Historical temperaments - Revision history

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	~~{{High priority}}~~

	{{distinguish\|Subgroup temperaments#Historical}}		{{distinguish\|Subgroup temperaments#Historical}}
	'''Historical temperaments''' are [[temperament]]s which saw use during historical times and places. The term is most commonly used to refer to tunings from medieval, early modern or industrial-age Europe.		'''Historical temperaments''' are [[temperament]]s which saw use during historical times and places. The term is most commonly used to refer to tunings from medieval, early modern or industrial-age Europe.

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			{{High priority}}

	{{distinguish\|Subgroup temperaments#Historical}}		{{distinguish\|Subgroup temperaments#Historical}}
	'''Historical temperaments''' are [[temperament]]s which saw use during historical times and places. The term is most commonly used to refer to tunings from medieval, early modern or industrial-age Europe.		'''Historical temperaments''' are [[temperament]]s which saw use during historical times and places. The term is most commonly used to refer to tunings from medieval, early modern or industrial-age Europe.

Lériendil: Protected "Historical temperaments": semi-protected this page as easily accessed ([Edit=Allow only autoconfirmed users] (indefinite) [Move=Allow only autoconfirmed users] (indefinite))

2025-04-08T11:45:57Z

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← Older revision	Revision as of 11:45, 8 April 2025
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BudjarnLambeth: /* Examples */

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Examples

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	** Young<ref>''Philosophical Transactions'' pages 143-147 - Royal Society of London, 1800</ref>		** Young<ref>''Philosophical Transactions'' pages 143-147 - Royal Society of London, 1800</ref>
	*** [[Young I]] (<small>1800</small>)		*** [[Young I]] (<small>1800</small>)
	*** Young II (<small>''same as [[Vallotti]] (1728)''</small>)		*** Young II (<small>''same as [[Vallotti]] 1728''</small>)

	== See also ==		== See also ==

BudjarnLambeth at 07:24, 29 March 2025

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	== Notes ==		== Notes ==
	<nowiki>*historical source needed</nowiki>{{todo\|research\|expand}}		<nowiki>*historical source needed</nowiki>{{todo\|research\|expand}}

			<references />

	[[Category:Lists of temperaments]]		[[Category:Lists of temperaments]]
	[[Category:Historical]]		[[Category:Historical]]
	~~<references />~~

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	== Notes ==		== Notes ==
	<nowiki>*historical source needed</nowiki>		<nowiki>*historical source needed</nowiki>{{todo\|research\|expand}}

	[[Category:Lists of temperaments]]		[[Category:Lists of temperaments]]
	[[Category:Historical]]		[[Category:Historical]]
	~~[[Category:Todo:expand]]~~
	<references />		<references />

BudjarnLambeth: /* Examples */

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Examples

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	* [[Pythagorean tuning]]		* [[Pythagorean tuning]]

	* [[Meantone]] (~~<small>~~sorted by tuning of [[3/2]], flattest to sharpest~~</small>~~)		* [[Meantone]] (sorted by: tuning of [[3/2]], flattest to sharpest)
	**[[19edo]] (<small>''Costeley 1558''</small>)<ref>''Seigneur Dieu ta pitié'' - Guillaume Costeley, 1558</ref>		**[[19edo]] (<small>''Costeley 1558''</small>)<ref>''Seigneur Dieu ta pitié'' - Guillaume Costeley, 1558</ref>
	**'''[[1/3-comma meantone\|1/3 comma]]''' (<small>''Salinas 1577''</small>)<ref>''De musica libri septem'' - Francisco de Salinas, 1577</ref>		**'''[[1/3-comma meantone\|1/3 comma]]''' (<small>''Salinas 1577''</small>)<ref>''De musica libri septem'' - Francisco de Salinas, 1577</ref>
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	**[[12edo]] (<small>''Chu Tsai-yü 1596''</small>)<ref>''Prince Chu Tsai-Yü's Life and Work: A Re-Evaluation of His Contribution to Equal Temperament Theory'' - Fritz A. Kuttner, 1975</ref>		**[[12edo]] (<small>''Chu Tsai-yü 1596''</small>)<ref>''Prince Chu Tsai-Yü's Life and Work: A Re-Evaluation of His Contribution to Equal Temperament Theory'' - Fritz A. Kuttner, 1975</ref>

