Contextual Xenharmonics - Revision history

VectorGraphics at 09:51, 13 November 2025

2025-11-13T09:51:37Z

← Older revision		Revision as of 09:51, 13 November 2025
Line 13:		Line 13:
	== Portals ==		== Portals ==

	Portals are musical situations where you end up in a place different than expected or compared to another system. Usually associated with [[Comma pump\|comma-pumps]]. For example, [[15edo\|15 edo]]'s chain of fifths contains a portal somewhere between the third and fourth fifth in the cycle.{{clarify}}		Portals are musical situations where you end up in a place different than expected or compared to another system. Usually associated with [[Comma pump\|comma-pumps]]. For example, [[15edo\|15 edo]]'s chain of fifths contains a portal somewhere between the third and fourth fifth in the cycle, because the result of stacking four fifths in 15edo produces a categorical error compared to standard diatonic theory.{{clarify}}

	== Breaks ==		== Breaks ==

VectorGraphics: the [clarification needed] doesn't need an angry message saying to "EXPLAIN MORE????"

2025-11-13T09:50:42Z

the [clarification needed] doesn't need an angry message saying to "EXPLAIN MORE????"

← Older revision		Revision as of 09:50, 13 November 2025
Line 13:		Line 13:
	== Portals ==		== Portals ==

	Portals are musical situations where you end up in a place different than expected or compared to another system. Usually associated with [[Comma pump\|comma-pumps]]. For example, [[15edo\|15 edo]]'s chain of fifths contains a portal somewhere between the third and fourth fifth in the cycle. ~~EXPLAIN MORE???~~{{clarify}}		Portals are musical situations where you end up in a place different than expected or compared to another system. Usually associated with [[Comma pump\|comma-pumps]]. For example, [[15edo\|15 edo]]'s chain of fifths contains a portal somewhere between the third and fourth fifth in the cycle.{{clarify}}

	== Breaks ==		== Breaks ==

BudjarnLambeth: /* Effects */

2024-01-09T04:54:29Z

Effects

← Older revision		Revision as of 04:54, 9 January 2024
Line 49:		Line 49:
	TYPES:		TYPES:

	'''[[Stretched tuning\|Squash and Stretch]]''': This is the feeling that a familiar element has been perceivably stretched or compressed yet still seems to work regardless of how good or bad it sounds. Examples are [[13edo\|13 EDO]] which seems to exhibit a fair amount of squash and stretch despite it's fun house familiarity to [[12edo\|12 edo]]. '''Oblique Squash and Stretch''' on the other hand is like Superpyth where the large interval is stretched and the small ones squashed.		'''[[Stretched tuning\|Squash and Stretch]]''': This is the feeling that a familiar element has been perceivably stretched or compressed yet still seems to work regardless of how good or bad it sounds. Examples are [[13edo\|13 EDO]] which seems to exhibit a fair amount of squash and stretch despite it's fun house familiarity to [[12edo\|12 edo]]. '''Oblique Squash and Stretch''' on the other hand is like [[Superpyth]] where the large interval is stretched and the small ones squashed.

	'''Melodic Disjunct:''' The effect where a melodic element is distorted in a non uniform way such that some sounds become narrower and some wider usually without pattern.		'''Melodic Disjunct:''' The effect where a melodic element is distorted in a non uniform way such that some sounds become narrower and some wider usually without pattern.

BudjarnLambeth: Added links to dead end page

2024-01-09T04:54:11Z

Added links to dead end page

← Older revision		Revision as of 04:54, 9 January 2024
Line 9:		Line 9:
	== Elements ==		== Elements ==

	These are the things like musical progressions, ~~scales~~, ~~chords~~ and tuning systems.		These are the things like musical progressions, [[scale]]s, [[chord]]s and [[Tuning\|tuning systems]].

	== Portals ==		== Portals ==

	Portals are musical situations where you end up in a place different than expected or compared to another system. Usually associated with comma-pumps. For example, 15 edo's chain of fifths contains a portal somewhere between the third and fourth fifth in the cycle. EXPLAIN MORE???		Portals are musical situations where you end up in a place different than expected or compared to another system. Usually associated with [[Comma pump\|comma-pumps]]. For example, [[15edo\|15 edo]]'s chain of fifths contains a portal somewhere between the third and fourth fifth in the cycle. EXPLAIN MORE???{{clarify}}

	== Breaks ==		== Breaks ==
Line 33:		Line 33:
	etc...		etc...

	Fringe Region - An area of categories where adjacent ones blend together. For example 13/10.		Fringe Region - An area of categories where adjacent ones blend together. For example [[13/10]].

	== Projection ==		== Projection ==
Line 49:		Line 49:
	TYPES:		TYPES:

	'''Squash and Stretch''': This is the feeling that a familiar element has been perceivably stretched or compressed yet still seems to work regardless of how good or bad it sounds. Examples are 13 EDO which seems to exhibit a fair amount of squash and stretch despite it's fun house familiarity to 12 edo. '''Oblique Squash and Stretch''' on the other hand is like Superpyth where the large interval is stretched and the small ones squashed.		'''[[Stretched tuning\|Squash and Stretch]]''': This is the feeling that a familiar element has been perceivably stretched or compressed yet still seems to work regardless of how good or bad it sounds. Examples are [[13edo\|13 EDO]] which seems to exhibit a fair amount of squash and stretch despite it's fun house familiarity to [[12edo\|12 edo]]. '''Oblique Squash and Stretch''' on the other hand is like Superpyth where the large interval is stretched and the small ones squashed.

	'''Melodic Disjunct:''' The effect where a melodic element is distorted in a non uniform way such that some sounds become narrower and some wider usually without pattern.		'''Melodic Disjunct:''' The effect where a melodic element is distorted in a non uniform way such that some sounds become narrower and some wider usually without pattern.
Line 57:		Line 57:
	'''Melodic Overshoot/Undershoot''': A melodic element partially works with some pieces missing something expected but landing close to it.		'''Melodic Overshoot/Undershoot''': A melodic element partially works with some pieces missing something expected but landing close to it.

	'''Timbral Roughness:''' Element works movement wise but is rough in it's timbral quality. For example, using 720 cent as a 3/2 evokes a roughness yet feasibly works in context where it is established as such.		'''Timbral Roughness:''' Element works movement wise but is rough in it's timbral quality. For example, using 720 cent as a [[3/2]] evokes a roughness yet feasibly works in context where it is established as such.

	'''Musical Ambiguity:''' A particular element seems to work in a given context but the brain interprets it as also working as something else simultaneously forming a confusion.		'''Musical Ambiguity:''' A particular element seems to work in a given context but the brain interprets it as also working as something else simultaneously forming a confusion.

Fredg999 category edits: Categories

2023-02-21T05:27:05Z

Xenwolf: bold lemma, +cat

2020-09-26T13:54:32Z

bold lemma, +cat

← Older revision		Revision as of 13:54, 26 September 2020
Line 1:		Line 1:
	Contextual Xenharmonics is a theory that seeks to explain how we hear differently as individuals, why things sound the way they do to some and not others, and how to manipulate these experiences into what we want to tap into a new potential as xen-musicians.		'''Contextual Xenharmonics''' is a theory that seeks to explain how we hear differently as individuals, why things sound the way they do to some and not others, and how to manipulate these experiences into what we want to tap into a new potential as xen-musicians.

	Since this is a new developing theory, not much is known. This page seeks to update whatever we learn until then.		Since this is a new developing theory, not much is known. This page seeks to update whatever we learn until then.

	==Contexts==		== Contexts ==

	Contexts are situations that affect largely how we hear and interpret musical things. In contextual xenharmonic, this is the main thing we study. This is things such as motifs, songs etc...		Contexts are situations that affect largely how we hear and interpret musical things. In contextual xenharmonic, this is the main thing we study. This is things such as motifs, songs etc...

	==Elements==		== Elements ==

	These are the things like musical progressions, scales, chords and tuning systems.		These are the things like musical progressions, scales, chords and tuning systems.

	==Portals==		== Portals ==

	Portals are musical situations where you end up in a place different than expected or compared to another system. Usually associated with comma-pumps. For example, 15 edo's chain of fifths contains a portal somewhere between the third and fourth fifth in the cycle. EXPLAIN MORE???		Portals are musical situations where you end up in a place different than expected or compared to another system. Usually associated with comma-pumps. For example, 15 edo's chain of fifths contains a portal somewhere between the third and fourth fifth in the cycle. EXPLAIN MORE???

	==Breaks==		== Breaks ==

	A break is a mental lapse in intelligibility that occurs in a foreign tuning system when one suddenly moves to an unexpected chord. The brain normally responds to breaks negatively, but some people may like the feeling.		A break is a mental lapse in intelligibility that occurs in a foreign tuning system when one suddenly moves to an unexpected chord. The brain normally responds to breaks negatively, but some people may like the feeling.

	==Categories==		== Categories ==

	Categories are places where elements relate to one another. For example major third and minor third both sound like thirds not fourths to most people.		Categories are places where elements relate to one another. For example major third and minor third both sound like thirds not fourths to most people.

Line 30:		Line 35:
	Fringe Region - An area of categories where adjacent ones blend together. For example 13/10.		Fringe Region - An area of categories where adjacent ones blend together. For example 13/10.

	==Projection==		== Projection ==

	Projection means to play something in a tuning system it wasn't written for whether it accompanies it or not.		Projection means to play something in a tuning system it wasn't written for whether it accompanies it or not.

