19edo Chord Names - Revision history

BudjarnLambeth: Category

2025-01-25T01:01:41Z

Fredg999: Merged into 19edo chords

2024-12-22T04:53:27Z

← Older revision		Revision as of 04:53, 22 December 2024
Line 1:		Line 1:
	~~Various~~ [[19edo~~]] triads, 6th and 7th~~ chords~~, named via [[~~Ups ~~and Downs Notation\|ups~~ and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. The aug 6th and the dim 7th are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.		#REDIRECT [[19edo chords #Ups and downs notation]]
	~~{\| class="wikitable"~~
	\|+
	!
	~~!d3~~
	~~!m3~~
	~~!M3~~
	~~!A3~~
	~~!P4~~
	\|-
	~~!triad~~
	~~\|C(d3)~~
	~~\|Cm~~
	\|C
	~~\|C(A3)~~
	~~\|C4~~
	\|-
	~~!M6~~
	~~\|C6(d3)~~
	~~\|Cm6~~
	~~\|C6~~
	~~\|C6(A3)~~
	~~\|C4,6~~
	\|-
	~~!A6~~
	d7
	~~\|C(d3)A6~~
	~~C(d3)d7~~
	~~\|CmA6~~
	~~Cmd7~~
	~~\|C,A6~~
	~~C,d7~~
	~~\|C(A3)A6~~
	~~C(A3)d7~~
	~~\|C4A6~~
	~~C4d7~~
	\|-
	~~!m7~~
	~~\|C7(d3)~~
	~~\|Cm7~~
	~~\|C7~~
	~~\|C7(A3)~~
	~~\|C4,7~~
	\|-
	~~!M7~~
	~~\|CM7(d3)~~
	~~\|CmM7~~
	~~\|CM7~~
	~~\|CM7(A3)~~
	~~\|C4M7~~
	\|-
	~~!A7~~
	~~\|CA7(d3)~~
	~~\|CmA7~~
	~~\|C,A7~~
	~~\|C(A3)A7~~
	~~\|C4A7~~
	\|}
	A comma (the actual punctuation mark ",") is spoken as "add", thus C,v7 is "C add-down-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.

	~~4:5:6:7 = C E G vBb is named C add-dim7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color~~ notation~~]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.~~
	~~{\| class="wikitable"~~
	\|+
	~~!chord~~
	~~!notes~~
	~~! colspan="2" \|ups and downs name~~
	~~! colspan="2" \|color name~~
	\|-
	~~\|4:5:6:7~~
	~~\|C E G Bbb~~
	~~\|C add-dim-7~~
	~~\|C,d7~~
	~~\|C har7~~
	~~\|Ch7~~
	\|-
	~~\|7/6/5/4~~
	~~\|C Ebb Gbb Bbb~~
	~~\|C dim-3 dim-7 double-dim5~~
	~~\|C(d3)d7(dd5)~~
	~~\|C sub7~~
	~~\|Cs7~~
	\|-
	~~\|12/10/8/7~~
	~~\|C Eb G A#~~
	~~\|C minor aug-6~~
	~~\|CmA6~~
	~~\|C sub6~~
	~~\|Cs6~~
	\|}
	~~See also:~~

	* [[22edo Chord Names]]
	* [[24edo Chord Names]]
	* [[31edo Chord Names]]
	* [[41edo Chord Names]]
	* [[Kite Guitar Chord Shapes (downmajor tuning)]]

	[[Category:19edo]]		[[Category:19edo]]

TallKite at 23:02, 21 December 2024

2024-12-21T23:02:28Z

← Older revision		Revision as of 23:02, 21 December 2024
Line 74:		Line 74:
	\|Ch7		\|Ch7
	\|-		\|-
	\|7/~~(7:~~6:5:4)		\|7/6/5/4
	\|C Ebb Gbb Bbb		\|C Ebb Gbb Bbb
	\|C dim-3 dim-7 double-dim5		\|C dim-3 dim-7 double-dim5
Line 81:		Line 81:
	\|Cs7		\|Cs7
	\|-		\|-
	\|12/~~(12:~~10:8:7)		\|12/10/8/7
	\|C Eb G A#		\|C Eb G A#
	\|C minor aug-6		\|C minor aug-6

TallKite: added categories

2024-11-14T08:45:42Z

added categories

← Older revision		Revision as of 08:45, 14 November 2024
Line 97:		Line 97:

	[[Category:19edo]]		[[Category:19edo]]
			[[Category:Chords]]
			[[Category:Ups and Downs Notation]]
			[[Category:Notation]]

TallKite: added links to similar pages

2021-11-19T00:03:57Z

added links to similar pages

@@ Line 88: / Line 88: @@
 |Cs6
 |}
 [[Category:19edo]]

TallKite at 07:26, 6 May 2021

2021-05-06T07:26:14Z

← Older revision		Revision as of 07:26, 6 May 2021
Line 6:		Line 6:
	!m3		!m3
	!M3		!M3
	!a3		!A3
	!P4		!P4
	\|-		\|-
Line 13:		Line 13:
	\|Cm		\|Cm
	\|C		\|C
	\|C(a3)		\|C(A3)
	\|C4		\|C4
	\|-		\|-
Line 20:		Line 20:
	\|Cm6		\|Cm6
	\|C6		\|C6
	\|C6(a3)		\|C6(A3)
	\|C4,6		\|C4,6
	\|-		\|-
	!a6		!A6
	d7		d7
	\|C(d3)a6		\|C(d3)A6
	C(d3)d7		C(d3)d7
	\|~~(Cm,a6)~~		\|CmA6
	Cmd7		Cmd7
	\|C,a6		\|C,A6
	C,d7		C,d7
	\|C(a3)a6		\|C(A3)A6
	C(a3)d7		C(A3)d7
	\|~~C4a6~~		\|C4A6
	C4d7		C4d7
	\|-		\|-
Line 40:		Line 40:
	\|Cm7		\|Cm7
	\|C7		\|C7
	\|C7(a3)		\|C7(A3)
	\|C4,7		\|C4,7
	\|-		\|-
Line 47:		Line 47:
	\|CmM7		\|CmM7
	\|CM7		\|CM7
	\|CM7(a3)		\|CM7(A3)
	\|C4M7		\|C4M7
	\|-		\|-
	!a7		!A7
	\|~~Ca7~~(d3)		\|CA7(d3)
	\|~~Cm,a7~~		\|CmA7
	\|C,a7		\|C,A7
	\|C(a3)a7		\|C(A3)A7
	\|~~C4a7~~		\|C4A7
	\|}		\|}
	A comma (the actual punctuation mark ",") is spoken as "add", thus C,v7 is "C add-down-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-~~seven". And also Cm,a6 and Cm,a7, which are "C minor aug six/~~seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord~~. Cma6 looks too much like C major 6~~.		A comma (the actual punctuation mark ",") is spoken as "add", thus C,v7 is "C add-down-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.

	4:5:6:7 = C E G vBb is named C add-dim7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.		4:5:6:7 = C E G vBb is named C add-dim7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.

TallKite: Created page with "Various 19edo triads, 6th and 7th chords, named via ups and downs. Not meant to be exhaustive, but this list does demonstrate the basic rules fo..."

2021-05-06T07:18:56Z

Created page with "Various 19edo triads, 6th and 7th chords, named via ups and downs. Not meant to be exhaustive, but this list does demonstrate the basic rules fo..."

New page

Various [[19edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. The aug 6th and the dim 7th are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.
{| class="wikitable"
|+
!
!d3
!m3
!M3
!a3
!P4
|-
!triad
|C(d3)
|Cm
|C
|C(a3)
|C4
|-
!M6
|C6(d3)
|Cm6
|C6
|C6(a3)
|C4,6
|-
!a6
d7
|C(d3)a6
C(d3)d7
|(Cm,a6)
Cmd7
|C,a6
C,d7
|C(a3)a6
C(a3)d7
|C4a6
C4d7
|-
!m7
|C7(d3)
|Cm7
|C7
|C7(a3)
|C4,7
|-
!M7
|CM7(d3)
|CmM7
|CM7
|CM7(a3)
|C4M7
|-
!a7
|Ca7(d3)
|Cm,a7
|C,a7
|C(a3)a7
|C4a7
|}
A comma (the actual punctuation mark ",") is spoken as "add", thus C,v7 is "C add-down-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". And also Cm,a6 and Cm,a7, which are "C minor aug six/seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. Cma6 looks too much like C major 6.

4:5:6:7 = C E G vBb is named C add-dim7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color notation]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.
{| class="wikitable"
|+
!chord
!notes
! colspan="2" |ups and downs name
! colspan="2" |color name
|-
|4:5:6:7
|C E G Bbb
|C add-dim-7
|C,d7
|C har7
|Ch7
|-
|7/(7:6:5:4)
|C Ebb Gbb Bbb
|C dim-3 dim-7 double-dim5
|C(d3)d7(dd5)
|C sub7
|Cs7
|-
|12/(12:10:8:7)
|C Eb G A#
|C minor aug-6
|CmA6
|C sub6
|Cs6
|}
[[Category:19edo]]

← Older revision		Revision as of 04:53, 22 December 2024
Line 1:		Line 1:
	~~Various~~ [[19edo~~]] triads, 6th and 7th~~ chords~~, named via [[~~Ups ~~and Downs Notation\|ups~~ and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. The aug 6th and the dim 7th are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.		#REDIRECT [[19edo chords #Ups and downs notation]]
	~~{\| class="wikitable"~~
	\|+
	!
	~~!d3~~
	~~!m3~~
	~~!M3~~
	~~!A3~~
	~~!P4~~
	\|-
	~~!triad~~
	~~\|C(d3)~~
	~~\|Cm~~
	\|C
	~~\|C(A3)~~
	~~\|C4~~
	\|-
	~~!M6~~
	~~\|C6(d3)~~
	~~\|Cm6~~
	~~\|C6~~
	~~\|C6(A3)~~
	~~\|C4,6~~
	\|-
	~~!A6~~
	d7
	~~\|C(d3)A6~~
	~~C(d3)d7~~
	~~\|CmA6~~
	~~Cmd7~~
	~~\|C,A6~~
	~~C,d7~~
	~~\|C(A3)A6~~
	~~C(A3)d7~~
	~~\|C4A6~~
	~~C4d7~~
	\|-
	~~!m7~~
	~~\|C7(d3)~~
	~~\|Cm7~~
	~~\|C7~~
	~~\|C7(A3)~~
	~~\|C4,7~~
	\|-
	~~!M7~~
	~~\|CM7(d3)~~
	~~\|CmM7~~
	~~\|CM7~~
	~~\|CM7(A3)~~
	~~\|C4M7~~
	\|-
	~~!A7~~
	~~\|CA7(d3)~~
	~~\|CmA7~~
	~~\|C,A7~~
	~~\|C(A3)A7~~
	~~\|C4A7~~
	\|}
	A comma (the actual punctuation mark ",") is spoken as "add", thus C,v7 is "C add-down-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord.

	~~4:5:6:7 = C E G vBb is named C add-dim7. To get a shorter name for this important chord, one could call it a harmonic7 chord, or one could borrow from [[color~~ notation~~]] to call it a har7 chord, written Ch7. Names for subharmonic chords can be similarly shortened.~~
	~~{\| class="wikitable"~~
	\|+
	~~!chord~~
	~~!notes~~
	~~! colspan="2" \|ups and downs name~~
	~~! colspan="2" \|color name~~
	\|-
	~~\|4:5:6:7~~
	~~\|C E G Bbb~~
	~~\|C add-dim-7~~
	~~\|C,d7~~
	~~\|C har7~~
	~~\|Ch7~~
	\|-
	~~\|7/6/5/4~~
	~~\|C Ebb Gbb Bbb~~
	~~\|C dim-3 dim-7 double-dim5~~
	~~\|C(d3)d7(dd5)~~
	~~\|C sub7~~
	~~\|Cs7~~
	\|-
	~~\|12/10/8/7~~
	~~\|C Eb G A#~~
	~~\|C minor aug-6~~
	~~\|CmA6~~
	~~\|C sub6~~
	~~\|Cs6~~
	\|}
	~~See also:~~

	* [[22edo Chord Names]]
	* [[24edo Chord Names]]
	* [[31edo Chord Names]]
	* [[41edo Chord Names]]
	* [[Kite Guitar Chord Shapes (downmajor tuning)]]

	[[Category:19edo]]		[[Category:19edo]]

← Older revision		Revision as of 01:01, 25 January 2025
Line 3:		Line 3:
	[[Category:19edo]]		[[Category:19edo]]
	[[Category:Chords]]		[[Category:Chords]]
	[[Category:Ups and ~~Downs Notation~~]]		[[Category:Ups and downs notation]]
	[[Category:Notation]]		[[Category:Notation]]