159edo/Notation - Revision history

Fredg999: Text replacement - "Ups and Downs Notation" to "Ups and downs notation"

2025-08-20T01:07:28Z

Text replacement - "Ups and Downs Notation" to "Ups and downs notation"

← Older revision		Revision as of 01:07, 20 August 2025
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	\| This is nothing more than a better version of the <code>v</code> marking from Ups and ~~Downs Notation~~.		\| This is nothing more than a better version of the <code>v</code> marking from Ups and downs notation.
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	\| +1		\| +1
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	\| This is nothing more than a better version of the <code>^</code> marking from Ups and ~~Downs Notation~~.		\| This is nothing more than a better version of the <code>^</code> marking from Ups and downs notation.
	\|-		\|-
	\| −2		\| −2
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	\| This is two darts down fused into a single glyph for a more compact representation of <code>vv</code> from Ups and ~~Downs Notation~~.		\| This is two darts down fused into a single glyph for a more compact representation of <code>vv</code> from Ups and downs notation.
	\|-		\|-
	\| +2		\| +2
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	\| This is two darts up fused into a single glyph for a more compact representation of <code>^^</code> from Ups and ~~Downs Notation~~.		\| This is two darts up fused into a single glyph for a more compact representation of <code>^^</code> from Ups and downs notation.
	\|-		\|-
	\| −3		\| −3

Tristanbay: /* Ups-and-downs-based notation */Added ups-and-downs example with drops and lifts

2025-04-11T19:48:54Z

Ups-and-downs-based notation: Added ups-and-downs example with drops and lifts

@@ Line 620: / Line 620: @@
 Thus 4:5:6:7:9:11 = P1 vvvM3 P5 ^<m7 M9 ^^>11 = C vvvE G ^<Bb D ^^>F = Cvvv9(^<7)^^>11 = C trud-9 quud-7 dupquip-11
 === Advantages and disadvantages ===
@@ Line 627: / Line 676: @@
 [[Category:Notation]]
 [[Category:159edo notation| ]] <!-- main article -->
 == Sagittal notation ==

ArrowHead294: Formatting

2025-01-21T01:28:05Z

Formatting

Show changes

ArrowHead294: ArrowHead294 moved page 159edo notation to 159edo/Notation: Change to subpage format

2025-01-21T01:16:05Z

ArrowHead294 moved page 159edo notation to 159edo/Notation: Change to subpage format

← Older revision	Revision as of 01:16, 21 January 2025
(No difference)

TallKite: /* Advantages and disadvantages */

2024-12-23T13:14:31Z

Advantages and disadvantages

← Older revision		Revision as of 13:14, 23 December 2024
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	===Advantages and disadvantages===		===Advantages and disadvantages===

	One advantage of this notation is that it keeps the traditional naturals, sharps, flats, double sharps and double flats, and assigns them to values based on 3-limit JI. Thus this notation has some level of familiarity for musicians from a traditional background, while being simpler and more intuitive than the first system. This system avoids half-sharps and half-flats because the sharp and the flat are each 15 edosteps. 15 is an odd number, so there are strictly speaking no half-sharps in 159edo~~. It assumes a prior understanding of [[53edo]], which could be a disadvantage if one comes to 159edo directly, without first exploring 53~~.		One advantage of this notation is that it keeps the traditional naturals, sharps, flats, double sharps and double flats, and assigns them to values based on 3-limit JI. Thus this notation has some level of familiarity for musicians from a traditional background, while being simpler and more intuitive than the first system. This system avoids half-sharps and half-flats because the sharp and the flat are each 15 edosteps. 15 is an odd number, so there are strictly speaking no half-sharps in 159edo.

	[[Category:159edo]]		[[Category:159edo]]

TallKite: /* Ups-and-Downs-based notation */ changed it to quip and quid

2024-12-23T13:13:56Z

Ups-and-Downs-based notation: changed it to quip and quid

Show changes

BudjarnLambeth: {{Notation navbox}}

2024-12-02T23:59:26Z

← Older revision		Revision as of 23:59, 2 December 2024
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	By striking a good balance between the number of accidentals and their semantic consistency, Syntonic-Rastmic Subchroma notation manages to address the weaknesses of both Ups and Downs notation and Sagittal notation, and, as it's derived from Neutral Circle-of-Fifths notation- the de facto standard foundation for notation in 24edo- it is more easily accessible to microtonal musicians at the beginner level, all while retaining Helmholtz-Ellis notation's advantage of fixing the key notation problems that have plagued 53edo itself by means of accounting for the 2.3.5.11 subgroup in general and the syntonic comma specifically.		By striking a good balance between the number of accidentals and their semantic consistency, Syntonic-Rastmic Subchroma notation manages to address the weaknesses of both Ups and Downs notation and Sagittal notation, and, as it's derived from Neutral Circle-of-Fifths notation- the de facto standard foundation for notation in 24edo- it is more easily accessible to microtonal musicians at the beginner level, all while retaining Helmholtz-Ellis notation's advantage of fixing the key notation problems that have plagued 53edo itself by means of accounting for the 2.3.5.11 subgroup in general and the syntonic comma specifically.


			{{Notation navbox}}

	[[Category:Todo:expand]]		[[Category:Todo:expand]]

BudjarnLambeth: /* Helmholtz-Ellis-based notation */ User:Aura —> Aura

2024-10-14T03:23:24Z

Helmholtz-Ellis-based notation: User:Aura —> Aura

← Older revision		Revision as of 03:23, 14 October 2024
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	== Helmholtz-Ellis-based notation ==		== Helmholtz-Ellis-based notation ==

	The first [[159edo]]-notation system proposed by [[~~User:Aura\|~~Aura]] modifies the [[Helmholtz-Ellis notation]] in such a way that undecimal quartertones play a central role alongside the traditional accidentals, with mainstream quartertone accidentals being used to represent them. This is because undecimal quartertones are actually useful in modulation to keys that are not on the same circle of fifths while being simultaneously within an unnoticeable comma's distance from the quartertone of [[24edo]], which many musicians outside the microtonal community proper have at least a passing familiarity with. It should be noted that most of the symbols listed in this section derive their functions from JI. In addition, it should be noted that accidentals are not just modifiers for single notes, but signs that indicate the change of both the tonal and modal base, and can thus appear in key signatures.		The first [[159edo]]-notation system proposed by [[Aura]] modifies the [[Helmholtz-Ellis notation]] in such a way that undecimal quartertones play a central role alongside the traditional accidentals, with mainstream quartertone accidentals being used to represent them. This is because undecimal quartertones are actually useful in modulation to keys that are not on the same circle of fifths while being simultaneously within an unnoticeable comma's distance from the quartertone of [[24edo]], which many musicians outside the microtonal community proper have at least a passing familiarity with. It should be noted that most of the symbols listed in this section derive their functions from JI. In addition, it should be noted that accidentals are not just modifiers for single notes, but signs that indicate the change of both the tonal and modal base, and can thus appear in key signatures.

	=== Available base glyphs ===		=== Available base glyphs ===

TallKite: /* Ups-and-Downs-based notation */ removed upmid, downmid, etc.

2024-05-11T01:30:52Z

Ups-and-Downs-based notation: removed upmid, downmid, etc.

Show changes

Aura at 13:29, 6 September 2023

2023-09-06T13:29:09Z

← Older revision		Revision as of 13:29, 6 September 2023
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	12 #↓ synflat sharp		12 #↓ synflat sharp
	13 #↓/ rasharp synflat sharp		13 #↓/ rasharp synflat sharp
	#\\ double ~~rasharp~~ sharp		#\\ double raflat sharp
	14 #\ raflat sharp		14 #\ raflat sharp
	15 # sharp		15 # sharp