Quarter-comma meantone - Revision history

Lucius Chiaraviglio: /* Modern renderings */ Add John Bull's ''Fantasia «Ut Re Mi Fa Sol La»'' (late 1500s/early 1600s, from ''Fitzwilliam Virginal Book Vol.1 No.51'') – performed on Cembalo Universale (harpsichord having 19 notes per octave for extended meantone) by Robert Hill (2015)

2026-06-04T18:39:28Z

Modern renderings: Add John Bull's ''Fantasia «Ut Re Mi Fa Sol La»'' (late 1500s/early 1600s, from ''Fitzwilliam Virginal Book Vol.1 No.51'') – performed on Cembalo Universale (harpsichord having 19 notes per octave for extended meantone) by Robert Hill (2015)

← Older revision		Revision as of 18:39, 4 June 2026
Line 303:		Line 303:
	; {{W\|Chuck Berry}}		; {{W\|Chuck Berry}}
	* [https://web.archive.org/web/20201127012202/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/quartercomma/reelrock.mp3 ''Reelin' and Rockin'''] (1957)		* [https://web.archive.org/web/20201127012202/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/quartercomma/reelrock.mp3 ''Reelin' and Rockin'''] (1957)

			; {{W\|John Bull (composer)\|John Bull}}
			* [https://www.youtube.com/watch?v=hpDkbRpxwKw ''Fantasia «Ut Re Mi Fa Sol La»''] (late 1500s/early 1600s, from ''Fitzwilliam Virginal Book Vol.1 No.51'') – performed on Cembalo Universale (harpsichord having 19 notes per octave for extended meantone) by {{W\|Robert_Hill_(musician)\|Robert Hill}} (2015)

	; [[Giovanni Pietro Del Buono]]		; [[Giovanni Pietro Del Buono]]

Lucius Chiaraviglio: /* 21st century */ Add Juhani Nuorvala's ''Enharmoninen sarja (Enharmonic Suite)'' (2017); also fix sharp/flat symbols in other entries

2026-05-25T16:17:21Z

21st century: Add Juhani Nuorvala's ''Enharmoninen sarja (Enharmonic Suite)'' (2017); also fix sharp/flat symbols in other entries

← Older revision		Revision as of 16:17, 25 May 2026
Line 357:		Line 357:
	* [https://www.youtube.com/watch?v=OZriKGVcXDM ''Ballade No.5 (2025) in C Major for Piano in Quarter-comma Meantone Temperament''] (2025)		* [https://www.youtube.com/watch?v=OZriKGVcXDM ''Ballade No.5 (2025) in C Major for Piano in Quarter-comma Meantone Temperament''] (2025)

	;[[Cam Taylor]]		; [[Juhani Nuorvala]]
	* [https://www.youtube.com/watch?v=bQcDISy6e4M ''Free jam in 1/4-comma Eb-G#''] (2024)		* [https://soundcloud.com/juhani-nuorvala/enharmoninen-sarja-enharmonic-suite ''Enharmoninen sarja (Enharmonic Suite)''] (2017, [[Matias Häkkinen]] on harpsichord with 2 split keys per octave, tuned in quarter-comma meantone (C C♯ D D♯ Eb E F F♯ G G♯ A♭ A=415Hz B♭ B)

			; [[Cam Taylor]]
			* [https://www.youtube.com/watch?v=bQcDISy6e4M ''Free jam in 1/4-comma E♭-G♯''] (2024)

	; [[Chris Vaisvil]]		; [[Chris Vaisvil]]

FloraC: /* Music */ +1

2026-01-23T12:13:10Z

Music: +1

← Older revision		Revision as of 12:13, 23 January 2026
Line 335:		Line 335:
	* [https://youtu.be/6t5PdeC1Trw ''Country Bumpkin''] (2010) [https://web.archive.org/web/20201127012811/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/quartercomma/Country%20Bumpkin%20Live%20At%20The%20Turks%2023,9,2010ce.mp3 play]		* [https://youtu.be/6t5PdeC1Trw ''Country Bumpkin''] (2010) [https://web.archive.org/web/20201127012811/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/quartercomma/Country%20Bumpkin%20Live%20At%20The%20Turks%2023,9,2010ce.mp3 play]
	* [https://www.youtube.com/watch?v=HVwXUwK5_Vg ''Ozone Layer''] (2012) [https://web.archive.org/web/20201127013628/http://micro.soonlabel.com/gene_ward_smith/Others/quartercomma/Ozone%20Layer.mp3 play]		* [https://www.youtube.com/watch?v=HVwXUwK5_Vg ''Ozone Layer''] (2012) [https://web.archive.org/web/20201127013628/http://micro.soonlabel.com/gene_ward_smith/Others/quartercomma/Ozone%20Layer.mp3 play]

			; [[Eufalesio]]
			* [https://soundcloud.com/eufalesio/procession-for-the-death-of-a-star?in=eufalesio/sets/microtonal-stuff "Procession for the death of a star"] from [https://soundcloud.com/eufalesio/sets/microtonal-stuff ''Microtonal stuff''] (2022)

	; [[Francium]]		; [[Francium]]

Lucius Chiaraviglio: /* Modern renderings */ Clarify that the last 3 recordings added are on an acoustic instrument

2025-11-28T08:33:30Z

Modern renderings: Clarify that the last 3 recordings added are on an acoustic instrument

← Older revision		Revision as of 08:33, 28 November 2025
Line 299:		Line 299:
	; {{W\|Johann Sebastian Bach}}		; {{W\|Johann Sebastian Bach}}
	* [https://web.archive.org/web/20201127013537/http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/Ricercar%20a%206/Quarter-comma-meantone.mp3 ''Bach's Ricercar a 6 from A Musical Offering''] rendered by Claudi Meneghin		* [https://web.archive.org/web/20201127013537/http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/Ricercar%20a%206/Quarter-comma-meantone.mp3 ''Bach's Ricercar a 6 from A Musical Offering''] rendered by Claudi Meneghin
	* [https://www.youtube.com/watch?v=2osCf4AQ_0k ''Praeludium et fuga in G, BWV 541'' - J S Bach, in meantone temperament] (late 1500s – early 1600s; performed on quarter-comma meantone organ by Helena Holmlund, recorded 2013)		* [https://www.youtube.com/watch?v=2osCf4AQ_0k ''Praeludium et fuga in G, BWV 541'' - J S Bach, in meantone temperament] (late 1500s – early 1600s; performed on quarter-comma meantone pipe organ by Helena Holmlund, recorded 2013)

	; {{W\|Chuck Berry}}		; {{W\|Chuck Berry}}
Line 308:		Line 308:

	; {{W\|Dieterich Buxtehude}}		; {{W\|Dieterich Buxtehude}}
	* [https://www.youtube.com/watch?v=SR0gWBjdzsA ''Magnificat primi toni'' BuxWv 203] (c. 1690; performed on quarter-comma meantone organ by Helena Holmlund, recorded 2013)		* [https://www.youtube.com/watch?v=SR0gWBjdzsA ''Magnificat primi toni'' BuxWv 203] (c. 1690; performed on quarter-comma meantone pipe organ by Helena Holmlund, recorded 2013)

	; {{W\|François Couperin}}		; {{W\|François Couperin}}
Line 323:		Line 323:

	; {{W\|Jan Pieterszoon Sweelinck}}		; {{W\|Jan Pieterszoon Sweelinck}}
	* [https://www.youtube.com/watch?v=-_z6lhgLNJI&list=WL&index=238 ''Fantasia chromatica by Sweelinck'', in meantone temperament] (late 1500s – early 1600s; performed on quarter-comma meantone organ by Helena Holmlund, recorded 2013)		* [https://www.youtube.com/watch?v=-_z6lhgLNJI&list=WL&index=238 ''Fantasia chromatica by Sweelinck'', in meantone temperament] (late 1500s – early 1600s; performed on quarter-comma meantone pipe organ by Helena Holmlund, recorded 2013)

	; {{W\|Richard Wagner}}		; {{W\|Richard Wagner}}

Lucius Chiaraviglio: /* Modern renderings */ Add 3 recordings on quarter-comma meantone organ

2025-11-28T08:29:03Z

Modern renderings: Add 3 recordings on quarter-comma meantone organ

← Older revision		Revision as of 08:29, 28 November 2025
Line 299:		Line 299:
	; {{W\|Johann Sebastian Bach}}		; {{W\|Johann Sebastian Bach}}
	* [https://web.archive.org/web/20201127013537/http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/Ricercar%20a%206/Quarter-comma-meantone.mp3 ''Bach's Ricercar a 6 from A Musical Offering''] rendered by Claudi Meneghin		* [https://web.archive.org/web/20201127013537/http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/Ricercar%20a%206/Quarter-comma-meantone.mp3 ''Bach's Ricercar a 6 from A Musical Offering''] rendered by Claudi Meneghin
			* [https://www.youtube.com/watch?v=2osCf4AQ_0k ''Praeludium et fuga in G, BWV 541'' - J S Bach, in meantone temperament] (late 1500s – early 1600s; performed on quarter-comma meantone organ by Helena Holmlund, recorded 2013)

	; {{W\|Chuck Berry}}		; {{W\|Chuck Berry}}
Line 305:		Line 306:
	; [[Giovanni Pietro Del Buono]]		; [[Giovanni Pietro Del Buono]]
	* [http://micro.soonlabel.com/gene_ward_smith/Others/quartercomma/Giovanni%20Pietro%20Del%20Buono-%20Tre%20Sonate%20Sopra%20Ave%20Maris%20Stella%20(V,%20VI,%20VII).mp3 ''Tre Sonate Sopra Ave Maris Stella'' (V, VI, VII)] (''c''. 1641–1644)		* [http://micro.soonlabel.com/gene_ward_smith/Others/quartercomma/Giovanni%20Pietro%20Del%20Buono-%20Tre%20Sonate%20Sopra%20Ave%20Maris%20Stella%20(V,%20VI,%20VII).mp3 ''Tre Sonate Sopra Ave Maris Stella'' (V, VI, VII)] (''c''. 1641–1644)

			; {{W\|Dieterich Buxtehude}}
			* [https://www.youtube.com/watch?v=SR0gWBjdzsA ''Magnificat primi toni'' BuxWv 203] (c. 1690; performed on quarter-comma meantone organ by Helena Holmlund, recorded 2013)

	; {{W\|François Couperin}}		; {{W\|François Couperin}}
Line 317:		Line 321:
	; {{W\|Arthur Singer}}, {{w\|John Medora}} and {{w\|David White %28musician%29\|David White}}		; {{W\|Arthur Singer}}, {{w\|John Medora}} and {{w\|David White %28musician%29\|David White}}
	* [https://web.archive.org/web/20201127014551/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/quartercomma/At%20the%20Hop.mp3 ''At the Hop''] (1957)		* [https://web.archive.org/web/20201127014551/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/quartercomma/At%20the%20Hop.mp3 ''At the Hop''] (1957)

			; {{W\|Jan Pieterszoon Sweelinck}}
			* [https://www.youtube.com/watch?v=-_z6lhgLNJI&list=WL&index=238 ''Fantasia chromatica by Sweelinck'', in meantone temperament] (late 1500s – early 1600s; performed on quarter-comma meantone organ by Helena Holmlund, recorded 2013)

	; {{W\|Richard Wagner}}		; {{W\|Richard Wagner}}

Lucius Chiaraviglio: /* Modern renderings */ Add ''The 1699 Meantone Organ from Rupea at the Black Church in Brasov | Farkas Ferenc Hungarian Dances'' (1961; performed in 2024 by Bálint Karosi)

2025-11-24T10:09:11Z

Modern renderings: Add ''The 1699 Meantone Organ from Rupea at the Black Church in Brasov | Farkas Ferenc Hungarian Dances'' (1961; performed in 2024 by Bálint Karosi)

← Older revision		Revision as of 10:09, 24 November 2025
Line 308:		Line 308:
	; {{W\|François Couperin}}		; {{W\|François Couperin}}
	* [https://web.archive.org/web/20201127015607/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/quartercomma/Le%20Tic-Toc%20Choc.mp3 ''Le Tic-Toc Choc''] (1722)		* [https://web.archive.org/web/20201127015607/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/quartercomma/Le%20Tic-Toc%20Choc.mp3 ''Le Tic-Toc Choc''] (1722)

			; {{W\|Ferenc Farkas}}
			* [https://www.youtube.com/watch?v=SkZ2FDXMzlA ''The 1699 Meantone Organ from Rupea at the Black Church in Brasov \| Farkas Ferenc Hungarian Dances''] (1961; performed in 2024 by {{W\|Bálint Karosi}})

	; {{W\|Sergei Rachmaninoff}}		; {{W\|Sergei Rachmaninoff}}

Lucius Chiaraviglio: /* 21st century */ Add 2 compositions by Norokusi

2025-08-02T15:20:05Z

21st century: Add 2 compositions by Norokusi

← Older revision		Revision as of 15:20, 2 August 2025
Line 339:		Line 339:
	** "Canon at the minor second on an ancient Padanian folk theme" [https://www.youtube.com/watch?v=mEeKltGny04 YouTube] \| [https://web.archive.org/web/20201127014141/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Meneghin/Claudi%20Meneghin_%20Canon%20at%20the%20minor%20second%20on%20an%20ancient%20Pad.mp3 play]		** "Canon at the minor second on an ancient Padanian folk theme" [https://www.youtube.com/watch?v=mEeKltGny04 YouTube] \| [https://web.archive.org/web/20201127014141/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Meneghin/Claudi%20Meneghin_%20Canon%20at%20the%20minor%20second%20on%20an%20ancient%20Pad.mp3 play]
	** "Canon 2 in 1 on "Ah! vous dirai-je, maman" at the diminished fifth" [https://www.youtube.com/watch?v=6_YVhwArGTI YouTube] \| [https://web.archive.org/web/20201127013943/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Meneghin/Claudi%20Meneghin_%20Canon%202%20in%201%20on%20_Ah_%20vous%20dirai-je,%20maman_%20.mp3 play]		** "Canon 2 in 1 on "Ah! vous dirai-je, maman" at the diminished fifth" [https://www.youtube.com/watch?v=6_YVhwArGTI YouTube] \| [https://web.archive.org/web/20201127013943/http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Meneghin/Claudi%20Meneghin_%20Canon%202%20in%201%20on%20_Ah_%20vous%20dirai-je,%20maman_%20.mp3 play]

			; [[Norokusi]]
			* [https://www.youtube.com/watch?v=ZjJSa9brfSY ''Suite No.6 (2025) for Piano in Quarter-comma Meantone Temperament''] (2025)
			* [https://www.youtube.com/watch?v=OZriKGVcXDM ''Ballade No.5 (2025) in C Major for Piano in Quarter-comma Meantone Temperament''] (2025)

	;[[Cam Taylor]]		;[[Cam Taylor]]

VectorGraphics at 17:18, 3 June 2025

2025-06-03T17:18:31Z

← Older revision		Revision as of 17:18, 3 June 2025
Line 8:		Line 8:
	'''Quarter-comma meantone''' is the tuning of [[meantone]] temperament which makes the perfect fifth ([[3/2]]) the fourth root of 5, or in other words 696.578 [[cent]]s. This means the fifth is flattened by {{frac\|1\|4}} of the syntonic comma ([[81/80]] ratio) of 21.506{{cent}}, which is to say by 5.377{{cent}}, hence the name.		'''Quarter-comma meantone''' is the tuning of [[meantone]] temperament which makes the perfect fifth ([[3/2]]) the fourth root of 5, or in other words 696.578 [[cent]]s. This means the fifth is flattened by {{frac\|1\|4}} of the syntonic comma ([[81/80]] ratio) of 21.506{{cent}}, which is to say by 5.377{{cent}}, hence the name.

	Quarter-comma meantone is the tuning where the major third ([[5/4]]) is tuned pure, and the minor third ([[6/5]]) and the fifth are equally flat by {{frac\|1\|4}} syntonic comma. It is also the tuning where the whole tone is the exact [[geometric mean]] between the greater tone of [[9/8]] and the lesser tone of [[10/9]], and many argue that it is the only tuning which is strictly "mean tone". It is the minimax tuning for 5-limit meantone, meaning the maximum error on the [[5-odd-limit]] [[tonality diamond]] is minimized. It is also the minimax tuning for septimal meantone in the [[7-odd-limit\|7-]] and [[9-odd-limit]], and for meanpop (the version of 11-limit meantone which tunes 11/8 to the doubly diminished fifth, C–G𝄫) in the [[11-odd-limit]]. Moreover, historically it was the predominant tuning of Western common-practice music in the latter part of the Renaissance and the early modern (17th century) era.		Quarter-comma meantone is the tuning where the major third ([[5/4]]) is tuned pure, and the minor third ([[6/5]]) and the fifth are equally flat by {{frac\|1\|4}} syntonic comma. It is also the tuning where the whole tone is the exact [[geometric mean]] between the greater tone of [[9/8]] and the lesser tone of [[10/9]] (the "semiptolemaic major second" sqrt(5/4)), from which the term "meantone" is derived, and many argue that it is the only tuning which is strictly "mean tone". It is the minimax tuning for 5-limit meantone, meaning the maximum error on the [[5-odd-limit]] [[tonality diamond]] is minimized. It is also the minimax tuning for septimal meantone in the [[7-odd-limit\|7-]] and [[9-odd-limit]], and for meanpop (the version of 11-limit meantone which tunes 11/8 to the doubly diminished fifth, C–G𝄫) in the [[11-odd-limit]]. Moreover, historically it was the predominant tuning of Western common-practice music in the latter part of the Renaissance and the early modern (17th century) era.

	Because of all of these features, it has a certain claim to be considered the canonical meantone tuning and often "meantone" is taken to mean quarter-comma specifically. The traditional interval names, listed below, may be considered to have their older traditional tuning in the quarter-comma meantone tunings listed below. However, other tunings (besides [[12edo]] which is ubiquitous but not an especially good tuning for meantone) may be preferred. Note, for instance, that the doubly augmented second and the doubly diminished fourth are both neutral thirds, about 6{{c}} apart. In [[31edo]], these two intervals are enharmonically equivalent.		Because of all of these features, it has a certain claim to be considered the canonical meantone tuning and often "meantone" is taken to mean quarter-comma specifically. The traditional interval names, listed below, may be considered to have their older traditional tuning in the quarter-comma meantone tunings listed below. However, other tunings (besides [[12edo]] which is ubiquitous but not an especially good tuning for meantone) may be preferred. Note, for instance, that the doubly augmented second and the doubly diminished fourth are both neutral thirds, about 6{{c}} apart. In [[31edo]], these two intervals are enharmonically equivalent.

ArrowHead294 at 14:29, 25 February 2025

2025-02-25T14:29:16Z

← Older revision		Revision as of 14:29, 25 February 2025
Line 6:		Line 6:
	}}		}}
	{{Wikipedia}}		{{Wikipedia}}
	'''Quarter-comma meantone''' is the tuning of [[meantone]] temperament which makes the perfect fifth ([[3/2]]) the fourth root of 5, or in other words 696.578 [[cent]]s. This means the fifth is flattened by 1/4 of the syntonic comma ([[81/80]] ratio) of 21.506 ~~cents~~, which is to say by 5.377 ~~cents~~, hence the name ~~quarter-comma or 1/4-comma meantone~~.		'''Quarter-comma meantone''' is the tuning of [[meantone]] temperament which makes the perfect fifth ([[3/2]]) the fourth root of 5, or in other words 696.578 [[cent]]s. This means the fifth is flattened by {{frac\|1\|4}} of the syntonic comma ([[81/80]] ratio) of 21.506{{cent}}, which is to say by 5.377{{cent}}, hence the name.

	Quarter-comma meantone is the tuning where the major third ([[5/4]]) is tuned pure, and the minor third ([[6/5]]) and the fifth are equally flat by 1/4 syntonic comma. It is also the tuning where the whole tone is the exact [[geometric mean]] between the greater tone of [[9/8]] and the lesser tone of [[10/9]], and ~~hence it can be argued~~ it is the only tuning which is strictly "mean tone". It is the minimax tuning for 5-limit meantone, meaning the maximum error on the [[5-odd-limit]] [[tonality diamond]] is minimized. It is also the minimax tuning for septimal meantone in the [[7-odd-limit\|7-]] and [[9-odd-limit]], and for meanpop (the version of 11-limit meantone which tunes 11/8 to the doubly diminished fifth, ~~C–Gbb~~) in the [[11-odd-limit]]. Moreover, historically it was the predominant tuning of Western common-practice music in the latter part of the Renaissance and the early modern (17th century) era.		Quarter-comma meantone is the tuning where the major third ([[5/4]]) is tuned pure, and the minor third ([[6/5]]) and the fifth are equally flat by {{frac\|1\|4}} syntonic comma. It is also the tuning where the whole tone is the exact [[geometric mean]] between the greater tone of [[9/8]] and the lesser tone of [[10/9]], and many argue that it is the only tuning which is strictly "mean tone". It is the minimax tuning for 5-limit meantone, meaning the maximum error on the [[5-odd-limit]] [[tonality diamond]] is minimized. It is also the minimax tuning for septimal meantone in the [[7-odd-limit\|7-]] and [[9-odd-limit]], and for meanpop (the version of 11-limit meantone which tunes 11/8 to the doubly diminished fifth, C–G𝄫) in the [[11-odd-limit]]. Moreover, historically it was the predominant tuning of Western common-practice music in the latter part of the Renaissance and the early modern (17th century) era.

	Because of all of these features, it has a certain claim to be considered the canonical meantone tuning and often "meantone" is taken to mean quarter-comma specifically. The traditional interval names, listed below, may be considered to have their older traditional tuning in the quarter-comma meantone tunings listed below. However, other tunings (besides [[12edo]] which is ubiquitous but not an especially good tuning for meantone) may be preferred. Note, for instance, that the doubly augmented second and the doubly diminished fourth are both neutral thirds, about ~~six cents~~ apart. ~~If we want a tuning which will equate the two, we need to use~~ [[31edo]] ~~instead~~.		Because of all of these features, it has a certain claim to be considered the canonical meantone tuning and often "meantone" is taken to mean quarter-comma specifically. The traditional interval names, listed below, may be considered to have their older traditional tuning in the quarter-comma meantone tunings listed below. However, other tunings (besides [[12edo]] which is ubiquitous but not an especially good tuning for meantone) may be preferred. Note, for instance, that the doubly augmented second and the doubly diminished fourth are both neutral thirds, about 6{{c}} apart. In [[31edo]], these two intervals are enharmonically equivalent.

	== Tuning profile ==		== Tuning profile ==
Line 31:		Line 31:

	== Intervals of quarter-comma meantone ==		== Intervals of quarter-comma meantone ==
	Below is a table listing 36 of the notes of quarter-comma meantone, giving the size in cents, the number of fifths up or down on the [[chain of fifths]], the ~~[[Wikipedia:Letter notation~~\|letter notation]] for the interval relative to C as the tonic, the traditional name for the interval, a shorthand form of the name, and the size of the interval in [[fractional monzo]] notation.		Below is a table listing 36 of the notes of quarter-comma meantone, giving the size in cents, the number of fifths up or down on the [[chain of fifths]], the {{w\|letter notation}} for the interval relative to C as the tonic, the traditional name for the interval, a shorthand form of the name, and the size of the interval in [[fractional monzo]] notation.

	{\| class="wikitable right-1 center-2 center-5"		{\| class="wikitable right-1 center-2 center-5"
	! Size <br> in [[cent]]s		\|-
	! Fifths <br> dist.		! Size<br />in [[cent]]s
	! Note <br> C-based		! Fifths<br />dist.
	! Traditional <br> interval name		! Note<br />C-based
	! Int. <br> (short)		! Traditional<br />interval name
	! [[Fractional monzo\|Fract. <br> monzo]]		! Int.<br />(short)
			! [[Fractional monzo\|Fract.<br />monzo]]
	\|-		\|-
	\| 0.00000		\| 0.00000
Line 49:		Line 50:
	\|-		\|-
	\| 41.0590		\| 41.0590
	\| ~~−12~~		\| −12
	\| Dbb		\| Dbb
	\| Diminished second, diesis		\| Diminished second, diesis
Line 77:		Line 78:
	\|-		\|-
	\| 158.167		\| 158.167
	\| ~~−17~~		\| −17
	\| Ebbb		\| Ebbb
	\| Doubly diminished third		\| Doubly diminished third
Line 91:		Line 92:
	\|-		\|-
	\| 234.216		\| 234.216
	\| ~~−10~~		\| −10
	\| Ebb		\| Ebb
	\| Diminished third		\| Diminished third
Line 105:		Line 106:
	\|-		\|-
	\| 310.265		\| 310.265
	\| ~~−3~~		\| −3
	\| Eb		\| Eb
	\| Minor third		\| Minor third
Line 119:		Line 120:
	\|-		\|-
	\| 351.324		\| 351.324
	\| ~~−15~~		\| −15
	\| Fbb		\| Fbb
	\| Doubly diminished fourth		\| Doubly diminished fourth
Line 133:		Line 134:
	\|-		\|-
	\| 427.373		\| 427.373
	\| ~~−8~~		\| −8
	\| Fb		\| Fb
	\| Diminished fourth		\| Diminished fourth
Line 147:		Line 148:
	\|-		\|-
	\| 503.422		\| 503.422
	\| ~~−1~~		\| −1
	\| F		\| F
	\| Perfect fourth		\| Perfect fourth
Line 154:		Line 155:
	\|-		\|-
	\| 544.480		\| 544.480
	\| ~~−13~~		\| −13
	\| Gbb		\| Gbb
	\| Doubly diminished fifth		\| Doubly diminished fifth
Line 168:		Line 169:
	\|-		\|-
	\| 620.529		\| 620.529
	\| ~~−6~~		\| −6
	\| Gb		\| Gb
	\| Diminished fifth		\| Diminished fifth
Line 189:		Line 190:
	\|-		\|-
	\| 737.637		\| 737.637
	\| ~~−11~~		\| −11
	\| Abb		\| Abb
	\| Diminished sixth		\| Diminished sixth
Line 203:		Line 204:
	\|-		\|-
	\| 813.686		\| 813.686
	\| ~~−4~~		\| −4
	\| Ab		\| Ab
	\| Minor sixth		\| Minor sixth
Line 217:		Line 218:
	\|-		\|-
	\| 854.745		\| 854.745
	\| ~~−16~~		\| −16
	\| Bbbb		\| Bbbb
	\| Doubly diminished seventh		\| Doubly diminished seventh
Line 245:		Line 246:
	\|-		\|-
	\| 1006.84		\| 1006.84
	\| ~~−2~~		\| −2
	\| Bb		\| Bb
	\| Minor seventh		\| Minor seventh
Line 259:		Line 260:
	\|-		\|-
	\| 1047.90		\| 1047.90
	\| ~~−14~~		\| −14
	\| C'bb		\| C'bb
	\| Doubly diminished octave		\| Doubly diminished octave
Line 273:		Line 274:
	\|-		\|-
	\| 1123.95		\| 1123.95
	\| ~~−7~~		\| −7
	\| C'b		\| C'b
	\| Diminished octave		\| Diminished octave

VectorGraphics at 00:45, 15 February 2025

2025-02-15T00:45:41Z

← Older revision		Revision as of 00:45, 15 February 2025
Line 72:		Line 72:
	\| 14		\| 14
	\| Cx		\| Cx
	\| ~~Augmented~~ chromatic semitone		\| Doubly augmented unison, augmented chromatic semitone
	\| AA1		\| AA1
	\| {{monzo\| -8 0 7/2 }}		\| {{monzo\| -8 0 7/2 }}
Line 191:		Line 191:
	\| −11		\| −11
	\| Abb		\| Abb
	\| ~~Diminshed~~ sixth		\| Diminished sixth
	\| d6		\| d6
	\| {{monzo\| 7 0 -11/4 }}		\| {{monzo\| 7 0 -11/4 }}