85/64 - Revision history

TallKite: added color name

2022-12-29T02:50:03Z

added color name

← Older revision		Revision as of 02:50, 29 December 2022
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	{{Infobox Interval		{{Infobox Interval
	\| Name = septendecimal harmonic fourth, archagall fourth		\| Name = septendecimal harmonic fourth, archagall fourth
			\| Color name = 17oy4, soyo 4th
	}}		}}

Godtone: added alternate name, clarified existing name

2022-12-04T20:45:19Z

added alternate name, clarified existing name

← Older revision		Revision as of 20:45, 4 December 2022
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	{{Infobox Interval		{{Infobox Interval
	\| Name = septendecimal fourth		\| Name = septendecimal harmonic fourth, archagall fourth
	}}		}}

	'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] [[rooted]] interval that comes rather close to [[4/3]], from which it differs by [[256/255]]. Notably, 85/64 is one of two intervals relatively simple intervals that can be used to generate a just version of something resembling a [[superpyth]] diatonic scale, the other being [[128/85]].		'''85/64''', the '''septendecimal harmonic fourth''' or '''[[24576/24565#Archagall\|archagall]] fourth''', is a [[17-limit]] [[rooted]] interval that comes rather close to [[4/3]], from which it differs by [[256/255]]. Notably, 85/64 is one of two intervals relatively simple intervals that can be used to generate a just version of something resembling a [[superpyth]] diatonic scale, the other being [[128/85]].

	== See also ==		== See also ==

Plumtree: Normalising usage of Infobox Interval

2022-10-25T17:06:01Z

Normalising usage of Infobox Interval

← Older revision		Revision as of 17:06, 25 October 2022
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	{{Infobox Interval		{{Infobox Interval
	~~\| JI glyph =~~
	~~\| Ratio = 85/64~~
	~~\| Monzo = -6 0 1 0 0 0 1~~
	~~\| Cents = 491.26912~~
	\| Name = septendecimal fourth		\| Name = septendecimal fourth
	~~\| Sound =~~
	~~\| Color name =~~
	~~\| FJS name =~~
	}}		}}

Aura at 22:40, 10 November 2021

2021-11-10T22:40:04Z

← Older revision		Revision as of 22:40, 10 November 2021
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	}}		}}

	'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] [[rooted]] interval that comes rather close to [[4/3]], from which it differs by [[256/255]].		'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] [[rooted]] interval that comes rather close to [[4/3]], from which it differs by [[256/255]]. Notably, 85/64 is one of two intervals relatively simple intervals that can be used to generate a just version of something resembling a [[superpyth]] diatonic scale, the other being [[128/85]].

	== See also ==		== See also ==

Aura at 15:01, 5 September 2021

2021-09-05T15:01:59Z

← Older revision		Revision as of 15:01, 5 September 2021
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	}}		}}

	'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] interval that comes ~~quite~~ close to [[4/3]], from which it differs by [[256/255]].		'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] [[rooted]] interval that comes rather close to [[4/3]], from which it differs by [[256/255]].

	== See also ==		== See also ==

Aura: I now realize that 85/64 is not a perfect substitute for 4/3. That said, it does have its uses, and I will eventually describe some of them.

2021-09-05T14:26:08Z

I now realize that 85/64 is not a perfect substitute for 4/3. That said, it does have its uses, and I will eventually describe some of them.

← Older revision		Revision as of 14:26, 5 September 2021
Line 10:		Line 10:
	}}		}}

	'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] interval that ~~closely approximates~~ [[4/3]], from which it differs by [[256/255]]. Because it differs from [[15/8]] by [[24/17]], this interval is an easy, relatively low-prime substitute for 4/3 in scales where one desires to simultaneously maintain [[Rothenberg propriety]] and ensure that all notes in the scale suggest the Tonic when played simultaneously.		'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] interval that comes quite close to [[4/3]], from which it differs by [[256/255]].

