Primodality - Revision history

Stavats at 19:29, 26 March 2026

2026-03-26T19:29:38Z

← Older revision		Revision as of 19:29, 26 March 2026
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	'''Primodality''' (also informally called '''Zheanism''' after its originator [[Zhea Erose]]) is an approach to [[JI]] designed to emphasize the identity of the "tonic" as the p<sup>th</sup> [[harmonic]] and places importance on the particular [[timbre]] of [[chord]]s with a given tonic. [[Scale]]s and chords having the identity of the prime p as the tonic are collectively called a '''prime family''', and can be denoted simply by ''/p''. Zhea also uses various adjectives for specific primodalities, such as ''septimal, undecimal, tridecimal, septendecimal, novem(decimal)'' for /7, /11, /13, /17, and /19 respectively, which are not to be confused with the use of these adjectives to denote prime limits. (If disambiguation is needed, one can say ''over-7'' and ''7-limit'' respectively for the two meanings of ''septimal'', for instance.) Zhea's ideas are new in that she not only treats higher JI as different from close irrational tunings (as some, like [[Johnny Reinhard]], previously have done), but also claims that each prime comes with its own unique timbral "gestalt" which is in all chords built from small multiples of ''p'' (particularly 2''p'') as the tonic. The gestalt aspect is critical: while individual intervals in a primodal tuning may not be recognizable for what they are (using methods like harmonic entropy), when considered as a whole, their shared relationship to /p becomes apparent.		'''Primodality''' (also informally called '''Zheanism''' after its originator [[Zhea Erose]]) is an approach to [[JI]] designed to emphasize the identity of the "tonic" as the p<sup>th</sup> [[harmonic]] and places importance on the particular [[timbre]] of [[chord]]s with a given tonic. [[Scale]]s and chords having the identity of the prime p as the tonic are collectively called a '''prime family''', and can be denoted simply by ''/p''. Zhea also uses various adjectives for specific primodalities, such as ''septimal, undecimal, tridecimal, septendecimal, novem(decimal)'' for /7, /11, /13, /17, and /19 respectively, which are not to be confused with the use of these adjectives to denote prime limits. (If disambiguation is needed, one can say ''over-7'' and ''7-limit'' respectively for the two meanings of ''septimal'', for instance.) Zhea's ideas are new in that she not only treats higher JI as different from close irrational tunings (as some, like [[Johnny Reinhard]], previously have done), but also claims that each prime comes with its own unique timbral "gestalt" which is in all chords built from small multiples of ''p'' (particularly 2''p'') as the tonic. The gestalt aspect is critical: while individual intervals in a primodal tuning may not be recognizable for what they are (using methods like harmonic entropy), when considered as a whole, their shared relationship to /p becomes apparent.

	Most importantly, primodality sees any [[overtone]] as valuable on its own, rather than relative to some fundamental. Taking a specific overtone as a tonic, even "non-xenharmonic" scales are said to gain the gestalt identity particular to the overtone, even when the corresponding fundamental is too low to be audible. In particular, primodality discards the concept of [[harmonic limit]], which Zhea considers an artificial way to look at JI harmony. Zhea argues that prime families are a more natural way to categorize intervals; intervals from the same prime family (intervals with a common denominator for example, all /2, all /11 or all /13) tend to blend better together. For example, it is preferable to add [[21/16]] to 4:5:6:7, rather than [[4/3]].		Most importantly, primodality sees any [[overtone]] as valuable on its own, rather than relative to some fundamental. Taking a specific overtone as a tonic, even "non-xenharmonic" scales are said to gain the gestalt identity particular to the overtone, even when the corresponding fundamental is too low to be audible. In particular, primodality discards the concept of [[harmonic limit]], which Zhea considers an artificial way to look at JI harmony. Zhea argues that prime families are a more natural way to categorize intervals; intervals from the same prime family (intervals with a common denominator for example, all /2, all /11 or all /13) tend to blend better together. For example, it is preferable to add [[21/16]] to 4:5:6:7 rather than [[4/3]], if one wants to retain the /2 gestalt (otherwise an /3 gestalt emerges from 12:15:16:18:21).