	==Context Activator==		== Context Activator ==

	A short musical segments designed to evoke the listener to interpret something in a specific way or train their ear.		A short musical segments designed to evoke the listener to interpret something in a specific way or train their ear.

	==Effects==		== Effects ==

	Effects are various situations in which a known context by the listener is altered in some way that is perceivable.		Effects are various situations in which a known context by the listener is altered in some way that is perceivable.

Line 62:		Line 70:

	'''Partial Intelligibility:''' The context is LOOSELY recognizable.		'''Partial Intelligibility:''' The context is LOOSELY recognizable.
	[[Category:~~context~~]]
	[[Category:~~xenharmonic~~]]		[[Category:Theory]]
			[[Category:Context]]
			[[Category:Xenharmonic]]

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

Show changes

Wikispaces>k9assassin: Imported revision 605030649 - Original comment:

2017-01-29T19:26:07Z

**Imported revision 605030649 - Original comment: **

Show changes

Wikispaces>k9assassin: Imported revision 605029941 - Original comment:

2017-01-29T19:02:04Z

**Imported revision 605029941 - Original comment: **

Show changes

Wikispaces>k9assassin: Imported revision 605029633 - Original comment:

2017-01-29T18:50:18Z

**Imported revision 605029633 - Original comment: **

← Older revision		Revision as of 18:50, 29 January 2017
Line 1:		Line 1:
	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:k9assassin\|k9assassin]] and made on <tt>2017-01-29 18:38:08 UTC</tt>.<br>		: This revision was by author [[User:k9assassin\|k9assassin]] and made on <tt>2017-01-29 18:50:18 UTC</tt>.<br>
	: The original revision id was <tt>~~605029209~~</tt>.<br>		: The original revision id was <tt>605029633</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
	<h4>Original Wikitext content:</h4>		<h4>Original Wikitext content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Contextual Xenharmonics is a theory that seeks to explain how we hear differently as individuals, why things sound the way they do to some and not others, and how to manipulate these experiences into what we want to tap into a new potential as xen-musicians.		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Contextual Xenharmonics is a theory that seeks to explain how we hear differently as individuals, why things sound the way they do to some and not others, and how to manipulate these experiences into what we want to tap into a new potential as xen-musicians.

	Since this is a new developing theory, not much is known. This page seeks to update whatever we learn until then.		Since this is a new developing theory, not much is known. This page seeks to update whatever we learn until then.

	==Contexts==		==Contexts==
	Contexts are situations that affect largely how we hear and interpret musical things. In contextual xenharmonic, this is the main thing we study.		Contexts are situations that affect largely how we hear and interpret musical things. In contextual xenharmonic, this is the main thing we study. This is things such as motifs, songs etc...


	==Elements==		==Elements==
	These are the things like musical progressions, scales, chords and tuning systems.		These are the things like musical progressions, scales, chords and tuning systems.

	==Effects==		==Effects==
	Effects are various situations in which a known context by the listener is altered in some way that is perceivable.		Effects are various situations in which a known context by the listener is altered in some way that is perceivable.

	TYPES:		==Projection==
			Projection means to play something in a tuning system it wasn't written for whether it accompanies it or not.

			TYPES:

			Squash and Stretch: This is the feeling that a familiar element has been perceivably stretched or compressed yet still seems to work regardless of how good or bad it sounds. Examples are 13 EDO which seems to exhibit a fair amount of squash and stretch despite it's fun house familiarity to 12 edo. Oblique Squash and Stretch on the other hand is like Superpyth where the large interval is stretched and the small ones squashed.

			Melodic Disjunct: The effect where a familiar element is distorted in a non uniform way such that some sounds become narrower and some wider usually without pattern.
			For example if we interpret 000 250 450 500 650 as C D E F G in terms of the major scale, we hear the melodic disjunct as G is narrower yet D and E are super far apart comparatively to F G which are sort of close together.

	~~Squash and Stretch~~: ~~This is the feeling that a~~ familiar element ~~has been perceivably stretched or compressed yet still seems~~ to ~~work regardless of how good or bad~~ it ~~sounds. Examples are 13 EDO which seems to exhibit a fair amount of squash and stretch~~. </pre></div>		Overshoot/Undershoot: A familiar element partially works with some elements missing something expected but landing close to it.</pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Contextual Xenharmonics</title></head><body>Contextual Xenharmonics is a theory that seeks to explain how we hear differently as individuals, why things sound the way they do to some and not others, and how to manipulate these experiences into what we want to tap into a new potential as xen-musicians. <br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Contextual Xenharmonics</title></head><body>Contextual Xenharmonics is a theory that seeks to explain how we hear differently as individuals, why things sound the way they do to some and not others, and how to manipulate these experiences into what we want to tap into a new potential as xen-musicians.<br />
	<br />		<br />
	Since this is a new developing theory, not much is known. This page seeks to update whatever we learn until then.<br />		Since this is a new developing theory, not much is known. This page seeks to update whatever we learn until then.<br />
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-Contexts"></a><!-- ws:end:WikiTextHeadingRule:0 -->Contexts</h2>		<!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-Contexts"></a><!-- ws:end:WikiTextHeadingRule:0 -->Contexts</h2>
	Contexts are situations that affect largely how we hear and interpret musical things. In contextual xenharmonic, this is the main thing we study.~~<br />~~		Contexts are situations that affect largely how we hear and interpret musical things. In contextual xenharmonic, this is the main thing we study. This is things such as motifs, songs etc...<br />
	<br />
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:2:&lt;h2&gt; --><h2 id="toc1"><a name="x-Elements"></a><!-- ws:end:WikiTextHeadingRule:2 -->Elements</h2>		<!-- ws:start:WikiTextHeadingRule:2:&lt;h2&gt; --><h2 id="toc1"><a name="x-Elements"></a><!-- ws:end:WikiTextHeadingRule:2 -->Elements</h2>
	These are the things like musical progressions, scales, chords and tuning systems. <br />		These are the things like musical progressions, scales, chords and tuning systems.<br />
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:4:&lt;h2&gt; --><h2 id="toc2"><a name="x-Effects"></a><!-- ws:end:WikiTextHeadingRule:4 -->Effects</h2>		<!-- ws:start:WikiTextHeadingRule:4:&lt;h2&gt; --><h2 id="toc2"><a name="x-Effects"></a><!-- ws:end:WikiTextHeadingRule:4 -->Effects</h2>
	Effects are various situations in which a known context by the listener is altered in some way that is perceivable. <br />		Effects are various situations in which a known context by the listener is altered in some way that is perceivable. <br />
	<br />		<br />
	TYPES: <br />		<!-- ws:start:WikiTextHeadingRule:6:&lt;h2&gt; --><h2 id="toc3"><a name="x-Projection"></a><!-- ws:end:WikiTextHeadingRule:6 -->Projection</h2>
			Projection means to play something in a tuning system it wasn't written for whether it accompanies it or not. <br />
			<br />
			TYPES:<br />
			<br />
			<strong>Squash and Stretch</strong>: This is the feeling that a familiar element has been perceivably stretched or compressed yet still seems to work regardless of how good or bad it sounds. Examples are 13 EDO which seems to exhibit a fair amount of squash and stretch despite it's fun house familiarity to 12 edo. <strong>Oblique Squash and Stretch</strong> on the other hand is like Superpyth where the large interval is stretched and the small ones squashed. <br />
			<br />
			<strong>Melodic Disjunct:</strong> The effect where a familiar element is distorted in a non uniform way such that some sounds become narrower and some wider usually without pattern. <br />
			For example if we interpret 000 250 450 500 650 as C D E F G in terms of the major scale, we hear the melodic disjunct as G is narrower yet D and E are super far apart comparatively to F G which are sort of close together.<br />
	<br />		<br />
	<strong>~~Squash and Stretch~~</strong>: ~~This is the feeling that a~~ familiar element ~~has been perceivably stretched or compressed yet still seems~~ to ~~work regardless of how good or bad~~ it ~~sounds. Examples are 13 EDO which seems to exhibit a fair amount of squash and stretch~~.</body></html></pre></div>		<strong>Overshoot/Undershoot</strong>: A familiar element partially works with some elements missing something expected but landing close to it.</body></html></pre></div>

← Older revision		Revision as of 05:27, 21 February 2023
Line 71:		Line 71:
	'''Partial Intelligibility:''' The context is LOOSELY recognizable.		'''Partial Intelligibility:''' The context is LOOSELY recognizable.

	[[Category:~~Theory]]~~		[[Category:Essays]]
	~~[[Category:Context]]~~
	~~[[Category:Xenharmonic~~]]

Contextual Xenharmonics - Revision history

VectorGraphics at 09:51, 13 November 2025

VectorGraphics: the [clarification needed] doesn't need an angry message saying to "EXPLAIN MORE????"

BudjarnLambeth: /* Effects */

BudjarnLambeth: Added links to dead end page

Fredg999 category edits: Categories

Xenwolf: bold lemma, +cat

Wikispaces>FREEZE at 00:00, 17 July 2018

Wikispaces>k9assassin: **Imported revision 605030649 - Original comment: **

Wikispaces>k9assassin: **Imported revision 605029941 - Original comment: **

Wikispaces>k9assassin: **Imported revision 605029633 - Original comment: **

Wikispaces>k9assassin: Imported revision 605030649 - Original comment:

Wikispaces>k9assassin: Imported revision 605029941 - Original comment:

Wikispaces>k9assassin: Imported revision 605029633 - Original comment: