ET survey - Revision history

VectorGraphics: this page is almost as old as i am

2025-06-20T05:41:11Z

this page is almost as old as i am

← Older revision		Revision as of 05:41, 20 June 2025
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	In addition to the proper surveys, many individuals have made forays into a wide range of edos that do not necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], [[Chris Vaisvil]], and [[Aaron Hunt]] come to mind, as well as more music by Brian McLaren and Warren Burt.		In addition to the proper surveys, many individuals have made forays into a wide range of edos that do not necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], [[Chris Vaisvil]], and [[Aaron Hunt]] come to mind, as well as more music by Brian McLaren and Warren Burt.

			[https://youtu.be/UGPsnrL4UnM?si=klXY0orIl_V_dXDO Macrotonal] by Vector Graphics is a more modern example, featuring ~1 minute segments in each tuning from 0/oct to 12/oct.

	[[Category:Equal divisions of the octave]]		[[Category:Equal divisions of the octave]]

FloraC: Cleanup. Music moved to 10edo/Music and 17edo/Music

2023-10-13T04:45:13Z

Cleanup. Music moved to 10edo/Music and 17edo/Music

← Older revision		Revision as of 04:45, 13 October 2023
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	A rather strange emerging genre. Some curious composers, wishing to test the [[~~Ivor_Darreg~~\|Darregian]] notion that each [[~~Equal_Temperaments\|~~equal temperament]], to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical ''Microtonal Etudes'' (~~1980-1~~), in ~~EDO's~~ 13 through 24, was one of the first such surveys. [[McLaren\|Brian McLaren]]'s idiosyncratic ''240 Piano Pieces'' from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. [[~~Warren_Burt\|~~Warren Burt]]'s ''39 Dissonant Etudes'' (~~1992-8~~) (5/oct to 43/oct) all use the same type of technique to generate "dissonance."		'''ET survey''' is a rather strange emerging genre. Some curious composers, wishing to test the [[Ivor Darreg\|Darregian]] notion that each [[equal temperament]], to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. [[Easley Blackwood]]'s rather neoclassical ''Microtonal Etudes'' (1980–1), in edos 13 through 24, was one of the first such surveys. [[McLaren\|Brian McLaren]]'s idiosyncratic ''240 Piano Pieces'' from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. [[Warren Burt]]'s ''39 Dissonant Etudes'' (1992–8) (5/oct to 43/oct) all use the same type of technique to generate "dissonance".

	[[~~Daniel_Wolf\|~~Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[~~Jacob_Barton\|~~Jacob Barton]]'s ''Moods'' and ''Xenharmonic Variations on a Theme by [[Mozart\|Mozart]]'' from 2004 progress sequentially in sections (ET's ~~1-13~~ and ~~12-19~~).		[[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s ''Moods'' and ''Xenharmonic Variations on a Theme by {{w\|Wolfgang Amadeus Mozart\|Mozart}}'' from 2004 progress sequentially in sections (ET's 1–13 and 12–19).

	In addition to the proper surveys, many individuals have made forays into a wide range of ~~EDOs~~ that ~~don't~~ necessarily constitute suites or "thorough" surveys. [[~~Ivor_Darreg\|~~Ivor Darreg]], [[~~Marc_Jones\|~~Marc Jones]], [[~~Gene_Ward_Smith\|~~Gene Ward Smith]], [[~~X._J._Scott\|~~X. J. Scott]], [[~~Andrew_Heathwaite\|~~Andrew Heathwaite]], [~~http://www.chrisvaisvil.com~~ Chris Vaisvil], and [[~~Aaron_Hunt\|~~Aaron Hunt]] come to mind, as well as more music by ~~[[Brian_McLaren\|~~Brian McLaren]] and ~~[[Warren_Burt\|~~Warren Burt]].		In addition to the proper surveys, many individuals have made forays into a wide range of edos that do not necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], [[Chris Vaisvil]], and [[Aaron Hunt]] come to mind, as well as more music by Brian McLaren and Warren Burt.

	''[http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3 Walking, Again, the Mountain]'' for Choir and Percussion by [http://chrisvaisvil.com/?page_id=2 Chris Vaisvil] in 17et, 10et, 17et in ABA form. [http://chrisvaisvil.com/?p=1065 Scoredatura and details].
	[[Category:Equal divisions of the octave]]		[[Category:Equal divisions of the octave]]

BudjarnLambeth: Removed from 1 category

2023-04-14T01:52:21Z

Removed from 1 category

← Older revision		Revision as of 01:52, 14 April 2023
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	''[http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3 Walking, Again, the Mountain]'' for Choir and Percussion by [http://chrisvaisvil.com/?page_id=2 Chris Vaisvil] in 17et, 10et, 17et in ABA form. [http://chrisvaisvil.com/?p=1065 Scoredatura and details].		''[http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3 Walking, Again, the Mountain]'' for Choir and Percussion by [http://chrisvaisvil.com/?page_id=2 Chris Vaisvil] in 17et, 10et, 17et in ABA form. [http://chrisvaisvil.com/?p=1065 Scoredatura and details].
	[[Category:Equal divisions of the octave]]		[[Category:Equal divisions of the octave]]
	~~[[Category:Equal-step tuning]]~~

BudjarnLambeth: Added to 2 categories

2023-04-14T01:51:44Z

Added to 2 categories

← Older revision		Revision as of 01:51, 14 April 2023
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	''[http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3 Walking, Again, the Mountain]'' for Choir and Percussion by [http://chrisvaisvil.com/?page_id=2 Chris Vaisvil] in 17et, 10et, 17et in ABA form. [http://chrisvaisvil.com/?p=1065 Scoredatura and details].		''[http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3 Walking, Again, the Mountain]'' for Choir and Percussion by [http://chrisvaisvil.com/?page_id=2 Chris Vaisvil] in 17et, 10et, 17et in ABA form. [http://chrisvaisvil.com/?p=1065 Scoredatura and details].
			[[Category:Equal divisions of the octave]]
			[[Category:Equal-step tuning]]

FloraC: FloraC moved page ET surveys to ET survey: WP:PLURAL

2023-02-14T19:39:20Z

FloraC moved page ET surveys to ET survey: WP:PLURAL

← Older revision	Revision as of 19:39, 14 February 2023
(No difference)

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

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+A rather strange emerging genre. Some curious composers, wishing to test the [[Ivor_Darreg|Darregian]] notion that each [[Equal_Temperaments|equal temperament]], to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical ''Microtonal Etudes'' (1980-1), in EDO's 13 through 24, was one of the first such surveys. [[McLaren|Brian McLaren]]'s idiosyncratic ''240 Piano Pieces'' from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. [[Warren_Burt|Warren Burt]]'s ''39 Dissonant Etudes'' (1992-8) (5/oct to 43/oct) all use the same type of technique to generate "dissonance."
-[[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s //Moods// and //Xenharmonic Variations on a Theme by [[Mozart]]// from 2004 progress sequentially in sections (ET's 1-13 and 12-19).
+[[Daniel_Wolf|Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob_Barton|Jacob Barton]]'s ''Moods'' and ''Xenharmonic Variations on a Theme by [[Mozart|Mozart]]'' from 2004 progress sequentially in sections (ET's 1-13 and 12-19).
-In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], [[@http://www.chrisvaisvil.com|Chris Vaisvil]], and [[Aaron Hunt]] come to mind, as well as more music by [[Brian McLaren]] and [[Warren Burt]].
+In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor_Darreg|Ivor Darreg]], [[Marc_Jones|Marc Jones]], [[Gene_Ward_Smith|Gene Ward Smith]], [[X._J._Scott|X. J. Scott]], [[Andrew_Heathwaite|Andrew Heathwaite]], [http://www.chrisvaisvil.com Chris Vaisvil], and [[Aaron_Hunt|Aaron Hunt]] come to mind, as well as more music by [[Brian_McLaren|Brian McLaren]] and [[Warren_Burt|Warren Burt]].
+''[http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3 Walking, Again, the Mountain]'' for Choir and Percussion by [http://chrisvaisvil.com/?page_id=2 Chris Vaisvil] in 17et, 10et, 17et in ABA form. [http://chrisvaisvil.com/?p=1065 Scoredatura and details].

Wikispaces>igliashon: Imported revision 390969294 - Original comment:

2012-12-10T14:28:43Z

**Imported revision 390969294 - Original comment: **

← Older revision		Revision as of 14:28, 10 December 2012
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	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:~~vaisvil~~\|~~vaisvil~~]] and made on <tt>~~2011~~-11-20 14:57:41 UTC</tt>.<br>		: This revision was by author [[User:igliashon\|igliashon]] and made on <tt>2012-12-10 14:28:43 UTC</tt>.<br>
	: The original revision id was <tt>~~277419844~~</tt>.<br>		: The original revision id was <tt>390969294</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">A rather strange emerging genre. Some curious composers, wishing to test the [[Ivor Darreg\|Darregian]] notion that each [[Equal Temperaments\|equal temperament]], to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical //Microtonal Etudes// (1980-1), in EDO's 13 through 24, was one of the first such surveys. [[McLaren\|Brian McLaren]]'s idiosyncratic //240 Piano Pieces// from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. [[Warren Burt]]'s //39 Dissonant Etudes// (1992-8) (5/oct to 43/oct) all use the same type of technique to generate "dissonance."		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">A rather strange emerging genre. Some curious composers, wishing to test the [[Ivor Darreg\|Darregian]] notion that each [[Equal Temperaments\|equal temperament]], to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical //Microtonal Etudes// (1980-1), in EDO's 13 through 24, was one of the first such surveys. [[McLaren\|Brian McLaren]]'s idiosyncratic //240 Piano Pieces// from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. [[Warren Burt]]'s //39 Dissonant Etudes// (1992-8) (5/oct to 43/oct) all use the same type of technique to generate "dissonance."

	[[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s //Moods// and //Xenharmonic Variations on a Theme by [[Mozart]]// from 2004 progress sequentially in sections (ET's 1-13 and 12-19). [[Igliashon Jones]], under the name "City of the Asleep" on his album //Map of an Internal Landscape//, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from [[Hans Straub]], who has written such works in [[5EDO\|5-]] and [[17EDO\|17-EDO]]).		[[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s //Moods// and //Xenharmonic Variations on a Theme by [[Mozart]]// from 2004 progress sequentially in sections (ET's 1-13 and 12-19).

	In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], [[@http://www.chrisvaisvil.com\|Chris Vaisvil]], and [[Aaron Hunt]] come to mind, as well as more music by [[Brian McLaren]] and [[Warren Burt]].		In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], [[@http://www.chrisvaisvil.com\|Chris Vaisvil]], and [[Aaron Hunt]] come to mind, as well as more music by [[Brian McLaren]] and [[Warren Burt]].


	[[http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3\|Walking, Again, the Mountain]] for Choir and Percussion by [[@http://chrisvaisvil.com/?page_id=2\|Chris Vaisvil]] in 17et, 10et, 17et in ABA form. [[@http://chrisvaisvil.com/?p=1065\|Scoredatura and details]].		//[[http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3\|Walking, Again, the Mountain]]// for Choir and Percussion by [[@http://chrisvaisvil.com/?page_id=2\|Chris Vaisvil]] in 17et, 10et, 17et in ABA form. [[@http://chrisvaisvil.com/?p=1065\|Scoredatura and details]].


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	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>ET surveys</title></head><body>A rather strange emerging genre. Some curious composers, wishing to test the <a class="wiki_link" href="/Ivor%20Darreg">Darregian</a> notion that each <a class="wiki_link" href="/Equal%20Temperaments">equal temperament</a>, to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical <em>Microtonal Etudes</em> (1980-1), in EDO's 13 through 24, was one of the first such surveys. <a class="wiki_link" href="/McLaren">Brian McLaren</a>'s idiosyncratic <em>240 Piano Pieces</em> from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>'s <em>39 Dissonant Etudes</em> (1992-8) (5/oct to 43/oct) all use the same type of technique to generate &quot;dissonance.&quot;<br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>ET surveys</title></head><body>A rather strange emerging genre. Some curious composers, wishing to test the <a class="wiki_link" href="/Ivor%20Darreg">Darregian</a> notion that each <a class="wiki_link" href="/Equal%20Temperaments">equal temperament</a>, to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical <em>Microtonal Etudes</em> (1980-1), in EDO's 13 through 24, was one of the first such surveys. <a class="wiki_link" href="/McLaren">Brian McLaren</a>'s idiosyncratic <em>240 Piano Pieces</em> from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>'s <em>39 Dissonant Etudes</em> (1992-8) (5/oct to 43/oct) all use the same type of technique to generate &quot;dissonance.&quot;<br />
	<br />		<br />
	<a class="wiki_link" href="/Daniel%20Wolf">Daniel Wolf</a> has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. <a class="wiki_link" href="/Jacob%20Barton">Jacob Barton</a>'s <em>Moods</em> and <em>Xenharmonic Variations on a Theme by <a class="wiki_link" href="/Mozart">Mozart</a></em> from 2004 progress sequentially in sections (ET's 1-13 and 12-19). <a class="wiki_link" href="/Igliashon%20Jones">Igliashon Jones</a>, under the name &quot;City of the Asleep&quot; on his album <em>Map of an Internal Landscape</em>, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from <a class="wiki_link" href="/Hans%20Straub">Hans Straub</a>, who has written such works in <a class="wiki_link" href="/5EDO">5-</a> and <a class="wiki_link" href="/17EDO">17-EDO</a>).<br />		<a class="wiki_link" href="/Daniel%20Wolf">Daniel Wolf</a> has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. <a class="wiki_link" href="/Jacob%20Barton">Jacob Barton</a>'s <em>Moods</em> and <em>Xenharmonic Variations on a Theme by <a class="wiki_link" href="/Mozart">Mozart</a></em> from 2004 progress sequentially in sections (ET's 1-13 and 12-19).<br />
	<br />		<br />
	In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or &quot;thorough&quot; surveys. <a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a>, <a class="wiki_link" href="/Marc%20Jones">Marc Jones</a>, <a class="wiki_link" href="/Gene%20Ward%20Smith">Gene Ward Smith</a>, <a class="wiki_link" href="/X.%20J.%20Scott">X. J. Scott</a>, <a class="wiki_link" href="/Andrew%20Heathwaite">Andrew Heathwaite</a>, <a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow" target="_blank">Chris Vaisvil</a>, and <a class="wiki_link" href="/Aaron%20Hunt">Aaron Hunt</a> come to mind, as well as more music by <a class="wiki_link" href="/Brian%20McLaren">Brian McLaren</a> and <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>.<br />		In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or &quot;thorough&quot; surveys. <a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a>, <a class="wiki_link" href="/Marc%20Jones">Marc Jones</a>, <a class="wiki_link" href="/Gene%20Ward%20Smith">Gene Ward Smith</a>, <a class="wiki_link" href="/X.%20J.%20Scott">X. J. Scott</a>, <a class="wiki_link" href="/Andrew%20Heathwaite">Andrew Heathwaite</a>, <a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow" target="_blank">Chris Vaisvil</a>, and <a class="wiki_link" href="/Aaron%20Hunt">Aaron Hunt</a> come to mind, as well as more music by <a class="wiki_link" href="/Brian%20McLaren">Brian McLaren</a> and <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>.<br />
	<br />		<br />
	<br />		<br />
	<a class="wiki_link_ext" href="http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3" rel="nofollow">Walking, Again, the Mountain</a> for Choir and Percussion by <a class="wiki_link_ext" href="http://chrisvaisvil.com/?page_id=2" rel="nofollow" target="_blank">Chris Vaisvil</a> in 17et, 10et, 17et in ABA form. <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1065" rel="nofollow" target="_blank">Scoredatura and details</a>.<br />		<em><a class="wiki_link_ext" href="http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3" rel="nofollow">Walking, Again, the Mountain</a></em> for Choir and Percussion by <a class="wiki_link_ext" href="http://chrisvaisvil.com/?page_id=2" rel="nofollow" target="_blank">Chris Vaisvil</a> in 17et, 10et, 17et in ABA form. <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1065" rel="nofollow" target="_blank">Scoredatura and details</a>.<br />
	<br />		<br />
	<br />		<br />
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Wikispaces>vaisvil: Imported revision 277419844 - Original comment:

2011-11-20T14:57:41Z

**Imported revision 277419844 - Original comment: **

← Older revision		Revision as of 14:57, 20 November 2011
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	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:vaisvil\|vaisvil]] and made on <tt>2011-11-20 14:56:22 UTC</tt>.<br>		: This revision was by author [[User:vaisvil\|vaisvil]] and made on <tt>2011-11-20 14:57:41 UTC</tt>.<br>
	: The original revision id was <tt>~~277419534~~</tt>.<br>		: The original revision id was <tt>277419844</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	[[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s //Moods// and //Xenharmonic Variations on a Theme by [[Mozart]]// from 2004 progress sequentially in sections (ET's 1-13 and 12-19). [[Igliashon Jones]], under the name "City of the Asleep" on his album //Map of an Internal Landscape//, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from [[Hans Straub]], who has written such works in [[5EDO\|5-]] and [[17EDO\|17-EDO]]).		[[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s //Moods// and //Xenharmonic Variations on a Theme by [[Mozart]]// from 2004 progress sequentially in sections (ET's 1-13 and 12-19). [[Igliashon Jones]], under the name "City of the Asleep" on his album //Map of an Internal Landscape//, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from [[Hans Straub]], who has written such works in [[5EDO\|5-]] and [[17EDO\|17-EDO]]).

	In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], and [[Aaron Hunt]] come to mind, as well as more music by [[Brian McLaren]] and [[Warren Burt]].		In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], [[@http://www.chrisvaisvil.com\|Chris Vaisvil]], and [[Aaron Hunt]] come to mind, as well as more music by [[Brian McLaren]] and [[Warren Burt]].


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	<a class="wiki_link" href="/Daniel%20Wolf">Daniel Wolf</a> has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. <a class="wiki_link" href="/Jacob%20Barton">Jacob Barton</a>'s <em>Moods</em> and <em>Xenharmonic Variations on a Theme by <a class="wiki_link" href="/Mozart">Mozart</a></em> from 2004 progress sequentially in sections (ET's 1-13 and 12-19). <a class="wiki_link" href="/Igliashon%20Jones">Igliashon Jones</a>, under the name &quot;City of the Asleep&quot; on his album <em>Map of an Internal Landscape</em>, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from <a class="wiki_link" href="/Hans%20Straub">Hans Straub</a>, who has written such works in <a class="wiki_link" href="/5EDO">5-</a> and <a class="wiki_link" href="/17EDO">17-EDO</a>).<br />		<a class="wiki_link" href="/Daniel%20Wolf">Daniel Wolf</a> has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. <a class="wiki_link" href="/Jacob%20Barton">Jacob Barton</a>'s <em>Moods</em> and <em>Xenharmonic Variations on a Theme by <a class="wiki_link" href="/Mozart">Mozart</a></em> from 2004 progress sequentially in sections (ET's 1-13 and 12-19). <a class="wiki_link" href="/Igliashon%20Jones">Igliashon Jones</a>, under the name &quot;City of the Asleep&quot; on his album <em>Map of an Internal Landscape</em>, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from <a class="wiki_link" href="/Hans%20Straub">Hans Straub</a>, who has written such works in <a class="wiki_link" href="/5EDO">5-</a> and <a class="wiki_link" href="/17EDO">17-EDO</a>).<br />
	<br />		<br />
	In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or &quot;thorough&quot; surveys. <a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a>, <a class="wiki_link" href="/Marc%20Jones">Marc Jones</a>, <a class="wiki_link" href="/Gene%20Ward%20Smith">Gene Ward Smith</a>, <a class="wiki_link" href="/X.%20J.%20Scott">X. J. Scott</a>, <a class="wiki_link" href="/Andrew%20Heathwaite">Andrew Heathwaite</a>, and <a class="wiki_link" href="/Aaron%20Hunt">Aaron Hunt</a> come to mind, as well as more music by <a class="wiki_link" href="/Brian%20McLaren">Brian McLaren</a> and <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>.<br />		In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or &quot;thorough&quot; surveys. <a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a>, <a class="wiki_link" href="/Marc%20Jones">Marc Jones</a>, <a class="wiki_link" href="/Gene%20Ward%20Smith">Gene Ward Smith</a>, <a class="wiki_link" href="/X.%20J.%20Scott">X. J. Scott</a>, <a class="wiki_link" href="/Andrew%20Heathwaite">Andrew Heathwaite</a>, <a class="wiki_link_ext" href="http://www.chrisvaisvil.com" rel="nofollow" target="_blank">Chris Vaisvil</a>, and <a class="wiki_link" href="/Aaron%20Hunt">Aaron Hunt</a> come to mind, as well as more music by <a class="wiki_link" href="/Brian%20McLaren">Brian McLaren</a> and <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>.<br />
	<br />		<br />
	<br />		<br />

Wikispaces>vaisvil: Imported revision 277419534 - Original comment:

2011-11-20T14:56:22Z

**Imported revision 277419534 - Original comment: **

← Older revision		Revision as of 14:56, 20 November 2011
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	: This revision was by author [[User:vaisvil\|vaisvil]] and made on <tt>2011-11-20 14:54:00 UTC</tt>.<br>		: This revision was by author [[User:vaisvil\|vaisvil]] and made on <tt>2011-11-20 14:56:22 UTC</tt>.<br>
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	Walking, Again, the Mountain for Choir and Percussion by Chris Vaisvil in 17et, 10et, 17et in ABA form. ~~Score~~ and details.		[[http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3\|Walking, Again, the Mountain]] for Choir and Percussion by [[@http://chrisvaisvil.com/?page_id=2\|Chris Vaisvil]] in 17et, 10et, 17et in ABA form. [[@http://chrisvaisvil.com/?p=1065\|Scoredatura and details]].


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	Walking, Again, the Mountain for Choir and Percussion by Chris Vaisvil in 17et, 10et, 17et in ABA form. ~~Score~~ and details.<br />		<a class="wiki_link_ext" href="http://micro.soonlabel.com/simultaneous-tunings/walking_again_the_mountian.mp3" rel="nofollow">Walking, Again, the Mountain</a> for Choir and Percussion by <a class="wiki_link_ext" href="http://chrisvaisvil.com/?page_id=2" rel="nofollow" target="_blank">Chris Vaisvil</a> in 17et, 10et, 17et in ABA form. <a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=1065" rel="nofollow" target="_blank">Scoredatura and details</a>.<br />
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Wikispaces>vaisvil: Imported revision 277418928 - Original comment:

2011-11-20T14:54:00Z

**Imported revision 277418928 - Original comment: **

← Older revision		Revision as of 14:54, 20 November 2011
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	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:vaisvil\|vaisvil]] and made on <tt>2011-11-20 14:49:00 UTC</tt>.<br>		: This revision was by author [[User:vaisvil\|vaisvil]] and made on <tt>2011-11-20 14:54:00 UTC</tt>.<br>
	: The original revision id was <tt>~~277417680~~</tt>.<br>		: The original revision id was <tt>277418928</tt>.<br>
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	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], and [[Aaron Hunt]] come to mind, as well as more music by [[Brian McLaren]] and [[Warren Burt]].		In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or "thorough" surveys. [[Ivor Darreg]], [[Marc Jones]], [[Gene Ward Smith]], [[X. J. Scott]], [[Andrew Heathwaite]], and [[Aaron Hunt]] come to mind, as well as more music by [[Brian McLaren]] and [[Warren Burt]].


			Walking, Again, the Mountain for Choir and Percussion by Chris Vaisvil in 17et, 10et, 17et in ABA form. Score and details.


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	In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or &quot;thorough&quot; surveys. <a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a>, <a class="wiki_link" href="/Marc%20Jones">Marc Jones</a>, <a class="wiki_link" href="/Gene%20Ward%20Smith">Gene Ward Smith</a>, <a class="wiki_link" href="/X.%20J.%20Scott">X. J. Scott</a>, <a class="wiki_link" href="/Andrew%20Heathwaite">Andrew Heathwaite</a>, and <a class="wiki_link" href="/Aaron%20Hunt">Aaron Hunt</a> come to mind, as well as more music by <a class="wiki_link" href="/Brian%20McLaren">Brian McLaren</a> and <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>.<br />		In addition to the proper surveys, many individuals have made forays into a wide range of EDOs that don't necessarily constitute suites or &quot;thorough&quot; surveys. <a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a>, <a class="wiki_link" href="/Marc%20Jones">Marc Jones</a>, <a class="wiki_link" href="/Gene%20Ward%20Smith">Gene Ward Smith</a>, <a class="wiki_link" href="/X.%20J.%20Scott">X. J. Scott</a>, <a class="wiki_link" href="/Andrew%20Heathwaite">Andrew Heathwaite</a>, and <a class="wiki_link" href="/Aaron%20Hunt">Aaron Hunt</a> come to mind, as well as more music by <a class="wiki_link" href="/Brian%20McLaren">Brian McLaren</a> and <a class="wiki_link" href="/Warren%20Burt">Warren Burt</a>.<br />
	<br />		<br />
			<br />
			Walking, Again, the Mountain for Choir and Percussion by Chris Vaisvil in 17et, 10et, 17et in ABA form. Score and details.<br />
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