	To construct a primodal scale, we fix a prime ''p'' to be the denominator and take intervals of the form ''n/p'', where ''n ≥ p''. Zhea often takes n to range over a certain "lineal segment" (Mode mp of the harmonic series where m is a positive integer) or a subset thereof. For example, if we use ''p = 13'' and take all ''n'' between 13 and 26 (inclusive), this would result in the scale ''13:14:15:16:17:18:19:20:21:22:23:24:25:26''. We may add a [[3/2]] to the scale root, which corresponds to adding 3p/p. (3/2 is a natural "halfway point" for harmonic scales, since if N is even, Mode N has a 3/2 as its N/2-th note.)		To construct a primodal scale, we fix a prime ''p'' to be the denominator and take intervals of the form ''n/p'', where ''n ≥ p''. Zhea often takes n to range over a certain "lineal segment" (Mode mp of the harmonic series where m is a positive integer) or a subset thereof. For example, if we use ''p = 13'' and take all ''n'' between 13 and 26 (inclusive), this would result in the scale ''13:14:15:16:17:18:19:20:21:22:23:24:25:26''. We may add a [[3/2]] to the scale root, which corresponds to adding 3p/p. (3/2 is a natural "halfway point" for harmonic scales, since if N is even, Mode N has a 3/2 as its N/2-th note.)

Francium: /* Music */ +music

2026-03-07T12:26:04Z

Music: +music

← Older revision		Revision as of 12:26, 7 March 2026
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	; [[Benyamind]]		; [[Benyamind]]
	* "A Story" from ''Microtonal archive'' (2018–2020) – [https://benyamind.bandcamp.com/track/a-story-novemdecimal-ji Bandcamp] \| [https://youtu.be/KpiOqPr4m9M YouTube] – in the ''Novemdeca'' tuning		* "A Story" from ''Microtonal archive'' (2018–2020) – [https://benyamind.bandcamp.com/track/a-story-novemdecimal-ji Bandcamp] \| [https://youtu.be/KpiOqPr4m9M YouTube] – in the ''Novemdeca'' tuning

			; [[Budjarn Lambeth]]
			* [https://youtu.be/Qo3zR_s0H2o ''Music in Over-5 Just Intonation''] (2024) – in [[80afdo]]

			; [[Francium]]
			* [https://www.youtube.com/watch?v=PwvKS0RhTgs ''Spring Your Miracle''] (2026) – 23-primodal doubled by 88/87

	; [[Zhea Erose]]		; [[Zhea Erose]]
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	* [https://www.youtube.com/watch?v=PIhFupdwv3M Timelessness](2021) – 12-tone undecimal tuning		* [https://www.youtube.com/watch?v=PIhFupdwv3M Timelessness](2021) – 12-tone undecimal tuning
	* [https://www.youtube.com/watch?v=4BBdJly4-OY ''Fluorescence''] (2021) – 12-tone undecimal tuning for acoustic piano		* [https://www.youtube.com/watch?v=4BBdJly4-OY ''Fluorescence''] (2021) – 12-tone undecimal tuning for acoustic piano

	~~; [[Budjarn Lambeth]]~~
	* [https://youtu.be/Qo3zR_s0H2o ''Music in Over-5 Just Intonation''] (2024) – in [[80afdo]]