	* [[Well temperament]] (~~<small>~~sorted by date, oldest to youngest~~</small>~~)		* [[Well temperament]] (sorted by: date described, oldest to youngest)
	** [[Fogliano]] (<small>1529</small>)<ref>''Accurate meantone tuning based on Fogliano'' - Claudio Di Veroli, 2018 ([https://www.academia.edu/95315365/Accurate_meantone_tuning_based_on_Fogliano_2018 accessible at Academia.edu])</ref>		** [[Fogliano]] (<small>1529</small>)<ref>''Accurate meantone tuning based on Fogliano'' - Claudio Di Veroli, 2018 ([https://www.academia.edu/95315365/Accurate_meantone_tuning_based_on_Fogliano_2018 accessible at Academia.edu])</ref>
	** Werckmeister (<small>1691</small>)<ref>''Musicalische Temperatur'' - Andreas Werckmeister, 1691</ref>		** Werckmeister (<small>1691</small>)<ref>''Musicalische Temperatur'' - Andreas Werckmeister, 1691</ref>

BudjarnLambeth: /* Examples */ Made lists easier to navigate

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Examples: Made lists easier to navigate

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	* [[Pythagorean tuning]]		* [[Pythagorean tuning]]

	* [[Meantone]]		* [[Meantone]] (<small>sorted by tuning of [[3/2]], flattest to sharpest</small>)
	**[[19edo]] (''Costeley 1558'')<ref>''Seigneur Dieu ta pitié'' - Guillaume Costeley, 1558</ref>		**[[19edo]] (<small>''Costeley 1558''</small>)<ref>''Seigneur Dieu ta pitié'' - Guillaume Costeley, 1558</ref>
	**[[1/3-comma meantone\|1/3 comma]] (''Salinas 1577'')<ref>''De musica libri septem'' - Francisco de Salinas, 1577</ref>		**'''[[1/3-comma meantone\|1/3 comma]]''' (<small>''Salinas 1577''</small>)<ref>''De musica libri septem'' - Francisco de Salinas, 1577</ref>
	**[[Lucy tuning\|Lucy]] (''Harrison 1775'')<ref>''Concerning Such Mechanism'' - John Harrison, 1775</ref>		**[[Lucy tuning\|Lucy]] (<small>''Harrison 1775''</small>)<ref>''Concerning Such Mechanism'' - John Harrison, 1775</ref>
	**[[2/7-comma meantone\|2/7 comma]] (''Zarlino 1558'')<ref>''Le istitutioni harmoniche'' - Gioseffo Zarlino, 1558</ref>		**[[2/7-comma meantone\|2/7 comma]] (<small>''Zarlino 1558''</small>)<ref>''Le istitutioni harmoniche'' - Gioseffo Zarlino, 1558</ref>
	**[[5/18-comma meantone\|5/18 comma]] (''Smith 1749'')<ref>''Harmonics, or The philosophy of musical sounds'' - Robert Smith, 1749</ref>		**[[5/18-comma meantone\|5/18 comma]] (<small>''Smith 1749''</small>)<ref>''Harmonics, or The philosophy of musical sounds'' - Robert Smith, 1749</ref>
	*[[50edo]] (''Henfling 1710'')<ref name="Monzo"> [http://www.tonalsoft.com/enc/m/meantone.aspx ''Meantone - Tonalsoft'' - Joseph Monzo, 2005]</ref>		*[[50edo]] (<small>''Henfling 1710''</small>)<ref name="Monzo"> [http://www.tonalsoft.com/enc/m/meantone.aspx ''Meantone - Tonalsoft'' - Joseph Monzo, 2005]</ref>
