36:45:54:64 - Revision history

TallKite: add color name

2024-09-24T02:27:17Z

add color name

← Older revision		Revision as of 02:27, 24 September 2024
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	{{Infobox Chord\|36:45:54:64}}		{{Infobox Chord\|36:45:54:64\|ColorName=yo add-7 or y,7}}

	{{Nowrap\|'''36:45:54:64'''}} is a [[dominant seventh chord]] found on the {{w\|dominant (music)\|dominant}} scale degree (V or {{Frac\|3\|2}}) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] ([[3-limit]]) minor seventh, creating a [[64/45]] tritone between the two.		{{Nowrap\|'''36:45:54:64'''}} is a [[dominant seventh chord]] found on the {{w\|dominant (music)\|dominant}} scale degree (V or {{Frac\|3\|2}}) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] ([[3-limit]]) minor seventh, creating a [[64/45]] tritone between the two.

Bcmills: mention meantone connection to 20:

2024-08-28T00:44:53Z

mention meantone connection to 20:

← Older revision		Revision as of 00:44, 28 August 2024
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	{{Infobox Chord\|36:45:54:64~~\|Name=Ptolemaic dominant seventh~~}}		{{Infobox Chord\|36:45:54:64}}

	{{Nowrap\|'''36:45:54:64'''}}~~, the ''Ptolemaic dominant seventh chord'',~~ is a [[dominant seventh chord]] found on the dominant scale degree (V or {{Frac\|3\|2}}) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] ~~Pythagorean~~ minor seventh, creating a [[64/45]] tritone between the two.		{{Nowrap\|'''36:45:54:64'''}} is a [[dominant seventh chord]] found on the {{w\|dominant (music)\|dominant}} scale degree (V or {{Frac\|3\|2}}) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] ([[3-limit]]) minor seventh, creating a [[64/45]] tritone between the two.

			In the [[meantone]] tuning of this chord, the ~16/9 minor seventh is equated with ~[[9/5]], making it equivalent to the meantone tuning of [[20:25:30:36]].

	[[Category:Dominant seventh chords\|##]] <!-- 2-digit first number -->		[[Category:Dominant seventh chords\|##]] <!-- 2-digit first number -->

Bcmills at 04:27, 20 August 2024

2024-08-20T04:27:32Z

← Older revision		Revision as of 04:27, 20 August 2024
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	{{Nowrap\|'''36:45:54:64'''}}, the ''Ptolemaic dominant seventh chord'', is a [[dominant seventh chord]] found on the dominant scale degree (V or {{Frac\|3\|2}}) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.		{{Nowrap\|'''36:45:54:64'''}}, the ''Ptolemaic dominant seventh chord'', is a [[dominant seventh chord]] found on the dominant scale degree (V or {{Frac\|3\|2}}) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.

	[[Category:Dominant seventh chords]]		[[Category:Dominant seventh chords\|##]] <!-- 2-digit first number -->

Bcmills at 18:44, 12 August 2024

2024-08-12T18:44:04Z

← Older revision		Revision as of 18:44, 12 August 2024
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	{{Infobox Chord\|36:45:54:64\|Name=Ptolemaic dominant seventh}}		{{Infobox Chord\|36:45:54:64\|Name=Ptolemaic dominant seventh}}

	{{Nowrap\|'''36:45:54:64'''}}, the ''Ptolemaic dominant seventh chord'', is a [[dominant seventh chord]] found on the dominant scale degree ([[3/2~~]] or V~~) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.		{{Nowrap\|'''36:45:54:64'''}}, the ''Ptolemaic dominant seventh chord'', is a [[dominant seventh chord]] found on the dominant scale degree (V or {{Frac\|3\|2}}) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.

	[[Category:Dominant seventh chords]]		[[Category:Dominant seventh chords]]

Bcmills at 18:17, 12 August 2024

2024-08-12T18:17:05Z

← Older revision		Revision as of 18:17, 12 August 2024
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	{{Infobox Chord\|36:45:54:64\|Name=Ptolemaic dominant seventh}}		{{Infobox Chord\|36:45:54:64\|Name=Ptolemaic dominant seventh}}

	'''36:45:54:64''' ~~(or 1⁄1–5⁄4–3⁄2–16⁄9)~~, the ''Ptolemaic dominant seventh chord'', is a [[dominant seventh chord]] found on the dominant scale degree ([[3/2~~\|3⁄2~~]] or V) of ~~[[Zarlino\|~~Ptolemy's intense diatonic scale (Zarlino)]], perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.		{{Nowrap\|'''36:45:54:64'''}}, the ''Ptolemaic dominant seventh chord'', is a [[dominant seventh chord]] found on the dominant scale degree ([[3/2]] or V) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.

	[[Category:Dominant seventh chords]]		[[Category:Dominant seventh chords]]

Bcmills at 14:14, 12 August 2024

2024-08-12T14:14:50Z

← Older revision		Revision as of 14:14, 12 August 2024
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	{{Infobox Chord\|36:45:54:64\|Name=Ptolemaic dominant seventh}}		{{Infobox Chord\|36:45:54:64\|Name=Ptolemaic dominant seventh}}

	'''36:45:54:64''' (or 1⁄1–5⁄4–3⁄2–16⁄9) is a [[dominant seventh chord]] found on the dominant scale degree ([[3/2\|3⁄2]] or V) of [[Zarlino\|Ptolemy's intense diatonic scale (Zarlino)]], perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.		'''36:45:54:64''' (or 1⁄1–5⁄4–3⁄2–16⁄9), the ''Ptolemaic dominant seventh chord'', is a [[dominant seventh chord]] found on the dominant scale degree ([[3/2\|3⁄2]] or V) of [[Zarlino\|Ptolemy's intense diatonic scale (Zarlino)]], perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.

	[[Category:Dominant seventh chords]]		[[Category:Dominant seventh chords]]

Bcmills at 14:13, 12 August 2024

2024-08-12T14:13:32Z

← Older revision		Revision as of 14:13, 12 August 2024
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	{{Infobox Chord\|36:45:54:64\|Name=Ptolemaic dominant seventh}}		{{Infobox Chord\|36:45:54:64\|Name=Ptolemaic dominant seventh}}

	~~The~~ '''~~Ptolemaic dominant seventh chord''',~~ 36:45:54:64 or 1⁄1–5⁄4–3⁄2–16⁄9, is a [[dominant seventh chord]] found on the dominant scale degree ([[3/2\|3⁄2]] or V) of [[Zarlino\|Ptolemy's intense diatonic scale (Zarlino)]], perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.		'''36:45:54:64''' (or 1⁄1–5⁄4–3⁄2–16⁄9) is a [[dominant seventh chord]] found on the dominant scale degree ([[3/2\|3⁄2]] or V) of [[Zarlino\|Ptolemy's intense diatonic scale (Zarlino)]], perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.

	[[Category:Dominant seventh chords]]		[[Category:Dominant seventh chords]]

Bcmills: Bcmills moved page Ptolemaic dominant seventh chord to 36:45:54:64 over redirect

2024-08-12T14:04:26Z

Bcmills moved page Ptolemaic dominant seventh chord to 36:45:54:64 over redirect

← Older revision	Revision as of 14:04, 12 August 2024
(No difference)

Bcmills: Created page with "{{Infobox Chord|36:45:54:64|Name=Ptolemaic dominant seventh}} The '''Ptolemaic dominant seventh chord''', 36:45:54:64 or 1⁄1–5⁄4–3⁄2–16⁄9, is a dominant seven..."

2024-08-12T05:45:42Z

Created page with "{{Infobox Chord|36:45:54:64|Name=Ptolemaic dominant seventh}} The '''Ptolemaic dominant seventh chord''', 36:45:54:64 or 1⁄1–5⁄4–3⁄2–16⁄9, is a dominant seven..."

New page

{{Infobox Chord|36:45:54:64|Name=Ptolemaic dominant seventh}}

The '''Ptolemaic dominant seventh chord''', 36:45:54:64 or 1⁄1–5⁄4–3⁄2–16⁄9, is a [[dominant seventh chord]] found on the dominant scale degree ([[3/2|3⁄2]] or V) of [[Zarlino|Ptolemy's intense diatonic scale (Zarlino)]], perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.

[[Category:Dominant seventh chords]]

← Older revision		Revision as of 00:44, 28 August 2024
Line 1:		Line 1:
	{{Infobox Chord\|36:45:54:64~~\|Name=Ptolemaic dominant seventh~~}}		{{Infobox Chord\|36:45:54:64}}

	{{Nowrap\|'''36:45:54:64'''}}~~, the ''Ptolemaic dominant seventh chord'',~~ is a [[dominant seventh chord]] found on the dominant scale degree (V or {{Frac\|3\|2}}) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] ~~Pythagorean~~ minor seventh, creating a [[64/45]] tritone between the two.		{{Nowrap\|'''36:45:54:64'''}} is a [[dominant seventh chord]] found on the {{w\|dominant (music)\|dominant}} scale degree (V or {{Frac\|3\|2}}) of Ptolemy's intense diatonic scale ([[Zarlino]]), perhaps the most common 5-limit diatonic. It combines a [[5/4]] major third with a [[16/9]] ([[3-limit]]) minor seventh, creating a [[64/45]] tritone between the two.

			In the [[meantone]] tuning of this chord, the ~16/9 minor seventh is equated with ~[[9/5]], making it equivalent to the meantone tuning of [[20:25:30:36]].

	[[Category:Dominant seventh chords\|##]] <!-- 2-digit first number -->		[[Category:Dominant seventh chords\|##]] <!-- 2-digit first number -->