	== See also ==		== See also ==

Jdood: fixed some formatting

2025-12-20T20:00:48Z

fixed some formatting

← Older revision		Revision as of 20:00, 20 December 2025
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	\| ja =		\| ja =
	}}		}}
	'''Primodality''' (also informally called '''Zheanism''' after its originator [[Zhea Erose]]) is an approach to [[JI]] designed to emphasize the identity of the "tonic" as the ~~pth~~ [[harmonic]] and places importance on the particular [[timbre]] of [[chord]]s with a given tonic. [[Scale]]s and chords having the identity of the prime p as the tonic are collectively called a '''prime family''', and can be denoted simply by ''/p''. Zhea also uses various adjectives for specific primodalities, such as ''septimal, undecimal, tridecimal, septendecimal, novem(decimal)'' for /7, /11, /13, /17, /19, which are not to be confused with the use of these adjectives to denote prime limits. (If disambiguation is needed, one can say ''over-7'' and ''7-limit'' respectively for the two meanings of ''septimal'', for instance.) Zhea's ideas are new in that she not only treats higher JI as different from close irrational tunings (as some, like [[Johnny Reinhard]], previously have done), but also claims that each prime comes with its own unique timbral "gestalt" which is in all chords built from small multiples of ''p'' (particularly 2''p'') as the tonic. The gestalt aspect is critical: while individual intervals in a primodal tuning may not be recognizable for what they are (using methods like harmonic entropy), when considered as a whole, their shared relationship to /p becomes apparent.		'''Primodality''' (also informally called '''Zheanism''' after its originator [[Zhea Erose]]) is an approach to [[JI]] designed to emphasize the identity of the "tonic" as the p<sup>th</sup> [[harmonic]] and places importance on the particular [[timbre]] of [[chord]]s with a given tonic. [[Scale]]s and chords having the identity of the prime p as the tonic are collectively called a '''prime family''', and can be denoted simply by ''/p''. Zhea also uses various adjectives for specific primodalities, such as ''septimal, undecimal, tridecimal, septendecimal, novem(decimal)'' for /7, /11, /13, /17, and /19 respectively, which are not to be confused with the use of these adjectives to denote prime limits. (If disambiguation is needed, one can say ''over-7'' and ''7-limit'' respectively for the two meanings of ''septimal'', for instance.) Zhea's ideas are new in that she not only treats higher JI as different from close irrational tunings (as some, like [[Johnny Reinhard]], previously have done), but also claims that each prime comes with its own unique timbral "gestalt" which is in all chords built from small multiples of ''p'' (particularly 2''p'') as the tonic. The gestalt aspect is critical: while individual intervals in a primodal tuning may not be recognizable for what they are (using methods like harmonic entropy), when considered as a whole, their shared relationship to /p becomes apparent.

	Most importantly, primodality sees any [[overtone]] as valuable on its own, rather than relative to some fundamental. Taking a specific overtone as a tonic, even "non-xenharmonic" scales are said to gain the gestalt identity particular to the overtone, even when the corresponding fundamental is too low to be audible. In particular, primodality discards the concept of [[harmonic limit]], which Zhea considers an artificial way to look at JI harmony. Zhea argues that prime families are a more natural way to categorize intervals; intervals from the same prime family (intervals with a common denominator for example, all /2, all /11 or all /13) tend to blend better together. For example, it is preferable to add [[21/16]] to 4:5:6:7, rather than [[4/3]].		Most importantly, primodality sees any [[overtone]] as valuable on its own, rather than relative to some fundamental. Taking a specific overtone as a tonic, even "non-xenharmonic" scales are said to gain the gestalt identity particular to the overtone, even when the corresponding fundamental is too low to be audible. In particular, primodality discards the concept of [[harmonic limit]], which Zhea considers an artificial way to look at JI harmony. Zhea argues that prime families are a more natural way to categorize intervals; intervals from the same prime family (intervals with a common denominator for example, all /2, all /11 or all /13) tend to blend better together. For example, it is preferable to add [[21/16]] to 4:5:6:7, rather than [[4/3]].

	To construct a primodal scale, we fix a prime p to be the denominator and take intervals of the form n/p, where n ≥ p. Zhea often takes n to range over a certain "lineal segment" (Mode mp of the harmonic series where m is a positive integer) or a subset thereof. For example, if we use p = 13 and take all n between 13 and 26 (inclusive), this would result in the scale 13:14:15:16:17:18:19:20:21:22:23:24:25:26. We may add a [[3/2]] to the scale root, which corresponds to adding 3p/p. (3/2 is a natural "halfway point" for harmonic scales, since if N is even, Mode N has a 3/2 as its N/2-th note.)		To construct a primodal scale, we fix a prime ''p'' to be the denominator and take intervals of the form ''n/p'', where ''n ≥ p''. Zhea often takes n to range over a certain "lineal segment" (Mode mp of the harmonic series where m is a positive integer) or a subset thereof. For example, if we use ''p = 13'' and take all ''n'' between 13 and 26 (inclusive), this would result in the scale ''13:14:15:16:17:18:19:20:21:22:23:24:25:26''. We may add a [[3/2]] to the scale root, which corresponds to adding 3p/p. (3/2 is a natural "halfway point" for harmonic scales, since if N is even, Mode N has a 3/2 as its N/2-th note.)

	Primodality, and Zhea's microtonal theory overall, emphasize subtle timbral effects, as opposed to lower-complexity JI identities such as 4:5:6:7:9 that are more common in composite modes. Mode p and Mode 2p (called respectively the ''first'' and ''second octaves of /p'') are considered the most important for the identity of /p; those [[interval]]s are the most recognizable as distinct identities. For any prime p, the set of harmonics from p to 2p is unique in the sense that the sets {p/p, ..., 2p/p} and {n/n, ..., 2n/n} only intersect at {1/1, 2/1} for any positive integer n < p. Similarly, the second octaves of p and the second octave of any n < p only intersect at {1/1, 3/2, 2/1}.		Primodality, and Zhea's microtonal theory overall, emphasize subtle timbral effects, as opposed to lower-complexity JI identities such as 4:5:6:7:9 that are more common in composite modes. Mode p and Mode 2p (called respectively the ''first'' and ''second octaves of /p'') are considered the most important for the identity of /p; those [[interval]]s are the most recognizable as distinct identities. For any prime p, the set of harmonics from p to 2p is unique in the sense that the sets {p/p, ..., 2p/p} and {n/n, ..., 2n/n} only intersect at {1/1, 2/1} for any positive integer n < p. Similarly, the second octaves of p and the second octave of any n < p only intersect at {1/1, 3/2, 2/1}.
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	== Neji ==		== Neji ==

	Primodality is often used in combination with another Zhea Erose technique: [[neji]] (or ~~Near~~-~~Equal Just Intonation~~) tunings, which can be used to preserve the primodal aspects while producing tunings with the benefit of near-equal intervals.		Primodality is often used in combination with another Zhea Erose technique: [[neji]] (or '''N'''ear-'''E'''qual '''J'''ust '''I'''ntonation) tunings, which can be used to preserve the primodal aspects while producing tunings with the benefit of near-equal intervals.

	== Music ==		== Music ==
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	* [https://youtu.be/ZIn6uis5duw ''Novemdeca''] (2020) – 12-tone novemdecimal tuning		* [https://youtu.be/ZIn6uis5duw ''Novemdeca''] (2020) – 12-tone novemdecimal tuning
	* [https://youtu.be/ZSUdXVI0tO0 ''Pandelia''] (2020) – in 2*17-primodal + 3/2		* [https://youtu.be/ZSUdXVI0tO0 ''Pandelia''] (2020) – in 2*17-primodal + 3/2
	* ''WXTCHCRXFT'' (2020) – [https://zheaerosemusic.bandcamp.com/track/wxtchcrxft Bandcamp] \| [https://www.youtube.com/watch?v=a63V_fAPNaA YouTube] – 29-tone neji, 19*11 novemdecimal-undecimal hybrid + 8-tone, hypernaiadic /41		* ''WXTCHCRXFT'' (2020) – [https://zheaerosemusic.bandcamp.com/track/wxtchcrxft Bandcamp] \| [https://www.youtube.com/watch?v=a63V_fAPNaA YouTube] – 29-tone [[neji]], 19*11 novemdecimal-undecimal hybrid + 8-tone, [[Interseptimal intervals\|hypernaiadic]] /41
	* [https://www.youtube.com/watch?v=3iWRlf3wrPs ''Spiritualistica''] (2020) – 12-tone undecimal tuning		* [https://www.youtube.com/watch?v=3iWRlf3wrPs ''Spiritualistica''] (2020) – 12-tone undecimal tuning
	* [https://www.youtube.com/watch?v=PIhFupdwv3M Timelessness](2021) – 12-tone undecimal tuning		* [https://www.youtube.com/watch?v=PIhFupdwv3M Timelessness](2021) – 12-tone undecimal tuning

Jdood: /* Music */ added timelessness by zhea erose onto the list of songs

2025-01-27T05:24:03Z

Music: added timelessness by zhea erose onto the list of songs

← Older revision		Revision as of 05:24, 27 January 2025
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	* ''WXTCHCRXFT'' (2020) – [https://zheaerosemusic.bandcamp.com/track/wxtchcrxft Bandcamp] \| [https://www.youtube.com/watch?v=a63V_fAPNaA YouTube] – 29-tone neji, 19*11 novemdecimal-undecimal hybrid + 8-tone, hypernaiadic /41		* ''WXTCHCRXFT'' (2020) – [https://zheaerosemusic.bandcamp.com/track/wxtchcrxft Bandcamp] \| [https://www.youtube.com/watch?v=a63V_fAPNaA YouTube] – 29-tone neji, 19*11 novemdecimal-undecimal hybrid + 8-tone, hypernaiadic /41
	* [https://www.youtube.com/watch?v=3iWRlf3wrPs ''Spiritualistica''] (2020) – 12-tone undecimal tuning		* [https://www.youtube.com/watch?v=3iWRlf3wrPs ''Spiritualistica''] (2020) – 12-tone undecimal tuning
			* [https://www.youtube.com/watch?v=PIhFupdwv3M Timelessness](2021) – 12-tone undecimal tuning
	* [https://www.youtube.com/watch?v=4BBdJly4-OY ''Fluorescence''] (2021) – 12-tone undecimal tuning for acoustic piano		* [https://www.youtube.com/watch?v=4BBdJly4-OY ''Fluorescence''] (2021) – 12-tone undecimal tuning for acoustic piano

TallKite at 09:44, 20 October 2024

2024-10-20T09:44:28Z

← Older revision		Revision as of 09:44, 20 October 2024
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	\| ja =		\| ja =
	}}		}}
	'''Primodality''' (also informally called '''Zheanism''' after its originator [[Zhea Erose]]) is an approach to [[JI]] designed to emphasize the identity of the "tonic" as the pth [[harmonic]] and places importance on the particular [[timbre]] of [[chord]]s with a given tonic. [[Scale]]s and chords having the identity of the prime p as the tonic are collectively called a '''prime family''', and can be denoted simply by ''/p''. Zhea also uses various adjectives for specific primodalities, such as ''septimal, undecimal, tridecimal, septendecimal, novem(decimal)'' for /7, /11, /13, /17, /19, which are not to be confused with the use of these adjectives to denote prime limits. (If disambiguation is needed, one can say ''over-7'' and ''7-limit'' respectively for the two meanings of ''septimal'', for instance.) Zhea's ideas are new in that she not only treats higher JI as different from close irrational tunings (as some, like [[Johnny Reinhard]], previously have done), but also claims that each prime comes with its own unique timbral "gestalt" which is in all chords built from small multiples of ''p'' (particularly 2''p'') as the tonic. The gestalt aspect is critical: while individual ~~[[dyad]]s~~ in a primodal tuning may not be recognizable for what they are (using methods like harmonic entropy), when considered as a whole, their shared relationship to /p becomes apparent.		'''Primodality''' (also informally called '''Zheanism''' after its originator [[Zhea Erose]]) is an approach to [[JI]] designed to emphasize the identity of the "tonic" as the pth [[harmonic]] and places importance on the particular [[timbre]] of [[chord]]s with a given tonic. [[Scale]]s and chords having the identity of the prime p as the tonic are collectively called a '''prime family''', and can be denoted simply by ''/p''. Zhea also uses various adjectives for specific primodalities, such as ''septimal, undecimal, tridecimal, septendecimal, novem(decimal)'' for /7, /11, /13, /17, /19, which are not to be confused with the use of these adjectives to denote prime limits. (If disambiguation is needed, one can say ''over-7'' and ''7-limit'' respectively for the two meanings of ''septimal'', for instance.) Zhea's ideas are new in that she not only treats higher JI as different from close irrational tunings (as some, like [[Johnny Reinhard]], previously have done), but also claims that each prime comes with its own unique timbral "gestalt" which is in all chords built from small multiples of ''p'' (particularly 2''p'') as the tonic. The gestalt aspect is critical: while individual intervals in a primodal tuning may not be recognizable for what they are (using methods like harmonic entropy), when considered as a whole, their shared relationship to /p becomes apparent.

	Most importantly, primodality sees any [[overtone]] as valuable on its own, rather than relative to some fundamental. Taking a specific overtone as a tonic, even "non-xenharmonic" scales are said to gain the gestalt identity particular to the overtone, even when the corresponding fundamental is too low to be audible. In particular, primodality discards the concept of [[harmonic limit]], which Zhea considers an artificial way to look at JI harmony. Zhea argues that prime families are a more natural way to categorize intervals; intervals from the same prime family (intervals with a common denominator for example, all /2, all /11 or all /13) tend to blend better together. For example, it is preferable to add [[21/16]] to 4:5:6:7, rather than [[4/3]].		Most importantly, primodality sees any [[overtone]] as valuable on its own, rather than relative to some fundamental. Taking a specific overtone as a tonic, even "non-xenharmonic" scales are said to gain the gestalt identity particular to the overtone, even when the corresponding fundamental is too low to be audible. In particular, primodality discards the concept of [[harmonic limit]], which Zhea considers an artificial way to look at JI harmony. Zhea argues that prime families are a more natural way to categorize intervals; intervals from the same prime family (intervals with a common denominator for example, all /2, all /11 or all /13) tend to blend better together. For example, it is preferable to add [[21/16]] to 4:5:6:7, rather than [[4/3]].

FloraC: /* Music */ rework

2024-02-27T08:47:41Z

Music: rework

← Older revision		Revision as of 08:47, 27 February 2024
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	== Music ==		== Music ==
			; [[Benyamind]]
			* "A Story" from ''Microtonal archive'' (2018–2020) – [https://benyamind.bandcamp.com/track/a-story-novemdecimal-ji Bandcamp] \| [https://youtu.be/KpiOqPr4m9M YouTube] – in the ''Novemdeca'' tuning

	'''[[~~Benyamind]~~]'''		; [[Zhea Erose]]
	*[https://youtu.be/~~KpiOqPr4m9M benyamind~~ - ~~A Story~~ (~~in the Novemdeca~~ tuning)]		* ''Eurybia'' (2020) – [https://zheaerosemusic.bandcamp.com/track/eurybia Bandcamp] \| [https://www.youtube.com/watch?v=ubPwKxcp87g YouTube] – 12-tone undecimal tuning
			* [https://youtu.be/ZIn6uis5duw ''Novemdeca''] (2020) – 12-tone novemdecimal tuning
			* [https://youtu.be/ZSUdXVI0tO0 ''Pandelia''] (2020) – in 2*17-primodal + 3/2
			* ''WXTCHCRXFT'' (2020) – [https://zheaerosemusic.bandcamp.com/track/wxtchcrxft Bandcamp] \| [https://www.youtube.com/watch?v=a63V_fAPNaA YouTube] – 29-tone neji, 19*11 novemdecimal-undecimal hybrid + 8-tone, hypernaiadic /41
			* [https://www.youtube.com/watch?v=3iWRlf3wrPs ''Spiritualistica''] (2020) – 12-tone undecimal tuning
			* [https://www.youtube.com/watch?v=4BBdJly4-OY ''Fluorescence''] (2021) – 12-tone undecimal tuning for acoustic piano

	~~'''[[Zhea Erose]]'''~~		; [[Budjarn Lambeth]]
	*[https://www.youtube.com/watch?v=ubPwKxcp87g Eurybia [just intonation]]		* [https://youtu.be/Qo3zR_s0H2o ''Music in Over-5 Just Intonation''] (2024) – in [[80afdo]]
	*[https://www.youtube.com/watch?v=4BBdJly4-OY Zhea Erose - Fluorescence [acoustic just intonation]]
	*[https://youtu.be/ZIn6uis5duw Novemdeca (in a 12-note 19-primodal scale)]
	[https://youtu.be/ZSUdXVI0tO0 Pandelia (in 217-primodal + 3/2)]
	*[https://www.youtube.com/watch?v=3iWRlf3wrPs Spiritualistica [just intonation]]
	*[https://www.youtube.com/watch?v=a63V_fAPNaA WXTCHCRXFT [37-tone Just Intonation]]

	~~'''~~[[Budjarn Lambeth]]~~'''~~
	*[https://youtu.be/Qo3zR_s0H2o ~~Budjarn Lambeth -~~ Music in Over-5 Just Intonation ~~- Feb~~ 2024]

	== See also ==		== See also ==

BudjarnLambeth: /* Music */ Tidied formatting

2024-02-25T06:36:11Z

Music: Tidied formatting

← Older revision		Revision as of 06:36, 25 February 2024
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	== Music ==		== Music ==
	*[~~https://youtu.be/ZIn6uis5duw Zhea Erose - Novemdeca (in a 12-note 19-primodal scale)~~]
	[https://youtu.be/ZSUdXVI0tO0 Zhea Erose - Pandelia (in 217-primodal + 3/2)]		'''[[Benyamind]]'''
	*[https://youtu.be/KpiOqPr4m9M benyamind - A Story (in the Novemdeca tuning)]		*[https://youtu.be/KpiOqPr4m9M benyamind - A Story (in the Novemdeca tuning)]
	*[~~https://www.youtube.com/watch?v=a63V_fAPNaA~~ Zhea Erose ~~- WXTCHCRXFT [37-tone Just Intonation]~~]
	*[https://www.youtube.com/watch?v=ubPwKxcp87g ~~Zhea Erose -~~ Eurybia ~~[just intonation]]~~		'''[[Zhea Erose]]'''
	*[https://www.youtube.com/watch?v=3iWRlf3wrPs Zhea Erose - Spiritualistica [just intonation]]		*[https://www.youtube.com/watch?v=ubPwKxcp87g Eurybia [just intonation]]
	*[https://www.youtube.com/watch?v=4BBdJly4-OY Zhea Erose - Fluorescence [acoustic just intonation]]		*[https://www.youtube.com/watch?v=4BBdJly4-OY Zhea Erose - Fluorescence [acoustic just intonation]]
			*[https://youtu.be/ZIn6uis5duw Novemdeca (in a 12-note 19-primodal scale)]
			[https://youtu.be/ZSUdXVI0tO0 Pandelia (in 217-primodal + 3/2)]
			*[https://www.youtube.com/watch?v=3iWRlf3wrPs Spiritualistica [just intonation]]
			*[https://www.youtube.com/watch?v=a63V_fAPNaA WXTCHCRXFT [37-tone Just Intonation]]

			'''[[Budjarn Lambeth]]'''
	*[https://youtu.be/Qo3zR_s0H2o Budjarn Lambeth - Music in Over-5 Just Intonation - Feb 2024]		*[https://youtu.be/Qo3zR_s0H2o Budjarn Lambeth - Music in Over-5 Just Intonation - Feb 2024]

BudjarnLambeth: /* Music */ Added music

2024-02-25T06:30:28Z

Music: Added music

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	*[https://www.youtube.com/watch?v=3iWRlf3wrPs Zhea Erose - Spiritualistica [just intonation]]		*[https://www.youtube.com/watch?v=3iWRlf3wrPs Zhea Erose - Spiritualistica [just intonation]]
	*[https://www.youtube.com/watch?v=4BBdJly4-OY Zhea Erose - Fluorescence [acoustic just intonation]]		*[https://www.youtube.com/watch?v=4BBdJly4-OY Zhea Erose - Fluorescence [acoustic just intonation]]
			*[https://youtu.be/Qo3zR_s0H2o Budjarn Lambeth - Music in Over-5 Just Intonation - Feb 2024]

	== See also ==		== See also ==

BudjarnLambeth: /* See also */

2024-02-18T06:10:19Z

BudjarnLambeth: /* See also */

2024-02-18T06:01:02Z

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	* [[Undecimal Primodality]]		* [[Undecimal Primodality]]
	* [https://www.youtube.com/live/KKxXdD-lkwI?si=2xbZJ7SD80bF6nWI Theory of Primodality]: Zhea’s educational livestream about primodality		* [https://www.youtube.com/live/KKxXdD-lkwI?si=2xbZJ7SD80bF6nWI Theory of Primodality]: Zhea’s educational livestream about primodality
	** [https://sites.google.com/view/budjarnsarchive/home ~~Transcript~~ of livestream]		** [https://sites.google.com/view/budjarnsarchive/home Google Sites archive including a transcript of the livestream]
	** [https://web.archive.org/web/20240218055951/https://sites.google.com/view/budjarnsarchive/home ~~Mirror~~ of ~~transcript~~]		** [https://web.archive.org/web/20240218055951/https://sites.google.com/view/budjarnsarchive/home Archive.org backup of the Google Site]

	[[Category:Just intonation]]		[[Category:Just intonation]]
	[[Category:Primodality\| ]] <!--main article-->		[[Category:Primodality\| ]] <!--main article-->

← Older revision		Revision as of 06:01, 18 February 2024
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	* [https://www.youtube.com/live/KKxXdD-lkwI?si=2xbZJ7SD80bF6nWI Theory of Primodality]: Zhea’s educational livestream about primodality		* [https://www.youtube.com/live/KKxXdD-lkwI?si=2xbZJ7SD80bF6nWI Theory of Primodality]: Zhea’s educational livestream about primodality
	** [https://sites.google.com/view/budjarnsarchive/home Transcript of livestream]		** [https://sites.google.com/view/budjarnsarchive/home Transcript of livestream]
			** [https://web.archive.org/web/20240218055951/https://sites.google.com/view/budjarnsarchive/home Mirror of transcript]

	[[Category:Just intonation]]		[[Category:Just intonation]]
	[[Category:Primodality\| ]] <!--main article-->		[[Category:Primodality\| ]] <!--main article-->