50edo - Revision history

Lucius Chiaraviglio: /* Modern renderings */ Add J. S. Bach's "Ricercar a 6" from ''The Musical Offering'', BWV 1079 (1747) – rendered by Claudi Meneghin (2026)

2026-09-18T05:56:12Z

Modern renderings: Add J. S. Bach's "Ricercar a 6" from ''The Musical Offering'', BWV 1079 (1747) – rendered by Claudi Meneghin (2026)

← Older revision		Revision as of 05:56, 18 September 2026
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	=== Modern renderings ===		=== Modern renderings ===
	; {{W\|Johann Sebastian Bach}}		; {{W\|Johann Sebastian Bach}}
	* [https://www.youtube.com/watch?v=RnYqc0NKMLM "Ricercar a 3" from ''The Musical Offering'', BWV 1079] (1747) – rendered by Claudi Meneghin (2024)		* [https://www.youtube.com/watch?v=RnYqc0NKMLM "Ricercar a 3" from ''The Musical Offering'', BWV 1079] (1747) – rendered by [[Claudi Meneghin]] (2024)
	* [https://www.youtube.com/watch?v=e6fMO-sue4Y "Contrapunctus 4" from ''The Art of Fugue'', BWV 1080] (1742–1749) ~~–~~ rendered by Claudi Meneghin (2024)		* [https://www.youtube.com/watch?v=e6fMO-sue4Y "Contrapunctus 4" from ''The Art of Fugue'', BWV 1080] (1742–1749) — rendered by Claudi Meneghin (2024)
	* ~~[https://www.youtube.com/watch?v=M3wQu4UF1pg~~ "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742–1749) ~~–~~ rendered by Claudi Meneghin (2024~~, organ sound rendering~~)		* "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080 (1742–1749)
	* [https://www.youtube.com/watch?v=qjb9DDM32Ic "~~Contrapunctus 11~~" from ''The ~~Art of Fugue~~'', BWV ~~1080~~] (~~1742-1749~~) ~~—~~ rendered by Claudi Meneghin (~~2025, harpsichord sound rendering~~)		** [https://www.youtube.com/watch?v=M3wQu4UF1pg organ version] — rendered by Claudi Meneghin (2024)
			** [https://www.youtube.com/watch?v=qjb9DDM32Ic harpsichord version] — rendered by Claudi Meneghin (2025)
			* [https://www.youtube.com/watch?v=n3KMEufstaY "Ricercar a 6" from ''The Musical Offering'', BWV 1079] (1747) – rendered by Claudi Meneghin (2026)

	; {{W\|David Belasco}}		; {{W\|David Belasco}}

Lucius Chiaraviglio: /* Modern renderings */ Gabriel Fauré's ''Pavane, Op. 50'' (1887) – arranged for harpsichord and rendered by Claudi Meneghin: Add 2026 rendering

2026-09-05T08:11:39Z

Modern renderings: Gabriel Fauré's ''Pavane, Op. 50'' (1887) – arranged for harpsichord and rendered by Claudi Meneghin: Add 2026 rendering

← Older revision		Revision as of 08:11, 5 September 2026
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	; {{W\|Gabriel Fauré}}		; {{W\|Gabriel Fauré}}
	* ~~[https://www.youtube.com/watch?v=7djfrUlw2ck~~ ''Pavane'', op. 50] (1887) ~~–~~ arranged for harpsichord and rendered by Claudi Meneghin (2020)		* ''Pavane'', op. 50 (1887) — arranged for harpsichord and rendered by Claudi Meneghin ([https://www.youtube.com/watch?v=7djfrUlw2ck 2020]; [https://www.youtube.com/watch?v=TyfwFJL9yE0 2026])

	; {{W\|Toby Fox}}		; {{W\|Toby Fox}}

Lucius Chiaraviglio: /* Theory */ Fix wording

2026-07-17T01:59:02Z

Theory: Fix wording

← Older revision		Revision as of 01:59, 17 July 2026
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	== Theory ==		== Theory ==
	As an equal temperament, 50et [[tempering out\|tempers out]] [[81/80]] in the [[5-limit]], making it a [[meantone]] system, and in that capacity has historically drawn some notice; it is a somewhat sharp approximation of [[2/7-comma meantone]] (and is almost exactly 5/18-comma meantone). In [http://lit.gfax.ch/Harmonics%202nd%20Edition%20%28Robert%20Smith%29.pdf "Harmonics or the Philosophy of Musical Sounds"] (1759) by Robert Smith, a musical temperament is described where the octave is divided into 50 equal parts – 50edo, in one word. Later, {{w\|W. S. B. Woolhouse}} noted it was fairly close to the [[Target_tunings\|least squares]] tuning for 5-limit meantone. 50edo, however, is especially interesting from a higher-limit point of view. While [[31edo]] extends meantone with a [[7/4]] which is nearly pure, 50 has a flat 7/4 but both [[11/8]] and [[13/8]] are nearly pure. It is also the highest edo ~~where~~ the mapping of [[9/8]] and [[10/9]] to the same interval is [[consistent]], with two stacked fifths falling almost exactly 3/7-syntonic-comma sharp of 10/9 and 4/7-comma flat of 9/8. It is also almost consistent to the no-21s [[25-odd-limit]], only barely missing consistent mappings of [[11/9]] and [[18/11]].		As an equal temperament, 50et [[tempering out\|tempers out]] [[81/80]] in the [[5-limit]], making it a [[meantone]] system, and in that capacity has historically drawn some notice; it is a somewhat sharp approximation of [[2/7-comma meantone]] (and is almost exactly 5/18-comma meantone). In [http://lit.gfax.ch/Harmonics%202nd%20Edition%20%28Robert%20Smith%29.pdf "Harmonics or the Philosophy of Musical Sounds"] (1759) by Robert Smith, a musical temperament is described where the octave is divided into 50 equal parts – 50edo, in one word. Later, {{w\|W. S. B. Woolhouse}} noted it was fairly close to the [[Target_tunings\|least squares]] tuning for 5-limit meantone. 50edo, however, is especially interesting from a higher-limit point of view. While [[31edo]] extends meantone with a [[7/4]] which is nearly pure, 50 has a flat 7/4 but both [[11/8]] and [[13/8]] are nearly pure. It is also the highest edo for which the mapping of [[9/8]] and [[10/9]] to the same interval is [[consistent]], with two stacked fifths falling almost exactly 3/7-syntonic-comma sharp of 10/9 and 4/7-comma flat of 9/8. It is also almost consistent to the no-21s [[25-odd-limit]], only barely missing consistent mappings of [[11/9]] and [[18/11]].

	50edo is also quite strong in the realm of tertian harmony for a meantone system, as the errors on [[7/6]], [[6/5]], [[5/4]], and [[9/7]] are all balanced to be roughly half as flat as the fifth, meaning that this set of thirds taken as a whole is minimally out-of-tune given the damage induced by meantone. Though it fails to approximate [[11/9]] well by virtue of not having a perfect hemififth, it inherits the excellent [[16/13]] from [[10edo]] and additionally has a 1.2{{c}} flat [[13/11]], providing even more qualities of roughly just thirds alongside their more complex [[fifth complement]]s.		50edo is also quite strong in the realm of tertian harmony for a meantone system, as the errors on [[7/6]], [[6/5]], [[5/4]], and [[9/7]] are all balanced to be roughly half as flat as the fifth, meaning that this set of thirds taken as a whole is minimally out-of-tune given the damage induced by meantone. Though it fails to approximate [[11/9]] well by virtue of not having a perfect hemififth, it inherits the excellent [[16/13]] from [[10edo]] and additionally has a 1.2{{c}} flat [[13/11]], providing even more qualities of roughly just thirds alongside their more complex [[fifth complement]]s.

