Equivalence - Revision history

Sintel: Changed redirect target from 2/1#Octave equivalence to Interval of equivalence

2025-04-30T17:45:53Z

Changed redirect target from 2/1#Octave equivalence to Interval of equivalence

← Older revision		Revision as of 17:45, 30 April 2025
Line 1:		Line 1:
	#REDIRECT [[~~2/1#Octave_equivalence~~]]		#REDIRECT [[Interval of equivalence]]

Sintel: redirect to octave equivalence

2025-04-24T21:04:29Z

redirect to octave equivalence

← Older revision		Revision as of 21:04, 24 April 2025
Line 1:		Line 1:
	~~{{About\|the psychoacoustic phenomenon of different pitches sounding similar\|using multiple names for the same pitch in notation\|enharmonic equivalence}}~~		#REDIRECT [[2/1#Octave_equivalence]]
	~~{{Wikipedia\| Octave~~ #~~Equivalence }}~~
	~~'''Equivalence''' is the phenomenon of psychoacoustics that two notes an~~ [[octave]] apart are considered substantially similar to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]]~~, the next harmonic after the octave.~~

	~~The set of all equivalent pitches is a [[pitch class]].~~

	~~== See also ==~~
	* [[Equave]]

	~~[[Category:Psychoacoustics]]~~
	~~[[Category:Terms]]~~

	~~{{todo\|expand}}~~

FloraC: Template: About

2024-07-26T04:56:39Z

Template: About

← Older revision		Revision as of 04:56, 26 July 2024
Line 1:		Line 1:
			{{About\|the psychoacoustic phenomenon of different pitches sounding similar\|using multiple names for the same pitch in notation\|enharmonic equivalence}}
	{{Wikipedia\| Octave #Equivalence }}		{{Wikipedia\| Octave #Equivalence }}
	'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered substantially similar to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.		'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered substantially similar to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.

BudjarnLambeth: -stub +todo:expand

2024-01-30T07:24:53Z

-stub +todo:expand

← Older revision		Revision as of 07:24, 30 January 2024
Line 10:		Line 10:
	[[Category:Terms]]		[[Category:Terms]]

			{{todo\|expand}}
	{{~~Stub~~}}

FloraC: No tautology

2023-09-20T07:43:47Z

No tautology

← Older revision		Revision as of 07:43, 20 September 2023
Line 1:		Line 1:
	{{Wikipedia\|Octave#Equivalence}}		{{Wikipedia\| Octave #Equivalence }}
	'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered "(substantially~~) equivalent"~~ to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.		'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered substantially similar to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.

	The set of all equivalent pitches is a [[pitch class]].		The set of all equivalent pitches is a [[pitch class]].

Fredg999: Add Wikipedia box

2023-08-22T19:26:19Z

Add Wikipedia box

← Older revision		Revision as of 19:26, 22 August 2023
Line 1:		Line 1:
			{{Wikipedia\|Octave#Equivalence}}
	'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered "(substantially) equivalent" to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.		'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered "(substantially) equivalent" to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.

Fredg999: Categories

2023-08-22T19:11:53Z

Fredg999 category edits: Move stub

2023-07-14T17:52:06Z

Move stub

← Older revision		Revision as of 17:52, 14 July 2023
Line 1:		Line 1:
	~~{{Stub}}~~
	'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered "(substantially) equivalent" to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.		'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered "(substantially) equivalent" to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.

Line 8:		Line 7:

	[[Category:Psychoacoustics]]		[[Category:Psychoacoustics]]


			{{Stub}}

Fredg999 category edits: Stub template

2023-07-11T22:17:45Z

Stub template

← Older revision		Revision as of 22:17, 11 July 2023
Line 1:		Line 1:
			{{Stub}}
	'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered "(substantially) equivalent" to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.		'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered "(substantially) equivalent" to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.

Line 7:		Line 8:

	[[Category:Psychoacoustics]]		[[Category:Psychoacoustics]]
	~~[[Category:Stub]]~~

Fredg999: Mention pitch class

2023-04-24T03:31:43Z

Mention pitch class

← Older revision		Revision as of 03:31, 24 April 2023
Line 1:		Line 1:
	'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered "(substantially) equivalent" to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.		'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered "(substantially) equivalent" to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.

			The set of all equivalent pitches is a [[pitch class]].

	== See also ==		== See also ==

← Older revision		Revision as of 04:56, 26 July 2024
Line 1:		Line 1:
			{{About\|the psychoacoustic phenomenon of different pitches sounding similar\|using multiple names for the same pitch in notation\|enharmonic equivalence}}
	{{Wikipedia\| Octave #Equivalence }}		{{Wikipedia\| Octave #Equivalence }}
	'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered substantially similar to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.		'''Equivalence''' is the phenomenon of psychoacoustics that two notes an [[octave]] apart are considered substantially similar to the brain. The question of whether it can (and should) generalize or generalizes to other intervals is still being studied. This question relates to the [[height]] of the interval's denominator in the (odd) harmonic series and another phenomenon presumably of psycho-acoustics that melodies within the range of a tenth are considered to sound "cohesive" or "coherent" to the brain. If equivalence can be perceived for other intervals, the best candidates are those of very high [[Consonance and dissonance\|consonance]], such as [[3/1]], the next harmonic after the octave.

← Older revision		Revision as of 19:11, 22 August 2023
Line 7:		Line 7:

	[[Category:Psychoacoustics]]		[[Category:Psychoacoustics]]
			[[Category:Terms]]


	{{Stub}}		{{Stub}}