128:160:192:225 - Revision history

BudjarnLambeth at 06:04, 4 December 2024

2024-12-04T06:04:17Z

← Older revision		Revision as of 06:04, 4 December 2024
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	[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] and [[marvel]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] ([[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].		[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] and [[marvel]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] ([[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].

	If 128/125 is tempered out, this chord is tuned identically to both [[256:320:375:450]] and [[20:25:30:36]].		If [[128/125]] is tempered out, this chord is tuned identically to both [[256:320:375:450]] and [[20:25:30:36]].

	[[Category:German sixth chords\|###]] <!-- 3-digit first number -->		[[Category:German sixth chords\|###]] <!-- 3-digit first number -->
	[[Category:Dominant seventh chords\|###]] <!-- 3-digit first number -->		[[Category:Dominant seventh chords\|###]] <!-- 3-digit first number -->

BudjarnLambeth at 06:04, 4 December 2024

2024-12-04T06:04:04Z

← Older revision		Revision as of 06:04, 4 December 2024
Line 3:		Line 3:

	[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] and [[marvel]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] ([[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].		[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] and [[marvel]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] ([[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].

			If 128/125 is tempered out, this chord is tuned identically to both [[256:320:375:450]] and [[20:25:30:36]].

	[[Category:German sixth chords\|###]] <!-- 3-digit first number -->		[[Category:German sixth chords\|###]] <!-- 3-digit first number -->
	[[Category:Dominant seventh chords\|###]] <!-- 3-digit first number -->		[[Category:Dominant seventh chords\|###]] <!-- 3-digit first number -->

TallKite: add color name

2024-09-24T19:50:37Z

add color name

← Older revision		Revision as of 19:50, 24 September 2024
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	{{Infobox Chord}}		{{Infobox Chord\|ColorName=yo layoyo-6 or y,Lyy6}}
	'''128:160:192:225''', a [[German sixth chord]], is found rooted at the ♭II ({{Frac\|16\|15}}) and ♭VI ({{Frac\|8\|5}}) of the [[duodene]].		'''128:160:192:225''', a [[German sixth chord]], is found rooted at the ♭II ({{Frac\|16\|15}}) and ♭VI ({{Frac\|8\|5}}) of the [[duodene]].

Bcmills: remove redundant “5-limit” mentions. the fact that it is a 5-limit chord is now included in the infobox.

2024-08-28T03:04:17Z

remove redundant “5-limit” mentions. the fact that it is a 5-limit chord is now included in the infobox.

← Older revision		Revision as of 03:04, 28 August 2024
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	{{Infobox Chord~~\|Name=5-limit German sixth~~}}		{{Infobox Chord}}
	'''128:160:192:225''', a ~~[[5-limit]]~~ [[German sixth chord]], is found rooted at the ♭II ({{Frac\|16\|15}}) and ♭VI ({{Frac\|8\|5}}) of the [[duodene]].		'''128:160:192:225''', a [[German sixth chord]], is found rooted at the ♭II ({{Frac\|16\|15}}) and ♭VI ({{Frac\|8\|5}}) of the [[duodene]].

	[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] and [[marvel]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] ([[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].		[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] and [[marvel]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] ([[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].

Bcmills: mention marvel and 12edo explicitly

2024-08-28T01:13:22Z

mention marvel and 12edo explicitly

← Older revision		Revision as of 01:13, 28 August 2024
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	'''128:160:192:225''', a [[5-limit]] [[German sixth chord]], is found rooted at the ♭II ({{Frac\|16\|15}}) and ♭VI ({{Frac\|8\|5}}) of the [[duodene]].		'''128:160:192:225''', a [[5-limit]] [[German sixth chord]], is found rooted at the ♭II ({{Frac\|16\|15}}) and ♭VI ({{Frac\|8\|5}}) of the [[duodene]].

	[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] (~~such as~~ [[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].		[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] and [[marvel]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] ([[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].

	[[Category:German sixth chords\|###]] <!-- 3-digit first number -->		[[Category:German sixth chords\|###]] <!-- 3-digit first number -->
	[[Category:Dominant seventh chords\|###]] <!-- 3-digit first number -->		[[Category:Dominant seventh chords\|###]] <!-- 3-digit first number -->

Bcmills at 04:24, 20 August 2024

2024-08-20T04:24:59Z

← Older revision		Revision as of 04:24, 20 August 2024
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	[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] (such as [[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].		[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] (such as [[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].

	[[Category:Dominant seventh chords]]		[[Category:German sixth chords\|###]] <!-- 3-digit first number -->
			[[Category:Dominant seventh chords\|###]] <!-- 3-digit first number -->

Bcmills at 21:58, 19 August 2024

2024-08-19T21:58:19Z

← Older revision		Revision as of 21:58, 19 August 2024
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	[[Category:Dominant seventh chords]]		[[Category:Dominant seventh chords]]
	~~[[Category:Augmented sixth chords]]~~
	~~[[Category:Tetrads]]~~

Bcmills at 21:54, 19 August 2024

2024-08-19T21:54:36Z

← Older revision		Revision as of 21:54, 19 August 2024
Line 5:		Line 5:

	[[Category:Dominant seventh chords]]		[[Category:Dominant seventh chords]]
			[[Category:Augmented sixth chords]]
			[[Category:Tetrads]]

Bcmills at 21:52, 19 August 2024

2024-08-19T21:52:11Z

← Older revision		Revision as of 21:52, 19 August 2024
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	{{Infobox Chord\|Name=5-limit German sixth}}		{{Infobox Chord\|Name=5-limit German sixth}}
	'''128:160:192:225''', a [[5-limit]] ~~{{w\|Augmented sixth chord #German sixth\|''~~German sixth chord~~''}}~~, is found rooted at the ♭II ({{Frac\|16\|15}}) and ♭VI ({{Frac\|8\|5}}) of the [[duodene]].		'''128:160:192:225''', a [[5-limit]] [[German sixth chord]], is found rooted at the ♭II ({{Frac\|16\|15}}) and ♭VI ({{Frac\|8\|5}}) of the [[duodene]].

	[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] (such as [[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].		[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] (such as [[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].

	[[Category:Dominant seventh chords]]		[[Category:Dominant seventh chords]]

Bcmills: Remove reference to Neapolitan chord (turns out the Neapolitan chord is a triad, not a tetrad); omit needless words.

2024-08-15T00:29:18Z

Remove reference to Neapolitan chord (turns out the Neapolitan chord is a triad, not a tetrad); omit needless words.

← Older revision		Revision as of 00:29, 15 August 2024
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	{{Infobox Chord\|Name=~~5-limit Neapolitan,~~ 5-limit German sixth}}		{{Infobox Chord\|Name=5-limit German sixth}}
	'''128:160:192:225''', a [[5-limit]] ~~interpretation of an inversion of the {{w\|Neapolitan chord\|''Neapolitan''}} or~~ {{w\|Augmented sixth chord #German sixth\|''German sixth chord''}}, is found rooted at the ♭II ({{Frac\|16\|15}}) and ♭VI ({{Frac\|8\|5}}) of the [[duodene]].		'''128:160:192:225''', a [[5-limit]] {{w\|Augmented sixth chord #German sixth\|''German sixth chord''}}, is found rooted at the ♭II ({{Frac\|16\|15}}) and ♭VI ({{Frac\|8\|5}}) of the [[duodene]].

	[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] (such as [[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].		[[225/128]] is usually considered an augmented sixth rather than a minor seventh; however, it is often tempered in a way that makes this chord indistinguishable from certain kinds of [[dominant seventh chord]]. For example, in [[septimal meantone]] it is tuned identically to the much simpler harmonic seventh chord [[4:5:6:7]], and in meantone tunings that also temper out the [[Pythagorean comma]] (such as [[12edo]] and its multiples) it is tuned identically to [[36:45:54:64]] and [[20:25:30:36]].

	[[Category:Dominant seventh chords]]		[[Category:Dominant seventh chords]]