Robert Hasegawa - Revision history

Fredg999 category edits: Moving from Category:Theorist to Category:Theorists using Cat-a-lot

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Fredg999: Updated info, fixed 1 dead link, added 2 external links, misc. edits, categories, sort key

2022-02-13T05:35:44Z

Updated info, fixed 1 dead link, added 2 external links, misc. edits, categories, sort key

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	Robert Hasegawa is a music theorist and composer, currently ~~teaching~~ at the ~~Eastman~~ School of Music, ~~where~~ he has ~~been since 2009 after receiving his PhD from Harvard University~~ in ~~2008. Robert’s scholarly interests include~~ the ~~music~~ of ~~György Ligeti~~, the ~~French “spectralist” composers,~~ and ~~American experimentalists like Harry Partch, Alvin Lucier, and James Tenney. His dissertation explores how recent findings in~~ the ~~psychology~~ of ~~aural perception can be used to analyze harmony in music by composers from Debussy~~ to ~~La Monte Young~~.		'''Robert Hasegawa''' is a music theorist and composer. He taught as part of Eastman’s Music Theory faculty from 2009 to 2012, and currently (as of 2021) is an Associate Professor and William Dawson Scholar at the Schulich School of Music of McGill University in Montréal. Since 2012, he has offered a study-abroad course in Paris through Summer@Eastman, based on the IRCAM ManiFeste summer festival of new music—this year, the course will be online and will focus on the wide variety of contemporary approaches to composition.

	Robert first became interested in music theory as an undergraduate at Bard College at Simon’s Rock, where he studied theory and composition with Laurence Wallach. After graduating from Simon’s Rock, he earned an M.A. in music theory from the University of California, Santa Barbara with a thesis on the music of the “New Complexity” composer Brian Ferneyhough. During his doctoral studies at Harvard, he worked with theorists David Lewin, David Cohen, Christopher Hasty, and Alexander Rehding. In addition to his theoretical work, Robert remains active as a composer: recent compositions include works performed by White Rabbit, cellist Frances-Marie Uitti, Stephen Drury, and the Callithumpian Consort.		Robert’s scholarly interests include the music of György Ligeti, the French “spectralist” composers, and American experimentalists like [[Harry Partch]], [[Alvin Lucier]], and [[James Tenney]]. His dissertation explores how recent findings in the psychology of aural perception can be used to analyze harmony in music by composers from Debussy to [[La Monte Young]].

			Robert first became interested in music theory as an undergraduate at Bard College at Simon’s Rock, where he studied theory and composition with Laurence Wallach. After graduating from Simon’s Rock, he earned an M.A. in music theory from the University of California, Santa Barbara with a thesis on the music of the “New Complexity” composer [[Brian Ferneyhough]]. During his doctoral studies at Harvard, he worked with theorists David Lewin, David Cohen, Christopher Hasty, and Alexander Rehding. In addition to his theoretical work, Robert remains active as a composer: recent compositions include works performed by White Rabbit, cellist Frances-Marie Uitti, Stephen Drury, and the Callithumpian Consort.

	Robert’s article “Gérard Grisey and the ‘Nature’ of Harmony” received the Music Analysis 25th Anniversary Competition Award, and will appear in that journal in 2009. Other recent projects include a chapter on extended just intonation for the forthcoming book Théorie et composition musicales au vingtième siècle, and editing a special issue of Contemporary Music Review on the work of the American composer/theorist James Tenney.		Robert’s article “Gérard Grisey and the ‘Nature’ of Harmony” received the Music Analysis 25th Anniversary Competition Award, and will appear in that journal in 2009. Other recent projects include a chapter on extended just intonation for the forthcoming book Théorie et composition musicales au vingtième siècle, and editing a special issue of Contemporary Music Review on the work of the American composer/theorist James Tenney.

	[http://www.~~esm~~.~~rochester~~.~~edu~~/~~faculty~~/~~hasegawa_robert~~/ http://www.esm.rochester.edu/faculty/hasegawa_robert/]		== External links ==
			* [http://www.roberthasegawa.com/ Official website]
			* [https://www.mcgill.ca/music/robert-hasegawa Robert Hasegawa \| Music - McGill University]
			* [http://web.archive.org/web/20120715102048/http://www.esm.rochester.edu/faculty/hasegawa_robert/ Robert Hasegawa – Eastman School of Music] (archived)

			{{DEFAULTSORT:Hasegawa, Robert}}
			[[Category:People]]
			[[Category:Composer]]
			[[Category:Educator]]
			[[Category:Theorist]]

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+Robert Hasegawa is a music theorist and composer, currently teaching at the Eastman School of Music, where he has been since 2009 after receiving his PhD from Harvard University in 2008. Robert’s scholarly interests include the music of György Ligeti, the French “spectralist” composers, and American experimentalists like Harry Partch, Alvin Lucier, and James Tenney. His dissertation explores how recent findings in the psychology of aural perception can be used to analyze harmony in music by composers from Debussy to La Monte Young.
 Robert first became interested in music theory as an undergraduate at Bard College at Simon’s Rock, where he studied theory and composition with Laurence Wallach. After graduating from Simon’s Rock, he earned an M.A. in music theory from the University of California, Santa Barbara with a thesis on the music of the “New Complexity” composer Brian Ferneyhough. During his doctoral studies at Harvard, he worked with theorists David Lewin, David Cohen, Christopher Hasty, and Alexander Rehding. In addition to his theoretical work, Robert remains active as a composer: recent compositions include works performed by White Rabbit, cellist Frances-Marie Uitti, Stephen Drury, and the Callithumpian Consort.
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 Robert’s article “Gérard Grisey and the ‘Nature’ of Harmony” received the Music Analysis 25th Anniversary Competition Award, and will appear in that journal in 2009. Other recent projects include a chapter on extended just intonation for the forthcoming book Théorie et composition musicales au vingtième siècle, and editing a special issue of Contemporary Music Review on the work of the American composer/theorist James Tenney.
-[[http://www.esm.rochester.edu/faculty/hasegawa_robert/]]</pre></div>
+[http://www.esm.rochester.edu/faculty/hasegawa_robert/ http://www.esm.rochester.edu/faculty/hasegawa_robert/]

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
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: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-08-12 22:52:23 UTC</tt>.<br>
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Robert Hasegawa is a music theorist and composer, currently teaching as a Lecturer on Music at Harvard University, where he received his Ph.D. in 2008. Robert’s scholarly interests include the music of György Ligeti, the French “spectralist” composers, and American experimentalists like Harry Partch, Alvin Lucier, and James Tenney. His dissertation explores how recent findings in the psychology of aural perception can be used to analyze harmony in music by composers from Debussy to La Monte Young.

Robert first became interested in music theory as an undergraduate at Bard College at Simon’s Rock, where he studied theory and composition with Laurence Wallach. After graduating from Simon’s Rock, he earned an M.A. in music theory from the University of California, Santa Barbara with a thesis on the music of the “New Complexity” composer Brian Ferneyhough. During his doctoral studies at Harvard, he worked with theorists David Lewin, David Cohen, Christopher Hasty, and Alexander Rehding. In addition to his theoretical work, Robert remains active as a composer: recent compositions include works performed by White Rabbit, cellist Frances-Marie Uitti, Stephen Drury, and the Callithumpian Consort.

Robert’s article “Gérard Grisey and the ‘Nature’ of Harmony” received the Music Analysis 25th Anniversary Competition Award, and will appear in that journal in 2009. Other recent projects include a chapter on extended just intonation for the forthcoming book Théorie et composition musicales au vingtième siècle, and editing a special issue of Contemporary Music Review on the work of the American composer/theorist James Tenney.

[[http://www.esm.rochester.edu/faculty/hasegawa_robert/]]</pre></div>
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<br />
Robert first became interested in music theory as an undergraduate at Bard College at Simon’s Rock, where he studied theory and composition with Laurence Wallach. After graduating from Simon’s Rock, he earned an M.A. in music theory from the University of California, Santa Barbara with a thesis on the music of the “New Complexity” composer Brian Ferneyhough. During his doctoral studies at Harvard, he worked with theorists David Lewin, David Cohen, Christopher Hasty, and Alexander Rehding. In addition to his theoretical work, Robert remains active as a composer: recent compositions include works performed by White Rabbit, cellist Frances-Marie Uitti, Stephen Drury, and the Callithumpian Consort.<br />
<br />
Robert’s article “Gérard Grisey and the ‘Nature’ of Harmony” received the Music Analysis 25th Anniversary Competition Award, and will appear in that journal in 2009. Other recent projects include a chapter on extended just intonation for the forthcoming book Théorie et composition musicales au vingtième siècle, and editing a special issue of Contemporary Music Review on the work of the American composer/theorist James Tenney.<br />
<br />
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	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Robert Hasegawa is a music theorist and composer, currently teaching ~~as a Lecturer on~~ Music ~~at Harvard University~~, where he ~~received~~ his ~~Ph.D.~~ in 2008. Robert’s scholarly interests include the music of György Ligeti, the French “spectralist” composers, and American experimentalists like Harry Partch, Alvin Lucier, and James Tenney. His dissertation explores how recent findings in the psychology of aural perception can be used to analyze harmony in music by composers from Debussy to La Monte Young.		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Robert Hasegawa is a music theorist and composer, currently teaching at the Eastman School of Music, where he has been since 2009 after receiving his PhD from Harvard University in 2008. Robert’s scholarly interests include the music of György Ligeti, the French “spectralist” composers, and American experimentalists like Harry Partch, Alvin Lucier, and James Tenney. His dissertation explores how recent findings in the psychology of aural perception can be used to analyze harmony in music by composers from Debussy to La Monte Young.

	Robert first became interested in music theory as an undergraduate at Bard College at Simon’s Rock, where he studied theory and composition with Laurence Wallach. After graduating from Simon’s Rock, he earned an M.A. in music theory from the University of California, Santa Barbara with a thesis on the music of the “New Complexity” composer Brian Ferneyhough. During his doctoral studies at Harvard, he worked with theorists David Lewin, David Cohen, Christopher Hasty, and Alexander Rehding. In addition to his theoretical work, Robert remains active as a composer: recent compositions include works performed by White Rabbit, cellist Frances-Marie Uitti, Stephen Drury, and the Callithumpian Consort.		Robert first became interested in music theory as an undergraduate at Bard College at Simon’s Rock, where he studied theory and composition with Laurence Wallach. After graduating from Simon’s Rock, he earned an M.A. in music theory from the University of California, Santa Barbara with a thesis on the music of the “New Complexity” composer Brian Ferneyhough. During his doctoral studies at Harvard, he worked with theorists David Lewin, David Cohen, Christopher Hasty, and Alexander Rehding. In addition to his theoretical work, Robert remains active as a composer: recent compositions include works performed by White Rabbit, cellist Frances-Marie Uitti, Stephen Drury, and the Callithumpian Consort.
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	[[http://www.esm.rochester.edu/faculty/hasegawa_robert/]]</pre></div>		[[http://www.esm.rochester.edu/faculty/hasegawa_robert/]]</pre></div>
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	<br />		<br />
	Robert first became interested in music theory as an undergraduate at Bard College at Simon’s Rock, where he studied theory and composition with Laurence Wallach. After graduating from Simon’s Rock, he earned an M.A. in music theory from the University of California, Santa Barbara with a thesis on the music of the “New Complexity” composer Brian Ferneyhough. During his doctoral studies at Harvard, he worked with theorists David Lewin, David Cohen, Christopher Hasty, and Alexander Rehding. In addition to his theoretical work, Robert remains active as a composer: recent compositions include works performed by White Rabbit, cellist Frances-Marie Uitti, Stephen Drury, and the Callithumpian Consort.<br />		Robert first became interested in music theory as an undergraduate at Bard College at Simon’s Rock, where he studied theory and composition with Laurence Wallach. After graduating from Simon’s Rock, he earned an M.A. in music theory from the University of California, Santa Barbara with a thesis on the music of the “New Complexity” composer Brian Ferneyhough. During his doctoral studies at Harvard, he worked with theorists David Lewin, David Cohen, Christopher Hasty, and Alexander Rehding. In addition to his theoretical work, Robert remains active as a composer: recent compositions include works performed by White Rabbit, cellist Frances-Marie Uitti, Stephen Drury, and the Callithumpian Consort.<br />