Chords of meanpop - Revision history

Lériendil at 21:49, 22 June 2025

2025-06-22T21:49:45Z

← Older revision		Revision as of 21:49, 22 June 2025
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	Below are listed the [[Dyadic_chord\|dyadic chords]] of 11-limit [[Meantone_family#~~Septimal meantone-~~Meanpop\|meanpop temperament]]. Meanpop is one of the two extensions of septimal meantone, which itself is the main extension of 5-limit meantone; this is the temperament tempering out 81/80, 126/125 and 385/384. Typing the chords requires consideration of the fact that meanpop conflates 9/8 and 10/9; if a transversal can be found which shows the chord to be essentially just, that transversal is listed along with a typing as otonal, utonal, or ambitonal. If the chord is essentially tempered, it is analyzed in terms of the transversal which employs 9/8 and 16/9.		Below are listed the [[Dyadic_chord\|dyadic chords]] of 11-limit [[Meantone_family#Meanpop\|meanpop temperament]]. Meanpop is one of the two extensions of septimal meantone, which itself is the main extension of 5-limit meantone; this is the temperament tempering out 81/80, 126/125 and 385/384. Typing the chords requires consideration of the fact that meanpop conflates 9/8 and 10/9; if a transversal can be found which shows the chord to be essentially just, that transversal is listed along with a typing as otonal, utonal, or ambitonal. If the chord is essentially tempered, it is analyzed in terms of the transversal which employs 9/8 and 16/9.

	Chords requiring tempering only by 81/80 are labeled didymic, by 126/125 starling, by 225/224 marvel, by 385/384 keenanismic and by 540/539 swetismic. Chords which require any two of 81/80, 126/125 or 225/224 are labeled erato, and any two of 225/224, 385/384 or 540/539 unimarv (undecimal marvel). A chord requiring both of 81/80 and 540/539 is labeled terpsichore, and a chord requiring any three independent commas from those discussed above is labeled meanpop.		Chords requiring tempering only by 81/80 are labeled didymic, by 126/125 starling, by 225/224 marvel, by 385/384 keenanismic and by 540/539 swetismic. Chords which require any two of 81/80, 126/125 or 225/224 are labeled erato, and any two of 225/224, 385/384 or 540/539 unimarv (undecimal marvel). A chord requiring both of 81/80 and 540/539 is labeled terpsichore, and a chord requiring any three independent commas from those discussed above is labeled meanpop.

BudjarnLambeth: Mention that unimarv = undecimal marvel

2024-10-16T09:34:48Z

Mention that unimarv = undecimal marvel

← Older revision		Revision as of 09:34, 16 October 2024
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	Below are listed the [[Dyadic_chord\|dyadic chords]] of 11-limit [[Meantone_family#Septimal meantone-Meanpop\|meanpop temperament]]. Meanpop is one of the two extensions of septimal meantone, which itself is the main extension of 5-limit meantone; this is the temperament tempering out 81/80, 126/125 and 385/384. Typing the chords requires consideration of the fact that meanpop conflates 9/8 and 10/9; if a transversal can be found which shows the chord to be essentially just, that transversal is listed along with a typing as otonal, utonal, or ambitonal. If the chord is essentially tempered, it is analyzed in terms of the transversal which employs 9/8 and 16/9.		Below are listed the [[Dyadic_chord\|dyadic chords]] of 11-limit [[Meantone_family#Septimal meantone-Meanpop\|meanpop temperament]]. Meanpop is one of the two extensions of septimal meantone, which itself is the main extension of 5-limit meantone; this is the temperament tempering out 81/80, 126/125 and 385/384. Typing the chords requires consideration of the fact that meanpop conflates 9/8 and 10/9; if a transversal can be found which shows the chord to be essentially just, that transversal is listed along with a typing as otonal, utonal, or ambitonal. If the chord is essentially tempered, it is analyzed in terms of the transversal which employs 9/8 and 16/9.

	Chords requiring tempering only by 81/80 are labeled didymic, by 126/125 starling, by 225/224 marvel, by 385/384 keenanismic and by 540/539 swetismic. Chords which require any two of 81/80, 126/125 or 225/224 are labeled erato, and any two of 225/224, 385/384 or 540/539 unimarv. A chord requiring both of 81/80 and 540/539 is labeled terpsichore, and a chord requiring any three independent commas from those discussed above is labeled meanpop.		Chords requiring tempering only by 81/80 are labeled didymic, by 126/125 starling, by 225/224 marvel, by 385/384 keenanismic and by 540/539 swetismic. Chords which require any two of 81/80, 126/125 or 225/224 are labeled erato, and any two of 225/224, 385/384 or 540/539 unimarv (undecimal marvel). A chord requiring both of 81/80 and 540/539 is labeled terpsichore, and a chord requiring any three independent commas from those discussed above is labeled meanpop.

	Meanpop has MOS of size 5, 7, 12, 19, 31, 50 and 81. While 5-limit meantone has been thoroughly explored, the same is not true of meanpop. The 19 note MOS would seem to be a good place to start such explorations.		Meanpop has MOS of size 5, 7, 12, 19, 31, 50 and 81. While 5-limit meantone has been thoroughly explored, the same is not true of meanpop. The 19 note MOS would seem to be a good place to start such explorations.

BudjarnLambeth: Categorised this uncategorised page

2023-04-25T11:03:27Z

Categorised this uncategorised page

← Older revision		Revision as of 11:03, 25 April 2023
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	\| \| otonal		\| \| otonal
	\|}		\|}
			[[Category:Lists of chords]]
			[[Category:Dyadic chords]]
			[[Category:11-limit]]
			[[Category:Meanpop]]

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

Show changes

Wikispaces>genewardsmith: Imported revision 288830329 - Original comment:

2011-12-30T11:13:19Z

**Imported revision 288830329 - Original comment: **

← Older revision		Revision as of 11:13, 30 December 2011
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	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:genewardsmith\|genewardsmith]] and made on <tt>2011-12-30 11:12:37 UTC</tt>.<br>		: This revision was by author [[User:genewardsmith\|genewardsmith]] and made on <tt>2011-12-30 11:13:19 UTC</tt>.<br>
	: The original revision id was <tt>~~288830279~~</tt>.<br>		: The original revision id was <tt>288830329</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
	<h4>Original Wikitext content:</h4>		<h4>Original Wikitext content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Below are listed the [[Dyadic chord\|dyadic chords]] of 11-limit [[Meantone+family#Septimal meantone-Meanpop\|meanpop temperament]]. Meanpop is one of the two extensions of septimal meantone, which itself is the main extension of 5-limit meantone; this is the temperament tempering out 81/80, 126/125 and 385/384. Typing the chords requires consideration of the fact that meanpop conflates 9/8 and 10/9; if a transversal can be found which shows the chord to be essentially just, that transversal is listed along with a typing as otonal, utonal, or ambitonal. If the chord is essentially tempered, it is analyzed in terms of the transversal which employs 9/8 and 16/9.		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Below are listed the [[Dyadic chord\|dyadic chords]] of 11-limit [[Meantone family#Septimal meantone-Meanpop\|meanpop temperament]]. Meanpop is one of the two extensions of septimal meantone, which itself is the main extension of 5-limit meantone; this is the temperament tempering out 81/80, 126/125 and 385/384. Typing the chords requires consideration of the fact that meanpop conflates 9/8 and 10/9; if a transversal can be found which shows the chord to be essentially just, that transversal is listed along with a typing as otonal, utonal, or ambitonal. If the chord is essentially tempered, it is analyzed in terms of the transversal which employs 9/8 and 16/9.

	Chords requiring tempering only by 81/80 are labeled didymic, by 126/125 starling, by 225/224 marvel, by 385/384 keenanismic and by 540/539 swetismic. Chords which require any two of 81/80, 126/125 or 225/224 are labeled erato, and any two of 225/224, 385/384 or 540/539 unimarv. A chord requiring both of 81/80 and 540/539 is labeled terpsichore, and a chord requiring any three independent commas from those discussed above is labeled meanpop.		Chords requiring tempering only by 81/80 are labeled didymic, by 126/125 starling, by 225/224 marvel, by 385/384 keenanismic and by 540/539 swetismic. Chords which require any two of 81/80, 126/125 or 225/224 are labeled erato, and any two of 225/224, 385/384 or 540/539 unimarv. A chord requiring both of 81/80 and 540/539 is labeled terpsichore, and a chord requiring any three independent commas from those discussed above is labeled meanpop.
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	=Triads=		=Triads=
	\|\| Number \|\| Chord \|\| Transversal \|\| Type \|\|		\|\| Number \|\| Chord \|\| Transversal \|\| Type \|\|

	\|\| 1 \|\| 0-1-2 \|\| 1-3/2-9/8 \|\| ambitonal \|\|		\|\| 1 \|\| 0-1-2 \|\| 1-3/2-9/8 \|\| ambitonal \|\|
	\|\| 2 \|\| 0-1-3 \|\| 1-3/2-5/3 \|\| otonal \|\|		\|\| 2 \|\| 0-1-3 \|\| 1-3/2-5/3 \|\| otonal \|\|
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	</pre></div>		</pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Chords of meanpop</title></head><body>Below are listed the <a class="wiki_link" href="/Dyadic%20chord">dyadic chords</a> of 11-limit [[Meantone~~+family~~#Septimal meantone-Meanpop\|meanpop temperament]]. Meanpop is one of the two extensions of septimal meantone, which itself is the main extension of 5-limit meantone; this is the temperament tempering out 81/80, 126/125 and 385/384. Typing the chords requires consideration of the fact that meanpop conflates 9/8 and 10/9; if a transversal can be found which shows the chord to be essentially just, that transversal is listed along with a typing as otonal, utonal, or ambitonal. If the chord is essentially tempered, it is analyzed in terms of the transversal which employs 9/8 and 16/9.<br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Chords of meanpop</title></head><body>Below are listed the <a class="wiki_link" href="/Dyadic%20chord">dyadic chords</a> of 11-limit <a class="wiki_link" href="/Meantone%20family#Septimal meantone-Meanpop">meanpop temperament</a>. Meanpop is one of the two extensions of septimal meantone, which itself is the main extension of 5-limit meantone; this is the temperament tempering out 81/80, 126/125 and 385/384. Typing the chords requires consideration of the fact that meanpop conflates 9/8 and 10/9; if a transversal can be found which shows the chord to be essentially just, that transversal is listed along with a typing as otonal, utonal, or ambitonal. If the chord is essentially tempered, it is analyzed in terms of the transversal which employs 9/8 and 16/9.<br />
	<br />		<br />
	Chords requiring tempering only by 81/80 are labeled didymic, by 126/125 starling, by 225/224 marvel, by 385/384 keenanismic and by 540/539 swetismic. Chords which require any two of 81/80, 126/125 or 225/224 are labeled erato, and any two of 225/224, 385/384 or 540/539 unimarv. A chord requiring both of 81/80 and 540/539 is labeled terpsichore, and a chord requiring any three independent commas from those discussed above is labeled meanpop.<br />		Chords requiring tempering only by 81/80 are labeled didymic, by 126/125 starling, by 225/224 marvel, by 385/384 keenanismic and by 540/539 swetismic. Chords which require any two of 81/80, 126/125 or 225/224 are labeled erato, and any two of 225/224, 385/384 or 540/539 unimarv. A chord requiring both of 81/80 and 540/539 is labeled terpsichore, and a chord requiring any three independent commas from those discussed above is labeled meanpop.<br />
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	~~</table>~~

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	~~<table class="wiki_table">~~
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	<td>1<br />		<td>1<br />

Wikispaces>genewardsmith: Imported revision 288830279 - Original comment:

2011-12-30T11:12:37Z

**Imported revision 288830279 - Original comment: **