Hans Straub - Revision history

Fredg999: Categories, sort key

2025-03-16T02:42:09Z

Categories, sort key

← Older revision		Revision as of 02:42, 16 March 2025
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	#REDIRECT [[User:Hstraub]]		#REDIRECT [[User:Hstraub]]

			{{DEFAULTSORT:Straub, Hans}}
			[[Category:People]]
			[[Category:Wiki editors]]

Fredg999: Fix typo

2022-11-05T19:58:21Z

Fix typo

← Older revision		Revision as of 19:58, 5 November 2022
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	#REDIRECT [[~~user.hstraub~~]]		#REDIRECT [[User:Hstraub]]

Hstraub: Redirected page to User.hstraub

2022-11-04T21:57:16Z

Redirected page to User.hstraub

← Older revision		Revision as of 21:57, 4 November 2022
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	~~{{See also\|User:Hstraub}}~~		#REDIRECT [[user.hstraub]]
	[~~ToDo make up-to-date again]~~

	~~== Progress report ==~~
	~~; What was your path to discovering alternate tunings?~~
	: My path to microtonal music lead substantially over mathematics, most prominently over Guerino Mazzola's works on mathematical music theory. Mathematical models of musical phenomena often can be extended naturally to microtonal music, thus offering hints on how to make microtonal music (e.g. how a microtonal modulation could be written). And: Microtonal music offers possibilities to test the validity of the mathematical models.

	: A long time, all this was more a theoretical issue, since I did not have the possibilities to make microtonal music. This changed 1) when I learned about the Csound software and 2) when I found out how my synthesizer can be retuned. The latter point is especially important, since it gave me the possibility to play microtonal music in real time.

	: Not to neglect is the effect of the yahoo forums on tuning - tuning-math, tuning and MakeMicroMusic, with their possibilities of information exchange on theoretical and practical questions around microtonal music, and - not least - a community of people interested in listening to microtonal music. The concrete possibility of my music being listened to was actually an essential stimulus for me to polish and complete my stuff.

	~~; What are your current/past/future particular interests?~~
	: One thing I like about alternative tunings is the possibility to make new, interesting music, along paths that are not so much trodden out yet. Another thing, always somewhere in the background, is a scientific interest: the above-mentioned possibility to apply and test models of mathematical music theory. My first two microtonal pieces were written in a meter that matches the tuning (5TET, 5/8 meter and 17TET, 17/8 meter) because of a hypothesis of Guerino Mazzola stating that there might be a dependency between tuning and meter. Other interesting fields to test include are mathematical models for modulations and, currently, counterpoint. Quick and definitive answers to these questions are not likely - but you can get hints.

	: I am working mostly with equal temperaments - from the musical side, because the free modulation possibilities suit my musical thinking (which was essentially shaped on the piano), and from the mathematical side, because the mathematical structures of equal temperaments are relatively easy and familiar to me. Finished pieces exist for 5-TET, 17-TET and 19TET, and I have experimented with 22TET and 10TET. But I have also experimented with just intonation, such as scales derived from the overtone series. Once you started with one tuning, others sort of come naturally...

	~~; What instruments or means have you had/do you have now/do you want for the making of microtonal music?~~
	: The best results I have obtained/still obtain with my retuned synthesizer (in my case, it's a Roland JV1010 - but nowadays, many synthesizers have this possibility). It took some effort to learn how to retune it - but now this is done, I can play on the familiar keyboard and can hear the sounds immediately. That way, I can write microtonal music feeling like a musician (doing it feeling like an engineer is fun, too, but not always...).

	: Sometimes I also use Csound. This software has some great features - nearly absolute freedom not only in tuning, but in every aspect of the sound; the score format is well-suited for import from algorithmic composition, too (for the moments to feel like an engineer...). On the other hand, the efforts to get familiar with it are considerable, and it is not really well-suited for realtime performance (the current versions support realtime playing - but again, it takes some effort, and there is quite some latency - on my present computer at least).

	~~: I also play harmonica (blues harp) - an instrument that is microtonal by nature. There are no finished compositions yet, but I hope there will be soon.~~

	~~== External links ==~~
	* [https://www.jamendo.com/artist/422670/hstraub Jamendo profile]
	* [https://mx3.ch/hstraub Mx3.ch profile]
	* [~~http://www.soundclick.com/members/default~~.~~cfm?member=hstraub SoundClick profile]~~

	~~{{DEFAULTSORT:Straub, Hans}}~~
	~~[[Category:People]]~~
	~~[[Category:Meta]]~~
	~~[[Category:Wiki]]~~
	~~[[Category:Wiki editors\|~~hstraub]]
	~~[[Category:User UTC+1]]~~
	~~[[Category:User de-N]]~~
	~~[[Category:User en-3]]~~
	~~[[Category:User es-1]]~~
	~~[[Category:User ja-1~~]]

Fredg999: Sort key

2022-05-22T20:43:11Z

Sort key

← Older revision		Revision as of 20:43, 22 May 2022
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	* [http://www.soundclick.com/members/default.cfm?member=hstraub SoundClick profile]		* [http://www.soundclick.com/members/default.cfm?member=hstraub SoundClick profile]

			{{DEFAULTSORT:Straub, Hans}}
	[[Category:People]]		[[Category:People]]
	[[Category:Meta]]		[[Category:Meta]]

Fredg999: Cleanup progress report

2022-04-10T21:51:41Z

Cleanup progress report

← Older revision		Revision as of 21:51, 10 April 2022
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	; What was your path to discovering alternate tunings?		; What was your path to discovering alternate tunings?
	: My path to microtonal music lead substantially over mathematics, most prominently over Guerino Mazzola's works on mathematical music theory. Mathematical models of musical phenomena often can be extended naturally to microtonal music, thus offering hints on how to make microtonal music (e.g. how a microtonal modulation could be written). And: Microtonal music offers possibilities to test the validity of the mathematical models.		: My path to microtonal music lead substantially over mathematics, most prominently over Guerino Mazzola's works on mathematical music theory. Mathematical models of musical phenomena often can be extended naturally to microtonal music, thus offering hints on how to make microtonal music (e.g. how a microtonal modulation could be written). And: Microtonal music offers possibilities to test the validity of the mathematical models.

	: A long time, all this was more a theoretical issue, since I did not have the possibilities to make microtonal music. This changed 1) when I learned about the Csound software and 2) when I found out how my synthesizer can be retuned. The latter point is especially important, since it gave me the possibility to play microtonal music in real time.		: A long time, all this was more a theoretical issue, since I did not have the possibilities to make microtonal music. This changed 1) when I learned about the Csound software and 2) when I found out how my synthesizer can be retuned. The latter point is especially important, since it gave me the possibility to play microtonal music in real time.

	: Not to neglect is the effect of the yahoo forums on tuning - tuning-math, tuning and MakeMicroMusic, with their possibilities of information exchange on theoretical and practical questions around microtonal music, and - not least - a community of people interested in listening to microtonal music. The concrete possibility of my music being listened to was actually an essential stimulus for me to polish and complete my stuff.		: Not to neglect is the effect of the yahoo forums on tuning - tuning-math, tuning and MakeMicroMusic, with their possibilities of information exchange on theoretical and practical questions around microtonal music, and - not least - a community of people interested in listening to microtonal music. The concrete possibility of my music being listened to was actually an essential stimulus for me to polish and complete my stuff.

	; What are your current/past/future particular interests?		; What are your current/past/future particular interests?
	: One thing I like about alternative tunings is the possibility to make new, interesting music, along paths that are not so much trodden out yet. Another thing, always somewhere in the background, is a scientific interest: the above-mentioned possibility to apply and test models of mathematical music theory. My first two microtonal pieces were written in a meter that matches the tuning (5TET, 5/8 meter and 17TET, 17/8 meter) because of a hypothesis of Guerino Mazzola stating that there might be a dependency between tuning and meter. Other interesting fields to test include are mathematical models for modulations and, currently, counterpoint. Quick and definitive answers to these questions are not likely - but you can get hints.		: One thing I like about alternative tunings is the possibility to make new, interesting music, along paths that are not so much trodden out yet. Another thing, always somewhere in the background, is a scientific interest: the above-mentioned possibility to apply and test models of mathematical music theory. My first two microtonal pieces were written in a meter that matches the tuning (5TET, 5/8 meter and 17TET, 17/8 meter) because of a hypothesis of Guerino Mazzola stating that there might be a dependency between tuning and meter. Other interesting fields to test include are mathematical models for modulations and, currently, counterpoint. Quick and definitive answers to these questions are not likely - but you can get hints.

	: I am working mostly with equal temperaments - from the musical side, because the free modulation possibilities suit my musical thinking (which was essentially shaped on the piano), and from the mathematical side, because the mathematical structures of equal temperaments are relatively easy and familiar to me. Finished pieces exist for 5-TET, 17-TET and 19TET, and I have experimented with 22TET and 10TET. But I have also experimented with just intonation, such as scales derived from the overtone series. Once you started with one tuning, others sort of come naturally...		: I am working mostly with equal temperaments - from the musical side, because the free modulation possibilities suit my musical thinking (which was essentially shaped on the piano), and from the mathematical side, because the mathematical structures of equal temperaments are relatively easy and familiar to me. Finished pieces exist for 5-TET, 17-TET and 19TET, and I have experimented with 22TET and 10TET. But I have also experimented with just intonation, such as scales derived from the overtone series. Once you started with one tuning, others sort of come naturally...

	; What instruments or means have you had/do you have now/do you want for the making of microtonal music?		; What instruments or means have you had/do you have now/do you want for the making of microtonal music?
	: The best results I have obtained/still obtain with my retuned synthesizer (in my case, it's a Roland JV1010 - but nowadays, many synthesizers have this possibility). It took some effort to learn how to retune it - but now this is done, I can play on the familiar keyboard and can hear the sounds immediately. That way, I can write microtonal music feeling like a musician (doing it feeling like an engineer is fun, too, but not always...).		: The best results I have obtained/still obtain with my retuned synthesizer (in my case, it's a Roland JV1010 - but nowadays, many synthesizers have this possibility). It took some effort to learn how to retune it - but now this is done, I can play on the familiar keyboard and can hear the sounds immediately. That way, I can write microtonal music feeling like a musician (doing it feeling like an engineer is fun, too, but not always...).

	: Sometimes I also use Csound. This software has some great features - nearly absolute freedom not only in tuning, but in every aspect of the sound; the score format is well-suited for import from algorithmic composition, too (for the moments to feel like an engineer...). On the other hand, the efforts to get familiar with it are considerable, and it is not really well-suited for realtime performance (the current versions support realtime playing - but again, it takes some effort, and there is quite some latency - on my present computer at least).		: Sometimes I also use Csound. This software has some great features - nearly absolute freedom not only in tuning, but in every aspect of the sound; the score format is well-suited for import from algorithmic composition, too (for the moments to feel like an engineer...). On the other hand, the efforts to get familiar with it are considerable, and it is not really well-suited for realtime performance (the current versions support realtime playing - but again, it takes some effort, and there is quite some latency - on my present computer at least).

	: I also play harmonica (blues harp) - an instrument that is microtonal by nature. There are no finished compositions yet, but I hope there will be soon.		: I also play harmonica (blues harp) - an instrument that is microtonal by nature. There are no finished compositions yet, but I hope there will be soon.

Fredg999: Cleanup, added link to user page (to access user talk page more easily, even though it's a redirect right now)

2022-04-10T20:26:24Z

Cleanup, added link to user page (to access user talk page more easily, even though it's a redirect right now)

@@ Line 1: / Line 1: @@
 [ToDo make up-to-date again]
-__FORCETOC__
+== Progress report ==
------
+; What was your path to discovering alternate tunings?
-=Progress Report=
+; What are your current/past/future particular interests?
-''What was your path to discovering alternate tunings?''
+: One thing I like about alternative tunings is the possibility to make new, interesting music, along paths that are not so much trodden out yet. Another thing, always somewhere in the background, is a scientific interest: the above-mentioned possibility to apply and test models of mathematical music theory. My first two microtonal pieces were written in a meter that matches the tuning (5TET, 5/8 meter and 17TET, 17/8 meter) because of a hypothesis of Guerino Mazzola stating that there might be a dependency between tuning and meter. Other interesting fields to test include are mathematical models for modulations and, currently, counterpoint. Quick and definitive answers to these questions are not likely - but you can get hints.
-My path to microtonal music lead substantially over mathematics, most prominently over Guerino Mazzola's works on mathematical music theory. Mathematical models of musical phenomena often can be extended naturally to microtonal music, thus offering hints on how to make microtonal music (e.g. how a microtonal modulation could be written). And: Microtonal music offers possibilities to test the validity of the mathematical models.
+== External links ==
-A long time, all this was more a theoretical issue, since I did not have the possibilities to make microtonal music. This changed 1) when I learned about the Csound software and 2) when I found out how my synthesizer can be retuned. The latter point is especially important, since it gave me the possibility to play microtonal music in real time.
+[[Category:People]]
+[[Category:Meta]]
-Not to neglect is the effect of the yahoo forums on tuning - tuning-math, tuning and MakeMicroMusic, with their possibilities of information exchange on theoretical and practical questions around microtonal music, and - not least - a community of people interested in listening to microtonal music. The concrete possibility of my music being listened to was actually an essential stimulus for me to polish and complete my stuff.
+[[Category:Wiki]]
 [[Category:Wiki editors|hstraub]]
 [[Category:User UTC+1]]

Fredg999 category edits: Moving from Category:Wiki editor to Category:Wiki editors using Cat-a-lot

2022-02-23T00:04:17Z

Moving from Category:Wiki editor to Category:Wiki editors using Cat-a-lot

← Older revision		Revision as of 00:04, 23 February 2022
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	[[Category:people]]		[[Category:people]]
	[[Category:wiki]]		[[Category:wiki]]
	[[Category:~~wiki editor~~\|hstraub]]		[[Category:Wiki editors\|hstraub]]
	[[Category:User UTC+1]]		[[Category:User UTC+1]]
	[[Category:User de-N]]		[[Category:User de-N]]

Hstraub at 19:47, 17 October 2018

2018-10-17T19:47:03Z

← Older revision		Revision as of 19:47, 17 October 2018
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	[[Category:User de-N]]		[[Category:User de-N]]
	[[Category:User en-3]]		[[Category:User en-3]]
			[[Category:User es-1]]
			[[Category:User ja-1]]

Hstraub: /* Links */

2018-10-17T19:45:41Z

Links

← Older revision		Revision as of 19:45, 17 October 2018
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	I also play harmonica (blues harp) - an instrument that is microtonal by nature. There are no finished compositions yet, but I hope there will be soon.		I also play harmonica (blues harp) - an instrument that is microtonal by nature. There are no finished compositions yet, but I hope there will be soon.

	~~=Links=~~		=Hans Straub's profiles=

	==Hans Straub's profiles==
	[[SoundClick\|Soundclick]]: http://www.soundclick.com/members/default.cfm?member=hstraub		[[SoundClick\|Soundclick]]: http://www.soundclick.com/members/default.cfm?member=hstraub

Hstraub at 19:45, 17 October 2018

2018-10-17T19:45:06Z

← Older revision		Revision as of 19:45, 17 October 2018
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	[[Category:wiki]]		[[Category:wiki]]
	[[Category:wiki editor\|hstraub]]		[[Category:wiki editor\|hstraub]]
	[[Category:User UTC+2]]		[[Category:User UTC+1]]
	[[Category:User de-N]]		[[Category:User de-N]]
	[[Category:User en-3]]		[[Category:User en-3]]