Rick Tagawa - Revision history

BudjarnLambeth: Link to orphaned page

2024-12-04T07:19:46Z

Link to orphaned page

← Older revision		Revision as of 07:19, 4 December 2024
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	'''Rick Tagawa''' studied composition with [[Elliot Carter]] and [[Luciano Berio]] at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in [[Ugandan]] traditional music with its sophisticated use of a [[Category:5-tone scales\|5-tone]] [[quasi-equal]] temperament. (In this music the seconds can vary from 190 to 279 [[cents]] over a 3 1/2-[[octave]] xylophone.)		'''Rick Tagawa''' studied composition with [[Elliot Carter]] and [[Luciano Berio]] at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in [[Ugandan]] traditional music with its sophisticated use of a [[Category:5-tone scales\|5-tone]] [[quasi-equal]] temperament. (In this music the seconds can vary from 190 to 279 [[cents]] over a 3 1/2-[[octave]] xylophone.)

	He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using [[Kiganda]] musical techniques and [[72edo\|72-tone equal temperament]]. His interests include the intonational nuances in American popular music, [[Indian music]], and other musics.		He has published a composition for [[percussion]] and has numerous other works to his credit, including a large-scale work for orchestra using [[Kiganda]] musical techniques and [[72edo\|72-tone equal temperament]]. His interests include the intonational nuances in American popular music, [[Indian music]], and other musics.

	{{DEFAULTSORT:Tagawa, Rick}}		{{DEFAULTSORT:Tagawa, Rick}}

BudjarnLambeth: Todo

2024-10-20T07:41:38Z

Todo

← Older revision		Revision as of 07:41, 20 October 2024
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	'''Rick Tagawa''' studied composition with [[Elliot Carter]] and [[Luciano Berio]] at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in [[Ugandan]] traditional music with its sophisticated use of a [[Category:5-tone scales\|5-tone]] [[quasi-equal]] temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-[[octave]] xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using [[Kiganda]] musical techniques and [[72edo\|72-tone equal temperament]]. His interests include the intonational nuances in American popular music, [[Indian music]], and other musics.		'''Rick Tagawa''' studied composition with [[Elliot Carter]] and [[Luciano Berio]] at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in [[Ugandan]] traditional music with its sophisticated use of a [[Category:5-tone scales\|5-tone]] [[quasi-equal]] temperament. (In this music the seconds can vary from 190 to 279 [[cents]] over a 3 1/2-[[octave]] xylophone.)

			He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using [[Kiganda]] musical techniques and [[72edo\|72-tone equal temperament]]. His interests include the intonational nuances in American popular music, [[Indian music]], and other musics.

	{{DEFAULTSORT:Tagawa, Rick}}		{{DEFAULTSORT:Tagawa, Rick}}
	[[Category:People]]		[[Category:People]]
	[[Category:Composers]]		[[Category:Composers]]
	~~[[Category:Todo:~~expand]]
			{{todo\|expand\|link}}

BudjarnLambeth: Added Todo:expand

2024-09-18T22:48:56Z

Added Todo:expand

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	[[Category:People]]		[[Category:People]]
	[[Category:Composers]]		[[Category:Composers]]
			[[Category:Todo:expand]]

BudjarnLambeth: Added links to dead end pg

2024-01-09T06:33:48Z

Added links to dead end pg

← Older revision		Revision as of 06:33, 9 January 2024
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	'''Rick Tagawa''' studied composition with Elliot Carter and Luciano Berio at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in Ugandan traditional music with its sophisticated use of a 5-tone quasi-equal temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-octave xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using Kiganda musical techniques and 72-tone equal temperament. His interests include the intonational nuances in American popular music, Indian music, and other musics.		'''Rick Tagawa''' studied composition with [[Elliot Carter]] and [[Luciano Berio]] at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in [[Ugandan]] traditional music with its sophisticated use of a [[Category:5-tone scales\|5-tone]] [[quasi-equal]] temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-[[octave]] xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using [[Kiganda]] musical techniques and [[72edo\|72-tone equal temperament]]. His interests include the intonational nuances in American popular music, [[Indian music]], and other musics.

	{{DEFAULTSORT:Tagawa, Rick}}		{{DEFAULTSORT:Tagawa, Rick}}
	[[Category:People]]		[[Category:People]]
	[[Category:Composers]]		[[Category:Composers]]

Fredg999: Sort key

2022-04-10T20:35:11Z

Sort key

← Older revision		Revision as of 20:35, 10 April 2022
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	'''Rick Tagawa''' studied composition with Elliot Carter and Luciano Berio at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in Ugandan traditional music with its sophisticated use of a 5-tone quasi-equal temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-octave xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using Kiganda musical techniques and 72-tone equal temperament. His interests include the intonational nuances in American popular music, Indian music, and other musics.		'''Rick Tagawa''' studied composition with Elliot Carter and Luciano Berio at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in Ugandan traditional music with its sophisticated use of a 5-tone quasi-equal temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-octave xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using Kiganda musical techniques and 72-tone equal temperament. His interests include the intonational nuances in American popular music, Indian music, and other musics.

			{{DEFAULTSORT:Tagawa, Rick}}
			[[Category:People]]
	[[Category:Composers]]		[[Category:Composers]]
	~~[[category:people]]~~

Fredg999 category edits: Moving from Category:Composer to Category:Composers using Cat-a-lot

2022-02-22T23:57:06Z

Moving from Category:Composer to Category:Composers using Cat-a-lot

← Older revision		Revision as of 23:57, 22 February 2022
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	'''Rick Tagawa''' studied composition with Elliot Carter and Luciano Berio at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in Ugandan traditional music with its sophisticated use of a 5-tone quasi-equal temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-octave xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using Kiganda musical techniques and 72-tone equal temperament. His interests include the intonational nuances in American popular music, Indian music, and other musics.		'''Rick Tagawa''' studied composition with Elliot Carter and Luciano Berio at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in Ugandan traditional music with its sophisticated use of a 5-tone quasi-equal temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-octave xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using Kiganda musical techniques and 72-tone equal temperament. His interests include the intonational nuances in American popular music, Indian music, and other musics.

	[[~~category~~:~~composer~~]]		[[Category:Composers]]
	[[category:people]]		[[category:people]]

Spt3125: category maintenance

2018-12-10T19:50:26Z

category maintenance

← Older revision		Revision as of 19:50, 10 December 2018
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	'''Rick Tagawa''' studied composition with Elliot Carter and Luciano Berio at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in Ugandan traditional music with its sophisticated use of a 5-tone quasi-equal temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-octave xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using Kiganda musical techniques and 72-tone equal temperament. His interests include the intonational nuances in American popular music, Indian music, and other musics.		'''Rick Tagawa''' studied composition with Elliot Carter and Luciano Berio at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in Ugandan traditional music with its sophisticated use of a 5-tone quasi-equal temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-octave xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using Kiganda musical techniques and 72-tone equal temperament. His interests include the intonational nuances in American popular music, Indian music, and other musics.

			[[category:composer]]
			[[category:people]]

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

← Older revision		Revision as of 00:00, 17 July 2018
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	~~<h2>IMPORTED REVISION FROM WIKISPACES</h2>~~		'''Rick Tagawa''' studied composition with Elliot Carter and Luciano Berio at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in Ugandan traditional music with its sophisticated use of a 5-tone quasi-equal temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-octave xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using Kiganda musical techniques and 72-tone equal temperament. His interests include the intonational nuances in American popular music, Indian music, and other musics.
	~~This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>~~
	~~: This revision was by author [[User:genewardsmith\|genewardsmith]] and made on <tt>2011-08-13 18:20:01 UTC</tt>.<br>~~
	~~: The original revision id was <tt>245799011</tt>.<br>~~
	~~: The revision comment was: <tt></tt><br>~~
	~~The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>~~
	~~<h4>Original Wikitext content:</h4>~~
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Rick Tagawa studied composition with Elliot Carter and Luciano Berio at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in Ugandan traditional music with its sophisticated use of a 5-tone quasi-equal temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-octave xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using Kiganda musical techniques and 72-tone equal temperament. His interests include the intonational nuances in American popular music, Indian music, and other musics.~~</pre></div>~~
	~~<h4>Original HTML content:</h4>~~
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Rick Tagawa</title></head><body><strong>Rick Tagawa</strong> studied composition with Elliot Carter and Luciano Berio at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in Ugandan traditional music with its sophisticated use of a 5-tone quasi-equal temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-octave xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using Kiganda musical techniques and 72-tone equal temperament. His interests include the intonational nuances in American popular music, Indian music, and other musics.</body></html></pre></div>

Wikispaces>genewardsmith: Imported revision 245799011 - Original comment:

2011-08-13T18:20:01Z

**Imported revision 245799011 - Original comment: **

New page

<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-08-13 18:20:01 UTC</tt>.<br>
: The original revision id was <tt>245799011</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**Rick Tagawa** studied composition with Elliot Carter and Luciano Berio at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in Ugandan traditional music with its sophisticated use of a 5-tone quasi-equal temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-octave xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using Kiganda musical techniques and 72-tone equal temperament. His interests include the intonational nuances in American popular music, Indian music, and other musics.</pre></div>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Rick Tagawa</title></head><body><strong>Rick Tagawa</strong> studied composition with Elliot Carter and Luciano Berio at the Juilliard School and later did graduate studies in ethnomusicology at UCLA. It was there that he developed an interest in Ugandan traditional music with its sophisticated use of a 5-tone quasi-equal temperament. (In this music the seconds can vary from 190 to 279 cents over a 3 1/2-octave xylophone.) He has published a composition for percussion and has numerous other works to his credit, including a large-scale work for orchestra using Kiganda musical techniques and 72-tone equal temperament. His interests include the intonational nuances in American popular music, Indian music, and other musics.</body></html></pre></div>