Herman Miller - Revision history

Fredg999: Archived link

2026-07-07T19:26:24Z

Archived link

← Older revision		Revision as of 19:26, 7 July 2026
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	== External links ==		== External links ==
	* [https://www.prismnet.com/~hmiller/ Official website 1], featuring music from 1979–2002~~{{dead link}}~~		* [https://web.archive.org/web/20230216083246/https://www.prismnet.com/~hmiller/ Official website 1], featuring music from 1979–2002 (archived)
	* [https://sites.google.com/site/teamouse/home Official website 2], featuring music from 1979–2014		* [https://sites.google.com/site/teamouse/home Official website 2], featuring music from 1979–2014
	* [https://soundcloud.com/morphosyntax-1 SoundCloud profile (Morphosyntax)]		* [https://soundcloud.com/morphosyntax-1 SoundCloud profile (Morphosyntax)]

Lucius Chiaraviglio: /* External links */ Official web site 1: dead link

2026-07-07T06:01:36Z

External links: Official web site 1: dead link

← Older revision		Revision as of 06:01, 7 July 2026
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	== External links ==		== External links ==
	* [https://www.prismnet.com/~hmiller/ Official website 1], featuring music from 1979–2002		* [https://www.prismnet.com/~hmiller/ Official website 1], featuring music from 1979–2002{{dead link}}
	* [https://sites.google.com/site/teamouse/home Official website 2], featuring music from 1979–2014		* [https://sites.google.com/site/teamouse/home Official website 2], featuring music from 1979–2014
	* [https://soundcloud.com/morphosyntax-1 SoundCloud profile (Morphosyntax)]		* [https://soundcloud.com/morphosyntax-1 SoundCloud profile (Morphosyntax)]

Fredg999 category edits: Moving from Category:Midi to Category:MIDI using Cat-a-lot

2026-06-24T05:45:52Z

Moving from Category:Midi to Category:MIDI using Cat-a-lot

← Older revision		Revision as of 05:45, 24 June 2026
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	[[Category:5edo]]		[[Category:5edo]]
	[[Category:7edo]]		[[Category:7edo]]
	[[Category:~~midi~~]]		[[Category:MIDI]]

BudjarnLambeth: Added links to dead end pg

2024-01-09T05:42:27Z

Added links to dead end pg

← Older revision		Revision as of 05:42, 9 January 2024
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	== Progress report ==		== Progress report ==
	; What was your path to discovering alternate tunings?		; What was your path to discovering alternate tunings?
	: I became interested in ethnic music from around the world while a student at Michigan State University. Colin McPhee's book ''Music In Bali'' was an influence, as well as other books that I can't recall by name, which introduced me to 19-ET and other equal ~~temperaments~~. Also, I saw a presentation by Owen Jorgensen demonstrating various historical tunings as well as his own unusual "Five and Seven" temperament (5-ET on the black keys, 7-ET on the white keys). Around the same time that I started listening to music from Bali, Japan, India and so on, Wendy Carlos' album ''Beauty In the Beast'' came out, featuring some familiar tunings as well as the exotic Alpha and Beta scales. Years later, I found out about Easley Blackwood's etudes in various ETs, and began to realize you can get good music even from scales that look "bad" on paper.		: I became interested in ethnic music from around the world while a student at Michigan State University. [[Colin McPhee]]'s book ''Music In Bali'' was an influence, as well as other books that I can't recall by name, which introduced me to [[19-ET]] and other [[equal temperament]]s. Also, I saw a presentation by [[Owen Jorgensen]] demonstrating various historical tunings as well as his own unusual "Five and Seven" temperament ([[5edo\|5-ET]] on the black keys, [[7-ET]] on the white keys). Around the same time that I started listening to music from [[Indonesian\|Bali]], Japan, [[Indian music\|India]] and so on, [[Wendy Carlos]]' album ''Beauty In the Beast'' came out, featuring some familiar tunings as well as the exotic [[Carlos Alpha\|Alpha]] and [[Carlos Beta\|Beta]] scales. Years later, I found out about [[Easley Blackwood]]'s etudes in various ETs, and began to realize you can get good music even from scales that look "bad" on paper.

	; What are your current/past/future particular interests?		; What are your current/past/future particular interests?
	: My main interest in the tuning area is regular ~~temperaments~~. One that I especially like for a number of reasons is lemba, a temperament that was first noticed in a big list of 7-limit regular temperaments on the tuning-math list. Generally I prefer the simpler temperaments like keemun or porcupine over the more complex ones like ennealimmal (but the lack of an appropriate input device might account for that preference). I've also done some music in equal temperaments as well as JI scales.		: My main interest in the tuning area is [[regular temperament]]s. One that I especially like for a number of reasons is [[lemba]], a temperament that was first noticed in a big list of [[7-limit]] regular temperaments on the tuning-math list. Generally I prefer the simpler temperaments like [[keemun]] or [[porcupine]] over the more complex ones like [[ennealimmal]] (but the lack of an appropriate input device might account for that preference). I've also done some music in equal temperaments as well as [[JI]] scales.

	; What instruments or means have you had/do you have now/do you want for the making of microtonal music?		; What instruments or means have you had/do you have now/do you want for the making of microtonal music?

Fredg999: Cleanup progress report

2022-04-10T21:49:49Z

Cleanup progress report

← Older revision		Revision as of 21:49, 10 April 2022
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	'''Herman Miller''', also known as '''Teamouse''' or '''Morphosyntax''', is a composer.		'''Herman Miller''', also known as '''Teamouse''' or '''Morphosyntax''', is a composer.

	== Progress ~~Report~~ ==		== Progress report ==
	''What was your path to discovering alternate tunings?''		; What was your path to discovering alternate tunings?
			: I became interested in ethnic music from around the world while a student at Michigan State University. Colin McPhee's book ''Music In Bali'' was an influence, as well as other books that I can't recall by name, which introduced me to 19-ET and other equal temperaments. Also, I saw a presentation by Owen Jorgensen demonstrating various historical tunings as well as his own unusual "Five and Seven" temperament (5-ET on the black keys, 7-ET on the white keys). Around the same time that I started listening to music from Bali, Japan, India and so on, Wendy Carlos' album ''Beauty In the Beast'' came out, featuring some familiar tunings as well as the exotic Alpha and Beta scales. Years later, I found out about Easley Blackwood's etudes in various ETs, and began to realize you can get good music even from scales that look "bad" on paper.

	~~I became interested~~ in ~~ethnic music from around~~ the ~~world while a student at Michigan State University~~. ~~Colin McPhee's book ''Music In Bali'' was an influence, as well as other books~~ that I ~~can't recall by name, which introduced me to 19-ET and other equal temperaments. Also~~, ~~I saw~~ a ~~presentation by Owen Jorgensen demonstrating various historical tunings as well as his own unusual "Five and Seven"~~ temperament (5-ET on the ~~black keys, 7~~-~~ET on~~ the ~~white keys~~). ~~Around the same time that~~ I ~~started listening to music from Bali, Japan, India and so on, Wendy Carlos' album ''Beauty In the Beast~~'~~' came out, featuring~~ some ~~familiar tunings~~ as well as ~~the exotic Alpha and Beta scales. Years later, I found out about Easley Blackwood's etudes in various ETs, and began to realize you can get good music even from~~ scales ~~that look "bad" on paper~~.		; What are your current/past/future particular interests?
			: My main interest in the tuning area is regular temperaments. One that I especially like for a number of reasons is lemba, a temperament that was first noticed in a big list of 7-limit regular temperaments on the tuning-math list. Generally I prefer the simpler temperaments like keemun or porcupine over the more complex ones like ennealimmal (but the lack of an appropriate input device might account for that preference). I've also done some music in equal temperaments as well as JI scales.

	~~''What are your current/past/future particular interests?''~~		; What instruments or means have you had/do you have now/do you want for the making of microtonal music?
			: I started in the late 1980's writing my own software to produce microtonal music. Very tedious. These days I use a MIDI editor, with tunable DXi plugins (or previously a Yamaha TX81Z), as well as using programs like Scala and Midiconv to retune MIDI files. I also use Scala to retune my DX7II keyboard. I've used Csound for experimentation in the past, but I haven't taken the time to really figure out how to use it. What I'd like is a good generalized keyboard that I can program for different regular temperaments.
	My main interest in the tuning area is regular temperaments. One that I especially like for a number of reasons is lemba, a temperament that was first noticed in a big list of 7-limit regular temperaments on the tuning-math list. Generally I prefer the simpler temperaments like keemun or porcupine over the more complex ones like ennealimmal (but the lack of an appropriate input device might account for that preference). I've also done some music in equal temperaments as well as JI scales.

	''What instruments or means have you had/do you have now/do you want for the making of microtonal music?''

	I started in the late 1980's writing my own software to produce microtonal music. Very tedious. These days I use a MIDI editor, with tunable DXi plugins (or previously a Yamaha TX81Z), as well as using programs like Scala and Midiconv to retune MIDI files. I also use Scala to retune my DX7II keyboard. I've used Csound for experimentation in the past, but I haven't taken the time to really figure out how to use it. What I'd like is a good generalized keyboard that I can program for different regular temperaments.

	== External links ==		== External links ==

Fredg999: Typography

2022-03-08T04:19:04Z

Typography

← Older revision		Revision as of 04:19, 8 March 2022
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	== External links ==		== External links ==
	* [https://www.prismnet.com/~hmiller/ Official website 1], featuring music from ~~1979-2002~~		* [https://www.prismnet.com/~hmiller/ Official website 1], featuring music from 1979–2002
	* [https://sites.google.com/site/teamouse/home Official website 2], featuring music from ~~1979-2014~~		* [https://sites.google.com/site/teamouse/home Official website 2], featuring music from 1979–2014
	* [https://soundcloud.com/morphosyntax-1 SoundCloud profile (Morphosyntax)]		* [https://soundcloud.com/morphosyntax-1 SoundCloud profile (Morphosyntax)]
	* [https://www.youtube.com/channel/UCu3rKPsBlcCjI2FVxJaAqIg YouTube channel]		* [https://www.youtube.com/channel/UCu3rKPsBlcCjI2FVxJaAqIg YouTube channel]

Fredg999: Added lead section and headers, new external links, categories, sort key

2022-03-08T04:08:50Z

Added lead section and headers, new external links, categories, sort key

← Older revision		Revision as of 04:08, 8 March 2022
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			'''Herman Miller''', also known as '''Teamouse''' or '''Morphosyntax''', is a composer.

			== Progress Report ==
	''What was your path to discovering alternate tunings?''		''What was your path to discovering alternate tunings?''

Line 10:		Line 13:

	I started in the late 1980's writing my own software to produce microtonal music. Very tedious. These days I use a MIDI editor, with tunable DXi plugins (or previously a Yamaha TX81Z), as well as using programs like Scala and Midiconv to retune MIDI files. I also use Scala to retune my DX7II keyboard. I've used Csound for experimentation in the past, but I haven't taken the time to really figure out how to use it. What I'd like is a good generalized keyboard that I can program for different regular temperaments.		I started in the late 1980's writing my own software to produce microtonal music. Very tedious. These days I use a MIDI editor, with tunable DXi plugins (or previously a Yamaha TX81Z), as well as using programs like Scala and Midiconv to retune MIDI files. I also use Scala to retune my DX7II keyboard. I've used Csound for experimentation in the past, but I haven't taken the time to really figure out how to use it. What I'd like is a good generalized keyboard that I can program for different regular temperaments.

			== External links ==
			* [https://www.prismnet.com/~hmiller/ Official website 1], featuring music from 1979-2002
			* [https://sites.google.com/site/teamouse/home Official website 2], featuring music from 1979-2014
			* [https://soundcloud.com/morphosyntax-1 SoundCloud profile (Morphosyntax)]
			* [https://www.youtube.com/channel/UCu3rKPsBlcCjI2FVxJaAqIg YouTube channel]

			{{DEFAULTSORT:Miller, Herman}}
			[[Category:People]]
			[[Category:Composers]]
	[[Category:19edo]]		[[Category:19edo]]
	[[Category:20edo]]		[[Category:20edo]]
	[[Category:5edo]]		[[Category:5edo]]
	[[Category:7edo]]		[[Category:7edo]]
	~~[[Category:Composers]]~~
	[[Category:midi]]		[[Category:midi]]

Fredg999 category edits: Moving from Category:Composer to Category:Composers using Cat-a-lot

2022-02-22T23:57:05Z

Moving from Category:Composer to Category:Composers using Cat-a-lot

← Older revision		Revision as of 23:57, 22 February 2022
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	[[Category:5edo]]		[[Category:5edo]]
	[[Category:7edo]]		[[Category:7edo]]
	[[Category:~~composer~~]]		[[Category:Composers]]
	[[Category:midi]]		[[Category:midi]]

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

← Older revision		Revision as of 00:00, 17 July 2018
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	~~<h2>IMPORTED REVISION FROM WIKISPACES</h2>~~		''What was your path to discovering alternate tunings?''
	~~This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>~~
	~~: This revision was by author [[User:Mizarian\|Mizarian]] and made on <tt>2007-03-19 21:41:58 UTC</tt>.<br>~~		I became interested in ethnic music from around the world while a student at Michigan State University. Colin McPhee's book ''Music In Bali'' was an influence, as well as other books that I can't recall by name, which introduced me to 19-ET and other equal temperaments. Also, I saw a presentation by Owen Jorgensen demonstrating various historical tunings as well as his own unusual "Five and Seven" temperament (5-ET on the black keys, 7-ET on the white keys). Around the same time that I started listening to music from Bali, Japan, India and so on, Wendy Carlos' album ''Beauty In the Beast'' came out, featuring some familiar tunings as well as the exotic Alpha and Beta scales. Years later, I found out about Easley Blackwood's etudes in various ETs, and began to realize you can get good music even from scales that look "bad" on paper.
	~~: The original revision id was <tt>3358861</tt>.<br>~~
	~~: The revision comment was: <tt></tt><br>~~		''What are your current/past/future particular interests?''
	~~The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>~~
	~~<h4>Original Wikitext content:</h4>~~
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">//What was your path to discovering alternate tunings?//
	I became interested in ethnic music from around the world while a student at Michigan State University. Colin McPhee's book //Music In Bali// was an influence, as well as other books that I can't recall by name, which introduced me to 19-ET and other equal temperaments. Also, I saw a presentation by Owen Jorgensen demonstrating various historical tunings as well as his own unusual "Five and Seven" temperament (5-ET on the black keys, 7-ET on the white keys). Around the same time that I started listening to music from Bali, Japan, India and so on, Wendy Carlos' album //Beauty In the Beast// came out, featuring some familiar tunings as well as the exotic Alpha and Beta scales. Years later, I found out about Easley Blackwood's etudes in various ETs, and began to realize you can get good music even from scales that look "bad" on paper.

	~~//What are your current/past/future particular interests?//~~
	My main interest in the tuning area is regular temperaments. One that I especially like for a number of reasons is lemba, a temperament that was first noticed in a big list of 7-limit regular temperaments on the tuning-math list. Generally I prefer the simpler temperaments like keemun or porcupine over the more complex ones like ennealimmal (but the lack of an appropriate input device might account for that preference). I've also done some music in equal temperaments as well as JI scales.		My main interest in the tuning area is regular temperaments. One that I especially like for a number of reasons is lemba, a temperament that was first noticed in a big list of 7-limit regular temperaments on the tuning-math list. Generally I prefer the simpler temperaments like keemun or porcupine over the more complex ones like ennealimmal (but the lack of an appropriate input device might account for that preference). I've also done some music in equal temperaments as well as JI scales.

	//What instruments or means have you had/do you have now/do you want for the making of microtonal music?//		''What instruments or means have you had/do you have now/do you want for the making of microtonal music?''
	I started in the late 1980's writing my own software to produce microtonal music. Very tedious. These days I use a MIDI editor, with tunable DXi plugins (or previously a Yamaha TX81Z), as well as using programs like Scala and Midiconv to retune MIDI files. I also use Scala to retune my DX7II keyboard. I've used Csound for experimentation in the past, but I haven't taken the time to really figure out how to use it. What I'd like is a good generalized keyboard that I can program for different regular temperaments.~~</pre></div>~~
	~~<h4>Original HTML content~~:~~</h4>~~		I started in the late 1980's writing my own software to produce microtonal music. Very tedious. These days I use a MIDI editor, with tunable DXi plugins (or previously a Yamaha TX81Z), as well as using programs like Scala and Midiconv to retune MIDI files. I also use Scala to retune my DX7II keyboard. I've used Csound for experimentation in the past, but I haven't taken the time to really figure out how to use it. What I'd like is a good generalized keyboard that I can program for different regular temperaments.
	~~<div style="width~~:~~100%; max-height~~:~~400pt; overflow~~:~~auto; background-color~~:~~#f8f9fa; border~~: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Herman Miller</title></head><body><em>What was your path to discovering alternate tunings?</em><br />		[[Category:19edo]]
	I became interested in ethnic music from around the world while a student at Michigan State University. Colin McPhee's book <em>Music In Bali</em> was an influence, as well as other books that I can't recall by name, which introduced me to 19-ET and other equal temperaments. Also, I saw a presentation by Owen Jorgensen demonstrating various historical tunings as well as his own unusual &quot;Five and Seven&quot; temperament (5-ET on the black keys, 7-ET on the white keys). Around the same time that I started listening to music from Bali, Japan, India and so on, Wendy Carlos' album <em>Beauty In the Beast</em> came out, featuring some familiar tunings as well as the exotic Alpha and Beta scales. Years later, I found out about Easley Blackwood's etudes in various ETs, and began to realize you can get good music even from scales that look &quot;bad&quot; on paper.<br />		[[Category:20edo]]
	~~<br />~~		[[Category:5edo]]
	~~<em>What are your current/past/future particular interests?</em><br />~~		[[Category:7edo]]
	My main interest in the tuning area is regular temperaments. One that I especially like for a number of reasons is lemba, a temperament that was first noticed in a big list of 7-limit regular temperaments on the tuning-math list. Generally I prefer the simpler temperaments like keemun or porcupine over the more complex ones like ennealimmal (but the lack of an appropriate input device might account for that preference). I've also done some music in equal temperaments as well as JI scales.<br />		[[Category:composer]]
	~~<br />~~		[[Category:midi]]
	~~<em>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</em><br />~~
	I started in the late 1980's writing my own software to produce microtonal music. Very tedious. These days I use a MIDI editor, with tunable DXi plugins (or previously a Yamaha TX81Z), as well as using programs like Scala and Midiconv to retune MIDI files. I also use Scala to retune my DX7II keyboard. I've used Csound for experimentation in the past, but I haven't taken the time to really figure out how to use it. What I'd like is a good generalized keyboard that I can program for different regular temperaments.</body></html></pre></div>

Wikispaces>Mizarian: Imported revision 3358861 - Original comment:

2007-03-19T21:41:58Z

**Imported revision 3358861 - Original comment: **

New page

<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:Mizarian|Mizarian]] and made on <tt>2007-03-19 21:41:58 UTC</tt>.<br>
: The original revision id was <tt>3358861</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">//What was your path to discovering alternate tunings?//
I became interested in ethnic music from around the world while a student at Michigan State University. Colin McPhee's book //Music In Bali// was an influence, as well as other books that I can't recall by name, which introduced me to 19-ET and other equal temperaments. Also, I saw a presentation by Owen Jorgensen demonstrating various historical tunings as well as his own unusual "Five and Seven" temperament (5-ET on the black keys, 7-ET on the white keys). Around the same time that I started listening to music from Bali, Japan, India and so on, Wendy Carlos' album //Beauty In the Beast// came out, featuring some familiar tunings as well as the exotic Alpha and Beta scales. Years later, I found out about Easley Blackwood's etudes in various ETs, and began to realize you can get good music even from scales that look "bad" on paper.

//What are your current/past/future particular interests?//
My main interest in the tuning area is regular temperaments. One that I especially like for a number of reasons is lemba, a temperament that was first noticed in a big list of 7-limit regular temperaments on the tuning-math list. Generally I prefer the simpler temperaments like keemun or porcupine over the more complex ones like ennealimmal (but the lack of an appropriate input device might account for that preference). I've also done some music in equal temperaments as well as JI scales.

//What instruments or means have you had/do you have now/do you want for the making of microtonal music?//
I started in the late 1980's writing my own software to produce microtonal music. Very tedious. These days I use a MIDI editor, with tunable DXi plugins (or previously a Yamaha TX81Z), as well as using programs like Scala and Midiconv to retune MIDI files. I also use Scala to retune my DX7II keyboard. I've used Csound for experimentation in the past, but I haven't taken the time to really figure out how to use it. What I'd like is a good generalized keyboard that I can program for different regular temperaments.</pre></div>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Herman Miller</title></head><body><em>What was your path to discovering alternate tunings?</em><br />
I became interested in ethnic music from around the world while a student at Michigan State University. Colin McPhee's book <em>Music In Bali</em> was an influence, as well as other books that I can't recall by name, which introduced me to 19-ET and other equal temperaments. Also, I saw a presentation by Owen Jorgensen demonstrating various historical tunings as well as his own unusual &quot;Five and Seven&quot; temperament (5-ET on the black keys, 7-ET on the white keys). Around the same time that I started listening to music from Bali, Japan, India and so on, Wendy Carlos' album <em>Beauty In the Beast</em> came out, featuring some familiar tunings as well as the exotic Alpha and Beta scales. Years later, I found out about Easley Blackwood's etudes in various ETs, and began to realize you can get good music even from scales that look &quot;bad&quot; on paper.<br />
<br />
<em>What are your current/past/future particular interests?</em><br />
My main interest in the tuning area is regular temperaments. One that I especially like for a number of reasons is lemba, a temperament that was first noticed in a big list of 7-limit regular temperaments on the tuning-math list. Generally I prefer the simpler temperaments like keemun or porcupine over the more complex ones like ennealimmal (but the lack of an appropriate input device might account for that preference). I've also done some music in equal temperaments as well as JI scales.<br />
<br />
<em>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</em><br />
I started in the late 1980's writing my own software to produce microtonal music. Very tedious. These days I use a MIDI editor, with tunable DXi plugins (or previously a Yamaha TX81Z), as well as using programs like Scala and Midiconv to retune MIDI files. I also use Scala to retune my DX7II keyboard. I've used Csound for experimentation in the past, but I haven't taken the time to really figure out how to use it. What I'd like is a good generalized keyboard that I can program for different regular temperaments.</body></html></pre></div>