17tppp4 - Revision history

BudjarnLambeth at 09:04, 15 August 2025

2025-08-15T09:04:20Z

← Older revision		Revision as of 09:04, 15 August 2025
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	Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a [[Microtonal music\|microtonal/xenharmonic]] scale with no shortage of musical potential, but a scale in which very little music has been written. The '''Seventeen Tone Piano Project''' was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the [[17-EDO]] scale. Since then, four concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit [[SeventeenTonePianoProject\|http://xenharmonic.wikispaces.com/SeventeenTonePianoProject]].		Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a [[Microtonal music\|microtonal/xenharmonic]] scale with no shortage of musical potential, but a scale in which very little music has been written.

			The '''Seventeen Tone Piano Project''' was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the [[17-EDO]] scale. Since then, four concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit [[SeventeenTonePianoProject\|http://xenharmonic.wikispaces.com/SeventeenTonePianoProject]].

	Phase Four of the project began with a CALL FOR MICROTONAL SONGS and culminated in (1) a sing-along/sharing on '''Wednesday, April 30, 2008''' at the Bonnie Brae house, and (2) a presentation of songs on '''Thursday, May 1, 2008''' at Hirsch Orchestra Rehearsal Hall, Rice University, Houston, TX.		Phase Four of the project began with a CALL FOR MICROTONAL SONGS and culminated in (1) a sing-along/sharing on '''Wednesday, April 30, 2008''' at the Bonnie Brae house, and (2) a presentation of songs on '''Thursday, May 1, 2008''' at Hirsch Orchestra Rehearsal Hall, Rice University, Houston, TX.

BudjarnLambeth: Was pressing "random page" and stumbled on some Roman ruins. For now I just bolded the name of the main topic so the page is less disorienting to readers, and made a few words into links to their relevant pages.

2025-08-15T09:04:09Z

Was pressing "random page" and stumbled on some Roman ruins. For now I just bolded the name of the main topic so the page is less disorienting to readers, and made a few words into links to their relevant pages.

← Older revision		Revision as of 09:04, 15 August 2025
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	Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a microtonal/xenharmonic scale with no shortage of musical potential, but a scale in which very little music has been written. The Seventeen Tone Piano Project was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the 17-EDO scale. Since then, four concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit [[SeventeenTonePianoProject\|http://xenharmonic.wikispaces.com/SeventeenTonePianoProject]].		Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a [[Microtonal music\|microtonal/xenharmonic]] scale with no shortage of musical potential, but a scale in which very little music has been written. The '''Seventeen Tone Piano Project''' was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the [[17-EDO]] scale. Since then, four concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit [[SeventeenTonePianoProject\|http://xenharmonic.wikispaces.com/SeventeenTonePianoProject]].

	Phase Four of the project began with a CALL FOR MICROTONAL SONGS and culminated in (1) a sing-along/sharing on '''Wednesday, April 30, 2008''' at the Bonnie Brae house, and (2) a presentation of songs on '''Thursday, May 1, 2008''' at Hirsch Orchestra Rehearsal Hall, Rice University, Houston, TX.		Phase Four of the project began with a CALL FOR MICROTONAL SONGS and culminated in (1) a sing-along/sharing on '''Wednesday, April 30, 2008''' at the Bonnie Brae house, and (2) a presentation of songs on '''Thursday, May 1, 2008''' at Hirsch Orchestra Rehearsal Hall, Rice University, Houston, TX.

Fredg999: Categories

2023-04-20T02:21:06Z

BudjarnLambeth: Added to categories "alternative pages" and "17edo"

2023-04-18T07:44:46Z

Added to categories "alternative pages" and "17edo"

← Older revision		Revision as of 07:44, 18 April 2023
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	REQUIREMENTS for submission: Send a score, recording, or even both. Include a clear description of the required tuning (and notation, if unconventional). Mockup recordings at learning tempo for rehearsal purposes are much appreciated! Send submissions by APRIL 1, 2008. Let us know your intentions before then, if possible.		REQUIREMENTS for submission: Send a score, recording, or even both. Include a clear description of the required tuning (and notation, if unconventional). Mockup recordings at learning tempo for rehearsal purposes are much appreciated! Send submissions by APRIL 1, 2008. Let us know your intentions before then, if possible.

	Inquiries and submissions go to [[~~mailto:eptadecaphonic@gmail.com eptadecaphonic@gmail.com~~]], or		Inquiries and submissions go to [[/cdn-cgi/l/email-protection#bcd9ccc8ddd8d9dfddccd4d3d2d5dffcdbd1ddd5d092dfd3d1 <span class="__cf_email__" data-cfemail="f69386829792939597869e99989f95b6919b979f9ad895999b"><nowiki>[email protected]</nowiki></span>]], or

	Seventeen Tone Piano Project		Seventeen Tone Piano Project
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	PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.		PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.
			[[Category:Alternative pages]]
			[[Category:17edo]]

Wikispaces>FREEZE at 00:00, 17 July 2018

2018-07-17T00:00:00Z

Show changes

Wikispaces>phylingual: Imported revision 339976146 - Original comment:

2012-05-27T23:40:43Z

**Imported revision 339976146 - Original comment: **

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	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:~~garryou~~\|~~garryou~~]] and made on <tt>2012-05-27 21:19:07 UTC</tt>.<br>		: This revision was by author [[User:phylingual\|phylingual]] and made on <tt>2012-05-27 23:40:43 UTC</tt>.<br>
	: The original revision id was <tt>~~339946932~~</tt>.<br>		: The original revision id was <tt>339976146</tt>.<br>
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	VISIT: Let us know if you plan to attend. You may bring your own performers, or yourself as a performer, if you'd like. The sing-along will be an informal opportunity to share, teach, and learn music. The concert will be audio-recorded at the very least.		VISIT: Let us know if you plan to attend. You may bring your own performers, or yourself as a performer, if you'd like. The sing-along will be an informal opportunity to share, teach, and learn music. The concert will be audio-recorded at the very least.

	PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.		PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.</pre></div>
	~~resource:[[http://www.piano-factory.com\|Piano Manufacturers]]~~</pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>17tppp4</title></head><body>Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a microtonal/xenharmonic scale with no shortage of musical potential, but a scale in which very little music has been written. The Seventeen Tone Piano Project was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the 17-EDO scale. Since then, four concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit <a class="wiki_link" href="/SeventeenTonePianoProject">http://xenharmonic.wikispaces.com/SeventeenTonePianoProject</a>.<br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>17tppp4</title></head><body>Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a microtonal/xenharmonic scale with no shortage of musical potential, but a scale in which very little music has been written. The Seventeen Tone Piano Project was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the 17-EDO scale. Since then, four concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit <a class="wiki_link" href="/SeventeenTonePianoProject">http://xenharmonic.wikispaces.com/SeventeenTonePianoProject</a>.<br />
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	VISIT: Let us know if you plan to attend. You may bring your own performers, or yourself as a performer, if you'd like. The sing-along will be an informal opportunity to share, teach, and learn music. The concert will be audio-recorded at the very least.<br />		VISIT: Let us know if you plan to attend. You may bring your own performers, or yourself as a performer, if you'd like. The sing-along will be an informal opportunity to share, teach, and learn music. The concert will be audio-recorded at the very least.<br />
	<br />		<br />
	PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called &quot;flat&quot; has black keys tuned to (Db Eb Gb Ab Bb); the one called &quot;sharp&quot; has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.~~<br />~~		PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called &quot;flat&quot; has black keys tuned to (Db Eb Gb Ab Bb); the one called &quot;sharp&quot; has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.</body></html></pre></div>
	~~resource:<a class="wiki_link_ext" href="http://www.piano-factory.com" rel="nofollow">Piano Manufacturers</a>~~</body></html></pre></div>

Wikispaces>garryou: Imported revision 339946932 - Original comment:

2012-05-27T21:19:07Z

**Imported revision 339946932 - Original comment: **

Wikispaces>garryou: Imported revision 339946790 - Original comment:

2012-05-27T21:18:31Z

**Imported revision 339946790 - Original comment: **

← Older revision		Revision as of 21:18, 27 May 2012
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	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:~~hstraub~~\|~~hstraub~~]] and made on <tt>2012-01-~~20 03~~:19:11 UTC</tt>.<br>		: This revision was by author [[User:garryou\|garryou]] and made on <tt>2012-05-27 21:18:31 UTC</tt>.<br>
	: The original revision id was <tt>~~293785428~~</tt>.<br>		: The original revision id was <tt>339946790</tt>.<br>
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	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	VISIT: Let us know if you plan to attend. You may bring your own performers, or yourself as a performer, if you'd like. The sing-along will be an informal opportunity to share, teach, and learn music. The concert will be audio-recorded at the very least.		VISIT: Let us know if you plan to attend. You may bring your own performers, or yourself as a performer, if you'd like. The sing-along will be an informal opportunity to share, teach, and learn music. The concert will be audio-recorded at the very least.

	PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.</pre></div>		PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.
			resource:[[http://www.piano-factory.com\|Piano Manufacturer]]</pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>17tppp4</title></head><body>Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a microtonal/xenharmonic scale with no shortage of musical potential, but a scale in which very little music has been written. The Seventeen Tone Piano Project was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the 17-EDO scale. Since then, four concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit <a class="wiki_link" href="/SeventeenTonePianoProject">http://xenharmonic.wikispaces.com/SeventeenTonePianoProject</a>.<br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>17tppp4</title></head><body>Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a microtonal/xenharmonic scale with no shortage of musical potential, but a scale in which very little music has been written. The Seventeen Tone Piano Project was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the 17-EDO scale. Since then, four concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit <a class="wiki_link" href="/SeventeenTonePianoProject">http://xenharmonic.wikispaces.com/SeventeenTonePianoProject</a>.<br />
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	VISIT: Let us know if you plan to attend. You may bring your own performers, or yourself as a performer, if you'd like. The sing-along will be an informal opportunity to share, teach, and learn music. The concert will be audio-recorded at the very least.<br />		VISIT: Let us know if you plan to attend. You may bring your own performers, or yourself as a performer, if you'd like. The sing-along will be an informal opportunity to share, teach, and learn music. The concert will be audio-recorded at the very least.<br />
	<br />		<br />
	PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called &quot;flat&quot; has black keys tuned to (Db Eb Gb Ab Bb); the one called &quot;sharp&quot; has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.</body></html></pre></div>		PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called &quot;flat&quot; has black keys tuned to (Db Eb Gb Ab Bb); the one called &quot;sharp&quot; has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.<br />
			resource:<a class="wiki_link_ext" href="http://www.piano-factory.com" rel="nofollow">Piano Manufacturer</a></body></html></pre></div>

Wikispaces>hstraub: Imported revision 293785428 - Original comment: Spam?

2012-01-20T03:19:11Z

**Imported revision 293785428 - Original comment: Spam?**

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	: This revision was by author [[User:~~2708uu~~\|~~2708uu~~]] and made on <tt>2012-01-19 ~~01:07~~:35 UTC</tt>.<br>		: This revision was by author [[User:hstraub\|hstraub]] and made on <tt>2012-01-20 03:19:11 UTC</tt>.<br>
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	[[image:duparster.gif]]		[[image:duparster.gif]]
	*) NB: due to an organizational error this was not presented as an official Shepherd School of ~~[[http:~~/~~/www.honeymp3.com\|Music]]~~ "concert", but instead an independently produced "showcase".		*) NB: due to an organizational error this was not presented as an official Shepherd School of <span class="wiki_link_ext">Music</span> "concert", but instead an independently produced "showcase".

	==The call for songs==		==The call for songs==
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	*) NB: due to an organizational error this was not presented as an official Shepherd School of <a class="wiki_link_ext~~" href="http://www.honeymp3.com" rel="nofollow~~">Music</a> &quot;concert&quot;, but instead an independently produced &quot;showcase&quot;.<br />		*) NB: due to an organizational error this was not presented as an official Shepherd School of <span class="wiki_link_ext">Music</span> &quot;concert&quot;, but instead an independently produced &quot;showcase&quot;.<br />
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:4:&lt;h2&gt; --><h2 id="toc2"><a name="x-The call for songs"></a><!-- ws:end:WikiTextHeadingRule:4 -->The call for songs</h2>		<!-- ws:start:WikiTextHeadingRule:4:&lt;h2&gt; --><h2 id="toc2"><a name="x-The call for songs"></a><!-- ws:end:WikiTextHeadingRule:4 -->The call for songs</h2>

Wikispaces>2708uu: Imported revision 293440698 - Original comment:

2012-01-19T01:07:35Z

**Imported revision 293440698 - Original comment: **

← Older revision		Revision as of 01:07, 19 January 2012
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	: This revision was by author [[User:~~keenanpepper~~\|~~keenanpepper~~]] and made on <tt>~~2011~~-11-~~10 18~~:35~~:19~~ UTC</tt>.<br>		: This revision was by author [[User:2708uu\|2708uu]] and made on <tt>2012-01-19 01:07:35 UTC</tt>.<br>
	: The original revision id was <tt>~~274212130~~</tt>.<br>		: The original revision id was <tt>293440698</tt>.<br>
	: The revision comment was: <tt>~~Reverted to Aug 31, 2008 6:02 pm: spam~~</tt><br>		: The revision comment was: <tt></tt><br>
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	<h4>Original Wikitext content:</h4>		<h4>Original Wikitext content:</h4>
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	Tommy Scheurich: [[http://xenharmonic.wikispaces.com/space/showimage/17tppp4_confinale.mp3\|Confrontation and Finale]] from //Story Worth Telling// (17-edo) ~ Meghan Jacob Ben Dan Lembit		Tommy Scheurich: [[http://xenharmonic.wikispaces.com/space/showimage/17tppp4_confinale.mp3\|Confrontation and Finale]] from //Story Worth Telling// (17-edo) ~ Meghan Jacob Ben Dan Lembit

	//micro choir:		//micro choir://
	Marjorie Gere & Meghan Tarkington, soprano		//Marjorie Gere & Meghan Tarkington, soprano//
	Angelique Poteat & Ryan Stickney, alto		//Angelique Poteat & Ryan Stickney, alto//
	Jacob Barton & Dan Sedgwick, tenor		//Jacob Barton & Dan Sedgwick, tenor//
	Benjamin Grow & Brian Nelson, bass//		//Benjamin Grow & Brian Nelson, bass//

	[[17tppp4_flash\|Page with embedded flash players]]		[[17tppp4_flash\|Page with embedded flash players]]
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	[[image:duparster.gif]]		[[image:duparster.gif]]
	*) NB: due to an organizational error this was not presented as an official Shepherd School of Music "concert", but instead an independently produced "showcase".		*) NB: due to an organizational error this was not presented as an official Shepherd School of [[http://www.honeymp3.com\|Music]] "concert", but instead an independently produced "showcase".

	==The call for songs==		==The call for songs==
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	Tommy Scheurich: <a class="wiki_link_ext" href="http://xenharmonic.wikispaces.com/space/showimage/17tppp4_confinale.mp3" rel="nofollow">Confrontation and Finale</a> from <em>Story Worth Telling</em> (17-edo) ~ Meghan Jacob Ben Dan Lembit<br />		Tommy Scheurich: <a class="wiki_link_ext" href="http://xenharmonic.wikispaces.com/space/showimage/17tppp4_confinale.mp3" rel="nofollow">Confrontation and Finale</a> from <em>Story Worth Telling</em> (17-edo) ~ Meghan Jacob Ben Dan Lembit<br />
	<br />		<br />
	<em>micro choir:<br />		<em>micro choir:</em><br />
	Marjorie Gere &amp; Meghan Tarkington, soprano<br />		<em>Marjorie Gere &amp; Meghan Tarkington, soprano</em><br />
	Angelique Poteat &amp; Ryan Stickney, alto<br />		<em>Angelique Poteat &amp; Ryan Stickney, alto</em><br />
	Jacob Barton &amp; Dan Sedgwick, tenor<br />		<em>Jacob Barton &amp; Dan Sedgwick, tenor</em><br />
	Benjamin Grow &amp; Brian Nelson, bass</em><br />		<em>Benjamin Grow &amp; Brian Nelson, bass</em><br />
	<br />		<br />
	<a class="wiki_link" href="/17tppp4_flash">Page with embedded flash players</a><br />		<a class="wiki_link" href="/17tppp4_flash">Page with embedded flash players</a><br />
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	<br />		<br />
	<!-- ws:start:WikiTextLocalImageRule:18:&lt;img src=&quot;/file/view/duparster.gif/33861577/duparster.gif&quot; alt=&quot;&quot; title=&quot;&quot; /&gt; --><img src="/file/view/duparster.gif/33861577/duparster.gif" alt="duparster.gif" title="duparster.gif" /><!-- ws:end:WikiTextLocalImageRule:18 --><br />		<!-- ws:start:WikiTextLocalImageRule:18:&lt;img src=&quot;/file/view/duparster.gif/33861577/duparster.gif&quot; alt=&quot;&quot; title=&quot;&quot; /&gt; --><img src="/file/view/duparster.gif/33861577/duparster.gif" alt="duparster.gif" title="duparster.gif" /><!-- ws:end:WikiTextLocalImageRule:18 --><br />
	*) NB: due to an organizational error this was not presented as an official Shepherd School of Music &quot;concert&quot;, but instead an independently produced &quot;showcase&quot;.<br />		*) NB: due to an organizational error this was not presented as an official Shepherd School of <a class="wiki_link_ext" href="http://www.honeymp3.com" rel="nofollow">Music</a> &quot;concert&quot;, but instead an independently produced &quot;showcase&quot;.<br />
	<br />		<br />
	<!-- ws:start:WikiTextHeadingRule:4:&lt;h2&gt; --><h2 id="toc2"><a name="x-The call for songs"></a><!-- ws:end:WikiTextHeadingRule:4 -->The call for songs</h2>		<!-- ws:start:WikiTextHeadingRule:4:&lt;h2&gt; --><h2 id="toc2"><a name="x-The call for songs"></a><!-- ws:end:WikiTextHeadingRule:4 -->The call for songs</h2>

← Older revision		Revision as of 02:21, 20 April 2023
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	PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.		PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.
	[[Category:~~Alternative pages~~]]
			[[Category:Projects]]
	[[Category:17edo]]		[[Category:17edo]]

← Older revision		Revision as of 21:19, 27 May 2012
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	<h2>IMPORTED REVISION FROM WIKISPACES</h2>		<h2>IMPORTED REVISION FROM WIKISPACES</h2>
	This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>		This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
	: This revision was by author [[User:garryou\|garryou]] and made on <tt>2012-05-27 21:18:31 UTC</tt>.<br>		: This revision was by author [[User:garryou\|garryou]] and made on <tt>2012-05-27 21:19:07 UTC</tt>.<br>
	: The original revision id was <tt>~~339946790~~</tt>.<br>		: The original revision id was <tt>339946932</tt>.<br>
	: The revision comment was: <tt></tt><br>		: The revision comment was: <tt></tt><br>
	The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>		The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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	PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.		PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called "flat" has black keys tuned to (Db Eb Gb Ab Bb); the one called "sharp" has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.
	resource:[[http://www.piano-factory.com\|Piano ~~Manufacturer~~]]</pre></div>		resource:[[http://www.piano-factory.com\|Piano Manufacturers]]</pre></div>
	<h4>Original HTML content:</h4>		<h4>Original HTML content:</h4>
	<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>17tppp4</title></head><body>Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a microtonal/xenharmonic scale with no shortage of musical potential, but a scale in which very little music has been written. The Seventeen Tone Piano Project was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the 17-EDO scale. Since then, four concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit <a class="wiki_link" href="/SeventeenTonePianoProject">http://xenharmonic.wikispaces.com/SeventeenTonePianoProject</a>.<br />		<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>17tppp4</title></head><body>Seventeen Equal Divisions of the Octave (as opposed to the usual 12) is a microtonal/xenharmonic scale with no shortage of musical potential, but a scale in which very little music has been written. The Seventeen Tone Piano Project was initiated in Houston in 2006 when two of Rice University's surplus pianos were tuned to the 17-EDO scale. Since then, four concerts or 'phases' have been organized with this name, which featured new 17-tone music by Rice composers as well as microtonalists around the world. For recordings and more information about the project, visit <a class="wiki_link" href="/SeventeenTonePianoProject">http://xenharmonic.wikispaces.com/SeventeenTonePianoProject</a>.<br />
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	<br />		<br />
	PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called &quot;flat&quot; has black keys tuned to (Db Eb Gb Ab Bb); the one called &quot;sharp&quot; has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.<br />		PIANOS: the Seventeen Tone Pianos are two pianos tuned to overlapping 12-out-of-17-EDO scales. Following the circle-of-fifths naming system for 17, the white keys of both pianos are tuned identically, to the (notated) C major scale (C D E F G A B). The piano called &quot;flat&quot; has black keys tuned to (Db Eb Gb Ab Bb); the one called &quot;sharp&quot; has (C# D# F# G# A#). Remember, C# is HIGHER than Db! In scores with separate staves for each piano, it is not necessary to spell chords with these distinctions; notating intervals in their most common appearance is recommended for quick readability, e.g. Eb-C in the sharp piano part, rather than D#-C.<br />
	resource:<a class="wiki_link_ext" href="http://www.piano-factory.com" rel="nofollow">Piano ~~Manufacturer~~</a></body></html></pre></div>		resource:<a class="wiki_link_ext" href="http://www.piano-factory.com" rel="nofollow">Piano Manufacturers</a></body></html></pre></div>

17tppp4 - Revision history

BudjarnLambeth at 09:04, 15 August 2025

BudjarnLambeth: Was pressing "random page" and stumbled on some Roman ruins. For now I just bolded the name of the main topic so the page is less disorienting to readers, and made a few words into links to their relevant pages.

Fredg999: Categories

BudjarnLambeth: Added to categories "alternative pages" and "17edo"

Wikispaces>FREEZE at 00:00, 17 July 2018

Wikispaces>phylingual: **Imported revision 339976146 - Original comment: **

Wikispaces>garryou: **Imported revision 339946932 - Original comment: **

Wikispaces>garryou: **Imported revision 339946790 - Original comment: **

Wikispaces>hstraub: **Imported revision 293785428 - Original comment: Spam?**

Wikispaces>2708uu: **Imported revision 293440698 - Original comment: **

Wikispaces>phylingual: Imported revision 339976146 - Original comment:

Wikispaces>garryou: Imported revision 339946932 - Original comment:

Wikispaces>garryou: Imported revision 339946790 - Original comment:

Wikispaces>hstraub: Imported revision 293785428 - Original comment: Spam?

Wikispaces>2708uu: Imported revision 293440698 - Original comment: