Eighty-one ninth chords - Revision history

BudjarnLambeth: Cleaned up the page

2023-04-26T07:43:08Z

Cleaned up the page

← Older revision		Revision as of 07:43, 26 April 2023
Line 1:		Line 1:
	Eighty-one 9th chords (2006) by Jacob Barton		''Eighty-one 9th chords (2006)'' by Jacob Barton. For two pianos tuned to [[17edo]].

	~~for two pianos tuned to~~ [~~[17edo\|17edo]~~]		== Recording ==
			[http://www.archive.org/download/seventeenTPP_02/81_ninth_chords.mp3 http://www.archive.org/download/seventeenTPP_02/81_ninth_chords.mp3]

	~~1st program note~~:		== Score ==
			[[:File:81_9th_chords.pdf\|81_9th_chords.pdf]]

	There are three types of thirds in 17-edo; let’s call them subminor (4/17-oct), neutral (5/17-oct), and supermajor (6/17-oct). If a ninth chord is composed of five notes separated by four thirds, then there are 3^4 = 81 of them in 17-edo. You will hear each of these once. Begin with the smallest — all subminor thirds — and end with the largest—all supermajor. The rhythm will help you keep track of the unfolding expansion. If you like the logic of this piece, I recommend the composer Tom Johnson.		== Program Notes ==
			'''1.''' "''There are three types of thirds in 17-edo; let’s call them subminor (4/17-oct), neutral (5/17-oct), and supermajor (6/17-oct). If a ninth chord is composed of five notes separated by four thirds, then there are 3^4 = 81 of them in 17-edo. You will hear each of these once. Begin with the smallest — all subminor thirds — and end with the largest—all supermajor. The rhythm will help you keep track of the unfolding expansion. If you like the logic of this piece, I recommend the composer Tom Johnson.''"

	~~Program note:~~		'''2.''' "''In'' Eighty-one ninth chords ''you will hear 81 ninth chords, each one a different type. I tried in the piece to let them be themselves but also connect them. Since composing it I read in'' Born on a Blue Day ''by Daniel Tammet (an autistic savant who sees and feels certain things when thinking about certain numbers) of nine as a number of particular immensity to him. This is exactly what it does here—phrases of length 2 or 8 feel even; 3 or 9 is ever a stretch.''"

	In Eighty-one ninth chords you will hear 81 ninth chords, each one a different type. I tried in the piece to let them be themselves but also connect them. Since composing it I read in ''Born on a Blue Day'' by Daniel Tammet (an autistic savant who sees and feels certain things when thinking about certain numbers) of nine as a number of particular immensity to him. This is exactly what it does here—phrases of length 2 or 8 feel even; 3 or 9 is ever a stretch.

	~~Recording here:~~

	~~[http://www.archive.org/download/seventeenTPP_02/81_ninth_chords.mp3 http://www.archive.org/download/seventeenTPP_02/81_ninth_chords.mp3]~~

	~~Score here:~~

	~~[[:File:81_9th_chords.pdf\|81_9th_chords.pdf]]~~
	[[Category:Listen]]		[[Category:Listen]]
	[[Category:17edo]]		[[Category:17edo]]
	[[Category:~~Todo~~:~~cleanup~~]]		[[Category:Scores]]
			[[Category:Composition]]

BudjarnLambeth: Categorised this uncategorised page

2023-04-26T01:10:31Z

Categorised this uncategorised page

← Older revision		Revision as of 01:10, 26 April 2023
Line 18:		Line 18:

	[[:File:81_9th_chords.pdf\|81_9th_chords.pdf]]		[[:File:81_9th_chords.pdf\|81_9th_chords.pdf]]
			[[Category:Listen]]
			[[Category:17edo]]
			[[Category:Todo:cleanup]]

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

← Older revision		Revision as of 00:00, 17 July 2018
Line 1:		Line 1:
	~~<h2>IMPORTED REVISION FROM WIKISPACES</h2>~~		Eighty-one 9th chords (2006) by Jacob Barton
	~~This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>~~
	~~: This revision was by author [[User:xenjacob\|xenjacob]] and made on <tt>2010-04-07 16:42:16 UTC</tt>.<br>~~
	~~: The original revision id was <tt>132857613</tt>.<br>~~
	~~: The revision comment was: <tt></tt><br>~~
	~~The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>~~
	~~<h4>Original Wikitext content:</h4>~~
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Eighty-one 9th chords (2006) by Jacob Barton

	for two pianos tuned to [[17edo]]		for two pianos tuned to [[17edo\|17edo]]

	1st program note:		1st program note:
Line 16:		Line 9:
	Program note:		Program note:

	In Eighty-one ninth chords you will hear 81 ninth chords, each one a different type. I tried in the piece to let them be themselves but also connect them. Since composing it I read in //Born on a Blue Day// by Daniel Tammet (an autistic savant who sees and feels certain things when thinking about certain numbers) of nine as a number of particular immensity to him. This is exactly what it does here—phrases of length 2 or 8 feel even; 3 or 9 is ever a stretch.		In Eighty-one ninth chords you will hear 81 ninth chords, each one a different type. I tried in the piece to let them be themselves but also connect them. Since composing it I read in ''Born on a Blue Day'' by Daniel Tammet (an autistic savant who sees and feels certain things when thinking about certain numbers) of nine as a number of particular immensity to him. This is exactly what it does here—phrases of length 2 or 8 feel even; 3 or 9 is ever a stretch.

	Recording here:		Recording here:

	http://www.archive.org/download/seventeenTPP_02/81_ninth_chords.mp3		[http://www.archive.org/download/seventeenTPP_02/81_ninth_chords.mp3 http://www.archive.org/download/seventeenTPP_02/81_ninth_chords.mp3]

	Score here:		Score here:
	[[~~file:81_9th_chords.pdf]]</pre></div>~~
	~~<h4>Original HTML content:</h4>~~		[[:File:81_9th_chords.pdf\|81_9th_chords.pdf]]
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Eighty-one ninth chords</title></head><body>Eighty-one 9th chords (2006) by Jacob Barton<br />
	~~<br />~~
	~~for two pianos tuned to <a class="wiki_link" href="/17edo">17edo</a><br />~~
	~~<br />~~
	~~1st program note:<br />~~
	~~<br />~~
	There are three types of thirds in 17-edo; let’s call them subminor (4/17-oct), neutral (5/17-oct), and supermajor (6/17-oct). If a ninth chord is composed of five notes separated by four thirds, then there are 3^4 = 81 of them in 17-edo. You will hear each of these once. Begin with the smallest — all subminor thirds — and end with the largest—all supermajor. The rhythm will help you keep track of the unfolding expansion. If you like the logic of this piece, I recommend the composer Tom Johnson.<br />
	~~<br />~~
	~~Program note:<br />~~
	~~<br />~~
	In Eighty-one ninth chords you will hear 81 ninth chords, each one a different type. I tried in the piece to let them be themselves but also connect them. Since composing it I read in <em>Born on a Blue Day</em> by Daniel Tammet (an autistic savant who sees and feels certain things when thinking about certain numbers) of nine as a number of particular immensity to him. This is exactly what it does here—phrases of length 2 or 8 feel even; 3 or 9 is ever a stretch.<br />
	~~<br />~~
	~~Recording here:<br />~~
	~~<br />~~
	<!-- ws:start:WikiTextUrlRule:19:http://www.archive.org/download/seventeenTPP_02/81_ninth_chords.mp3 --><a class="wiki_link_ext" href="http://www.archive.org/download/seventeenTPP_02/81_ninth_chords.mp3" rel="nofollow">http://www.archive.org/download/seventeenTPP_02/81_ninth_chords.mp3</a><!-- ws:end:WikiTextUrlRule:19 --><br />
	~~<br />~~
	~~Score here~~:~~<br />~~
	<!-- ws:start:WikiTextFileRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/file/81_9th_chords.pdf?h=52&amp;w=320&quot; class=&quot;WikiFile&quot; id=&quot;wikitext@@file@@81_9th_chords.pdf&quot; title=&quot;File: 81_9th_chords.pdf~~&quot; width=&quot;320&quot; height=&quot;52&quot; /&gt; --><div class="objectEmbed"><a href="/file/view/~~81_9th_chords.pdf/132854933/81_9th_chords.pdf" onclick="ws.common.trackFileLink('/file/view/81_9th_chords.pdf/132854933/81_9th_chords.pdf');"><img src="http://c1.wikicdn.com/i/mime/32/application/pdf.png" height="32" width="32" alt="81_9th_chords.pdf" /></a><div><a href="/file/view/81_9th_chords.pdf/132854933/81_9th_chords.pdf" onclick="ws.common.trackFileLink('/file/view/81_9th_chords.pdf/132854933/81_9th_chords.pdf');" class="filename" title="81_9th_chords.pdf">81_9th_chords.pdf</a><br /><ul><li><a href="/file/detail/81_9th_chords.pdf">Details</a></li><li><a href="/file/view/81_9th_chords.pdf/132854933/81_9th_chords.pdf">Download</a></li><li style="color: #666">100 KB</li></ul></div></div><!-- ws:end:WikiTextFileRule:0 --></body></html></pre></div>

Wikispaces>xenjacob: Imported revision 132857613 - Original comment:

2010-04-07T16:42:16Z

**Imported revision 132857613 - Original comment: **

New page

<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2010-04-07 16:42:16 UTC</tt>.<br>
: The original revision id was <tt>132857613</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Eighty-one 9th chords (2006) by Jacob Barton

for two pianos tuned to [[17edo]]

1st program note:

There are three types of thirds in 17-edo; let’s call them subminor (4/17-oct), neutral (5/17-oct), and supermajor (6/17-oct). If a ninth chord is composed of five notes separated by four thirds, then there are 3^4 = 81 of them in 17-edo. You will hear each of these once. Begin with the smallest — all subminor thirds — and end with the largest—all supermajor. The rhythm will help you keep track of the unfolding expansion. If you like the logic of this piece, I recommend the composer Tom Johnson.

Program note:

In Eighty-one ninth chords you will hear 81 ninth chords, each one a different type. I tried in the piece to let them be themselves but also connect them. Since composing it I read in //Born on a Blue Day// by Daniel Tammet (an autistic savant who sees and feels certain things when thinking about certain numbers) of nine as a number of particular immensity to him. This is exactly what it does here—phrases of length 2 or 8 feel even; 3 or 9 is ever a stretch.

Recording here:

http://www.archive.org/download/seventeenTPP_02/81_ninth_chords.mp3

Score here:
[[file:81_9th_chords.pdf]]</pre></div>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Eighty-one ninth chords</title></head><body>Eighty-one 9th chords (2006) by Jacob Barton<br />
<br />
for two pianos tuned to <a class="wiki_link" href="/17edo">17edo</a><br />
<br />
1st program note:<br />
<br />
There are three types of thirds in 17-edo; let’s call them subminor (4/17-oct), neutral (5/17-oct), and supermajor (6/17-oct). If a ninth chord is composed of five notes separated by four thirds, then there are 3^4 = 81 of them in 17-edo. You will hear each of these once. Begin with the smallest — all subminor thirds — and end with the largest—all supermajor. The rhythm will help you keep track of the unfolding expansion. If you like the logic of this piece, I recommend the composer Tom Johnson.<br />
<br />
Program note:<br />
<br />
In Eighty-one ninth chords you will hear 81 ninth chords, each one a different type. I tried in the piece to let them be themselves but also connect them. Since composing it I read in <em>Born on a Blue Day</em> by Daniel Tammet (an autistic savant who sees and feels certain things when thinking about certain numbers) of nine as a number of particular immensity to him. This is exactly what it does here—phrases of length 2 or 8 feel even; 3 or 9 is ever a stretch.<br />
<br />
Recording here:<br />
<br />
<a class="wiki_link_ext" href="http://www.archive.org/download/seventeenTPP_02/81_ninth_chords.mp3" rel="nofollow">http://www.archive.org/download/seventeenTPP_02/81_ninth_chords.mp3</a><br />
<br />
Score here:<br />
<div class="objectEmbed"><a href="/file/view/81_9th_chords.pdf/132854933/81_9th_chords.pdf" onclick="ws.common.trackFileLink('/file/view/81_9th_chords.pdf/132854933/81_9th_chords.pdf');"><img src="http://c1.wikicdn.com/i/mime/32/application/pdf.png" height="32" width="32" alt="81_9th_chords.pdf" /></a><div><a href="/file/view/81_9th_chords.pdf/132854933/81_9th_chords.pdf" onclick="ws.common.trackFileLink('/file/view/81_9th_chords.pdf/132854933/81_9th_chords.pdf');" class="filename" title="81_9th_chords.pdf">81_9th_chords.pdf</a><br /><ul><li><a href="/file/detail/81_9th_chords.pdf">Details</a></li><li><a href="/file/view/81_9th_chords.pdf/132854933/81_9th_chords.pdf">Download</a></li><li style="color: #666">100 KB</li></ul></div></div></body></html></pre></div>

Eighty-one ninth chords - Revision history

BudjarnLambeth: Cleaned up the page

BudjarnLambeth: Categorised this uncategorised page

Wikispaces>FREEZE at 00:00, 17 July 2018

Wikispaces>xenjacob: **Imported revision 132857613 - Original comment: **

Wikispaces>xenjacob: Imported revision 132857613 - Original comment: