Kite Guitar originals - Revision history

TallKite: /* By Kite Giedraitis */

2025-04-05T10:44:08Z

By Kite Giedraitis

← Older revision		Revision as of 10:44, 5 April 2025
Line 19:		Line 19:
	* [[Kite Guitar Originals by Kite Giedraitis#Latrizo%20Pump%20riff\|11 Latrizo Pump riff]]		* [[Kite Guitar Originals by Kite Giedraitis#Latrizo%20Pump%20riff\|11 Latrizo Pump riff]]
	* [[Kite Guitar Originals by Kite Giedraitis#6-chord%20riff\|12 6-chord riff]]		* [[Kite Guitar Originals by Kite Giedraitis#6-chord%20riff\|12 6-chord riff]]
	* [[Kite Guitar Originals by Kite Giedraitis#~~V9%20-%20I7%20riff~~\|13 ~~V9 - I7~~ riff]]		* [[Kite Guitar Originals by Kite Giedraitis#Yin Yang riff\|13 Yin Yang riff]]
	* [[Kite Guitar Originals by Kite Giedraitis#Im7%20-%20V7%20riff\|14 Im7 - V7 riff]]		* [[Kite Guitar Originals by Kite Giedraitis#Im7%20-%20V7%20riff\|14 Im7 - V7 riff]]
	* [[Kite Guitar Originals by Kite Giedraitis#Fun%20riff\|15 Fun riff]]		* [[Kite Guitar Originals by Kite Giedraitis#Fun%20riff\|15 Fun riff]]

TallKite: /* By Devin Ulibarri */

2024-09-09T00:12:30Z

By Devin Ulibarri

← Older revision		Revision as of 00:12, 9 September 2024
Line 41:		Line 41:

	== By Devin Ulibarri ==		== By Devin Ulibarri ==
	~~[https://youtu.be/s8pnSlNaK_g]~~[https://www.youtube.com/watch?v=BO75A1DZoAg Cherry, Plum, Peach, and Damson] at FOSSY24		[https://www.youtube.com/watch?v=BO75A1DZoAg Cherry, Plum, Peach, and Damson] at FOSSY24

	[https://youtu.be/s8pnSlNaK_g Cherry, Plum, Peach, and Damson]		[https://youtu.be/s8pnSlNaK_g Cherry, Plum, Peach, and Damson]

TallKite: /* By Kite Giedraitis */

2024-09-09T00:11:42Z

By Kite Giedraitis

← Older revision		Revision as of 00:11, 9 September 2024
Line 6:		Line 6:

	== By Kite Giedraitis ==		== By Kite Giedraitis ==
	~~{{Main\|Kite Guitar Originals by Kite Giedraitis}}~~

	* [[Kite Guitar Originals by Kite Giedraitis#Evening%20Rondo\|1 Evening Rondo]]		* [[Kite Guitar Originals by Kite Giedraitis#Evening%20Rondo\|1 Evening Rondo]]
Line 27:		Line 26:
	* [[Kite Guitar Originals by Kite Giedraitis#James-Bond-ish%20riff\|18 James-Bond-ish riff]]		* [[Kite Guitar Originals by Kite Giedraitis#James-Bond-ish%20riff\|18 James-Bond-ish riff]]
	* [[Kite Guitar Originals by Kite Giedraitis#Downminor%20riff\|19 Downminor riff]]		* [[Kite Guitar Originals by Kite Giedraitis#Downminor%20riff\|19 Downminor riff]]
	* [[Kite Guitar Originals by Kite Giedraitis#Tiny%20Steps\|20 Tiny Steps]]		* [[Kite Guitar Originals by Kite Giedraitis#Harmonic%20Blues\|20 Harmonic Blues]]
			* [[Kite Guitar Originals by Kite Giedraitis#Tiny%20Steps\|21 Tiny Steps]]

	== By Praveen Venkataramana ==		== By Praveen Venkataramana ==

TallKite at 22:32, 8 September 2024

2024-09-08T22:32:58Z

← Older revision		Revision as of 22:32, 8 September 2024
Line 36:		Line 36:
	* [[Kite Guitar Originals by Praveen Venkataramana#Magic%20Suite\|3 Magic Suite]]		* [[Kite Guitar Originals by Praveen Venkataramana#Magic%20Suite\|3 Magic Suite]]
	* [[Kite Guitar Originals by Praveen Venkataramana#Roller%20Coaster%20Etude\|4 Roller Coaster Etude]]		* [[Kite Guitar Originals by Praveen Venkataramana#Roller%20Coaster%20Etude\|4 Roller Coaster Etude]]

			== By Wilckerson Ganda ==
			[https://youtu.be/gQERKtbkMCE Vintage Rock]

			== By Devin Ulibarri ==
			[https://youtu.be/s8pnSlNaK_g][https://www.youtube.com/watch?v=BO75A1DZoAg Cherry, Plum, Peach, and Damson] at FOSSY24

			[https://youtu.be/s8pnSlNaK_g Cherry, Plum, Peach, and Damson]
	[[Category:Kite Guitar]]		[[Category:Kite Guitar]]
	[[Category:Guitar]]		[[Category:Guitar]]
	[[Category:41edo]]		[[Category:41edo]]

TallKite: moved "How to read the scores" to its own page

2024-06-29T23:02:36Z

moved "How to read the scores" to its own page

Show changes

TallKite: /* By Kite Giedraitis */

2024-06-29T22:35:19Z

By Kite Giedraitis

← Older revision		Revision as of 22:35, 29 June 2024
Line 27:		Line 27:
	* [[Kite Guitar Originals by Kite Giedraitis#James-Bond-ish%20riff\|18 James-Bond-ish riff]]		* [[Kite Guitar Originals by Kite Giedraitis#James-Bond-ish%20riff\|18 James-Bond-ish riff]]
	* [[Kite Guitar Originals by Kite Giedraitis#Downminor%20riff\|19 Downminor riff]]		* [[Kite Guitar Originals by Kite Giedraitis#Downminor%20riff\|19 Downminor riff]]
	* [[Kite Guitar Originals by Kite Giedraitis#~~Modulation~~%~~20demo~~\|20 ~~Modulation demo~~]]		* [[Kite Guitar Originals by Kite Giedraitis#Tiny%20Steps\|20 Tiny Steps]]

	== By Praveen Venkataramana ==		== By Praveen Venkataramana ==

TallKite: /* By Kite Giedraitis */

2023-11-09T12:01:22Z

By Kite Giedraitis

← Older revision		Revision as of 12:01, 9 November 2023
Line 27:		Line 27:
	* [[Kite Guitar Originals by Kite Giedraitis#James-Bond-ish%20riff\|18 James-Bond-ish riff]]		* [[Kite Guitar Originals by Kite Giedraitis#James-Bond-ish%20riff\|18 James-Bond-ish riff]]
	* [[Kite Guitar Originals by Kite Giedraitis#Downminor%20riff\|19 Downminor riff]]		* [[Kite Guitar Originals by Kite Giedraitis#Downminor%20riff\|19 Downminor riff]]
			* [[Kite Guitar Originals by Kite Giedraitis#Modulation%20demo\|20 Modulation demo]]

	== By Praveen Venkataramana ==		== By Praveen Venkataramana ==

TallKite: /* Cancelling rules */ deleted extra natural signs in 1st way, deleted the 2nd way entirely

2023-09-14T05:39:32Z

Cancelling rules: deleted extra natural signs in 1st way, deleted the 2nd way entirely

← Older revision		Revision as of 05:39, 14 September 2023
Line 587:		Line 587:
	But what happens when accidentals are mixed with arrows? What if the key signature makes that upped C be sharp? Or what if there is a C with a sharp just before the upped C? Does the up-arrow override or "cancel" the sharp? And what if an upped C is followed by a sharpened C?		But what happens when accidentals are mixed with arrows? What if the key signature makes that upped C be sharp? Or what if there is a C with a sharp just before the upped C? Does the up-arrow override or "cancel" the sharp? And what if an upped C is followed by a sharpened C?

	There are several possible ways to handle this issue. The default is the simplest way, to explicitly specify both arrows and accidentals every time. Thus any accidental or arrow cancels any previous ones.		There are several possible ways to handle this issue. The default is the simplest way, to explicitly specify both arrows and accidentals every time. Thus any accidental or arrow cancels any previous ones. An arrow by itself implies a natural sign.
	{\| class="wikitable"		{\| class="wikitable"
	\|+		\|+
Line 604:		Line 604:
	!C		!C
	\|		\|
	\|^~~<big>♮</big>~~		\|^
	\|^^~~<big>♮</big>~~		\|^^
	\|#		\|#
	\|^#		\|^#
Line 613:		Line 613:
	\|<big>♮</big>		\|<big>♮</big>
	\|		\|
	\|^^~~<big>♮</big>~~		\|^^
	\|#		\|#
	\|^#		\|^#
Line 620:		Line 620:
	!^^C		!^^C
	\|<big>♮</big>		\|<big>♮</big>
	\|^~~<big>♮</big>~~		\|^
	\|		\|
	\| #		\| #
Line 628:		Line 628:
	!C#		!C#
	\|<big>♮</big>		\|<big>♮</big>
	\|^~~<big>♮</big>~~		\|^
	\|^^~~<big>♮</big>~~		\|^^
	\|		\|
	\|^#		\|^#
Line 636:		Line 636:
	!^C#		!^C#
	\|<big>♮</big>		\|<big>♮</big>
	\|^~~<big>♮</big>~~		\|^
	\|^^~~<big>♮</big>~~		\|^^
	\|#		\|#
	\|		\|
Line 644:		Line 644:
	!^^C#		!^^C#
	\|<big>♮</big>		\|<big>♮</big>
	~~\|^<big>♮</big>~~
	~~\|^^<big>♮</big>~~
	~~\| #~~
	~~\|^#~~
	\|
	\|}
	~~Another approach allows arrows to appear alone. Accidentals cancel arrows, but arrows don't cancel accidentals.~~
	~~{\| class="wikitable"~~
	\|+
	~~accidentals cancels arrows~~
	~~! rowspan="2" \|start with~~
	~~this~~
	~~! colspan="6" \|turn it into this~~
	\|-
	!C
	~~!^C~~
	~~!^^C~~
	~~!C#~~
	~~!^C#~~
	~~!^^C#~~
	\|-
	~~! C~~
	\|
	\|^		\|^
	\|^^		\|^^
	\| #		\| #
	~~\| ^#~~
	~~\|^^#~~
	\|-
	~~!^C~~
	~~\|<big>♮</big>~~
	\|
	~~\|^^~~
	\|#
	~~\|^#~~
	~~\|^^#~~
	\|-
	~~!^^C~~
	~~\|<big>♮</big>~~
	~~\| ^~~
	\|
	\|#
	\|^#		\|^#
	~~\|^^#~~
	\|-
	~~!C#~~
	~~\|<big>♮</big>~~
	~~\| ^<big>♮</big>~~
	~~\|^^<big>♮</big>~~
	\|
	\|^
	~~\|^^~~
	\|-
	~~! ^C#~~
	~~\|<big>♮</big>~~
	~~\|^<big>♮</big>~~
	~~\|^^<big>♮</big>~~
	\|#
	\|
	~~\|^^~~
	\|-
	~~!^^C#~~
	~~\|<big>♮</big>~~
	~~\|^<big>♮</big>~~
	~~\|^^<big>♮</big>~~
	\|#
	\|^
	\|		\|
	\|}		\|}
	~~A 3rd~~ approach has arrows and accidentals behave independently of each other, and not cancel each other. This approach is always indicated at the top of the score. Remember the 15 versions of D?		Another approach has arrows and accidentals behave independently of each other, and not cancel each other. This approach is always indicated at the top of the score. Remember the 15 versions of D?
	{\| class="wikitable right-all"		{\| class="wikitable right-all"
	\|+		\|+

TallKite: /* Scales and key signatures */

2023-09-14T03:38:00Z

Scales and key signatures

← Older revision		Revision as of 03:38, 14 September 2023
Line 574:		Line 574:
	Upmajor and downminor work similarly.		Upmajor and downminor work similarly.

	The quadruple stack always has the exact same shape: two above and two below. This ~~unchanging~~ shape enables one to parse the stack as a whole. The only question is whether the arrows point up or down, and whether they are single or double. The triple stack (two above, one below) can likewise be parsed as a whole.		The quadruple stack always has the exact same shape: two above and two below. The upper two arrows are always a 4th above the lower two. This standardized shape enables one to parse the stack as a whole. The only question is whether the arrows point up or down, and whether they are single or double. The triple stack (two above, one below) can likewise be parsed as a whole.

	The lowest arrow in the quadruple stack always indicates the tonic. The triple stack's lowest arrow indicates the 3rd, and its highest arrow indicates the 7th. Thus it's easy to deduce the tonic from either stack. Note that C downmajor and vA upminor have slightly different key signatures. The former has plain D and the latter has down D.		The lowest arrow in the quadruple stack always indicates the tonic. The triple stack's lowest arrow indicates the 3rd, and its highest arrow indicates the 7th. Thus it's easy to deduce the tonic from either stack. Note that C downmajor and vA upminor have slightly different key signatures. The former has plain D and the latter has down D.

	Modal key signatures are possible, e.g. G downmixolydian is G A ~~vB C~~ D vE vF G.		Modal key signatures are possible, e.g. A downmixolydian is A B vC# D E vF# vG A. Its key signature has 2 sharps and one triple stack of downs. It's like D downmajor's key signature, except that the triple stack is a 5th higher.

	See also: [[Kite's Thoughts on 41edo Note Names and Key Signatures]]		See also: [[Kite's Thoughts on 41edo Note Names and Key Signatures]]

TallKite: /* How to read the scores */

2023-07-23T23:39:48Z

How to read the scores

@@ Line 40: / Line 40: @@
 ===Note names ===
-The octave is divided into 41 equal steps, a tuning called 41-equal or 41edo or 41-ET or 41-TET. Whereas 12-equal has 100¢ steps, 41-equal has steps of 29.27¢. We can round this off to 30¢ for convenience, since a cent or two doesn't matter much in practice. This 30¢ interval is called an '''arrow''', because the little arrows by the noteheads raise or lower the pitch by 30¢. Notes are called '''up'''-E, '''down'''-F-sharp, etc., written ^E and vF#. A note that has no ups or downs is called '''plain'''. The 7 plain natural notes are close to 12-equal, but they do deviate slightly. The pattern is easy to see when the notes are arranged in chain-of-5ths order:
+The octave is divided into 41 equal steps, a tuning called '''41-equal''' or 41edo or 41-ET or 41-TET. Whereas 12-equal has 100¢ steps, 41-equal has steps of 29.27¢. We can round this off to 30¢ for convenience, since a cent or two doesn't matter much in practice. This 30¢ interval is called an '''arrow''', because the little arrows by the noteheads raise or lower the pitch by 30¢. Notes are called '''up'''-E, '''down'''-F-sharp, etc., written ^E and vF#. A note that has no ups or downs is called '''plain'''. The 7 plain natural notes are close to 12-equal, but they do deviate slightly. The pattern is easy to see when the notes are arranged in chain-of-5ths order:
 {| class="wikitable center-all"
 |+
@@ Line 80: / Line 80: @@
 In the table above, D is the '''anchor note''' that agrees with standard tuning exactly. D is an ideal anchor because it makes the table symmetrical. But C, G, A and E have also been used.
-Sometimes double arrows are needed. ^^C is called '''dup'''-C and vvC# is called '''dud'''-C-sharp (rhymes with cup and cud). Note that ^^C = vvC#. One more equivalence: ^^C = vDb. Thus 3 arrows = a minor 2nd. These equivalences are useful, because if you've already found vDb on your instrument, and you see ^^C or vvC# on the score, you know what to play.
+Sometimes double arrows are needed. ^^C is called '''dup'''-C and vvC# is called '''dud'''-C-sharp (rhymes with cup and cud). Note that ^^C = vvC#. Thus 4 arrows = a sharp. One more equivalence: ^^C = vDb. Thus 3 arrows = a minor 2nd. These equivalences are useful, because if you've already found vDb on your instrument, and you see ^^C or vvC# on the score, you know what to play.
-{| class="wikitable left-3 center-all"
-|+
+A major 2nd is 7 arrows. In this table, the plain notes are bolded.
 {| class="wikitable center-all"
 |+
@@ Line 140: / Line 114: @@
 The interval from C# to Db is a diminished 2nd. Since this interval is 0¢ in 12-equal, musicians don't think about it much. But in 41-equal, a diminished 2nd is actually -30¢, and a <u>descending</u> dim 2nd = 1 arrow.
+{| class="wikitable left-3 center-all"
 In 12-equal, there are 3 "versions" of a note, for example Db, D and D# (not counting the occasional Dbb or D##). In 41-equal, there are 15 versions, running from vvDb to ^^D# (counting ^^Db and vvD separately even though they are the same note, likewise with ^^D and vvD#).
 {| class="wikitable right-all"
@@ Line 572: / Line 572: @@
 vD vE F vG vA Bb C vD
 |}
 Upmajor and downminor work similarly.
-The quadruple stack always has the exact same shape: two below and two above. Likewise, the triple stack is always one below, two above. The only differences are whether the arrows point up or down, and whether they are single or double. The lowest arrow in the quadruple stack always indicates the tonic. The triple stack's lowest arrow indicates the 3rd, and its highest arrow indicates the 7th. Thus it's quite easy to deduce the tonic. Note that C downmajor and vA upminor have slightly different key signatures. The former has plain D and the latter has down D.
+The lowest arrow in the quadruple stack always indicates the tonic. The triple stack's lowest arrow indicates the 3rd, and its highest arrow indicates the 7th. Thus it's easy to deduce the tonic from either stack. Note that C downmajor and vA upminor have slightly different key signatures. The former has plain D and the latter has down D.
 Modal key signatures are possible, e.g. G downmixolydian is G A vB C D vE vF G.

← Older revision		Revision as of 10:44, 5 April 2025
Line 19:		Line 19:
	* [[Kite Guitar Originals by Kite Giedraitis#Latrizo%20Pump%20riff\|11 Latrizo Pump riff]]		* [[Kite Guitar Originals by Kite Giedraitis#Latrizo%20Pump%20riff\|11 Latrizo Pump riff]]
	* [[Kite Guitar Originals by Kite Giedraitis#6-chord%20riff\|12 6-chord riff]]		* [[Kite Guitar Originals by Kite Giedraitis#6-chord%20riff\|12 6-chord riff]]
	* [[Kite Guitar Originals by Kite Giedraitis#~~V9%20-%20I7%20riff~~\|13 ~~V9 - I7~~ riff]]		* [[Kite Guitar Originals by Kite Giedraitis#Yin Yang riff\|13 Yin Yang riff]]
	* [[Kite Guitar Originals by Kite Giedraitis#Im7%20-%20V7%20riff\|14 Im7 - V7 riff]]		* [[Kite Guitar Originals by Kite Giedraitis#Im7%20-%20V7%20riff\|14 Im7 - V7 riff]]
	* [[Kite Guitar Originals by Kite Giedraitis#Fun%20riff\|15 Fun riff]]		* [[Kite Guitar Originals by Kite Giedraitis#Fun%20riff\|15 Fun riff]]