 id="toc5"><a name="x--Piano tuning and performable scores."></a><!-- ws:end:WikiTextHeadingRule:10 --><strong>Piano tuning and performable scores.<!-- ws:start:WikiTextAnchorRule:12:&lt;img src=&quot;/i/anchor.gif&quot; class=&quot;WikiAnchor&quot; alt=&quot;Anchor&quot; id=&quot;wikitext@@anchor@@pianotuningdetails&quot; title=&quot;Anchor: pianotuningdetails&quot;/&gt; --><a name="pianotuningdetails"></a><!-- ws:end:WikiTextAnchorRule:12 --></strong></h3>
	Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The piano called &quot;flat&quot; has black keys tuned to Db Eb Gb Ab Bb; the one called &quot;sharp&quot; has C# D# F# G# A#. This way we get the 7+5+5 = 17 notes. Remember, C# is HIGHER than Db!<br />		Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The piano called &quot;flat&quot; has black keys tuned to Db Eb Gb Ab Bb; the one called &quot;sharp&quot; has C# D# F# G# A#. This way we get the 7+5+5 = 17 notes. Remember, C# is HIGHER than Db!<br />
	<br />		<br />

Wikispaces>xenjacob: Imported revision 16781482 - Original comment:

2008-02-12T10:40:21Z

**Imported revision 16781482 - Original comment: **

← Older revision		Revision as of 10:40, 12 February 2008
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	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:xenjacob\|xenjacob]] and made on <tt>2008-02-~~03 21~~:13:40 UTC</tt>.<br>		: This revision was by author [[User:xenjacob\|xenjacob]] and made on <tt>2008-02-12 10:40:21 UTC</tt>.<br>
	: The original revision id was <tt>~~16117600~~</tt>.<br>		: The original revision id was <tt>16781482</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
	<h4>Original Wikitext content:</h4>		<h4>Original Wikitext content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">===The Seventeen-Tone Piano Project ~~involves~~ tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them.===		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">The Seventeen-Tone Piano Project began with tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them. The project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain.

	Two pianos, located at Rice University's Shepherd School of Music (Houston, Texas), are tuned to 17-EDO. Why 17? I happen to like 17, and it works particularly well on two pianos. How? I was a student there, and they're very nice.		===Current phase===
			Note: The dates for the Phase Four events have been moved back four days:
	~~This project was created with~~ the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have ~~as many concerts as interest in the project can sustain.~~		[[17tppp4\|Phase Four]], the current phase, consists of a call for MICROTONAL SONGS, vocal music in all kinds of non-12 tunings, and two events: a sing-along session on April 30 and a concert on May 1, 2008.

	[[17tppp4\|Phase Four]], the current phase, consists of a call for MICROTONAL SONGS, vocal music in all kinds of non-12 tunings, and two events: a sing-along session on April 26 and a concert on ~~April 27~~, 2008.

			===Past phases===
	[[http://www.archive.org/details/seventeenTPP_01\| Phase One]] of the project centered around pieces and improvisations by Rice composers, some of which were featured on a concert on April 29, 2006. The recording is of a subsequent recording session.		[[http://www.archive.org/details/seventeenTPP_01\| Phase One]] of the project centered around pieces and improvisations by Rice composers, some of which were featured on a concert on April 29, 2006. The recording is of a subsequent recording session.

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	The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</pre></div>		The pianos (baby grands, did I mention playing inside the piano is OK?) will be set up at a right angle, with flats on the left, sharps on the right, close enough that one person could play on both keyboards.</pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>SeventeenTonePianoProject</title></head><body>~~<!-- ws:start:WikiTextHeadingRule:0:&lt;h3&gt; --><h3 id="toc0"><a name="x--~~The Seventeen-Tone Piano Project ~~involves~~ tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them.~~"></a><!-- ws:end:WikiTextHeadingRule:0 --><strong>~~The ~~Seventeen-Tone Piano Project involves tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them.</strong></h3>~~		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>SeventeenTonePianoProject</title></head><body>The Seventeen-Tone Piano Project began with tuning two acoustic pianos in seventeen equal tones per octave and then playing music on them. The project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain.<br />
	~~<br />~~
	Two pianos, located at Rice University's Shepherd School of Music (Houston, Texas), are tuned to 17-EDO. Why 17? I happen to like 17, and it works particularly well on two pianos. How? I was a student there, and they're very nice.<br />
	~~<br />~~
	~~This~~ project was created with the intention of encouraging (and at the very least not discouraging) the writing of music in the 17-tet system. There are no restrictions on eligibility; all sentient creatures are invited. We will try to have as many concerts as interest in the project can sustain.<br />
	<br />		<br />
	<a class="wiki_link" href="/17tppp4">Phase Four</a>, the current phase, consists of a call for MICROTONAL SONGS, vocal music in all kinds of non-12 tunings, and two events: a sing-along session on April 26 and a concert on ~~April 27~~, 2008.<br />		<!-- ws:start:WikiTextHeadingRule:0:&lt;h3&gt; --><h3 id="toc0"><a name="x--Current phase"></a><!-- ws:end:WikiTextHeadingRule:0 -->Current phase</h3>
			<strong>Note: The dates for the Phase Four events have been moved back four days:</strong><br />
			<a class="wiki_link" href="/17tppp4">Phase Four</a>, the current phase, consists of a call for MICROTONAL SONGS, vocal music in all kinds of non-12 tunings, and two events: a sing-along session on April 30 and a concert on May 1, 2008.<br />
	<br />		<br />
	<a class="wiki_link_ext" href="http://www.archive.org/details/seventeenTPP_01" rel="nofollow"> Phase One</a> of the project centered around pieces and improvisations by Rice composers, some of which were featured on a concert on April 29, 2006. The recording is of a subsequent recording session.<br />		<!-- ws:start:WikiTextHeadingRule:2:&lt;h3&gt; --><h3 id="toc1"><a name="x--Past phases"></a><!-- ws:end:WikiTextHeadingRule:2 -->Past phases</h3>
			<a class="wiki_link_ext" href="http://www.archive.org/details/seventeenTPP_01" rel="nofollow"> Phase One</a> of the project centered around pieces and improvisations by Rice composers, some of which were featured on a concert on April 29, 2006. The recording is of a subsequent recording session.<br />
	<br />		<br />
	<a class="wiki_link" href="/SeventeenTPPPhaseTwo">Phase Two</a> of the project had a deadline of Sunday August 27 2006, in preparation for a concert which happened on Tuesday September 26, at 8 PM in Hirsch Orchestra Rehearsal Hall. Fourteen compositions in 17-EDO were premiered and recorded.<br />		<a class="wiki_link" href="/SeventeenTPPPhaseTwo">Phase Two</a> of the project had a deadline of Sunday August 27 2006, in preparation for a concert which happened on Tuesday September 26, at 8 PM in Hirsch Orchestra Rehearsal Hall. Fourteen compositions in 17-EDO were premiered and recorded.<br />
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	<a class="wiki_link" href="/SeventeenTPPPhaseThree">Phase Three</a> happened on Monday, May 7th, 2007. It featured some new 17-EDO chamber music which included the pianos, acoustic and electronic instruments. Music is falling into place by mid-April.<br />		<a class="wiki_link" href="/SeventeenTPPPhaseThree">Phase Three</a> happened on Monday, May 7th, 2007. It featured some new 17-EDO chamber music which included the pianos, acoustic and electronic instruments. Music is falling into place by mid-April.<br />
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:2:&lt;h3&gt; --><h3 id="~~toc1~~"><a name="x--Contact"></a><!-- ws:end:WikiTextHeadingRule:2 -->Contact</h3>		<!-- ws:start:WikiTextHeadingRule:4:&lt;h3&gt; --><h3 id="toc2"><a name="x--Contact"></a><!-- ws:end:WikiTextHeadingRule:4 -->Contact</h3>
	Current contact info for 17tpp:<br />		Current contact info for 17tpp:<br />
	&lt;eptadecaphonic at gmail dot com&gt;<br />		&lt;eptadecaphonic at gmail dot com&gt;<br />
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	Houston, TX 77006<br />		Houston, TX 77006<br />
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:4:&lt;h3&gt; --><h3 id="~~toc2~~"><a name="x--Links..."></a><!-- ws:end:WikiTextHeadingRule:4 --><strong>Links...</strong></h3>		<!-- ws:start:WikiTextHeadingRule:6:&lt;h3&gt; --><h3 id="toc3"><a name="x--Links..."></a><!-- ws:end:WikiTextHeadingRule:6 --><strong>Links...</strong></h3>
	<a class="wiki_link_ext" href="http://www.georghajdu.de/Compositions/HeptadecatonicDrops/Heptadeca.html" rel="nofollow">Remnants of a 17-tone piano and electronics project about 16 years ago</a>, and recordings of <a class="wiki_link_ext" href="http://www.archive.org/details/seventeenTPP_01" rel="nofollow">phase one</a> of this project.<br />		<a class="wiki_link_ext" href="http://www.georghajdu.de/Compositions/HeptadecatonicDrops/Heptadeca.html" rel="nofollow">Remnants of a 17-tone piano and electronics project about 16 years ago</a>, and recordings of <a class="wiki_link_ext" href="http://www.archive.org/details/seventeenTPP_01" rel="nofollow">phase one</a> of this project.<br />
	<br />		<br />
	There are a few pieces available on the internet in 17: some 6 MIDI files by <a class="wiki_link_ext" href="http://www.angelfire.com/mo/oljare/midicomp.html" rel="nofollow">Mats Öljare</a> (search for &quot;17tet&quot;), <a class="wiki_link_ext" href="http://www.io.com/%7Ehmiller/midi/transformation.mid" rel="nofollow">Herman Miller's &quot;Transformation&quot;</a>, and three improvisations by <a class="wiki_link_ext" href="http://www.soundclick.com/bands/pagemusic.cfm?bandID=122613" rel="nofollow">Andrew Heathwaite</a> (search for &quot;17tet&quot;). And one by <a class="wiki_link_ext" href="http://www.soundclick.com/bands/songInfo.cfm?bandID=141776&amp;songID=1342075" rel="nofollow">XJ Scott</a>.<br />		There are a few pieces available on the internet in 17: some 6 MIDI files by <a class="wiki_link_ext" href="http://www.angelfire.com/mo/oljare/midicomp.html" rel="nofollow">Mats Öljare</a> (search for &quot;17tet&quot;), <a class="wiki_link_ext" href="http://www.io.com/%7Ehmiller/midi/transformation.mid" rel="nofollow">Herman Miller's &quot;Transformation&quot;</a>, and three improvisations by <a class="wiki_link_ext" href="http://www.soundclick.com/bands/pagemusic.cfm?bandID=122613" rel="nofollow">Andrew Heathwaite</a> (search for &quot;17tet&quot;). And one by <a class="wiki_link_ext" href="http://www.soundclick.com/bands/songInfo.cfm?bandID=141776&amp;songID=1342075" rel="nofollow">XJ Scott</a>.<br />
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:6:&lt;h3&gt; --><h3 id="~~toc3~~"><a name="x--Music theory through the eyes of the 17 Tone Piano Project"></a><!-- ws:end:WikiTextHeadingRule:6 --><strong><a class="wiki_link" href="/SeventeenTheory">Music theory through the eyes of the 17 Tone Piano Project</a></strong></h3>		<!-- ws:start:WikiTextHeadingRule:8:&lt;h3&gt; --><h3 id="toc4"><a name="x--Music theory through the eyes of the 17 Tone Piano Project"></a><!-- ws:end:WikiTextHeadingRule:8 --><strong><a class="wiki_link" href="/SeventeenTheory">Music theory through the eyes of the 17 Tone Piano Project</a></strong></h3>
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:8:&lt;h3&gt; --><h3 id="~~toc4~~"><a name="x--Piano tuning and performable scores."></a><!-- ws:end:WikiTextHeadingRule:8 --><strong>Piano tuning and performable scores.</strong></h3>		<!-- ws:start:WikiTextHeadingRule:10:&lt;h3&gt; --><h3 id="toc5"><a name="x--Piano tuning and performable scores."></a><!-- ws:end:WikiTextHeadingRule:10 --><strong>Piano tuning and performable scores.</strong></h3>
	Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The piano called &quot;flat&quot; has black keys tuned to Db Eb Gb Ab Bb; the one called &quot;sharp&quot; has C# D# F# G# A#. This way we get the 7+5+5 = 17 notes. Remember, C# is HIGHER than Db!<br />		Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale. The piano called &quot;flat&quot; has black keys tuned to Db Eb Gb Ab Bb; the one called &quot;sharp&quot; has C# D# F# G# A#. This way we get the 7+5+5 = 17 notes. Remember, C# is HIGHER than Db!<br />
	<br />		<br />

Wikispaces>xenjacob: Imported revision 16117600 - Original comment:

2008-02-03T21:13:40Z

**Imported revision 16117600 - Original comment: **

← Older revision		Revision as of 21:13, 3 February 2008
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	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:xenjacob\|xenjacob]] and made on <tt>2008-01-27 03:48:07 UTC</tt>.<br>		: This revision was by author [[User:xenjacob\|xenjacob]] and made on <tt>2008-02-03 21:13:40 UTC</tt>.<br>
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	===Contact===		===Contact===
	~~Send inquiries and PDF scores to Jacob Barton~~ <~~udderbot~~ at gmail dot com>~~, or send paper scores to~~		Current contact info for 17tpp:
			<eptadecaphonic at gmail dot com>

	17 tone piano project		17 tone piano project
	c/o ~~Jacob Barton~~		c/o Dan Sedgwick
	~~9 Sunset Blvd. MS-709~~		1618 Bonnie Brae
	Houston, TX ~~77005~~		Houston, TX 77006

	===Links...===		===Links...===
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	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:2:&lt;h3&gt; --><h3 id="toc1"><a name="x--Contact"></a><!-- ws:end:WikiTextHeadingRule:2 -->Contact</h3>		<!-- ws:start:WikiTextHeadingRule:2:&lt;h3&gt; --><h3 id="toc1"><a name="x--Contact"></a><!-- ws:end:WikiTextHeadingRule:2 -->Contact</h3>
	~~Send inquiries and PDF scores to Jacob Barton~~ &lt;~~udderbot~~ at gmail dot com&gt;~~, or send paper scores to~~<br />		Current contact info for 17tpp:<br />
			&lt;eptadecaphonic at gmail dot com&gt;<br />
	<br />		<br />
	17 tone piano project<br />		17 tone piano project<br />
	c/o ~~Jacob Barton~~<br />		c/o Dan Sedgwick<br />
	~~9 Sunset Blvd. MS-709~~<br />		1618 Bonnie Brae<br />
	Houston, TX ~~77005~~<br />		Houston, TX 77006<br />
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:4:&lt;h3&gt; --><h3 id="toc2"><a name="x--Links..."></a><!-- ws:end:WikiTextHeadingRule:4 --><strong>Links...</strong></h3>		<!-- ws:start:WikiTextHeadingRule:4:&lt;h3&gt; --><h3 id="toc2"><a name="x--Links..."></a><!-- ws:end:WikiTextHeadingRule:4 --><strong>Links...</strong></h3>

Wikispaces>xenjacob: Imported revision 15528965 - Original comment:

2008-01-27T03:48:07Z

**Imported revision 15528965 - Original comment: **

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SeventeenTonePianoProject - Revision history

Fredg999 category edits: Moving from Category:Project to Category:Projects using Cat-a-lot

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