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	<updated>2026-07-01T23:28:11Z</updated>
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		<updated>2024-10-17T14:49:30Z</updated>

		<summary type="html">&lt;p&gt;Cleanup, style, and fix dead links.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:49, 17 October 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Isomorphic [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Microtonal_Keyboards|&lt;/del&gt;keyboard]] layouts can be useful for playing and composing in [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Orwell|Orwell&lt;/del&gt;]] and other [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Regular_Temperaments|&lt;/del&gt;regular &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;temperaments&lt;/del&gt;]]. As pitch space in rank-2 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;temperaments &lt;/del&gt;is 2-dimensional, the structure can be directly mapped to a 2-dimensional array of keys.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Isomorphic [[keyboard]] layouts can be useful for playing and composing in [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;orwell&lt;/ins&gt;]] and other [[regular &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;temperament&lt;/ins&gt;]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;s&lt;/ins&gt;. As pitch space in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;rank-2 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;temperament]]s &lt;/ins&gt;is 2-dimensional, the structure can be directly mapped to a 2-dimensional array of keys.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Axis-49=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/ins&gt;= Axis-49 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/ins&gt;=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Axis-49 has 98 velocity-sensitive buttons arranged in a honeycomb pattern. One key mapping for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Orwell Temperament &lt;/del&gt;on the Axis-49 maps the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Orwell &lt;/del&gt;generator (approx. 272¢) to one move of &quot;down and to the right&quot; and the octave period to one move of &quot;up and to the right&quot; and three moves of &quot;down and to the right&quot;. This gives the Orwell[13] [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;MOSScales|MOS &lt;/del&gt;scale]] the following shape on the Axis-49 keyboard:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Axis-49 has 98 velocity-sensitive buttons arranged in a honeycomb pattern. One key mapping for &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;orwell &lt;/ins&gt;on the Axis-49 maps the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;orwell &lt;/ins&gt;generator (approx. 272¢) to one move of &quot;down and to the right&quot; and the octave period to one move of &quot;up and to the right&quot; and three moves of &quot;down and to the right&quot;. This gives the Orwell[13] [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;mos &lt;/ins&gt;scale]] the following shape on the Axis-49 keyboard:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:orwell13_axis49.png|alt=orwell13_axis49.png|orwell13_axis49.png]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:orwell13_axis49.png|alt=orwell13_axis49.png|orwell13_axis49.png]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;We can see from the diagram that just over four octaves are available on the Axis-49 keyboard (more on the Axis-64 or on other larger isomorphic keyboards). Note that the numbers above indicate multiples of the orwell generator (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;NOT &lt;/del&gt;ascending pitch order), ignoring octaves. Each duplicate number to the right is one octave higher than its counterpart to the left. The starting place is arbitrary; if we select another hex to be 0, we can build another &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;orwell&lt;/del&gt;[13] scale. Note also that the choice to focus here on the 13-tone &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;MOS &lt;/del&gt;is also somewhat arbitrary, as clearly more tones are available on the keyboard, represented by the hexes outlined in gray with no number.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;We can see from the diagram that just over four octaves are available on the Axis-49 keyboard (more on the Axis-64 or on other larger isomorphic keyboards). Note that the numbers above indicate multiples of the orwell generator (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;not&#039;&#039; &lt;/ins&gt;ascending pitch order), ignoring octaves. Each duplicate number to the right is one octave higher than its counterpart to the left. The starting place is arbitrary; if we select another hex to be 0, we can build another &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Orwell&lt;/ins&gt;[13] scale. Note also that the choice to focus here on the 13-tone &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;mos &lt;/ins&gt;is also somewhat arbitrary, as clearly more tones are available on the keyboard, represented by the hexes outlined in gray with no number.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;To help with visualizing what an Orwell[13] &quot;chromatic scale&quot; looks like, note that the pitches in ascending order go: 0 9 5 1 10 6 2 11 7 3 12 8 4 0. The large step of Orwell[13] maps to one move upward (as well as -4 generators, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;eg&lt;/del&gt;. 8 to 4). The small step of Orwell[13] maps to two moves downward and one move &quot;down and to the right&quot; (as well as +9 generators, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;eg&lt;/del&gt;. 1 to 10). Thus, this (or any) 2-dimensional regular arrangement of the Orwell[13] scale makes it easy to distinguish between the two different step sizes, as they are represented by different &quot;moves&quot; on the keyboard.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;To help with visualizing what an Orwell[13] &quot;chromatic scale&quot; looks like, note that the pitches in ascending order go: 0 9 5 1 10 6 2 11 7 3 12 8 4 0. The large step of Orwell[13] maps to one move upward (as well as -4 generators, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;e.g&lt;/ins&gt;. 8 to 4). The small step of Orwell[13] maps to two moves downward and one move &quot;down and to the right&quot; (as well as +9 generators, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;e.g&lt;/ins&gt;. 1 to 10). Thus, this (or any) 2-dimensional regular arrangement of the Orwell[13] scale makes it easy to distinguish between the two different step sizes, as they are represented by different &quot;moves&quot; on the keyboard.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Dyadic &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pentads &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Hexads &lt;/del&gt;of Orwell[13] on the Axis-49=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/ins&gt;= Dyadic &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pentads &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;hexads &lt;/ins&gt;of Orwell[13] on the Axis-49 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/ins&gt;=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The page [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Chords_of_orwell|&lt;/del&gt;Chords of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Orwell&lt;/del&gt;]] offers one system for identifying and naming [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dyadic_chord|&lt;/del&gt;dyadic &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;chords&lt;/del&gt;]] available in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Orwell Temperament&lt;/del&gt;. The following diagrams show how some of those chords would map to an Axis-49 (or similar keyboard, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;eg&lt;/del&gt;. Opal Chameleon) tuned as above. These diagrams only look at the pentads and hexads available in Orwell[13]. The &quot;chords of orwell&quot; page also lists triads and tetrads, as well as chords which require a generator chain larger than that of Orwell[13]. The &quot;types&quot; come from the &quot;chords of orwell&quot; page and say something about which commas must be tempered out (if any) for this chord to be possible.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The page [[Chords of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;orwell&lt;/ins&gt;]] offers one system for identifying and naming [[dyadic &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;chord&lt;/ins&gt;]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;s &lt;/ins&gt;available in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;orwell&lt;/ins&gt;. The following diagrams show how some of those chords would map to an Axis-49 (or similar keyboard, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;e.g&lt;/ins&gt;. Opal Chameleon) tuned as above. These diagrams only look at the pentads and hexads available in Orwell[13]. The &quot;chords of orwell&quot; page also lists triads and tetrads, as well as chords which require a generator chain larger than that of Orwell[13]. The &quot;types&quot; come from the &quot;chords of orwell&quot; page and say something about which commas must be tempered out (if any) for this chord to be possible.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At the time of writing, the essentially-tempered dyadic chords of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Orwell Temperament &lt;/del&gt;have been little explored; perhaps these diagrams will give isomorphic keyboardists some encouragement to explore them.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;At the time of writing, the essentially-tempered dyadic chords of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;orwell &lt;/ins&gt;have been little explored; perhaps these diagrams will give isomorphic keyboardists some encouragement to explore them.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Pentads==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/ins&gt;== Pentads &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:orwell13_pentad01.png|alt=orwell13_pentad01.png|orwell13_pentad01.png]][[File:orwell13_pentad02.png|alt=orwell13_pentad02.png|orwell13_pentad02.png]][[File:orwell13_pentad03.png|alt=orwell13_pentad03.png|orwell13_pentad03.png]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:orwell13_pentad01.png|alt=orwell13_pentad01.png|orwell13_pentad01.png]][[File:orwell13_pentad02.png|alt=orwell13_pentad02.png|orwell13_pentad02.png]][[File:orwell13_pentad03.png|alt=orwell13_pentad03.png|orwell13_pentad03.png]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l43&quot;&gt;Line 43:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 43:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:orwell13_pentad34.png|alt=orwell13_pentad34.png|orwell13_pentad34.png]][[File:orwell13_pentad35.png|alt=orwell13_pentad35.png|orwell13_pentad35.png]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:orwell13_pentad34.png|alt=orwell13_pentad34.png|orwell13_pentad34.png]][[File:orwell13_pentad35.png|alt=orwell13_pentad35.png|orwell13_pentad35.png]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Hexads==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/ins&gt;== Hexads &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:orwell13_hexad01.png|alt=orwell13_hexad01.png|orwell13_hexad01.png]][[File:orwell13_hexad02.png|alt=orwell13_hexad02.png|orwell13_hexad02.png]][[File:orwell13_hexad03.png|alt=orwell13_hexad03.png|orwell13_hexad03.png]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:orwell13_hexad01.png|alt=orwell13_hexad01.png|orwell13_hexad01.png]][[File:orwell13_hexad02.png|alt=orwell13_hexad02.png|orwell13_hexad02.png]][[File:orwell13_hexad03.png|alt=orwell13_hexad03.png|orwell13_hexad03.png]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l49&quot;&gt;Line 49:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 49:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:orwell13_hexad04.png|alt=orwell13_hexad04.png|orwell13_hexad04.png]][[File:orwell13_hexad05.png|alt=orwell13_hexad05.png|orwell13_hexad05.png]][[File:orwell13_hexad06.png|alt=orwell13_hexad06.png|orwell13_hexad06.png]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:orwell13_hexad04.png|alt=orwell13_hexad04.png|orwell13_hexad04.png]][[File:orwell13_hexad05.png|alt=orwell13_hexad05.png|orwell13_hexad05.png]][[File:orwell13_hexad06.png|alt=orwell13_hexad06.png|orwell13_hexad06.png]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Scala file=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/ins&gt;= Scala file &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/ins&gt;=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The following Scala file is specifically for the Axis-49, which, in &quot;selfless mode,&quot; can send a separate midi note on each of its 98 keys from note numbers 1 to 98. The tuning file will only work if it is set to start on midi note 1 (&quot;C# -2&quot; in &quot;MIDI Standard&quot;, &quot;C# -1&quot; in &quot;ISO 16:1975&quot;, and &quot;C# 0&quot; in &quot;Cakewalk standard&quot; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-- &lt;/del&gt;see [http://www.xen-arts.com/2011/11/midi-notes-pitches-and-notation.html &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;here&lt;/del&gt;] for details on the variety of MIDI note-naming schemes). You can tell it&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;s &lt;/del&gt;working if the same shape consistently produces the same pattern of intervals, i.e. if it is regularly mapped. It is left to the reader to choose a suitable base frequency for their purposes.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The following Scala file is specifically for the Axis-49, which, in &quot;selfless mode,&quot; can send a separate midi note on each of its 98 keys from note numbers 1 to 98. The tuning file will only work if it is set to start on midi note 1 (&quot;C# -2&quot; in &quot;MIDI Standard&quot;, &quot;C# -1&quot; in &quot;ISO 16:1975&quot;, and &quot;C# 0&quot; in &quot;Cakewalk standard&quot; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;– &lt;/ins&gt;see [&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://web.archive.org/web/20120712062657/&lt;/ins&gt;http://www.xen-arts.com/2011/11/midi-notes-pitches-and-notation.html &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;this article&lt;/ins&gt;] for details on the variety of MIDI note-naming schemes). You can tell it &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is &lt;/ins&gt;working if the same shape consistently produces the same pattern of intervals, i.e. if it is regularly mapped. It is left to the reader to choose a suitable base frequency for their purposes.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;pre&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;pre&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! orwell53edo_-113x272_axis49.scl&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;! orwell53edo_-113x272_axis49.scl&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A regular mapping of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Orwell Temperament &lt;/del&gt;(53edo version) for the Axis-49 isomorphic keyboard.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A regular mapping of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;orwell temperament &lt;/ins&gt;(53edo version) for the Axis-49 isomorphic keyboard.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;97&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;97&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;!&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;!&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>FloraC</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;diff=160697&amp;oldid=prev</id>
		<title>FloraC: FloraC moved page Orwell on an Isomorphic Keyboard to Orwell on an isomorphic keyboard: WP:NCCAPS</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;diff=160697&amp;oldid=prev"/>
		<updated>2024-10-17T14:30:51Z</updated>

		<summary type="html">&lt;p&gt;FloraC moved page &lt;a href=&quot;/w/Orwell_on_an_Isomorphic_Keyboard&quot; class=&quot;mw-redirect&quot; title=&quot;Orwell on an Isomorphic Keyboard&quot;&gt;Orwell on an Isomorphic Keyboard&lt;/a&gt; to &lt;a href=&quot;/w/Orwell_on_an_isomorphic_keyboard&quot; title=&quot;Orwell on an isomorphic keyboard&quot;&gt;Orwell on an isomorphic keyboard&lt;/a&gt;: WP:NCCAPS&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:30, 17 October 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>FloraC</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;diff=83941&amp;oldid=prev</id>
		<title>Dummy index: +categories</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;diff=83941&amp;oldid=prev"/>
		<updated>2022-01-14T15:48:21Z</updated>

		<summary type="html">&lt;p&gt;+categories&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:48, 14 January 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l156&quot;&gt;Line 156:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 156:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;3532.075469&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;3532.075469&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/pre&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/pre&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Pages with Scala files]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Orwell]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Dummy index</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;diff=32539&amp;oldid=prev</id>
		<title>Spt3125: minor format fixes</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;diff=32539&amp;oldid=prev"/>
		<updated>2018-09-19T02:45:38Z</updated>

		<summary type="html">&lt;p&gt;minor format fixes&lt;/p&gt;
&lt;a href=&quot;https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;amp;diff=32539&amp;amp;oldid=2908&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Spt3125</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;diff=2908&amp;oldid=prev</id>
		<title>Wikispaces&gt;FREEZE at 00:00, 17 July 2018</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;diff=2908&amp;oldid=prev"/>
		<updated>2018-07-17T00:00:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;amp;diff=2908&amp;amp;oldid=23226&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Wikispaces&gt;FREEZE</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;diff=23226&amp;oldid=prev</id>
		<title>Wikispaces&gt;Andrew_Heathwaite: **Imported revision 302264700 - Original comment: **</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;diff=23226&amp;oldid=prev"/>
		<updated>2012-02-15T23:44:06Z</updated>

		<summary type="html">&lt;p&gt;**Imported revision 302264700 - Original comment: **&lt;/p&gt;
&lt;a href=&quot;https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;amp;diff=23226&amp;amp;oldid=23227&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Wikispaces&gt;Andrew_Heathwaite</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;diff=23227&amp;oldid=prev</id>
		<title>Wikispaces&gt;Andrew_Heathwaite: **Imported revision 302258482 - Original comment: **</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Orwell_on_an_isomorphic_keyboard&amp;diff=23227&amp;oldid=prev"/>
		<updated>2012-02-15T23:13:15Z</updated>

		<summary type="html">&lt;p&gt;**Imported revision 302258482 - Original comment: **&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;h2&amp;gt;IMPORTED REVISION FROM WIKISPACES&amp;lt;/h2&amp;gt;&lt;br /&gt;
This is an imported revision from Wikispaces. The revision metadata is included below for reference:&amp;lt;br&amp;gt;&lt;br /&gt;
: This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on &amp;lt;tt&amp;gt;2012-02-15 23:13:15 UTC&amp;lt;/tt&amp;gt;.&amp;lt;br&amp;gt;&lt;br /&gt;
: The original revision id was &amp;lt;tt&amp;gt;302258482&amp;lt;/tt&amp;gt;.&amp;lt;br&amp;gt;&lt;br /&gt;
: The revision comment was: &amp;lt;tt&amp;gt;&amp;lt;/tt&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;h4&amp;gt;Original Wikitext content:&amp;lt;/h4&amp;gt;&lt;br /&gt;
&amp;lt;div style=&amp;quot;width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em&amp;quot;&amp;gt;&amp;lt;pre style=&amp;quot;margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important&amp;quot; class=&amp;quot;old-revision-html&amp;quot;&amp;gt;Isomorphic [[microtonal keyboards|keyboard]] layouts can be useful for playing and composing in [[Orwell]] and other [[regular temperaments]]. As pitch space in rank-2 temperaments is 2-dimensional, the structure can be directly mapped to a 2-dimensional array of keys.&lt;br /&gt;
&lt;br /&gt;
=Axis-49= &lt;br /&gt;
&lt;br /&gt;
The Axis-49 has 98 velocity-sensitive buttons arranged in a honeycomb pattern. One key mapping for Orwell Temperament on the Axis-49 maps the Orwell generator (approx. 272¢) to one move of &amp;quot;down and to the right&amp;quot; and the octave period to one move of &amp;quot;up and to the right&amp;quot; and three moves of &amp;quot;down and to the right&amp;quot;. This gives the Orwell[13] [[MOSScales|MOS scale]] the following shape on the Axis-49 keyboard:&lt;br /&gt;
&lt;br /&gt;
[[image:orwell13_axis49.png]]&lt;br /&gt;
We can see from the diagram that just over four octaves are available on the Axis-49 keyboard (more on the Axis-64 or on other larger isomorphic keyboards). Note that the numbers above indicate multiples of the orwell generator (NOT ascending pitch order), ignoring octaves. Each duplicate number to the right is one octave higher than its counterpart to the left. The starting place is arbitrary; if we select another hex to be 0, we can build another orwell[13] scale. Note also that the choice to focus here on the 13-tone MOS is also somewhat arbitrary, as clearly more tones are available on the keyboard, represented by the hexes outlined in gray with no number.&lt;br /&gt;
&lt;br /&gt;
To help with visualizing what an Orwell[13] &amp;quot;chromatic scale&amp;quot; looks like, note that the pitches in ascending order go: 0 9 5 1 10 6 2 11 7 3 12 8 4 0. The large step of Orwell[13] maps to one move upward (as well as -4 generators, eg. 8 to 4). The small step of Orwell[13] maps to two moves downward and one move &amp;quot;down and to the right&amp;quot; (as well as +9 generators, eg. 1 to 10). Thus, this (or any) 2-dimensional regular arrangement of the Orwell[13] scale makes it easy to distinguish between the two different step sizes, as they are represented by different &amp;quot;moves&amp;quot; on the keyboard.&lt;br /&gt;
&lt;br /&gt;
=Dyadic Pentads and Hexads of Orwell[13] on the Axis-49= &lt;br /&gt;
&lt;br /&gt;
The page [[Chords of Orwell]] offers one system for identifying and naming [[Dyadic chord|dyadic chords]] available in Orwell Temperament. The following diagrams show how some of those chords would map to an Axis-49 (or similar keyboard, eg. Opal Chameleon) tuned as above. These diagrams only look at the pentads and hexads available in Orwell[13]. The &amp;quot;chords of orwell&amp;quot; page also lists triads and tetrads, as well as chords which require a generator chain larger than that of Orwell[13]. The &amp;quot;types&amp;quot; come from the &amp;quot;chords of orwell&amp;quot; page and say something about which commas must be tempered out (if any) for this chord to be possible.&lt;br /&gt;
&lt;br /&gt;
At the time of writing, the essentially-tempered dyadic chords of Orwell Temperament have been little explored; perhaps these diagrams will give isomorphic keyboardists some encouragement to explore them.&lt;br /&gt;
&lt;br /&gt;
==Pentads== &lt;br /&gt;
&lt;br /&gt;
[[image:orwell13_pentad01.png]][[image:orwell13_pentad02.png]][[image:orwell13_pentad03.png]]&lt;br /&gt;
[[image:orwell13_pentad04.png]][[image:orwell13_pentad05.png]][[image:orwell13_pentad06.png]]&lt;br /&gt;
[[image:orwell13_pentad07.png]][[image:orwell13_pentad08.png]][[image:orwell13_pentad09.png]]&lt;br /&gt;
[[image:orwell13_pentad10.png]][[image:orwell13_pentad11.png]][[image:orwell13_pentad12.png]]&lt;br /&gt;
[[image:orwell13_pentad13.png]][[image:orwell13_pentad14.png]][[image:orwell13_pentad15.png]]&lt;br /&gt;
[[image:orwell13_pentad16.png]][[image:orwell13_pentad17.png]][[image:orwell13_pentad18.png]]&lt;br /&gt;
[[image:orwell13_pentad19.png]][[image:orwell13_pentad20.png]][[image:orwell13_pentad21.png]]&lt;br /&gt;
[[image:orwell13_pentad22.png]][[image:orwell13_pentad23.png]][[image:orwell13_pentad24.png]]&lt;br /&gt;
[[image:orwell13_pentad25.png]][[image:orwell13_pentad26.png]][[image:orwell13_pentad27.png]]&lt;br /&gt;
[[image:orwell13_pentad28.png]][[image:orwell13_pentad29.png]][[image:orwell13_pentad30.png]]&lt;br /&gt;
[[image:orwell13_pentad31.png]][[image:orwell13_pentad32.png]][[image:orwell13_pentad33.png]]&lt;br /&gt;
[[image:orwell13_pentad34.png]][[image:orwell13_pentad35.png]]&lt;br /&gt;
&lt;br /&gt;
==Hexads== &lt;br /&gt;
&lt;br /&gt;
[[image:orwell13_hexad01.png]][[image:orwell13_hexad02.png]][[image:orwell13_hexad03.png]]&lt;br /&gt;
&lt;br /&gt;
[[image:orwell13_hexad04.png]][[image:orwell13_hexad05.png]][[image:orwell13_hexad06.png]]&lt;br /&gt;
&lt;br /&gt;
=Scala File= &lt;br /&gt;
&lt;br /&gt;
The following Scala file is specifically for the Axis-49, which, in &amp;quot;selfless mode,&amp;quot; can send a separate midi note on each of its 98 keys from note numbers 1 to 98. The tuning file will only work if it is set to start on midi note 1 (&amp;quot;C# -2&amp;quot; in &amp;quot;MIDI Standard&amp;quot;, &amp;quot;C# -1&amp;quot; in &amp;quot;ISO 16:1975&amp;quot;, and &amp;quot;C# 0&amp;quot; in &amp;quot;Cakewalk standard&amp;quot; -- see [[@http://www.xen-arts.com/2011/11/midi-notes-pitches-and-notation.html|here]] for details on the variety of MIDI note-naming schemes). You can tell it&amp;#039;s working if the same shape consistently produces the same pattern of intervals, i.e. if it is regularly mapped. It is left to the reader to choose a suitable base frequency for their purposes.&lt;br /&gt;
&lt;br /&gt;
! orwell53edo_-113x272_axis49.scl&lt;br /&gt;
A regular mapping of Orwell Temperament (53edo version) for the Axis-49 isomorphic keyboard.&lt;br /&gt;
97&lt;br /&gt;
!&lt;br /&gt;
-113.207548&lt;br /&gt;
-226.415096&lt;br /&gt;
-339.622644&lt;br /&gt;
-452.830192&lt;br /&gt;
-566.037740000001&lt;br /&gt;
-679.245288&lt;br /&gt;
271.698113&lt;br /&gt;
158.490565&lt;br /&gt;
45.2830169999997&lt;br /&gt;
-67.9245310000001&lt;br /&gt;
-181.132079&lt;br /&gt;
-294.339627&lt;br /&gt;
-407.547175000001&lt;br /&gt;
656.603774&lt;br /&gt;
543.396226&lt;br /&gt;
430.188678&lt;br /&gt;
316.98113&lt;br /&gt;
203.773582&lt;br /&gt;
90.5660339999995&lt;br /&gt;
-22.6415140000008&lt;br /&gt;
928.301887&lt;br /&gt;
815.094339&lt;br /&gt;
701.886791&lt;br /&gt;
588.679243&lt;br /&gt;
475.471695&lt;br /&gt;
362.264147&lt;br /&gt;
249.056599&lt;br /&gt;
1313.207548&lt;br /&gt;
1200.&lt;br /&gt;
1086.792452&lt;br /&gt;
973.584904&lt;br /&gt;
860.377356&lt;br /&gt;
747.169808&lt;br /&gt;
633.962259999999&lt;br /&gt;
1584.905661&lt;br /&gt;
1471.698113&lt;br /&gt;
1358.490565&lt;br /&gt;
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3532.075469&amp;lt;/pre&amp;gt;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;h4&amp;gt;Original HTML content:&amp;lt;/h4&amp;gt;&lt;br /&gt;
&amp;lt;div style=&amp;quot;width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em&amp;quot;&amp;gt;&amp;lt;pre style=&amp;quot;margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important&amp;quot; class=&amp;quot;old-revision-html&amp;quot;&amp;gt;&amp;amp;lt;html&amp;amp;gt;&amp;amp;lt;head&amp;amp;gt;&amp;amp;lt;title&amp;amp;gt;Orwell on an Isomorphic Keyboard&amp;amp;lt;/title&amp;amp;gt;&amp;amp;lt;/head&amp;amp;gt;&amp;amp;lt;body&amp;amp;gt;Isomorphic &amp;amp;lt;a class=&amp;quot;wiki_link&amp;quot; href=&amp;quot;/microtonal%20keyboards&amp;quot;&amp;amp;gt;keyboard&amp;amp;lt;/a&amp;amp;gt; layouts can be useful for playing and composing in &amp;amp;lt;a class=&amp;quot;wiki_link&amp;quot; href=&amp;quot;/Orwell&amp;quot;&amp;amp;gt;Orwell&amp;amp;lt;/a&amp;amp;gt; and other &amp;amp;lt;a class=&amp;quot;wiki_link&amp;quot; href=&amp;quot;/regular%20temperaments&amp;quot;&amp;amp;gt;regular temperaments&amp;amp;lt;/a&amp;amp;gt;. As pitch space in rank-2 temperaments is 2-dimensional, the structure can be directly mapped to a 2-dimensional array of keys.&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
&amp;amp;lt;!-- ws:start:WikiTextHeadingRule:0:&amp;amp;amp;lt;h1&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;h1 id=&amp;quot;toc0&amp;quot;&amp;amp;gt;&amp;amp;lt;a name=&amp;quot;Axis-49&amp;quot;&amp;amp;gt;&amp;amp;lt;/a&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextHeadingRule:0 --&amp;amp;gt;Axis-49&amp;amp;lt;/h1&amp;amp;gt;&lt;br /&gt;
 &amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
The Axis-49 has 98 velocity-sensitive buttons arranged in a honeycomb pattern. One key mapping for Orwell Temperament on the Axis-49 maps the Orwell generator (approx. 272¢) to one move of &amp;amp;amp;quot;down and to the right&amp;amp;amp;quot; and the octave period to one move of &amp;amp;amp;quot;up and to the right&amp;amp;amp;quot; and three moves of &amp;amp;amp;quot;down and to the right&amp;amp;amp;quot;. This gives the Orwell[13] &amp;amp;lt;a class=&amp;quot;wiki_link&amp;quot; href=&amp;quot;/MOSScales&amp;quot;&amp;amp;gt;MOS scale&amp;amp;lt;/a&amp;amp;gt; the following shape on the Axis-49 keyboard:&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
&amp;amp;lt;!-- ws:start:WikiTextLocalImageRule:10:&amp;amp;amp;lt;img src=&amp;amp;amp;quot;/file/view/orwell13_axis49.png/302248228/orwell13_axis49.png&amp;amp;amp;quot; alt=&amp;amp;amp;quot;&amp;amp;amp;quot; title=&amp;amp;amp;quot;&amp;amp;amp;quot; /&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;img src=&amp;quot;/file/view/orwell13_axis49.png/302248228/orwell13_axis49.png&amp;quot; alt=&amp;quot;orwell13_axis49.png&amp;quot; title=&amp;quot;orwell13_axis49.png&amp;quot; /&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextLocalImageRule:10 --&amp;amp;gt;&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
We can see from the diagram that just over four octaves are available on the Axis-49 keyboard (more on the Axis-64 or on other larger isomorphic keyboards). Note that the numbers above indicate multiples of the orwell generator (NOT ascending pitch order), ignoring octaves. Each duplicate number to the right is one octave higher than its counterpart to the left. The starting place is arbitrary; if we select another hex to be 0, we can build another orwell[13] scale. Note also that the choice to focus here on the 13-tone MOS is also somewhat arbitrary, as clearly more tones are available on the keyboard, represented by the hexes outlined in gray with no number.&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
To help with visualizing what an Orwell[13] &amp;amp;amp;quot;chromatic scale&amp;amp;amp;quot; looks like, note that the pitches in ascending order go: 0 9 5 1 10 6 2 11 7 3 12 8 4 0. The large step of Orwell[13] maps to one move upward (as well as -4 generators, eg. 8 to 4). The small step of Orwell[13] maps to two moves downward and one move &amp;amp;amp;quot;down and to the right&amp;amp;amp;quot; (as well as +9 generators, eg. 1 to 10). Thus, this (or any) 2-dimensional regular arrangement of the Orwell[13] scale makes it easy to distinguish between the two different step sizes, as they are represented by different &amp;amp;amp;quot;moves&amp;amp;amp;quot; on the keyboard.&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
&amp;amp;lt;!-- ws:start:WikiTextHeadingRule:2:&amp;amp;amp;lt;h1&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;h1 id=&amp;quot;toc1&amp;quot;&amp;amp;gt;&amp;amp;lt;a name=&amp;quot;Dyadic Pentads and Hexads of Orwell[13] on the Axis-49&amp;quot;&amp;amp;gt;&amp;amp;lt;/a&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextHeadingRule:2 --&amp;amp;gt;Dyadic Pentads and Hexads of Orwell[13] on the Axis-49&amp;amp;lt;/h1&amp;amp;gt;&lt;br /&gt;
 &amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
The page &amp;amp;lt;a class=&amp;quot;wiki_link&amp;quot; href=&amp;quot;/Chords%20of%20Orwell&amp;quot;&amp;amp;gt;Chords of Orwell&amp;amp;lt;/a&amp;amp;gt; offers one system for identifying and naming &amp;amp;lt;a class=&amp;quot;wiki_link&amp;quot; href=&amp;quot;/Dyadic%20chord&amp;quot;&amp;amp;gt;dyadic chords&amp;amp;lt;/a&amp;amp;gt; available in Orwell Temperament. The following diagrams show how some of those chords would map to an Axis-49 (or similar keyboard, eg. Opal Chameleon) tuned as above. These diagrams only look at the pentads and hexads available in Orwell[13]. The &amp;amp;amp;quot;chords of orwell&amp;amp;amp;quot; page also lists triads and tetrads, as well as chords which require a generator chain larger than that of Orwell[13]. The &amp;amp;amp;quot;types&amp;amp;amp;quot; come from the &amp;amp;amp;quot;chords of orwell&amp;amp;amp;quot; page and say something about which commas must be tempered out (if any) for this chord to be possible.&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
At the time of writing, the essentially-tempered dyadic chords of Orwell Temperament have been little explored; perhaps these diagrams will give isomorphic keyboardists some encouragement to explore them.&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
&amp;amp;lt;!-- ws:start:WikiTextHeadingRule:4:&amp;amp;amp;lt;h2&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;h2 id=&amp;quot;toc2&amp;quot;&amp;amp;gt;&amp;amp;lt;a name=&amp;quot;Dyadic Pentads and Hexads of Orwell[13] on the Axis-49-Pentads&amp;quot;&amp;amp;gt;&amp;amp;lt;/a&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextHeadingRule:4 --&amp;amp;gt;Pentads&amp;amp;lt;/h2&amp;amp;gt;&lt;br /&gt;
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&amp;amp;lt;!-- ws:start:WikiTextLocalImageRule:49:&amp;amp;amp;lt;img src=&amp;amp;amp;quot;/file/view/orwell13_hexad04.png/302253300/orwell13_hexad04.png&amp;amp;amp;quot; alt=&amp;amp;amp;quot;&amp;amp;amp;quot; title=&amp;amp;amp;quot;&amp;amp;amp;quot; /&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;img src=&amp;quot;/file/view/orwell13_hexad04.png/302253300/orwell13_hexad04.png&amp;quot; alt=&amp;quot;orwell13_hexad04.png&amp;quot; title=&amp;quot;orwell13_hexad04.png&amp;quot; /&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextLocalImageRule:49 --&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextLocalImageRule:50:&amp;amp;amp;lt;img src=&amp;amp;amp;quot;/file/view/orwell13_hexad05.png/302253334/orwell13_hexad05.png&amp;amp;amp;quot; alt=&amp;amp;amp;quot;&amp;amp;amp;quot; title=&amp;amp;amp;quot;&amp;amp;amp;quot; /&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;img src=&amp;quot;/file/view/orwell13_hexad05.png/302253334/orwell13_hexad05.png&amp;quot; alt=&amp;quot;orwell13_hexad05.png&amp;quot; title=&amp;quot;orwell13_hexad05.png&amp;quot; /&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextLocalImageRule:50 --&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextLocalImageRule:51:&amp;amp;amp;lt;img src=&amp;amp;amp;quot;/file/view/orwell13_hexad06.png/302253364/orwell13_hexad06.png&amp;amp;amp;quot; alt=&amp;amp;amp;quot;&amp;amp;amp;quot; title=&amp;amp;amp;quot;&amp;amp;amp;quot; /&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;img src=&amp;quot;/file/view/orwell13_hexad06.png/302253364/orwell13_hexad06.png&amp;quot; alt=&amp;quot;orwell13_hexad06.png&amp;quot; title=&amp;quot;orwell13_hexad06.png&amp;quot; /&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextLocalImageRule:51 --&amp;amp;gt;&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
&amp;amp;lt;!-- ws:start:WikiTextHeadingRule:8:&amp;amp;amp;lt;h1&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;h1 id=&amp;quot;toc4&amp;quot;&amp;amp;gt;&amp;amp;lt;a name=&amp;quot;Scala File&amp;quot;&amp;amp;gt;&amp;amp;lt;/a&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextHeadingRule:8 --&amp;amp;gt;Scala File&amp;amp;lt;/h1&amp;amp;gt;&lt;br /&gt;
 &amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
The following Scala file is specifically for the Axis-49, which, in &amp;amp;amp;quot;selfless mode,&amp;amp;amp;quot; can send a separate midi note on each of its 98 keys from note numbers 1 to 98. The tuning file will only work if it is set to start on midi note 1 (&amp;amp;amp;quot;C# -2&amp;amp;amp;quot; in &amp;amp;amp;quot;MIDI Standard&amp;amp;amp;quot;, &amp;amp;amp;quot;C# -1&amp;amp;amp;quot; in &amp;amp;amp;quot;ISO 16:1975&amp;amp;amp;quot;, and &amp;amp;amp;quot;C# 0&amp;amp;amp;quot; in &amp;amp;amp;quot;Cakewalk standard&amp;amp;amp;quot; -- see &amp;amp;lt;a class=&amp;quot;wiki_link_ext&amp;quot; href=&amp;quot;http://www.xen-arts.com/2011/11/midi-notes-pitches-and-notation.html&amp;quot; rel=&amp;quot;nofollow&amp;quot; target=&amp;quot;_blank&amp;quot;&amp;amp;gt;here&amp;amp;lt;/a&amp;amp;gt; for details on the variety of MIDI note-naming schemes). You can tell it&amp;#039;s working if the same shape consistently produces the same pattern of intervals, i.e. if it is regularly mapped. It is left to the reader to choose a suitable base frequency for their purposes.&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
! orwell53edo_-113x272_axis49.scl&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
A regular mapping of Orwell Temperament (53edo version) for the Axis-49 isomorphic keyboard.&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
97&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
!&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
-113.207548&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
-226.415096&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
-339.622644&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
-452.830192&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
-566.037740000001&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
-679.245288&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
271.698113&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
158.490565&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
45.2830169999997&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
-67.9245310000001&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
-181.132079&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
-294.339627&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
-407.547175000001&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
656.603774&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
543.396226&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
430.188678&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
316.98113&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
203.773582&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
90.5660339999995&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
-22.6415140000008&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
928.301887&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
815.094339&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
701.886791&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
588.679243&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
475.471695&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
362.264147&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
249.056599&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1313.207548&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1200.&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1086.792452&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
973.584904&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
860.377356&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
747.169808&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
633.962259999999&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1584.905661&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1471.698113&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1358.490565&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1245.283017&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1132.075469&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1018.867921&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
905.660373&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1969.811322&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1856.603774&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1743.396226&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1630.188678&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1516.98113&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1403.773582&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1290.566034&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2241.509435&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2128.301887&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2015.094339&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1901.886791&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1788.679243&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1675.471695&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1562.264147&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2513.207548&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2400.&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2286.792452&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2173.584904&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2060.377356&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1947.169808&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
1833.96226&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2898.113209&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2784.905661&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2671.698113&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2558.490565&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2445.283017&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2332.075469&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2218.867921&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3169.811322&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3056.603774&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2943.396226&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2830.188678&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2716.98113&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2603.773582&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2490.566034&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3554.716983&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3441.509435&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3328.301887&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3215.094339&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3101.886791&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2988.679243&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
2875.471695&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3826.415096&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3713.207548&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3600.&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3486.792452&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3373.584904&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3260.377356&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3147.169808&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
4211.320757&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
4098.113209&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3984.905661&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3871.698113&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3758.490565&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3645.283017&amp;amp;lt;br /&amp;amp;gt;&lt;br /&gt;
3532.075469&amp;amp;lt;/body&amp;amp;gt;&amp;amp;lt;/html&amp;amp;gt;&amp;lt;/pre&amp;gt;&amp;lt;/div&amp;gt;&lt;/div&gt;</summary>
		<author><name>Wikispaces&gt;Andrew_Heathwaite</name></author>
	</entry>
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