Carlo Serafini - Revision history

BudjarnLambeth: Added links to dead end page

2024-01-09T04:39:50Z

Added links to dead end page

← Older revision		Revision as of 04:39, 9 January 2024
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	== Progress report ==		== Progress report ==
	; What was your path to discovering alternate tunings?		; What was your path to discovering alternate tunings?
	: It was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "''Beauty in the Beast''" I was (and still am) very impressed by that album. I bought "''Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers''" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.		: It was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about [[Wendy Carlos]] and her "''Beauty in the Beast''" I was (and still am) very impressed by that album. I bought "''Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers''" by [[Scott Wilkinson]] and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.

	: After much thinking I came up with this title “''Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music''” and started gathering informations (you can find it [http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html here]).		: After much thinking I came up with this title “''Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music''” and started gathering informations (you can find it [http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html here]).
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	: During the researches for my dissertation I stumbled upon a great piece of software: LMSO by [https://en.xen.wiki/w/X._J._Scott X.J. Scott]		: During the researches for my dissertation I stumbled upon a great piece of software: LMSO by [https://en.xen.wiki/w/X._J._Scott X.J. Scott]

	: I bought it and with Jeff Scott's help I started experimenting. A new world opened up! ~~Intervals~~ I had never thought possible unfolded in front of me. All kinds of ~~scales~~, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: "''The Just Intonation Primer''" by David Doty "''On the Sensations of Tone''" by Hermann Helmholtz and Alexander Ellis and "''Genesis of a Music''" by Harry Partch and searched everything I could find on the internet (music, articles and everything else).		: I bought it and with [[Jeff Scott]]'s help I started experimenting. A new world opened up! [[Interval]]s I had never thought possible unfolded in front of me. All kinds of [[scale]]s, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: "''The Just Intonation Primer''" by [[David Doty]] "''On the Sensations of Tone''" by [[Hermann Helmholtz]] and [[Alexander Ellis]] and "''Genesis of a Music''" by [[Harry Partch]] and searched everything I could find on the internet (music, articles and everything else).

	: My microtonal studies can be heard [http://www.seraph.it/Detwelvulation.html here]. Read my [http://www.seraph.it/blog.html blog] for more informations.		: My microtonal studies can be heard [http://www.seraph.it/Detwelvulation.html here]. Read my [http://www.seraph.it/blog.html blog] for more informations.

Fredg999: Fixed typo (uppercase)

2022-04-10T21:52:42Z

Fixed typo (uppercase)

← Older revision		Revision as of 21:52, 10 April 2022
Line 3:		Line 3:
	== Progress report ==		== Progress report ==
	; What was your path to discovering alternate tunings?		; What was your path to discovering alternate tunings?
	: it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "''Beauty in the Beast''" I was (and still am) very impressed by that album. I bought "''Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers''" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.		: It was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "''Beauty in the Beast''" I was (and still am) very impressed by that album. I bought "''Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers''" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.

	: After much thinking I came up with this title “''Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music''” and started gathering informations (you can find it [http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html here]).		: After much thinking I came up with this title “''Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music''” and started gathering informations (you can find it [http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html here]).

Fredg999: Minor cleanup

2022-04-10T21:41:29Z

Minor cleanup

← Older revision		Revision as of 21:41, 10 April 2022
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	== Progress report ==		== Progress report ==
	; ~~'''~~What was your path to discovering alternate tunings?~~'''~~		; What was your path to discovering alternate tunings?
	: it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "''Beauty in the Beast''" I was (and still am) very impressed by that album. I bought "''Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers''" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.		: it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "''Beauty in the Beast''" I was (and still am) very impressed by that album. I bought "''Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers''" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.

	: After much thinking I came up with this title “''Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music''” and started gathering informations (you can find it [http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html here]).		: After much thinking I came up with this title “''Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music''” and started gathering informations (you can find it [http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html here]).

	;~~'''~~What instruments or means have you had/do you have now/do you want for the making of microtonal music?~~'''~~		; What instruments or means have you had/do you have now/do you want for the making of microtonal music?
	: During the researches for my dissertation I stumbled upon a great piece of software: LMSO by [https://en.xen.wiki/w/X._J._Scott X.J. Scott]		: During the researches for my dissertation I stumbled upon a great piece of software: LMSO by [https://en.xen.wiki/w/X._J._Scott X.J. Scott]

Fredg999: Added a lead section, cleanup, categories, sort key

2022-04-02T16:07:06Z

Added a lead section, cleanup, categories, sort key

← Older revision		Revision as of 16:07, 2 April 2022
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	'''~~What was your path to discovering alternate tunings?~~'''		'''Carlo Serafini''' (b. 1957) is an Italian composer of futurist electronic music.

	it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "''Beauty in the Beast''" I was (and still am) very impressed by that album. I bought "''Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers''" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.		== Progress report ==
			; '''What was your path to discovering alternate tunings?'''
			: it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "''Beauty in the Beast''" I was (and still am) very impressed by that album. I bought "''Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers''" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.

	After much thinking I came up with this title “''Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music''” and started gathering informations (you can find it [http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html here]).		: After much thinking I came up with this title “''Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music''” and started gathering informations (you can find it [http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html here]).

	'''What instruments or means have you had/do you have now/do you want for the making of microtonal music?'''		;'''What instruments or means have you had/do you have now/do you want for the making of microtonal music?'''
			: During the researches for my dissertation I stumbled upon a great piece of software: LMSO by [https://en.xen.wiki/w/X._J._Scott X.J. Scott]

	~~During~~ the ~~researches for my dissertation~~ I ~~stumbled upon~~ a ~~great piece of software: LMSO~~ by ~~[https://en~~.~~xen.wiki/w/X._J._Scott X.J. Scott]~~		: I bought it and with Jeff Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: "''The Just Intonation Primer''" by David Doty "''On the Sensations of Tone''" by Hermann Helmholtz and Alexander Ellis and "''Genesis of a Music''" by Harry Partch and searched everything I could find on the internet (music, articles and everything else).

	~~I bought~~ it ~~and with Jeff Scott's help I started experimenting~~. ~~A new world opened up! Intervals I had never thought possible unfolded in front of me~~. ~~All kinds of scales, exotic, weird, beautiful, ugly ones appeared~~. In the meantime I started reading and studying many books, among them: "''The Just Intonation Primer''" by David Doty "''On the Sensations of Tone''" by Hermann Helmholtz and Alexander Ellis and "''Genesis of a Music''" by Harry Partch and searched everything I could find on the internet (music, articles and everything else).		: My microtonal studies can be heard [http://www.seraph.it/Detwelvulation.html here]. Read my [http://www.seraph.it/blog.html blog] for more informations.

	~~My microtonal studies can be heard~~ [http://www.seraph.it/~~Detwelvulation.html here]. Read my [http://www.seraph.it/blog.html blog~~] ~~for more informations.~~		== External links ==
			* [http://www.seraph.it/ Official website]

			{{DEFAULTSORT:Serafini, Carlo}}
			[[Category:People]]
	[[Category:Composers]]		[[Category:Composers]]
	~~[[Category:people]]~~

Fredg999 category edits: Moving from Category:Composer to Category:Composers using Cat-a-lot

2022-02-22T23:57:03Z

Moving from Category:Composer to Category:Composers using Cat-a-lot

← Older revision		Revision as of 23:57, 22 February 2022
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	My microtonal studies can be heard [http://www.seraph.it/Detwelvulation.html here]. Read my [http://www.seraph.it/blog.html blog] for more informations.		My microtonal studies can be heard [http://www.seraph.it/Detwelvulation.html here]. Read my [http://www.seraph.it/blog.html blog] for more informations.

	[[Category:~~composer~~]]		[[Category:Composers]]
	[[Category:people]]		[[Category:people]]

Seraph57 at 23:37, 13 February 2021

2021-02-13T23:37:06Z

← Older revision		Revision as of 23:37, 13 February 2021
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	'''What instruments or means have you had/do you have now/do you want for the making of microtonal music?'''		'''What instruments or means have you had/do you have now/do you want for the making of microtonal music?'''

	During the researches for my dissertation I stumbled upon a great piece of software: LMSO by X.J. Scott		During the researches for my dissertation I stumbled upon a great piece of software: LMSO by [https://en.xen.wiki/w/X._J._Scott X.J. Scott]

	I bought it and with Jeff Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: "''The Just Intonation Primer''" by David Doty "''On the Sensations of Tone''" by Hermann Helmholtz and Alexander Ellis and "''Genesis of a Music''" by Harry Partch and searched everything I could find on the internet (music, articles and everything else).		I bought it and with Jeff Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: "''The Just Intonation Primer''" by David Doty "''On the Sensations of Tone''" by Hermann Helmholtz and Alexander Ellis and "''Genesis of a Music''" by Harry Partch and searched everything I could find on the internet (music, articles and everything else).

Spt3125: category maintenance

2018-12-10T22:59:14Z

category maintenance

← Older revision		Revision as of 22:59, 10 December 2018
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	I bought it and with Jeff Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: "''The Just Intonation Primer''" by David Doty "''On the Sensations of Tone''" by Hermann Helmholtz and Alexander Ellis and "''Genesis of a Music''" by Harry Partch and searched everything I could find on the internet (music, articles and everything else).		I bought it and with Jeff Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: "''The Just Intonation Primer''" by David Doty "''On the Sensations of Tone''" by Hermann Helmholtz and Alexander Ellis and "''Genesis of a Music''" by Harry Partch and searched everything I could find on the internet (music, articles and everything else).

	My microtonal studies can be heard [http://www.seraph.it/Detwelvulation.html here]. Read my [http://www.seraph.it/blog.html blog] for more informations.		My microtonal studies can be heard [http://www.seraph.it/Detwelvulation.html here]. Read my [http://www.seraph.it/blog.html blog] for more informations.
	~~[[Category:carlo_serafini]]~~
	[[Category:composer]]		[[Category:composer]]
			[[Category:people]]

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

← Older revision		Revision as of 00:00, 17 July 2018
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	~~<h2>IMPORTED REVISION FROM WIKISPACES</h2>~~		'''What was your path to discovering alternate tunings?'''
	~~This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>~~
	~~: This revision was by author [[User:seraph57\|seraph57]] and made on <tt>2015-09-19 17:43:55 UTC</tt>.<br>~~
	~~: The original revision id was <tt>559776179</tt>.<br>~~
	~~: The revision comment was: <tt></tt><br>~~
	~~The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>~~
	~~<h4>Original Wikitext content:</h4>~~
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">What was your path to discovering alternate tunings?

	it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still am) very impressed by that album. I bought "//Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers//" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.		it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "''Beauty in the Beast''" I was (and still am) very impressed by that album. I bought "''Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers''" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.
	After much thinking I came up with this title “//Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music//” and started gathering informations (you can find it [[http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html\|here]]).

	What instruments or means have you had/do you have now/do you want for the making of microtonal music?		After much thinking I came up with this title “''Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music''” and started gathering informations (you can find it [http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html here]).

			'''What instruments or means have you had/do you have now/do you want for the making of microtonal music?'''

	During the researches for my dissertation I stumbled upon a great piece of software: LMSO by X.J. Scott		During the researches for my dissertation I stumbled upon a great piece of software: LMSO by X.J. Scott
	I bought it and with Jeff Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: "//The Just Intonation Primer//" by David Doty "//On the Sensations of Tone//" by Hermann Helmholtz and Alexander Ellis and "//Genesis of a Music//" by Harry Partch and searched everything I could find on the internet (music, articles and everything else).

	~~My microtonal studies can be heard [[http://www.seraph.it/Detwelvulation.html\| here]]. Read my [[http://www.seraph.it/blog.html\|blog]] for more informations.</pre></div>~~		I bought it and with Jeff Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: "''The Just Intonation Primer''" by David Doty "''On the Sensations of Tone''" by Hermann Helmholtz and Alexander Ellis and "''Genesis of a Music''" by Harry Partch and searched everything I could find on the internet (music, articles and everything else).
	~~<h4>Original HTML content:</h4>~~
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Carlo Serafini</title></head><body><strong>What was your path to discovering alternate tunings?</strong><br />		My microtonal studies can be heard [http://www.seraph.it/Detwelvulation.html here]. Read my [http://www.seraph.it/blog.html blog] for more informations.
	~~<br />~~		[[Category:carlo_serafini]]
	it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her &quot;<em>Beauty in the Beast</em>&quot; I was (and still am) very impressed by that album. I bought &quot;<em>Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers</em>&quot; by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.<br />		[[Category:composer]]
	After much thinking I came up with this title “<em>Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music</em>” and started gathering informations (you can find it <a class="wiki_link_ext" href="http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html" rel="nofollow">here</a>).<br />
	~~<br />~~
	~~<strong>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</strong><br />~~
	~~<br />~~
	~~During the researches for my dissertation I stumbled upon a great piece of software: LMSO by X.J. Scott<br />~~
	I bought it and with Jeff Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: ~~&quot;<em>~~The Just Intonation Primer~~</em>&quot;~~ by David Doty ~~&quot;<em>~~On the Sensations of Tone~~</em>&quot;~~ by Hermann Helmholtz and Alexander Ellis and ~~&quot;<em>~~Genesis of a Music~~</em>&quot;~~ by Harry Partch and searched everything I could find on the internet (music, articles and everything else).~~<br />~~
	~~<br />~~
	My microtonal studies can be heard ~~<a class="wiki_link_ext" href="~~http://www.seraph.it/Detwelvulation.html~~" rel="nofollow">~~ here~~</a>~~. Read my ~~<a class="wiki_link_ext" href="~~http://www.seraph.it/blog.html~~" rel="nofollow">~~blog~~</a>~~ for more informations.~~</body></html></pre></div>~~

Wikispaces>seraph57: Imported revision 559776179 - Original comment:

2015-09-19T17:43:55Z

**Imported revision 559776179 - Original comment: **

Wikispaces>seraph57: Imported revision 554816829 - Original comment:

2015-07-01T17:00:27Z

**Imported revision 554816829 - Original comment: **

← Older revision		Revision as of 17:43, 19 September 2015
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	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:seraph57\|seraph57]] and made on <tt>2015-07-01 17:00:27 UTC</tt>.<br>		: This revision was by author [[User:seraph57\|seraph57]] and made on <tt>2015-09-19 17:43:55 UTC</tt>.<br>
	: The original revision id was <tt>~~554816829~~</tt>.<br>		: The original revision id was <tt>559776179</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still am) very impressed by that album. I bought "//Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers//" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.		it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still am) very impressed by that album. I bought "//Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers//" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.
	After much thinking I came up with this title “//Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music//” and started gathering informations (you can find it [[http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html/\|here]]).		After much thinking I came up with this title “//Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music//” and started gathering informations (you can find it [[http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html\|here]]).

	What instruments or means have you had/do you have now/do you want for the making of microtonal music?		What instruments or means have you had/do you have now/do you want for the making of microtonal music?
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	<br />		<br />
	it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her &quot;<em>Beauty in the Beast</em>&quot; I was (and still am) very impressed by that album. I bought &quot;<em>Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers</em>&quot; by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.<br />		it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her &quot;<em>Beauty in the Beast</em>&quot; I was (and still am) very impressed by that album. I bought &quot;<em>Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers</em>&quot; by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.<br />
	After much thinking I came up with this title “<em>Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music</em>” and started gathering informations (you can find it <a class="wiki_link_ext" href="http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html/" rel="nofollow">here</a>).<br />		After much thinking I came up with this title “<em>Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music</em>” and started gathering informations (you can find it <a class="wiki_link_ext" href="http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html" rel="nofollow">here</a>).<br />
	<br />		<br />
	<strong>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</strong><br />		<strong>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</strong><br />

← Older revision		Revision as of 17:00, 1 July 2015
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	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:seraph57\|seraph57]] and made on <tt>~~2014~~-01-30 01:49:34 UTC</tt>.<br>		: This revision was by author [[User:seraph57\|seraph57]] and made on <tt>2015-07-01 17:00:27 UTC</tt>.<br>
	: The original revision id was <tt>~~486217394~~</tt>.<br>		: The original revision id was <tt>554816829</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still am) very impressed by that album. I bought "//Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers//" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.		it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her "//Beauty in the Beast//" I was (and still am) very impressed by that album. I bought "//Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers//" by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.
	After much thinking I came up with this title “//Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music//” and started gathering informations (you can find it [[http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html/\|here]]).		After much thinking I came up with this title “//Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music//” and started gathering informations (you can find it [[http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html/\|here]]).

	What instruments or means have you had/do you have now/do you want for the making of microtonal music?		What instruments or means have you had/do you have now/do you want for the making of microtonal music?

	During the researches for my dissertation I stumbled upon a great piece of software: ~~[[http://www.nonoctave.com/tuning/LilMissScaleOven/\|~~LMSO]] by X.J. Scott		During the researches for my dissertation I stumbled upon a great piece of software: LMSO by X.J. Scott
	I bought it and with Jeff Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: "//The Just Intonation Primer//" by David Doty "//On the Sensations of Tone//" by Hermann Helmholtz and Alexander Ellis and "//Genesis of a Music//" by Harry Partch and searched everything I could find on the internet (music, articles and everything else).		I bought it and with Jeff Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: "//The Just Intonation Primer//" by David Doty "//On the Sensations of Tone//" by Hermann Helmholtz and Alexander Ellis and "//Genesis of a Music//" by Harry Partch and searched everything I could find on the internet (music, articles and everything else).

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	<br />		<br />
	it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her &quot;<em>Beauty in the Beast</em>&quot; I was (and still am) very impressed by that album. I bought &quot;<em>Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers</em>&quot; by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.<br />		it was in the 80's. I was an international student (from Italy) at Berklee College of Music in Boston, MA studying music synthesis. I heard about Wendy Carlos and her &quot;<em>Beauty in the Beast</em>&quot; I was (and still am) very impressed by that album. I bought &quot;<em>Tuning In: Microtonality in Electronic Music: A Basic Guide to Using Alternate Scales. Temperaments and Microtuning using Synthesizers</em>&quot; by Scott Wilkinson and tried to apply what I was learning retuning a couple of Yamaha synths I had: TX81Z and TX802 but trying to retune each and every note of the 128 midi pitches by hand was way too much for me and gave up, plus, I wasn't ready and my interest remained dormant for almost 20 years until I started thinking about what could be the subject of a dissertation for my master's degree in music and new technology at the Conservatory of Music in Florence, Italy.<br />
	After much thinking I came up with this title “<em>Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music</em>” and started gathering informations (you can find it <a class="wiki_link_ext" href="http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html/" rel="nofollow">here</a>).<br />		After much thinking I came up with this title “<em>Technology and Temperament: Hardware, Software and Online Resources for Microtonal Music</em>” and started gathering informations (you can find it <a class="wiki_link_ext" href="http://www.seraph.it/blog_files/e5d36b2e021967c47d0e5a25155bb4be-125.html/" rel="nofollow">here</a>).<br />
	<br />		<br />
	<strong>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</strong><br />		<strong>What instruments or means have you had/do you have now/do you want for the making of microtonal music?</strong><br />
	<br />		<br />
	During the researches for my dissertation I stumbled upon a great piece of software: ~~<a class="wiki_link_ext" href="http://www.nonoctave.com/tuning/LilMissScaleOven/" rel="nofollow">~~LMSO~~</a>~~ by X.J. Scott<br />		During the researches for my dissertation I stumbled upon a great piece of software: LMSO by X.J. Scott<br />
	I bought it and with Jeff Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: &quot;<em>The Just Intonation Primer</em>&quot; by David Doty &quot;<em>On the Sensations of Tone</em>&quot; by Hermann Helmholtz and Alexander Ellis and &quot;<em>Genesis of a Music</em>&quot; by Harry Partch and searched everything I could find on the internet (music, articles and everything else).<br />		I bought it and with Jeff Scott's help I started experimenting. A new world opened up! Intervals I had never thought possible unfolded in front of me. All kinds of scales, exotic, weird, beautiful, ugly ones appeared. In the meantime I started reading and studying many books, among them: &quot;<em>The Just Intonation Primer</em>&quot; by David Doty &quot;<em>On the Sensations of Tone</em>&quot; by Hermann Helmholtz and Alexander Ellis and &quot;<em>Genesis of a Music</em>&quot; by Harry Partch and searched everything I could find on the internet (music, articles and everything else).<br />
	<br />		<br />
	My microtonal studies can be heard <a class="wiki_link_ext" href="http://www.seraph.it/Detwelvulation.html" rel="nofollow"> here</a>. Read my <a class="wiki_link_ext" href="http://www.seraph.it/blog.html" rel="nofollow">blog</a> for more informations.</body></html></pre></div>		My microtonal studies can be heard <a class="wiki_link_ext" href="http://www.seraph.it/Detwelvulation.html" rel="nofollow"> here</a>. Read my <a class="wiki_link_ext" href="http://www.seraph.it/blog.html" rel="nofollow">blog</a> for more informations.</body></html></pre></div>