	== See also ==		== See also ==

Aura at 03:00, 29 January 2021

2021-01-29T03:00:34Z

← Older revision		Revision as of 03:00, 29 January 2021
Line 10:		Line 10:
	}}		}}

	'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] interval that closely approximates [[4/3]], from which it differs by [[256/255]]. Because it differs from [[15/8]] by [[24/17]], this interval is an easy, relatively low-prime substitute for 4/3 in scales where one desires to simultaneously maintain [[Rothenberg propriety]] and ensure that all notes in the scale suggest the Tonic ~~as the virtual fundamental~~ when played simultaneously.		'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] interval that closely approximates [[4/3]], from which it differs by [[256/255]]. Because it differs from [[15/8]] by [[24/17]], this interval is an easy, relatively low-prime substitute for 4/3 in scales where one desires to simultaneously maintain [[Rothenberg propriety]] and ensure that all notes in the scale suggest the Tonic when played simultaneously.

	== See also ==		== See also ==

Aura at 17:48, 28 January 2021

2021-01-28T17:48:19Z

← Older revision		Revision as of 17:48, 28 January 2021
Line 10:		Line 10:
	}}		}}

	'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] interval that closely approximates [[4/3]], from which it differs by [[256/255]]. Because it differs from [[15/8]] by [[24/17]], this interval is an easy substitute for 4/3 in scales where one desires to simultaneously maintain [[Rothenberg propriety]] and ensure that all notes in the scale suggest the Tonic as the virtual fundamental when played simultaneously.		'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] interval that closely approximates [[4/3]], from which it differs by [[256/255]]. Because it differs from [[15/8]] by [[24/17]], this interval is an easy, relatively low-prime substitute for 4/3 in scales where one desires to simultaneously maintain [[Rothenberg propriety]] and ensure that all notes in the scale suggest the Tonic as the virtual fundamental when played simultaneously.

	== See also ==		== See also ==

Aura at 17:47, 28 January 2021

2021-01-28T17:47:34Z

← Older revision		Revision as of 17:47, 28 January 2021
Line 11:		Line 11:

	'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] interval that closely approximates [[4/3]], from which it differs by [[256/255]]. Because it differs from [[15/8]] by [[24/17]], this interval is an easy substitute for 4/3 in scales where one desires to simultaneously maintain [[Rothenberg propriety]] and ensure that all notes in the scale suggest the Tonic as the virtual fundamental when played simultaneously.		'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] interval that closely approximates [[4/3]], from which it differs by [[256/255]]. Because it differs from [[15/8]] by [[24/17]], this interval is an easy substitute for 4/3 in scales where one desires to simultaneously maintain [[Rothenberg propriety]] and ensure that all notes in the scale suggest the Tonic as the virtual fundamental when played simultaneously.

			== See also ==
			* [[128/85]] – its [[octave complement]]
			* [[96/85]] – its [[fifth complement]]
			* [[Gallery of just intervals]]

Aura: Created page with "{{Infobox Interval | JI glyph = | Ratio = 85/64 | Monzo = -6 0 1 0 0 0 1 | Cents = 491.26912 | Name = septendecimal fourth | Sound = | Color name = | FJS name = }} '''85/..."

2021-01-28T17:46:27Z

Created page with "{{Infobox Interval | JI glyph = | Ratio = 85/64 | Monzo = -6 0 1 0 0 0 1 | Cents = 491.26912 | Name = septendecimal fourth | Sound = | Color name = | FJS name = }} '''85/..."

New page

{{Infobox Interval
| JI glyph =
| Ratio = 85/64
| Monzo = -6 0 1 0 0 0 1
| Cents = 491.26912
| Name = septendecimal fourth
| Sound =
| Color name =
| FJS name =
}}

'''85/64''', the '''septendecimal fourth''', is a [[17-limit]] interval that closely approximates [[4/3]], from which it differs by [[256/255]]. Because it differs from [[15/8]] by [[24/17]], this interval is an easy substitute for 4/3 in scales where one desires to simultaneously maintain [[Rothenberg propriety]] and ensure that all notes in the scale suggest the Tonic as the virtual fundamental when played simultaneously.