24edo chord names - Revision history

Fredg999: Text replacement - "Ups and Downs Notation" to "Ups and downs notation"

2025-08-20T01:07:24Z

Text replacement - "Ups and Downs Notation" to "Ups and downs notation"

← Older revision		Revision as of 01:07, 20 August 2025
Line 1:		Line 1:
	Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and ~~Downs Notation~~\|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.		Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and downs notation\|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.

	Highly implausible chords are named as a more plausible [[Chord homonym\|homonym]], e.g. {{nowrap\|0–5–15 {{=}} Cvm(^5)}} becomes {{nowrap\|15–24–29 {{=}} ^G^}}, where "a" stands for augmented and "d" stands for diminished.		Highly implausible chords are named as a more plausible [[Chord homonym\|homonym]], e.g. {{nowrap\|0–5–15 {{=}} Cvm(^5)}} becomes {{nowrap\|15–24–29 {{=}} ^G^}}, where "a" stands for augmented and "d" stands for diminished.

ArrowHead294 at 14:11, 4 February 2025

2025-02-04T14:11:52Z

← Older revision		Revision as of 14:11, 4 February 2025
Line 1:		Line 1:
	Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation\|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.~~<br />~~		Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation\|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.
	Highly implausible chords are named as a more plausible [[Chord homonym\|homonym]], e.g. ~~0-5-15~~ = Cvm(^5) becomes ~~15-24-29~~ = ^G^. "a" stands for augmented and "d" stands for diminished.
			Highly implausible chords are named as a more plausible [[Chord homonym\|homonym]], e.g. {{nowrap\|0–5–15 {{=}} Cvm(^5)}} becomes {{nowrap\|15–24–29 {{=}} ^G^}}, where "a" stands for augmented and "d" stands for diminished.

	{\| class="wikitable"		{\| class="wikitable"
Line 124:		Line 125:
	\| C4^M7		\| C4^M7
	\| C~4^M7		\| C~4^M7
	\|}~~<br />~~		\|}

	A punctuation comma (",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6.		A punctuation comma (",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6.

ArrowHead294 at 14:04, 4 February 2025

2025-02-04T14:04:17Z

← Older revision		Revision as of 14:04, 4 February 2025
Line 22:		Line 22:
	\| C~4		\| C~4
	\|-		\|-
	! rowspan="4" \| Other<br />triads~~<br />~~! v5		! rowspan="4" \| Other<br />triads
			! v5
	\| Cvm(v5)		\| Cvm(v5)
	\| Cm(v5)		\| Cm(v5)

ArrowHead294 at 14:04, 4 February 2025

2025-02-04T14:04:05Z

← Older revision		Revision as of 14:04, 4 February 2025
Line 1:		Line 1:
	Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation\|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.		Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation\|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.<br />

	Highly implausible chords are named as a more plausible [[Chord homonym\|homonym]], e.g. 0-5-15 = Cvm(^5) becomes 15-24-29 = ^G^. "a" stands for augmented and "d" stands for diminished.		Highly implausible chords are named as a more plausible [[Chord homonym\|homonym]], e.g. 0-5-15 = Cvm(^5) becomes 15-24-29 = ^G^. "a" stands for augmented and "d" stands for diminished.

	{\| class="wikitable"		{\| class="wikitable"
	\|-		\|-
	! colspan="2" \|~~thirds ---->~~		! colspan="2" \| Thirds →
	! vm3		! vm3
	! m3		! m3
Line 14:		Line 13:
	! ~4		! ~4
	\|-		\|-
	! colspan="2" \|Triads with P5		! colspan="2" \| Triads with P5
	\| Cvm		\| Cvm
	\| Cm		\| Cm
Line 23:		Line 22:
	\| C~4		\| C~4
	\|-		\|-
	! rowspan="4" \|Other		! rowspan="4" \| Other<br />triads<br />! v5
	triads		\| Cvm(v5)
	!v5		\| Cm(v5)
	\|Cvm(v5)		\| C~(v5)
	\|Cm(v5)		\| C(v5)
	\|C~(v5)		\| C^(v5)
	\|C(v5)		\| C4(v5)
	\|C^(v5)		\| C~4(v5)
	\|C4(v5)
	\|C~4(v5)
	\|-		\|-
	!d5		! d5
	\|Cvd		\| Cvd
	\|Cd		\| Cd
	\|C^d		\| C^d
	\|C(b5)		\| C(b5)
	\|C^(b5)		\| C^(b5)
	\|C4(b5)		\| C4(b5)
	\|C~4(b5)		\| C~4(b5)
	\|-		\|-
	!^5		! ^5
	\|''(^G^)''		\| ''(^G^)''
	\|Cm(^5)		\| Cm(^5)
	\|C~(^5)		\| C~(^5)
	\|C(^5)		\| C(^5)
	\|C^(^5)		\| C^(^5)
	\|C4(^5)		\| C4(^5)
	\|C~4(^5)		\| C~4(^5)
	\|-		\|-
	!a5		! a5
	\|Cvm(#5)		\| Cvm(#5)
	\|''(Ab)''		\| ''(Ab)''
	\|Cva		\| Cva
	\|Ca		\| Ca
	\|C^a		\| C^a
	\|''(Fm)''		\| ''(Fm)''
	\|C~4(#5)		\| C~4(#5)
	\|-		\|-
	! rowspan="7" \|Tetrads		! rowspan="7" \|Tetrads<br />with
	with

	P5		P5
Line 83:		Line 79:
	\| C~4,6		\| C~4,6
	\|-		\|-
	! ^M6		! ^M6<br />vm7
	vm7		\| (Cvm^6)<br />Cvm7
	\| (Cvm^6)		\| Cm^6<br />Cmv7
	Cvm7		\| C~^6<br />C~v7
	\| Cm^6		\| C,^6<br />C,v7
	Cmv7		\| C^6<br />(C^v7)
	\| C~^6		\| C4^6<br />C4v7
	C~v7		\| C~4^6<br />C~4v7
	\| C,^6
	C,v7
	\| C^6
	(C^v7)
	\| C4^6
	C4v7
	\| C~4^6
	C~4v7
	\|-		\|-
	! m7		! m7
Line 135:		Line 123:
	\| C4^M7		\| C4^M7
	\| C~4^M7		\| C~4^M7
	\|}		\|}<br />

	A punctuation comma (",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6.		A punctuation comma (",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6.

	See also:		== See also ==

	* [[15edo chord names]]		* [[15edo chord names]]
	* [[19edo chord names]]		* [[19edo chord names]]

TallKite at 06:48, 4 February 2025

2025-02-04T06:48:01Z

← Older revision		Revision as of 06:48, 4 February 2025
Line 14:		Line 14:
	! ~4		! ~4
	\|-		\|-
	! ~~rowspan~~="5" \|Triads		! colspan="2" \|Triads with P5
	! P5
	\| Cvm		\| Cvm
	\| Cm		\| Cm
Line 24:		Line 23:
	\| C~4		\| C~4
	\|-		\|-
			! rowspan="4" \|Other
			triads
	!v5		!v5
	\|Cvm(v5)		\|Cvm(v5)
Line 61:		Line 62:
	\|-		\|-
	! rowspan="7" \|Tetrads		! rowspan="7" \|Tetrads
	with a		with

	P5		P5

TallKite: added dim and aug triads, also some 9th chords

2025-02-04T02:31:56Z

added dim and aug triads, also some 9th chords

@@ Line 1: / Line 1: @@
 Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.
 {| class="wikitable"
 |-
+! colspan="2" |thirds ---->
 ! vm3
 ! m3
@@ Line 12: / Line 14: @@
 ! ~4
 |-
-! Triad
+! rowspan="5" |Triads
 | Cvm
 | Cm
@@ Line 21: / Line 24: @@
 | C~4
 |-
 ! ~6
 | Cvm~6
@@ Line 97: / Line 140: @@
 See also:
 * [[19edo chord names]]
 * [[22edo chord names]]
 * [[31edo chord names]]
 * [[41edo chord names]]
-* [[Kite guitar chord shapes (downmajor tuning)]]
+* [[Kite Guitar chord shapes (downmajor tuning)]]
 [[Category:24edo]]

ArrowHead294 at 12:55, 22 January 2025

2025-01-22T12:55:07Z

← Older revision		Revision as of 12:55, 22 January 2025
Line 1:		Line 1:
	Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation\|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.		Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation\|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.

	{\| class="wikitable"		{\| class="wikitable"
	\|+
	!
	~~!vm3~~
	~~!m3~~
	~~!~3~~
	~~!M3~~
	~~!^M3~~
	~~!P4~~
	~~!~4~~
	\|-		\|-
	!~~triad~~		!
	~~\|Cvm~~		! vm3
	~~\|Cm~~		! m3
	\|C~		! ~3
	\|C		! M3
	\|C^		! ^M3
	~~\|C4~~		! P4
	\|C~4		! ~4
	\|-		\|-
	!~6		! Triad
	\|Cvm~6		\| Cvm
	\|Cm~6		\| Cm
	\|C~6		\| C~
	\|C~~,~6~~		\| C
	\|C^~~,~6~~		\| C^
	\|C4~6		\| C4
	\|C~4~6		\| C~4
	\|-		\|-
	!M6		! ~6
	\|Cvm,6		\| Cvm~6
	\|~~Cm6~~		\| Cm~6
	\|C~,6		\| C~6
	\|C6		\| C,~6
	\|C^,6		\| C^,~6
	\|C4,6		\| C4~6
	\|C~4,6		\| C~4~6
	\|-		\|-
	!^M6		! M6
			\| Cvm,6
			\| Cm6
			\| C~,6
			\| C6
			\| C^,6
			\| C4,6
			\| C~4,6
			\|-
			! ^M6
	vm7		vm7
	\|(Cvm^6)		\| (Cvm^6)
	Cvm7		Cvm7
	\|Cm^6		\| Cm^6
	Cmv7		Cmv7
	\|C~^6		\| C~^6
	C~v7		C~v7
	\|C,^6		\| C,^6
	C,v7		C,v7
	\|C^6		\| C^6
	(C^v7)		(C^v7)
	\|C4^6		\| C4^6
	C4v7		C4v7
	\|C~4^6		\| C~4^6
	C~4v7		C~4v7
	\|-		\|-
	!m7		! m7
	\|Cvm,7		\| Cvm,7
	\|Cm7		\| Cm7
	\|C~,7		\| C~,7
	\|C7		\| C7
	\|C^,7		\| C^,7
	\|C4,7		\| C4,7
	\|C~4,7		\| C~4,7
	\|-		\|-
	!~7		! ~7
	\|Cvm~7		\| Cvm~7
	\|Cm~7		\| Cm~7
	\|C~7		\| C~7
	\|C,~7		\| C,~7
	\|C^,~7		\| C^,~7
	\|C4~7		\| C4~7
	\|C~4~7		\| C~4~7
	\|-		\|-
	!M7		! M7
	\|CvmM7		\| CvmM7
	\|CmM7		\| CmM7
	\|C~M7		\| C~M7
	\|CM7		\| CM7
	\|C^,M7		\| C^,M7
	\|C4M7		\| C4M7
	\|C~4M7		\| C~4M7
	\|-		\|-
	!^M7		! ^M7
	\|Cvm^M7		\| Cvm^M7
	\|Cm^M7		\| Cm^M7
	\|C~^M7		\| C~^M7
	\|C,^M7		\| C,^M7
	\|C^M7		\| C^M7
	\|C4^M7		\| C4^M7
	\|C~4^M7		\| C~4^M7
	\|}		\|}
	A comma (~~the actual punctuation mark~~ ",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6.
			A punctuation comma (",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6.

	See also:		See also:

	* [[19edo ~~Chord Names~~]]		* [[19edo chord names]]
	* [[22edo ~~Chord Names~~]]		* [[22edo chord names]]
	* [[31edo ~~Chord Names~~]]		* [[31edo chord names]]
	* [[41edo ~~Chord Names~~]]		* [[41edo chord names]]
	* [[Kite ~~Guitar Chord Shapes~~ (downmajor tuning)]]		* [[Kite guitar chord shapes (downmajor tuning)]]

	[[Category:24edo]]		[[Category:24edo]]
	[[Category:Chords]]		[[Category:Chords]]
	[[Category:Ups and ~~Downs Notation~~]]		[[Category:Ups and downs notation]]
	[[Category:Notation]]		[[Category:Notation]]

ArrowHead294: ArrowHead294 moved page 24edo Chord Names to 24edo chord names: WP:NCCAPS

2025-01-22T12:53:55Z

ArrowHead294 moved page 24edo Chord Names to 24edo chord names: WP:NCCAPS

← Older revision	Revision as of 12:53, 22 January 2025
(No difference)

TallKite at 08:44, 14 November 2024

2024-11-14T08:44:35Z

← Older revision		Revision as of 08:44, 14 November 2024
Line 103:		Line 103:
	[[Category:24edo]]		[[Category:24edo]]
	[[Category:Chords]]		[[Category:Chords]]
			[[Category:Ups and Downs Notation]]
			[[Category:Notation]]

TallKite at 22:34, 10 May 2024

2024-05-10T22:34:31Z

← Older revision		Revision as of 22:34, 10 May 2024
Line 91:		Line 91:
	\|C~4^M7		\|C~4^M7
	\|}		\|}
	A comma (the actual punctuation mark ",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, 53-edo ~~and other edos~~ have an upmid 3rd and ~~7th~~, and C^~6 would be P1 ^~3 P5 ^~6.		A comma (the actual punctuation mark ",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6.

	See also:		See also: