Prent Rodgers - Revision history

BudjarnLambeth: /* Progress report */ add links

2024-12-04T07:22:42Z

Progress report: add links

← Older revision		Revision as of 07:22, 4 December 2024
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	== Progress report ==		== Progress report ==
	; What was your path to discovering alternate tunings?		; What was your path to discovering alternate tunings?
	: I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with [[Harry Partch]], and Tom & David liked to play music on found objects. All three felt the 12-tone world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone tubalong, made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon ~~flutes~~, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified percussion instruments with indeterminant tunings followed.		: I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with [[Harry Partch]], and Tom & David liked to play music on found objects. All three felt the [[12edo\|12-tone]] world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone [[tubalong]], made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon [[flute]]s, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified [[percussion]] instruments with indeterminant tunings followed.

	; What are your current/past/future particular interests?		; What are your current/past/future particular interests?
	: Today I make music using [[Csound]] and orchestral instrument samples, using a pre-processor I wrote that simplifies the use of sample based instruments in alternative tunings. I'm currently working in 72-tone to the octave equal temperament, but have used [[53-EDO]] and the Partch tonality diamond until very recently. I've been using these tools since 1997.		: Today I make music using [[Csound]] and orchestral instrument samples, using a pre-processor I wrote that simplifies the use of sample based instruments in alternative tunings. I'm currently working in [[72edo\|72-tone to the octave equal temperament]], but have used [[53-EDO]] and the Partch [[tonality diamond]] until very recently. I've been using these tools since 1997.

	; What instruments or means have you had/do you have now/do you want for the making of microtonal music?		; What instruments or means have you had/do you have now/do you want for the making of microtonal music?
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	; What instruments or means have you successfully used in the making of microtonal music? Recommendations?		; What instruments or means have you successfully used in the making of microtonal music? Recommendations?
	: Metal conduit pipe is a good place to start, since you can quickly make an instrument with an octave in any tuning. But for the computer, I prefer Csound. It offers the freedom to have as many notes as I'd like, free from the limitations of MIDI channel trickery. It offers terrific flexibility to modify the tone after creation, with the application of envelopes for each note, tuning vectors for glissandi, and the ability to have any instrument play any note you can imagine.		: Metal conduit pipe is a good place to start, since you can quickly make an instrument with an octave in any tuning. But for the computer, I prefer [[Csound]]. It offers the freedom to have as many notes as I'd like, free from the limitations of MIDI channel trickery. It offers terrific flexibility to modify the tone after creation, with the application of envelopes for each note, tuning vectors for glissandi, and the ability to have any instrument play any note you can imagine.

	; Any good microtonal anecdotes?		; Any good microtonal anecdotes?

Fredg999: Cleanup progress report

2022-04-10T21:49:11Z

Cleanup progress report

← Older revision		Revision as of 21:49, 10 April 2022
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	== Progress report ==		== Progress report ==
	~~<!-- 1 -->~~		; What was your path to discovering alternate tunings?
	; ''What was your path to discovering alternate tunings?''
	: I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with [[Harry Partch]], and Tom & David liked to play music on found objects. All three felt the 12-tone world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone tubalong, made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon flutes, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified percussion instruments with indeterminant tunings followed.		: I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with [[Harry Partch]], and Tom & David liked to play music on found objects. All three felt the 12-tone world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone tubalong, made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon flutes, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified percussion instruments with indeterminant tunings followed.
	~~<!-- 2 -->~~
	; ''What are your current/past/future particular interests?''		; What are your current/past/future particular interests?
	: Today I make music using [[Csound]] and orchestral instrument samples, using a pre-processor I wrote that simplifies the use of sample based instruments in alternative tunings. I'm currently working in 72-tone to the octave equal temperament, but have used [[53-EDO]] and the Partch tonality diamond until very recently. I've been using these tools since 1997.		: Today I make music using [[Csound]] and orchestral instrument samples, using a pre-processor I wrote that simplifies the use of sample based instruments in alternative tunings. I'm currently working in 72-tone to the octave equal temperament, but have used [[53-EDO]] and the Partch tonality diamond until very recently. I've been using these tools since 1997.
	~~<!-- 3 -->~~
	; ''What instruments or means have you had/do you have now/do you want for the making of microtonal music?''		; What instruments or means have you had/do you have now/do you want for the making of microtonal music?
	: The laptop works just fine at the moment. I'd love a generalized keyboard that could interface to the computer to try out some ideas.		: The laptop works just fine at the moment. I'd love a generalized keyboard that could interface to the computer to try out some ideas.
	~~<!-- 4 -->~~
	; ''What instruments or means have you successfully used in the making of microtonal music? Recommendations?''		; What instruments or means have you successfully used in the making of microtonal music? Recommendations?
	: Metal conduit pipe is a good place to start, since you can quickly make an instrument with an octave in any tuning. But for the computer, I prefer Csound. It offers the freedom to have as many notes as I'd like, free from the limitations of MIDI channel trickery. It offers terrific flexibility to modify the tone after creation, with the application of envelopes for each note, tuning vectors for glissandi, and the ability to have any instrument play any note you can imagine.		: Metal conduit pipe is a good place to start, since you can quickly make an instrument with an octave in any tuning. But for the computer, I prefer Csound. It offers the freedom to have as many notes as I'd like, free from the limitations of MIDI channel trickery. It offers terrific flexibility to modify the tone after creation, with the application of envelopes for each note, tuning vectors for glissandi, and the ability to have any instrument play any note you can imagine.
	~~<!-- 5 -->~~
	; ''Any good microtonal anecdotes?''		; Any good microtonal anecdotes?
	: There's a whole world between the 1:1 and the 2:1. Go explore!		: There's a whole world between the 1:1 and the 2:1. Go explore!

Fredg999: Cleanup, categories, sort key

2022-03-28T15:04:54Z

Cleanup, categories, sort key

← Older revision		Revision as of 15:04, 28 March 2022
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			== Progress report ==
	<!-- 1 -->		<!-- 1 -->
	; ''What was your path to discovering alternate tunings?''		; ''What was your path to discovering alternate tunings?''
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	: There's a whole world between the 1:1 and the 2:1. Go explore!		: There's a whole world between the 1:1 and the 2:1. Go explore!

	== ~~Links~~ ==		== External links ==
	* ~~Web site:~~ [http://prentrodgers.com ~~Microtonal Music of Prent Rodgers~~]		* [http://prentrodgers.com Official website]
	* ~~Music:~~ [http://soundcloud.com/prent-rodgers ~~http://soundcloud.com/prent-rodgers~~]		* [http://soundcloud.com/prent-rodgers SoundCloud profile]
	* ~~More music:~~ [http://www.reverbnation.com/microtonalmusicbyprentrodgers ~~http://www.reverbnation.com/microtonalmusicbyprentrodgers~~]		* [http://www.reverbnation.com/microtonalmusicbyprentrodgers ReverbNation profile]
	* ~~Older material:~~ [http://www.soundclick.com/bands/default.cfm?bandID=104802 ~~http://www.soundclick.com/bands/default.cfm?bandID=104802~~]		* [http://www.soundclick.com/bands/default.cfm?bandID=104802 SoundClick profile] (older material)

			{{DEFAULTSORT:Rodgers, Prent}}
			[[Category:People]]
	[[Category:Composers]]		[[Category:Composers]]
	[[Category:Csound]]		[[Category:Csound]]
	~~[[Category:Finger piano]]~~
	~~[[Category:Microtonal]]~~

Fredg999 category edits: Moving from Category:Composer to Category:Composers using Cat-a-lot

2022-02-22T23:57:06Z

Moving from Category:Composer to Category:Composers using Cat-a-lot

← Older revision		Revision as of 23:57, 22 February 2022
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	* Older material: [http://www.soundclick.com/bands/default.cfm?bandID=104802 http://www.soundclick.com/bands/default.cfm?bandID=104802]		* Older material: [http://www.soundclick.com/bands/default.cfm?bandID=104802 http://www.soundclick.com/bands/default.cfm?bandID=104802]

	[[Category:~~Composer~~]]		[[Category:Composers]]
	[[Category:Csound]]		[[Category:Csound]]
	[[Category:Finger piano]]		[[Category:Finger piano]]
	[[Category:Microtonal]]		[[Category:Microtonal]]

Xenwolf: simplified formatting, removed two categories

2018-11-01T10:21:21Z

simplified formatting, removed two categories

@@ Line 1: / Line 1: @@
-<ul><li>''What was your path to discovering alternate tunings?''</li></ul>I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with Harry Partch, and Tom &amp; David liked to play music on found objects. All three felt the 12-tone world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone tubalong, made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon flutes, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified percussion instruments with indeterminant tunings followed.
+<!-- 1 -->
------
+== Links ==
-<ul><li>''What are your current/past/future particular interests?''</li></ul>Today I make music using Csound and orchestral instrument samples, using a pre-processor I wrote that simplifies the use of sample based instruments in alternative tunings. I'm currently working in 72-tone to the octave equal temperament, but have used 53-EDO and the Partch tonality diamond until very recently. I've been using these tools since 1997.
+* Web site: [http://prentrodgers.com Microtonal Music of Prent Rodgers]
------
+[[Category:Composer]]
-<ul><li>''What instruments or means have you had/do you have now/do you want for the making of microtonal music?''</li></ul>The laptop works just fine at the moment. I'd love a generalized keyboard that could interface to the computer to try out some ideas.
+[[Category:Csound]]
+[[Category:Finger piano]]
------
+[[Category:Microtonal]]

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

← Older revision		Revision as of 00:00, 17 July 2018
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	<h2>~~IMPORTED REVISION FROM WIKISPACES~~<~~/h2~~>		<ul><li>''What was your path to discovering alternate tunings?''</li></ul>I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with Harry Partch, and Tom & David liked to play music on found objects. All three felt the 12-tone world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone tubalong, made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon flutes, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified percussion instruments with indeterminant tunings followed.
	~~This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>~~
	~~: This revision was by author [[User:prentrodgers13\|prentrodgers13]] and made on <tt>2016-12-05 13:15:23 UTC</tt>.<br>~~
	~~: The original revision id was <tt>601436552</tt>.<br>~~
	~~: The revision comment was: <tt></tt><br>~~
	~~The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>~~
	~~<h4>Original Wikitext content:</h4>~~
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">* //What was your path to discovering alternate tunings?//
	I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with Harry Partch, and Tom & David liked to play music on found objects. All three felt the 12-tone world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone tubalong, made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon flutes, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified percussion instruments with indeterminant tunings followed.
	~~----~~
	* //What are your current/past/future particular interests?//
	Today I make music using Csound and orchestral instrument samples, using a pre-processor I wrote that simplifies the use of sample based instruments in alternative tunings. I'm currently working in 72-tone to the octave equal temperament, but have used 53-EDO and the Partch tonality diamond until very recently. I've been using these tools since 1997.
	~~----~~
	* //What instruments or means have you had/do you have now/do you want for the making of microtonal music?//
	~~The laptop works just fine at the moment. I'd love a generalized keyboard that could interface to the computer to try out some ideas.~~
	~~----~~
	* //What instruments or means have you successfully used in the making of microtonal music? Recommendations?//
	Metal conduit pipe is a good place to start, since you can quickly make an instrument with an octave in any tuning. But for the computer, I prefer Csound. It offers the freedom to have as many notes as I'd like, free from the limitations of MIDI channel trickery. It offers terrific flexibility to modify the tone after creation, with the application of envelopes for each note, tuning vectors for glissandi, and the ability to have any instrument play any note you can imagine.
	* //Any good microtonal anecdotes?//
	~~There's a whole world between the 1:1 and the 2:1. Go explore!~~

	~~==Links==~~		-----
	~~Web site: [[http://prentrodgers.com\|Microtonal Music of Prent Rodgers]]~~		<ul><li>''What are your current/past/future particular interests?''</li></ul>Today I make music using Csound and orchestral instrument samples, using a pre-processor I wrote that simplifies the use of sample based instruments in alternative tunings. I'm currently working in 72-tone to the octave equal temperament, but have used 53-EDO and the Partch tonality diamond until very recently. I've been using these tools since 1997.
	~~Music: [[http://soundcloud.com/prent-rodgers]]~~
	~~More music: http://www.reverbnation.com/microtonalmusicbyprentrodgers~~		-----
	~~Older material: http://www.soundclick.com/bands/default.cfm?bandID=104802</pre></div>~~		<ul><li>''What instruments or means have you had/do you have now/do you want for the making of microtonal music?''</li></ul>The laptop works just fine at the moment. I'd love a generalized keyboard that could interface to the computer to try out some ideas.
	~~<h4>Original HTML content:</h4>~~
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-~~space: pre~~-~~wrap ! important" class="old~~-~~revision~~-html"><html><head><title>Prent Rodgers</title></head><body><ul><li><em>What was your path to discovering alternate tunings?</em></li></ul>I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with Harry Partch, and Tom &amp; David liked to play music on found objects. All three felt the 12-tone world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone tubalong, made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon flutes, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified percussion instruments with indeterminant tunings followed.<br />		-----
	~~<hr />~~		<ul><li>''What instruments or means have you successfully used in the making of microtonal music? Recommendations?''</li></ul>Metal conduit pipe is a good place to start, since you can quickly make an instrument with an octave in any tuning. But for the computer, I prefer Csound. It offers the freedom to have as many notes as I'd like, free from the limitations of MIDI channel trickery. It offers terrific flexibility to modify the tone after creation, with the application of envelopes for each note, tuning vectors for glissandi, and the ability to have any instrument play any note you can imagine.
	~~<~~ul~~><~~li~~><em>~~What are your current/past/future particular interests?~~</em><~~/li~~><~~/ul~~>~~Today I make music using Csound and orchestral instrument samples, using a pre-processor I wrote that simplifies the use of sample based instruments in alternative tunings. I'm currently working in 72-tone to the octave equal temperament, but have used 53-EDO and the Partch tonality diamond until very recently. I've been using these tools since 1997.~~<br />~~
	~~<hr />~~		<ul><li>''Any good microtonal anecdotes?''</li></ul>There's a whole world between the 1:1 and the 2:1. Go explore!
	~~<~~ul~~><~~li~~><em>~~What instruments or means have you had/do you have now/do you want for the making of microtonal music?~~</em><~~/li~~><~~/ul~~>~~The laptop works just fine at the moment. I'd love a generalized keyboard that could interface to the computer to try out some ideas.~~<br />~~
	~~<hr />~~		==Links==
	~~<~~ul~~><~~li~~><em>~~What instruments or means have you successfully used in the making of microtonal music? Recommendations?~~</em><~~/li~~><~~/ul~~>~~Metal conduit pipe is a good place to start, since you can quickly make an instrument with an octave in any tuning. But for the computer, I prefer Csound. It offers the freedom to have as many notes as I'd like, free from the limitations of MIDI channel trickery. It offers terrific flexibility to modify the tone after creation, with the application of envelopes for each note, tuning vectors for glissandi, and the ability to have any instrument play any note you can imagine.~~<br />~~		Web site: [http://prentrodgers.com Microtonal Music of Prent Rodgers]
	~~<~~ul~~><~~li~~><em>~~Any good microtonal anecdotes?~~</em><~~/li~~><~~/ul~~>~~There's a whole world between the 1:1 and the 2:1. Go explore!~~<br />~~
	~~<br />~~		Music: [http://soundcloud.com/prent-rodgers http://soundcloud.com/prent-rodgers]
	~~<!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id~~=~~"toc0"><a name~~=~~"x-~~Links~~"></a><!-- ws:end:WikiTextHeadingRule:0 -->Links</h2>~~
	Web site: ~~<a class="wiki_link_ext" href="~~http://prentrodgers.com~~" rel="nofollow">~~Microtonal Music of Prent Rodgers~~</a><br />~~		More music: [http://www.reverbnation.com/microtonalmusicbyprentrodgers http://www.reverbnation.com/microtonalmusicbyprentrodgers]
	Music: ~~<a class="wiki_link_ext" href="~~http://soundcloud.com/prent-rodgers~~" rel="nofollow">~~http://soundcloud.com/prent-rodgers~~</a><br />~~
	More music: ~~<!-- ws:start:WikiTextUrlRule:36:~~http://www.reverbnation.com/microtonalmusicbyprentrodgers ~~--><a class="wiki_link_ext" href="~~http://www.reverbnation.com/microtonalmusicbyprentrodgers~~" rel="nofollow">http://www.reverbnation.com/microtonalmusicbyprentrodgers</a><!-- ws:end:WikiTextUrlRule:36 --><br />~~		Older material: [http://www.soundclick.com/bands/default.cfm?bandID=104802 http://www.soundclick.com/bands/default.cfm?bandID=104802] [[Category:composer]]
	Older material: ~~<!-- ws:start:WikiTextUrlRule:37:~~http://www.soundclick.com/bands/default.cfm?bandID=104802 ~~--><a class="wiki_link_ext" href="~~http://www.soundclick.com/bands/default.cfm?bandID=104802~~" rel="nofollow">http~~:~~//www.soundclick.com/bands/default.cfm?bandID=104802</a><!-- ws~~:~~end~~:~~WikiTextUrlRule~~:~~37 --></body></html></pre></div>~~		[[Category:csound]]
			[[Category:finger_piano]]
			[[Category:microtonal]]
			[[Category:mmm]]
			[[Category:prent_rodgers]]

Wikispaces>prentrodgers13: Imported revision 601436552 - Original comment:

2016-12-05T13:15:23Z

**Imported revision 601436552 - Original comment: **

← Older revision		Revision as of 13:15, 5 December 2016
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	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:~~guest~~\|~~guest~~]] and made on <tt>~~2012~~-07-10 15:~~59:14~~ UTC</tt>.<br>		: This revision was by author [[User:prentrodgers13\|prentrodgers13]] and made on <tt>2016-12-05 13:15:23 UTC</tt>.<br>
	: The original revision id was <tt>~~352045598~~</tt>.<br>		: The original revision id was <tt>601436552</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	==Links==		==Links==
	~~Podcast~~: http://~~bumpermusic.blogspot~~.com		Web site: [[http://prentrodgers.com\|Microtonal Music of Prent Rodgers]]
	Music: [[http://soundcloud.com/prent-rodgers]]		Music: [[http://soundcloud.com/prent-rodgers]]
	More music: http://www.reverbnation.com/microtonalmusicbyprentrodgers		More music: http://www.reverbnation.com/microtonalmusicbyprentrodgers
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	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-Links"></a><!-- ws:end:WikiTextHeadingRule:0 -->Links</h2>		<!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-Links"></a><!-- ws:end:WikiTextHeadingRule:0 -->Links</h2>
	~~Podcast~~: ~~<!-- ws:start:WikiTextUrlRule:35:http://bumpermusic.blogspot.com -->~~<a class="wiki_link_ext" href="http://~~bumpermusic.blogspot~~.com" rel="nofollow">~~http://bumpermusic.blogspot.com~~</a~~><!-- ws:end:WikiTextUrlRule:35 --~~><br />		Web site: <a class="wiki_link_ext" href="http://prentrodgers.com" rel="nofollow">Microtonal Music of Prent Rodgers</a><br />
	Music: <a class="wiki_link_ext" href="http://soundcloud.com/prent-rodgers" rel="nofollow">http://soundcloud.com/prent-rodgers</a><br />		Music: <a class="wiki_link_ext" href="http://soundcloud.com/prent-rodgers" rel="nofollow">http://soundcloud.com/prent-rodgers</a><br />
	More music: <!-- ws:start:WikiTextUrlRule:36:http://www.reverbnation.com/microtonalmusicbyprentrodgers --><a class="wiki_link_ext" href="http://www.reverbnation.com/microtonalmusicbyprentrodgers" rel="nofollow">http://www.reverbnation.com/microtonalmusicbyprentrodgers</a><!-- ws:end:WikiTextUrlRule:36 --><br />		More music: <!-- ws:start:WikiTextUrlRule:36:http://www.reverbnation.com/microtonalmusicbyprentrodgers --><a class="wiki_link_ext" href="http://www.reverbnation.com/microtonalmusicbyprentrodgers" rel="nofollow">http://www.reverbnation.com/microtonalmusicbyprentrodgers</a><!-- ws:end:WikiTextUrlRule:36 --><br />
	Older material: <!-- ws:start:WikiTextUrlRule:37:http://www.soundclick.com/bands/default.cfm?bandID=104802 --><a class="wiki_link_ext" href="http://www.soundclick.com/bands/default.cfm?bandID=104802" rel="nofollow">http://www.soundclick.com/bands/default.cfm?bandID=104802</a><!-- ws:end:WikiTextUrlRule:37 --></body></html></pre></div>		Older material: <!-- ws:start:WikiTextUrlRule:37:http://www.soundclick.com/bands/default.cfm?bandID=104802 --><a class="wiki_link_ext" href="http://www.soundclick.com/bands/default.cfm?bandID=104802" rel="nofollow">http://www.soundclick.com/bands/default.cfm?bandID=104802</a><!-- ws:end:WikiTextUrlRule:37 --></body></html></pre></div>

Wikispaces>guest: Imported revision 352045598 - Original comment:

2012-07-10T15:59:14Z

**Imported revision 352045598 - Original comment: **

Wikispaces>guest: Imported revision 352045398 - Original comment:

2012-07-10T15:58:01Z

**Imported revision 352045398 - Original comment: **

← Older revision		Revision as of 15:58, 10 July 2012
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	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:~~xenwolf~~\|~~xenwolf~~]] and made on <tt>~~2010~~-06-~~08 16~~:44:03 UTC</tt>.<br>		: This revision was by author [[User:guest\|guest]] and made on <tt>2012-07-10 15:58:01 UTC</tt>.<br>
	: The original revision id was <tt>~~147741765~~</tt>.<br>		: The original revision id was <tt>352045398</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	There's a whole world between the 1:1 and the 2:1. Go explore!		There's a whole world between the 1:1 and the 2:1. Go explore!

	== Links ==		==Links==
	Podcast:		Podcast: http://bumpermusic.blogspot.com
	* http://~~podcast1024~~.blogspot.com/ - ~~moving to(?)~~ http://~~podcast1024~~.~~libsyn~~.com/		Music: [[http://soundcloud.com/prent-rodgers]]
	* http://www.soundclick.com/bands/default.cfm?bandID=104802 ~~- [[SoundClick]] profile (some pieces available)~~</pre></div>		More music: http://www.reverbnation.com/microtonalmusicbyprentrodgers
			Older material: http://www.soundclick.com/bands/default.cfm?bandID=104802</pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Prent Rodgers</title></head><body><ul><li><em>What was your path to discovering alternate tunings?</em></li></ul>I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with Harry Partch, and Tom &amp; David liked to play music on found objects. All three felt the 12-tone world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone tubalong, made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon flutes, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified percussion instruments with indeterminant tunings followed.<br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Prent Rodgers</title></head><body><ul><li><em>What was your path to discovering alternate tunings?</em></li></ul>I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with Harry Partch, and Tom &amp; David liked to play music on found objects. All three felt the 12-tone world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone tubalong, made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon flutes, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified percussion instruments with indeterminant tunings followed.<br />
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	<ul><li><em>Any good microtonal anecdotes?</em></li></ul>There's a whole world between the 1:1 and the 2:1. Go explore!<br />		<ul><li><em>Any good microtonal anecdotes?</em></li></ul>There's a whole world between the 1:1 and the 2:1. Go explore!<br />
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-Links"></a><!-- ws:end:WikiTextHeadingRule:0 --> Links </h2>		<!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-Links"></a><!-- ws:end:WikiTextHeadingRule:0 -->Links</h2>
	Podcast:~~<br />~~		Podcast: <!-- ws:start:WikiTextUrlRule:35:http://bumpermusic.blogspot.com --><a class="wiki_link_ext" href="http://bumpermusic.blogspot.com" rel="nofollow">http://bumpermusic.blogspot.com</a><!-- ws:end:WikiTextUrlRule:35 --><br />
	~~<ul><li>~~<!-- ws:start:WikiTextUrlRule:39:http://~~podcast1024~~.blogspot.com/ --><a class="wiki_link_ext" href="http://~~podcast1024~~.blogspot.com/" rel="nofollow">http://~~podcast1024~~.blogspot.com/</a><!-- ws:end:WikiTextUrlRule:39 --> - ~~moving to(?)~~ <!-- ws:start:WikiTextUrlRule:40:http://~~podcast1024~~.~~libsyn~~.com/ --><a class="wiki_link_ext" href="http://~~podcast1024~~.~~libsyn~~.com/" rel="nofollow">http://~~podcast1024~~.~~libsyn~~.com/</a><!-- ws:end:WikiTextUrlRule:40 --></~~li><li~~><!-- ws:start:WikiTextUrlRule:41:http://www.soundclick.com/bands/default.cfm?bandID=104802 --><a class="wiki_link_ext" href="http://www.soundclick.com/bands/default.cfm?bandID=104802" rel="nofollow">http://www.soundclick.com/bands/default.cfm?bandID=104802</a><!-- ws:end:WikiTextUrlRule:~~41 -~~-~~>~~ - ~~<a class="wiki_link" href="/SoundClick">SoundClick</a> profile (some pieces available)</li></ul~~></body></html></pre></div>		Music: <a class="wiki_link_ext" href="http://soundcloud.com/prent-rodgers" rel="nofollow">http://soundcloud.com/prent-rodgers</a><br />
			More music: <!-- ws:start:WikiTextUrlRule:36:http://www.reverbnation.com/microtonalmusicbyprentrodgers --><a class="wiki_link_ext" href="http://www.reverbnation.com/microtonalmusicbyprentrodgers" rel="nofollow">http://www.reverbnation.com/microtonalmusicbyprentrodgers</a><!-- ws:end:WikiTextUrlRule:36 --><br />
			Older material: <!-- ws:start:WikiTextUrlRule:37:http://www.soundclick.com/bands/default.cfm?bandID=104802 --><a class="wiki_link_ext" href="http://www.soundclick.com/bands/default.cfm?bandID=104802" rel="nofollow">http://www.soundclick.com/bands/default.cfm?bandID=104802</a><!-- ws:end:WikiTextUrlRule:37 --></body></html></pre></div>

Wikispaces>xenwolf: Imported revision 147741765 - Original comment:

2010-06-08T16:44:03Z

**Imported revision 147741765 - Original comment: **

← Older revision		Revision as of 15:59, 10 July 2012
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	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:guest\|guest]] and made on <tt>2012-07-10 15:58:01 UTC</tt>.<br>		: This revision was by author [[User:guest\|guest]] and made on <tt>2012-07-10 15:59:14 UTC</tt>.<br>
	: The original revision id was <tt>~~352045398~~</tt>.<br>		: The original revision id was <tt>352045598</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	----		----
	* //What are your current/past/future particular interests?//		* //What are your current/past/future particular interests?//
	Today I make music using Csound and orchestral instrument samples, using a pre-processor I wrote that simplifies the use of sample based instruments in alternative tunings. I'm currently working in 53-tone to the octave equal temperament, but have used the Partch tonality diamond until very recently. I've been using these tools since 1997.		Today I make music using Csound and orchestral instrument samples, using a pre-processor I wrote that simplifies the use of sample based instruments in alternative tunings. I'm currently working in 72-tone to the octave equal temperament, but have used 53-EDO and the Partch tonality diamond until very recently. I've been using these tools since 1997.
	----		----
	* //What instruments or means have you had/do you have now/do you want for the making of microtonal music?//		* //What instruments or means have you had/do you have now/do you want for the making of microtonal music?//
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	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Prent Rodgers</title></head><body><ul><li><em>What was your path to discovering alternate tunings?</em></li></ul>I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with Harry Partch, and Tom &amp; David liked to play music on found objects. All three felt the 12-tone world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone tubalong, made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon flutes, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified percussion instruments with indeterminant tunings followed.<br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Prent Rodgers</title></head><body><ul><li><em>What was your path to discovering alternate tunings?</em></li></ul>I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with Harry Partch, and Tom &amp; David liked to play music on found objects. All three felt the 12-tone world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone tubalong, made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon flutes, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified percussion instruments with indeterminant tunings followed.<br />
	<hr />		<hr />
	<ul><li><em>What are your current/past/future particular interests?</em></li></ul>Today I make music using Csound and orchestral instrument samples, using a pre-processor I wrote that simplifies the use of sample based instruments in alternative tunings. I'm currently working in 53-tone to the octave equal temperament, but have used the Partch tonality diamond until very recently. I've been using these tools since 1997.<br />		<ul><li><em>What are your current/past/future particular interests?</em></li></ul>Today I make music using Csound and orchestral instrument samples, using a pre-processor I wrote that simplifies the use of sample based instruments in alternative tunings. I'm currently working in 72-tone to the octave equal temperament, but have used 53-EDO and the Partch tonality diamond until very recently. I've been using these tools since 1997.<br />
	<hr />		<hr />
	<ul><li><em>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</em></li></ul>The laptop works just fine at the moment. I'd love a generalized keyboard that could interface to the computer to try out some ideas.<br />		<ul><li><em>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</em></li></ul>The laptop works just fine at the moment. I'd love a generalized keyboard that could interface to the computer to try out some ideas.<br />

← Older revision		Revision as of 16:44, 8 June 2010
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	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:xenwolf\|xenwolf]] and made on <tt>2010-06-08 16:39:09 UTC</tt>.<br>		: This revision was by author [[User:xenwolf\|xenwolf]] and made on <tt>2010-06-08 16:44:03 UTC</tt>.<br>
	: The original revision id was <tt>~~147740671~~</tt>.<br>		: The original revision id was <tt>147741765</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	Podcast:		Podcast:
	* http://podcast1024.blogspot.com/ - moving to(?) http://podcast1024.libsyn.com/		* http://podcast1024.blogspot.com/ - moving to(?) http://podcast1024.libsyn.com/
	* http://www.soundclick.com/bands/default.cfm?bandID=104802 - ~~soundclick~~ profile (some pieces available)</pre></div>		* http://www.soundclick.com/bands/default.cfm?bandID=104802 - [[SoundClick]] profile (some pieces available)</pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Prent Rodgers</title></head><body><ul><li><em>What was your path to discovering alternate tunings?</em></li></ul>I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with Harry Partch, and Tom &amp; David liked to play music on found objects. All three felt the 12-tone world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone tubalong, made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon flutes, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified percussion instruments with indeterminant tunings followed.<br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Prent Rodgers</title></head><body><ul><li><em>What was your path to discovering alternate tunings?</em></li></ul>I went to graduate school in music at U.C.S.D. in 1975-1977, where I met Jonathan Glasier, Tom Nunn, and David Poyourow. Jon had worked with Harry Partch, and Tom &amp; David liked to play music on found objects. All three felt the 12-tone world was too restrictive. I joined up to play music in the park on brake drums, flower pots, and assorted aluminum instruments purchased at local junk yards. Early on we visited Erv Wilson in Hollywood, who showed us his 31-tone tubalong, made from metallic electrical conduit pipe. We quickly went back to San Diego and built our own. I then went on an instrument inventing and building binge. I made a 31-tone finger piano, 31-tone xylophone, and 31-tone brass tubalongs. I also built some balloon flutes, balloon helium organ, balloon shrieks, balloon drums, and few other balloon instruments, with no reliable tuning system. Other amplified percussion instruments with indeterminant tunings followed.<br />
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	<!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-Links"></a><!-- ws:end:WikiTextHeadingRule:0 --> Links </h2>		<!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-Links"></a><!-- ws:end:WikiTextHeadingRule:0 --> Links </h2>
	Podcast:<br />		Podcast:<br />
	<ul><li><!-- ws:start:WikiTextUrlRule:38:http://podcast1024.blogspot.com/ --><a class="wiki_link_ext" href="http://podcast1024.blogspot.com/" rel="nofollow">http://podcast1024.blogspot.com/</a><!-- ws:end:WikiTextUrlRule:38 --> - moving to(?) <!-- ws:start:WikiTextUrlRule:39:http://podcast1024.libsyn.com/ --><a class="wiki_link_ext" href="http://podcast1024.libsyn.com/" rel="nofollow">http://podcast1024.libsyn.com/</a><!-- ws:end:WikiTextUrlRule:39 --></li><li><!-- ws:start:WikiTextUrlRule:40:http://www.soundclick.com/bands/default.cfm?bandID=104802 --><a class="wiki_link_ext" href="http://www.soundclick.com/bands/default.cfm?bandID=104802" rel="nofollow">http://www.soundclick.com/bands/default.cfm?bandID=104802</a><!-- ws:end:WikiTextUrlRule:40 --> - ~~soundclick~~ profile (some pieces available)</li></ul></body></html></pre></div>		<ul><li><!-- ws:start:WikiTextUrlRule:39:http://podcast1024.blogspot.com/ --><a class="wiki_link_ext" href="http://podcast1024.blogspot.com/" rel="nofollow">http://podcast1024.blogspot.com/</a><!-- ws:end:WikiTextUrlRule:39 --> - moving to(?) <!-- ws:start:WikiTextUrlRule:40:http://podcast1024.libsyn.com/ --><a class="wiki_link_ext" href="http://podcast1024.libsyn.com/" rel="nofollow">http://podcast1024.libsyn.com/</a><!-- ws:end:WikiTextUrlRule:40 --></li><li><!-- ws:start:WikiTextUrlRule:41:http://www.soundclick.com/bands/default.cfm?bandID=104802 --><a class="wiki_link_ext" href="http://www.soundclick.com/bands/default.cfm?bandID=104802" rel="nofollow">http://www.soundclick.com/bands/default.cfm?bandID=104802</a><!-- ws:end:WikiTextUrlRule:41 --> - <a class="wiki_link" href="/SoundClick">SoundClick</a> profile (some pieces available)</li></ul></body></html></pre></div>