Imogene Newland - Revision history

BudjarnLambeth at 06:12, 20 October 2024

2024-10-20T06:12:01Z

← Older revision		Revision as of 06:12, 20 October 2024
Line 6:		Line 6:
	[[Category:Theorists]]		[[Category:Theorists]]

	{{todo\|explain its xenharmonic value}}		{{todo\|explain its xenharmonic value\|link}}

Fredg999: Cleanup, misc. edits, categories, sort key

2022-03-09T04:43:12Z

Cleanup, misc. edits, categories, sort key

← Older revision		Revision as of 04:43, 9 March 2022
Line 1:		Line 1:
	~~<span style="text-decoration: none;"><span style="display: block; text-align: JUSTIFY;">~~'''Imogene Newland''' ~~<span style="font-family: Arial,sans-serif;"><span style="font-size: 14.6667px;">~~is a researcher and practitioner whose work intersects gesture-based study within the fields of music performance and choreography. Originally trained as a pianist ~~specialising~~ in contemporary repertoire, Imogene became interested in the overlap between postmodern dance practices and gestural analysis and classification in music performance in 2003. She has subsequently formed a series of practice-led works that address the intimate and intensely physical relation between the body and the piano. She has recently completed her practice-led PhD ~~“The~~ Piano and the Female Body: the Erotic, the Seductive and the ~~Transgressive”~~ at the Sonic Arts Research Centre, Queen's University Belfast.~~</span></span></span></span>~~		'''Imogene Newland''' is a researcher and practitioner whose work intersects gesture-based study within the fields of music performance and choreography. Originally trained as a pianist specializing in contemporary repertoire, Imogene became interested in the overlap between postmodern dance practices and gestural analysis and classification in music performance in 2003. She has subsequently formed a series of practice-led works that address the intimate and intensely physical relation between the body and the piano. She has recently completed her practice-led PhD "The Piano and the Female Body: the Erotic, the Seductive and the Transgressive" at the [[Sonic Arts]] Research Centre, Queen's University Belfast.

			{{DEFAULTSORT:Newland, Imogene}}
			[[Category:People]]
			[[Category:Musicians]]
			[[Category:Theorists]]

			{{todo\|explain its xenharmonic value}}

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

← Older revision		Revision as of 00:00, 17 July 2018
Line 1:		Line 1:
	<~~h2>IMPORTED REVISION FROM WIKISPACES</h2>~~		<span style="text-decoration: none;"><span style="display: block; text-align: JUSTIFY;">'''Imogene Newland''' <span style="font-family: Arial,sans-serif;"><span style="font-size: 14.6667px;">is a researcher and practitioner whose work intersects gesture-based study within the fields of music performance and choreography. Originally trained as a pianist specialising in contemporary repertoire, Imogene became interested in the overlap between postmodern dance practices and gestural analysis and classification in music performance in 2003. She has subsequently formed a series of practice-led works that address the intimate and intensely physical relation between the body and the piano. She has recently completed her practice-led PhD “The Piano and the Female Body: the Erotic, the Seductive and the Transgressive” at the Sonic Arts Research Centre, Queen's University Belfast.</span></span></span></span>
	~~This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>~~
	~~: This revision was by author [[User:guest\|guest]] and made on <tt>2011-11-21 08:36:40 UTC</tt>.<br>~~
	~~: The original revision id was <tt>277643310</tt>.<br>~~
	~~: The revision comment was: <tt></tt><br>~~
	~~The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>~~
	~~<h4>Original Wikitext content:</h4>~~
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"><span style="text-decoration: none;"~~><~~span style="display: block; text-align: JUSTIFY;">Imogene Newland <span style="font-family: Arial,sans-serif;"~~><~~span style="font-size: 14.6667px;"~~>~~is a researcher and practitioner whose work intersects gesture-based study within the fields of music performance and choreography. Originally trained as a pianist specialising in contemporary repertoire, Imogene became interested in the overlap between postmodern dance practices and gestural analysis and classification in music performance in 2003. She has subsequently formed a series of practice-led works that address the intimate and intensely physical relation between the body and the piano. She has recently completed her practice-led PhD “The Piano and the Female Body: the Erotic, the Seductive and the Transgressive” at the Sonic Arts Research Centre, Queen's University Belfast.~~</span><~~/span~~></span></span></pre~~></~~div>~~
	~~<h4~~>~~Original HTML content:~~</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Imogene Newland</title></head><body><span style="text-decoration: none;"><span style="display: block; text-align: JUSTIFY;"><strong>Imogene Newland</strong> <span style="font-family: Arial,sans-serif;"><span style="font-size: 14.6667px;">is a researcher and practitioner whose work intersects gesture-based study within the fields of music performance and choreography. Originally trained as a pianist specialising in contemporary repertoire, Imogene became interested in the overlap between postmodern dance practices and gestural analysis and classification in music performance in 2003. She has subsequently formed a series of practice-led works that address the intimate and intensely physical relation between the body and the piano. She has recently completed her practice-led PhD “The Piano and the Female Body: the Erotic, the Seductive and the Transgressive” at the Sonic Arts Research Centre, Queen's University Belfast.</span></span></span></span~~></body></html></pre></div~~>

Wikispaces>guest: Imported revision 277643310 - Original comment:

2011-11-21T08:36:40Z

**Imported revision 277643310 - Original comment: **

← Older revision		Revision as of 08:36, 21 November 2011
Line 1:		Line 1:
	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:~~genewardsmith~~\|~~genewardsmith~~]] and made on <tt>2011-08~~-14 18~~:29:11 UTC</tt>.<br>		: This revision was by author [[User:guest\|guest]] and made on <tt>2011-11-21 08:36:40 UTC</tt>.<br>
	: The original revision id was <tt>~~245913937~~</tt>.<br>		: The original revision id was <tt>277643310</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
	<h4>Original Wikitext content:</h4>		<h4>Original Wikitext content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Imogene Newland is a ~~pianist~~ and ~~choreographer~~ whose work ~~cuts across both artistic boundaries, integrating improvised movement practices with contemporary piano~~ and ~~performance~~. ~~Born~~ in ~~1982~~, ~~she grew up~~ in and ~~around the city of Canterbury, Kent~~. She ~~started learning piano~~ and ~~dance at~~ the ~~age of four,~~ and ~~was keen to perform at school by~~ the ~~age of seven~~. ~~In 1996, she~~ completed her ~~dance studies in Ballet~~, ~~Tap~~ and ~~Modern under~~ the ~~IDTA syllabus. In November~~, ~~2007 she graduated with an MA in Choreography with distinction from Dartington College of Arts~~.</pre></div>		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"><span style="text-decoration: none;"><span style="display: block; text-align: JUSTIFY;">Imogene Newland <span style="font-family: Arial,sans-serif;"><span style="font-size: 14.6667px;">is a researcher and practitioner whose work intersects gesture-based study within the fields of music performance and choreography. Originally trained as a pianist specialising in contemporary repertoire, Imogene became interested in the overlap between postmodern dance practices and gestural analysis and classification in music performance in 2003. She has subsequently formed a series of practice-led works that address the intimate and intensely physical relation between the body and the piano. She has recently completed her practice-led PhD “The Piano and the Female Body: the Erotic, the Seductive and the Transgressive” at the Sonic Arts Research Centre, Queen's University Belfast.</span></span></span></span></pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Imogene Newland</title></head><body><strong>Imogene Newland</strong> is a ~~pianist~~ and ~~choreographer~~ whose work ~~cuts across both artistic boundaries, integrating improvised movement practices with contemporary piano~~ and ~~performance~~. ~~Born~~ in ~~1982~~, ~~she grew up~~ in and ~~around the city of Canterbury, Kent~~. She ~~started learning piano~~ and ~~dance at~~ the ~~age of four,~~ and ~~was keen to perform at school by~~ the ~~age of seven~~. ~~In 1996, she~~ completed her ~~dance studies in Ballet~~, ~~Tap~~ and ~~Modern under~~ the ~~IDTA syllabus. In November~~, ~~2007 she graduated with an MA in Choreography with distinction from Dartington College of Arts~~.</body></html></pre></div>		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Imogene Newland</title></head><body><span style="text-decoration: none;"><span style="display: block; text-align: JUSTIFY;"><strong>Imogene Newland</strong> <span style="font-family: Arial,sans-serif;"><span style="font-size: 14.6667px;">is a researcher and practitioner whose work intersects gesture-based study within the fields of music performance and choreography. Originally trained as a pianist specialising in contemporary repertoire, Imogene became interested in the overlap between postmodern dance practices and gestural analysis and classification in music performance in 2003. She has subsequently formed a series of practice-led works that address the intimate and intensely physical relation between the body and the piano. She has recently completed her practice-led PhD “The Piano and the Female Body: the Erotic, the Seductive and the Transgressive” at the Sonic Arts Research Centre, Queen's University Belfast.</span></span></span></span></body></html></pre></div>

Wikispaces>genewardsmith: Imported revision 245913937 - Original comment:

2011-08-14T18:29:11Z

**Imported revision 245913937 - Original comment: **

New page

<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-08-14 18:29:11 UTC</tt>.<br>
: The original revision id was <tt>245913937</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**Imogene Newland** is a pianist and choreographer whose work cuts across both artistic boundaries, integrating improvised movement practices with contemporary piano and performance. Born in 1982, she grew up in and around the city of Canterbury, Kent. She started learning piano and dance at the age of four, and was keen to perform at school by the age of seven. In 1996, she completed her dance studies in Ballet, Tap and Modern under the IDTA syllabus. In November, 2007 she graduated with an MA in Choreography with distinction from Dartington College of Arts.</pre></div>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Imogene Newland</title></head><body><strong>Imogene Newland</strong> is a pianist and choreographer whose work cuts across both artistic boundaries, integrating improvised movement practices with contemporary piano and performance. Born in 1982, she grew up in and around the city of Canterbury, Kent. She started learning piano and dance at the age of four, and was keen to perform at school by the age of seven. In 1996, she completed her dance studies in Ballet, Tap and Modern under the IDTA syllabus. In November, 2007 she graduated with an MA in Choreography with distinction from Dartington College of Arts.</body></html></pre></div>