108:135:160:192 - Revision history

TallKite: add color name

2024-09-24T19:48:21Z

add color name

← Older revision		Revision as of 19:48, 24 September 2024
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	{{Infobox Chord}}		{{Infobox Chord\|ColorName=yo add-7 yo-5 or y,7(y5)}}
	'''108:135:160:192''' is a [[dominant seventh chord]] found on the dominant scale degree (V or {{Frac\|3\|2}}) of a diatonic scale with the second degree tuned a comma lower than in [[Zarlino]] ([[10/9]] instead of [[9/8]]), such as in left-handed [[nicetone]]. It combines a [[5/4]] ([[5-limit]]) major third with a [[16/9]] ([[3-limit]]) minor seventh, creating a [[64/45]] tritone between the two. Since each of the steps relates to at least one other by an interval in the [[9-odd-limit]], it is a 9-odd [[condissonant]] chord.		'''108:135:160:192''' is a [[dominant seventh chord]] found on the dominant scale degree (V or {{Frac\|3\|2}}) of a diatonic scale with the second degree tuned a comma lower than in [[Zarlino]] ([[10/9]] instead of [[9/8]]), such as in left-handed [[nicetone]]. It combines a [[5/4]] ([[5-limit]]) major third with a [[16/9]] ([[3-limit]]) minor seventh, creating a [[64/45]] tritone between the two. Since each of the steps relates to at least one other by an interval in the [[9-odd-limit]], it is a 9-odd [[condissonant]] chord.

Bcmills: mention that this chord is 9-odd condissonant; drop “Pythagorean” / “Ptolemaic” jargon

2024-08-28T02:50:27Z

mention that this chord is 9-odd condissonant; drop “Pythagorean” / “Ptolemaic” jargon

← Older revision		Revision as of 02:50, 28 August 2024
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	{{Infobox Chord}}		{{Infobox Chord}}
	'''108:135:160:192''' is a [[dominant seventh chord]] found on the dominant scale degree (V or {{Frac\|3\|2}}) of a diatonic scale with the second degree tuned a comma lower than in [[Zarlino]] ([[10/9]] instead of [[9/8]]), such as in left-handed [[nicetone]]. It combines a [[5/4]] major third with a [[16/9]] ~~Pythagorean~~ minor seventh, creating a [[64/45]] tritone between the two.		'''108:135:160:192''' is a [[dominant seventh chord]] found on the dominant scale degree (V or {{Frac\|3\|2}}) of a diatonic scale with the second degree tuned a comma lower than in [[Zarlino]] ([[10/9]] instead of [[9/8]]), such as in left-handed [[nicetone]]. It combines a [[5/4]] ([[5-limit]]) major third with a [[16/9]] ([[3-limit]]) minor seventh, creating a [[64/45]] tritone between the two. Since each of the steps relates to at least one other by an interval in the [[9-odd-limit]], it is a 9-odd [[condissonant]] chord.

	~~Since it~~ contains a [[40/27]] ''grave fifth'' instead of a [[3/2]] ''perfect fifth'', ~~this chord~~ has more dissonance than would be present in the closely-related ~~Ptolemaic dominant seventh~~ chord ([[36:45:54:64]]).		Because this chord contains a [[40/27]] ''grave fifth'' instead of a [[3/2]] ''perfect fifth'', it has more dissonance than would be present in the closely-related [[36:45:54:64]].

			In [[meantone]] temperament, this chord is tempered to be the same as [[36:45:54:64]] and [[20:25:30:36]].

	[[Category:Dominant seventh chords\|###]] <!-- 3-digit first number -->		[[Category:Dominant seventh chords\|###]] <!-- 3-digit first number -->

Bcmills at 04:26, 20 August 2024

2024-08-20T04:26:52Z

← Older revision		Revision as of 04:26, 20 August 2024
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	Since it contains a [[40/27]] ''grave fifth'' instead of a [[3/2]] ''perfect fifth'', this chord has more dissonance than would be present in the closely-related Ptolemaic dominant seventh chord ([[36:45:54:64]]).		Since it contains a [[40/27]] ''grave fifth'' instead of a [[3/2]] ''perfect fifth'', this chord has more dissonance than would be present in the closely-related Ptolemaic dominant seventh chord ([[36:45:54:64]]).