Overthink: /* Theory */ grammar

2026-07-07T19:33:50Z

Theory: grammar

← Older revision		Revision as of 19:33, 7 July 2026
Line 3:		Line 3:

	== Theory ==		== Theory ==
	As an equal temperament, 50et [[tempering out\|tempers out]] [[81/80]] in the [[5-limit]], making it a [[meantone]] system, and in that capacity has historically drawn some notice; it is a somewhat sharp approximation of [[2/7-comma meantone]] (and is almost exactly 5/18-comma meantone). In [http://lit.gfax.ch/Harmonics%202nd%20Edition%20%28Robert%20Smith%29.pdf "Harmonics or the Philosophy of Musical Sounds"] (1759) by Robert Smith, a musical temperament is described where the octave is divided into 50 equal parts – 50edo, in one word. Later, {{w\|W. S. B. Woolhouse}} noted it was fairly close to the [[Target_tunings\|least squares]] tuning for 5-limit meantone. 50edo, however, is especially interesting from a higher-limit point of view. While [[31edo]] extends meantone with a [[7/4]] which is nearly pure, 50 has a flat 7/4 but both [[11/8]] and [[13/8]] are nearly pure. It is also the highest edo where the mapping of [[9/8]] and [[10/9]] to the same interval is [[consistent]], with two stacked fifths falling almost exactly 3/7-syntonic-comma sharp of 10/9 and 4/7-comma flat of 9/8. It is also almost consistent to the no-21s [[25-odd-limit]], only barely missing consistent ~~mapping~~ of [[11/9]] and [[18/11]].		As an equal temperament, 50et [[tempering out\|tempers out]] [[81/80]] in the [[5-limit]], making it a [[meantone]] system, and in that capacity has historically drawn some notice; it is a somewhat sharp approximation of [[2/7-comma meantone]] (and is almost exactly 5/18-comma meantone). In [http://lit.gfax.ch/Harmonics%202nd%20Edition%20%28Robert%20Smith%29.pdf "Harmonics or the Philosophy of Musical Sounds"] (1759) by Robert Smith, a musical temperament is described where the octave is divided into 50 equal parts – 50edo, in one word. Later, {{w\|W. S. B. Woolhouse}} noted it was fairly close to the [[Target_tunings\|least squares]] tuning for 5-limit meantone. 50edo, however, is especially interesting from a higher-limit point of view. While [[31edo]] extends meantone with a [[7/4]] which is nearly pure, 50 has a flat 7/4 but both [[11/8]] and [[13/8]] are nearly pure. It is also the highest edo where the mapping of [[9/8]] and [[10/9]] to the same interval is [[consistent]], with two stacked fifths falling almost exactly 3/7-syntonic-comma sharp of 10/9 and 4/7-comma flat of 9/8. It is also almost consistent to the no-21s [[25-odd-limit]], only barely missing consistent mappings of [[11/9]] and [[18/11]].

	50edo is also quite strong in the realm of tertian harmony for a meantone system, as the errors on [[7/6]], [[6/5]], [[5/4]], and [[9/7]] are all balanced to be roughly half as flat as the fifth, meaning that this set of thirds taken as a whole is minimally out-of-tune given the damage induced by meantone. Though it fails to approximate [[11/9]] well by virtue of not having a perfect hemififth, it inherits the excellent [[16/13]] from [[10edo]] and additionally has a 1.2{{c}} flat [[13/11]], providing even more qualities of roughly just thirds alongside their more complex [[fifth complement]]s.		50edo is also quite strong in the realm of tertian harmony for a meantone system, as the errors on [[7/6]], [[6/5]], [[5/4]], and [[9/7]] are all balanced to be roughly half as flat as the fifth, meaning that this set of thirds taken as a whole is minimally out-of-tune given the damage induced by meantone. Though it fails to approximate [[11/9]] well by virtue of not having a perfect hemififth, it inherits the excellent [[16/13]] from [[10edo]] and additionally has a 1.2{{c}} flat [[13/11]], providing even more qualities of roughly just thirds alongside their more complex [[fifth complement]]s.

Lucius Chiaraviglio: /* Music */ Add Bryan Deister's ''Fantasy in 50edo'' (2026); convert 5 microtonal covers to Modern Renderings format

2026-06-03T04:55:48Z

Music: Add Bryan Deister's ''Fantasy in 50edo'' (2026); convert 5 microtonal covers to Modern Renderings format

← Older revision		Revision as of 04:55, 3 June 2026
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	* [https://www.youtube.com/watch?v=M3wQu4UF1pg "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024, organ sound rendering)		* [https://www.youtube.com/watch?v=M3wQu4UF1pg "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742–1749) – rendered by Claudi Meneghin (2024, organ sound rendering)
	* [https://www.youtube.com/watch?v=qjb9DDM32Ic "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742-1749) — rendered by Claudi Meneghin (2025, harpsichord sound rendering)		* [https://www.youtube.com/watch?v=qjb9DDM32Ic "Contrapunctus 11" from ''The Art of Fugue'', BWV 1080] (1742-1749) — rendered by Claudi Meneghin (2025, harpsichord sound rendering)

			; {{W\|David Belasco}}
			* [https://www.youtube.com/shorts/WcExL9W2Gyc ''The Prettiest Little Song Of All''] (1908) - microtonal cover in 50edo by [[Bryan Deister]] (2025)

	; {{W\|Nicolaus Bruhns}}		; {{W\|Nicolaus Bruhns}}
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	; {{W\|Gabriel Fauré}}		; {{W\|Gabriel Fauré}}
	* [https://www.youtube.com/watch?v=7djfrUlw2ck ''Pavane'', op. 50] (1887) – arranged for harpsichord and rendered by Claudi Meneghin (2020)		* [https://www.youtube.com/watch?v=7djfrUlw2ck ''Pavane'', op. 50] (1887) – arranged for harpsichord and rendered by Claudi Meneghin (2020)

			; {{W\|Toby Fox}}
			* [https://www.youtube.com/shorts/ynz5XvJOHiE ''Piano that may not be played that well''] via ''{{W\|Deltarune}} Chapters 3 + 4'' (2025) (microtonal cover in 50edo) by [[Bryan Deister]] (2025)

			; {{W\|Iyowa}}
			* [https://www.youtube.com/shorts/L6jF5_HEGkM ''Heat Abnormal''] (2024) - microtonal cover in 50edo by [[Bryan Deister]] (2025)

	; {{W\|Akira Kamiya}}		; {{W\|Akira Kamiya}}
	* [https://www.youtube.com/watch?v=5UnPAhRqmb4 ''funfunfun ta yo''] (2007) – rendered by MortisTheneRd (2024)		* [https://www.youtube.com/watch?v=5UnPAhRqmb4 ''funfunfun ta yo''] (2007) – rendered by MortisTheneRd (2024)

			; {{W\|Laufey_(singer)\|Laufey}}
			* [https://www.youtube.com/shorts/J34qt45jZW4 ''Snow White''] (2025) - microtonal cover in 50edo by [[Bryan Deister]] (2025)

	; {{W\|Wolfgang Amadeus Mozart}}		; {{W\|Wolfgang Amadeus Mozart}}
	* [https://www.youtube.com/watch?v=YK_kFs4PL2g&list=WL&index=347 ''Gigue KV 574 («Leipziger Gigue»)''] (1789) – rendered by Claudi Meneghin (2026)		* [https://www.youtube.com/watch?v=YK_kFs4PL2g&list=WL&index=347 ''Gigue KV 574 («Leipziger Gigue»)''] (1789) – rendered by Claudi Meneghin (2026)

			; {{W\|Akiko Shikata}}
			* [https://www.youtube.com/shorts/eXGcC52YMh8 ''Mother''] via ''{{W\|Umineko_When_They_Cry\|Umineko no Naku Koro ni}}'' (2007) - microtonal cover in 50edo by [[Bryan Deister]] (2026)

	=== 21st century===		=== 21st century===
	; [[Bryan Deister]]		; [[Bryan Deister]]
	* [https://www.youtube.com/shorts/zCsc5n6dr_I ''microtonal improv in 50edo''] (2024)		* [https://www.youtube.com/shorts/zCsc5n6dr_I ''microtonal improv in 50edo''] (2024)
	* [https://www.youtube.com/shorts/ynz5XvJOHiE ''Piano that may not be played that well - Deltarune (microtonal cover in 50edo)''] (2025)
	* [https://www.youtube.com/shorts/J34qt45jZW4 ''Snow White - Laufey (microtonal cover in 50edo)''] (2025)
	* [https://www.youtube.com/shorts/dAyMY-14yZo ''50edo improv''] (2025-10-13)		* [https://www.youtube.com/shorts/dAyMY-14yZo ''50edo improv''] (2025-10-13)
	* [https://www.youtube.com/shorts/L6jF5_HEGkM ''Heat Abnormal - Iyowa (microtonal cover in 50edo)''] (2025)
	* [https://www.youtube.com/shorts/WcExL9W2Gyc ''The Prettiest Little Song Of All - Belasco (microtonal cover in 50edo)''] (2025)
	* [https://www.youtube.com/shorts/eXGcC52YMh8 ''Mother - Umineko (microtonal cover in 50edo)''] (2026)
	* [https://www.youtube.com/shorts/DIiLORDPfUI ''50edo improv''] (2026-05-25)		* [https://www.youtube.com/shorts/DIiLORDPfUI ''50edo improv''] (2026-05-25)
			* [https://www.youtube.com/watch?v=LqzPpl01WXc ''Fantasy in 50edo''] (2026)

	; [[Francium]]		; [[Francium]]

Lucius Chiaraviglio: /* Music */ Claudi Meneghin's ''La Petite Poule Grise - Fugue'' (2014, uploaded 2019): fix date

2026-05-30T01:19:56Z

Music: Claudi Meneghin's ''La Petite Poule Grise - Fugue'' (2014, uploaded 2019): fix date

← Older revision		Revision as of 01:19, 30 May 2026
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	; [[Claudi Meneghin]]		; [[Claudi Meneghin]]
			* [https://www.youtube.com/watch?v=Zh2jWoIXAf8 ''La Petite Poule Grise - Fugue''] (2014, uploaded 2019)
	* [https://www.youtube.com/shorts/IhKVro5YEcA ''Canon on «Twinkle Twinkle Little Star» in 50-edo, for Organ''] (≤2014, restored and re-hosted 2025)		* [https://www.youtube.com/shorts/IhKVro5YEcA ''Canon on «Twinkle Twinkle Little Star» in 50-edo, for Organ''] (≤2014, restored and re-hosted 2025)
	* [https://www.youtube.com/watch?v=TRXy0FJOKIA ''Fugue on the Dragnet theme''] (2014)		* [https://www.youtube.com/watch?v=TRXy0FJOKIA ''Fugue on the Dragnet theme''] (2014)
	* [https://www.youtube.com/watch?v=wcTVED9zFrU ''Blue Fugue for Organ''] (2018)		* [https://www.youtube.com/watch?v=wcTVED9zFrU ''Blue Fugue for Organ''] (2018)
	* [https://www.youtube.com/watch?v=Zh2jWoIXAf8 ''La Petite Poule Grise - Fugue''] (2019)
	* [https://www.youtube.com/watch?v=28x3vqw9kDI ''Happy Birthday Canon'', 6-in-1 Canon in 50edo] (2019)		* [https://www.youtube.com/watch?v=28x3vqw9kDI ''Happy Birthday Canon'', 6-in-1 Canon in 50edo] (2019)
	* [https://www.youtube.com/watch?v=szUpO3FAOes ''Fantasia Catalana''] (2020)		* [https://www.youtube.com/watch?v=szUpO3FAOes ''Fantasia Catalana''] (2020)

Overthink: /* Instruments */ - extra newline; punctuation

2026-05-29T04:07:16Z

Instruments: - extra newline; punctuation

← Older revision		Revision as of 04:07, 29 May 2026
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	; Lumatone		; Lumatone

	See [[Lumatone mapping for 50edo]]		See [[Lumatone mapping for 50edo]].


	; Piano		; Piano

Lucius Chiaraviglio: /* 21st century */ Claudi Meneghin's ''Fugue on the French Lullaby «La Petite Poule Grise»'' (2026): Add organ rendition

2026-05-29T03:53:11Z

21st century: Claudi Meneghin's ''Fugue on the French Lullaby «La Petite Poule Grise»'' (2026): Add organ rendition

← Older revision		Revision as of 03:53, 29 May 2026
Line 916:		Line 916:
	** [https://www.youtube.com/shorts/qsuM1sA2-A0 <nowiki>harpsichord rendition</nowiki>] (2024)		** [https://www.youtube.com/shorts/qsuM1sA2-A0 <nowiki>harpsichord rendition</nowiki>] (2024)
	* [https://www.youtube.com/shorts/2x5atFuN6WA ''Baroque Blues - 4-Part Fugue for Baroque Consort''] (2026)		* [https://www.youtube.com/shorts/2x5atFuN6WA ''Baroque Blues - 4-Part Fugue for Baroque Consort''] (2026)
	* [https://www.youtube.com/watch?v=RrsZ-bzf1mE ~~''Fugue on the French Lullaby «La Petite Poule Grise»''~~] ~~(2026)~~		* ''Fugue on the French Lullaby «La Petite Poule Grise»'' (2026)
			** [https://www.youtube.com/watch?v=RrsZ-bzf1mE Baroque ensemble rendition]
			** [https://www.youtube.com/watch?v=wgsWzn_vfIM organ rendition]

	; [[Cam Taylor]]		; [[Cam Taylor]]

Lucius Chiaraviglio: /* Theory */ Almost consistent all the way up to the no-21s 25-odd-limit (except for 11/9 and 18/11)

2026-05-26T16:51:15Z

Theory: Almost consistent all the way up to the no-21s 25-odd-limit (except for 11/9 and 18/11)

← Older revision		Revision as of 16:51, 26 May 2026
Line 3:		Line 3:

	== Theory ==		== Theory ==
	As an equal temperament, 50et [[tempering out\|tempers out]] [[81/80]] in the [[5-limit]], making it a [[meantone]] system, and in that capacity has historically drawn some notice; it is a somewhat sharp approximation of [[2/7-comma meantone]] (and is almost exactly 5/18-comma meantone). In [http://lit.gfax.ch/Harmonics%202nd%20Edition%20%28Robert%20Smith%29.pdf "Harmonics or the Philosophy of Musical Sounds"] (1759) by Robert Smith, a musical temperament is described where the octave is divided into 50 equal parts – 50edo, in one word. Later, {{w\|W. S. B. Woolhouse}} noted it was fairly close to the [[Target_tunings\|least squares]] tuning for 5-limit meantone. 50edo, however, is especially interesting from a higher-limit point of view. While [[31edo]] extends meantone with a [[7/4]] which is nearly pure, 50 has a flat 7/4 but both [[11/8]] and [[13/8]] are nearly pure. It is also the highest edo where the mapping of [[9/8]] and [[10/9]] to the same interval is [[consistent]], with two stacked fifths falling almost exactly 3/7-syntonic-comma sharp of 10/9 and 4/7-comma flat of 9/8. It also ~~maps all~~ [[19-odd-limit]] ~~intervals consistently~~, ~~except for~~ [[11/9]] and [[18/11]].		As an equal temperament, 50et [[tempering out\|tempers out]] [[81/80]] in the [[5-limit]], making it a [[meantone]] system, and in that capacity has historically drawn some notice; it is a somewhat sharp approximation of [[2/7-comma meantone]] (and is almost exactly 5/18-comma meantone). In [http://lit.gfax.ch/Harmonics%202nd%20Edition%20%28Robert%20Smith%29.pdf "Harmonics or the Philosophy of Musical Sounds"] (1759) by Robert Smith, a musical temperament is described where the octave is divided into 50 equal parts – 50edo, in one word. Later, {{w\|W. S. B. Woolhouse}} noted it was fairly close to the [[Target_tunings\|least squares]] tuning for 5-limit meantone. 50edo, however, is especially interesting from a higher-limit point of view. While [[31edo]] extends meantone with a [[7/4]] which is nearly pure, 50 has a flat 7/4 but both [[11/8]] and [[13/8]] are nearly pure. It is also the highest edo where the mapping of [[9/8]] and [[10/9]] to the same interval is [[consistent]], with two stacked fifths falling almost exactly 3/7-syntonic-comma sharp of 10/9 and 4/7-comma flat of 9/8. It is also almost consistent to the no-21s [[25-odd-limit]], only barely missing consistent mapping of [[11/9]] and [[18/11]].

	50edo is also quite strong in the realm of tertian harmony for a meantone system, as the errors on [[7/6]], [[6/5]], [[5/4]], and [[9/7]] are all balanced to be roughly half as flat as the fifth, meaning that this set of thirds taken as a whole is minimally out-of-tune given the damage induced by meantone. Though it fails to approximate [[11/9]] well by virtue of not having a perfect hemififth, it inherits the excellent [[16/13]] from [[10edo]] and additionally has a 1.2{{c}} flat [[13/11]], providing even more qualities of roughly just thirds alongside their more complex [[fifth complement]]s.		50edo is also quite strong in the realm of tertian harmony for a meantone system, as the errors on [[7/6]], [[6/5]], [[5/4]], and [[9/7]] are all balanced to be roughly half as flat as the fifth, meaning that this set of thirds taken as a whole is minimally out-of-tune given the damage induced by meantone. Though it fails to approximate [[11/9]] well by virtue of not having a perfect hemififth, it inherits the excellent [[16/13]] from [[10edo]] and additionally has a 1.2{{c}} flat [[13/11]], providing even more qualities of roughly just thirds alongside their more complex [[fifth complement]]s.

Lucius Chiaraviglio: /* 21st century */ Add Bryan Deister's ''50edo improv'' (2026-05-25) and put specific date on the previous ''50edo improv''

2026-05-26T05:41:10Z

21st century: Add Bryan Deister's ''50edo improv'' (2026-05-25) and put specific date on the previous ''50edo improv''

← Older revision		Revision as of 05:41, 26 May 2026
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	* [https://www.youtube.com/shorts/ynz5XvJOHiE ''Piano that may not be played that well - Deltarune (microtonal cover in 50edo)''] (2025)		* [https://www.youtube.com/shorts/ynz5XvJOHiE ''Piano that may not be played that well - Deltarune (microtonal cover in 50edo)''] (2025)
	* [https://www.youtube.com/shorts/J34qt45jZW4 ''Snow White - Laufey (microtonal cover in 50edo)''] (2025)		* [https://www.youtube.com/shorts/J34qt45jZW4 ''Snow White - Laufey (microtonal cover in 50edo)''] (2025)
	* [https://www.youtube.com/shorts/dAyMY-14yZo ''50edo improv''] (2025)		* [https://www.youtube.com/shorts/dAyMY-14yZo ''50edo improv''] (2025-10-13)
	* [https://www.youtube.com/shorts/L6jF5_HEGkM ''Heat Abnormal - Iyowa (microtonal cover in 50edo)''] (2025)		* [https://www.youtube.com/shorts/L6jF5_HEGkM ''Heat Abnormal - Iyowa (microtonal cover in 50edo)''] (2025)
	* [https://www.youtube.com/shorts/WcExL9W2Gyc ''The Prettiest Little Song Of All - Belasco (microtonal cover in 50edo)''] (2025)		* [https://www.youtube.com/shorts/WcExL9W2Gyc ''The Prettiest Little Song Of All - Belasco (microtonal cover in 50edo)''] (2025)
	* [https://www.youtube.com/shorts/eXGcC52YMh8 ''Mother - Umineko (microtonal cover in 50edo)''] (2026)		* [https://www.youtube.com/shorts/eXGcC52YMh8 ''Mother - Umineko (microtonal cover in 50edo)''] (2026)
			* [https://www.youtube.com/shorts/DIiLORDPfUI ''50edo improv''] (2026-05-25)

	; [[Francium]]		; [[Francium]]