7:9:11 - Revision history

Pailiaq at 05:17, 25 June 2026

2026-06-25T05:17:48Z

← Older revision		Revision as of 05:17, 25 June 2026
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	{{Infobox chord\|ColorName = ru loru 5, r(1or5)}}		{{Infobox chord\|ColorName = ru loru 5, r(1or5)}}
	'''7:9:11''' is a chord. It sort of sounds like an augmented fifth chord, including two types of third, a [[9/7]] supermajor third, and a [[11/9]] neutral third.		'''7:9:11''' is the Greeley Major chord. It sort of sounds like an augmented fifth chord, including two types of third, a [[9/7]] supermajor third, and a [[11/9]] neutral third.

	It is one of the simplest chords that truly sounds xenharmonic. [[6:7:9:11]] and variants are another such simple xen chords.		It is one of the simplest chords that truly sounds xenharmonic. [[6:7:9:11]] and variants are another such simple xen chords.

Pailiaq at 04:40, 26 May 2026

2026-05-26T04:40:38Z

← Older revision		Revision as of 04:40, 26 May 2026
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	It is one of the simplest chords that truly sounds xenharmonic. [[6:7:9:11]] and variants are another such simple xen chords.		It is one of the simplest chords that truly sounds xenharmonic. [[6:7:9:11]] and variants are another such simple xen chords.

			{{chord edo approximation}}

	== Audio of close voicings ==		== Audio of close voicings ==

FloraC: - idiosyncratic term in favor of the more accepted one. Style

2026-02-19T14:52:20Z

- idiosyncratic term in favor of the more accepted one. Style

← Older revision		Revision as of 14:52, 19 February 2026
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	{{Infobox ~~Chord~~\|ColorName=ru loru 5, r(1or5)}}7:9:11 is a chord. It sort of sounds like an augmented fifth chord, including two types of third, a [[9/7]] supermajor third, and a [[11/9]] ~~hyperminor~~ third.		{{Infobox chord\|ColorName = ru loru 5, r(1or5)}}
			'''7:9:11''' is a chord. It sort of sounds like an augmented fifth chord, including two types of third, a [[9/7]] supermajor third, and a [[11/9]] neutral third.

	It is one of the simplest chords that truly sounds xenharmonic. [[6:7:9:11]] and variants are another such simple xen chords.		It is one of the simplest chords that truly sounds xenharmonic. [[6:7:9:11]] and variants are another such simple xen chords.
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	== Notable voicings ==		== Notable voicings ==
	{\| class="wikitable"		{\| class="wikitable"
	!Voices		! Voices
	![[EFR]]		! [[EFR]]
	![[Kite's thoughts on hi-lo notation\|Hi-lo name]]		! [[Kite's thoughts on hi-lo notation\|Hi-lo name]]
	!Special properties		! Special properties
	\|-		\|-
	\| rowspan="4" \|3 voices		\| rowspan="4" \| 3 voices
	\|7:9:11		\| 7:9:11
	\|basic		\| basic
	\|AOV, isoharmonic, root position		\| AOV, isoharmonic, root position
	\|-		\|-
	\|7:11:18		\| 7:11:18
	\|hi3		\| hi3
	\|		\|
	\|-		\|-
	\|9:11:14		\| 9:11:14
	\|hiR		\| hiR
	\|1st inversion		\| 1st inversion
	\|-		\|-
	\|11:14:18		\| 11:14:18
	\|lo5		\| lo5
	\|2nd inversion		\| 2nd inversion
	\|-		\|-
	\| rowspan="2" \|4 voices		\| rowspan="2" \| 4 voices
	\|7:9:11:'''14'''		\| 7:9:11:'''14'''
	\|add8		\| add8
	\|		\|
	\|-		\|-
	\|7:11:18:28		\| 7:11:18:28
	\|lo5Radd8		\| lo5Radd8
	\|		\|
	\|}		\|}

	== Related chords ==		== Related chords ==
	Plausible [[~~Chord~~ homonym\|homonyms]]: all, min6 no5 or aug5 chords.		Plausible [[chord homonym\|homonyms]]: all, min6 no5 or aug5 chords.

	Notable extensions:		Notable extensions:

	* [[7:9:11:13]]		* [[7:9:11:13]]
	* [[7:9:11:13:15]]		* [[7:9:11:13:15]]
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	Similar chords:		Similar chords:

	* [[6:7:9\|7:9:12]] (substitutes [[11/7]] for [[12/7]])		* [[6:7:9\|7:9:12]] (substitutes [[11/7]] for [[12/7]])
	* [[14:18:21]] (substitutes 11/7 for 3/2)		* [[14:18:21]] (substitutes 11/7 for 3/2)

	Lower limit soundalikes:		Lower limit soundalikes:

	* [[20:25:32:40]] (5-limit)		* [[20:25:32:40]] (5-limit)

	Higher limit soundalikes:		Higher limit soundalikes:

	* [[8:10:13]] (13-limit)		* [[8:10:13]] (13-limit)
	* [[~~11:14:17:20\|~~11:14:17]] (17-limit)		* [[11:14:17]] (17-limit)

Eufalesio: Birth

2026-02-19T08:39:04Z

Birth

New page

{{Infobox Chord|ColorName=ru loru 5, r(1or5)}}7:9:11 is a chord. It sort of sounds like an augmented fifth chord, including two types of third, a [[9/7]] supermajor third, and a [[11/9]] hyperminor third.

It is one of the simplest chords that truly sounds xenharmonic. [[6:7:9:11]] and variants are another such simple xen chords.

== Audio of close voicings ==
[[File:SculpEufaDem7-9-11-onD.mp3|none|thumb|7:9:11]]
[[File:SculpEufaDem9-11-14-onD.mp3|none|thumb|9:11:14]]
[[File:SculpEufaDem11-14-18-onD.mp3|none|thumb|11:14:18]]

== Notable voicings ==
{| class="wikitable"
!Voices
![[EFR]]
![[Kite's thoughts on hi-lo notation|Hi-lo name]]
!Special properties
|-
| rowspan="4" |3 voices
|7:9:11
|basic
|AOV, isoharmonic, root position
|-
|7:11:18
|hi3
|
|-
|9:11:14
|hiR
|1st inversion
|-
|11:14:18
|lo5
|2nd inversion
|-
| rowspan="2" |4 voices
|7:9:11:'''14'''
|add8
|
|-
|7:11:18:28
|lo5Radd8
|
|}

== Related chords ==
Plausible [[Chord homonym|homonyms]]: all, min6 no5 or aug5 chords.

Notable extensions:

* [[7:9:11:13]]
* [[7:9:11:13:15]]
* [[7:11:15]]

Similar chords:

* [[6:7:9|7:9:12]] (substitutes [[11/7]] for [[12/7]])
* [[14:18:21]] (substitutes 11/7 for 3/2)

Lower limit soundalikes:

* [[20:25:32:40]] (5-limit)

Higher limit soundalikes:

* [[8:10:13]] (13-limit)
* [[11:14:17:20|11:14:17]] (17-limit)