	[[Category:Dominant seventh chords]]		[[Category:Dominant seventh chords\|###]] <!-- 3-digit first number -->

Bcmills at 18:46, 12 August 2024

2024-08-12T18:46:00Z

← Older revision		Revision as of 18:46, 12 August 2024
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	{{Infobox Chord}}		{{Infobox Chord}}
	'''108:135:160:192''' is a [[dominant seventh chord]] found on the dominant scale degree (~~3⁄2~~ or V) of a diatonic scale with the second degree tuned a comma lower than in [[Zarlino]] (~~10⁄9~~ instead of ~~9⁄8~~), such as in left-handed [[nicetone]]. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.		'''108:135:160:192''' is a [[dominant seventh chord]] found on the dominant scale degree (V or {{Frac\|3\|2}}) of a diatonic scale with the second degree tuned a comma lower than in [[Zarlino]] ([[10/9]] instead of [[9/8]]), such as in left-handed [[nicetone]]. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.

	Since it contains a [[40/27]] ''grave fifth'' instead of a [[3/2]] ''perfect fifth'', this chord has more dissonance than would be present in the closely-related Ptolemaic dominant seventh chord ([[36:45:54:64]]).		Since it contains a [[40/27]] ''grave fifth'' instead of a [[3/2]] ''perfect fifth'', this chord has more dissonance than would be present in the closely-related Ptolemaic dominant seventh chord ([[36:45:54:64]]).

	[[Category:Dominant seventh chords]]		[[Category:Dominant seventh chords]]

Bcmills at 14:15, 12 August 2024

2024-08-12T14:15:58Z

← Older revision		Revision as of 14:15, 12 August 2024
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	'''108:135:160:192''' is a [[dominant seventh chord]] found on the dominant scale degree (3⁄2 or V) of a diatonic scale with the second degree tuned a comma lower than in [[Zarlino]] (10⁄9 instead of 9⁄8), such as in left-handed [[nicetone]]. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.		'''108:135:160:192''' is a [[dominant seventh chord]] found on the dominant scale degree (3⁄2 or V) of a diatonic scale with the second degree tuned a comma lower than in [[Zarlino]] (10⁄9 instead of 9⁄8), such as in left-handed [[nicetone]]. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.

	Since it contains a [[40/27]] ''grave fifth'' instead of a [[3/2]] ''perfect fifth'', this chord has more dissonance than would be present in the closely-related [[Ptolemaic dominant seventh chord]].		Since it contains a [[40/27]] ''grave fifth'' instead of a [[3/2]] ''perfect fifth'', this chord has more dissonance than would be present in the closely-related Ptolemaic dominant seventh chord ([[36:45:54:64]]).

	[[Category:Dominant seventh chords]]		[[Category:Dominant seventh chords]]

Bcmills at 05:53, 12 August 2024

2024-08-12T05:53:42Z

← Older revision		Revision as of 05:53, 12 August 2024
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	{{Infobox Chord}}		{{Infobox Chord}}
			'''108:135:160:192''' is a [[dominant seventh chord]] found on the dominant scale degree (3⁄2 or V) of a diatonic scale with the second degree tuned a comma lower than in [[Zarlino]] (10⁄9 instead of 9⁄8), such as in left-handed [[nicetone]]. It combines a [[5/4]] major third with a [[16/9]] Pythagorean minor seventh, creating a [[64/45]] tritone between the two.

			Since it contains a [[40/27]] ''grave fifth'' instead of a [[3/2]] ''perfect fifth'', this chord has more dissonance than would be present in the closely-related [[Ptolemaic dominant seventh chord]].

			[[Category:Dominant seventh chords]]

Bcmills at 03:40, 12 August 2024

2024-08-12T03:40:42Z

← Older revision		Revision as of 03:40, 12 August 2024
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	{{Infobox Chord~~\|Name=sus5dom7~~}}		{{Infobox Chord}}

Bcmills at 02:38, 12 August 2024

2024-08-12T02:38:25Z

← Older revision		Revision as of 02:38, 12 August 2024
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	{{Infobox Chord}}		{{Infobox Chord\|Name=sus5dom7}}

Bcmills: Created page with "{{Infobox Chord}}"

2024-08-12T01:45:15Z

Created page with "{{Infobox Chord}}"

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