41edo chord names - Revision history

ArrowHead294 at 14:14, 4 February 2025

2025-02-04T14:14:08Z

← Older revision		Revision as of 14:14, 4 February 2025
Line 1:		Line 1:
	Various [[41edo]] triads, 6th and 7th chords, named via [[ups and downs notation]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.		Various [[41edo]] triads, 6th and 7th chords, named via [[ups and downs notation]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.

	Highly implausible chords are named as a more plausible [[Chord homonym\|homonym]], e.g. ~~0-17-28~~ = C4(#5) becomes ~~17-28-41~~ = F^m. "a" stands for augmented and "d" stands for diminished.		Highly implausible chords are named as a more plausible [[Chord homonym\|homonym]], e.g. {{nowrap\|0–17–28 = C4(♯5)}} becomes {{nowrap\|17–28–41 {{=}} F^m}}, where "a" stands for augmented and "d" stands for diminished.

	{\| class="wikitable"		{\| class="wikitable"
	\|-		\|-
	! colspan="2" \|~~thirds ---->~~		! colspan="2" \| Thirds →
	! vm3		! vm3
	! m3		! m3
Line 18:		Line 18:
	! ~4		! ~4
	\|-		\|-
	! colspan="2" \|Triads with P5		! colspan="2" \| Triads with P5
	\| Cvm		\| Cvm
	\| Cm		\| Cm
Line 31:		Line 31:
	\| C~4		\| C~4
	\|-		\|-
	! rowspan="6" \|Other		! rowspan="6" \| Other<br />triads
	triads		! vv5
	!vv5		\| Cvm(vv5)
	\|Cvm(vv5)		\| Cm(vv5)
	\|Cm(vv5)		\| C^m(vv5)
	\|C^m(vv5)		\| C~(vv5)
	\|C~(vv5)		\| Cv(vv5)
	\|Cv(vv5)		\| C(vv5)
	\|C(vv5)		\| C^(vv5)
	\|C^(vv5)		\| Cv4(vv5)
	\|Cv4(vv5)		\| C4(vv5)
	\|C4(vv5)		\| C^4(vv5)
	\|C^4(vv5)		\| C~4(vv5)
	\|C~4(vv5)
	\|-		\|-
	!^b5		! ^b5
	\|Cvd(^5)		\| Cvd(^5)
	\|Cd(^5)		\| Cd(^5)
	\|C^d(^5)		\| C^d(^5)
	\|C~d(^5)		\| C~d(^5)
	\|Cv(^b5)		\| Cv(^b5)
	\|C(^b5)		\| C(^b5)
	\|C^(^b5)		\| C^(^b5)
	\|Cv4(^b5)		\| Cv4(^b5)
	\|C4(^b5)		\| C4(^b5)
	\|C^4(^b5)		\| C^4(^b5)
	\|C~4(^b5)		\| C~4(^b5)
	\|-		\|-
	!b5		! b5
	\|Cvd		\| Cvd
	\|Cd		\| Cd
	\|C^d		\| C^d
	\|C~d		\| C~d
	\|Cv(b5)		\| Cv(b5)
	\|C(b5)		\| C(b5)
	\|C^(b5)		\| C^(b5)
	\|Cv4(b5)		\| Cv4(b5)
	\|C4(b5)		\| C4(b5)
	\|C^4(b5)		\| C^4(b5)
	\|C~4(b5)		\| C~4(b5)
	\|-		\|-
	!^^5		! ^^5
	\|''(vAb^)''		\| ''(vAb^)''
	\|Cm(^^5)		\| Cm(^^5)
	\|C^m(^^5)		\| C^m(^^5)
	\|C~(^^5)		\| C~(^^5)
	\|Cv(^^5)		\| Cv(^^5)
	\|C(^^5)		\| C(^^5)
	\|C^(^^5)		\| C^(^^5)
	\|Cv4(^^5)		\| Cv4(^^5)
	\|''(Fvm)''		\| ''(Fvm)''
	\|C^4(^^5)		\| C^4(^^5)
	\|C~4(^^5)		\| C~4(^^5)
	\|-		\|-
	!va5		! va5
	\|Cvm(v#5)		\| Cvm(v#5)
	\|''(Ab)''		\| ''(Ab)''
	\|C^m(v#5)		\| C^m(v#5)
	\|C~a(v5)		\| C~a(v5)
	\|''(vEa)''		\| ''(vEa)''
	\|Ca(v5)		\| Ca(v5)
	\|C^a(v5)		\| C^a(v5)
	\|Cv4(v#5)		\| Cv4(v#5)
	\|''(Fm)''		\| ''(Fm)''
	\|C^4(v#5)		\| C^4(v#5)
	\|C~4(v#5)		\| C~4(v#5)
	\|-		\|-
	!a5		! a5
	\|Cvm(#5)		\| Cvm(#5)
	\|Cm(#5)		\| Cm(#5)
	\|''(^Abv)''		\| ''(^Abv)''
	\|C~a		\| C~a
	\|Cva		\| Cva
	\|Ca		\| Ca
	\|C^a		\| C^a
	\|Cv4(#5)		\| Cv4(#5)
	\|''(F^m)''		\| ''(F^m)''
	\|C^4(#5)		\| C^4(#5)
	\|C~4(#5)		\| C~4(#5)
	\|-		\|-
	! rowspan="11" \|Tetrads		! rowspan="11" \| Tetrads<br />with P5
	with P5
	! ~6		! ~6
	\| Cvm~6		\| Cvm~6
Line 261:		Line 259:
	P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7.		P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7.

	See also:		== See also ==

	* [[15edo chord names]]		* [[15edo chord names]]
	* [[19edo chord names]]		* [[19edo chord names]]
Line 269:		Line 266:
	* [[31edo chord names]]		* [[31edo chord names]]
	* [[Kite Guitar chord shapes (downmajor tuning)]]		* [[Kite Guitar chord shapes (downmajor tuning)]]

	The last link is fairly exhaustive, and covers augmented and diminished chords.		The last link is fairly exhaustive, and covers augmented and diminished chords.

TallKite: added dim and aug triads, also some 9th chords

2025-02-04T06:39:45Z

added dim and aug triads, also some 9th chords

@@ Line 1: / Line 1: @@
 Various [[41edo]] triads, 6th and 7th chords, named via [[ups and downs notation]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.
 {| class="wikitable"
 |-
+! colspan="2" |thirds ---->
 ! vm3
 ! m3
@@ Line 16: / Line 18: @@
 ! ~4
 |-
-! Triad
+! colspan="2" |Triads with P5
 | Cvm
 | Cm
@@ Line 29: / Line 31: @@
 | C~4
 |-
 ! ~6
 | Cvm~6
@@ Line 179: / Line 263: @@
 See also:
 * [[19edo chord names]]
 * [[22edo chord names]]

ArrowHead294 at 12:59, 22 January 2025

2025-01-22T12:59:38Z

← Older revision		Revision as of 12:59, 22 January 2025
Line 1:		Line 1:
	Various [[41edo]] triads, 6th and 7th chords, named via [[~~Ups and Downs Notation\|~~ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.		Various [[41edo]] triads, 6th and 7th chords, named via [[ups and downs notation]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming.

	{\| class="wikitable"		{\| class="wikitable"
	\|+		\|-
	!		!
	! vm3		! vm3
Line 16:		Line 16:
	! ~4		! ~4
	\|-		\|-
	! ~~triad~~		! Triad
	\| Cvm		\| Cvm
	\| Cm		\| Cm
Line 173:		Line 173:
	\|}		\|}

	A comma (~~the actual punctuation mark~~ ",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.		A punctuation comma (",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.

	P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7.		P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7.
Line 179:		Line 179:
	See also:		See also:

	* [[19edo ~~Chord Names~~]]		* [[19edo chord names]]
	* [[22edo ~~Chord Names~~]]		* [[22edo chord names]]
	* [[24edo ~~Chord Names~~]]		* [[24edo chord names]]
	* [[31edo ~~Chord Names~~]]		* [[31edo chord names]]
	* [[Kite Guitar ~~Chord Shapes~~ (downmajor tuning)]]		* [[Kite Guitar chord shapes (downmajor tuning)]]
	The last link is fairly exhaustive, and covers augmented and diminished chords.		The last link is fairly exhaustive, and covers augmented and diminished chords.

Line 189:		Line 189:
	[[Category:41edo]]		[[Category:41edo]]
	[[Category:Chords]]		[[Category:Chords]]
	[[Category:Ups and ~~Downs Notation~~]]		[[Category:Ups and downs notation]]
	[[Category:Notation]]		[[Category:Notation]]

ArrowHead294: ArrowHead294 moved page 41edo Chord Names to 41edo chord names: WP:NCCAPS

2025-01-22T12:58:56Z

ArrowHead294 moved page 41edo Chord Names to 41edo chord names: WP:NCCAPS

← Older revision	Revision as of 12:58, 22 January 2025
(No difference)

TallKite: added categories

2024-11-14T08:44:15Z

added categories

← Older revision		Revision as of 08:44, 14 November 2024
Line 189:		Line 189:
	[[Category:41edo]]		[[Category:41edo]]
	[[Category:Chords]]		[[Category:Chords]]
			[[Category:Ups and Downs Notation]]
			[[Category:Notation]]

Fredg999 category edits: Categories

2023-05-09T02:54:13Z

TallKite at 07:43, 11 April 2023

2023-04-11T07:43:47Z

← Older revision		Revision as of 07:43, 11 April 2023
Line 173:		Line 173:
	\|}		\|}

	A comma (the actual punctuation mark ",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 41edo. However, 53-edo and other edos have an upmid 3rd and 7th, and C^~6 would be P1 ^~3 P5 ^~6. In addition, "upmid" is a general term for slightly sharp neutral. One could play an upmid chord on a [[Kite guitar]] by bending the upminor 3rd up slightly more than half a fret.		A comma (the actual punctuation mark ",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.

	P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7.		P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7.
Line 184:		Line 184:
	* [[31edo Chord Names]]		* [[31edo Chord Names]]
	* [[Kite Guitar Chord Shapes (downmajor tuning)]]		* [[Kite Guitar Chord Shapes (downmajor tuning)]]
			The last link is fairly exhaustive, and covers augmented and diminished chords.
	[[Category:Kite Guitar]]		[[Category:Kite Guitar]]
	[[Category:41edo]]		[[Category:41edo]]

TallKite: added links to similar pages

2021-11-19T00:06:01Z

added links to similar pages

← Older revision		Revision as of 00:06, 19 November 2021
Line 176:		Line 176:

	P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7.		P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7.

			See also:

			* [[19edo Chord Names]]
			* [[22edo Chord Names]]
			* [[24edo Chord Names]]
			* [[31edo Chord Names]]
			* [[Kite Guitar Chord Shapes (downmajor tuning)]]

	[[Category:Kite Guitar]]		[[Category:Kite Guitar]]
	[[Category:41edo]]		[[Category:41edo]]

Xenwolf: format: add space after meta char for readability (even in wikitext)

2021-06-07T07:28:43Z

format: add space after meta char for readability (even in wikitext)

Show changes

TallKite: corrected minor-major7 chord names

2021-06-07T02:12:54Z

corrected minor-major7 chord names

← Older revision		Revision as of 02:12, 7 June 2021
Line 133:		Line 133:
	\|-		\|-
	!vM7		!vM7
	\|~~CvmvM7~~		\|CvmM7
	~~(CvmM?)~~
	\|CmvM7		\|CmvM7
	\|C^mvM7		\|C^mvM7
Line 147:		Line 146:
	\|-		\|-
	!M7		!M7
	\|~~CvmM7~~		\|Cvm,M7
	\|CmM7		\|CmM7
	~~(CmM?)~~		\|C^m,M7
	\|C^~~mM7~~
	\|C~M7		\|C~M7
	\|Cv,M7		\|Cv,M7
Line 163:		Line 161:
	\|Cvm^M7		\|Cvm^M7
	\|Cm^M7		\|Cm^M7
	\|C^~~m^M7~~		\|C^mM7
	~~(C^mM?)~~
	\|C~^M7		\|C~^M7
	\|Cv^M7		\|Cv^M7
Line 175:		Line 172:
	\|}		\|}
	A comma (the actual punctuation mark ",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 41edo. However, 53-edo and other edos have an upmid 3rd and 7th, and C^~6 would be P1 ^~3 P5 ^~6. In addition, "upmid" is a general term for slightly sharp neutral. One could play an upmid chord on a [[Kite guitar]] by bending the upminor 3rd up slightly more than half a fret.		A comma (the actual punctuation mark ",") is spoken as "add", thus Cv,7 is "C-down add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 41edo. However, 53-edo and other edos have an upmid 3rd and 7th, and C^~6 would be P1 ^~3 P5 ^~6. In addition, "upmid" is a general term for slightly sharp neutral. One could play an upmid chord on a [[Kite guitar]] by bending the upminor 3rd up slightly more than half a fret.

			P1-vm3-P5-M7 is named vm,M7 = downminor add major 7. One might think that the "add" could be omitted, and it could be named vmM7. But there's a rule that in a 7th chord, an initial arrow affects both the 3rd and the 7th. So vmM7 is a minor-major chord with both the 3rd and 7th downed, i.e. P1-vm3-P5-vM7.

	[[Category:Kite Guitar]]		[[Category:Kite Guitar]]
	[[Category:41edo]]		[[Category:41edo]]

← Older revision		Revision as of 02:54, 9 May 2023
Line 185:		Line 185:
	* [[Kite Guitar Chord Shapes (downmajor tuning)]]		* [[Kite Guitar Chord Shapes (downmajor tuning)]]
	The last link is fairly exhaustive, and covers augmented and diminished chords.		The last link is fairly exhaustive, and covers augmented and diminished chords.

	[[Category:Kite Guitar]]		[[Category:Kite Guitar]]
	[[Category:41edo]]		[[Category:41edo]]
			[[Category:Chords]]