Microtonal Design Unconference 2011 - Revision history

BudjarnLambeth: {{todo|inline=1|review|comment=check whether this should go in the archive category, deprecated category, or another similar category}}

2024-10-20T06:57:08Z

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	<span style="background-color: transparent; color: #000000; font-family: Arial; font-size: 11pt; font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">[http://oddmusicuc.wordpress.com/ Oddmusic Urbana-Champaign] and the [http://www.designingasociety.net/ School for Designing a Society] present</span>		<span style="background-color: transparent; color: #000000; font-family: Arial; font-size: 11pt; font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;">[http://oddmusicuc.wordpress.com/ Oddmusic Urbana-Champaign] and the [http://www.designingasociety.net/ School for Designing a Society] present</span>

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	This wiki page, editable by anyone, will serve as a nexus for designing the Microtonal Unconference. If you would like to be among the participants in this event, add your name below. State in what capacity you are interested in being involved, what you would like to bring (things, activities, wisdoms), how folks can get in touch with you, and anything else you desire that is relevant to the event.		This wiki page, editable by anyone, will serve as a nexus for designing the Microtonal Unconference. If you would like to be among the participants in this event, add your name below. State in what capacity you are interested in being involved, what you would like to bring (things, activities, wisdoms), how folks can get in touch with you, and anything else you desire that is relevant to the event.

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	Andrew Heathwaite - organizer, contact person, in Urbana all week and weeks prior as well. I want to facilitate collaboration and fruitful connection-making. Contact: gtrpkt at yahoo dot com; (217)365-0313.		Andrew Heathwaite - organizer, contact person, in Urbana all week and weeks prior as well. I want to facilitate collaboration and fruitful connection-making. Contact: gtrpkt at yahoo dot com; (217)365-0313.

	Jacob Barton - organizer, contact person, residing in Urbana. Hopes to organize an [~~http://udderbot.wikispaces.com/home~~ Udderbot] event during the weekend, among other things. udderbot at gmail dot com, two eight one seven five five two two six zero. . .		Jacob Barton - organizer, contact person, residing in Urbana. Hopes to organize an [[Udderbot]] event during the weekend, among other things. udderbot at gmail dot com, two eight one seven five five two two six zero. . .

	X. J. Scott - guest, visiting from out of town. Bringing an Axis-64. May attempt to get something with 88cET going on. nonoctave at gmail.		X. J. Scott - guest, visiting from out of town. Bringing an Axis-64. May attempt to get something with 88cET going on. nonoctave at gmail.
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 @Rob - I am very interested in timbre, and although no expert at all, am aware of things such as the enormous difference between real cymbals and sampled ones with just velocity control rather than the timbre control you get from the different locations to strike, ways of striking and different materials to strike with. Sampled drums have lost a lot. I've never had a chance to talk about this stuff so I have no language for any of it. Definitely interested in learning more about your insights into the detailed inner architecture of cymbal timbre.
-I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like [http://www.youtube.com/watch?v=o8dIJmpt8IY Carlo's ribbon controller] as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. <span style="">- [[http://www.wikispaces.com/user/view/xjscott
+I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like [http://www.youtube.com/watch?v=o8dIJmpt8IY Carlo's ribbon controller] as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. <span style="">- [http://www.wikispaces.com/user/view/xjscott xjscott] <small>Mar 26, 2011</small></span>
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Wikispaces>Andrew_Heathwaite: Imported revision 220945164 - Original comment:

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	Hi everyone. Philipp Blume here (U of Illinois) - I don't have a lot of time but I would like to be around when there's a discussion of theory. I've been working with traditional instruments and score-based microtonal shenanigans, not with new instruments... though my last piece was for 19-division trumpet and electronic percussion and I'm happy to talk about that with others. Here's an intro to the 19-div trumpet itself: [[http://www.microtonaltrumpet.com/videos/19-div-Trumpet-2.swf]]		Hi everyone. Philipp Blume here (U of Illinois) - I don't have a lot of time but I would like to be around when there's a discussion of theory. I've been working with traditional instruments and score-based microtonal shenanigans, not with new instruments... though my last piece was for 19-division trumpet and electronic percussion and I'm happy to talk about that with others. Here's an intro to the 19-div trumpet itself: [[http://www.microtonaltrumpet.com/videos/19-div-Trumpet-2.swf]]

			----

			The first event of the Microtonal Design UnConference is coming up this Tuesday 4/19. We're having a Meet and Greet at the Independent Media Center (202 S. Broadway St, Urbana, IL) starting at 8 p.m. This is an opportunity to meet the other participants and make a schedule for the week. Please come if you can, and tell your friends! If you want to be involved later but can't make it to the Meet and Greet, get in touch through this wiki. ~Andrew

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	Hi everyone. Philipp Blume here (U of Illinois) - I don't have a lot of time but I would like to be around when there's a discussion of theory. I've been working with traditional instruments and score-based microtonal shenanigans, not with new instruments... though my last piece was for 19-division trumpet and electronic percussion and I'm happy to talk about that with others. Here's an intro to the 19-div trumpet itself: <a class="wiki_link_ext" href="http://www.microtonaltrumpet.com/videos/19-div-Trumpet-2.swf" rel="nofollow">http://www.microtonaltrumpet.com/videos/19-div-Trumpet-2.swf</a><br />		Hi everyone. Philipp Blume here (U of Illinois) - I don't have a lot of time but I would like to be around when there's a discussion of theory. I've been working with traditional instruments and score-based microtonal shenanigans, not with new instruments... though my last piece was for 19-division trumpet and electronic percussion and I'm happy to talk about that with others. Here's an intro to the 19-div trumpet itself: <a class="wiki_link_ext" href="http://www.microtonaltrumpet.com/videos/19-div-Trumpet-2.swf" rel="nofollow">http://www.microtonaltrumpet.com/videos/19-div-Trumpet-2.swf</a><br />
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			The first event of the Microtonal Design UnConference is coming up this Tuesday 4/19. We're having a Meet and Greet at the Independent Media Center (202 S. Broadway St, Urbana, IL) starting at 8 p.m. This is an opportunity to meet the other participants and make a schedule for the week. Please come if you can, and tell your friends! If you want to be involved later but can't make it to the Meet and Greet, get in touch through this wiki. ~Andrew<br />
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Wikispaces>guest: Imported revision 220772748 - Original comment:

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	@XJ: The Continuum was invented by Lippold Haken, who happens to live in Champaign. We have a friend Mark Smart who plays a Continuum and has attended some of our events. Perhaps we can get some Continuum action in here. --xenjacob		@XJ: The Continuum was invented by Lippold Haken, who happens to live in Champaign. We have a friend Mark Smart who plays a Continuum and has attended some of our events. Perhaps we can get some Continuum action in here. --xenjacob

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			Hi everyone. Philipp Blume here (U of Illinois) - I don't have a lot of time but I would like to be around when there's a discussion of theory. I've been working with traditional instruments and score-based microtonal shenanigans, not with new instruments... though my last piece was for 19-division trumpet and electronic percussion and I'm happy to talk about that with others. Here's an intro to the 19-div trumpet itself: [[http://www.microtonaltrumpet.com/videos/19-div-Trumpet-2.swf]]
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	@XJ: The Continuum was invented by Lippold Haken, who happens to live in Champaign. We have a friend Mark Smart who plays a Continuum and has attended some of our events. Perhaps we can get some Continuum action in here. --xenjacob<br />		@XJ: The Continuum was invented by Lippold Haken, who happens to live in Champaign. We have a friend Mark Smart who plays a Continuum and has attended some of our events. Perhaps we can get some Continuum action in here. --xenjacob<br />
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			Hi everyone. Philipp Blume here (U of Illinois) - I don't have a lot of time but I would like to be around when there's a discussion of theory. I've been working with traditional instruments and score-based microtonal shenanigans, not with new instruments... though my last piece was for 19-division trumpet and electronic percussion and I'm happy to talk about that with others. Here's an intro to the 19-div trumpet itself: <a class="wiki_link_ext" href="http://www.microtonaltrumpet.com/videos/19-div-Trumpet-2.swf" rel="nofollow">http://www.microtonaltrumpet.com/videos/19-div-Trumpet-2.swf</a><br />
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Wikispaces>guest: Imported revision 220495880 - Original comment:

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	@Rob - I am very interested in timbre, and although no expert at all, am aware of things such as the enormous difference between real cymbals and sampled ones with just velocity control rather than the timbre control you get from the different locations to strike, ways of striking and different materials to strike with. Sampled drums have lost a lot. I've never had a chance to talk about this stuff so I have no language for any of it. Definitely interested in learning more about your insights into the detailed inner architecture of cymbal timbre.		@Rob - I am very interested in timbre, and although no expert at all, am aware of things such as the enormous difference between real cymbals and sampled ones with just velocity control rather than the timbre control you get from the different locations to strike, ways of striking and different materials to strike with. Sampled drums have lost a lot. I've never had a chance to talk about this stuff so I have no language for any of it. Definitely interested in learning more about your insights into the detailed inner architecture of cymbal timbre.

	I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like Carlo's ribbon controller as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. [[user:xjscott\|1301207436]]		I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like [[http://www.youtube.com/watch?v=o8dIJmpt8IY\|Carlo's ribbon controller]] as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. [[user:xjscott\|1301207436]]

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	@Rob - I am very interested in timbre, and although no expert at all, am aware of things such as the enormous difference between real cymbals and sampled ones with just velocity control rather than the timbre control you get from the different locations to strike, ways of striking and different materials to strike with. Sampled drums have lost a lot. I've never had a chance to talk about this stuff so I have no language for any of it. Definitely interested in learning more about your insights into the detailed inner architecture of cymbal timbre.<br />		@Rob - I am very interested in timbre, and although no expert at all, am aware of things such as the enormous difference between real cymbals and sampled ones with just velocity control rather than the timbre control you get from the different locations to strike, ways of striking and different materials to strike with. Sampled drums have lost a lot. I've never had a chance to talk about this stuff so I have no language for any of it. Definitely interested in learning more about your insights into the detailed inner architecture of cymbal timbre.<br />
	<br />		<br />
	I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like Carlo's ribbon controller as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. <!-- ws:start:WikiTextUserlinkRule:00:[[user:xjscott\|1301207436]] --><span class="membersnap">- <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;"><img src="http://www.wikispaces.com/user/pic/xjscott-lg.jpg" width="16" height="16" alt="xjscott" class="userPicture" /></a> <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;">xjscott</a> <small>Mar 27, 2011</small></span><!-- ws:end:WikiTextUserlinkRule:00 --><br />		I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like <a class="wiki_link_ext" href="http://www.youtube.com/watch?v=o8dIJmpt8IY" rel="nofollow">Carlo's ribbon controller</a> as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. <!-- ws:start:WikiTextUserlinkRule:00:[[user:xjscott\|1301207436]] --><span class="membersnap">- <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;"><img src="http://www.wikispaces.com/user/pic/xjscott-lg.jpg" width="16" height="16" alt="xjscott" class="userPicture" /></a> <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;">xjscott</a> <small>Mar 27, 2011</small></span><!-- ws:end:WikiTextUserlinkRule:00 --><br />
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Wikispaces>guest: Imported revision 220461830 - Original comment:

2011-04-14T22:40:04Z

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Wikispaces>guest: Imported revision 215110524 - Original comment:

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	Rob Scott - I could offer to share some of my research on cymbal geneology. What might be particularly interesting would be to bring multiple cymbals, and invite people to generate descriptors. I could share the existing vocabulary for describing cymbals, demonstrate some sounds that have been gained and lost, invite discussion on the sound potentials. (More microtimbral than microtonal.)		Rob Scott - I could offer to share some of my research on cymbal geneology. What might be particularly interesting would be to bring multiple cymbals, and invite people to generate descriptors. I could share the existing vocabulary for describing cymbals, demonstrate some sounds that have been gained and lost, invite discussion on the sound potentials. (More microtimbral than microtonal.)

	~~---~~----		----
	I understand that this page is for organizing things among participants, is that right? I am not sure how that is supposed to work exactly, I suppose I will just try typing and see if there is any response.		I understand that this page is for organizing things among participants, is that right? I am not sure how that is supposed to work exactly, I suppose I will just try typing and see if there is any response.

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	I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like Carlo's ribbon controller as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. [[user:xjscott\|1301207436]]		I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like Carlo's ribbon controller as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. [[user:xjscott\|1301207436]]
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			@XJ: The Continuum was invented by Lippold Haken, who happens to live in Champaign. We have a friend Mark Smart who plays a Continuum and has attended some of our events. Perhaps we can get some Continuum action in here. --xenjacob

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	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Microtonal Design Unconference 2011</title></head><body><span style="background-color: transparent; color: #000000; font-family: Arial; font-size: 11pt; font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><a class="wiki_link_ext" href="http://oddmusicuc.wordpress.com/" rel="nofollow" target="_blank">Oddmusic Urbana-Champaign</a> and the <a class="wiki_link_ext" href="http://www.designingasociety.net/" rel="nofollow" target="_blank">School for Designing a Society</a> present</span><br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Microtonal Design Unconference 2011</title></head><body><span style="background-color: transparent; color: #000000; font-family: Arial; font-size: 11pt; font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><a class="wiki_link_ext" href="http://oddmusicuc.wordpress.com/" rel="nofollow" target="_blank">Oddmusic Urbana-Champaign</a> and the <a class="wiki_link_ext" href="http://www.designingasociety.net/" rel="nofollow" target="_blank">School for Designing a Society</a> present</span><br />
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	I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like Carlo's ribbon controller as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. <!-- ws:start:WikiTextUserlinkRule:00:[[user:xjscott\|1301207436]] --><span class="membersnap">- <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;"><img src="http://www.wikispaces.com/user/pic/xjscott-lg.jpg" width="16" height="16" alt="xjscott" class="userPicture" /></a> <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;">xjscott</a> <small>Mar 27, 2011</small></span><!-- ws:end:WikiTextUserlinkRule:00 --><br />		I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like Carlo's ribbon controller as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. <!-- ws:start:WikiTextUserlinkRule:00:[[user:xjscott\|1301207436]] --><span class="membersnap">- <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;"><img src="http://www.wikispaces.com/user/pic/xjscott-lg.jpg" width="16" height="16" alt="xjscott" class="userPicture" /></a> <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;">xjscott</a> <small>Mar 27, 2011</small></span><!-- ws:end:WikiTextUserlinkRule:00 --><br />
			<br />
			<hr />
			<br />
			@XJ: The Continuum was invented by Lippold Haken, who happens to live in Champaign. We have a friend Mark Smart who plays a Continuum and has attended some of our events. Perhaps we can get some Continuum action in here. --xenjacob<br />
			<br />
	<hr />		<hr />
	</body></html></pre></div>		</body></html></pre></div>

Wikispaces>xjscott: Imported revision 214307588 - Original comment:

2011-03-27T02:30:36Z

**Imported revision 214307588 - Original comment: **

← Older revision		Revision as of 02:30, 27 March 2011
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	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:~~xenjacob~~\|~~xenjacob~~]] and made on <tt>2011-03-~~23 12~~:32:42 UTC</tt>.<br>		: This revision was by author [[User:xjscott\|xjscott]] and made on <tt>2011-03-27 02:30:36 UTC</tt>.<br>
	: The original revision id was <tt>~~213248612~~</tt>.<br>		: The original revision id was <tt>214307588</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	[[@http://www.chrisvaisvil.com\|Chris Vaisvil]] - guest visiting from out of town - to perform Saturday April 23, 2011 a TBD microtonal improvisation (probably solo microtonal guitar and approximately 10 minutes in length). Willing to collaborate / jam with other performers on stage. If you want to arrange something specific contact me at chrisvaisvil at gmail dot com.		[[@http://www.chrisvaisvil.com\|Chris Vaisvil]] - guest visiting from out of town - to perform Saturday April 23, 2011 a TBD microtonal improvisation (probably solo microtonal guitar and approximately 10 minutes in length). Willing to collaborate / jam with other performers on stage. If you want to arrange something specific contact me at chrisvaisvil at gmail dot com.

	Rob Scott - I could offer to share some of my research on cymbal geneology. What might be particularly interesting would be to bring multiple cymbals, and invite people to generate descriptors. I could share the existing vocabulary for describing cymbals, demonstrate some sounds that have been gained and lost, invite discussion on the sound potentials. (More microtimbral than microtonal.)</pre></div>		Rob Scott - I could offer to share some of my research on cymbal geneology. What might be particularly interesting would be to bring multiple cymbals, and invite people to generate descriptors. I could share the existing vocabulary for describing cymbals, demonstrate some sounds that have been gained and lost, invite discussion on the sound potentials. (More microtimbral than microtonal.)

			-------
			I understand that this page is for organizing things among participants, is that right? I am not sure how that is supposed to work exactly, I suppose I will just try typing and see if there is any response.

			@Rob - I am very interested in timbre, and although no expert at all, am aware of things such as the enormous difference between real cymbals and sampled ones with just velocity control rather than the timbre control you get from the different locations to strike, ways of striking and different materials to strike with. Sampled drums have lost a lot. I've never had a chance to talk about this stuff so I have no language for any of it. Definitely interested in learning more about your insights into the detailed inner architecture of cymbal timbre.

			I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like Carlo's ribbon controller as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. [[user:xjscott\|1301207436]]
			-----------</pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Microtonal Design Unconference 2011</title></head><body><span style="background-color: transparent; color: #000000; font-family: Arial; font-size: 11pt; font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><a class="wiki_link_ext" href="http://oddmusicuc.wordpress.com/" rel="nofollow" target="_blank">Oddmusic Urbana-Champaign</a> and the <a class="wiki_link_ext" href="http://www.designingasociety.net/" rel="nofollow" target="_blank">School for Designing a Society</a> present</span><br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Microtonal Design Unconference 2011</title></head><body><span style="background-color: transparent; color: #000000; font-family: Arial; font-size: 11pt; font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline;"><a class="wiki_link_ext" href="http://oddmusicuc.wordpress.com/" rel="nofollow" target="_blank">Oddmusic Urbana-Champaign</a> and the <a class="wiki_link_ext" href="http://www.designingasociety.net/" rel="nofollow" target="_blank">School for Designing a Society</a> present</span><br />
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	<a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow" target="_blank">Chris Vaisvil</a> - guest visiting from out of town - to perform Saturday April 23, 2011 a TBD microtonal improvisation (probably solo microtonal guitar and approximately 10 minutes in length). Willing to collaborate / jam with other performers on stage. If you want to arrange something specific contact me at chrisvaisvil at gmail dot com.<br />		<a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow" target="_blank">Chris Vaisvil</a> - guest visiting from out of town - to perform Saturday April 23, 2011 a TBD microtonal improvisation (probably solo microtonal guitar and approximately 10 minutes in length). Willing to collaborate / jam with other performers on stage. If you want to arrange something specific contact me at chrisvaisvil at gmail dot com.<br />
	<br />		<br />
	Rob Scott - I could offer to share some of my research on cymbal geneology. What might be particularly interesting would be to bring multiple cymbals, and invite people to generate descriptors. I could share the existing vocabulary for describing cymbals, demonstrate some sounds that have been gained and lost, invite discussion on the sound potentials. (More microtimbral than microtonal.)</body></html></pre></div>		Rob Scott - I could offer to share some of my research on cymbal geneology. What might be particularly interesting would be to bring multiple cymbals, and invite people to generate descriptors. I could share the existing vocabulary for describing cymbals, demonstrate some sounds that have been gained and lost, invite discussion on the sound potentials. (More microtimbral than microtonal.)<br />
			<br />
			<hr />
			I understand that this page is for organizing things among participants, is that right? I am not sure how that is supposed to work exactly, I suppose I will just try typing and see if there is any response.<br />
			<br />
			@Rob - I am very interested in timbre, and although no expert at all, am aware of things such as the enormous difference between real cymbals and sampled ones with just velocity control rather than the timbre control you get from the different locations to strike, ways of striking and different materials to strike with. Sampled drums have lost a lot. I've never had a chance to talk about this stuff so I have no language for any of it. Definitely interested in learning more about your insights into the detailed inner architecture of cymbal timbre.<br />
			<br />
			I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like Carlo's ribbon controller as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. <!-- ws:start:WikiTextUserlinkRule:00:[[user:xjscott\|1301207436]] --><span class="membersnap">- <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;"><img src="http://www.wikispaces.com/user/pic/xjscott-lg.jpg" width="16" height="16" alt="xjscott" class="userPicture" /></a> <a class="userLink" href="http://www.wikispaces.com/user/view/xjscott" style="outline: none;">xjscott</a> <small>Mar 27, 2011</small></span><!-- ws:end:WikiTextUserlinkRule:00 --><br />
			<hr />
			</body></html></pre></div>

← Older revision		Revision as of 22:40, 14 April 2011
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	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:guest\|guest]] and made on <tt>2011-03-~~29 12~~:41:17 UTC</tt>.<br>		: This revision was by author [[User:guest\|guest]] and made on <tt>2011-04-14 22:40:04 UTC</tt>.<br>
	: The original revision id was <tt>~~215110524~~</tt>.<br>		: The original revision id was <tt>220461830</tt>.<br>
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	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	X. J. Scott - guest, visiting from out of town. Bringing an Axis-64. May attempt to get something with 88cET going on. nonoctave at gmail.		X. J. Scott - guest, visiting from out of town. Bringing an Axis-64. May attempt to get something with 88cET going on. nonoctave at gmail.

	[[@http://www.chrisvaisvil.com\|Chris Vaisvil]] - guest visiting from out of town - to perform ~~Saturday~~ April 23, 2011 a TBD microtonal improvisation (probably solo microtonal guitar and approximately 10 minutes in length). Willing to collaborate / jam with other performers on stage. If you want to arrange something specific contact me at chrisvaisvil at gmail dot com.		[[@http://www.chrisvaisvil.com\|Chris Vaisvil]] - guest visiting from out of town - to perform Thurday April 21, 2011 a TBD microtonal improvisation (probably solo microtonal guitar and approximately 10 minutes in length). Willing to collaborate / jam with other performers on stage. If you want to arrange something specific contact me at chrisvaisvil at gmail dot com.

	Rob Scott - I could offer to share some of my research on cymbal geneology. What might be particularly interesting would be to bring multiple cymbals, and invite people to generate descriptors. I could share the existing vocabulary for describing cymbals, demonstrate some sounds that have been gained and lost, invite discussion on the sound potentials. (More microtimbral than microtonal.)		Rob Scott - I could offer to share some of my research on cymbal geneology. What might be particularly interesting would be to bring multiple cymbals, and invite people to generate descriptors. I could share the existing vocabulary for describing cymbals, demonstrate some sounds that have been gained and lost, invite discussion on the sound potentials. (More microtimbral than microtonal.)
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	X. J. Scott - guest, visiting from out of town. Bringing an Axis-64. May attempt to get something with 88cET going on. nonoctave at gmail.<br />		X. J. Scott - guest, visiting from out of town. Bringing an Axis-64. May attempt to get something with 88cET going on. nonoctave at gmail.<br />
	<br />		<br />
	<a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow" target="_blank">Chris Vaisvil</a> - guest visiting from out of town - to perform ~~Saturday~~ April 23, 2011 a TBD microtonal improvisation (probably solo microtonal guitar and approximately 10 minutes in length). Willing to collaborate / jam with other performers on stage. If you want to arrange something specific contact me at chrisvaisvil at gmail dot com.<br />		<a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow" target="_blank">Chris Vaisvil</a> - guest visiting from out of town - to perform Thurday April 21, 2011 a TBD microtonal improvisation (probably solo microtonal guitar and approximately 10 minutes in length). Willing to collaborate / jam with other performers on stage. If you want to arrange something specific contact me at chrisvaisvil at gmail dot com.<br />
	<br />		<br />
	Rob Scott - I could offer to share some of my research on cymbal geneology. What might be particularly interesting would be to bring multiple cymbals, and invite people to generate descriptors. I could share the existing vocabulary for describing cymbals, demonstrate some sounds that have been gained and lost, invite discussion on the sound potentials. (More microtimbral than microtonal.)<br />		Rob Scott - I could offer to share some of my research on cymbal geneology. What might be particularly interesting would be to bring multiple cymbals, and invite people to generate descriptors. I could share the existing vocabulary for describing cymbals, demonstrate some sounds that have been gained and lost, invite discussion on the sound potentials. (More microtimbral than microtonal.)<br />

Microtonal Design Unconference 2011 - Revision history

BudjarnLambeth: {{todo|inline=1|review|comment=check whether this should go in the archive category, deprecated category, or another similar category}}

Xenwolf: replaced empty heading with hr, replaced a dead link with internal link

PreImportHandFixes>Battaglia01: Mike - removed user icon

Wikispaces>FREEZE at 00:00, 17 July 2018

Wikispaces>Andrew_Heathwaite: **Imported revision 220945164 - Original comment: **

Wikispaces>guest: **Imported revision 220772748 - Original comment: **

Wikispaces>guest: **Imported revision 220495880 - Original comment: **

Wikispaces>guest: **Imported revision 220461830 - Original comment: **