Bo Constantinsen - Revision history

BudjarnLambeth: Add outgoing links to dead end page

2024-12-04T09:35:29Z

Add outgoing links to dead end page

← Older revision		Revision as of 09:35, 4 December 2024
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	'''Bo Constantinsen''' is the author of "'''What Music Really İs'''—''The'' Manual for The '''3rd Millennium''' Musician"—the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture.		'''Bo Constantinsen''' is the author of "'''What Music Really İs'''—''The'' Manual for The '''3rd Millennium''' Musician"—the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established [[Approaches to musical tuning\|musical culture]].

	After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation.		After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was [[dissonant]] and out of tune ([[12edo\|12-tone equally tempered]]). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation.

	Being mathematically challenged, his work is geared towards the musically innocent, through the use of simple descriptions and intuitive visual correlations between sound and images. He's of the opinion that those who believe in urban myths like 432 Hz and its New Age connections to music have the right to know better. His approach to teaching is scientific and evidence-based. He proposes a logarithmic version of the Pythagorean Lambdoma, which he calls HarmoniComb, as didactic tool, musical instrument and notation system. His own musical discovery consists in the interpretation of any ratio as the harmonic genesis of the sonic entity it represents.		Being mathematically challenged, his work is geared towards the musically innocent, through the use of simple descriptions and intuitive visual correlations between sound and images. He's of the opinion that those who believe in urban myths like 432 Hz and its New Age connections to music have the right to know better. His approach to teaching is scientific and evidence-based. He proposes a logarithmic version of the Pythagorean Lambdoma, which he calls HarmoniComb, as didactic tool, musical [[instrument]] and [[notation]] system. His own musical discovery consists in the interpretation of any [[ratio]] as the harmonic genesis of the sonic entity it represents.

	In 2013 he successfully crowd funded the building of a batch of Second Generation Terpstra Keyboards. He's the Head of the Board of The '''International Organization for Numerical Musical Tuning''', an independent international nongovernmental organization (iINGO) concerned with the specifications and guidelines for a standardized, worldwide universal format of defining musical tuning and signal processing through the language of numbers alone.		In 2013 he successfully crowd funded the building of a batch of Second Generation Terpstra Keyboards. He's the Head of the Board of The '''International Organization for Numerical Musical Tuning''', an independent international nongovernmental organization (iINGO) concerned with the specifications and guidelines for a standardized, worldwide universal format of defining musical tuning and signal processing through the language of numbers alone.

ArrowHead294 at 21:44, 23 May 2024

2024-05-23T21:44:47Z

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	'''Bo Constantinsen''' is the author of "'''What Music Really İs'''{{mdash}}''The'' Manual for The '''3rd Millennium''' Musician"{{mdash}}the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture.		'''Bo Constantinsen''' is the author of "'''What Music Really İs'''—''The'' Manual for The '''3rd Millennium''' Musician"—the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture.

	After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation.		After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation.

ArrowHead294 at 13:39, 23 May 2024

2024-05-23T13:39:13Z

← Older revision		Revision as of 13:39, 23 May 2024
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	'''Bo Constantinsen''' is the author of "'''What Music Really İs''' — ''The'' Manual for The '''3rd Millennium''' Musician" — the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture.		'''Bo Constantinsen''' is the author of "'''What Music Really İs'''{{mdash}}''The'' Manual for The '''3rd Millennium''' Musician"{{mdash}}the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture.

	After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation.		After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation.

BudjarnLambeth: Broke big single paragraph into 4 smaller paragraphs.

2024-01-03T07:57:46Z

Broke big single paragraph into 4 smaller paragraphs.

← Older revision		Revision as of 07:57, 3 January 2024
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	'''Bo Constantinsen''' is the author of "'''What Music Really İs''' — ''The'' Manual for The '''3rd Millennium''' Musician" — the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture. After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation. Being mathematically challenged, his work is geared towards the musically innocent, through the use of simple descriptions and intuitive visual correlations between sound and images. He's of the opinion that those who believe in urban myths like 432 Hz and its New Age connections to music have the right to know better. His approach to teaching is scientific and evidence-based. He proposes a logarithmic version of the Pythagorean Lambdoma, which he calls HarmoniComb, as didactic tool, musical instrument and notation system. His own musical discovery consists in the interpretation of any ratio as the harmonic genesis of the sonic entity it represents. In 2013 he successfully crowd funded the building of a batch of Second Generation Terpstra Keyboards. He's the Head of the Board of The '''International Organization for Numerical Musical Tuning''', an independent international nongovernmental organization (iINGO) concerned with the specifications and guidelines for a standardized, worldwide universal format of defining musical tuning and signal processing through the language of numbers alone.		'''Bo Constantinsen''' is the author of "'''What Music Really İs''' — ''The'' Manual for The '''3rd Millennium''' Musician" — the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture.

			After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation.

			Being mathematically challenged, his work is geared towards the musically innocent, through the use of simple descriptions and intuitive visual correlations between sound and images. He's of the opinion that those who believe in urban myths like 432 Hz and its New Age connections to music have the right to know better. His approach to teaching is scientific and evidence-based. He proposes a logarithmic version of the Pythagorean Lambdoma, which he calls HarmoniComb, as didactic tool, musical instrument and notation system. His own musical discovery consists in the interpretation of any ratio as the harmonic genesis of the sonic entity it represents.

			In 2013 he successfully crowd funded the building of a batch of Second Generation Terpstra Keyboards. He's the Head of the Board of The '''International Organization for Numerical Musical Tuning''', an independent international nongovernmental organization (iINGO) concerned with the specifications and guidelines for a standardized, worldwide universal format of defining musical tuning and signal processing through the language of numbers alone.

	== External links ==		== External links ==

Fredg999 category edits: Moving from Category:Educator to Category:Educators using Cat-a-lot

2022-02-23T00:02:27Z

Moving from Category:Educator to Category:Educators using Cat-a-lot

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	{{DEFAULTSORT:Constantinsen, Bo}}		{{DEFAULTSORT:Constantinsen, Bo}}
	[[Category:People]]		[[Category:People]]
	[[Category:~~Educator~~]]		[[Category:Educators]]

Fredg999: Updated treatise title, cleanup, categories, sort key

2022-02-03T16:39:15Z

Updated treatise title, cleanup, categories, sort key

← Older revision		Revision as of 16:39, 3 February 2022
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	~~<u>~~Bo Constantinsen~~</u>~~ is the author of "'''What Music Really İs''' — ''The'' Manual for The '''3rd Millennium''' Musician~~, '''''Spiritual''''' Seeker and Free '''''Energy''''' Discoverer~~" — the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture. After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation. Being mathematically challenged, his work is geared towards the musically innocent, through the use of simple descriptions and intuitive visual correlations between sound and images. He's of the opinion that those who believe in urban myths like 432 Hz and its New Age connections to music have the right to know better. His approach to teaching is scientific and evidence-based. He proposes a logarithmic version of the Pythagorean Lambdoma, which he calls HarmoniComb, as didactic tool, musical instrument and notation system. His own musical discovery consists in the interpretation of any ratio as the harmonic genesis of the sonic entity it represents. In 2013 he successfully crowd funded the building of a batch of Second Generation Terpstra Keyboards. He's the Head of the Board of The '''International Organization for Numerical Musical Tuning''', an independent international nongovernmental organization (iINGO) concerned with the specifications and guidelines for a standardized, worldwide universal format of defining musical tuning and signal processing through the language of numbers alone.		'''Bo Constantinsen''' is the author of "'''What Music Really İs''' — ''The'' Manual for The '''3rd Millennium''' Musician" — the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture. After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation. Being mathematically challenged, his work is geared towards the musically innocent, through the use of simple descriptions and intuitive visual correlations between sound and images. He's of the opinion that those who believe in urban myths like 432 Hz and its New Age connections to music have the right to know better. His approach to teaching is scientific and evidence-based. He proposes a logarithmic version of the Pythagorean Lambdoma, which he calls HarmoniComb, as didactic tool, musical instrument and notation system. His own musical discovery consists in the interpretation of any ratio as the harmonic genesis of the sonic entity it represents. In 2013 he successfully crowd funded the building of a batch of Second Generation Terpstra Keyboards. He's the Head of the Board of The '''International Organization for Numerical Musical Tuning''', an independent international nongovernmental organization (iINGO) concerned with the specifications and guidelines for a standardized, worldwide universal format of defining musical tuning and signal processing through the language of numbers alone.

	==~~Links~~==		== External links ==
	~~<ul><li>~~[http://whatmusicreallyis.com/ What Music Really İs]~~</li><li>~~[http://terpstrakeyboard.com/ Terpstra Keyboard]~~</li><li>~~[http://musicaltuning.org/ International Organization for Numerical Musical Tuning]~~</li></ul> [[Category~~:~~Bo_Constantinsen]]~~		* [http://whatmusicreallyis.com/ What Music Really İs]
	[[Category:~~people~~]]		* [http://terpstrakeyboard.com/ Terpstra Keyboard]
	[[Category:~~What_Music_Really_İs~~]]		* [http://musicaltuning.org/ International Organization for Numerical Musical Tuning]

			{{DEFAULTSORT:Constantinsen, Bo}}
			[[Category:People]]
			[[Category:Educator]]

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

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	<h2>~~IMPORTED REVISION FROM WIKISPACES~~</h2>		<u>Bo Constantinsen</u> is the author of "'''What Music Really İs''' — ''The'' Manual for The '''3rd Millennium''' Musician, '''''Spiritual''''' Seeker and Free '''''Energy''''' Discoverer" — the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture. After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation. Being mathematically challenged, his work is geared towards the musically innocent, through the use of simple descriptions and intuitive visual correlations between sound and images. He's of the opinion that those who believe in urban myths like 432 Hz and its New Age connections to music have the right to know better. His approach to teaching is scientific and evidence-based. He proposes a logarithmic version of the Pythagorean Lambdoma, which he calls HarmoniComb, as didactic tool, musical instrument and notation system. His own musical discovery consists in the interpretation of any ratio as the harmonic genesis of the sonic entity it represents. In 2013 he successfully crowd funded the building of a batch of Second Generation Terpstra Keyboards. He's the Head of the Board of The '''International Organization for Numerical Musical Tuning''', an independent international nongovernmental organization (iINGO) concerned with the specifications and guidelines for a standardized, worldwide universal format of defining musical tuning and signal processing through the language of numbers alone.
	~~This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>~~
	~~: This revision was by author [[User:whatmusicreallyis\|whatmusicreallyis]] and made on <tt>2016-04-25 07:27:50 UTC</tt>.<br>~~
	~~: The original revision id was <tt>581103995</tt>.<br>~~
	~~: The revision comment was: <tt></tt><br>~~
	~~The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>~~
	~~<h4>Original Wikitext content:</h4>~~
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">__Bo Constantinsen__ is the author of "What Music Really İs — //The// Manual for The 3rd Millennium Musician, //Spiritual// Seeker and Free //Energy// Discoverer" — the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture. After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation. Being mathematically challenged, his work is geared towards the musically innocent, through the use of simple descriptions and intuitive visual correlations between sound and images. He's of the opinion that those who believe in urban myths like 432 Hz and its New Age connections to music have the right to know better. His approach to teaching is scientific and evidence-based. He proposes a logarithmic version of the Pythagorean Lambdoma, which he calls HarmoniComb, as didactic tool, musical instrument and notation system. His own musical discovery consists in the interpretation of any ratio as the harmonic genesis of the sonic entity it represents. In 2013 he successfully crowd funded the building of a batch of Second Generation Terpstra Keyboards. He's the Head of the Board of The International Organization for Numerical Musical Tuning, an independent international nongovernmental organization (iINGO) concerned with the specifications and guidelines for a standardized, worldwide universal format of defining musical tuning and signal processing through the language of numbers alone.

	==Links==		==Links==
	* [[@http://whatmusicreallyis.com/\|What Music Really İs]]		<ul><li>[http://whatmusicreallyis.com/ What Music Really İs]</li><li>[http://terpstrakeyboard.com/ Terpstra Keyboard]</li><li>[http://musicaltuning.org/ International Organization for Numerical Musical Tuning]</li></ul> [[Category:Bo_Constantinsen]]
	* [[@http://terpstrakeyboard.com/\|Terpstra Keyboard]]		[[Category:people]]
	* [[@http://musicaltuning.org/\|International Organization for Numerical Musical Tuning]]</~~pre~~></~~div~~>		[[Category:What_Music_Really_İs]]
	~~<h4>Original HTML content~~:~~</h4>~~
	~~<div style="width~~:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Bo Constantinsen</title></head><body><u>Bo Constantinsen</u> is the author of &quot;<strong>What Music Really İs</strong> — <em>The</em> Manual for The <strong>3rd Millennium</strong> Musician, <em><strong>Spiritual</strong></em> Seeker and Free <em><strong>Energy</strong></em> Discoverer&quot; — the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture. After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation. Being mathematically challenged, his work is geared towards the musically innocent, through the use of simple descriptions and intuitive visual correlations between sound and images. He's of the opinion that those who believe in urban myths like 432 Hz and its New Age connections to music have the right to know better. His approach to teaching is scientific and evidence-based. He proposes a logarithmic version of the Pythagorean Lambdoma, which he calls HarmoniComb, as didactic tool, musical instrument and notation system. His own musical discovery consists in the interpretation of any ratio as the harmonic genesis of the sonic entity it represents. In 2013 he successfully crowd funded the building of a batch of Second Generation Terpstra Keyboards. He's the Head of the Board of The <strong>International Organization for Numerical Musical Tuning</strong>, an independent international nongovernmental organization (iINGO) concerned with the specifications and guidelines for a standardized, worldwide universal format of defining musical tuning and signal processing through the language of numbers alone.<br />
	~~<br />~~
	~~<!-- ws~~:~~start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-Links"></a><!-- ws:end:WikiTextHeadingRule:0 -->Links</h2>~~
	<ul><li><a class="wiki_link_ext" href="http://whatmusicreallyis.com/" rel="nofollow" target="_blank">What Music Really İs</a></li><li><a class="wiki_link_ext" href="http://terpstrakeyboard.com/" rel="nofollow" target="_blank">Terpstra Keyboard</a></li><li><a class="wiki_link_ext" href="http://musicaltuning.org/" rel="nofollow" target="_blank">International Organization for Numerical Musical Tuning</a></li></ul></body></html></pre></div>

Wikispaces>whatmusicreallyis: Imported revision 581103995 - Original comment:

2016-04-25T07:27:50Z

**Imported revision 581103995 - Original comment: **

New page

<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:whatmusicreallyis|whatmusicreallyis]] and made on <tt>2016-04-25 07:27:50 UTC</tt>.<br>
: The original revision id was <tt>581103995</tt>.<br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">__Bo Constantinsen__ is the author of "**What Music Really İs** — //The// Manual for The **3rd Millennium** Musician, //**Spiritual**// Seeker and Free //**Energy**// Discoverer" — the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture. After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation. Being mathematically challenged, his work is geared towards the musically innocent, through the use of simple descriptions and intuitive visual correlations between sound and images. He's of the opinion that those who believe in urban myths like 432 Hz and its New Age connections to music have the right to know better. His approach to teaching is scientific and evidence-based. He proposes a logarithmic version of the Pythagorean Lambdoma, which he calls HarmoniComb, as didactic tool, musical instrument and notation system. His own musical discovery consists in the interpretation of any ratio as the harmonic genesis of the sonic entity it represents. In 2013 he successfully crowd funded the building of a batch of Second Generation Terpstra Keyboards. He's the Head of the Board of The **International Organization for Numerical Musical Tuning**, an independent international nongovernmental organization (iINGO) concerned with the specifications and guidelines for a standardized, worldwide universal format of defining musical tuning and signal processing through the language of numbers alone.

==Links==
* [[@http://whatmusicreallyis.com/|What Music Really İs]]
* [[@http://terpstrakeyboard.com/|Terpstra Keyboard]]
* [[@http://musicaltuning.org/|International Organization for Numerical Musical Tuning]]</pre></div>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Bo Constantinsen</title></head><body><u>Bo Constantinsen</u> is the author of &quot;<strong>What Music Really İs</strong> — <em>The</em> Manual for The <strong>3rd Millennium</strong> Musician, <em><strong>Spiritual</strong></em> Seeker and Free <em><strong>Energy</strong></em> Discoverer&quot; — the first and so far single musical treatise in written history which deals with sound, acoustics, harmonic theory and everything music-related without using concepts and terminology from any established musical culture. After being active as producer and sound engineer for more than 13 years in music studios across Europe, he found out that all the music he has been doing was dissonant and out of tune (12-tone equally tempered). He started the What Music Really İs study in an attempt to prove whether that was true, backed up by his unfulfilled desire to know why were there 7 white keys and 5 black on the piano, what was the relation between them, and what was the logic behind staff notation. Being mathematically challenged, his work is geared towards the musically innocent, through the use of simple descriptions and intuitive visual correlations between sound and images. He's of the opinion that those who believe in urban myths like 432 Hz and its New Age connections to music have the right to know better. His approach to teaching is scientific and evidence-based. He proposes a logarithmic version of the Pythagorean Lambdoma, which he calls HarmoniComb, as didactic tool, musical instrument and notation system. His own musical discovery consists in the interpretation of any ratio as the harmonic genesis of the sonic entity it represents. In 2013 he successfully crowd funded the building of a batch of Second Generation Terpstra Keyboards. He's the Head of the Board of The <strong>International Organization for Numerical Musical Tuning</strong>, an independent international nongovernmental organization (iINGO) concerned with the specifications and guidelines for a standardized, worldwide universal format of defining musical tuning and signal processing through the language of numbers alone.<br />
<br />
<h2 id="toc0"><a name="x-Links"></a>Links</h2>
<ul><li><a class="wiki_link_ext" href="http://whatmusicreallyis.com/" rel="nofollow" target="_blank">What Music Really İs</a></li><li><a class="wiki_link_ext" href="http://terpstrakeyboard.com/" rel="nofollow" target="_blank">Terpstra Keyboard</a></li><li><a class="wiki_link_ext" href="http://musicaltuning.org/" rel="nofollow" target="_blank">International Organization for Numerical Musical Tuning</a></li></ul></body></html></pre></div>