Kite's color notation/Translations - Revision history

Eufalesio: Added some notes about ellision in spanish

2026-04-05T22:10:07Z

Added some notes about ellision in spanish

@@ Line 78: / Line 78: @@
 ! French
 ! Swedish
 |-
 | 11
@@ Line 467: / Line 476: @@
 ruyoyosma (m)
 |}
 <u>'''Disambiguations'''</u>: (1o refers to 11-over, and -1o refers to -1-over, e.g. -wo in thiwo and fowo)
@@ Line 475: / Line 491: @@
 * '''Portuguese''': 19o = ino
 * '''Italian''': 19o = ino, -1o = -unò or -unó (31 vs. 31o)
 == Eastern European languages ==

Eufalesio: Changed the Romance languages (as a Spanish speaker)

2026-04-05T21:20:47Z

Changed the Romance languages (as a Spanish speaker)

Show changes

TallKite: TallKite moved page Kiteolor notation/Translations to Kite's color notation/Translations: Editor VectorGraphics has repeatedly edited pages I've written about my own research and inserted misinformation. On discord he is openly hostile to me. This move is necessary to avoid a toxic work environment for me.

2025-08-20T01:13:44Z

TallKite moved page Kiteolor notation/Translations to Kite's color notation/Translations: Editor VectorGraphics has repeatedly edited pages I've written about my own research and inserted misinformation. On discord he is openly hostile to me. This move is necessary to avoid a toxic work environment for me.

← Older revision	Revision as of 01:13, 20 August 2025
(No difference)

TallKite: TallKite moved page Color notation/Translations to Kiteolor notation/Translations

2025-08-20T01:12:39Z

TallKite moved page Color notation/Translations to Kiteolor notation/Translations

← Older revision	Revision as of 01:12, 20 August 2025
(No difference)

ArrowHead294: /* East Asian languages */

2025-02-27T14:56:25Z

East Asian languages

← Older revision		Revision as of 14:56, 27 February 2025
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	\|		\|
	\|-		\|-
	\| -1		\| −1
	\| -w-		\| -w-
	\|		\|
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	\|		\|
	\|-		\|-
	\| -3		\| −3
	\| -th-		\| -th-
	\|		\|
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	\|		\|
	\|-		\|-
	\| -7		\| −7
	\| -s-		\| -s-
	\|		\|
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	\|		\|
	\|-		\|-
	\| -9		\| −9
	\| -n-		\| -n-
	\|		\|

ArrowHead294: /* South Asian languages */

2025-02-27T14:56:02Z

South Asian languages

← Older revision		Revision as of 14:56, 27 February 2025
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	\| ''(see below)''		\| ''(see below)''
	\|-		\|-
	\| colspan="3" \| -1, -3, -7, -9		\| colspan="3" \| −1, −3, −7, −9
	\| ''(see below)''		\| ''(see below)''
	\|-		\|-

ArrowHead294 at 14:55, 27 February 2025

2025-02-27T14:55:44Z

← Older revision		Revision as of 14:55, 27 February 2025
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	\|		\|
	\|-		\|-
	\| -1		\| −1
	\| -w-		\| -w-
	\| ein-		\| ein-
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	\| -ett-?		\| -ett-?
	\|-		\|-
	\| -3		\| −3
	\| -th-		\| -th-
	\| dr-		\| dr-
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	\| -tr-		\| -tr-
	\|-		\|-
	\| -7		\| −7
	\| -s-		\| -s-
	\| s-		\| s-
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	\| -sj-		\| -sj-
	\|-		\|-
	\| -9		\| −9
	\| -n-		\| -n-
	\| n-		\| n-
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	\|		\|
	\|-		\|-
	\| -1		\| −1
	\| -w-		\| -w-
	\| -yks-		\| -yks-
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	\|		\|
	\|-		\|-
	\| -3		\| −3
	\| -th-		\| -th-
	\| -k-		\| -k-
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	\|		\|
	\|-		\|-
	\| -7		\| −7
	\| -s-		\| -s-
	\| -s-		\| -s-
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	\|		\|
	\|-		\|-
	\| -9		\| −9
	\| -n-		\| -n-
	\| ?		\| ?
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	\|		\|
	\|-		\|-
	\| -1		\| −1
	\| -w-		\| -w-
	\|		\|
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	\|		\|
	\|		\|
	\|-w-		\| -w-
	\|-		\|-
	\| -3		\| −3
	\| -th-		\| -th-
	\|		\|
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	\|		\|
	\|		\|
	\|-t-		\| -t-
	\|-		\|-
	\| -7		\| −7
	\| -s-		\| -s-
	\|		\|
Line 878:		Line 878:
	\|		\|
	\|		\|
	\|-s-		\| -s-
	\|-		\|-
	\| -9		\| −9
	\| -n-		\| -n-
	\|		\|
Line 1,121:		Line 1,121:
	'''<u>Notes</u>:'''		'''<u>Notes</u>:'''

	==South Asian languages==		== South Asian languages ==

	{\| class="wikitable"		{\| class="wikitable"
	\|-		\|-

TallKite: /* Explanation */ updated EI to EU

2024-12-29T00:29:12Z

Explanation: updated EI to EU

← Older revision		Revision as of 00:29, 29 December 2024
Line 27:		Line 27:
	L and s are invariant, as are la and sa. But the general terms large and small can be translated. This is analogous to an English speaker seeing "f" or "p" on a score and thinking loud/soft, not forte/piano. The translated words must not have any musical connotations such as major/minor or augmented/diminished or largo (slow tempo).		L and s are invariant, as are la and sa. But the general terms large and small can be translated. This is analogous to an English speaker seeing "f" or "p" on a score and thinking loud/soft, not forte/piano. The translated words must not have any musical connotations such as major/minor or augmented/diminished or largo (slow tempo).

	Roman numerals are invariant, for chord progressions. P, M, m, a (aug) and d (dim) are invariant, for chord names and pergens. The spoken terms are of course translated into the usual terms for perfect, major, minor, etc. Many countries have adopted jazz chord names such as CM7, even if their word for major is dur. Pergens are never written on the score as quarter-fifth, but as (P8, P5/4). A pergen's enharmonic ~~interval~~ is written as C^^ = C♯. Edos can be indicated as ^1 = 1\31.		Roman numerals are invariant, for chord progressions. P, M, m, a (aug) and d (dim) are invariant, for chord names and pergens. The spoken terms are of course translated into the usual terms for perfect, major, minor, etc. Many countries have adopted jazz chord names such as CM7, even if their word for major is dur. Pergens are never written on the score as quarter-fifth, but as (P8, P5/4). A pergen's [[Enharmonic unisons in ups and downs notation\|enharmonic unison]] is written as C^^ = C♯. Edos can be indicated as ^1 = 1\31.

	The symbols ^ v / \ ~ ◇ are invariant, but the terms up, down, lift, drop, mid and plain can vary. Up and down may possibly be translated as above/below or top/bottom. Lift/drop may be translated as raise/lower. Lift and drop should be translated into verbs, since ^ is high, but / starts low and goes high. Preferably transitive verbs, drop not fall, since a melody can fall. Plain must be distinct from natural and clear, and may be translated as simple. All six terms should be words not usually applied to notes or clefs or melodies or intervals, e.g. not high/low or treble/bass or rising/falling or neutral. In temperament names, both "and" and "plus" should have distinct names.		The symbols ^ v / \ ~ ◇ are invariant, but the terms up, down, lift, drop, mid and plain can vary. Up and down may possibly be translated as above/below or top/bottom. Lift/drop may be translated as raise/lower. Lift and drop should be translated into verbs, since ^ is high, but / starts low and goes high. Preferably transitive verbs, drop not fall, since a melody can fall. Plain must be distinct from natural and clear, and may be translated as simple. All six terms should be words not usually applied to notes or clefs or melodies or intervals, e.g. not high/low or treble/bass or rising/falling or neutral. In temperament names, both "and" and "plus" should have distinct names.

ArrowHead294: Oops

2024-11-25T20:47:02Z

Oops

← Older revision		Revision as of 20:47, 25 November 2024
Line 1:		Line 1:
	{{breadcrumb}}		{{breadcrumb}}
	== Explanation ==		== Explanation ==
	[[~~color~~ notation]], [[~~Ups~~ and downs ~~notation~~ notation]], and [[Pergen]]s notation can all be translated into other languages. Just like conventional notation, staff notation must be universal, and not vary by language. Many terms can be translated, but a few terms can't be. Just as one must learn a few Italian words like allegro and andante to read conventional staff notation, one must learn a few English words to read color notation. Fortunately, the full word needn't be learned, just the first letter.		[[Color notation]], [[ups and downs notation]], and [[Pergen]]s notation can all be translated into other languages. Just like conventional notation, staff notation must be universal, and not vary by language. Many terms can be translated, but a few terms can't be. Just as one must learn a few Italian words like allegro and andante to read conventional staff notation, one must learn a few English words to read color notation. Fortunately, the full word needn't be learned, just the first letter.

	The color accidentals w, y, g, z and r must not vary. For example, Spanish speakers shouldn't translate yellow into amarillo, and then shorten it to amo. In order for terms such as 1o, 3u, 17a, etc. to be universal, -o, -u and -a for over, under and all must not vary. Thus wa, yo, gu, zo and ru are also invariant. Po and qu and p and q are invariant.		The color accidentals w, y, g, z and r must not vary. For example, Spanish speakers shouldn't translate yellow into amarillo, and then shorten it to amo. In order for terms such as 1o, 3u, 17a, etc. to be universal, -o, -u and -a for over, under and all must not vary. Thus wa, yo, gu, zo and ru are also invariant. Po and qu and p and q are invariant.

ArrowHead294: Formatting

2024-11-25T20:46:49Z

Formatting

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