	**[[7/26-comma meantone\|7/26 comma]] (''Woolhouse 1835'')<ref>''Essay on musical intervals'' - Wesley S. B. Woolhouse, 1835</ref>		**[[7/26-comma meantone\|7/26 comma]] (<small>''Woolhouse 1835''</small>)<ref>''Essay on musical intervals'' - Wesley S. B. Woolhouse, 1835</ref>
	*[[Golden meantone\|Golden]] (''Kornerup 1930'')<ref name="Monzo" />		*[[Golden meantone\|Golden]] (<small>''Kornerup 1930''</small>)<ref name="Monzo" />
	**[[Quarter-comma meantone\|1/4 comma]] (''Aron 1523'')<ref>''Toscanello de la Musica'' - Pietro Aron, 1523</ref>		**'''[[Quarter-comma meantone\|1/4 comma]]''' (<small>''Aron 1523''</small>)<ref>''Toscanello de la Musica'' - Pietro Aron, 1523</ref>
	**[[31edo]] (''Vicentino 1555<ref>''L'Antica musica ridotta alla moderna prattica'' - Nicola Vicentino, 1555</ref> (possibly)<ref>''Theories of chromatic and Enharmonic Music in Late 16th Century Italy - Chromatic systems (or non-systems) from Vicentino to Monteverdi'' - Karol Berger, 1980</ref> & Huygens 1691''<ref>''Lettre touchant le cycle harmonique'' - Christiaan Huygens, 1691''</ref>)		**[[31edo]] (''<small>Vicentino 1555</small><ref>''L'Antica musica ridotta alla moderna prattica'' - Nicola Vicentino, 1555</ref><small> (possibly)</small><ref>''Theories of chromatic and Enharmonic Music in Late 16th Century Italy - Chromatic systems (or non-systems) from Vicentino to Monteverdi'' - Karol Berger, 1980</ref><small> & Huygens 1691</small>''<ref>''Lettre touchant le cycle harmonique'' - Christiaan Huygens, 1691''</ref>)
	**[[2/9-comma meantone\|2/9 comma]] (''Rossi 1666''<ref>''Sistema musico ouero Musica speculativa'' - Lemme Rossi, 1666</ref> & ''Drobisch 1852''<ref>''Über musikalische Tonbestimmung und Temperatur'' - Moritz Wilhelm Drobisch, 1852</ref>)		**[[2/9-comma meantone\|2/9 comma]] (<small>''Rossi 1666''</small><ref>''Sistema musico ouero Musica speculativa'' - Lemme Rossi, 1666</ref><small> & ''Drobisch 1852''</small><ref>''Über musikalische Tonbestimmung und Temperatur'' - Moritz Wilhelm Drobisch, 1852</ref>)
	*[[74edo]] (''Riccati 1762'')<ref name="Monzo" />		*[[74edo]] (<small>''Riccati 1762''</small>)<ref name="Monzo" />
	*[[3/14-comma meantone\|3/14 comma]] (''Riccati 1762'')<ref name="Monzo" />		*[[3/14-comma meantone\|3/14 comma]] (<small>''Riccati 1762''</small>)<ref name="Monzo" />
	**[[1/5-comma meantone\|1/5 comma]] (''Verheyen c. 1600''<ref>Abraham Verheyen's letter to Simon Stevin, c. 1600</ref> & ''Sauveur 1701''<ref name="Sauveur1">''Archives of the Académie des Sciences, Paris, Procès verbaux, vol. 20'', February through April 1701</ref><ref name="Sauveur2">''Mémoires de l'Académie Royale des Sciences (Paris, 1701)'', pages 299–366</ref>)		**'''[[1/5-comma meantone\|1/5 comma]]''' (<small>''Verheyen c. 1600''</small><ref>Abraham Verheyen's letter to Simon Stevin, c. 1600</ref><small> & ''Sauveur 1701''</small><ref name="Sauveur1">''Archives of the Académie des Sciences, Paris, Procès verbaux, vol. 20'', February through April 1701</ref><ref name="Sauveur2">''Mémoires de l'Académie Royale des Sciences (Paris, 1701)'', pages 299–366</ref>)
	**[[43edo]] (''Sauveur 1701'')<ref name="Sauveur1" /><ref name="Sauveur2" />		**[[43edo]] (<small>''Sauveur 1701''</small>)<ref name="Sauveur1" /><ref name="Sauveur2" />
	*[[55edo]] (''Beer <1722'')<ref name="Monzo" />		*[[55edo]] (<small>''Beer <1722''</small>)<ref name="Monzo" />
	**[[1/6-comma meantone\|1/6 comma]] (''Silbermann <1748'')<ref>''Gespräch zwischen einem Musico theoretico und einem Studioso Musices von der Prätorianischen, Printzischen Werkmeisterischen ... Temperatur, wie auch von dem neuen Systemate ... Telemanns zur Beförd. reiner Harmonie.'' - Georg Andreas Sorge, 1748</ref>		**'''[[1/6-comma meantone\|1/6 comma]]''' (<small>''Silbermann <1748''</small>)<ref>''Gespräch zwischen einem Musico theoretico und einem Studioso Musices von der Prätorianischen, Printzischen Werkmeisterischen ... Temperatur, wie auch von dem neuen Systemate ... Telemanns zur Beförd. reiner Harmonie.'' - Georg Andreas Sorge, 1748</ref>
	*[[4/25-comma meantone\|4/25 comma]] (''Marsh 1809'')<ref>''Containing the Perfection of Eighteenth-century Temperament, the Lost Art of Nineteenth-century Temperament, and the Science of Equal Temperament, Complete with Instructions for Aural and Electronic Tuning'' - Owen Jorgensen, 1991</ref>		*[[4/25-comma meantone\|4/25 comma]] (<small>''Marsh 1809''</small>)<ref>''Containing the Perfection of Eighteenth-century Temperament, the Lost Art of Nineteenth-century Temperament, and the Science of Equal Temperament, Complete with Instructions for Aural and Electronic Tuning'' - Owen Jorgensen, 1991</ref>
	*[[1/7-comma meantone\|1/7 comma]] (''Romieu 1758'')<ref>''Tuning and Temperament: A Historical Survey'' p. 126 - James Murray Barbour, 1953</ref>		*'''[[1/7-comma meantone\|1/7 comma]]''' (<small>''Romieu 1758''</small>)<ref>''Tuning and Temperament: A Historical Survey'' p. 126 - James Murray Barbour, 1953</ref>
	**[[12edo]] (''Chu Tsai-yü 1596'')<ref>''Prince Chu Tsai-Yü's Life and Work: A Re-Evaluation of His Contribution to Equal Temperament Theory'' - Fritz A. Kuttner, 1975</ref>		**[[12edo]] (<small>''Chu Tsai-yü 1596''</small>)<ref>''Prince Chu Tsai-Yü's Life and Work: A Re-Evaluation of His Contribution to Equal Temperament Theory'' - Fritz A. Kuttner, 1975</ref>

	* [[Well temperament]]		* [[Well temperament]] (<small>sorted by date, oldest to youngest</small>)
	** [[Fogliano]] (1529)<ref>''Accurate meantone tuning based on Fogliano'' - Claudio Di Veroli, 2018 ([https://www.academia.edu/95315365/Accurate_meantone_tuning_based_on_Fogliano_2018 accessible at Academia.edu])</ref>		** [[Fogliano]] (<small>1529</small>)<ref>''Accurate meantone tuning based on Fogliano'' - Claudio Di Veroli, 2018 ([https://www.academia.edu/95315365/Accurate_meantone_tuning_based_on_Fogliano_2018 accessible at Academia.edu])</ref>
	** Werckmeister (1691)<ref>''Musicalische Temperatur'' - Andreas Werckmeister, 1691</ref>		** Werckmeister (<small>1691</small>)<ref>''Musicalische Temperatur'' - Andreas Werckmeister, 1691</ref>
	*** [[Werck3\|Werckmeister III]]		*** [[Werck3\|Werckmeister III]]
	*** [[Werckmeister IV]]		*** [[Werckmeister IV]]
	*** [[Werckmeister V]]		*** [[Werckmeister V]]
	*** [[Septenarius]] (Werckmeister VI)		*** [[Septenarius]] (Werckmeister VI)
	** [[Vallotti]] (1728)<ref>''Della scienza teorica e pratica della moderna musica'' - Francesco Vallotti, written 1728, published 1779</ref>		** [[Vallotti]] (<small>1728</small>)<ref>''Della scienza teorica e pratica della moderna musica'' - Francesco Vallotti, written 1728, published 1779</ref>
	** Neidhart (1732)<ref>''Sectio canonis harmonici'' - Johann Georg Neidhardt, 1724</ref><ref>''Gäntzlich erschöpfte, mathematische Abtheilungen des diatonisch-chromatischen, temperirten Canonis Monochordi'' - Johann Georg Neidhardt, 1732 ([https://www.digitale-sammlungen.de/en/view/bsb10527538?q=%28G%C3%A4ntzlich+ersch%C3%B6pfte,+Mathematische+Abtheilungen+des+Diatonisch-Chromatischen,+temperirten+Canonis+Monochordi%29&page=5 digitized copy])</ref>		** Neidhart (<small>1732</small>)<ref>''Sectio canonis harmonici'' - Johann Georg Neidhardt, 1724</ref><ref>''Gäntzlich erschöpfte, mathematische Abtheilungen des diatonisch-chromatischen, temperirten Canonis Monochordi'' - Johann Georg Neidhardt, 1732 ([https://www.digitale-sammlungen.de/en/view/bsb10527538?q=%28G%C3%A4ntzlich+ersch%C3%B6pfte,+Mathematische+Abtheilungen+des+Diatonisch-Chromatischen,+temperirten+Canonis+Monochordi%29&page=5 digitized copy])</ref>
	*** [[Hof 1732]] (Name translates to ''Court'')		*** [[Hof 1732]] (<small>Name translates to ''Court''</small>)
	*** [[Grosse stadt 1732]] (Name translates to ''Large town'')		*** [[Grosse stadt 1732]] (<small>Name translates to ''Large town''</small>)
	*** [[Kleine stadt 1732]] (Name translates to ''Small town'')		*** [[Kleine stadt 1732]] (<small>Name translates to ''Small town''</small>)
	*** [[Dorf 1732]] (Name translates to ''Village'')		*** [[Dorf 1732]] (<small>Name translates to ''Village''</small>)
	** [[Temperament ordinaire]]		** [[Temperament ordinaire]]
	*** D'Alembert (1752)<ref>''Élémens de musique, theorique et pratique, suivant les principes de Monsieur Rameau'' - Jean-Baptiste le Rond d’Alembert, 1752</ref>		*** D'Alembert (<small>1752</small>)<ref>''Élémens de musique, theorique et pratique, suivant les principes de Monsieur Rameau'' - Jean-Baptiste le Rond d’Alembert, 1752</ref>
	*** Rousseau (1767)<ref>''Dictionnaire de Musique'' - Jean-Jacques Rousseau, 1767</ref>		*** Rousseau (<small>1767</small>)<ref>''Dictionnaire de Musique'' - Jean-Jacques Rousseau, 1767</ref>
	** [[Johann Kirnberger\|Kirnberger]] (1774)<ref>''Die Kunst des reinen Satzes in der Musik'' - Johaan Philipp Kirnberger, 1774</ref>		** [[Johann Kirnberger\|Kirnberger]] (<small>1774</small>)<ref>''Die Kunst des reinen Satzes in der Musik'' - Johaan Philipp Kirnberger, 1774</ref>
	*** [[Kirnberger I]]		*** [[Kirnberger I]]
	*** [[Kirnberger II]]		*** [[Kirnberger II]]
	*** [[Kirnberger III]]		*** [[Kirnberger III]]
	** Young<ref>''Philosophical Transactions'' pages 143-147 - Royal Society of London, 1800</ref>		** Young<ref>''Philosophical Transactions'' pages 143-147 - Royal Society of London, 1800</ref>
	*** [[Young I]] (1800)		*** [[Young I]] (<small>1800</small>)
	*** Young II (''same as [[Vallotti]] (1728)'')		*** Young II (<small>''same as [[Vallotti]] (1728)''</small>)

	== See also ==		== See also ==

BudjarnLambeth: /* Examples */ Ordered by date

2025-03-29T06:48:59Z

Examples: Ordered by date

← Older revision		Revision as of 06:48, 29 March 2025
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	* [[Well temperament]]		* [[Well temperament]]
	** [[Fogliano]] (1529)<ref>''Accurate meantone tuning based on Fogliano'' - Claudio Di Veroli, 2018 ([https://www.academia.edu/95315365/Accurate_meantone_tuning_based_on_Fogliano_2018 accessible at Academia.edu])</ref>		** [[Fogliano]] (1529)<ref>''Accurate meantone tuning based on Fogliano'' - Claudio Di Veroli, 2018 ([https://www.academia.edu/95315365/Accurate_meantone_tuning_based_on_Fogliano_2018 accessible at Academia.edu])</ref>
	** ~~[[Johann Kirnberger\|Kirnberger]]~~ (~~1774~~)<ref>''~~Die Kunst des reinen Satzes in der Musik~~'' - ~~Johaan Philipp Kirnberger~~, ~~1774~~</ref>		** Werckmeister (1691)<ref>''Musicalische Temperatur'' - Andreas Werckmeister, 1691</ref>
	*** [[~~Kirnberger I~~]]		*** [[Werck3\|Werckmeister III]]
	*** [[~~Kirnberger II~~]]		*** [[Werckmeister IV]]
	*** [[~~Kirnberger III~~]]		*** [[Werckmeister V]]
			*** [[Septenarius]] (Werckmeister VI)
			** [[Vallotti]] (1728)<ref>''Della scienza teorica e pratica della moderna musica'' - Francesco Vallotti, written 1728, published 1779</ref>
	** Neidhart (1732)<ref>''Sectio canonis harmonici'' - Johann Georg Neidhardt, 1724</ref><ref>''Gäntzlich erschöpfte, mathematische Abtheilungen des diatonisch-chromatischen, temperirten Canonis Monochordi'' - Johann Georg Neidhardt, 1732 ([https://www.digitale-sammlungen.de/en/view/bsb10527538?q=%28G%C3%A4ntzlich+ersch%C3%B6pfte,+Mathematische+Abtheilungen+des+Diatonisch-Chromatischen,+temperirten+Canonis+Monochordi%29&page=5 digitized copy])</ref>		** Neidhart (1732)<ref>''Sectio canonis harmonici'' - Johann Georg Neidhardt, 1724</ref><ref>''Gäntzlich erschöpfte, mathematische Abtheilungen des diatonisch-chromatischen, temperirten Canonis Monochordi'' - Johann Georg Neidhardt, 1732 ([https://www.digitale-sammlungen.de/en/view/bsb10527538?q=%28G%C3%A4ntzlich+ersch%C3%B6pfte,+Mathematische+Abtheilungen+des+Diatonisch-Chromatischen,+temperirten+Canonis+Monochordi%29&page=5 digitized copy])</ref>
	*** [[Hof 1732]] (Name translates to ''Court'')		*** [[Hof 1732]] (Name translates to ''Court'')
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	*** D'Alembert (1752)<ref>''Élémens de musique, theorique et pratique, suivant les principes de Monsieur Rameau'' - Jean-Baptiste le Rond d’Alembert, 1752</ref>		*** D'Alembert (1752)<ref>''Élémens de musique, theorique et pratique, suivant les principes de Monsieur Rameau'' - Jean-Baptiste le Rond d’Alembert, 1752</ref>
	*** Rousseau (1767)<ref>''Dictionnaire de Musique'' - Jean-Jacques Rousseau, 1767</ref>		*** Rousseau (1767)<ref>''Dictionnaire de Musique'' - Jean-Jacques Rousseau, 1767</ref>
	** [[~~Vallotti~~]] (~~1728~~)<ref>''~~Della scienza teorica e pratica della moderna musica~~'' - ~~Francesco Vallotti~~, ~~written 1728, published 1779</ref>~~		** [[Johann Kirnberger\|Kirnberger]] (1774)<ref>''Die Kunst des reinen Satzes in der Musik'' - Johaan Philipp Kirnberger, 1774</ref>
	** Werckmeister (1691)<ref>''Musicalische Temperatur'' - Andreas Werckmeister, 1691</ref>		*** [[Kirnberger I]]
	*** [[~~Werck3\|Werckmeister III~~]]		*** [[Kirnberger II]]
	*** [[~~Werckmeister IV~~]]		*** [[Kirnberger III]]
	*** [[~~Werckmeister V]]~~
	*** [[Septenarius]] ~~(Werckmeister VI)~~
	** Young<ref>''Philosophical Transactions'' pages 143-147 - Royal Society of London, 1800</ref>		** Young<ref>''Philosophical Transactions'' pages 143-147 - Royal Society of London, 1800</ref>
	*** [[Young I]] (1800)		*** [[Young I]] (1800)
	*** Young II (''~~see~~ [[Vallotti]]'')		*** Young II (''same as [[Vallotti]] (1728)'')

	== See also ==		== See also ==

← Older revision		Revision as of 16:09, 31 March 2025
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	* ''[[Seigneur Dieu ta pitié]]'' - a historical (1558) composition for 19edo, important to the history of tuning		* ''[[Seigneur Dieu ta pitié]]'' - a historical (1558) composition for 19edo, important to the history of tuning
	* [[Ancient Greek]] musical tradition		* [[Ancient Greek]] musical tradition
	**[[Teleic scales]]
	** [[Tetrachord]]s		** [[Tetrachord]]s
	* [[Kellner well temperament]] - Dr [[Herbert Anton Kellner]]'s approximation of Bach's well temperament, from his book ''Wie stimme ich selbst mein Cembalo'' (1975).		* [[Kellner well temperament]] - Dr [[Herbert Anton Kellner]]'s approximation of Bach's well temperament, from his book ''Wie stimme ich selbst mein Cembalo'' (1975).