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	<title>MicrotonalTheory - Revision history</title>
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	<updated>2026-06-28T13:09:26Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=105012&amp;oldid=prev</id>
		<title>Fredg999: Fix double redirect</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=105012&amp;oldid=prev"/>
		<updated>2023-03-08T05:45:20Z</updated>

		<summary type="html">&lt;p&gt;Fix double redirect&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:45, 8 March 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#REDIRECT [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Approaches &lt;/del&gt;to musical tuning]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#REDIRECT [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;List of approaches &lt;/ins&gt;to musical tuning]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fredg999</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=104519&amp;oldid=prev</id>
		<title>Fredg999: This page is redundant with other better developed pages. Now redirects to Approaches to musical tuning.</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=104519&amp;oldid=prev"/>
		<updated>2023-03-05T04:24:08Z</updated>

		<summary type="html">&lt;p&gt;This page is redundant with other better developed pages. Now redirects to &lt;a href=&quot;/w/Approaches_to_musical_tuning&quot; class=&quot;mw-redirect&quot; title=&quot;Approaches to musical tuning&quot;&gt;Approaches to musical tuning&lt;/a&gt;.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:24, 5 March 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;__FORCETOC__&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;#&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;REDIRECT &lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Approaches &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;musical &lt;/ins&gt;tuning]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=Theory: Inventions that shape understanding=&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Theories are [http://grace.evergreen.edu/%7Earunc/texts/cybernetics/heinz/disorder.pdf not discoveries but inventions] of humans, usually meant to formally describe regularities in experience, which often bring forth &#039;&#039;new ways of experiencing&#039;&#039;. (The music-making itself (&#039;practice&#039;), if at odds with existing theories, may provoke the creation of new theories; it is thus important to recognize that theory and practice mutually and reciprocally influence each other.)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;There is a great deal of theory around the creation and/or discovering of tunings, scales, and temperaments, but whether it is useful to bother learning any of them is a matter of personal decision. (It is always possible to load up a random tuning on your retunable instrument of choice and explore it through music, without bothering to understand the theoretical considerations that led to the construction and/or discovery of said tuning.) Below you will find a partial list of currently-established theories related to alternative intonations.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=Reality tunnels into microtonality=&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Just intonation|Just Intonation]]: an infinite world of rational numbers and numerous models: the harmonic series, integer frequency ratios, tonality diamonds, eikosany, etc.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Equal-step tuning|Equal]] tunings: each one a subtle monoculture of intervals. May be treated as temperaments, or not&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;In Western common practice music, the (somewhat forgotten) use of [[historical_temperaments|historical temperaments]] (meantones, well temperaments) with 12 or more unequal notes per octave&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Musical traditions of indigenous, ancient, and/or non-Western cultures&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Arabic,_Turkish,_Persian|Arabic, Turkish, Persian]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indian|Indian]] (North, South)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[African|African]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Thai&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pre-Columbian_South_American_Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indonesian|Indonesian]] (Java, Bali)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Ancient Greek, [http://orthodoxwiki.org/Byzantine_Chant&lt;/del&gt;#&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The_scale Byzantine]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;&lt;/del&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Regular_Temperaments|Regular Temperaments]] (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, &lt;/del&gt;to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;better meet a variety of compositional desires&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pergen|Pergens]], a way of classifying regular temperaments, constructing lattices for them, and determining their notation.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[MOSScales|Moment of Symmetry]], a means of iterating a single generative interval, modulo a period interval, to produce scales of two step-sizes. Brought to you by Erv Wilson&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Graham_complexity|Graham complexity]], a complexity measure which works well with MOS scales and rank two regular temperaments.&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Empirical|Empirical]] This is a form of hands-on, field research as opposed to a form of acoustical or scale engineering where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[tetrachord|Tetrachordal Scales]], which use divided fourths as building blocks for composition.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[isoharmonic_chords|Isoharmonic chords/scales]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pretty_Pictures|Pretty Pictures]] that represent scales in one way or another&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Notation|Notation]](pretty pictures for a the purpose of writing music down)&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Nominal-Accidental_Chains|Nominal-Accidental Chains]] A common approach to notation&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;the notion of a [[Scalesmith|Scalesmith]] who &#039;&#039;builds&#039;&#039; scales, with various methods, perhaps for single occasions&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Counter-intuitive, random, arbitrary scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Numerology-based, computationally demanding scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Scale stretching&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Acoustically-based (resonant frequencies of performance space, for example)&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;([[Corollaries|Corollaries]], traces left by other reality tunnels, which by themselves are completely trivial and obvious)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[redundancy|Redundancy]] in a &lt;/del&gt;tuning &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;system&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Composing Powerstart]]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=External links=&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Tonalsoft [http://www.tonalsoft.com/enc/encyclopedia.aspx Encyclopedia of microtonal music theory] - a whole sea of information on the topic, covering both historical tuning theories and modern developments&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://microtonalismo.com Microtonalismo] - Web microtonal&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://www.bikexprt.com/music/tunebibl.htm A bibliography on musical tunings and temperaments], compiled by John S. Allen&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Huygens-Fokker|Huygens-Fokker]] Foundation&#039;s [http://www.huygens-fokker.org/docs/bibliography.html Tuning &amp;amp;amp; temperament bibliography], hyperlinked and updated by Manuel op de Coul&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;The [http://www.untwelve.org UnTwelve] website has some pages of theoretical interest, including a [http://www.untwelve.org/what fascinating article] authored by Margo Schulter&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;German sister wiki [[:de:willkommen|&quot;Xenharmonie&quot;]]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;      &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:access]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:gate]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:theory]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:tunnels&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fredg999</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=84807&amp;oldid=prev</id>
		<title>Cmloegcmluin: /* Reality tunnels into microtonality */ I don&#039;t really know what this page is, or where to put this cool article I just discovered to make it more discoverable, but this seems like a good place</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=84807&amp;oldid=prev"/>
		<updated>2022-01-25T18:53:12Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Reality tunnels into microtonality: &lt;/span&gt; I don&amp;#039;t really know what this page is, or where to put this cool article I just discovered to make it more discoverable, but this seems like a good place&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:53, 25 January 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot;&gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Reality tunnels into microtonality=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Reality tunnels into microtonality=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Just intonation|Just Intonation]]: an infinite world of rational numbers and numerous models: the harmonic series, integer frequency ratios, tonality diamonds, eikosany, etc.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Equal-step tuning|Equal]] tunings: each one a subtle monoculture of intervals. May be treated as temperaments, or not&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;In Western common practice music, the (somewhat forgotten) use of [[historical_temperaments|historical temperaments]] (meantones, well temperaments) with 12 or more unequal notes per octave&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Musical traditions of indigenous, ancient, and/or non-Western cultures&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Arabic,_Turkish,_Persian|Arabic, Turkish, Persian]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indian|Indian]] (North, South)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[African|African]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Thai&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pre-Columbian_South_American_Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indonesian|Indonesian]] (Java, Bali)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Ancient Greek, [http://orthodoxwiki.org/Byzantine_Chant#The_scale Byzantine]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Regular_Temperaments|Regular Temperaments]] (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pergen|Pergens]], a way of classifying regular temperaments, constructing lattices for them, and determining their notation.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Just intonation|Just Intonation]]: an infinite world of rational numbers and numerous models: the harmonic series, integer frequency ratios, tonality diamonds, eikosany, etc.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Equal-step tuning|Equal]] tunings: each one a subtle monoculture of intervals. May be treated as temperaments, or not&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;In Western common practice music, the (somewhat forgotten) use of [[historical_temperaments|historical temperaments]] (meantones, well temperaments) with 12 or more unequal notes per octave&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Musical traditions of indigenous, ancient, and/or non-Western cultures&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Arabic,_Turkish,_Persian|Arabic, Turkish, Persian]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indian|Indian]] (North, South)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[African|African]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Thai&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pre-Columbian_South_American_Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indonesian|Indonesian]] (Java, Bali)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Ancient Greek, [http://orthodoxwiki.org/Byzantine_Chant#The_scale Byzantine]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Regular_Temperaments|Regular Temperaments]] (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pergen|Pergens]], a way of classifying regular temperaments, constructing lattices for them, and determining their notation.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[MOSScales|Moment of Symmetry]], a means of iterating a single generative interval, modulo a period interval, to produce scales of two step-sizes. Brought to you by Erv Wilson&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Graham_complexity|Graham complexity]], a complexity measure which works well with MOS scales and rank two regular temperaments.&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Empirical|Empirical]] This is a form of hands-on, field research as opposed to a form of acoustical or scale engineering where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[tetrachord|Tetrachordal Scales]], which use divided fourths as building blocks for composition.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[isoharmonic_chords|Isoharmonic chords/scales]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pretty_Pictures|Pretty Pictures]] that represent scales in one way or another&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Notation|Notation]](pretty pictures for a the purpose of writing music down)&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Nominal-Accidental_Chains|Nominal-Accidental Chains]] A common approach to notation&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;the notion of a [[Scalesmith|Scalesmith]] who &#039;&#039;builds&#039;&#039; scales, with various methods, perhaps for single occasions&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Counter-intuitive, random, arbitrary scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Numerology-based, computationally demanding scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Scale stretching&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Acoustically-based (resonant frequencies of performance space, for example)&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;([[Corollaries|Corollaries]], traces left by other reality tunnels, which by themselves are completely trivial and obvious)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[redundancy|Redundancy]] in a tuning system&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[MOSScales|Moment of Symmetry]], a means of iterating a single generative interval, modulo a period interval, to produce scales of two step-sizes. Brought to you by Erv Wilson&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Graham_complexity|Graham complexity]], a complexity measure which works well with MOS scales and rank two regular temperaments.&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Empirical|Empirical]] This is a form of hands-on, field research as opposed to a form of acoustical or scale engineering where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[tetrachord|Tetrachordal Scales]], which use divided fourths as building blocks for composition.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[isoharmonic_chords|Isoharmonic chords/scales]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pretty_Pictures|Pretty Pictures]] that represent scales in one way or another&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Notation|Notation]](pretty pictures for a the purpose of writing music down)&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Nominal-Accidental_Chains|Nominal-Accidental Chains]] A common approach to notation&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;the notion of a [[Scalesmith|Scalesmith]] who &#039;&#039;builds&#039;&#039; scales, with various methods, perhaps for single occasions&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Counter-intuitive, random, arbitrary scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Numerology-based, computationally demanding scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Scale stretching&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Acoustically-based (resonant frequencies of performance space, for example)&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;([[Corollaries|Corollaries]], traces left by other reality tunnels, which by themselves are completely trivial and obvious)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[redundancy|Redundancy]] in a tuning system&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Composing Powerstart]]&lt;/ins&gt;&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=External links=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=External links=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Cmloegcmluin</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=42529&amp;oldid=prev</id>
		<title>TallKite: added a link to the pergens page</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=42529&amp;oldid=prev"/>
		<updated>2019-12-07T02:46:38Z</updated>

		<summary type="html">&lt;p&gt;added a link to the pergens page&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:46, 7 December 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Reality tunnels into microtonality=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Reality tunnels into microtonality=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Just intonation|Just Intonation]]: an infinite world of rational numbers and numerous models: the harmonic series, integer frequency ratios, tonality diamonds, eikosany, etc.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Equal-step tuning|Equal]] tunings: each one a subtle monoculture of intervals. May be treated as temperaments, or not&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;In Western common practice music, the (somewhat forgotten) use of [[historical_temperaments|historical temperaments]] (meantones, well temperaments) with 12 or more unequal notes per octave&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Musical traditions of indigenous, ancient, and/or non-Western cultures&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Arabic,_Turkish,_Persian|Arabic, Turkish, Persian]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indian|Indian]] (North, South)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[African|African]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Thai&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pre-Columbian_South_American_Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indonesian|Indonesian]] (Java, Bali)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Ancient Greek, [http://orthodoxwiki.org/Byzantine_Chant#The_scale Byzantine]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Regular_Temperaments|Regular Temperaments]] (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[MOSScales|Moment of Symmetry]], a means of iterating a single generative interval, modulo a period interval, to produce scales of two step-sizes. Brought to you by Erv Wilson&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Graham_complexity|Graham complexity]], a complexity measure which works well with MOS scales and rank two regular temperaments.&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Empirical|Empirical]] This is a form of hands-on, field research as opposed to a form of acoustical or scale engineering where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[tetrachord|Tetrachordal Scales]], which use divided fourths as building blocks for composition.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[isoharmonic_chords|Isoharmonic chords/scales]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pretty_Pictures|Pretty Pictures]] that represent scales in one way or another&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Notation|Notation]](pretty pictures for a the purpose of writing music down)&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Nominal-Accidental_Chains|Nominal-Accidental Chains]] A common approach to notation&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;the notion of a [[Scalesmith|Scalesmith]] who &#039;&#039;builds&#039;&#039; scales, with various methods, perhaps for single occasions&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Counter-intuitive, random, arbitrary scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Numerology-based, computationally demanding scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Scale stretching&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Acoustically-based (resonant frequencies of performance space, for example)&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;([[Corollaries|Corollaries]], traces left by other reality tunnels, which by themselves are completely trivial and obvious)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[redundancy|Redundancy]] in a tuning system&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Just intonation|Just Intonation]]: an infinite world of rational numbers and numerous models: the harmonic series, integer frequency ratios, tonality diamonds, eikosany, etc.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Equal-step tuning|Equal]] tunings: each one a subtle monoculture of intervals. May be treated as temperaments, or not&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;In Western common practice music, the (somewhat forgotten) use of [[historical_temperaments|historical temperaments]] (meantones, well temperaments) with 12 or more unequal notes per octave&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Musical traditions of indigenous, ancient, and/or non-Western cultures&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Arabic,_Turkish,_Persian|Arabic, Turkish, Persian]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indian|Indian]] (North, South)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[African|African]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Thai&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pre-Columbian_South_American_Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indonesian|Indonesian]] (Java, Bali)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Ancient Greek, [http://orthodoxwiki.org/Byzantine_Chant#The_scale Byzantine]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Regular_Temperaments|Regular Temperaments]] (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pergen|Pergens]], a way of classifying regular temperaments, constructing lattices for them, and determining their notation.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[MOSScales|Moment of Symmetry]], a means of iterating a single generative interval, modulo a period interval, to produce scales of two step-sizes. Brought to you by Erv Wilson&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Graham_complexity|Graham complexity]], a complexity measure which works well with MOS scales and rank two regular temperaments.&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Empirical|Empirical]] This is a form of hands-on, field research as opposed to a form of acoustical or scale engineering where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[tetrachord|Tetrachordal Scales]], which use divided fourths as building blocks for composition.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[isoharmonic_chords|Isoharmonic chords/scales]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pretty_Pictures|Pretty Pictures]] that represent scales in one way or another&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Notation|Notation]](pretty pictures for a the purpose of writing music down)&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Nominal-Accidental_Chains|Nominal-Accidental Chains]] A common approach to notation&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;the notion of a [[Scalesmith|Scalesmith]] who &#039;&#039;builds&#039;&#039; scales, with various methods, perhaps for single occasions&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Counter-intuitive, random, arbitrary scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Numerology-based, computationally demanding scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Scale stretching&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Acoustically-based (resonant frequencies of performance space, for example)&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;([[Corollaries|Corollaries]], traces left by other reality tunnels, which by themselves are completely trivial and obvious)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[redundancy|Redundancy]] in a tuning system&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=External links=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=External links=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>TallKite</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=39489&amp;oldid=prev</id>
		<title>ResonantFrequencies: links, typos</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=39489&amp;oldid=prev"/>
		<updated>2019-01-11T04:34:20Z</updated>

		<summary type="html">&lt;p&gt;links, typos&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:34, 11 January 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Reality tunnels into microtonality=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=Reality tunnels into microtonality=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;JustIntonation&lt;/del&gt;|Just Intonation]]: an infinite world of rational numbers and numerous models: the harmonic series, integer frequency ratios, tonality diamonds, eikosany, etc.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Equal_Temperaments&lt;/del&gt;|Equal]] tunings: each one a subtle monoculture of intervals. May be treated as temperaments, or not&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;In Western common practice music, the (somewhat forgotten) use of [[historical_temperaments|historical temperaments]] (meantones, well temperaments) with 12 or more unequal notes per octave&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Musical traditions of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;indigienous&lt;/del&gt;, ancient, and/or non-Western cultures&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Arabic,_Turkish,_Persian|Arabic, Turkish, Persian]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indian|Indian]] (North, South)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[African|African]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Thai&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pre-Columbian_South_American_Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indonesian|Indonesian]] (Java, Bali)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Ancient Greek, [http://orthodoxwiki.org/Byzantine_Chant#The_scale Byzantine]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Regular_Temperaments|Regular Temperaments]] (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[MOSScales|Moment of Symmetry]], a means of iterating a single generative interval, modulo a period interval, to produce scales of two step-sizes. Brought to you by Erv Wilson&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Graham_complexity|Graham complexity]], a complexity measure which works well with MOS scales and rank two regular temperaments.&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Empirical|Empirical]] This is a form of hands-on, field research as opposed to a form of acoustical or scale engineering where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[tetrachord|Tetrachordal Scales]], which use divided fourths as building blocks for composition.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[isoharmonic_chords|Isoharmonic chords/scales]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pretty_Pictures|Pretty Pictures]] that represent scales in one way or another&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Notation|Notation]](pretty pictures for a the purpose of writing music down)&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Nominal-Accidental_Chains|Nominal-Accidental Chains]] A common approach to notation&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;the notion of a [[Scalesmith|Scalesmith]] who &#039;&#039;builds&#039;&#039;scales, with various methods, perhaps for single occasions&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Counter-intuitive, random, arbitrary scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Numerology-based, computationally demanding scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Scale stretching&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Acoustically-based (resonant frequencies of performance space, for example)&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;([[Corollaries|Corollaries]], traces left by other reality tunnels, which by themselves are completely trivial and obvious)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[redundancy|Redundancy]] in a tuning system&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Just intonation&lt;/ins&gt;|Just Intonation]]: an infinite world of rational numbers and numerous models: the harmonic series, integer frequency ratios, tonality diamonds, eikosany, etc.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Equal-step tuning&lt;/ins&gt;|Equal]] tunings: each one a subtle monoculture of intervals. May be treated as temperaments, or not&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;In Western common practice music, the (somewhat forgotten) use of [[historical_temperaments|historical temperaments]] (meantones, well temperaments) with 12 or more unequal notes per octave&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Musical traditions of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;indigenous&lt;/ins&gt;, ancient, and/or non-Western cultures&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Arabic,_Turkish,_Persian|Arabic, Turkish, Persian]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indian|Indian]] (North, South)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[African|African]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Thai&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pre-Columbian_South_American_Music|Pre-Columbian South American]] (e.g. Maya, Inca, Aztec..)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Indonesian|Indonesian]] (Java, Bali)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Ancient Greek, [http://orthodoxwiki.org/Byzantine_Chant#The_scale Byzantine]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Regular_Temperaments|Regular Temperaments]] (including Linear Temperaments): a centuries-old practice that has recently undergone a mathematical facelift, in which Just Intonation is selectively and regularly detuned in various ways, to better meet a variety of compositional desires&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[MOSScales|Moment of Symmetry]], a means of iterating a single generative interval, modulo a period interval, to produce scales of two step-sizes. Brought to you by Erv Wilson&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Graham_complexity|Graham complexity]], a complexity measure which works well with MOS scales and rank two regular temperaments.&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Empirical|Empirical]] This is a form of hands-on, field research as opposed to a form of acoustical or scale engineering where tunings are specifically derived from listening and playing experiments carried out in the pitch continuum.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[tetrachord|Tetrachordal Scales]], which use divided fourths as building blocks for composition.&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[isoharmonic_chords|Isoharmonic chords/scales]]&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Pretty_Pictures|Pretty Pictures]] that represent scales in one way or another&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Notation|Notation]](pretty pictures for a the purpose of writing music down)&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;[[Nominal-Accidental_Chains|Nominal-Accidental Chains]] A common approach to notation&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;the notion of a [[Scalesmith|Scalesmith]] who &#039;&#039;builds&#039;&#039; scales, with various methods, perhaps for single occasions&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Counter-intuitive, random, arbitrary scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Numerology-based, computationally demanding scales&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Scale stretching&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;Acoustically-based (resonant frequencies of performance space, for example)&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;([[Corollaries|Corollaries]], traces left by other reality tunnels, which by themselves are completely trivial and obvious)&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[redundancy|Redundancy]] in a tuning system&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=External links=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=External links=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Tonalsoft [http://www.tonalsoft.com/enc/encyclopedia.aspx Encyclopedia of microtonal music theory] - a whole sea of information on the topic, covering both historical tuning theories and modern developments&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://microtonalismo.com Microtonalismo] - Web microtonal&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://www.bikexprt.com/music/tunebibl.htm A bibliography on musical tunings and temperaments], compiled by John S. Allen&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Huygens-Fokker|Huygens-Fokker]] Foundation&#039;s [http://www.huygens-fokker.org/docs/bibliography.html Tuning &amp;amp;amp; temperament bibliography], hyperlinked and updated by Manuel op de Coul&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;The [http://www.untwelve.org UnTwelve] website has some pages of theoretical interest, including a [http://www.untwelve.org/what fascinating article] authored by Margo Schulter&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;German sister wiki [[:de:willkommen|&quot;Xenharmonie&quot;]]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;      [[Category:access]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Tonalsoft [http://www.tonalsoft.com/enc/encyclopedia.aspx Encyclopedia of microtonal music theory] - a whole sea of information on the topic, covering both historical tuning theories and modern developments&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://microtonalismo.com Microtonalismo] - Web microtonal&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://www.bikexprt.com/music/tunebibl.htm A bibliography on musical tunings and temperaments], compiled by John S. Allen&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Huygens-Fokker|Huygens-Fokker]] Foundation&#039;s [http://www.huygens-fokker.org/docs/bibliography.html Tuning &amp;amp;amp; temperament bibliography], hyperlinked and updated by Manuel op de Coul&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;The [http://www.untwelve.org UnTwelve] website has some pages of theoretical interest, including a [http://www.untwelve.org/what fascinating article] authored by Margo Schulter&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;German sister wiki [[:de:willkommen|&quot;Xenharmonie&quot;]]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;       &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:access]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:gate]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:gate]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:theory]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:theory]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:tunnels]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:tunnels]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>ResonantFrequencies</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=35918&amp;oldid=prev</id>
		<title>Tyler Henthorn: Heading syntax fix</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=35918&amp;oldid=prev"/>
		<updated>2018-10-03T06:05:02Z</updated>

		<summary type="html">&lt;p&gt;Heading syntax fix&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:05, 3 October 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=External links=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=External links=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Tonalsoft [http://www.tonalsoft.com/enc/encyclopedia.aspx Encyclopedia of microtonal music theory] - a whole sea of information on the topic, covering both historical tuning theories and modern developments&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://microtonalismo.com Microtonalismo] - Web microtonal&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://www.bikexprt.com/music/tunebibl.htm A bibliography on musical tunings and temperaments], compiled by John S. Allen&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Huygens-Fokker|Huygens-Fokker]] Foundation&amp;#039;s [http://www.huygens-fokker.org/docs/bibliography.html Tuning &amp;amp;amp; temperament bibliography], hyperlinked and updated by Manuel op de Coul&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;The [http://www.untwelve.org UnTwelve] website has some pages of theoretical interest, including a [http://www.untwelve.org/what fascinating article] authored by Margo Schulter&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;German sister wiki [[:de:willkommen|&amp;quot;Xenharmonie&amp;quot;]]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;      [[Category:access]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Tonalsoft [http://www.tonalsoft.com/enc/encyclopedia.aspx Encyclopedia of microtonal music theory] - a whole sea of information on the topic, covering both historical tuning theories and modern developments&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://microtonalismo.com Microtonalismo] - Web microtonal&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://www.bikexprt.com/music/tunebibl.htm A bibliography on musical tunings and temperaments], compiled by John S. Allen&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Huygens-Fokker|Huygens-Fokker]] Foundation&amp;#039;s [http://www.huygens-fokker.org/docs/bibliography.html Tuning &amp;amp;amp; temperament bibliography], hyperlinked and updated by Manuel op de Coul&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;The [http://www.untwelve.org UnTwelve] website has some pages of theoretical interest, including a [http://www.untwelve.org/what fascinating article] authored by Margo Schulter&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;German sister wiki [[:de:willkommen|&amp;quot;Xenharmonie&amp;quot;]]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;      [[Category:access]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:gate]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:gate]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:theory]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:theory]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:tunnels]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:tunnels]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Tyler Henthorn</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=35917&amp;oldid=prev</id>
		<title>Avenarius: /* URI for article by Margo Schulter fixed */</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=35917&amp;oldid=prev"/>
		<updated>2018-10-03T05:53:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;URI for article by Margo Schulter fixed&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:53, 3 October 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot;&gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Tonalsoft [http://www.tonalsoft.com/enc/encyclopedia.aspx Encyclopedia of microtonal music theory] - a whole sea of information on the topic, covering both historical tuning theories and modern developments&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://microtonalismo.com Microtonalismo] - Web microtonal&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://www.bikexprt.com/music/tunebibl.htm A bibliography on musical tunings and temperaments], compiled by John S. Allen&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Huygens-Fokker|Huygens-Fokker]] Foundation&#039;s [http://www.huygens-fokker.org/docs/bibliography.html Tuning &amp;amp;amp; temperament bibliography], hyperlinked and updated by Manuel op de Coul&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;The [http://www.untwelve.org UnTwelve] website has some pages of theoretical interest, including a [http://www.untwelve.org/what&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.html &lt;/del&gt;fascinating article] authored by Margo Schulter&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;German sister wiki [[:de:willkommen|&quot;Xenharmonie&quot;]]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;      [[Category:access]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Tonalsoft [http://www.tonalsoft.com/enc/encyclopedia.aspx Encyclopedia of microtonal music theory] - a whole sea of information on the topic, covering both historical tuning theories and modern developments&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://microtonalismo.com Microtonalismo] - Web microtonal&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://www.bikexprt.com/music/tunebibl.htm A bibliography on musical tunings and temperaments], compiled by John S. Allen&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Huygens-Fokker|Huygens-Fokker]] Foundation&#039;s [http://www.huygens-fokker.org/docs/bibliography.html Tuning &amp;amp;amp; temperament bibliography], hyperlinked and updated by Manuel op de Coul&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;The [http://www.untwelve.org UnTwelve] website has some pages of theoretical interest, including a [http://www.untwelve.org/what fascinating article] authored by Margo Schulter&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;German sister wiki [[:de:willkommen|&quot;Xenharmonie&quot;]]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;      [[Category:access]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:gate]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:gate]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:theory]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:theory]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:tunnels]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:tunnels]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Avenarius</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=32300&amp;oldid=prev</id>
		<title>Mike Battaglia: Text replacement - &quot;(\[\[\:(dev|es|purdal|de|en):[^[:space:]\|]*) (.*])&quot; to &quot;$1|$3&quot;</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=32300&amp;oldid=prev"/>
		<updated>2018-09-17T00:09:14Z</updated>

		<summary type="html">&lt;p&gt;Text replacement - &amp;quot;(\[\[\:(dev|es|purdal|de|en):[^[:space:]\|]*) (.*])&amp;quot; to &amp;quot;$1|$3&amp;quot;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:09, 17 September 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot;&gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Tonalsoft [http://www.tonalsoft.com/enc/encyclopedia.aspx Encyclopedia of microtonal music theory] - a whole sea of information on the topic, covering both historical tuning theories and modern developments&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://microtonalismo.com Microtonalismo] - Web microtonal&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://www.bikexprt.com/music/tunebibl.htm A bibliography on musical tunings and temperaments], compiled by John S. Allen&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Huygens-Fokker|Huygens-Fokker]] Foundation&#039;s [http://www.huygens-fokker.org/docs/bibliography.html Tuning &amp;amp;amp; temperament bibliography], hyperlinked and updated by Manuel op de Coul&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;The [http://www.untwelve.org UnTwelve] website has some pages of theoretical interest, including a [http://www.untwelve.org/what.html fascinating article] authored by Margo Schulter&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;German sister wiki [[:de:willkommen &quot;Xenharmonie&quot;]]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;      [[Category:access]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ul&amp;gt;&amp;lt;li&amp;gt;Tonalsoft [http://www.tonalsoft.com/enc/encyclopedia.aspx Encyclopedia of microtonal music theory] - a whole sea of information on the topic, covering both historical tuning theories and modern developments&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://microtonalismo.com Microtonalismo] - Web microtonal&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[http://www.bikexprt.com/music/tunebibl.htm A bibliography on musical tunings and temperaments], compiled by John S. Allen&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;[[Huygens-Fokker|Huygens-Fokker]] Foundation&#039;s [http://www.huygens-fokker.org/docs/bibliography.html Tuning &amp;amp;amp; temperament bibliography], hyperlinked and updated by Manuel op de Coul&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;The [http://www.untwelve.org UnTwelve] website has some pages of theoretical interest, including a [http://www.untwelve.org/what.html fascinating article] authored by Margo Schulter&amp;lt;/li&amp;gt;&amp;lt;li&amp;gt;German sister wiki [[:de:willkommen&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/ins&gt;&quot;Xenharmonie&quot;]]&amp;lt;/li&amp;gt;&amp;lt;/ul&amp;gt;      [[Category:access]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:gate]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:gate]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:theory]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:theory]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:tunnels]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:tunnels]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Mike Battaglia</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=2643&amp;oldid=prev</id>
		<title>Wikispaces&gt;FREEZE at 00:00, 17 July 2018</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=2643&amp;oldid=prev"/>
		<updated>2018-07-17T00:00:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;amp;diff=2643&amp;amp;oldid=20784&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Wikispaces&gt;FREEZE</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=20784&amp;oldid=prev</id>
		<title>Wikispaces&gt;xenwolf: **Imported revision 431244450 - Original comment: German sister wiki (WIP) added**</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=MicrotonalTheory&amp;diff=20784&amp;oldid=prev"/>
		<updated>2013-05-13T17:00:27Z</updated>

		<summary type="html">&lt;p&gt;**Imported revision 431244450 - Original comment: German sister wiki (WIP) added**&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:00, 13 May 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;h2&amp;gt;IMPORTED REVISION FROM WIKISPACES&amp;lt;/h2&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;h2&amp;gt;IMPORTED REVISION FROM WIKISPACES&amp;lt;/h2&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is an imported revision from Wikispaces. The revision metadata is included below for reference:&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is an imported revision from Wikispaces. The revision metadata is included below for reference:&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;: This revision was by author [[User:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;genewardsmith&lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;genewardsmith&lt;/del&gt;]] and made on &amp;lt;tt&amp;gt;2013-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;03&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;30 &lt;/del&gt;13:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;32&lt;/del&gt;:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;54 &lt;/del&gt;UTC&amp;lt;/tt&amp;gt;.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;: This revision was by author [[User:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;xenwolf&lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;xenwolf&lt;/ins&gt;]] and made on &amp;lt;tt&amp;gt;2013-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;05&lt;/ins&gt;-13 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;17&lt;/ins&gt;:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;00&lt;/ins&gt;:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;27 &lt;/ins&gt;UTC&amp;lt;/tt&amp;gt;.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;: The original revision id was &amp;lt;tt&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;418939438&lt;/del&gt;&amp;lt;/tt&amp;gt;.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;: The original revision id was &amp;lt;tt&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;431244450&lt;/ins&gt;&amp;lt;/tt&amp;gt;.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;: The revision comment was: &amp;lt;tt&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Reverted to May 20, 2012 11:53 pm: spam&lt;/del&gt;&amp;lt;/tt&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;: The revision comment was: &amp;lt;tt&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;German sister wiki (WIP) added&lt;/ins&gt;&amp;lt;/tt&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;h4&amp;gt;Original Wikitext content:&amp;lt;/h4&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;h4&amp;gt;Original Wikitext content:&amp;lt;/h4&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l48&quot;&gt;Line 48:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 48:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[http://www.bikexprt.com/music/tunebibl.htm|A bibliography on musical tunings and temperaments]], compiled by John S. Allen&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[http://www.bikexprt.com/music/tunebibl.htm|A bibliography on musical tunings and temperaments]], compiled by John S. Allen&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Huygens-Fokker]] Foundation&amp;#039;s [[http://www.huygens-fokker.org/docs/bibliography.html|Tuning &amp;amp;amp; temperament bibliography]], hyperlinked and updated by Manuel op de Coul&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Huygens-Fokker]] Foundation&amp;#039;s [[http://www.huygens-fokker.org/docs/bibliography.html|Tuning &amp;amp;amp; temperament bibliography]], hyperlinked and updated by Manuel op de Coul&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The [[http://www.untwelve.org|UnTwelve]] website has some pages of theoretical interest, including a [[http://www.untwelve.org/what.html|fascinating article]] authored by Margo Schulter&amp;lt;/pre&amp;gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The [[http://www.untwelve.org|UnTwelve]] website has some pages of theoretical interest, including a [[http://www.untwelve.org/what.html|fascinating article]] authored by Margo Schulter&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* German sister wiki [[xenharmonie/willkommen|&quot;Xenharmonie&quot;]]&lt;/ins&gt;&amp;lt;/pre&amp;gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;h4&amp;gt;Original HTML content:&amp;lt;/h4&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;h4&amp;gt;Original HTML content:&amp;lt;/h4&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em&amp;quot;&amp;gt;&amp;lt;pre style=&amp;quot;margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important&amp;quot; class=&amp;quot;old-revision-html&amp;quot;&amp;gt;&amp;amp;lt;html&amp;amp;gt;&amp;amp;lt;head&amp;amp;gt;&amp;amp;lt;title&amp;amp;gt;MicrotonalTheory&amp;amp;lt;/title&amp;amp;gt;&amp;amp;lt;/head&amp;amp;gt;&amp;amp;lt;body&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextTocRule:8:&amp;amp;amp;lt;img id=&amp;amp;amp;quot;wikitext@@toc@@flat&amp;amp;amp;quot; class=&amp;amp;amp;quot;WikiMedia WikiMediaTocFlat&amp;amp;amp;quot; title=&amp;amp;amp;quot;Table of Contents&amp;amp;amp;quot; src=&amp;amp;amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;amp;amp;h=16&amp;amp;amp;quot;/&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextTocRule:8 --&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextTocRule:9: --&amp;amp;gt;&amp;amp;lt;a href=&amp;quot;#Theory: Inventions that shape understanding&amp;quot;&amp;amp;gt;Theory: Inventions that shape understanding&amp;amp;lt;/a&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextTocRule:9 --&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextTocRule:10: --&amp;amp;gt; | &amp;amp;lt;a href=&amp;quot;#Reality tunnels into microtonality&amp;quot;&amp;amp;gt;Reality tunnels into microtonality&amp;amp;lt;/a&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextTocRule:10 --&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextTocRule:11: --&amp;amp;gt; | &amp;amp;lt;a href=&amp;quot;#External links&amp;quot;&amp;amp;gt;External links&amp;amp;lt;/a&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextTocRule:11 --&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextTocRule:12: --&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextTocRule:12 --&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextTocRule:13: --&amp;amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em&amp;quot;&amp;gt;&amp;lt;pre style=&amp;quot;margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important&amp;quot; class=&amp;quot;old-revision-html&amp;quot;&amp;gt;&amp;amp;lt;html&amp;amp;gt;&amp;amp;lt;head&amp;amp;gt;&amp;amp;lt;title&amp;amp;gt;MicrotonalTheory&amp;amp;lt;/title&amp;amp;gt;&amp;amp;lt;/head&amp;amp;gt;&amp;amp;lt;body&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextTocRule:8:&amp;amp;amp;lt;img id=&amp;amp;amp;quot;wikitext@@toc@@flat&amp;amp;amp;quot; class=&amp;amp;amp;quot;WikiMedia WikiMediaTocFlat&amp;amp;amp;quot; title=&amp;amp;amp;quot;Table of Contents&amp;amp;amp;quot; src=&amp;amp;amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;amp;amp;h=16&amp;amp;amp;quot;/&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextTocRule:8 --&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextTocRule:9: --&amp;amp;gt;&amp;amp;lt;a href=&amp;quot;#Theory: Inventions that shape understanding&amp;quot;&amp;amp;gt;Theory: Inventions that shape understanding&amp;amp;lt;/a&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextTocRule:9 --&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextTocRule:10: --&amp;amp;gt; | &amp;amp;lt;a href=&amp;quot;#Reality tunnels into microtonality&amp;quot;&amp;amp;gt;Reality tunnels into microtonality&amp;amp;lt;/a&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextTocRule:10 --&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextTocRule:11: --&amp;amp;gt; | &amp;amp;lt;a href=&amp;quot;#External links&amp;quot;&amp;amp;gt;External links&amp;amp;lt;/a&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextTocRule:11 --&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextTocRule:12: --&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextTocRule:12 --&amp;amp;gt;&amp;amp;lt;!-- ws:start:WikiTextTocRule:13: --&amp;amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l61&quot;&gt;Line 61:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 62:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;amp;lt;!-- ws:start:WikiTextHeadingRule:4:&amp;amp;amp;lt;h1&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;h1 id=&amp;quot;toc2&amp;quot;&amp;amp;gt;&amp;amp;lt;a name=&amp;quot;External links&amp;quot;&amp;amp;gt;&amp;amp;lt;/a&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextHeadingRule:4 --&amp;amp;gt;External links&amp;amp;lt;/h1&amp;amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;amp;lt;!-- ws:start:WikiTextHeadingRule:4:&amp;amp;amp;lt;h1&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;h1 id=&amp;quot;toc2&amp;quot;&amp;amp;gt;&amp;amp;lt;a name=&amp;quot;External links&amp;quot;&amp;amp;gt;&amp;amp;lt;/a&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextHeadingRule:4 --&amp;amp;gt;External links&amp;amp;lt;/h1&amp;amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &amp;amp;lt;!-- ws:start:WikiTextHeadingRule:6:&amp;amp;amp;lt;h2&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;h2 id=&amp;quot;toc3&amp;quot;&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextHeadingRule:6 --&amp;amp;gt; &amp;amp;lt;/h2&amp;amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &amp;amp;lt;!-- ws:start:WikiTextHeadingRule:6:&amp;amp;amp;lt;h2&amp;amp;amp;gt; --&amp;amp;gt;&amp;amp;lt;h2 id=&amp;quot;toc3&amp;quot;&amp;amp;gt;&amp;amp;lt;!-- ws:end:WikiTextHeadingRule:6 --&amp;amp;gt; &amp;amp;lt;/h2&amp;amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &amp;amp;lt;ul&amp;amp;gt;&amp;amp;lt;li&amp;amp;gt;Tonalsoft &amp;amp;lt;a class=&quot;wiki_link_ext&quot; href=&quot;http://www.tonalsoft.com/enc/encyclopedia.aspx&quot; rel=&quot;nofollow&quot;&amp;amp;gt;Encyclopedia of microtonal music theory&amp;amp;lt;/a&amp;amp;gt; - a whole sea of information on the topic, covering both historical tuning theories and modern developments&amp;amp;lt;/li&amp;amp;gt;&amp;amp;lt;li&amp;amp;gt;&amp;amp;lt;a class=&quot;wiki_link_ext&quot; href=&quot;http://microtonalismo.com&quot; rel=&quot;nofollow&quot;&amp;amp;gt;Microtonalismo&amp;amp;lt;/a&amp;amp;gt; - Web microtonal&amp;amp;lt;/li&amp;amp;gt;&amp;amp;lt;li&amp;amp;gt;&amp;amp;lt;a class=&quot;wiki_link_ext&quot; href=&quot;http://www.bikexprt.com/music/tunebibl.htm&quot; rel=&quot;nofollow&quot;&amp;amp;gt;A bibliography on musical tunings and temperaments&amp;amp;lt;/a&amp;amp;gt;, compiled by John S. Allen&amp;amp;lt;/li&amp;amp;gt;&amp;amp;lt;li&amp;amp;gt;&amp;amp;lt;a class=&quot;wiki_link&quot; href=&quot;/Huygens-Fokker&quot;&amp;amp;gt;Huygens-Fokker&amp;amp;lt;/a&amp;amp;gt; Foundation&#039;s &amp;amp;lt;a class=&quot;wiki_link_ext&quot; href=&quot;http://www.huygens-fokker.org/docs/bibliography.html&quot; rel=&quot;nofollow&quot;&amp;amp;gt;Tuning &amp;amp;amp;amp; temperament bibliography&amp;amp;lt;/a&amp;amp;gt;, hyperlinked and updated by Manuel op de Coul&amp;amp;lt;/li&amp;amp;gt;&amp;amp;lt;li&amp;amp;gt;The &amp;amp;lt;a class=&quot;wiki_link_ext&quot; href=&quot;http://www.untwelve.org&quot; rel=&quot;nofollow&quot;&amp;amp;gt;UnTwelve&amp;amp;lt;/a&amp;amp;gt; website has some pages of theoretical interest, including a &amp;amp;lt;a class=&quot;wiki_link_ext&quot; href=&quot;http://www.untwelve.org/what.html&quot; rel=&quot;nofollow&quot;&amp;amp;gt;fascinating article&amp;amp;lt;/a&amp;amp;gt; authored by Margo Schulter&amp;amp;lt;/li&amp;amp;gt;&amp;amp;lt;/ul&amp;amp;gt;&amp;amp;lt;/body&amp;amp;gt;&amp;amp;lt;/html&amp;amp;gt;&amp;lt;/pre&amp;gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  &amp;amp;lt;ul&amp;amp;gt;&amp;amp;lt;li&amp;amp;gt;Tonalsoft &amp;amp;lt;a class=&quot;wiki_link_ext&quot; href=&quot;http://www.tonalsoft.com/enc/encyclopedia.aspx&quot; rel=&quot;nofollow&quot;&amp;amp;gt;Encyclopedia of microtonal music theory&amp;amp;lt;/a&amp;amp;gt; - a whole sea of information on the topic, covering both historical tuning theories and modern developments&amp;amp;lt;/li&amp;amp;gt;&amp;amp;lt;li&amp;amp;gt;&amp;amp;lt;a class=&quot;wiki_link_ext&quot; href=&quot;http://microtonalismo.com&quot; rel=&quot;nofollow&quot;&amp;amp;gt;Microtonalismo&amp;amp;lt;/a&amp;amp;gt; - Web microtonal&amp;amp;lt;/li&amp;amp;gt;&amp;amp;lt;li&amp;amp;gt;&amp;amp;lt;a class=&quot;wiki_link_ext&quot; href=&quot;http://www.bikexprt.com/music/tunebibl.htm&quot; rel=&quot;nofollow&quot;&amp;amp;gt;A bibliography on musical tunings and temperaments&amp;amp;lt;/a&amp;amp;gt;, compiled by John S. Allen&amp;amp;lt;/li&amp;amp;gt;&amp;amp;lt;li&amp;amp;gt;&amp;amp;lt;a class=&quot;wiki_link&quot; href=&quot;/Huygens-Fokker&quot;&amp;amp;gt;Huygens-Fokker&amp;amp;lt;/a&amp;amp;gt; Foundation&#039;s &amp;amp;lt;a class=&quot;wiki_link_ext&quot; href=&quot;http://www.huygens-fokker.org/docs/bibliography.html&quot; rel=&quot;nofollow&quot;&amp;amp;gt;Tuning &amp;amp;amp;amp; temperament bibliography&amp;amp;lt;/a&amp;amp;gt;, hyperlinked and updated by Manuel op de Coul&amp;amp;lt;/li&amp;amp;gt;&amp;amp;lt;li&amp;amp;gt;The &amp;amp;lt;a class=&quot;wiki_link_ext&quot; href=&quot;http://www.untwelve.org&quot; rel=&quot;nofollow&quot;&amp;amp;gt;UnTwelve&amp;amp;lt;/a&amp;amp;gt; website has some pages of theoretical interest, including a &amp;amp;lt;a class=&quot;wiki_link_ext&quot; href=&quot;http://www.untwelve.org/what.html&quot; rel=&quot;nofollow&quot;&amp;amp;gt;fascinating article&amp;amp;lt;/a&amp;amp;gt; authored by Margo Schulter&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;lt;/li&amp;amp;gt;&amp;amp;lt;li&amp;amp;gt;German sister wiki &amp;amp;lt;a class=&quot;wiki_link&quot; href=&quot;http://xenharmonie.wikispaces.com/willkommen&quot;&amp;amp;gt;&amp;amp;amp;quot;Xenharmonie&amp;amp;amp;quot;&amp;amp;lt;/a&amp;amp;gt;&lt;/ins&gt;&amp;amp;lt;/li&amp;amp;gt;&amp;amp;lt;/ul&amp;amp;gt;&amp;amp;lt;/body&amp;amp;gt;&amp;amp;lt;/html&amp;amp;gt;&amp;lt;/pre&amp;gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wikispaces&gt;xenwolf</name></author>
	</entry>
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