John Moriarty's Thoughts On Solfege - Revision history

Fitzgerald Lee at 03:33, 7 October 2024

2024-10-07T03:33:03Z

← Older revision		Revision as of 03:33, 7 October 2024
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	Dorian- Do Ri Ma Fa Si Li Ta Do		Dorian- Do Ri Ma Fa Si Li Ta Do

	~~Aolean~~- Do Ri Ma Fa Si La Ta Do		Aeolian- Do Ri Ma Fa Si La Ta Do

	Phrygian- Do Ra Ma Fa Si La Ta Do		Phrygian- Do Ra Ma Fa Si La Ta Do

	~~Locrain~~- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all small steps above the tonic.)		Locrian- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all small steps above the tonic.)

	Harmonic Minor- Do Ri Ma Fa Si La Ti Do		Harmonic Minor- Do Ri Ma Fa Si La Ti Do
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	Lydian aug2- Do Ru Mi Fi Si Li Ti Do		Lydian aug2- Do Ru Mi Fi Si Li Ti Do

	~~Aolean~~ dim6- Do Ra Ma Fa Sa La Te		Aeolean dim6- Do Ra Ma Fa Sa La Te

	[[Category:Impression]]		[[Category:Impression]]
	[[Category:Solfege]]		[[Category:Solfege]]

BudjarnLambeth: Added links to dead end pg

2024-01-09T05:54:30Z

Added links to dead end pg

← Older revision		Revision as of 05:54, 9 January 2024
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	Initial Inspiration: What notes are diatonic to C as a tonic? Should it depend on your choice of mode? I don’t think so. I think that the six fifths above and below C are all equally “diatonically related" to C, which I think lines up with how we already think about “mode mixture”.		Initial Inspiration: What notes are [[diatonic]] to C as a [[tonic]]? Should it depend on your choice of mode? I don’t think so. I think that the six fifths above and below C are all equally “diatonically related" to C, which I think lines up with how we already think about “mode mixture”.

	With a Tonic C, then, the “diatonic” notes are:		With a Tonic C, then, the “diatonic” notes are:
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	Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti		Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti

	Where single-sized generic intervals (~~unisons~~ and ~~octaves~~) and their chroma shifts are named diminished, perfect, or augmented and have the endings -e, -o, and -u, respectively, and then two sized generic intervals and their chroma shifts are named diminished, minor, major, or augmented and have the endings -e, -a, -i, and -u, respectively.		Where single-sized generic intervals ([[unison]]s and [[octave]]s) and their [[chroma]] shifts are named diminished, perfect, or augmented and have the endings -e, -o, and -u, respectively, and then two sized generic intervals and their chroma shifts are named diminished, minor, major, or augmented and have the endings -e, -a, -i, and -u, respectively.

	Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all large steps above the tonic.)		Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all large steps above the tonic.)

Fredg999: Categories

2023-04-23T20:32:19Z

BudjarnLambeth: Categorised this uncategorised page

2023-04-23T19:57:50Z

Categorised this uncategorised page

← Older revision		Revision as of 19:57, 23 April 2023
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	Aolean dim6- Do Ra Ma Fa Sa La Te		Aolean dim6- Do Ra Ma Fa Sa La Te
			[[Category:Impression]]

Jlmoriart: Created page with "Initial Inspiration: What notes are diatonic to C as a tonic? Should it depend on your choice of mode? I don’t think so. I think that the six fifths above and below C are al..."

2018-10-07T16:41:49Z

Created page with "Initial Inspiration: What notes are diatonic to C as a tonic? Should it depend on your choice of mode? I don’t think so. I think that the six fifths above and below C are al..."

New page

Initial Inspiration: What notes are diatonic to C as a tonic? Should it depend on your choice of mode? I don’t think so. I think that the six fifths above and below C are all equally “diatonically related" to C, which I think lines up with how we already think about “mode mixture”.

With a Tonic C, then, the “diatonic” notes are:

C Db D Eb E F F# Gb G Ab A Bb B

So let’s make our solfeggio all about whether we’re using the major or minor interval above the tonic instead of all about a single important mode and modifications thereof!

Let’s name those notes diatonic to C as follows:

Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti

Where single-sized generic intervals (unisons and octaves) and their chroma shifts are named diminished, perfect, or augmented and have the endings -e, -o, and -u, respectively, and then two sized generic intervals and their chroma shifts are named diminished, minor, major, or augmented and have the endings -e, -a, -i, and -u, respectively.

Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all large steps above the tonic.)

Ionian- Do Ri Mi Fa Si Li Ti Do

Mixolydian- Do Ri Mi Fa Si Li Ta Do

Dorian- Do Ri Ma Fa Si Li Ta Do

Aolean- Do Ri Ma Fa Si La Ta Do

Phrygian- Do Ra Ma Fa Si La Ta Do

Locrain- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all small steps above the tonic.)

Harmonic Minor- Do Ri Ma Fa Si La Ti Do

Melodic major- Do Ri Mi Fa Si La Ta Do

Harmonic Major- Do Ri Mi Fa Si La Ti Do

Double Harmonic- Do Ra Mi Fa Si La Ti Do

Lydian aug2- Do Ru Mi Fi Si Li Ti Do

Aolean dim6- Do Ra Ma Fa Sa La Te

← Older revision		Revision as of 20:32, 23 April 2023
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	Aolean dim6- Do Ra Ma Fa Sa La Te		Aolean dim6- Do Ra Ma Fa Sa La Te

	[[Category:Impression]]		[[Category:Impression]]
			[[Category:Solfege]]