Lumatone mapping for 19edo - Revision history

Lucius Chiaraviglio: /* Clyde + Sensei + Negri */ Add link from Clyde to Hanson

2025-12-21T09:30:15Z

Clyde + Sensei + Negri: Add link from Clyde to Hanson

← Older revision		Revision as of 09:30, 21 December 2025
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	== Clyde + Sensei + Negri ==		== Clyde + Sensei + Negri ==

	19edo notably does not have a neutral third, and thus no neutral thirds mapping. The closest thing to a neutral thirds mapping is [[Bryan Deister]]'s mapping that supports both a [[9L 1s]] scale, as in [[Negri]] temperament, and an [[8L 3s]] scale, as in [[Clyde]] and [[Sensei]] temperaments, in both cases with a 2:1 step ratio, in [https://www.youtube.com/shorts/mJq3-_n4RT8 ''19edo improv''] (2025). The Negri generator 2\19 (a minor second) is very simple in key movements, being one step right from the root note; this functions as flat ~[[13/12]], near-just ~[[14/13]], moderately sharp ~[[15/14]], and (key for Negri) sharp ~[[16/15]] (the classical diatonic semitone). The generator for Clyde is 5\19 (a near-just classic minor third ~[[6/5]]); reaching it requires movement two keys right from the root note plus one key up or (preferably) down-right. The generator for Sensei (a sub-temperament of [[Sensi]] is 7\19 (a supermajor third) that functions as moderately sharp ~[[9/7]] (key for Sensi), flat ~[[13/10]], very flat ~[[21/16]], and very sharp ~[[32/25]]; reaching it requires movement three keys right from the root note plus one key up or (preferably) down-right. The range is just over three octaves (although they are almost perfectly level), but on the other hand, if one is willing to trade out easy playing of Negri, this mapping enables division into three complete middle manuals plus a nearly complete bottom manual plus a partial top manual (and other permutations could be enabled by moving the root note and/or the divisions between manuals).		19edo notably does not have a neutral third, and thus no neutral thirds mapping. The closest thing to a neutral thirds mapping is [[Bryan Deister]]'s mapping that supports both a [[9L 1s]] scale, as in [[Negri]] temperament, and an [[8L 3s]] scale, as in [[Clyde]] and [[Sensei]] temperaments, in both cases with a 2:1 step ratio, in [https://www.youtube.com/shorts/mJq3-_n4RT8 ''19edo improv''] (2025). The Negri generator 2\19 (a minor second) is very simple in key movements, being one step right from the root note; this functions as flat ~[[13/12]], near-just ~[[14/13]], moderately sharp ~[[15/14]], and (key for Negri) sharp ~[[16/15]] (the classical diatonic semitone). The generator for Clyde (a [[Hanson]] sub-temperament) is 5\19 (a near-just classic minor third ~[[6/5]]); reaching it requires movement two keys right from the root note plus one key up or (preferably) down-right. The generator for Sensei (a sub-temperament of [[Sensi]] is 7\19 (a supermajor third) that functions as moderately sharp ~[[9/7]] (key for Sensi), flat ~[[13/10]], very flat ~[[21/16]], and very sharp ~[[32/25]]; reaching it requires movement three keys right from the root note plus one key up or (preferably) down-right. The range is just over three octaves (although they are almost perfectly level), but on the other hand, if one is willing to trade out easy playing of Negri, this mapping enables division into three complete middle manuals plus a nearly complete bottom manual plus a partial top manual (and other permutations could be enabled by moving the root note and/or the divisions between manuals).
	{{Lumatone EDO mapping\|n=19\|start=0\|xstep=2\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=0\|xstep=2\|ystep=-1}}

Lucius Chiaraviglio: Reorganize, and add Bryan Deister's Clyde + Sensei + Negri mapping

2025-12-21T09:26:47Z

Reorganize, and add Bryan Deister's Clyde + Sensei + Negri mapping

← Older revision		Revision as of 09:26, 21 December 2025
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	This is "Preset 4 — 19-ET Bosanquet" in version 1.0 of the official manual, and "Preset 5 — 19-EDO Bosanquet" in version 1.21.		This is "Preset 4 — 19-ET Bosanquet" in version 1.0 of the official manual, and "Preset 5 — 19-EDO Bosanquet" in version 1.21.
	{{Lumatone EDO mapping\|n=19\|start=-2\|xstep=3\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=-2\|xstep=3\|ystep=-1}}

			== Clyde + Sensei + Negri ==

			19edo notably does not have a neutral third, and thus no neutral thirds mapping. The closest thing to a neutral thirds mapping is [[Bryan Deister]]'s mapping that supports both a [[9L 1s]] scale, as in [[Negri]] temperament, and an [[8L 3s]] scale, as in [[Clyde]] and [[Sensei]] temperaments, in both cases with a 2:1 step ratio, in [https://www.youtube.com/shorts/mJq3-_n4RT8 ''19edo improv''] (2025). The Negri generator 2\19 (a minor second) is very simple in key movements, being one step right from the root note; this functions as flat ~[[13/12]], near-just ~[[14/13]], moderately sharp ~[[15/14]], and (key for Negri) sharp ~[[16/15]] (the classical diatonic semitone). The generator for Clyde is 5\19 (a near-just classic minor third ~[[6/5]]); reaching it requires movement two keys right from the root note plus one key up or (preferably) down-right. The generator for Sensei (a sub-temperament of [[Sensi]] is 7\19 (a supermajor third) that functions as moderately sharp ~[[9/7]] (key for Sensi), flat ~[[13/10]], very flat ~[[21/16]], and very sharp ~[[32/25]]; reaching it requires movement three keys right from the root note plus one key up or (preferably) down-right. The range is just over three octaves (although they are almost perfectly level), but on the other hand, if one is willing to trade out easy playing of Negri, this mapping enables division into three complete middle manuals plus a nearly complete bottom manual plus a partial top manual (and other permutations could be enabled by moving the root note and/or the divisions between manuals).
			{{Lumatone EDO mapping\|n=19\|start=0\|xstep=2\|ystep=-1}}

			== Sensi ==
			If you just want Sensi with extended range instead of the potential for multiple manuals, the [[Lumatone mapping for sensi]] is also another option, putting the notes of minor and major chords extremely close to each other, while yielding a range of over seven octaves, although with a downwards slope.
			{{Lumatone EDO mapping\|n=19\|start=2\|xstep=5\|ystep=-3}}

	== Hanson ==		== Hanson ==
	~~The~~ [[3L 1s]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s.		If you just want mapping by a chain of minor thirds with extended range instead of the potential for multiple manuals, the [[3L 1s]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s. The range is a bit over 8½ octaves, and the octaves slope upwards very gently.
	{{Lumatone EDO mapping\|n=19\|start=13\|xstep=5\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=13\|xstep=5\|ystep=-1}}

	== Semiquartal ==		== Semiquartal ==
	The [[4L 1s]] mapping is also an excellent option, which also extends the range over the standard layout and makes the [[5L 2s\|diatonic scale]] easier to play than on the Hanson layout.		The [[4L 1s]] mapping is also an excellent option, which also extends the range over the standard layout and makes the [[5L 2s\|diatonic scale]] easier to play than on the Hanson layout, although at the cost of reducing the range to somewhat over 6½ octaves (again with a gentle upwards slope).
	{{Lumatone EDO mapping\|n=19\|start=13\|xstep=4\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=13\|xstep=4\|ystep=-1}}

	~~== Sensi ==~~
	~~The [[Lumatone mapping for sensi]] is also another option, putting the notes of minor and major chords extremely close to each other:~~
	~~{{Lumatone EDO mapping\|n=19\|start=2\|xstep=5\|ystep=-3}}~~

	== Magic ==		== Magic ==
	The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L 1s]] scale is somewhat lopsided with its 6:1 step ratio and higher limit intervals require more awkward finger stretches.		The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L 1s]] scale is somewhat lopsided with its 6:1 step ratio and higher limit intervals require more awkward finger stretches; the range is over eight octaves (with a very gentle upwards slope).
	{{Lumatone EDO mapping\|n=19\|start=8\|xstep=6\|ystep=-5}}		{{Lumatone EDO mapping\|n=19\|start=8\|xstep=6\|ystep=-5}}


	The [[1L 2s]] layout is even more efficient in terms of range, but the chroma goes downwards.		The [[1L 2s]] layout is even more efficient in terms of range, but the chroma goes downwards; the range is over eleven octaves (with a very gentle downwards slope), making it tempting to divide the keyboard into multiple zones horizontally.
	{{Lumatone EDO mapping\|n=19\|start=3\|xstep=6\|ystep=1}}		{{Lumatone EDO mapping\|n=19\|start=3\|xstep=6\|ystep=1}}

	{{Navbox Lumatone}}		{{Navbox Lumatone}}

Yourmusic Productions: Undo revision 211056 by Lucius Chiaraviglio (talk) Put it in the 19edo lumatone mappings instead of the 18edo ones by mistake

2025-09-27T10:53:44Z

Undo revision 211056 by Lucius Chiaraviglio (talk) Put it in the 19edo lumatone mappings instead of the 18edo ones by mistake

← Older revision		Revision as of 10:53, 27 September 2025
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	== Diatonic ==		== Diatonic ==
	This is "Preset 4 — 19-ET Bosanquet" in version 1.0 of the official manual, and "Preset 5 — 19-EDO Bosanquet" in version 1.21.		This is "Preset 4 — 19-ET Bosanquet" in version 1.0 of the official manual, and "Preset 5 — 19-EDO Bosanquet" in version 1.21.
	~~{{Lumatone EDO mapping\|n=19\|start=-2\|xstep=3\|ystep=-1}}~~

	~~== Pseudo-Diatonic Pseudo-Isomorphic ==~~
	A pseudo-isomorphic pseudo-diatonic mapping for [[18edo]] that duplicates note 0 (as note 18) enables diatonic playing while keeping octaves level — it is the [[19edo]] diatonic layout, but with only 18 unique notes per octave. This is demonstrated in [[Bryan Deister]]'s [https://www.youtube.com/shorts/hNmse4IUWL0 ''18edo improv''] (2025).
	{{Lumatone EDO mapping\|n=19\|start=-2\|xstep=3\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=-2\|xstep=3\|ystep=-1}}

Lucius Chiaraviglio: /* Diatonic */ Add Bryan Deister's pseudo-diatonic pseudo-isomorphic mapping

2025-09-27T07:26:39Z

Diatonic: Add Bryan Deister's pseudo-diatonic pseudo-isomorphic mapping

← Older revision		Revision as of 07:26, 27 September 2025
Line 3:		Line 3:
	== Diatonic ==		== Diatonic ==
	This is "Preset 4 — 19-ET Bosanquet" in version 1.0 of the official manual, and "Preset 5 — 19-EDO Bosanquet" in version 1.21.		This is "Preset 4 — 19-ET Bosanquet" in version 1.0 of the official manual, and "Preset 5 — 19-EDO Bosanquet" in version 1.21.
			{{Lumatone EDO mapping\|n=19\|start=-2\|xstep=3\|ystep=-1}}

			== Pseudo-Diatonic Pseudo-Isomorphic ==
			A pseudo-isomorphic pseudo-diatonic mapping for [[18edo]] that duplicates note 0 (as note 18) enables diatonic playing while keeping octaves level — it is the [[19edo]] diatonic layout, but with only 18 unique notes per octave. This is demonstrated in [[Bryan Deister]]'s [https://www.youtube.com/shorts/hNmse4IUWL0 ''18edo improv''] (2025).
	{{Lumatone EDO mapping\|n=19\|start=-2\|xstep=3\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=-2\|xstep=3\|ystep=-1}}

Lucius Chiaraviglio: /* Diatonic */ Update for Lumatone manual version 1.21; also change dash to emdash, since both versions of the manual have double-dash to represent emdash

2025-04-19T21:16:23Z

Diatonic: Update for Lumatone manual version 1.21; also change dash to emdash, since both versions of the manual have double-dash to represent emdash

← Older revision		Revision as of 21:16, 19 April 2025
Line 2:		Line 2:

	== Diatonic ==		== Diatonic ==
	This is "Preset 4 — 19-ET Bosanquet" in the official manual.		This is "Preset 4 — 19-ET Bosanquet" in version 1.0 of the official manual, and "Preset 5 — 19-EDO Bosanquet" in version 1.21.
	{{Lumatone EDO mapping\|n=19\|start=-2\|xstep=3\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=-2\|xstep=3\|ystep=-1}}

ArrowHead294: /* Hanson */

2025-03-27T14:25:28Z

Hanson

← Older revision		Revision as of 14:25, 27 March 2025
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	== Hanson ==		== Hanson ==
	The [[3L 1s]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s.		The [[3L 1s]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s.
	{{Lumatone EDO mapping\|n=19\|start=10\|xstep=5\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=13\|xstep=5\|ystep=-1}}

	== Semiquartal ==		== Semiquartal ==

ArrowHead294 at 16:46, 26 March 2025

2025-03-26T16:46:26Z

← Older revision		Revision as of 16:46, 26 March 2025
Line 6:		Line 6:

	== Hanson ==		== Hanson ==
	The [[3L 1s]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s.		The [[3L 1s]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s.
	{{Lumatone EDO mapping\|n=19\|start=10\|xstep=5\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=10\|xstep=5\|ystep=-1}}

	== Semiquartal ==		== Semiquartal ==
	The [[4L 1s]] mapping is also an excellent option, which also extends the range over the standard layout and makes the [[5L 2s\|diatonic scale]] easier to play than on the Hanson layout.		The [[4L 1s]] mapping is also an excellent option, which also extends the range over the standard layout and makes the [[5L 2s\|diatonic scale]] easier to play than on the Hanson layout.
	{{Lumatone EDO mapping\|n=19\|start=13\|xstep=4\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=13\|xstep=4\|ystep=-1}}

Line 18:		Line 18:

	== Magic ==		== Magic ==
	The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L 1s]] scale is somewhat lopsided with its 6:1 step ratio~~, the chroma goes downwards in the even more efficient [[1L 2s]] efficient layout,~~ and higher limit intervals require more awkward finger stretches.		The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L 1s]] scale is somewhat lopsided with its 6:1 step ratio and higher limit intervals require more awkward finger stretches.
	{{Lumatone EDO mapping\|n=19\|start=8\|xstep=6\|ystep=-5}}		{{Lumatone EDO mapping\|n=19\|start=8\|xstep=6\|ystep=-5}}


			The [[1L 2s]] layout is even more efficient in terms of range, but the chroma goes downwards.
	{{Lumatone EDO mapping\|n=19\|start=3\|xstep=6\|ystep=1}}		{{Lumatone EDO mapping\|n=19\|start=3\|xstep=6\|ystep=1}}

	{{Navbox Lumatone}}		{{Navbox Lumatone}}

Yourmusic Productions at 13:06, 26 March 2025

2025-03-26T13:06:44Z

← Older revision		Revision as of 13:06, 26 March 2025
Line 18:		Line 18:

	== Magic ==		== Magic ==
	The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L 1s]] scale is somewhat lopsided with its 5:1 step ratio, the chroma goes downwards in the even more efficient [[1L 2s]] efficient layout, and higher limit intervals require more awkward finger stretches.		The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L 1s]] scale is somewhat lopsided with its 6:1 step ratio, the chroma goes downwards in the even more efficient [[1L 2s]] efficient layout, and higher limit intervals require more awkward finger stretches.
	{{Lumatone EDO mapping\|n=19\|start=8\|xstep=6\|ystep=-5}}		{{Lumatone EDO mapping\|n=19\|start=8\|xstep=6\|ystep=-5}}
	{{Lumatone EDO mapping\|n=19\|start=3\|xstep=6\|ystep=1}}		{{Lumatone EDO mapping\|n=19\|start=3\|xstep=6\|ystep=1}}

	{{Navbox Lumatone}}		{{Navbox Lumatone}}

Yourmusic Productions: Fix math, expansion.

2025-03-26T11:58:34Z

Fix math, expansion.

← Older revision		Revision as of 11:58, 26 March 2025
Line 6:		Line 6:

	== Hanson ==		== Hanson ==
	The [[~~4L 3s~~]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s.		The [[3L 1s]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s.
	{{Lumatone EDO mapping\|n=19\|start=10\|xstep=5\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=10\|xstep=5\|ystep=-1}}

	== Semiquartal ==		== Semiquartal ==
	The [[~~5L 4s~~]] mapping is also an excellent option, which also extends the range over the standard layout and makes the [[5L 2s\|diatonic scale]] easier to play than on the Hanson layout.		The [[4L 1s]] mapping is also an excellent option, which also extends the range over the standard layout and makes the [[5L 2s\|diatonic scale]] easier to play than on the Hanson layout.
	{{Lumatone EDO mapping\|n=19\|start=13\|xstep=4\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=13\|xstep=4\|ystep=-1}}

Line 18:		Line 18:

	== Magic ==		== Magic ==
	The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L~~ 4s~~]] scale is somewhat lopsided with its 5:1 step ratio, the chroma goes downwards in the ~~most~~ efficient layout, and higher limit intervals require more awkward finger stretches.		The [[Magic]] mapping has an even wider range and makes 5-limit chords just as easy to play, but the [[3L 1s]] scale is somewhat lopsided with its 5:1 step ratio, the chroma goes downwards in the even more efficient [[1L 2s]] efficient layout, and higher limit intervals require more awkward finger stretches.
			{{Lumatone EDO mapping\|n=19\|start=8\|xstep=6\|ystep=-5}}
	{{Lumatone EDO mapping\|n=19\|start=3\|xstep=6\|ystep=1}}		{{Lumatone EDO mapping\|n=19\|start=3\|xstep=6\|ystep=1}}

	{{Navbox Lumatone}}		{{Navbox Lumatone}}

ArrowHead294 at 14:36, 23 March 2025

2025-03-23T14:36:48Z

← Older revision		Revision as of 14:36, 23 March 2025
Line 4:		Line 4:
	This is "Preset 4 — 19-ET Bosanquet" in the official manual.		This is "Preset 4 — 19-ET Bosanquet" in the official manual.
	{{Lumatone EDO mapping\|n=19\|start=-2\|xstep=3\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=-2\|xstep=3\|ystep=-1}}


	== Hanson ==		== Hanson ==
	The [[4L 3s]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s.		The [[4L 3s]] [[Hanson]] mapping is a good option if you want to extend your range while making well-tuned chords easy to play. This mapping works especially well since 19edo can be conceptualised as a chain of essentially pure [[6/5]]<nowiki />s.
	{{Lumatone EDO mapping\|n=19\|start=10\|xstep=5\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=10\|xstep=5\|ystep=-1}}


	== Semiquartal ==		== Semiquartal ==
	The [[5L 4s]] mapping is also an excellent option, which also extends the range over the standard layout and makes the [[5L 2s\|diatonic scale]] easier to play than on the Hanson layout.		The [[5L 4s]] mapping is also an excellent option, which also extends the range over the standard layout and makes the [[5L 2s\|diatonic scale]] easier to play than on the Hanson layout.
	{{Lumatone EDO mapping\|n=19\|start=13\|xstep=4\|ystep=-1}}		{{Lumatone EDO mapping\|n=19\|start=13\|xstep=4\|ystep=-1}}


	== Sensi ==		== Sensi ==
	The [[Lumatone mapping for sensi]] is also another option, putting the notes of minor and major chords extremely close to each other:		The [[Lumatone mapping for sensi]] is also another option, putting the notes of minor and major chords extremely close to each other:
	{{Lumatone EDO mapping\|n=19\|start=2\|xstep=5\|ystep=-3}}		{{Lumatone EDO mapping\|n=19\|start=2\|xstep=5\|ystep=-3}}


	== Magic ==		== Magic ==