Cam Taylor - Revision history

Fredg999: Added 1 external link, misc. edits

2022-04-10T20:44:41Z

Added 1 external link, misc. edits

← Older revision		Revision as of 20:44, 10 April 2022
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	'''Cam Taylor''' is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand.		'''Cam Taylor''' is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand.

	~~Focussing~~ mainly on extended meantones, gentle tunings and extensions of schismatic temperaments (in EDOs {{EDOs\| 31, 43, 50, 81, and 17, 29, 46, 63, 80, and 41, 53, 94 }} respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards and his custom 17-tone midi keyboard.		Focusing mainly on extended meantones, gentle tunings and extensions of schismatic temperaments (in EDOs {{EDOs\| 31, 43, 50, 81, and 17, 29, 46, 63, 80, and 41, 53, 94 }} respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards and his custom 17-tone midi keyboard.

	He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including {{EDOs\| 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55, 63, 80, 81, 94 EDOs}}) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.		He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including {{EDOs\| 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55, 63, 80, 81, 94 EDOs}}) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.

	He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, along with spoken nomenclature and solfege, though he now prefers to use Sagittal wherever understood, and is an advocate of George Secor's Sagispeak.		He has developed a semi-standardised notation for fifth-based tunings, based on [[Helmholtz-Ellis notation]] and expandable depending on scale size, along with spoken nomenclature and solfege, though he now prefers to use [[Sagittal notation]] wherever understood, and is an advocate of George Secor's Sagispeak.

	~~Soundcloud (mainly Axis49 improvisations, along with a few songs):~~		== External links ==
			* [https://iamcamtaylor.wordpress.com/ Official blog] (xen theory, extended meantones and beyond)
	* [https://~~soundcloud~~.com/~~camtaylor-1~~ https://~~soundcloud~~.~~com~~/~~camtaylor-1~~]		* [https://archive.org/details/@iamcamtaylor Internet Archive profile]
	* [https://soundcloud.com/~~cam-taylor-2~~-1 https://soundcloud.com/cam-taylor-2-1]		* [https://soundcloud.com/camtaylor-1 SoundCloud profile (main)] (mainly Axis49 improvisations, along with a few songs)
			* [https://soundcloud.com/cam-taylor-2-1 SoundCloud profile (second)]
	~~Blog~~ (~~xen theory, extended meantones and beyond~~):		* [https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta Dropbox shared folder]{{dead link}} (some paperwork on intervals, scales, chords etc in 50EDO, keyboard charts and more in various EDOs to come)

	* [https://~~iamcamtaylor~~.~~wordpress~~.com/ ~~https:~~//~~iamcamtaylor.wordpress.com/~~]

	~~Dropbox~~ (some paperwork on intervals, scales, chords etc in 50EDO, keyboard charts and more in various EDOs to come):
	* [https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta]

	{{DEFAULTSORT:Taylor, Cam}}		{{DEFAULTSORT:Taylor, Cam}}
	[[Category:People]]		[[Category:People]]
	[[Category:~~Theorists~~]]		[[Category:Composers]]
	[[Category:Improvisers]]		[[Category:Improvisers]]
	~~[[Category:Composers]]~~
	[[Category:Musicians]]		[[Category:Musicians]]
			[[Category:Theorists]]

Fredg999 category edits: Categories, sort key

2022-03-30T04:06:36Z

Categories, sort key

← Older revision		Revision as of 04:06, 30 March 2022
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	* [https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta]		* [https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta]

			{{DEFAULTSORT:Taylor, Cam}}
			[[Category:People]]
	[[Category:Theorists]]		[[Category:Theorists]]
	[[Category:Improvisers]]		[[Category:Improvisers]]
	[[Category:Composers]]		[[Category:Composers]]
	[[Category:Musicians]]		[[Category:Musicians]]

Fredg999 category edits: Moving from Category:Improviser to Category:Improvisers using Cat-a-lot

2022-03-09T04:50:17Z

Moving from Category:Improviser to Category:Improvisers using Cat-a-lot

← Older revision		Revision as of 04:50, 9 March 2022
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	[[Category:Theorists]]		[[Category:Theorists]]
	[[Category:~~Improviser~~]]		[[Category:Improvisers]]
	[[Category:Composers]]		[[Category:Composers]]
	[[Category:Musicians]]		[[Category:Musicians]]

Fredg999 category edits: Moving from Category:Theorist to Category:Theorists using Cat-a-lot

2022-02-23T00:03:29Z

Moving from Category:Theorist to Category:Theorists using Cat-a-lot

← Older revision		Revision as of 00:03, 23 February 2022
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	* [https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta]		* [https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta]

	[[Category:~~Theorist~~]]		[[Category:Theorists]]
	[[Category:Improviser]]		[[Category:Improviser]]
	[[Category:Composers]]		[[Category:Composers]]
	[[Category:Musicians]]		[[Category:Musicians]]

Fredg999 category edits: Moving from Category:Composer to Category:Composers using Cat-a-lot

2022-02-22T23:57:03Z

Moving from Category:Composer to Category:Composers using Cat-a-lot

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	[[Category:Theorist]]		[[Category:Theorist]]
	[[Category:Improviser]]		[[Category:Improviser]]
	[[Category:~~Composer~~]]		[[Category:Composers]]
	[[Category:Musicians]]		[[Category:Musicians]]

Fredg999 category edits: Moving from Category:Musician to Category:Musicians using Cat-a-lot

2022-02-22T23:55:04Z

Moving from Category:Musician to Category:Musicians using Cat-a-lot

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	[[Category:Improviser]]		[[Category:Improviser]]
	[[Category:Composer]]		[[Category:Composer]]
	[[Category:~~Musician~~]]		[[Category:Musicians]]

Inthar at 00:50, 4 April 2021

2021-04-04T00:50:13Z

← Older revision		Revision as of 00:50, 4 April 2021
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	Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand.		'''Cam Taylor''' is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand.

	Focussing mainly on extended meantones, gentle tunings and extensions of schismatic temperaments (in EDOs {{EDOs\| 31, 43, 50, 81, and 17, 29, 46, 63, 80, and 41, 53, 94 }} respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards and his custom 17-tone midi keyboard.		Focussing mainly on extended meantones, gentle tunings and extensions of schismatic temperaments (in EDOs {{EDOs\| 31, 43, 50, 81, and 17, 29, 46, 63, 80, and 41, 53, 94 }} respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards and his custom 17-tone midi keyboard.

Xenwolf: formatting, links, cats

2020-12-18T23:45:02Z

formatting, links, cats

← Older revision		Revision as of 23:45, 18 December 2020
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	Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand.		Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand.

	Focussing mainly on extended meantones, gentle tunings and extensions of schismatic temperaments (in EDOs 31, 43, 50, 81, and 17, 29, 46, 63, 80, and 41, 53, 94 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards and his custom 17-tone midi keyboard.		Focussing mainly on extended meantones, gentle tunings and extensions of schismatic temperaments (in EDOs {{EDOs\| 31, 43, 50, 81, and 17, 29, 46, 63, 80, and 41, 53, 94 }} respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards and his custom 17-tone midi keyboard.

	He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55, 63, 80, 81, 94 EDOs) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.		He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including {{EDOs\| 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55, 63, 80, 81, 94 EDOs}}) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.

	He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, along with spoken nomenclature and solfege, though he now prefers to use Sagittal wherever understood, and is an advocate of George Secor's Sagispeak.		He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, along with spoken nomenclature and solfege, though he now prefers to use Sagittal wherever understood, and is an advocate of George Secor's Sagispeak.
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	Soundcloud (mainly Axis49 improvisations, along with a few songs):		Soundcloud (mainly Axis49 improvisations, along with a few songs):

	[https://soundcloud.com/camtaylor-1 https://soundcloud.com/camtaylor-1]		* [https://soundcloud.com/camtaylor-1 https://soundcloud.com/camtaylor-1]
			* [https://soundcloud.com/cam-taylor-2-1 https://soundcloud.com/cam-taylor-2-1]
	[https://soundcloud.com/cam-taylor-2-1 https://soundcloud.com/cam-taylor-2-1]

	Blog (xen theory, extended meantones and beyond):		Blog (xen theory, extended meantones and beyond):

	[https://iamcamtaylor.wordpress.com/ https://iamcamtaylor.wordpress.com/]		* [https://iamcamtaylor.wordpress.com/ https://iamcamtaylor.wordpress.com/]

	Dropbox (some paperwork on intervals, scales, chords etc in 50EDO, keyboard charts and more in various EDOs to come):		Dropbox (some paperwork on intervals, scales, chords etc in 50EDO, keyboard charts and more in various EDOs to come):
			* [https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta]

	[~~https~~:~~//www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta https~~:~~//www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta~~]		[[Category:Theorist]]
			[[Category:Improviser]]
			[[Category:Composer]]
			[[Category:Musician]]

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

@@ Line 1: / Line 1: @@
-<h2>IMPORTED REVISION FROM WIKISPACES</h2>
+Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand.
 Focussing mainly on extended meantones, gentle tunings and extensions of schismatic temperaments (in EDOs 31, 43, 50, 81, and 17, 29, 46, 63, 80, and 41, 53, 94 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards and his custom 17-tone midi keyboard.
@@ Line 13: / Line 6: @@
 He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, along with spoken nomenclature and solfege, though he now prefers to use Sagittal wherever understood, and is an advocate of George Secor's Sagispeak.
 Soundcloud (mainly Axis49 improvisations, along with a few songs):
-https://soundcloud.com/camtaylor-1
+[https://soundcloud.com/camtaylor-1 https://soundcloud.com/camtaylor-1]
 Blog (xen theory, extended meantones and beyond):
-https://iamcamtaylor.wordpress.com/
+[https://iamcamtaylor.wordpress.com/ https://iamcamtaylor.wordpress.com/]
 Dropbox (some paperwork on intervals, scales, chords etc in 50EDO, keyboard charts and more in various EDOs to come):
-https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta</pre></div>
+[https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta]

Wikispaces>iamcamtaylor: Imported revision 560915297 - Original comment:

2015-09-30T19:44:49Z

**Imported revision 560915297 - Original comment: **

← Older revision		Revision as of 19:44, 30 September 2015
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	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:iamcamtaylor\|iamcamtaylor]] and made on <tt>~~2014~~-08-~~06 22~~:44:03 UTC</tt>.<br>		: This revision was by author [[User:iamcamtaylor\|iamcamtaylor]] and made on <tt>2015-09-30 19:44:49 UTC</tt>.<br>
	: The original revision id was <tt>~~517941650~~</tt>.<br>		: The original revision id was <tt>560915297</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
	<h4>Original Wikitext content:</h4>		<h4>Original Wikitext content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand~~, currently living in Kobe, Japan~~.		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand.

	Focussing mainly on extended meantones and ~~garibaldi~~ temperaments (in EDOs 31, 43, 50, and 41, 53 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards.		Focussing mainly on extended meantones, gentle tunings and extensions of schismatic temperaments (in EDOs 31, 43, 50, 81, and 17, 29, 46, 63, 80, and 41, 53, 94 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards and his custom 17-tone midi keyboard.

	He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55 EDOs) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.		He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55, 63, 80, 81, 94 EDOs) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.

	He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, ~~as a more conventional alternative~~ to ~~systems such as~~ Sagittal.		He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, along with spoken nomenclature and solfege, though he now prefers to use Sagittal wherever understood, and is an advocate of George Secor's Sagispeak.


	Soundcloud (mainly Axis49 improvisations, along with a few songs):		Soundcloud (mainly Axis49 improvisations, along with a few songs):

	https://soundcloud.com/camtaylor-1		https://soundcloud.com/camtaylor-1
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	https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta</pre></div>		https://www.dropbox.com/sh/4x81rzpkot32qzk/AABlxSMZdd0EMk46Dk8qtWVta</pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Cam Taylor</title></head><body>Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand~~, currently living in Kobe, Japan~~.<br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Cam Taylor</title></head><body>Cam Taylor is a xenharmonic theorist, improviser, composer and musician from Auckland, New Zealand.<br />
	<br />		<br />
	Focussing mainly on extended meantones and ~~garibaldi~~ temperaments (in EDOs 31, 43, 50, and 41, 53 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards.<br />		Focussing mainly on extended meantones, gentle tunings and extensions of schismatic temperaments (in EDOs 31, 43, 50, 81, and 17, 29, 46, 63, 80, and 41, 53, 94 respectively) and JI, he mainly performs improvised compositions using circulating systems (either entire EDOs or JI 'detemperings' of EDOs) on hexagonal keyboards and his custom 17-tone midi keyboard.<br />
	<br />		<br />
	He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55 EDOs) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.<br />		He favours the Bosanquet layout as a standard way to map fifth-generated tunings (including 12, 17, 19, 22, 26, 27, 29, 31, 33, 41, 43, 46, 50, 53, 55, 63, 80, 81, 94 EDOs) and intends to write a practical guide (as well as a theoretical overview) on the workings of Bosanquet for hexagonal keyboards, as new keyboards like the Terpstra become important tools for theoretical understanding, composition and performance of music in alternate tuning systems.<br />
	<br />		<br />
	He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, ~~as a more conventional alternative~~ to ~~systems such as~~ Sagittal.<br />		He has developed a semi-standardised notation for fifth-based tunings, based on Helmholtz-Ellis and expandable depending on scale size, along with spoken nomenclature and solfege, though he now prefers to use Sagittal wherever understood, and is an advocate of George Secor's Sagispeak.<br />
	<br />		<br />
	<br />		<br />
	Soundcloud (mainly Axis49 improvisations, along with a few songs): <br />		Soundcloud (mainly Axis49 improvisations, along with a few songs):<br />
	<br />		<br />
	<!-- ws:start:WikiTextUrlRule:22:https://soundcloud.com/camtaylor-1 --><a class="wiki_link_ext" href="https://soundcloud.com/camtaylor-1" rel="nofollow">https://soundcloud.com/camtaylor-1</a><!-- ws:end:WikiTextUrlRule:22 --><br />		<!-- ws:start:WikiTextUrlRule:22:https://soundcloud.com/camtaylor-1 --><a class="wiki_link_ext" href="https://soundcloud.com/camtaylor-1" rel="nofollow">https://soundcloud.com/camtaylor-1</a><!-- ws:end:WikiTextUrlRule:22 --><br />