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		<id>https://en.xen.wiki/index.php?title=Gallery_of_combination_product_sets&amp;diff=231509</id>
		<title>Gallery of combination product sets</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Gallery_of_combination_product_sets&amp;diff=231509"/>
		<updated>2026-06-03T11:42:31Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Stellated hexanies (14-tone) */ update based on new pages since 23 may&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a gallery of [[combination product set]] (CPS) scales, as well as subsets of, mergers of, or modifications of such scales.&lt;br /&gt;
&lt;br /&gt;
There are infinite possible CPS scales, so this list can never be complete. If you find a CPS scale that you like, please document it here so that people can make music with it.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
See also [[:Category:Combination product sets]], which may include scales that have yet to be added to this list.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Italicised text following an em-dash beside a listed scale is a description by a wiki contributor of the subjective mood they personally feel when listening to the scale.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Pentanies (5-tone) ==&lt;br /&gt;
[[Category:5-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Pentany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [[4 from 1-3-5-7-11 pentany]] — &#039;&#039;sturdy, earthy&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-29-37 pentany]] — &#039;&#039;like anticipating the sunrise&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-29-41 pentany]] — &#039;&#039;ethereal, enchanting&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-31-41 pentany]] — &#039;&#039;sorrowful, warm&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-31-43 pentany]] — &#039;&#039;alert, tense&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Hexanies (6-tone) ==&lt;br /&gt;
[[Category:6-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s [[subgroup]]s ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-5-7-11 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-7-13 hexany]] — &#039;&#039;spicier whole tone scale&#039;&#039;&lt;br /&gt;
* [[1-7-11-13 hexany]] — &#039;&#039;extra [[xenharmonic]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-11-13 hexany]] — &#039;&#039;melodically effective, contains a diminished chord&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-7-9 hexany]] — &#039;&#039;a [[detempering]] of the [[archy]] scale&#039;&#039;&lt;br /&gt;
* [[1-3-7-11 hexany]] — &#039;&#039;symmetrical shape; 2 strong tonal centres&#039;&#039;&lt;br /&gt;
* [[1-3-7-13 hexany]] — &#039;&#039;extra xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-7-21 hexany]] — &#039;&#039;a [[detempering]] of the [[semaphore]] scale&#039;&#039;&lt;br /&gt;
* [[1-3-9-11 hexany]] — &#039;&#039;an even mix of xenharmonic and familiar&#039;&#039;&lt;br /&gt;
* [[1-3-9-13 hexany]] — &#039;&#039;an even mix of xenmelodic and familiar&#039;&#039;&lt;br /&gt;
* [[1-3-9-17 hexany]] — &#039;&#039;whole tone scale-like structure, but new unfamiliar melodies and harmonies&#039;&#039;&lt;br /&gt;
* [[1-3-11-13 hexany]] — &#039;&#039;sounds surprisingly un-xenharmonic&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 1 3 21 29.png|1-3-21-29 hexany]] — &#039;&#039;fierce, groovy, dark&#039;&#039;&lt;br /&gt;
* [[1-3-21-49 hexany]] — &#039;&#039;a [[detempering]] of the [[slendric]] scale&#039;&#039;&lt;br /&gt;
* [[1-7-9-11 hexany]] — &#039;&#039;warped xenharmonic whole tone scale&#039;&#039;&lt;br /&gt;
* [[1-7-9-13 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-7-9-11 hexany]] — &#039;&#039;fresh [[11-limit]] JI version of the augmented scale&#039;&#039;&lt;br /&gt;
* [[3-7-9-13 hexany]] — &#039;&#039;effective both at melody and harmony&#039;&#039;&lt;br /&gt;
* [[3-7-11-13 hexany]] — &#039;&#039;very lopsided, very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-9-11-13 hexany]] — &#039;&#039;lopsided but with lots of useful consonances&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 3 9 19 31.png|3-9-19-31 hexany]] — &#039;&#039;sparkly, pretty&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-11-13 hexany]] — &#039;&#039;neat step pattern useful for melody and harmony, no [[5-limit]] intervals - forces xenharmony&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-9 hexany]] — &#039;&#039;difficult due to [[wolf interval|wolf fifth]] - better as a basis for building larger scales&#039;&#039;&lt;br /&gt;
* [[1-3-5-11 hexany]] — &#039;&#039;stable chord roots + very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-5-13 hexany]] — &#039;&#039;stable chord roots + very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-5-15 hexany]] — &#039;&#039;difficult to use&#039;&#039;&lt;br /&gt;
* [[1-3-5-45 hexany]] — &#039;&#039;very useful foundation for adding xenharmonic notes on top off; can play all &#039;&#039;Zelda&#039;&#039;&#039;s ocarina melodies&#039;&#039;&lt;br /&gt;
* [[1-3-5-81 hexany]] — &#039;&#039;built around subtle pitch shifts&#039;&#039;&lt;br /&gt;
* [[1-3-5-121 hexany]] — &#039;&#039;built-in beating effect that could be interesting&#039;&#039;&lt;br /&gt;
* [[1-3-9-135 hexany]] — &#039;&#039;near identical to [[1-3-9-17 hexany]]&#039;&#039;&lt;br /&gt;
* [[1-3-11-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-3-13-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-9-11 hexany]] — &#039;&#039;very lopsided and very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-5-9-13 hexany]] — &#039;&#039;easy to build [[bihexany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-9-15 hexany]] — &#039;&#039;easy to build [[dekany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-11-13 hexany]] — &#039;&#039;an [[omniconsonant scale]]&#039;&#039;&lt;br /&gt;
* [[1-5-11-15 hexany]] — &#039;&#039;easy to build [[bihexany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-13-15 hexany]] — &#039;&#039;big variety of consonances useful for emotionally expressive music&#039;&#039;&lt;br /&gt;
* [[1-9-11-15 hexany]] — &#039;&#039;very melodically effective; all the chords will be unfamiliar&#039;&#039;&lt;br /&gt;
* [[1-9-11-13 hexany]] — &#039;&#039;better to remove one note and use as a [[pentatonic]] scale instead&#039;&#039;&lt;br /&gt;
* [[1-9-13-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-11-13-15 hexany]] — &#039;&#039;very melodically effective; all the chords will be unfamiliar&#039;&#039;&lt;br /&gt;
* [[1-15-45-75 hexany]] — &#039;&#039;a [[detempering]] of the blues scale with sweet simple [[just intonation]] harmonies that blend well&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-9-11 hexany]] — &#039;&#039;very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-5-9-13 hexany]] — &#039;&#039;very useful both for melody and harmony; contains good [[barbados]] intervals&#039;&#039;&lt;br /&gt;
* [[3-5-9-15 hexany]] — &#039;&#039;too similar to [[12edo]] to be interesting&#039;&#039;&lt;br /&gt;
* [[3-5-9-25 hexany]] — &#039;&#039;easy to build a [[bihexany]] or [[stellated hexany]] with&#039;&#039;&lt;br /&gt;
* [[3-5-9-27 hexany]] — &#039;&#039;useful as a teaching tool, but not for making real music&#039;&#039;&lt;br /&gt;
* [[3-5-11-13 hexany]] — &#039;&#039;unwieldy but xenharmonically interesting&#039;&#039;&lt;br /&gt;
* [[3-5-11-15 hexany]] — &#039;&#039;both xenharmonic yet also highly accessible - recommended for beginner microtonalists&#039;&#039;&lt;br /&gt;
* [[3-5-13-15 hexany]] — &#039;&#039;both xenharmonic yet also highly accessible - recommended for beginner microtonalists&#039;&#039;&lt;br /&gt;
* [[3-5-15-19 hexany]] — &#039;&#039;useful for ear training; contains a [[wolf interval|wolf fifth]]&#039;&#039;&lt;br /&gt;
* [[3-5-15-27 hexany]] — &#039;&#039;a worse version of the normal major scale&#039;&#039;&lt;br /&gt;
* [[3-9-11-15 hexany]] — &#039;&#039;unfamiliar notes&#039;&#039;&lt;br /&gt;
* [[3-9-13-15 hexany]] — &#039;&#039;very xenharmonic melodies; easy to learn the notes and intervals - especially audibly distinct from one another&#039;&#039;&lt;br /&gt;
* [[3-11-13-15 hexany]] — &#039;&#039;unwieldy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-9-11-13 hexany]] — &#039;&#039;useful for building melodies; an even mix of familiar and xenharmonic&#039;&#039;&lt;br /&gt;
* [[5-9-11-15 hexany]] — &#039;&#039;a [[detempering]] of the [[porcupine]] scale; nice melodies&#039;&#039;&lt;br /&gt;
* [[5-9-13-15 hexany]] — &#039;&#039;melodically interesting but harmonically unrewarding&#039;&#039;&lt;br /&gt;
* [[5-11-13-15 hexany]] — &#039;&#039;highly recommended; an even mix of familiar and xenharmonic&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 9.n ====&lt;br /&gt;
* [[9-11-13-15 hexany]] — &#039;&#039;better used as a [[pentatonic]] scale by removing 1 note&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-7 hexany]] — &#039;&#039;cold, hazy&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-7-9 hexany]] — &#039;&#039;whole tone scale-like but with a [[quarter tone]], making it very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-7-9-15 hexany]] — &#039;&#039;lopsided but useful for making [[bihexany]]s&#039;&#039;&lt;br /&gt;
* [[1-7-13-15 hexany]] — &#039;&#039;useful for making [[bihexany]] versions of [[10edo]], which would be a type of [[neji]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-7-9 hexany]] — &#039;&#039;useful for melody and harmony&#039;&#039;&lt;br /&gt;
* [[3-5-7-13 hexany]] — &#039;&#039;useful for building [[dekany]]s&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 hexany]] — &#039;&#039;the optimal configuration for maximising the number and variety of simple harmonies available in a hexatonic scale; strong melodically also&#039;&#039;&lt;br /&gt;
* [[3-5-15-21 hexany]] — &#039;&#039;solidly rooted and consonant&#039;&#039;&lt;br /&gt;
* [[3-7-9-15 hexany]] — &#039;&#039;big variety of chords available, both familiar and xenharmonic ones&#039;&#039;&lt;br /&gt;
* [[3-7-13-15 hexany]] — &#039;&#039;related to the [[negri]] scale; useful for building [[bihexany]]s or [[dekany]]s&#039;&#039;&lt;br /&gt;
* [[3-9-15-21 hexany]] — &#039;&#039;very similar to the [[1-3-5-7 hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-9-13 hexany]] — &#039;&#039;very xenharmonic; easy to expand to a [[bihexany]] or [[dekany]]&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 hexany]] — &#039;&#039;potential for good compositions; a [[detempering]] of the [[starling]] scale&#039;&#039;&lt;br /&gt;
* [[5-7-13-15 hexany]] — &#039;&#039;both harmonically and melodically strong, and useful for [[bihexany]]s&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-13-15 hexany]] — &#039;&#039;useful for building [[bihexany]]s or [[dekany]]s out of&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 9.n ====&lt;br /&gt;
* [[9-25-49-81 hexany]] — &#039;&#039;a diminished tetrad with built-in beating effects&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-7-11-15 hexany]] — &#039;&#039;a little unwieldy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-7-11 hexany]] — &#039;&#039;very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-7-9-55 hexany]] — &#039;&#039;creates interesting complex beating when played in the bass or sub bass range&#039;&#039;&lt;br /&gt;
* [[3-7-11-15 hexany]] — &#039;&#039;xenharmonic but also with sweet major thirds&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-9-11 hexany]] — &#039;&#039;a [[neji]] of [[6edo]] with an [[primodality|over-35 semiprime]] feel&#039;&#039;&lt;br /&gt;
* [[5-7-9-33 hexany]] — &#039;&#039;though the small steps are mathematically distinct from one another, they don&#039;t sound audibly distinct&#039;&#039;&lt;br /&gt;
* [[5-7-11-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-11-15 hexany]] — &#039;&#039;useful for building [[bihexany]]s&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 7 11 17 45 cents.png|7-11-17-45 hexany]] — &#039;&#039;dark, supernatural, metallic&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 27.n ====&lt;br /&gt;
* [[:File:Hexany 27 35 47 59 cents.png|27-35-47-59 hexany]] — &#039;&#039;like melting rainbow ice cream in the sun&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-17s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-11-13-15 hexany]] — &#039;&#039;useful for writing melody - expanding into a [[bihexany]] makes it more useful still&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Hexany 1029]]&lt;br /&gt;
* [[Hexany 126]]&lt;br /&gt;
* [[Hexany 225]]&lt;br /&gt;
* [[Hexany 2401]]&lt;br /&gt;
* [[Hexany 245]]&lt;br /&gt;
* [[Hexany 3136]]&lt;br /&gt;
* [[Hexany 4375]]&lt;br /&gt;
* [[Hexany 5120]]&lt;br /&gt;
* [[Hexany 6144]]&lt;br /&gt;
* [[Hexany 65625]]&lt;br /&gt;
* [[Hexany 875]]&lt;br /&gt;
* [[User:BudjarnLambeth/My favourite hexanies using at least one odd greater than 15]]&lt;br /&gt;
&lt;br /&gt;
== Dekanies (10-tone) ==&lt;br /&gt;
[[Category:10-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Dekany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s subgroups ===&lt;br /&gt;
* [[1-5-7-11-13 dekany]]&lt;br /&gt;
* [[5-7-9-11-13 dekany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
* [[1-3-7-9-11 dekany]]&lt;br /&gt;
* [[1-3-7-11-13 dekany]]&lt;br /&gt;
* [[1-3-9-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-29 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-11-13 dekany]] — &#039;&#039;highly unusual but not necessarily bad&#039;&#039;&lt;br /&gt;
* [[3-7-9-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
* [[1-3-5-9-11 dekany]]&lt;br /&gt;
* [[1-3-5-9-13 dekany]]&lt;br /&gt;
* [[1-3-5-9-81 dekany]]&lt;br /&gt;
* [[1-3-5-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-13-15 dekany]]&lt;br /&gt;
* [[1-3-11-13-15 dekany]]&lt;br /&gt;
* [[1-5-9-11-13 dekany]]&lt;br /&gt;
* [[1-5-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-9-11-13-15 dekany]]&lt;br /&gt;
* [[3-5-9-11-13 dekany]]&lt;br /&gt;
* [[3-5-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-9-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
* [[1-3-5-7-9 dekany]]&lt;br /&gt;
* [[1-3-5-7-13 dekany]]&lt;br /&gt;
* [[1-3-5-7-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-9-15 dekany]]&lt;br /&gt;
* [[1-3-7-9-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-15 dekany]]&lt;br /&gt;
* [[1-3-7-13-15 dekany]]&lt;br /&gt;
* [[1-5-7-9-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9-15 dekany]]&lt;br /&gt;
* [[1-5-7-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-13-15 dekany]]&lt;br /&gt;
* [[3-5-7-9-13 dekany]]&lt;br /&gt;
* [[3-5-7-9-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-13-15 dekany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
* [[1-3-5-7-11 dekany]]&lt;br /&gt;
* [[1-3-7-11-15 dekany]]&lt;br /&gt;
* [[1-5-7-9-11 dekany]]&lt;br /&gt;
* [[1-5-7-11-15 dekany]] — &#039;&#039;recommended but extra spicy&#039;&#039;&lt;br /&gt;
* [[1-7-9-11-15 dekany]]&lt;br /&gt;
* [[3-5-7-9-11 dekany]]&lt;br /&gt;
* [[3-5-7-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-11-15 dekany]]&lt;br /&gt;
* [[5-7-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-17s subgroups ===&lt;br /&gt;
* [[1-7-11-13-15 dekany]]&lt;br /&gt;
* [[3-5-7-11-13 dekany]]&lt;br /&gt;
* [[3-7-11-13-15 dekany]]&lt;br /&gt;
* [[5-7-11-13-15 dekany]]&lt;br /&gt;
* [[7-9-11-13-15 dekany]] — &#039;&#039;recommended, but extra spicy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Related to [[regular temperament]] scales ===&lt;br /&gt;
* [[Dekany agni]]&lt;br /&gt;
* [[Dekany apollo]]&lt;br /&gt;
* [[Dekany guanyin]]&lt;br /&gt;
* [[Dekany indra]]&lt;br /&gt;
* [[Dekany jove]]&lt;br /&gt;
* [[Dekany laka]]&lt;br /&gt;
* [[Dekany marvel]]&lt;br /&gt;
* [[Dekany minerva]]&lt;br /&gt;
* [[Dekany pele]]&lt;br /&gt;
* [[Dekany portent]]&lt;br /&gt;
* [[Dekany prodigy]]&lt;br /&gt;
* [[Dekany sensamagic]]&lt;br /&gt;
* [[Dekany spectacle]]&lt;br /&gt;
* [[Dekany zeus]]&lt;br /&gt;
* [[Dekany-cs-marv]]&lt;br /&gt;
* [[Dekanymarvwoo]]&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Deka1029]]&lt;br /&gt;
* [[Deka126]]&lt;br /&gt;
* [[Deka1728]]&lt;br /&gt;
* [[Deka225]]&lt;br /&gt;
* [[Deka2401]]&lt;br /&gt;
* [[Deka245]]&lt;br /&gt;
* [[Deka3136]]&lt;br /&gt;
* [[Deka4375]]&lt;br /&gt;
* [[Deka5120]]&lt;br /&gt;
* [[Deka6144]]&lt;br /&gt;
* [[Deka65625]]&lt;br /&gt;
* [[Deka875]]&lt;br /&gt;
* [[Dekany-cs]]&lt;br /&gt;
&lt;br /&gt;
== Bihexanies (12-tone) ==&lt;br /&gt;
[[Category:12-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Bihexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 7-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-7 by 3/2 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 8/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 10/7 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 12/7 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 9-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-7 by 9/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 9/7 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 9/8 bihexany]]&lt;br /&gt;
* [[1-3-5-9 by 7/5 bihexany]]&lt;br /&gt;
* [[1-3-7-9 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9 by 4/3 bihexany]]&lt;br /&gt;
* [[3-5-7-9 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 11-odd-limit elements ===&lt;br /&gt;
* [[1-3-7-9 by 11/8 bihexany]]&lt;br /&gt;
* [[1-3-7-11 by 18/11 bihexany]]&lt;br /&gt;
* [[1-7-9-11 by 4/3 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-11 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-11 by 5/4 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 13-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-9 by 13/9 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-13 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-13 by 4/3 bihexany]]&lt;br /&gt;
* [[5-9-11-13 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 15-odd-limit elements ===&lt;br /&gt;
&lt;br /&gt;
==== No-7s ====&lt;br /&gt;
* [[1-3-5-13 by 18/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 by 11/8 bihexany]]&lt;br /&gt;
* [[1-3-11-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-13-15 by 18/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-11-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-5-13-15 by 16/9 bihexany]]&lt;br /&gt;
* [[1-9-11-15 by 12/11 bihexany]]&lt;br /&gt;
* [[1-9-13-15 by 8/5 bihexany]]&lt;br /&gt;
* [[1-11-13-15 by 4/3 bihexany]]&lt;br /&gt;
* [[3-5-9-15 by 6/5 bihexany]]&lt;br /&gt;
* [[3-5-9-15 by 10/9 bihexany]]&lt;br /&gt;
* [[5-9-11-15 by 5/4 bihexany]]&lt;br /&gt;
* [[5-9-11-15 by 15/13 bihexany]]&lt;br /&gt;
* [[5-9-13-15 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-11-13-15 by 11/9 bihexany]]&lt;br /&gt;
* [[9-11-13-15 by 3/2 bihexany]]&lt;br /&gt;
* [[9-11-13-15 by 33/26 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== No-11s ====&lt;br /&gt;
* [[1-3-5-7 by 15/14 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7 by 16/15 bihexany]]&lt;br /&gt;
* [[1-3-7-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-7-15 by 9/7 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 by 7/6 bihexany]]&lt;br /&gt;
* [[1-5-7-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-7-9-15 by 4/3 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-15 by 7/5 bihexany]]&lt;br /&gt;
* [[1-7-13-15 by 7/5 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 by 9/5 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 9/8 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 4/3 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 7/5 bihexany]]&lt;br /&gt;
* [[5-7-9-15 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 by 7/4 bihexany]]&lt;br /&gt;
* [[5-7-9-15 by 9/8 bihexany]]&lt;br /&gt;
* [[5-7-13-15 by 9/8 bihexany]]&lt;br /&gt;
* [[5-7-13-15 by 22/13 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== No-13s ====&lt;br /&gt;
* [[3-5-7-15 by 11/7 bihexany]]&lt;br /&gt;
* [[3-7-11-15 by 7/5 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 by 11/9 bihexany]]&lt;br /&gt;
* [[5-7-11-15 by 18/11 bihexany]]&lt;br /&gt;
* [[7-9-11-15 by 3/2 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== No-17s ====&lt;br /&gt;
* [[7-11-13-15 by 7/5 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 17-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-9 by 17/12 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-15 by 17/12 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 17/14 bihexany]]&lt;br /&gt;
* [[3-5-11-13 by 24/17 bihexany]]&lt;br /&gt;
* [[3-11-13-15 by 24/17 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 19-odd-limit elements ===&lt;br /&gt;
* [[1-3-9-17 by 19/16 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-15-19 by 9/8 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 19/14 bihexany]]&lt;br /&gt;
* [[3-5-13-15 by 19/17 bihexany]]&lt;br /&gt;
* [[3-7-9-15 by 19/17 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Higher odd-limit elements ===&lt;br /&gt;
&lt;br /&gt;
==== 21-odd ====&lt;br /&gt;
* [[1-3-5-7 by 21/16 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 40/21 bihexany]]&lt;br /&gt;
* [[3-5-11-15 by 21/11 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 21/13 bihexany]]&lt;br /&gt;
* [[7-9-13-15 by 21/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 23-odd ====&lt;br /&gt;
* [[3-5-7-15 by 23/14 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 25-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 27-odd ====&lt;br /&gt;
* [[1-5-7-15 by 32/27 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 27/14 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-13-15 by 27/26 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 29-odd ====&lt;br /&gt;
* [[5-7-9-15 by 29/18 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 31-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 33-odd ====&lt;br /&gt;
* [[1-5-11-15 by 40/33 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 35-odd ====&lt;br /&gt;
* [[1-3-5-7 by 36/35 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 48/35 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 64/35 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 by 48/35 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 37-odd to 43-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 45-odd ====&lt;br /&gt;
* [[1-3-5-7 by 56/45 bihexany]]&lt;br /&gt;
* [[1-3-5-9 by 64/45 bihexany]]&lt;br /&gt;
* [[1-5-9-15 by 64/45 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 45/28 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 47-odd to 53-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 55-odd ====&lt;br /&gt;
* [[1-9-11-15 by 72/55 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 57-odd to 61-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 63-odd ====&lt;br /&gt;
* [[1-3-5-7 by 80/63 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 65-odd ====&lt;br /&gt;
* [[3-5-11-13 by 96/65 bihexany]] — &#039;&#039;good for metallophone timbres like bells or Gamelan&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 67-odd to 97-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 99-odd ====&lt;br /&gt;
* [[1-7-13-15 by 140/99 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 101-odd to 133-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 135-odd ====&lt;br /&gt;
* [[1-3-9-135 by 57/34 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Bihexanymyna]]&lt;br /&gt;
* [[GW Smith bihexany 14 Feb 2011]]&lt;br /&gt;
&lt;br /&gt;
== Duohexanies (12-tone) ==&lt;br /&gt;
[[Category:12-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Duohexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [[Duohex]]&lt;br /&gt;
* [[Duohexmarvwoo]]&lt;br /&gt;
* [[Duohexmean]]&lt;br /&gt;
* [[Hexanys-valentino]]&lt;br /&gt;
&lt;br /&gt;
== Stellated hexanies (14-tone) ==&lt;br /&gt;
[[Category:14-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Stellated hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s subgroups ===&lt;br /&gt;
* [[1-5-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-13 stellated hexany]]&lt;br /&gt;
* [[1-5-11-13 stellated hexany]]&lt;br /&gt;
* [[1-7-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
* [[1-3-7-9 stellated hexany]]&lt;br /&gt;
* [[1-3-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-11 stellated hexany]]&lt;br /&gt;
* [[1-3-9-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-11 stellated hexany]]&lt;br /&gt;
* [[1-7-9-13 stellated hexany]]&lt;br /&gt;
* [[3-7-9-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-13 stellated hexany]] — &#039;&#039;recommended, but with 2 notes removed - read article&#039;&#039;&lt;br /&gt;
* [[3-7-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-11-13 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-9 stellated hexany]]&lt;br /&gt;
* [[1-3-5-11 stellated hexany]]&lt;br /&gt;
* [[1-3-5-13 stellated hexany]]&lt;br /&gt;
* [[1-3-5-15 stellated hexany]] — &#039;&#039;not recommended for xenharmony, but it&#039;s a good JI version of the &#039;Hungarian minor&#039; scale if one wants that&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 stellated hexany]]&lt;br /&gt;
* [[1-3-11-15 stellated hexany]]&lt;br /&gt;
* [[1-3-13-15 stellated hexany]] — &#039;&#039;recommended but spicy&#039;&#039;&lt;br /&gt;
* [[1-5-9-11 stellated hexany]]&lt;br /&gt;
* [[1-5-9-13 stellated hexany]]&lt;br /&gt;
* [[1-5-9-15 stellated hexany]]&lt;br /&gt;
* [[1-5-11-15 stellated hexany]]&lt;br /&gt;
* [[1-5-13-15 stellated hexany]]&lt;br /&gt;
* [[1-11-13-15 stellated hexany]]  — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-15-45-75 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-9-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-15 stellated hexany]]&lt;br /&gt;
* [[3-5-9-25 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-27 stellated hexany]]&lt;br /&gt;
* [[3-5-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-11-15 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-13-15 stellated hexany]]&lt;br /&gt;
* [[3-9-11-15 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-13-15 stellated hexany]]&lt;br /&gt;
* [[3-9-25-625 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-11-13-15 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-9-11-13 stellated hexany]]&lt;br /&gt;
* [[5-9-11-15 stellated hexany]] — &#039;&#039;recommended (rotate it)&#039;&#039;&lt;br /&gt;
* [[5-9-13-15 stellated hexany]] — &#039;&#039;recommended with 2 steps optionally removed (see article)&#039;&#039;&lt;br /&gt;
* [[5-11-13-15 stellated hexany]] — &#039;&#039;recommended but spicy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
* [[1-3-5-7 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 stellated hexany]]&lt;br /&gt;
* [[1-5-7-9 stellated hexany]]&lt;br /&gt;
* [[1-5-7-15 stellated hexany]]&lt;br /&gt;
* [[1-7-9-15 stellated hexany]]&lt;br /&gt;
* [[1-7-13-15 stellated hexany]]&lt;br /&gt;
* [[3-5-7-9 stellated hexany]] — &#039;&#039;recommended with 2 notes removed - read article&#039;&#039;&lt;br /&gt;
* [[3-5-7-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 stellated hexany]]&lt;br /&gt;
* [[3-7-9-15 stellated hexany]] — &#039;&#039;recommended with 2 notes removed - read article&#039;&#039;&lt;br /&gt;
* [[3-7-13-15 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-15-21 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-13 stellated hexany]]&lt;br /&gt;
* [[5-7-9-15 stellated hexany]] — &#039;&#039;recommended (rotate it above 3/2)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
* [[1-7-11-15 stellated hexany]]&lt;br /&gt;
* [[3-5-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-11-15 stellated hexany]]&lt;br /&gt;
* [[5-7-9-11 stellated hexany]]&lt;br /&gt;
* [[5-7-11-15 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Stelhex]]&lt;br /&gt;
* [[Stelhex-catakleismic]]&lt;br /&gt;
* [[Stelhex2]]&lt;br /&gt;
* [[Stelhex5]]&lt;br /&gt;
* [[Stellarhex]]&lt;br /&gt;
&lt;br /&gt;
== Pentadekanies (15-tone) ==&lt;br /&gt;
&#039;&#039;Main page: [[Pentadekany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 1.3.n ===&lt;br /&gt;
* [[1-3-5-7-9-11 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-9-13 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7-9-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-11-13 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-11-13 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-11-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-11-13-15 pentadekany]] — &#039;&#039;recommended but only for advanced composers&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-11-13 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-7-11-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.5.n ===&lt;br /&gt;
* [[1-5-7-9-11-13 pentadekany]]&lt;br /&gt;
* [[1-5-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-11-13-15 pentadekany]]&lt;br /&gt;
* [[1-5-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.7.n ===&lt;br /&gt;
* [[1-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.5.n ===&lt;br /&gt;
* [[3-5-7-9-11-13 pentadekany]]&lt;br /&gt;
* [[3-5-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-9-13-15 pentadekany]]&lt;br /&gt;
* [[3-5-7-11-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-11-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 3.7.n ===&lt;br /&gt;
* [[3-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 5.7.n ===&lt;br /&gt;
* [[5-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
== Eikosanies (20-tone) ==&lt;br /&gt;
&#039;&#039;Main page: [[Eikosany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 1.3.n ===&lt;br /&gt;
* [[1-3-5-7-9-11 eikosany]]&lt;br /&gt;
* [[1-3-5-7-9-13 eikosany]]&lt;br /&gt;
* [[1-3-5-7-9-15 eikosany]]&lt;br /&gt;
* [[1-3-5-7-11-13 eikosany]]&lt;br /&gt;
* [[1-3-5-7-11-15 eikosany]]&lt;br /&gt;
* [[1-3-5-7-13-15 eikosany]]&lt;br /&gt;
* [[1-3-5-9-11-13 eikosany]]&lt;br /&gt;
* [[1-3-5-9-11-15 eikosany]]&lt;br /&gt;
* [[1-3-5-9-13-15 eikosany]]&lt;br /&gt;
* [[1-3-5-11-13-15 eikosany]]&lt;br /&gt;
* [[1-3-7-9-11-13 eikosany]]&lt;br /&gt;
* [[1-3-7-9-11-15 eikosany]]&lt;br /&gt;
* [[1-3-7-9-13-15 eikosany]]&lt;br /&gt;
* [[1-3-7-11-13-15 eikosany]]&lt;br /&gt;
* [[1-3-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.5.n ===&lt;br /&gt;
* [[1-5-7-9-11-13 eikosany]]&lt;br /&gt;
* [[1-5-7-9-11-15 eikosany]]&lt;br /&gt;
* [[1-5-7-9-13-15 eikosany]]&lt;br /&gt;
* [[1-5-7-11-13-15 eikosany]]&lt;br /&gt;
* [[1-5-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.7.n ===&lt;br /&gt;
* [[1-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.5.n ===&lt;br /&gt;
* [[3-5-7-9-11-13 eikosany]]&lt;br /&gt;
* [[3-5-7-9-11-15 eikosany]]&lt;br /&gt;
* [[3-5-7-9-13-15 eikosany]]&lt;br /&gt;
* [[3-5-7-11-13-15 eikosany]]&lt;br /&gt;
* [[3-5-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.7.n ===&lt;br /&gt;
* [[3-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 5.7.n ===&lt;br /&gt;
* [[5-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
* [[Eikosanyplusop]]&lt;br /&gt;
&lt;br /&gt;
{{navbox scale gallery}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Combination product sets| ]]&lt;br /&gt;
[[Category:Lists of scales]]&lt;br /&gt;
[[Category:Just intonation scales]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=28edo&amp;diff=231294</id>
		<title>28edo</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=28edo&amp;diff=231294"/>
		<updated>2026-05-29T16:57:54Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Music */ typo&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox ET}}&lt;br /&gt;
{{ED intro}}&lt;br /&gt;
== Theory ==&lt;br /&gt;
{{Harmonics in equal|28}}&lt;br /&gt;
{{Harmonics in equal|28|start=12|collapsed=1|intervals=odd}}&lt;br /&gt;
&lt;br /&gt;
28edo is a multiple of both [[7edo]] and [[14edo]] (and of course [[2edo]] and [[4edo]]). It shares three intervals with [[12edo]]: the 300 cent minor third, the 600 cent tritone, and the 900 cent major sixth. Thus it [[tempering_out|tempers out]] the [[greater diesis]] [[648/625]]. It does not however temper out the [[128/125]] [[lesser_diesis|lesser diesis]], as 28 is not divisible by 3. It has the same perfect fourth and fifth as 7edo. It also has decent approximations of several septimal intervals, of which [[9/7]] and its inversion [[14/9]] are also found in 14edo. Its approximation to [[5/4]] is unusually good for an edo of this size, being the next convergent to log&amp;lt;sub&amp;gt;2&amp;lt;/sub&amp;gt;5 after [[3edo]].&lt;br /&gt;
&lt;br /&gt;
28edo can approximate the [[7-limit|7-limit]] subgroup 2.27.5.21 quite well, and on this subgroup it has the same commas and tunings as 84edo. The temperament corresponding to [[Semicomma_family|orwell temperament]] now has a major third as generator, though as before 225/224, 1728/1715 and 6144/6125 are tempered out. The 225/224-tempered version of the [[Marvel_chords|augmented triad]] has a very low complexity, so many of them appear in the [[MOS scales]] for this temperament, which have sizes 7, 10, 13, 16, 19, 22, 25.&lt;br /&gt;
&lt;br /&gt;
Another subgroup for which 28edo works quite well is 2.5.11.19.21.27.29.39.41.&lt;br /&gt;
&lt;br /&gt;
28edo is the 2nd perfect number EDO.&lt;br /&gt;
&lt;br /&gt;
== Intervals ==&lt;br /&gt;
The following table compares it to potentially useful nearby [[just interval]]s.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable center-all right-2 right-4 right-5 left-6&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | Step #&lt;br /&gt;
! style=&amp;quot;text-align:center;&amp;quot; | ET (e)&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; | Just (j)&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | Delta &amp;lt;br&amp;gt; (e-j)&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; colspan=&amp;quot;3&amp;quot; | [[Ups and downs notation]]&lt;br /&gt;
|-&lt;br /&gt;
! Cents&lt;br /&gt;
! Interval&lt;br /&gt;
! Cents&lt;br /&gt;
|-&lt;br /&gt;
| 0&lt;br /&gt;
| 0.00&lt;br /&gt;
| 1/1&lt;br /&gt;
| 0.00&lt;br /&gt;
| 0.00&lt;br /&gt;
| unison&lt;br /&gt;
| 1&lt;br /&gt;
| D&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 42.86&lt;br /&gt;
| [[41/40]]&lt;br /&gt;
| 42.74&lt;br /&gt;
| 0.12&lt;br /&gt;
| up-unison&lt;br /&gt;
| ^1&lt;br /&gt;
| ^D&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 85.71&lt;br /&gt;
| [[21/20]]&lt;br /&gt;
| 84.47&lt;br /&gt;
| 1.24&lt;br /&gt;
| dup 1sn, dud 2nd&lt;br /&gt;
| ^^1, vv2&lt;br /&gt;
| ^^D, vvE&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| 128.57&lt;br /&gt;
| [[14/13]]&lt;br /&gt;
| 128.30&lt;br /&gt;
| 0.27&lt;br /&gt;
| down 2nd&lt;br /&gt;
| v2&lt;br /&gt;
| vE&lt;br /&gt;
|-&lt;br /&gt;
| 4&lt;br /&gt;
| 171.43&lt;br /&gt;
| [[11/10]]&lt;br /&gt;
| 165.00&lt;br /&gt;
| 6.43&lt;br /&gt;
| 2nd&lt;br /&gt;
| 2&lt;br /&gt;
| E&lt;br /&gt;
|-&lt;br /&gt;
| 5&lt;br /&gt;
| 214.29&lt;br /&gt;
| [[17/15]]&lt;br /&gt;
| 216.69&lt;br /&gt;
| -2.40&lt;br /&gt;
| up 2nd&lt;br /&gt;
| ^2&lt;br /&gt;
| ^E&lt;br /&gt;
|-&lt;br /&gt;
| 6&lt;br /&gt;
| 257.14&lt;br /&gt;
| [[7/6]]&lt;br /&gt;
| 266.87&lt;br /&gt;
| -9.73&lt;br /&gt;
| dup 2nd, dud 3rd&lt;br /&gt;
| ^^2, vv3&lt;br /&gt;
| ^^E, vvF&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| 300.00&lt;br /&gt;
| [[6/5]]&lt;br /&gt;
| 315.64&lt;br /&gt;
| -15.64&lt;br /&gt;
| down 3rd&lt;br /&gt;
| v3&lt;br /&gt;
| vF&lt;br /&gt;
|-&lt;br /&gt;
| 8&lt;br /&gt;
| 342.86&lt;br /&gt;
| [[11/9]]&lt;br /&gt;
| 347.41&lt;br /&gt;
| -4.55&lt;br /&gt;
| 3rd&lt;br /&gt;
| 3&lt;br /&gt;
| F&lt;br /&gt;
|-&lt;br /&gt;
| 9&lt;br /&gt;
| 385.71&lt;br /&gt;
| [[5/4]]&lt;br /&gt;
| 386.31&lt;br /&gt;
| -0.60&lt;br /&gt;
| up 3rd&lt;br /&gt;
| ^3&lt;br /&gt;
| ^F&lt;br /&gt;
|-&lt;br /&gt;
| 10&lt;br /&gt;
| 428.57&lt;br /&gt;
| [[9/7]]&lt;br /&gt;
| 435.08&lt;br /&gt;
| -6.51&lt;br /&gt;
| dup 3rd, dud 4th&lt;br /&gt;
| ^^3, vv4&lt;br /&gt;
| ^^F, vvG&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| 471.43&lt;br /&gt;
| [[21/16]]&lt;br /&gt;
| 470.78&lt;br /&gt;
| 0.65&lt;br /&gt;
| down 4th&lt;br /&gt;
| v4&lt;br /&gt;
| vG&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| 514.29&lt;br /&gt;
| [[4/3]]&lt;br /&gt;
| 498.04&lt;br /&gt;
| 16.25&lt;br /&gt;
| 4th&lt;br /&gt;
| 4&lt;br /&gt;
| G&lt;br /&gt;
|-&lt;br /&gt;
| 13&lt;br /&gt;
| 557.14&lt;br /&gt;
| [[11/8]]&lt;br /&gt;
| 551.32&lt;br /&gt;
| 5.82&lt;br /&gt;
| up 4th&lt;br /&gt;
| ^4&lt;br /&gt;
| ^G&lt;br /&gt;
|-&lt;br /&gt;
| 14&lt;br /&gt;
| 600.00&lt;br /&gt;
| [[7/5]]&lt;br /&gt;
| 582.51&lt;br /&gt;
| 17.49&lt;br /&gt;
| dup 4th, dud 5th&lt;br /&gt;
| ^^4, vv5&lt;br /&gt;
| ^^G, vvA&lt;br /&gt;
|-&lt;br /&gt;
| 15&lt;br /&gt;
| 642.86&lt;br /&gt;
| [[16/11]]&lt;br /&gt;
| 648.68&lt;br /&gt;
| -5.82&lt;br /&gt;
| down 5th&lt;br /&gt;
| v5&lt;br /&gt;
| vA&lt;br /&gt;
|-&lt;br /&gt;
| 16&lt;br /&gt;
| 685.71&lt;br /&gt;
| [[3/2]]&lt;br /&gt;
| 701.96&lt;br /&gt;
| -16.25&lt;br /&gt;
| 5th&lt;br /&gt;
| 5&lt;br /&gt;
| A&lt;br /&gt;
|-&lt;br /&gt;
| 17&lt;br /&gt;
| 728.57&lt;br /&gt;
| [[32/21]]&lt;br /&gt;
| 729.22&lt;br /&gt;
| -0.65&lt;br /&gt;
| up 5th&lt;br /&gt;
| ^5&lt;br /&gt;
| ^A&lt;br /&gt;
|-&lt;br /&gt;
| 18&lt;br /&gt;
| 771.43&lt;br /&gt;
| [[14/9]]&lt;br /&gt;
| 764.92&lt;br /&gt;
| 6.51&lt;br /&gt;
| dup 5th, dud 6th&lt;br /&gt;
| ^^5, vv6&lt;br /&gt;
| ^^A, vvB&lt;br /&gt;
|-&lt;br /&gt;
| 19&lt;br /&gt;
| 814.29&lt;br /&gt;
| [[8/5]]&lt;br /&gt;
| 813.68&lt;br /&gt;
| 0.61&lt;br /&gt;
| down 6th&lt;br /&gt;
| v6&lt;br /&gt;
| vB&lt;br /&gt;
|-&lt;br /&gt;
| 20&lt;br /&gt;
| 857.14&lt;br /&gt;
| [[18/11]]&lt;br /&gt;
| 852.59&lt;br /&gt;
| 4.55&lt;br /&gt;
| 6th&lt;br /&gt;
| 6&lt;br /&gt;
| B&lt;br /&gt;
|-&lt;br /&gt;
| 21&lt;br /&gt;
| 900.00&lt;br /&gt;
| [[5/3]]&lt;br /&gt;
| 884.36&lt;br /&gt;
| 15.64&lt;br /&gt;
| up 6th&lt;br /&gt;
| ^6&lt;br /&gt;
| ^B&lt;br /&gt;
|-&lt;br /&gt;
| 22&lt;br /&gt;
| 942.86&lt;br /&gt;
| [[12/7]]&lt;br /&gt;
| 933.13&lt;br /&gt;
| 9.73&lt;br /&gt;
| dup 6th, dud 7th&lt;br /&gt;
| ^^6, vv7&lt;br /&gt;
| ^^B, vvC&lt;br /&gt;
|-&lt;br /&gt;
| 23&lt;br /&gt;
| 985.71&lt;br /&gt;
| [[30/17]]&lt;br /&gt;
| 983.31&lt;br /&gt;
| 2.40&lt;br /&gt;
| down 7th&lt;br /&gt;
| v7&lt;br /&gt;
| vC&lt;br /&gt;
|-&lt;br /&gt;
| 24&lt;br /&gt;
| 1028.57&lt;br /&gt;
| [[20/11]]&lt;br /&gt;
| 1035.00&lt;br /&gt;
| -6.43&lt;br /&gt;
| 7th&lt;br /&gt;
| 7&lt;br /&gt;
| C&lt;br /&gt;
|-&lt;br /&gt;
| 25&lt;br /&gt;
| 1071.42&lt;br /&gt;
| [[13/7]]&lt;br /&gt;
| 1071.70&lt;br /&gt;
| -0.27&lt;br /&gt;
| up 7th&lt;br /&gt;
| ^7&lt;br /&gt;
| ^C&lt;br /&gt;
|-&lt;br /&gt;
| 26&lt;br /&gt;
| 1114.29&lt;br /&gt;
| [[40/21]]&lt;br /&gt;
| 1115.53&lt;br /&gt;
| -1.24&lt;br /&gt;
| dup 7th, dud 8ve&lt;br /&gt;
| ^^7, vv8&lt;br /&gt;
| ^^C, vvD&lt;br /&gt;
|-&lt;br /&gt;
| 27&lt;br /&gt;
| 1157.14&lt;br /&gt;
| [[80/41]]&lt;br /&gt;
| 1157.26&lt;br /&gt;
| -0.12&lt;br /&gt;
| down 8ve&lt;br /&gt;
| v8&lt;br /&gt;
| vD&lt;br /&gt;
|-&lt;br /&gt;
| 28&lt;br /&gt;
| 1200.00&lt;br /&gt;
| [[2/1]]&lt;br /&gt;
| 1200.00&lt;br /&gt;
| 0.00&lt;br /&gt;
| 8ve&lt;br /&gt;
| 8&lt;br /&gt;
| D&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Notation ==&lt;br /&gt;
=== Ups and downs notation ===&lt;br /&gt;
As 28edo tempers out the [[2187/2048|Pythagorean apotome]], the traditional sharps and flats have no effect on the pitch. Therefore, with [[ups and downs notation]], arrows are required.&lt;br /&gt;
{{ups and downs sharpness}}&lt;br /&gt;
&lt;br /&gt;
=== Sagittal notation ===&lt;br /&gt;
This notation uses the same sagittal sequence as EDOs [[23edo#Sagittal notation|23]] and [[33edo#Sagittal notation|33]], and is a superset of the notations for EDOs [[14edo#Sagittal notation|14]] and [[7edo#Sagittal notation|7]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;imagemap&amp;gt;&lt;br /&gt;
File:28-EDO_Sagittal.svg&lt;br /&gt;
desc none&lt;br /&gt;
rect 80 0 300 50 [[Sagittal_notation]]&lt;br /&gt;
rect 447 0 607 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation]&lt;br /&gt;
rect 20 80 447 106 [[Fractional_3-limit_notation#Bad-fifths_limma-fraction_notation | limma-fraction notation]]&lt;br /&gt;
default [[File:28-EDO_Sagittal.svg]]&lt;br /&gt;
&amp;lt;/imagemap&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Chord names ==&lt;br /&gt;
Ups and downs can be used to name 28edo chords. Because every interval is perfect, the quality can be omitted, and the words major, minor, augmented and diminished are never used.&lt;br /&gt;
&lt;br /&gt;
* 0-8-16 = C E G = C = C or C perfect&lt;br /&gt;
* 0-7-16 = C vE G = Cv = C down&lt;br /&gt;
* 0-9-16 = C ^E G = C^ = C up&lt;br /&gt;
* 0-8-15 = C E vG = C(v5) = C down-five&lt;br /&gt;
* 0-9-17 = C ^E ^G = C^(^5) = C up up-five&lt;br /&gt;
* 0-8-16-24 = C E G B = C7 = C seven&lt;br /&gt;
* 0-8-16-23 = C E G vB = C,v7 = C add down-seven&lt;br /&gt;
* 0-7-16-24 = C vE G B = Cv,7 = C down add seven&lt;br /&gt;
* 0-7-16-23 = C vE G vB = Cv7 = C down-seven&lt;br /&gt;
&lt;br /&gt;
For a more complete list, see [[Ups and downs notation #Chord names in other EDOs]].&lt;br /&gt;
&lt;br /&gt;
== Regular temperament properties ==&lt;br /&gt;
=== Rank-2 temperaments ===&lt;br /&gt;
{| class=&amp;quot;wikitable center-1 center-2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Periods&amp;lt;br&amp;gt;per 8ve&lt;br /&gt;
! Generator&lt;br /&gt;
! Temperaments&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 1\28&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 3\28&lt;br /&gt;
| [[Negri]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 5\28&lt;br /&gt;
| [[Machine]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 9\28&lt;br /&gt;
| [[Worschmidt]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 11\28&lt;br /&gt;
| [[A-team]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 13\28&lt;br /&gt;
| [[Thuja]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 1\28&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 3\28&lt;br /&gt;
| [[Octokaidecal]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 5\28&lt;br /&gt;
| [[Antikythera]]&lt;br /&gt;
|-&lt;br /&gt;
| 4&lt;br /&gt;
| 1\28&lt;br /&gt;
|  &lt;br /&gt;
|-&lt;br /&gt;
| 4&lt;br /&gt;
| 2\28&lt;br /&gt;
| [[Demolished]]&lt;br /&gt;
|-&lt;br /&gt;
| 4&lt;br /&gt;
| 3\28&lt;br /&gt;
|  &lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| 1\28&lt;br /&gt;
| [[Whitewood]]&lt;br /&gt;
|-&lt;br /&gt;
| 14&lt;br /&gt;
| 1\28&lt;br /&gt;
|  &lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Commas ===&lt;br /&gt;
28et [[tempering out|tempers out]] the following [[comma]]s. This assumes the [[val]] {{val| 28 44 65 79 97 104 }}.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;commatable wikitable center-all left-3 right-4 left-6&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! [[Harmonic Limit|Prime&amp;lt;br&amp;gt;limit]]&lt;br /&gt;
! [[Ratio]]&amp;lt;ref&amp;gt;Ratios longer than 10 digits are presented by placeholders with informative hints&amp;lt;/ref&amp;gt;&lt;br /&gt;
! [[Monzo]]&lt;br /&gt;
! [[Cents]]&lt;br /&gt;
! [[Color name]]&lt;br /&gt;
! Name(s)&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| [[2187/2048]]&lt;br /&gt;
| {{monzo| -11 7 }}&lt;br /&gt;
| 113.69&lt;br /&gt;
| Lawa&lt;br /&gt;
| Apotome&lt;br /&gt;
|-&lt;br /&gt;
| 5&lt;br /&gt;
| [[648/625]]&lt;br /&gt;
| {{monzo| 3 4 -4 }}&lt;br /&gt;
| 62.57&lt;br /&gt;
| Quadgu&lt;br /&gt;
| Diminished comma, major diesis&lt;br /&gt;
|-&lt;br /&gt;
| 5&lt;br /&gt;
| [[16875/16384]]&lt;br /&gt;
| {{monzo| -14 3 4 }}&lt;br /&gt;
| 51.12&lt;br /&gt;
| Laquadyo&lt;br /&gt;
| Negri comma, double augmentation diesis&lt;br /&gt;
|-&lt;br /&gt;
| 5&lt;br /&gt;
| [[393216/390625|(12 digits)]]&lt;br /&gt;
| {{monzo| 17 1 -8 }}&lt;br /&gt;
| 11.45&lt;br /&gt;
| Saquadbigu&lt;br /&gt;
| [[Würschmidt comma]]&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| [[36/35]]&lt;br /&gt;
| {{monzo| 2 2 -1 -1 }}&lt;br /&gt;
| 48.77&lt;br /&gt;
| Rugu&lt;br /&gt;
| Mint comma, septimal quartertone&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| [[50/49]]&lt;br /&gt;
| {{monzo| 1 0 2 -2 }}&lt;br /&gt;
| 34.98&lt;br /&gt;
| Biruyo&lt;br /&gt;
| Jubilisma, tritonic diesis&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| [[3125/3087]]&lt;br /&gt;
| {{monzo| 0 -2 5 -3 }}&lt;br /&gt;
| 21.18&lt;br /&gt;
| Triru-aquinyo&lt;br /&gt;
| Gariboh comma&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| [[126/125]]&lt;br /&gt;
| {{monzo| 1 2 -3 1 }}&lt;br /&gt;
| 13.79&lt;br /&gt;
| Zotrigu&lt;br /&gt;
| Starling comma, septimal semicomma&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| [[65625/65536]]&lt;br /&gt;
| {{monzo| -16 1 5 1 }}&lt;br /&gt;
| 2.35&lt;br /&gt;
| Lazoquinyo&lt;br /&gt;
| Horwell comma&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| &amp;lt;abbr title=&amp;quot;140737488355328/140710042265625&amp;quot;&amp;gt;(30 digits)&amp;lt;/abbr&amp;gt;&lt;br /&gt;
| {{monzo| 47 -7 -7 -7 }}&lt;br /&gt;
| 0.34&lt;br /&gt;
| Trisa-seprugu&lt;br /&gt;
| [[Akjaysma]]&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| [[176/175]]&lt;br /&gt;
| {{monzo| 4 0 -2 -1 1 }}&lt;br /&gt;
| 9.86&lt;br /&gt;
| Lorugugu&lt;br /&gt;
| Valinorsma&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| [[441/440]]&lt;br /&gt;
| {{monzo| -3 2 -1 2 -1 }}&lt;br /&gt;
| 3.93&lt;br /&gt;
| Luzozogu&lt;br /&gt;
| Werckisma&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| [[4000/3993]]&lt;br /&gt;
| {{monzo| 5 -1 3 0 -3 }}&lt;br /&gt;
| 3.03&lt;br /&gt;
| Triluyo&lt;br /&gt;
| Wizardharry comma&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Octave stretch or compression ==&lt;br /&gt;
&#039;&#039;&#039;[[equal tuning |89ed9]]&#039;&#039;&#039;, a [[octave shrinking|compressed-octaves]] tuning of 28edo, makes 28edo potentially useable as a [[dual-fifth]] tuning. It shares the error equally between 28edo&#039;s two perfect fifths. &lt;br /&gt;
&lt;br /&gt;
So, where pure-octaves 28edo has a flat fifth with 16.2{{c}} error and a sharp fifth with 28.6{{c}} error, 89ed9 instead has a flat fifth with 21.4{{c}} error and a sharp fifth with 21.4{{c}} error.&lt;br /&gt;
&lt;br /&gt;
21.4{{c}} error is slightly better than [[23edo]]&#039;s best fifth but slightly worse than [[5edo]]&#039;s.&lt;br /&gt;
&lt;br /&gt;
Some might consider this fifth too bad to use, in which case 89ed9 would be a downgrade from pure-octaves 28edo. &lt;br /&gt;
&lt;br /&gt;
Others might consider it just useable enough, in which case 89ed9 would be an upgrade because it has one more useable interval and one less [[wolf interval]].&lt;br /&gt;
&lt;br /&gt;
89ed9 approximates the no-3s 7-, 11-, 13-, 17-, 19- and 23-limits significantly better than pure-octaves 28edo.&lt;br /&gt;
&lt;br /&gt;
; 28edo&lt;br /&gt;
* Step size: 42.8571{{c}}, octave size: 1200.00{{c}} &lt;br /&gt;
Approximates all no-3s harmonics up to 7 within &#039;&#039;16.9&#039;&#039;{{c}}.&lt;br /&gt;
&lt;br /&gt;
Approximates all no-3s harmonics up to 11 &amp;amp; up to 13 within &#039;&#039;16.9&#039;&#039;{{c}}.&lt;br /&gt;
&lt;br /&gt;
Approximates all no-3s harmonics up to 17 &amp;amp; up to 19 within &#039;&#039;19.2&#039;&#039;{{c}}.&lt;br /&gt;
{{Harmonics in equal|28|2|1|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 28edo}}&lt;br /&gt;
{{Harmonics in equal|28|2|1|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 28edo (continued)}}&lt;br /&gt;
&lt;br /&gt;
; [[equal tuning|89ed9]]&lt;br /&gt;
* Step size: 42.7406{{c}}, octave size: 1196.74{{c}}&lt;br /&gt;
Approximates all no-3s harmonics up to 7 within &#039;&#039;8.2&#039;&#039;{{c}}.&lt;br /&gt;
&lt;br /&gt;
Approximates all no-3s harmonics up to 11 &amp;amp; up to 13 within &#039;&#039;11.4&#039;&#039;{{c}}.&lt;br /&gt;
&lt;br /&gt;
Approximates all no-3s harmonics up to 17 &amp;amp; up to 19 within &#039;&#039;11.4&#039;&#039;{{c}}.&lt;br /&gt;
{{Harmonics in equal|89|9|1|intervals=integer|columns=11|collapsed=true|title=Approximation of harmonics in 89ed9}}&lt;br /&gt;
{{Harmonics in equal|89|9|1|intervals=integer|columns=12|start=12|collapsed=true|title=Approximation of harmonics in 89ed9 (continued)}}&lt;br /&gt;
&lt;br /&gt;
== Scales ==&lt;br /&gt;
; Whitewood scales&lt;br /&gt;
28edo is particularly well suited to [[Whitewood]] in the same way that [[15edo|15edo]] is for [[Blackwood]], as it has one third that is heavily tempered, but in a familiar way shared with 12edo, while the other one is significantly closer to just. (Contrast with 20 &amp;amp; 21edo, where one third remains the same as in 12, and the other is pushed further away, making the overall sound considerably more xenharmonic). This makes the 5ths more out of tune, but in a useful way, as you can stack major and minor thirds indefinitely until they repeat 4 octaves and 14 notes up, producing one of the largest nonrepeating harmonious chords possible in an edo this low. This produces mode of symmetry scales with two different modes and 4 different keys, making it equally easy to establish any chord in the scale as the root and modulate between them.&lt;br /&gt;
&lt;br /&gt;
* Whitewood Major [14] 13131313131313&lt;br /&gt;
* Whitewood Minor [14] 31313131313131&lt;br /&gt;
* Whitewood Major [21] 121121121121121121121&lt;br /&gt;
* Whitewood Minor [21] 211211211211211211211&lt;br /&gt;
* Whitewood Diminished [21] 112112112112112112112&lt;br /&gt;
* (Whitewood neutral is also theoretically possible, stacking neutral or subminor &amp;amp; supermajor thirds, but in practice that works out as 22222222222222, or 14edo, so it doesn&#039;t count as a 28edo scale)&lt;br /&gt;
&lt;br /&gt;
; Negri scales&lt;br /&gt;
If you&#039;re looking for something a little more xenharmonic sounding, but still relatively low in badness, Negri [9] &amp;amp; [10] function very similarly to Porcupine [7] &amp;amp; [8] in 15edo, further cementing the idea that 28 is to 15 what 29 is to 12 - a similar structure, but with tempering errors in the opposite direction and slightly greater complexity. Both have a decent selection of familiar major and minor chords clustered towards one end of the scale, while the way they modulate between one-another and the melodies they form is quite alien to people used to the diatonic scale. Most of the compositional notes on the Porcupine page can also be applied here.&lt;br /&gt;
&lt;br /&gt;
* Negri [9] 333343333&lt;br /&gt;
* Negri [10] 3333333331&lt;br /&gt;
* Negri [19] 2121212121212121211&lt;br /&gt;
&lt;br /&gt;
; Diatonic scales&lt;br /&gt;
However, unlike 15, 28 is complex enough to do recognisable approximations of various diatonic scales and their modes, although they will sound noticeably out of tune and it&#039;s obviously not the best method of using the temperament. &lt;br /&gt;
&lt;br /&gt;
* Diatonic Major [7] 5434552&lt;br /&gt;
* Diatonic Minor [7] 5254345&lt;br /&gt;
* Diatonic [[Naive_scale|Naive]] Major [7] 4534543&lt;br /&gt;
* Diatonic Naive Minor [7] 4354345&lt;br /&gt;
* Diatonic Major [10] 3243432322&lt;br /&gt;
* Diatonic Minor [10] 3223243432&lt;br /&gt;
* Diatonic Major [12] 322232232322&lt;br /&gt;
* Diatonic Minor [12] 322322232232&lt;br /&gt;
* Diatonic Major [16] 2122221222122122&lt;br /&gt;
* Diatonic Minor [16] 2122212222122212&lt;br /&gt;
* Harmonic Minor [7] 5254372&lt;br /&gt;
* Harmonic Major [7] 5434372&lt;br /&gt;
* Harmonic Minor [8] 52543522, 52543432&lt;br /&gt;
* Harmonic Major [8] 54343522, 54343432&lt;br /&gt;
* Harmonic Minor [10] 3223243432&lt;br /&gt;
* Harmonic Minor [11] 32232433222&lt;br /&gt;
* Harmonic Major [9] 324343432&lt;br /&gt;
* Harmonic Major [10] 3243433222&lt;br /&gt;
* Harmonic Minor [12] 322322232232, 322322233222&lt;br /&gt;
* Harmonic Major [12] 322232232232, 322232233222&lt;br /&gt;
* Harmonic Minor [16] 2122212222122212, 212221222212121222&lt;br /&gt;
* Harmonic Major [16] 2122221222122212, 212221222212121222&lt;br /&gt;
* Melodic Minor [7] 5254552&lt;br /&gt;
* Melodic Major [7] 5434345&lt;br /&gt;
* Melodic Minor [11] 32232432322&lt;br /&gt;
* Melodic Major [9] 324343432&lt;br /&gt;
* [[Diasem]] (Right-handed) 414434143&lt;br /&gt;
* [[Diasem]] (Left-handed) 441434143&lt;br /&gt;
* Melodic Minor [12] 322322232322&lt;br /&gt;
* Melodic Major [12] 322232232232&lt;br /&gt;
* Melodic Minor [16] 2122212222122122&lt;br /&gt;
* Melodic Major [16] 2122221222122212&lt;br /&gt;
&lt;br /&gt;
; Oneirotonic scales&lt;br /&gt;
Interestingly, as it has a near perfect 21/16, 28edo can also generate Oneirotonic scales (see [[13edo|13edo]]) by stacking it&#039;s 11th degree, and they actually sound better in this temperament.&lt;br /&gt;
&lt;br /&gt;
* Oneirotonic [5] 65656&lt;br /&gt;
* Oneirotonic [8] 55155151&lt;br /&gt;
* Oneirotonic [13] 4141141411411&lt;br /&gt;
* Oneirotonic [18] 311311131131113111&lt;br /&gt;
* Pathological Oneirotonic [23] 21112111121112111121111&lt;br /&gt;
* [[machine5]]&lt;br /&gt;
* [[machine6]]&lt;br /&gt;
* [[machine11]]&lt;br /&gt;
* [[machine17]]&lt;br /&gt;
&lt;br /&gt;
; Other Scales&lt;br /&gt;
* 10-tone 4&amp;amp;7edo scale 4 3 1 4 2 2 4 1 3 4&lt;br /&gt;
&lt;br /&gt;
== Instruments ==&lt;br /&gt;
28edo can be played on the [[Lumatone]]. See [[Lumatone mapping for 28edo]].&lt;br /&gt;
&lt;br /&gt;
28edo can also be played on a [[14edo]] [[guitar]] with very little effort. See [[User:MisterShafXen/Skip fretting system 28 2 3]].&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
; [[Ambient Esoterica]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=d_55LCULX9g &#039;&#039;28 Mansions of the Moon&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
; [[Beheld]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=0nvrUbw1VLQ &#039;&#039;Haze vibe&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
; [[Bryan Deister]]&lt;br /&gt;
* [https://www.youtube.com/shorts/1nWL2qEcI-Q &#039;&#039;28edo improvisation&#039;&#039;] (2022)&lt;br /&gt;
* [https://www.youtube.com/shorts/sCE0MjUyRUk &#039;&#039;28edo blues&#039;&#039;] (2023)&lt;br /&gt;
* [https://www.youtube.com/shorts/--BIQKJ9uvI &#039;&#039;minuet in 28edo&#039;&#039;] (2025)&lt;br /&gt;
* [https://www.youtube.com/shorts/vEcihDrmddg &#039;&#039;Fantasy in 28edo&#039;&#039;] (2026)&lt;br /&gt;
&lt;br /&gt;
; [[duckapus]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=F74B9qUpYi8 &#039;&#039;G.27 Variations in 28edo&#039;&#039;] (2023)&lt;br /&gt;
&lt;br /&gt;
; [[User:Eliora|Eliora]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=ghVCGlm7yOk &#039;&#039;Fantasy for Piano (and strings)&#039;&#039;] (2021)&lt;br /&gt;
&lt;br /&gt;
; [[Francium]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=8dubV7STjJA &#039;&#039;According to a Tomato&#039;&#039;] (2025)&lt;br /&gt;
&lt;br /&gt;
; [[Kosmorksy]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=26UpCbrb3mE &#039;&#039;28 tone Prelude&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
; [[User:Phanomium|Phanomium]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=zZJ5b4SkT7Q Euxenite]&#039;&#039; (2025)&lt;br /&gt;
&lt;br /&gt;
;[[Claudi Meneghin]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=30XUKJsaINU &#039;&#039;Happy Birthday Canon&#039;&#039;, 5-in-1 Canon in 28edo]&lt;br /&gt;
* [https://www.youtube.com/watch?v=wYdRAzp8Qi0 &#039;&#039;Canon on Twinkle Twinkle Little Star&#039;&#039;, for Baroque Oboe &amp;amp; Viola] (2023) – ([https://www.youtube.com/watch?v=B1KZoLR8UTI for Organ])&lt;br /&gt;
&lt;br /&gt;
; [[NullPointerException Music]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=vw6l5b3oGk0 &#039;&#039;Edolian - Machinery&#039;&#039;] (2020)&lt;br /&gt;
&lt;br /&gt;
; [[User:Userminusone|Userminusone]]&lt;br /&gt;
* [https://youtu.be/NbR3i45qQVQ &#039;&#039;Purple Skyes&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
[[Category:Twentuning]]&lt;br /&gt;
[[Category:Listen]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=45edo&amp;diff=231291</id>
		<title>45edo</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=45edo&amp;diff=231291"/>
		<updated>2026-05-29T14:11:12Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Music */ add 1&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox ET}}&lt;br /&gt;
{{ED intro}}&lt;br /&gt;
&lt;br /&gt;
== Theory ==&lt;br /&gt;
45edo effectively has two approximate [[5/4]] major thirds, each almost equally far from just, but the flat one is slightly closer. Combined with a [[3/2|perfect fifth]] 8.6 cents flat of just, it can be used as a [[meantone]] tuning, forming a good approximation to [[2/5-comma meantone]] (in fact falling into the [[flattone]] range). It is a flat-tending system in the [[7-limit]], with harmonics [[3/1|3]], [[5/1|5]], and [[7/1|7]] all flat. However, harmonics [[11/1|11]] and [[13/1|13]] are sharp, but this can be fixed with the 45ef val.&lt;br /&gt;
&lt;br /&gt;
=== Odd harmonics ===&lt;br /&gt;
{{Harmonics in equal|45}}&lt;br /&gt;
&lt;br /&gt;
=== As a tuning of other temperaments ===&lt;br /&gt;
It tempers out [[81/80]], [[525/512]], [[875/864]], and [[3125/3087]] in the 7-limit, and [[45/44]] in the [[11-limit]]. It provides the [[optimal patent val]] for 7- and 11-limit flattone temperament, and the 45f val is an excellent tuning for [[13-limit]] flattone. It also provides the optimal patent val for the 7-limit rank-3 [[avicennmic]] temperament, [[tempering out]] [[525/512]], the 11-limit [[calliope]] temperament, tempering out [[45/44]] and [[81/80]], and the rank-4 temperament tempering out 45/44. It is also the unique equal temperament tuning whose [[patent val]] tempers out both the syntonic comma and the [[ennealimma]].&lt;br /&gt;
&lt;br /&gt;
45edo tempers out the [[quartisma]] and provides an excellent tuning for the 2.7/3.33-subgroup [[The Quartercache #Direct quartismic|direct quartismic]] temperament, in which it approximates the [[33/32]] quartertone with 2 steps and [[7/6]] with 10 steps. A bit more broadly, it maps the 2.27.25.63.33.65.17 subgroup to great precision; this is the part of the [[17-limit]] shared with [[270edo]].&lt;br /&gt;
&lt;br /&gt;
Otherwise, it can be treated as a 2.5/3.7/3-subgroup system (borrowing 5/3 from [[15edo]] and 7/3 from [[9edo]]) and is a good tuning for [[gariberttet]], defined by tempering out [[3125/3087]] in this subgroup, approximating 2/5-comma gariberttet.&lt;br /&gt;
&lt;br /&gt;
=== Subsets and supersets ===&lt;br /&gt;
Since 45 factors into primes as {{nowrap| 3&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt; × 5 }}, 45edo has subset edos {{EDOs| 3, 5, 9, and 15 }}. [[135edo]], which triples it, corrects its primes 3, 7, and 11 to near-just qualities, and 270edo offers even more.&lt;br /&gt;
&lt;br /&gt;
== Intervals ==&lt;br /&gt;
{| class=&amp;quot;wikitable center-1 right-2 center-5 center-6&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! #&lt;br /&gt;
! Cents&lt;br /&gt;
! Approximate ratios*&lt;br /&gt;
! colspan=&amp;quot;4&amp;quot; | [[Ups and downs notation]]&lt;br /&gt;
|-&lt;br /&gt;
| 0&lt;br /&gt;
| 0.0&lt;br /&gt;
| [[1/1]]&lt;br /&gt;
| Perfect Unison&lt;br /&gt;
| P1&lt;br /&gt;
| D&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 26.7&lt;br /&gt;
| [[49/48]], [[50/49]]&lt;br /&gt;
| Up unison&lt;br /&gt;
| ^1&lt;br /&gt;
| ^D&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 53.3&lt;br /&gt;
| [[36/35]], &#039;&#039;[[25/24]]&#039;&#039;, &#039;&#039;[[64/63]]&#039;&#039;&lt;br /&gt;
| Augmented Unison&lt;br /&gt;
| A1&lt;br /&gt;
| D#&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| 80.0&lt;br /&gt;
| [[21/20]]&lt;br /&gt;
| Diminished 2nd&lt;br /&gt;
| d2&lt;br /&gt;
| Ebb&lt;br /&gt;
|-&lt;br /&gt;
| 4&lt;br /&gt;
| 106.7&lt;br /&gt;
| [[15/14]]&lt;br /&gt;
| Downminor 2nd&lt;br /&gt;
| vm2&lt;br /&gt;
| vEb&lt;br /&gt;
|-&lt;br /&gt;
| 5&lt;br /&gt;
| 133.3&lt;br /&gt;
| [[13/12]], [[14/13]], [[27/25]], &#039;&#039;[[16/15]]&#039;&#039;&lt;br /&gt;
| Minor 2nd&lt;br /&gt;
| m2&lt;br /&gt;
| Eb&lt;br /&gt;
|-&lt;br /&gt;
| 6&lt;br /&gt;
| 160.0&lt;br /&gt;
| [[54/49]]&lt;br /&gt;
| Mid 2nd&lt;br /&gt;
| ~2&lt;br /&gt;
| vE&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| 186.7&lt;br /&gt;
| [[10/9]], &#039;&#039;[[9/8]]&#039;&#039;&lt;br /&gt;
| Major 2nd&lt;br /&gt;
| M2&lt;br /&gt;
| E&lt;br /&gt;
|-&lt;br /&gt;
| 8&lt;br /&gt;
| 213.3&lt;br /&gt;
| &lt;br /&gt;
| Upmajor 2nd&lt;br /&gt;
| ^M2&lt;br /&gt;
| ^E&lt;br /&gt;
|-&lt;br /&gt;
| 9&lt;br /&gt;
| 240.0&lt;br /&gt;
| [[8/7]], [[15/13]]&lt;br /&gt;
| Augmented 2nd&lt;br /&gt;
| A2&lt;br /&gt;
| E#&lt;br /&gt;
|-&lt;br /&gt;
| 10&lt;br /&gt;
| 266.7&lt;br /&gt;
| [[7/6]]&lt;br /&gt;
| Diminished 3rd&lt;br /&gt;
| d3&lt;br /&gt;
| Fb&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| 293.3&lt;br /&gt;
| [[25/21]]&lt;br /&gt;
| Downminor 3rd&lt;br /&gt;
| vm3&lt;br /&gt;
| vF&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| 320.0&lt;br /&gt;
| [[6/5]]&lt;br /&gt;
| Minor 3rd&lt;br /&gt;
| m3&lt;br /&gt;
| F&lt;br /&gt;
|-&lt;br /&gt;
| 13&lt;br /&gt;
| 346.7&lt;br /&gt;
| [[49/40]], [[60/49]]&lt;br /&gt;
| Mid 3rd&lt;br /&gt;
| ~3&lt;br /&gt;
| ^F&lt;br /&gt;
|-&lt;br /&gt;
| 14&lt;br /&gt;
| 373.3&lt;br /&gt;
| [[5/4]], [[26/21]], &#039;&#039;[[16/13]]&#039;&#039;&lt;br /&gt;
| Major 3rd&lt;br /&gt;
| M3&lt;br /&gt;
| F#&lt;br /&gt;
|-&lt;br /&gt;
| 15&lt;br /&gt;
| 400.0&lt;br /&gt;
| [[63/50]]&lt;br /&gt;
| Upmajor 3rd&lt;br /&gt;
| ^M3&lt;br /&gt;
| ^F#&lt;br /&gt;
|-&lt;br /&gt;
| 16&lt;br /&gt;
| 426.7&lt;br /&gt;
| [[9/7]]&lt;br /&gt;
| Augmented 3rd&lt;br /&gt;
| A3&lt;br /&gt;
| Fx&lt;br /&gt;
|-&lt;br /&gt;
| 17&lt;br /&gt;
| 453.3&lt;br /&gt;
| [[13/10]], &#039;&#039;[[21/16]]&#039;&#039;&lt;br /&gt;
| Diminished 4th&lt;br /&gt;
| d4&lt;br /&gt;
| Gb&lt;br /&gt;
|-&lt;br /&gt;
| 18&lt;br /&gt;
| 480.0&lt;br /&gt;
| &#039;&#039;[[64/49]]&#039;&#039;&lt;br /&gt;
| Down 4th&lt;br /&gt;
| v4&lt;br /&gt;
| vG&lt;br /&gt;
|-&lt;br /&gt;
| 19&lt;br /&gt;
| 506.7&lt;br /&gt;
| [[4/3]]&lt;br /&gt;
| Perfect 4th&lt;br /&gt;
| P4&lt;br /&gt;
| G&lt;br /&gt;
|-&lt;br /&gt;
| 20&lt;br /&gt;
| 533.3&lt;br /&gt;
| [[49/36]]&lt;br /&gt;
| Up 4th or Mid 4th&lt;br /&gt;
| ^4, ~4&lt;br /&gt;
| ^G&lt;br /&gt;
|-&lt;br /&gt;
| 21&lt;br /&gt;
| 560.0&lt;br /&gt;
| [[18/13]]&lt;br /&gt;
| Augmented 4th&lt;br /&gt;
| A4&lt;br /&gt;
| G#&lt;br /&gt;
|-&lt;br /&gt;
| 22&lt;br /&gt;
| 586.7&lt;br /&gt;
| [[7/5]]&lt;br /&gt;
| Upaugmented 4th&lt;br /&gt;
| ^A4&lt;br /&gt;
| ^G#&lt;br /&gt;
|-&lt;br /&gt;
| 23&lt;br /&gt;
| 613.3&lt;br /&gt;
| [[10/7]]&lt;br /&gt;
| Downdiminshed 5th&lt;br /&gt;
| vd5&lt;br /&gt;
| vAb&lt;br /&gt;
|-&lt;br /&gt;
| 24&lt;br /&gt;
| 640.0&lt;br /&gt;
| [[13/9]]&lt;br /&gt;
| Diminished 5th&lt;br /&gt;
| d5&lt;br /&gt;
| Ab&lt;br /&gt;
|-&lt;br /&gt;
| 25&lt;br /&gt;
| 666.7&lt;br /&gt;
| [[72/49]]&lt;br /&gt;
| Down 5th or Mid 5th&lt;br /&gt;
| v5, ~5&lt;br /&gt;
| vA&lt;br /&gt;
|-&lt;br /&gt;
| 26&lt;br /&gt;
| 693.3&lt;br /&gt;
| [[3/2]]&lt;br /&gt;
| Perfect 5th&lt;br /&gt;
| P5&lt;br /&gt;
| A&lt;br /&gt;
|-&lt;br /&gt;
| 27&lt;br /&gt;
| 720.0&lt;br /&gt;
| &#039;&#039;[[49/32]]&#039;&#039;&lt;br /&gt;
| Up 5th&lt;br /&gt;
| ^5&lt;br /&gt;
| ^A&lt;br /&gt;
|-&lt;br /&gt;
| 28&lt;br /&gt;
| 746.7&lt;br /&gt;
| [[20/13]], &#039;&#039;[[32/21]]&#039;&#039;&lt;br /&gt;
| Augmented 5th&lt;br /&gt;
| A5&lt;br /&gt;
| A#&lt;br /&gt;
|-&lt;br /&gt;
| 29&lt;br /&gt;
| 773.3&lt;br /&gt;
| [[14/9]]&lt;br /&gt;
| Diminished 6th&lt;br /&gt;
| d6&lt;br /&gt;
| Bbb&lt;br /&gt;
|-&lt;br /&gt;
| 30&lt;br /&gt;
| 800.0&lt;br /&gt;
| [[100/63]]&lt;br /&gt;
| Downminor 6th&lt;br /&gt;
| vm6&lt;br /&gt;
| vBb&lt;br /&gt;
|-&lt;br /&gt;
| 31&lt;br /&gt;
| 826.7&lt;br /&gt;
| [[8/5]], [[21/13]], &#039;&#039;[[13/8]]&#039;&#039;&lt;br /&gt;
| Minor 6th&lt;br /&gt;
| m6&lt;br /&gt;
| Bb&lt;br /&gt;
|-&lt;br /&gt;
| 32&lt;br /&gt;
| 853.3&lt;br /&gt;
| [[49/30]], [[80/49]]&lt;br /&gt;
| Mid 6th&lt;br /&gt;
| ~6&lt;br /&gt;
| vB&lt;br /&gt;
|-&lt;br /&gt;
| 33&lt;br /&gt;
| 880.0&lt;br /&gt;
| [[5/3]]&lt;br /&gt;
| Major 6th&lt;br /&gt;
| M6&lt;br /&gt;
| B&lt;br /&gt;
|-&lt;br /&gt;
| 34&lt;br /&gt;
| 906.7&lt;br /&gt;
| [[42/25]]&lt;br /&gt;
| Upmajor 6th&lt;br /&gt;
| ^M6&lt;br /&gt;
| ^B&lt;br /&gt;
|-&lt;br /&gt;
| 35&lt;br /&gt;
| 933.3&lt;br /&gt;
| [[12/7]]&lt;br /&gt;
| Augmented 6th&lt;br /&gt;
| A6&lt;br /&gt;
| B#&lt;br /&gt;
|-&lt;br /&gt;
| 36&lt;br /&gt;
| 960.0&lt;br /&gt;
| [[7/4]], [[26/15]]&lt;br /&gt;
| Diminished 7th&lt;br /&gt;
| d7&lt;br /&gt;
| Cb&lt;br /&gt;
|-&lt;br /&gt;
| 37&lt;br /&gt;
| 986.7&lt;br /&gt;
| &lt;br /&gt;
| Downminor 7th&lt;br /&gt;
| vm7&lt;br /&gt;
| vC&lt;br /&gt;
|-&lt;br /&gt;
| 38&lt;br /&gt;
| 1013.3&lt;br /&gt;
| [[9/5]], &#039;&#039;[[16/9]]&#039;&#039;&lt;br /&gt;
| Minor 7th&lt;br /&gt;
| m7&lt;br /&gt;
| C&lt;br /&gt;
|-&lt;br /&gt;
| 39&lt;br /&gt;
| 1040.0&lt;br /&gt;
| [[49/27]]&lt;br /&gt;
| Mid 7th&lt;br /&gt;
| ~7&lt;br /&gt;
| ^C&lt;br /&gt;
|-&lt;br /&gt;
| 40&lt;br /&gt;
| 1066.7&lt;br /&gt;
| [[13/7]], [[24/13]], [[50/27]], &#039;&#039;[[15/8]]&#039;&#039;&lt;br /&gt;
| Major 7th&lt;br /&gt;
| M7&lt;br /&gt;
| C#&lt;br /&gt;
|-&lt;br /&gt;
| 41&lt;br /&gt;
| 1093.3&lt;br /&gt;
| [[28/15]]&lt;br /&gt;
| Upmajor 7th&lt;br /&gt;
| ^M7&lt;br /&gt;
| ^C#&lt;br /&gt;
|-&lt;br /&gt;
| 42&lt;br /&gt;
| 1120.0&lt;br /&gt;
| [[40/21]]&lt;br /&gt;
| Augmented 7th&lt;br /&gt;
| A7&lt;br /&gt;
| Cx&lt;br /&gt;
|-&lt;br /&gt;
| 43&lt;br /&gt;
| 1146.7&lt;br /&gt;
| [[35/18]], &#039;&#039;[[48/25]]&#039;&#039;, &#039;&#039;[[63/32]]&#039;&#039;&lt;br /&gt;
| Diminished 8ve&lt;br /&gt;
| d8&lt;br /&gt;
| Db&lt;br /&gt;
|-&lt;br /&gt;
| 44&lt;br /&gt;
| 1173.3&lt;br /&gt;
| [[49/25]], [[96/49]]&lt;br /&gt;
| Down 8ve&lt;br /&gt;
| v8&lt;br /&gt;
| vD&lt;br /&gt;
|-&lt;br /&gt;
| 45&lt;br /&gt;
| 1200.0&lt;br /&gt;
| [[2/1]]&lt;br /&gt;
| Perfect Octave&lt;br /&gt;
| P8&lt;br /&gt;
| D&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;nowiki/&amp;gt;* As a 2.3.5.7.13-subgroup temperament, using the 45f val&lt;br /&gt;
&lt;br /&gt;
== Notation ==&lt;br /&gt;
&lt;br /&gt;
=== Ups and downs notation ===&lt;br /&gt;
Spoken as up, sharp, upsharp, etc. Note that up can be respelled as downsharp.&lt;br /&gt;
{{Ups and downs sharpness}}&lt;br /&gt;
&lt;br /&gt;
=== Quarter-tone notation ===&lt;br /&gt;
Since a sharp raises by two steps, [[24edo#Notation|quarter-tone accidentals]] can also be used.&lt;br /&gt;
{{sharpness-sharp2}}&lt;br /&gt;
&lt;br /&gt;
=== Sagittal notation ===&lt;br /&gt;
This notation uses the same sagittal sequence as EDOs [[52edo#Sagittal notation|52]] and [[59edo#Second-best fifth notation|59b]].&lt;br /&gt;
&lt;br /&gt;
==== Evo flavor ====&lt;br /&gt;
&amp;lt;imagemap&amp;gt;&lt;br /&gt;
File:45-EDO_Evo_Sagittal.svg&lt;br /&gt;
desc none&lt;br /&gt;
rect 80 0 300 50 [[Sagittal_notation]]&lt;br /&gt;
rect 300 0 543 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation]&lt;br /&gt;
rect 20 80 140 106 [[36/35]]&lt;br /&gt;
rect 140 80 300 106 [[1053/1024]]&lt;br /&gt;
default [[File:45-EDO_Evo_Sagittal.svg]]&lt;br /&gt;
&amp;lt;/imagemap&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Revo flavor ====&lt;br /&gt;
&amp;lt;imagemap&amp;gt;&lt;br /&gt;
File:45-EDO_Revo_Sagittal.svg&lt;br /&gt;
desc none&lt;br /&gt;
rect 80 0 300 50 [[Sagittal_notation]]&lt;br /&gt;
rect 300 0 543 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation]&lt;br /&gt;
rect 20 80 140 106 [[36/35]]&lt;br /&gt;
rect 140 80 300 106 [[1053/1024]]&lt;br /&gt;
default [[File:45-EDO_Revo_Sagittal.svg]]&lt;br /&gt;
&amp;lt;/imagemap&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Evo-SZ flavor ====&lt;br /&gt;
&amp;lt;imagemap&amp;gt;&lt;br /&gt;
File:45-EDO_Evo-SZ_Sagittal.svg&lt;br /&gt;
desc none&lt;br /&gt;
rect 80 0 300 50 [[Sagittal_notation]]&lt;br /&gt;
rect 300 0 511 80 [https://sagittal.org#periodic-table Periodic table of EDOs with sagittal notation]&lt;br /&gt;
rect 20 80 140 106 [[36/35]]&lt;br /&gt;
rect 140 80 300 106 [[1053/1024]]&lt;br /&gt;
default [[File:45-EDO_Evo-SZ_Sagittal.svg]]&lt;br /&gt;
&amp;lt;/imagemap&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Because it contains no Sagittal symbols, this Evo-SZ Sagittal notation is also a Stein-Zimmerman notation.&lt;br /&gt;
&lt;br /&gt;
In the following diagrams, a sagittal symbol followed by an equals sign (=) means that the following comma is the symbol&#039;s [[Sagittal notation#Primary comma|primary comma]] (the comma it &#039;&#039;exactly&#039;&#039; represents in JI), while an approximately equals sign (≈) means it is a secondary comma (a comma it &#039;&#039;approximately&#039;&#039; represents in JI). In both cases the symbol exactly represents the tempered version of the comma in this EDO.&lt;br /&gt;
&lt;br /&gt;
== Approximation to JI==&lt;br /&gt;
=== Interval mappings ===&lt;br /&gt;
{{Q-odd-limit intervals|45}}{{Q-odd-limit intervals|44.9|apx=val|header=none|tag=none|title=15-odd-limit intervals by 45ef val mapping}}&lt;br /&gt;
&lt;br /&gt;
== Regular temperament properties ==&lt;br /&gt;
{| class=&amp;quot;wikitable center-4 center-5 center-6&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Subgroup]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Comma list]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Mapping]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | Optimal&amp;lt;br&amp;gt;8ve stretch (¢)&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; | Tuning error&lt;br /&gt;
|-&lt;br /&gt;
! [[TE error|Absolute]] (¢)&lt;br /&gt;
! [[TE simple badness|Relative]] (%)&lt;br /&gt;
|-&lt;br /&gt;
| 2.3&lt;br /&gt;
| {{Monzo| -71 45 }}&lt;br /&gt;
| {{Mapping| 45 71 }}&lt;br /&gt;
| +2.72&lt;br /&gt;
| 2.73&lt;br /&gt;
| 10.2&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5&lt;br /&gt;
| 81/80, {{monzo| -27 1 11 }}&lt;br /&gt;
| {{Mapping| 45 71 104 }}&lt;br /&gt;
| +3.68&lt;br /&gt;
| 2.61&lt;br /&gt;
| 9.75&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7&lt;br /&gt;
| 81/80, 525/512, 2401/2400&lt;br /&gt;
| {{Mapping| 45 71 104 126 }}&lt;br /&gt;
| +3.55&lt;br /&gt;
| 2.27&lt;br /&gt;
| 8.49&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7.13&lt;br /&gt;
| 65/64, 81/80, 105/104, 2401/2400&lt;br /&gt;
| {{Mapping| 45 71 104 126 166 }} (45f)&lt;br /&gt;
| +3.59&lt;br /&gt;
| 2.03&lt;br /&gt;
| 7.60&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Commas ===&lt;br /&gt;
This is a partial list of the [[commas]] that 45et [[tempering out|tempers out]] with its [[patent val]], {{val| 45 71 104 126 143 156 167 }}.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;commatable wikitable center-1 center-2 right-4 center-5&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! [[Harmonic limit|Prime&amp;lt;br&amp;gt;limit]]&lt;br /&gt;
! [[Ratio]]&amp;lt;ref group=&amp;quot;note&amp;quot;&amp;gt;{{rd}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
! [[Monzo]]&lt;br /&gt;
! [[Cent]]s&lt;br /&gt;
! [[Color name]]&lt;br /&gt;
! Name(s)&lt;br /&gt;
|-&lt;br /&gt;
| 5&lt;br /&gt;
| [[81/80]]&lt;br /&gt;
| {{Monzo| -4 4 -1 }}&lt;br /&gt;
| 21.51&lt;br /&gt;
| Gu&lt;br /&gt;
| Syntonic comma, Didymus&#039; comma, meantone comma&lt;br /&gt;
|-&lt;br /&gt;
| 5&lt;br /&gt;
| &amp;lt;abbr title=&amp;quot;7629394531250/7625597484987&amp;quot;&amp;gt;(26 digits)&amp;lt;/abbr&amp;gt;&lt;br /&gt;
| {{Monzo| 1 -27 18 }}&lt;br /&gt;
| 0.86&lt;br /&gt;
| Satritribiyo&lt;br /&gt;
| [[Ennealimma]]&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| [[16807/16384]]&lt;br /&gt;
| {{Monzo| -14 0 0 5 }}&lt;br /&gt;
| 44.13&lt;br /&gt;
| Laquinzo&lt;br /&gt;
| Cloudy comma&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| [[525/512]]&lt;br /&gt;
| {{Monzo| -9 1 2 1 }}&lt;br /&gt;
| 43.41&lt;br /&gt;
| Lazoyoyo&lt;br /&gt;
| Avicennma, Avicenna&#039;s enharmonic diesis&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| [[875/864]]&lt;br /&gt;
| {{Monzo| -5 -3 3 1 }}&lt;br /&gt;
| 21.90&lt;br /&gt;
| Zotrigu&lt;br /&gt;
| Keema&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| [[3125/3087]]&lt;br /&gt;
| {{Monzo| 0 -2 5 -3 }}&lt;br /&gt;
| 21.18&lt;br /&gt;
| Triru-aquinyo&lt;br /&gt;
| Gariboh comma&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| &amp;lt;abbr title=&amp;quot;40353607/40310784&amp;quot;&amp;gt;(16 digits)&amp;lt;/abbr&amp;gt;&lt;br /&gt;
| {{Monzo| -11 -9 0 9 }}&lt;br /&gt;
| 1.84&lt;br /&gt;
| Tritrizo&lt;br /&gt;
| [[Septimal ennealimma]]&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| [[4375/4374]]&lt;br /&gt;
| {{Monzo| -1 -7 4 1 }}&lt;br /&gt;
| 0.40&lt;br /&gt;
| Zoquadyo&lt;br /&gt;
| Ragisma&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| [[45/44]]&lt;br /&gt;
| {{Monzo| -2 2 1 0 -1 }}&lt;br /&gt;
| 38.91&lt;br /&gt;
| Luyo&lt;br /&gt;
| Undecimal 1/5-tone&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| [[385/384]]&lt;br /&gt;
| {{Monzo| -7 -1 1 1 1 }}&lt;br /&gt;
| 4.50&lt;br /&gt;
| Lozoyo&lt;br /&gt;
| Keenanisma&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| &amp;lt;abbr title=&amp;quot;117440512/117406179&amp;quot;&amp;gt;(18 digits)&amp;lt;/abbr&amp;gt;&lt;br /&gt;
| {{Monzo| 24 -6 0 1 -5 }}&lt;br /&gt;
| 0.51&lt;br /&gt;
| Saquinlu-azo&lt;br /&gt;
| [[Quartisma]]&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;references group=&amp;quot;note&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Rank-2 temperaments ===&lt;br /&gt;
{| class=&amp;quot;wikitable center-all left-5&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;font-size: 105%;&amp;quot; | Table of rank-2 temperaments by generator&lt;br /&gt;
|-&lt;br /&gt;
! Periods&amp;lt;br&amp;gt;per 8ve&lt;br /&gt;
! Generator*&lt;br /&gt;
! Cents*&lt;br /&gt;
! Associated&amp;lt;br&amp;gt;ratio*&lt;br /&gt;
! Temperament&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 1\45&lt;br /&gt;
| 26.7&lt;br /&gt;
| 49/48&lt;br /&gt;
| [[Sfourth]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 2\45&lt;br /&gt;
| 53.3&lt;br /&gt;
| 36/35&lt;br /&gt;
| [[Chromo]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 7\45&lt;br /&gt;
| 186.7&lt;br /&gt;
| 10/9&lt;br /&gt;
| [[Mintone]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 11\45&lt;br /&gt;
| 293.3&lt;br /&gt;
| 25/21&lt;br /&gt;
| [[Quasitemp]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 14\45&lt;br /&gt;
| 373.3&lt;br /&gt;
| 5/4&lt;br /&gt;
| [[Submerged]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 16\45&lt;br /&gt;
| 426.7&lt;br /&gt;
| 9/7&lt;br /&gt;
| [[Squares]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 23\45&lt;br /&gt;
| 453.3&lt;br /&gt;
| 13/10&lt;br /&gt;
| [[Maja]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 19\45&lt;br /&gt;
| 506.7&lt;br /&gt;
| 4/3&lt;br /&gt;
| [[Flattone]]&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| 19\45&amp;lt;br&amp;gt;(4\45)&lt;br /&gt;
| 506.7&amp;lt;br&amp;gt;(106.7)&lt;br /&gt;
| 4/3&amp;lt;br&amp;gt;(15/14)&lt;br /&gt;
| [[Lithium]]&lt;br /&gt;
|-&lt;br /&gt;
| 5&lt;br /&gt;
| 19\45&amp;lt;br&amp;gt;(1\45)&lt;br /&gt;
| 506.7&amp;lt;br&amp;gt;(26.7)&lt;br /&gt;
| 4/3&amp;lt;br&amp;gt;(49/48)&lt;br /&gt;
| [[Cloudtone]]&lt;br /&gt;
|-&lt;br /&gt;
| 9&lt;br /&gt;
| 12\45&amp;lt;br&amp;gt;(2\45)&lt;br /&gt;
| 320.0&amp;lt;br&amp;gt;(53.3)&lt;br /&gt;
| 6/5&amp;lt;br&amp;gt;(36/35)&lt;br /&gt;
| [[Ennealimmal]]&lt;br /&gt;
|-&lt;br /&gt;
| 15&lt;br /&gt;
| 19\45&amp;lt;br&amp;gt;(1\45)&lt;br /&gt;
| 506.7&amp;lt;br&amp;gt;(26.7)&lt;br /&gt;
| 4/3&amp;lt;br&amp;gt;(126/125)&lt;br /&gt;
| [[Pentadecal]]&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;nowiki/&amp;gt;* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave, and [[normal forms #Minimal-generator form|minimal form]] in parentheses if distinct&lt;br /&gt;
&lt;br /&gt;
== Octave stretch and compression ==&lt;br /&gt;
45edo&#039;s approximations of 3/1, 5/1, 7/1, 11/1 and 13/1 and 17/1 are all improved by a [[Octave stretch|stretched-octave]] version of 45edo, such as [[ed12|161ed12]] or [[ed6|116ed6]]. The trade-off is a slightly worse 2/1. [[207zpi]] also improves on all of those harmonics except for 17/1.&lt;br /&gt;
&lt;br /&gt;
The tuning [[equal tuning|183ed17]] may also be used, it improves 3/1, 5/1, 7/1, 11/1, 13/1 &#039;&#039;and&#039;&#039; 17/1 (with different mappings for many) but at the cost of a noticeably worse 2/1 than the others.&lt;br /&gt;
&lt;br /&gt;
== Scales ==&lt;br /&gt;
* [[Cloudtone]][10] - recommended by [[Maeve Gutierrez]]: 8 1 8 1 8 1 8 1 8 1&lt;br /&gt;
* [[JUMBLE]]&#039;s &amp;quot;moment of chaos scale&amp;quot;: 3 9 6 1 4 7 2 5 8 (used in several works including [https://www.youtube.com/watch?v=WqEOi4cd1Og &#039;&#039;Archipelago Arpeggio&#039;&#039;] and [https://www.youtube.com/watch?v=4iwJFVIWEII &#039;&#039;FERAL (45edo microtonal ambient track)&#039;&#039;])&lt;br /&gt;
* 13-tone 5&amp;amp;9edo scale: 5 4 1 5 3 2 5 2 3 5 1 4 5&lt;br /&gt;
* 12-tone 5&amp;amp;9edo scale{{idio}}: 5 4 1 5 3 2 5 2 3 5 5 5&lt;br /&gt;
&lt;br /&gt;
== Instruments ==&lt;br /&gt;
&#039;&#039;&#039;Lumatone&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
See [[Lumatone mapping for 45edo]]&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
; [[Bryan Deister]]&lt;br /&gt;
* [https://www.youtube.com/shorts/33tKBiWZvXM &#039;&#039;(short clip) Fantasy in 45edo&#039;&#039;] (2025)&lt;br /&gt;
* [https://www.youtube.com/watch?v=Xblr-4aGBtM &#039;&#039;&amp;lt;nowiki&amp;gt;Twin Arrows [45edo]&amp;lt;/nowiki&amp;gt;&#039;&#039;] (2026)&lt;br /&gt;
&lt;br /&gt;
; [[JUMBLE]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=tbc_OxHp-ec &#039;&#039;Fishbowl&#039;&#039;] (2023)&lt;br /&gt;
* [https://www.youtube.com/watch?v=WqEOi4cd1Og &#039;&#039;Archipelago Arpeggio&#039;&#039;] (2024)&lt;br /&gt;
* [https://www.youtube.com/watch?v=Kd4t_iKiKMA &#039;&#039;Fallen Angel&#039;&#039;] (2024)&lt;br /&gt;
* [https://www.youtube.com/watch?v=DPztb8W6ykY &#039;&#039;Solar Guardian&#039;&#039;] (2024)&lt;br /&gt;
* [https://www.youtube.com/watch?v=24gnhAbHtiw &#039;&#039;Qúchze úzeq Qávka&#039;&#039;] (2025)&lt;br /&gt;
* [https://www.youtube.com/watch?v=K2p7HOI3TUE &#039;&#039;Sodium Light (45edo Microtonal Chillwave)&#039;&#039;] (2026)&lt;br /&gt;
* [https://www.youtube.com/watch?v=ex9WfmWVibY &#039;&#039;Yēú Zee Kiidhai (45edo microtonal ambient)&#039;&#039;] (2026)&lt;br /&gt;
* [https://www.youtube.com/watch?v=4iwJFVIWEII &#039;&#039;FERAL (45edo microtonal ambient track)&#039;&#039;] (2026)&lt;br /&gt;
* [https://www.youtube.com/watch?v=cXZ3RkTDE-I &#039;&#039;Chmelui-Múzeq - Haoýoze (45edo Microtonal Ambient)&#039;&#039;] (2026)&lt;br /&gt;
&lt;br /&gt;
[[Category:Equal divisions of the octave|##]] &amp;lt;!-- 2-digit number --&amp;gt;&lt;br /&gt;
[[Category:Meantone]]&lt;br /&gt;
[[Category:Ennealimmal]]&lt;br /&gt;
[[Category:Quartismic]]&lt;br /&gt;
[[Category:Listen]]&lt;br /&gt;
[[Category:Todo:add rank 2 temperaments table]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Listen&amp;diff=231247</id>
		<title>Listen</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Listen&amp;diff=231247"/>
		<updated>2026-05-28T22:40:05Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* W */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Catrel|Listen}}&lt;br /&gt;
&lt;br /&gt;
This page is a list of xenharmonic listening suggestions. If you think anything should be changed, feel free to change it yourself, or leave a note about it here.&lt;br /&gt;
&lt;br /&gt;
== Curated lists ==&lt;br /&gt;
=== By curator ===&lt;br /&gt;
&#039;&#039;&#039;UnTwelve annual competition winners&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://untwelve.org/competition Annual Composition Competition pages] by the [[UnTwelve]] foundation. The majority of the dozens of entrants in each year’s competition provide audio files of their compositions for the public to listen to.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Mike Battaglia]]&#039;s recommendations playlist&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://open.spotify.com/user/1218607737/playlist/70d4bxQpwBM4EPvLj0OmhO?si=ADmgFYnhTxGRDENaYK5XGw&amp;amp;fbclid=IwAR0Tw8l31ERv0cUgO-4OrBMu7wp8I38dhGWUGsmFvWo6sLle1FS7ZJQ7z0o Microtonal Spotify Playlist] — Deliberately includes examples for many different genres. Put it on Shuffle and have a great intro to xen.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Highest rated by the Xen Wiki community&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[List of xenharmonic music by community ratings]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;More recommendations&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Microtonal music recommendation playlists]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
=== By medium/tuning/genre ===&lt;br /&gt;
&#039;&#039;&#039;Sheet music&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Scores]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Albums&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[:Category:Albums]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music by tuning&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;small&amp;gt;&#039;&#039;&#039;[[Music in just intonation]]&#039;&#039;&#039; • [[Bohlen–Pierce scale/Music]] • [[Carlos Alpha#Music]] • [[Carlos Beta#Music]] • [[Carlos Gamma#Music]] • [[Polymicrotonality#Music]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music in EDOs&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;5-9: &#039;&#039;&#039;[[5edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[7edo/Music]]&#039;&#039;&#039; • [[8edo#Music]] • &#039;&#039;&#039;[[9edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
10-19: &#039;&#039;&#039;[[10edo/Music]]&#039;&#039;&#039; • [[11edo#Music]] • [[13edo/Music]] • [[14edo#Music]] • &#039;&#039;&#039;[[15edo/Music]]&#039;&#039;&#039; • [[16edo#Music]] • &#039;&#039;&#039;[[17edo/Music]]&#039;&#039;&#039; • [[18edo#Music]] • &#039;&#039;&#039;[[19edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
20-29: [[20edo#Music]] • [[21edo#Music]] • &#039;&#039;&#039;[[22edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[23edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[24edo/Music]]&#039;&#039;&#039; • [[25edo#Music]] • [[26edo#Music]] • [[27edo#Music]] • [[28edo#Music]] • [[29edo#Music]]&lt;br /&gt;
&lt;br /&gt;
30-41: [[30edo#Music]] • &#039;&#039;&#039;[[31edo/Music]]&#039;&#039;&#039; • [[32edo#Music]] • [[33edo#Music]] • [[34edo#Music]] • [[35edo#Music]] • [[36edo#Music]] • [[37edo#Music]] • [[38edo#Music]] • [[39edo#Music]] • [[40edo#Music]] • &#039;&#039;&#039;[[41edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;(for higher EDOs see [[EDO#Individual pages for EDOs|the individual EDO pages]])&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Classical pieces that were written with microtones&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
{{todo|expand|add examples|inline=1}}&lt;br /&gt;
Notable examples from 20th century classical music that briefly use the 7th harmonic, and for the Britten piece, the 11th harmonic as well:&lt;br /&gt;
* Ralph Vaughan Williams&#039;s [[wikipedia:A_Pastoral_Symphony|Symphony No. 3, A Pastoral Symphony]] from 1922, two horn solos in the 2nd movement&lt;br /&gt;
* Benjamin Britten&#039;s [[wikipedia:Serenade_for_Tenor,_Horn_and_Strings|Serenade for Tenor, Horn and Strings]] from 1943, prologue and epilogue&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Non-microtonal classical pieces translated to microtonal tunings&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
For a list of pieces that were originally written in a non-xenharmonic context, and then translated into a xenharmonic tuning, see [[Familiar melodies in unfamiliar tunings]]. (&#039;&#039;Stephen Weigel&#039;s [https://www.youtube.com/watch?v=bKNuSRujLPY&amp;amp;list=PLzY9zzOkuloTH7IYBl6AHFcbdM-Qop7u4 YouTube channel], Mike Battaglia&#039;s [https://soundcloud.com/mikebattagliaexperiments SoundCloud], and H. Wakabayashi&#039;s [https://www.youtube.com/user/inodapicnic YouTube channel] have great examples of these&#039;&#039;).&lt;br /&gt;
&lt;br /&gt;
== Giant table of xenharmonic music examples ==&lt;br /&gt;
What follows for the rest of this page is a large alphabetical list of as many xenharmonic artists and pieces as the wiki editors could find. It is not filtered or curated by quality, genre, or any other criteria. Feel free to add to it:&lt;br /&gt;
&lt;br /&gt;
{{TOC Horizontal&lt;br /&gt;
| a1=[[#Compilations|Compilations]]&lt;br /&gt;
| a2=[[#Artists|Artists]] ([[#A|A]]&lt;br /&gt;
| a3=[[#B|B]]&lt;br /&gt;
| a4=[[#C|C]]&lt;br /&gt;
| a5=[[#D|D]]&lt;br /&gt;
| a6=[[#E|E]]&lt;br /&gt;
| a7=[[#F|F]]&lt;br /&gt;
| a8=[[#G|G]]&lt;br /&gt;
| a9=[[#H|H]]&lt;br /&gt;
| a10=[[#I|I]]&lt;br /&gt;
| a11=[[#J|J]]&lt;br /&gt;
| a12=[[#K|K]]&lt;br /&gt;
| a13=[[#L|L]]&lt;br /&gt;
| a14=[[#M|M]]&lt;br /&gt;
| a15=[[#N|N]]&lt;br /&gt;
| a16=[[#O|O]]&lt;br /&gt;
| a17=[[#P|P]]&lt;br /&gt;
| a18=[[#Q|Q]]&lt;br /&gt;
| a19=[[#R|R]]&lt;br /&gt;
| a20=[[#S|S]]&lt;br /&gt;
| a21=[[#T|T]]&lt;br /&gt;
| a22=[[#U|U]]&lt;br /&gt;
| a23=[[#V|V]]&lt;br /&gt;
| a24=[[#W|W&amp;amp;ndash;Z]])&lt;br /&gt;
| a25=[[#Other|Other]]&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
=== Compilations ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Year&lt;br /&gt;
! &#039;&#039;&#039;Links&#039;&#039;&#039;&lt;br /&gt;
! Title&lt;br /&gt;
! &#039;&#039;&#039;Synopsis&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Genres, tunings, keywords&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Additional notes&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| 2024&lt;br /&gt;
| [https://www.youtube.com/watch?v=ftfnW9DsFVE YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Christmas Compilation 2024&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. &amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 41edo, mixed tunings*, 87edo, 159edo, 15edt, 15edo, free pitch, 31edo, &lt;br /&gt;
| *31edo diatonic, 25edo mavila, 7edo, 27edo mosh[7], 17edo &amp;quot;sun&amp;quot; scale, 26edo diasem-ish&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=U3fDWlG2Cb8 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Adxenture EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 11 artists. &amp;lt;br /&amp;gt;Theme: Explore + Discover&lt;br /&gt;
| Tunings: 15edo, 17-note tempered 2.3.7.29 ternary scale*, 26edo, 27edo, 12-tone 7-limit scale**, 21edo, 22edo, 37edo&lt;br /&gt;
| Was an entry in the Server vs Server V competition.&amp;lt;br /&amp;gt;*28/27 + 0.193{{cent}}, 29/27 + 2.596{{cent}}, 9/8 - 1.066{{cent}}, 7/6 - 0.873{{cent}}, 29/24 + 1.53{{cent}}, 81/64 - 2.132{{cent}}, 21/16 - 1.939{{cent}}, 87/64 + 0.464{{cent}}, 116/81 + 3.129{{cent}}, 3/2 - 0.533{{cent}}, 14/9 - 0.34{{cent}}, 29/18 + 2.063{{cent}}, 27/16 - 1.599{{cent}}, 7/4 - 1.406{{cent}}, 29/16 + 0.997{{cent}}, 243/128 - 2.665{{cent}}, 2/1&amp;lt;br /&amp;gt;**135/128, 9/8, 75/64, 5/4, 21/16, 45/32, 3/2, 25/16, 27/16, 7/4, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=-boJuGbymMY YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Kids Songs Edition&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 4 artists. &amp;lt;br /&amp;gt;Theme: Kids Songs&lt;br /&gt;
| Tunings: 46edo, octave-reduced 10L 7s MOS, 53edo, 15edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=fOZiX7f7t8Q YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Cover My Song&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. 8 tracks.&lt;br /&gt;
| Tunings: Free pitch, 22edo, 410edo, 159edo, 41edo, 19edo, 27edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://www.youtube.com/watch?v=WoF89oQ1Pn0 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Christmas 2022 Edition!&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 8 artists.&amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 7-Limit POTE Whitewood[21], 29edo, 23edo, 159edo*, 22edo, 353edo**, Iceface 75***, 17edo, Harmonics 16-32 starting from multiple notes****&lt;br /&gt;
| *Used for multiple songs, each song with a different reference pitch; main scale: 27\159, 51\159, 66\159, 93\159, 120\159, 144\159, 159\159 &amp;lt;br /&amp;gt;**38\353 Rectified Hebrew + 38\353 Apparatus on Harp &amp;lt;br /&amp;gt;***12edo with the black piano keys raised 75 cents &amp;lt;br /&amp;gt;****D = 293.333 Hz, G = 195.556 Hz, C = 260.741 Hz, F = 173.827 Hz, Bb = 234.667 Hz, Eb = 156.444 Hz&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/tDjLcCictVQ Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project 2&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Tostarena: Ruins&amp;quot; from &#039;&#039;Super Mario Odyssey&#039;&#039;.&lt;br /&gt;
| Tunings: 17edo, 13-limit JI*, 21edo, 19edo, 13-limit lemba, 13-limit srutal[12], 23edo, 11-limit JI**, 37edo, 33edo&lt;br /&gt;
| *28/27, 9/8, 7/6, 63/52, 4/3, 3/2, 14/9, 21/13, 7/4, 2/1&amp;lt;br /&amp;gt;**12/11, 9/8, 6/5, 5/4, 4/3, 15/11, 3/2, 18/11, 27/16, 16/9, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/9rTbLQ9j1sE Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Deleted User EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 12 artists.&amp;lt;br /&amp;gt;Theme: Secrets&lt;br /&gt;
| Tunings: 19edo, 2)5 [[CPS]] 3 7 9 11 13, 21edo, 18edo, 29edo, 33edo, 22edo, 11edo, 13edo, a [[porcupine]]-derived [[nonoctave]] tuning&lt;br /&gt;
| Was an entry in the Server vs Server IV competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/mkSlVrpC7HI Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Aquatic Ambience&amp;quot; from &#039;&#039;Donkey Kong Country&#039;&#039;.&lt;br /&gt;
| Tunings: 7-limit JI*, 18edo, 17edo, 7-limit JI**, 41edo, 15edo, 22edo&lt;br /&gt;
| *9/8, 7/6, 6/5, 4/3, 3/2, 14/9, 8/5, 16/9, 2/1&amp;lt;br /&amp;gt;**28/27, 9/8, 6/5, 5/4, 4/3, 7/5, 3/2, 8/5, 5/3, 9/5, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/XomJ5Hutl7k Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - LM x SvS 1v1s&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 one-minute tracks by 10 artists.&lt;br /&gt;
| Tunings: 16edo neji /128, 22edo, 17edo, Ibn Sina diatonic + extra chromatic tones (JI)*, 31edo, 20edo, 24edo, 16edo, 26edo&lt;br /&gt;
| LM x SvS = Lucid Monday x Server vs Server&amp;lt;br /&amp;gt;*14/13, 7/6, 4/3, 3/2, 21/13, 7/4, 2/1 + 28/27, 21/20, 14/9&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7b-luna-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7b-luna-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7b - Luna Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 15 artists.&lt;br /&gt;
| Each track uses a different [[EDO]] or other [[equal-step tuning]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://youtu.be/jBXpOPeQFYY Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Gone Too Deep EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 14 artists.&amp;lt;br /&amp;gt;Theme: Dreams&lt;br /&gt;
| Tunings: 14edo, a [[Neji]] tuning, 18edo, 17edo, 96edo, 31edo, 15edo, 21edo, 23edo, 20edo&lt;br /&gt;
| Was an entry in the Server vs Server III competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7-terra-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7-terra-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7 - Terra Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 16 artists.&lt;br /&gt;
| Each track uses a different [[EDO]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2019&lt;br /&gt;
| [https://open.spotify.com/album/2ojBIQLtipAo6MPJhmNiWP Listen free on Spotify]&amp;lt;br /&amp;gt;[https://biptunia.com/?p=4633 More info].&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Microtonal Freedom (A Benefit Compilation Album for Lyn Ulbricht)&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists. Many of them are contributors on this wiki.&lt;br /&gt;
| &#039;&#039;&#039;GENRES&#039;&#039;&#039;: Blues, metal, prog, trip-hop, hip-hop, funk, classical, ambient, math, punk, spoken, folk, solo acoustic guitar.&lt;br /&gt;
| Very good overview, and very listenable, especially for people without experience in Xen, or who think it sounds odd.&lt;br /&gt;
|-&lt;br /&gt;
| 2016&lt;br /&gt;
| [http://split-notes.com/various-artists-next-xen/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Next Xen&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2010&lt;br /&gt;
| [http://split-notes.com/various-artists-crack-my-pitch-up/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Crack My Pitch Up&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 1998&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/mills.html Broken Link?]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;A Microtonal Musical Experience&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10-ish groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| Many of the tracks on the CD were the first widely available audio files on the internet featuring xenharmonic tunings.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Artists ===&lt;br /&gt;
: &#039;&#039;Note: Please don&#039;t put external links on artist&#039;s name in first column. Put them in LINKS column, Link description of what they are (Website, YouTube, SoundCloud, etc.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Name&lt;br /&gt;
! Links&lt;br /&gt;
! Recommended works&lt;br /&gt;
! Members&lt;br /&gt;
! Genres, tunings, keywords&lt;br /&gt;
! Location&lt;br /&gt;
! Years &#039;&#039;microtonally&#039;&#039; active&lt;br /&gt;
! Additional notes&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== A ==== &lt;br /&gt;
|-&lt;br /&gt;
| Agonanist&lt;br /&gt;
| [https://transylvaniantapes.bandcamp.com/album/agonanist-the-cynicism-of-solitude Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Black metal in various EDO&#039;s&lt;br /&gt;
| California&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Alves]]&lt;br /&gt;
| [http://www.billalves.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/billalves YouTube]&amp;lt;br&amp;gt;[http://pages.hmc.edu/alves/ Harvey Mudd College]&lt;br /&gt;
| [http://www.billalves.com/imbal-imbalan.html Imbal-Imbalan]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI, gamelan, etc. Different tunings on different songs. Sometimes creates his own tunings just for one song.  &lt;br /&gt;
| Claremont, California&lt;br /&gt;
| 1987- &lt;br /&gt;
| College professor, author. Important cat. Check him out. &lt;br /&gt;
|-&lt;br /&gt;
| Aphex Twin&lt;br /&gt;
| [https://aphextwin.warp.net/ Official Store]&amp;lt;br&amp;gt;[[Wikipedia:Aphex Twin| Wikipedia]]&lt;br /&gt;
| [https://aphextwin.warp.net/release/68148-aphex-twin-selected-ambient-works-volume-ii Selected Ambient Works Volume II]&amp;lt;br&amp;gt;[https://aphextwin.warp.net/release/71102-aphex-twin-drukqs drukQs]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music&lt;br /&gt;
| Scotland&lt;br /&gt;
| 1994-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Atar Arad&lt;br /&gt;
| [https://www.youtube.com/channel/UCqkcxbIr8LriIoZBx96RT7g YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sonata for Viola with quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Astroid power-up!&lt;br /&gt;
| [https://store.cdbaby.com/cd/googleplex CD Baby]{{dead link}} (includes audio previews) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of hyper drum&amp;amp;amp;bass. Microtonal tracks: 3, 4, 8 and 9 (60-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot;| &lt;br /&gt;
&lt;br /&gt;
==== B ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Christopher Bailey]]&lt;br /&gt;
| [http://christopherbaileymusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystallized JI, 17-EDO, 19-EDO, 7-limit adaptive&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Mike Battaglia]]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments SoundCloud]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments/sets/natural-sounding-porcupine &amp;quot;Natural&amp;quot;-sounding Porcupine Comma Pump Experiments]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs, technical studies, experimental music cognition demos&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (a.k.a. Bugs, a.k.a. The Bugs) &lt;br /&gt;
|-&lt;br /&gt;
| Matt Barber&lt;br /&gt;
| [http://ecmc.rochester.edu/mbarb/web/music.php?filter=chrono Rochester EDU listing] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| In some pieces, 19-ED(per 2:1 and 3:1), quartertones, 11-EDO and 14-EDO in 3:2 equivalence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacob Barton]]&lt;br /&gt;
| [http://jacobbarton.net/ Website] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced and acoustic, various EDO and JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dennis Báthory-Kitsz]]&lt;br /&gt;
| [http://www.maltedmedia.com/people/bathory/cat-solo.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Thièle&amp;quot; - violin in quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David Beardsley&lt;br /&gt;
| [https://microtonal.wordpress.com/ Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UChoIaFN4ZM2nMzsktVnPuqQ YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI electric guitar and JI chamber music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Antoine Beaudet&lt;br /&gt;
| [https://soundcloud.com/jollybard SoundCloud] (as Jollybard)&lt;br /&gt;
| [https://soundcloud.com/jollybard/superbeat-wip SuperBeat]&amp;lt;br&amp;gt;[https://soundcloud.com/jollybard/spooky Spooky]&lt;br /&gt;
| &lt;br /&gt;
| Joan temperament, JI, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[benyamind]]&lt;br /&gt;
| [https://benyamind.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCFWIWi2GVCKMM9uYDdlUQqw Youtube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 31edo, 22edo, JI, orchestral, piano&lt;br /&gt;
|-&lt;br /&gt;
| BipTunia&lt;br /&gt;
| [https://biptunia.com/?s=microtonal Website]&amp;lt;br&amp;gt;[https://biptunia.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://biptunia.com/?p=3432 Microtonal Cats from Alpha-Centauri”]&lt;br /&gt;
| Michael W. Dean (synths, singing, talking)&amp;lt;br&amp;gt;Phil Wormuth (poetry, talking)&lt;br /&gt;
| Darkwave, rock, pop, experimental, poetry with music, different tunings on every song. Prolific. &lt;br /&gt;
| Casper Wyoming &lt;br /&gt;
| 2018-&lt;br /&gt;
| MWD is [[User:SyntheticThought]] on this wiki. MWD also makes [https://biptunia.com/?page_id=2070 xen VST software]. &lt;br /&gt;
|-&lt;br /&gt;
| Marcus Alessi Bittencourt&lt;br /&gt;
| [http://www.marcusalessi.com/site/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classic electronic pan-intonational&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Easley Blackwood Jr.]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=HbuFPpiJL1o YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal etudes [excerpts]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Douglas Blumeyer]]&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin SoundCloud]&amp;lt;br&amp;gt;[http://musical-patterns.douglasblumeyer.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Musical patterns&lt;br /&gt;
| Berkeley&lt;br /&gt;
| 2006-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cameron Bobro]]&lt;br /&gt;
| [https://soundcloud.com/cameron-bobro Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Bass vocals and microtonal folk instruments in haunting songs.&lt;br /&gt;
| Maribor, Slovenia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| M. Edward Borasky&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Stochastic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Donald Bousted&lt;br /&gt;
| [https://donaldbousted.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music and film&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Graham Breed]]&lt;br /&gt;
| [http://x31eq.com/music/ Website]&lt;br /&gt;
| [http://x31eq.com/music/wisofl.mp3 When I Set Out for Lyonnesse] &lt;br /&gt;
| &lt;br /&gt;
| Electronic with spoken word; (Thomas Hardy poems), examples of different temperaments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Chris Bryan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brendan Byrnes]]&lt;br /&gt;
| [http://www.brendanbyrnes.com/ Website]&amp;lt;br&amp;gt;[https://brendanbyrnes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsg5wuPYEmD7w7Jutqy8IhA YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/bpbyrnes Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=1PYbIPaW_eg Siolas]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=dgVDQU8CuPE Operator]&lt;br /&gt;
| Brendan Byrnes + various side players.&lt;br /&gt;
| Great production. Progressive, rock, driving, good vocals. Is also in band ILEVENS (separate entry below).&lt;br /&gt;
| Los Angeles / Glendale&lt;br /&gt;
| 2011-&lt;br /&gt;
| Great first xen for many people. &lt;br /&gt;
|-&lt;br /&gt;
| [[Warren Burt]]&lt;br /&gt;
| [http://retiary.net/idea/idea5/IDEA_5/warren/warren.htm Website] (flashing images warning)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sound installation; manipulated voice...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== C ==== &lt;br /&gt;
|-&lt;br /&gt;
| Charles Carpenter&lt;br /&gt;
| [https://charlescarpenter.net/ Website]&lt;br /&gt;
| [https://open.spotify.com/album/0tLOtB35zIsId4S47hll3X?si=hUoXPLLyS9SR6kBitJUD2g Splat]&amp;lt;br /&amp;gt;[https://open.spotify.com/album/3CQHBKHfYBx4VC8ZS1cQfo?si=d3G8aLe6S127Lb7YGVXmHQ Frog à la Pêche]&lt;br /&gt;
| &lt;br /&gt;
| Bohlen–Pierce electronic&lt;br /&gt;
| &lt;br /&gt;
| 1994-1996&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tolgahan Çoğulu]]&lt;br /&gt;
| [https://www.youtube.com/user/TolgahanCogulu YouTube]&amp;lt;br&amp;gt;[https://www.microtonalguitar.org/ Website 1]&amp;lt;br&amp;gt;[http://www.tolgahancogulu.com/en/ Website 2]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JT0z2nOyUlg Microtonal guitar duo]&lt;br /&gt;
| &lt;br /&gt;
| Microtonal guitar. Custom builds guitars with half, quarter frets, and movable frets.&lt;br /&gt;
| Istanbul, Turkey&lt;br /&gt;
| 2008-&lt;br /&gt;
| Good first xen for many people. Popular. Teaches music at Istanbul Technical University.&lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Loli]]&lt;br /&gt;
| [http://microtonalismo.com/microweb/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 drone 17-EDO, 20-EDO, 29-EDO and 53-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Wendy Carlos]]&lt;br /&gt;
| [[Wikipedia:Wendy Carlos| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=RuT6Y53LYH4 Video analyzing her microtonal scales]&lt;br /&gt;
| [https://www.dailymotion.com/video/x2j1gy2 Beauty and the Beast]&lt;br /&gt;
| &lt;br /&gt;
| Not all her work is microtonal, but &#039;&#039;[[wikipedia:Beauty_in_the_Beast| Beauty in the Beast]]&#039;&#039; (1986) is. She invented her own non-octave-repeating musical scales for it. &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Early synthesizer pioneer ([[wikipedia:Switched-On_Bach| &#039;&#039;Switched on Bach&#039;&#039;]], 1968)&lt;br /&gt;
|-&lt;br /&gt;
| Catler Bros. / [[Jon Catler]]&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=346893 SoundClick]&amp;lt;br&amp;gt;[[Wikipedia:Jon Catler| Jon Catler on Wikipedia]]&amp;lt;br&amp;gt;[https://preparedguitar.blogspot.com/2015/03/jon-catler-13-questions.html Interview with Jon Catler]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/4496860-Catler-Bros Discogs]&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=346893 Hyperspace]&lt;br /&gt;
| Jon Catler&lt;br /&gt;
| 64-note JI bluesrock. Have had mainstream press in Rolling Stone, Downbeat, and elsewhere. Jon Catler runs [http://freenotemusic.com/ FreeNote Records].&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Jon Catler also plays in [http://freenotemusic.com/fretlessbrothers/ The Fretless Brothers] and makes Freenote guitars. &lt;br /&gt;
|-&lt;br /&gt;
| [[City of the Asleep]]&lt;br /&gt;
| [https://cityoftheasleep.bandcamp.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Electronica, post-rock, and unclassifiable music in a variety of tunings, especially uncommon EDOs and theoretically-discordant tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nick Collins&lt;br /&gt;
| [https://composerprogrammer.com/music.html Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/playlist?list=PLvsv24zg5vzuGovKXXhjU7bYVnJIqNOZ3 YouTube playlist]&lt;br /&gt;
| [https://composerprogrammer.com/music/simphony2movement1.mp3 Simphony 2, Movement 1] (MP3 direct link) &lt;br /&gt;
| &lt;br /&gt;
| Microtonal supercollider tempo canons&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Copper&lt;br /&gt;
| [http://www.williamcopper.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 5-limit JI, printed scores with intonation markings, intonalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mildred Couper&lt;br /&gt;
| [[Wikipedia:Mildred Couper| Wikipedia]]&amp;lt;br&amp;gt;[http://www.academia.edu/7921833/Quarter-Tone_Composer_and_Pianist_Mildred_Couper PDF academic article]&amp;lt;br&amp;gt;[http://digital.library.ucsb.edu/collections/show/14 Scores at USC Santa Barbara site]&lt;br /&gt;
| [https://www.youtube.com/watch?v=PEOp3tFNaiI Dirge]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=2Y_9AqbpIdw Calliope of the Nine Muses]&lt;br /&gt;
| &lt;br /&gt;
| Quartertone pianos &lt;br /&gt;
| Buenos Aires, Argentina / Santa Barbara, California&lt;br /&gt;
| Died in 1974&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cryptic Ruse]]&lt;br /&gt;
| [https://cryptic-ruse.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Instrumental progressive metal &amp;amp; drone-metal in 13edo, 14edo, 15edo, 17edo, and 23edo&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Cubberly&lt;br /&gt;
| [https://www.discogs.com/artist/4027870-David-Cubberly Listing at Discogs]&amp;lt;br&amp;gt;[http://www.davidjcubberly.com/music.html Website]&lt;br /&gt;
| Per email reply from him, no listen links online. See note on Talk page.  &lt;br /&gt;
| &lt;br /&gt;
| Sequenced microtonal midi ensemble&lt;br /&gt;
| Urbana, Illinois&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== D ==== &lt;br /&gt;
|-&lt;br /&gt;
| Philip Dadson&lt;br /&gt;
| [[Wikipedia:Philip Dadson| Wikipedia]]&amp;lt;br&amp;gt;[https://sounz.org.nz/contributors/1026 Centre for New Zealand Music]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Instruments in JI, installations and performance&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ivor Darreg]]&lt;br /&gt;
| [[Wikipedia:Ivor Darreg| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=8nG0T1t9WUY Prelude 2 For 19 Tone Guitar]&amp;lt;br&amp;gt;[https://ivordarreg.bandcamp.com/releases Detwelvulate!]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-i Ivor Darreg Originals - I]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-2 Ivor Darreg Originals - II]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| San Diego, Los Angeles&lt;br /&gt;
| c. 1936-1994&lt;br /&gt;
| Important cat. Check him out. &amp;quot;Granddaddy of xenharmonic music.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| Jarod DCamp&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=998452 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic - various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tútim Dennsuul Wafiil]]&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/timo.html List of MP3s] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips in 23-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mark Deutsch&lt;br /&gt;
| [http://bazantar.com/ Website]&amp;lt;br&amp;gt;[https://bazantar.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.facebook.com/bazantar Facebook]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sensual acoustic microtonal music, world influence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Invented the [[wikipedia:Bazantar| Bazantar]], a stringed instrument &lt;br /&gt;
|-&lt;br /&gt;
| [[Diamond Doll]]&lt;br /&gt;
| [https://helloitsdiamonddoll.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/6nAsvYXrvYDqY5EqpbFgCa?si=6109ce7e857740b7 Spotify]&lt;br /&gt;
| [https://open.spotify.com/track/02hYX9uAKNk7uBr5lLnXIG Hello My Name&#039;s Diamond Doll]&amp;lt;br&amp;gt;[https://open.spotify.com/track/18d6VnHUY6JvLU1FjrJxnr Autogynephilia]&amp;lt;br&amp;gt;[https://open.spotify.com/track/4UqXCEKsKR5VdggZrr1cWo Little Brother] &lt;br /&gt;
| [[Kit Hagerstrom]] (songwriting, production, vocals)&amp;lt;br&amp;gt;Grey Tyson (vocals)&lt;br /&gt;
| Postpunk, hyperpop, queercore, various EDOs&lt;br /&gt;
| Winnipeg, Manitoba&lt;br /&gt;
| 2019-&lt;br /&gt;
| good entry point to xen&lt;br /&gt;
|-&lt;br /&gt;
| Divide by Pi&lt;br /&gt;
| [https://play.google.com/store/music/artist/Divide_by_Pi?id=Atehcbhgf7qggp2nxx4hajelerq&amp;amp;hl=en Google Music]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/dividebypi CD Baby]{{dead link}} (can listen to excerpts) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 clips: synthesizer and percussion improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Paul Dolden&lt;br /&gt;
| [https://pauldolden.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[[Wikipedia:Paul Dolden| Wikipedia]]  &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| dotuXil&lt;br /&gt;
| [https://www.youtube.com/@dotuxil Youtube]&amp;lt;br&amp;gt;[https://dotuxil.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://mirlo.space/dotuxil/release/collected-refractions Mirlo]&amp;lt;br&amp;gt;[https://dotuxil.github.io/ Github]&lt;br /&gt;
| [https://dotuxil.bandcamp.com/album/collected-refractions Collected Refractions Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=cFpKgUD9tQI Collected Refractions Youtube]&lt;br /&gt;
| &lt;br /&gt;
| Electronic, Various Tunings, Melodic&lt;br /&gt;
| &lt;br /&gt;
| 2023-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[David B. Doty]]&lt;br /&gt;
| [http://www.dbdoty.com/Just-Intonation-Links.html Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=a9bW4o5UedE Steel Suite]&lt;br /&gt;
| &lt;br /&gt;
| Synth JI, acoustic guitar JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Arnold Dreyblatt]]&lt;br /&gt;
| [http://www.dreyblatt.net/composer-1 Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Grooving JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Dsilton Trio&lt;br /&gt;
| [https://georgvogel.net/PROJEKTE-DSILTON.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCmzn7wDBp_H3N0diqakaRvg YouTube]&amp;lt;br&amp;gt;Facebook&lt;br /&gt;
| [https://www.youtube.com/watch?v=9LcWqSzDv7A Duschscha]&lt;br /&gt;
| Georg Vogel (clavinet, synthesizer, composition)&amp;lt;br&amp;gt;David Dornig (31-tone guitars)&amp;lt;br&amp;gt;Valentin Duit (drumset)&lt;br /&gt;
| Odd time signatures, chamber influence, jazz influence. [[31edo]].&lt;br /&gt;
| Vienna, Austria&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacques Dudon]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KuL4aSwNT0o YouTube]&amp;lt;br&amp;gt;[https://www.semantic-danielou.com/designers/jacques-dudon/ Academic profile]&amp;lt;br&amp;gt;[[wikipedia:Jacques_Dudon| Wikipedia]]&amp;lt;br&amp;gt;[https://www.forcedexposure.com/Catalog/dudon-jacques-erosion-distillee-lp/MMLP.009LP.html Forced Exposure]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Samples of &amp;quot;Lumières audibles&amp;quot; JI electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Richard Dunlap&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=106711 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Mostly 12-EDO&lt;br /&gt;
| California USA&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== E ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Paul Erlich]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=lO5xSjIHyMg YouTube]&amp;lt;br&amp;gt;[http://www.myspace.com/paulerlich/ MySpace]&amp;lt;br&amp;gt;[http://untwelve.org/interviews/paul_erlich UnTwelve interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[22-EDO]] guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== F ==== &lt;br /&gt;
|-&lt;br /&gt;
| John Farah&lt;br /&gt;
| [http://www.johnfarah.com/ Website]&lt;br /&gt;
[https://soundcloud.com/johnkameelfarah SoundCloud]&amp;lt;br&amp;gt;[https://johnkameelfarah.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/user/Hatiyn YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/JohnKameelFarah Facebook]&amp;lt;br&amp;gt;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| String quartet, electronic in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Fabrizio Fiale| FFF Fiale]]&lt;br /&gt;
| [https://ffffiale.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Fabrizio Fulvio Fausto Fiale&lt;br /&gt;
| 16-EDO instrumental guitar thrash metal and eclectic rock&lt;br /&gt;
| Italy&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Finnamore&lt;br /&gt;
| [http://www.elvenminstrel.com/music/tuning/horagrams/horagram-music.htm List of MP3s]&amp;lt;br&amp;gt;[http://www.elvenminstrel.com/music/tuning/equal/13equal/13tet.htm 13 TET MP3s]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Etudes using &amp;quot;golden horograms&amp;quot;; clips of dirty 13-EDO guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Forro]]&lt;br /&gt;
| [https://www.soundclick.com/members4/default.cfm?memberID=1540764 SoundClick]&amp;lt;br&amp;gt;[[Daniel Forro| List of MP3s]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Kakamigahara, Japan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Harold Fortuin&lt;br /&gt;
| [http://www.fortuitous-artists.biz/clavetteMusic.html 2 MP3s]&amp;lt;br&amp;gt;[[wikipedia:Harold_Fortuin| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=Dp3Gq0xjlhE YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Francium]]&lt;br /&gt;
| [https://francium223.bandcamp.com Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/0Nz4jp5ckOxUA404IFtbDL Spotify]&amp;lt;br&amp;gt;[https://www.youtube.com/@FranciumMusic YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| various EDOs, tuning comparisons, electronic&lt;br /&gt;
| &lt;br /&gt;
| 2021-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Glenn R. Frantz&lt;br /&gt;
| [https://archive.org/details/@glenn_r_frantz Songs on Archive.org]&lt;br /&gt;
| [https://archive.org/details/ThreeRagtime-basedPieces Three Ragtime-Based Pieces]}&lt;br /&gt;
| &lt;br /&gt;
| Freestyle JI via computer, based on ragtime music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Adam Freese]]&lt;br /&gt;
| [https://www.youtube.com/@adamfreese YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ellen Fullman&lt;br /&gt;
| [https://www.ellenfullman.com/ Website]&amp;lt;br&amp;gt;[https://ellenfullman.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]]&lt;br /&gt;
| San Francisco Bay Area, CA&lt;br /&gt;
| &lt;br /&gt;
| known for her 70-foot (21-meter) [[wikipedia:Long-string_instrument| Long String instrument]], tuned in just intonation and played with rosin-coated fingers.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; |&lt;br /&gt;
&lt;br /&gt;
==== G ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Frédéric Gagné]]&lt;br /&gt;
| [https://www.youtube.com/@fredg999music YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kyle Gann]]&lt;br /&gt;
| [https://www.kylegann.com/ Website]&amp;lt;br&amp;gt;[https://www.kylegann.com/Gannaudio.html MP3s on website]&amp;lt;br&amp;gt;[https://www.kylegann.com/complist.html List of compositions]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic JI, now with more Sitting Bull!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kite Giedraitis]]&lt;br /&gt;
| see Tall Kite&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Monroe Golden&lt;br /&gt;
| [http://monroegolden.com/ Website]&amp;lt;br&amp;gt;[https://soundcloud.com/monroe-golden SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal chamber music, microtone-informed 12-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Gongs&lt;br /&gt;
| [http://imomus.com/thegongs.html Momus website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM Rob Reich] (full length album on Youtube)&lt;br /&gt;
| Peter Blasser&amp;lt;br&amp;gt;Clara Latham&amp;lt;br&amp;gt;Grisha Krivchenia&amp;lt;br&amp;gt;Stefan Tcherepnin&lt;br /&gt;
| &lt;br /&gt;
| Oberlin, OH&lt;br /&gt;
| 2001-2002&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM First song on this], and whole record.&lt;br /&gt;
|-&lt;br /&gt;
| Mark Gould&lt;br /&gt;
| [http://www.derek-hasted.co.uk/assets/audio/derek-hasted/ten-tone.mp3 MP3]&amp;lt;br&amp;gt;[http://www.users.waitrose.com/~equiton/Mark_Gould/About_Me.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 1 electronic mp3: 10-EDO; midi recorder duets in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kraig Grady]]&lt;br /&gt;
| [https://www.youtube.com/results?search_query=Kraig+Grady+ YouTube]&amp;lt;br&amp;gt;[http://anaphoria.com/music.html Samples]&amp;lt;br&amp;gt;[[wikipedia:Kraig_Grady| Wikipedia]]&amp;lt;br&amp;gt;[http://www.anaphoria.com/ Website]&amp;lt;br&amp;gt;[https://anaphoriasouth.blogspot.com/ Blog]&amp;lt;br&amp;gt;[https://www.facebook.com/kraig.grady Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=9R33w7aaxS8 Live at the Cad Factory]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=GiSE9srsDt8 Ear Meal] (music + Skype interview)&lt;br /&gt;
| &lt;br /&gt;
| Original acoustic instruments/ensembles informed by the music of Anaphoria Island&lt;br /&gt;
| Wollongong, Australia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Patrick Grant&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.obscuresound.com/2018/10/patrick-grant-keeping-still/ Bio and audio examples]&amp;lt;br&amp;gt;Website&amp;lt;br&amp;gt;[[wikipedia:Patrick_Grant_(composer)| Wikipedia]]&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/album/fields-amaze-and-other-strange-music FIELDS AMAZE and other sTRANGE music]&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Percussion, gamelan, microtonal instruments, and electric chamber ensembles with narrative structures informed by chaos theory, biological forms, and B-horror films.&amp;quot;&lt;br /&gt;
| New York City&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Guidi&lt;br /&gt;
| [[wikipedia:Peter_Guidi| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One track of quartertone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (Can find [https://www.youtube.com/watch?v=Pb8Anz9xt1w&amp;amp;start_radio=1&amp;amp;list=RDEMgggUYKUD44vtsdamPmXt-A music of his] on YouTube, but isn&#039;t microtonal. Anyone got links to his microtonal music?)&lt;br /&gt;
|-&lt;br /&gt;
| Milan Guštar&lt;br /&gt;
| [http://www.uvnitr.cz/mg/art.html Listing of music]&lt;br /&gt;
| [http://www.uvnitr.cz/mg/music/240_four_seasons.html Generative composition for piano and theremin]&lt;br /&gt;
| &lt;br /&gt;
| Music in various tunings (06-EDO, 07-EDO, 08-EDO, 12-EDO, JI)&lt;br /&gt;
| Czech Republic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== H ==== &lt;br /&gt;
|-&lt;br /&gt;
| Edu Haubensak&lt;br /&gt;
| [http://www.eduhaubensak.ch/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=vmKWcJhuagk Sechs Walserminiaturen (1996) for soprano and violin]&lt;br /&gt;
| &lt;br /&gt;
| Music for retuned pianos and retuned strings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Georg Hajdu]]&lt;br /&gt;
| [http://georghajdu.de/ Website]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=k0HJUUWRkn0 Lecture on YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic 17-EDO; scene from opera Der Sprung (Bohlen–Pierce)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (some of his music online is not microtonal. Anyone got a link to microtonal music by him?)&lt;br /&gt;
|-&lt;br /&gt;
| [[Jeff Harrington]]&lt;br /&gt;
| [http://parnasse.com/jh/blog/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsgsUVmnMsgyIZzv4WTGxhA YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=14JPGOz9Qg4 Acid Bach III for Quartertone Microtonal Synthesize]&lt;br /&gt;
| &lt;br /&gt;
| Electronic in 19-EDO, 24-EDO, others&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Lou Harrison]]&lt;br /&gt;
| [[wikipedia:Lou_Harrison| Wikipedia]]&amp;lt;br&amp;gt;[http://www.archive.org/audio/audio-details-db.php?collectionid=OM8HarrisonScenesfromNikChand&amp;amp;collection=other_minds Steel Guitar piece]&lt;br /&gt;
| [https://www.youtube.com/watch?v=UWuT9AheQRM John Schneider plays Lou Harrison Jahla]&lt;br /&gt;
| &lt;br /&gt;
| Nek Chand for solo guitar in JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Hasegawa]]&lt;br /&gt;
| [http://www.roberthasegawa.com/ Website]&amp;lt;br&amp;gt;[http://roberthasegawa.com/ Lecture]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic chamber JI, quartertones, 19-tone pianos, with scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Neil Haverstick]]&lt;br /&gt;
| [http://microstick.net/ Website]&lt;br /&gt;
| [https://soundcloud.com/gregory-ts-walker/african-stick-neil-haverstick African Stick]&lt;br /&gt;
| &lt;br /&gt;
| Excerpts - guitars in 19-EDO, 31-EDO and 34-EDO&lt;br /&gt;
| Colorado&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Stickman&amp;quot; has some method books and quite a few radio spots as well.&lt;br /&gt;
|-&lt;br /&gt;
| [[Andrew Heathwaite]]&lt;br /&gt;
| [https://andrewheathwaite.bandcamp.com/album/newbeams&#039; Bandcamp]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands3/default.cfm?bandid=122613 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Amano Hideya]]&lt;br /&gt;
| [https://www.youtube.com/@hideya YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=5zaiOBSQV_Q 1 to 11 tone Equal temperament songs]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=YawFcH4cXfs Like 40s music 11EDO]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs&lt;br /&gt;
| Tokyo Japan&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Horton and Bill Thibault&lt;br /&gt;
| [http://www.mcs.csueastbay.edu/~tebo/bio.html Bill Thibault website]&amp;lt;br&amp;gt;[http://eamusic.dartmouth.edu/~larry/recordings/horton_notes.pdf Info on Dartmouth website]&amp;lt;br&amp;gt;[http://www.o-art.org/history/LongDur/JimHorton/jh-music4.html Jim Horton list of works]&lt;br /&gt;
| [https://www.youtube.com/watch?v=GHxLeIDuECc Gorgeous Clothed Flies]&lt;br /&gt;
| &lt;br /&gt;
| Electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sten Hostfalt]]&lt;br /&gt;
| [https://www.stenhostfalt.com/ Website]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/stenhostfalt2 CD Baby]{{dead link}} (has a few excerpts)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Excerpts of microtonal guitar (72-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Horse Lords&lt;br /&gt;
| [https://horselords.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://horselords.bandcamp.com/album/mixtape-iv Mixtape IV]&lt;br /&gt;
| Sam Haberman&amp;lt;br&amp;gt;Max Eilbacher&amp;lt;br&amp;gt;Owen Gardner&amp;lt;br&amp;gt;Andrew Bernstein&lt;br /&gt;
| [[Just intonation]], polyrhythm, minimalist, musique concrète&lt;br /&gt;
| Baltimore, MD&lt;br /&gt;
| 2012-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Chuckk Hubbard]]&lt;br /&gt;
| anyone got a current link?&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI sequenced music, etc.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Lucas Hulen&lt;br /&gt;
| [http://persweb.wabash.edu/facstaff/hulenp/compositions.html Website]&lt;br /&gt;
| [https://vimeo.com/61493873 Lamentationes Jeremiae I]&lt;br /&gt;
| &lt;br /&gt;
| Modern classical electronic compositions - search website page for &#039;microtonal&#039;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== I ==== &lt;br /&gt;
|-&lt;br /&gt;
| ILEVENS&lt;br /&gt;
| [https://ilevens.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCfgSTF9EOal71sFbPTLJ0Gw YouTube]&amp;lt;br&amp;gt;[http://split-notes.com/ilevens-transmitter/ Split Notes Records]&amp;lt;br&amp;gt;[https://www.facebook.com/Ilevens1111/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=N9MjtfEQl_c Drowns]&lt;br /&gt;
| [[Brendan Byrnes]] (vocals, guitar)&amp;lt;br&amp;gt;Mike Horick (drums)&amp;lt;br&amp;gt;Lauren Davis (synths)&amp;lt;br&amp;gt;Rusty Kennedy (bass)&lt;br /&gt;
| [[22edo]], rock band, led by Brendan Byrnes&lt;br /&gt;
| Los Angeles&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== J ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ralph Jarzombek&lt;br /&gt;
| [https://www.freewebs.com/ralphjarzombek/ Website with listen links]&lt;br /&gt;
| [https://webzoom.freewebs.com/ralphjarzombek/micro1.mp3 Micro 1]&amp;lt;br&amp;gt;[https://webzoom.freewebs.com/ralphjarzombek/micro6.mp3 Micro 6]&lt;br /&gt;
| &lt;br /&gt;
| [[14edo]], [[17edo]], [[Bohlen–Pierce]], electronic&lt;br /&gt;
| &lt;br /&gt;
| 1980s&lt;br /&gt;
| If you like the Residents, you&#039;ll love this.&lt;br /&gt;
|-&lt;br /&gt;
| [[Aaron Krister Johnson]]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson SoundCloud]&amp;lt;br&amp;gt;[https://aaronkristerjohnson.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson/the-juggler The Juggler]&lt;br /&gt;
| &lt;br /&gt;
| Mostly electronic compositions and improvisations; some theatre incidental music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| JC &amp;amp; The Microtones&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin/cow-people Cowpeople]&lt;br /&gt;
| &lt;br /&gt;
| Johnny Reinhard (electric bassoon)&amp;lt;br&amp;gt;Brad Catler (electric fretless bass)&amp;lt;br&amp;gt;[[Jon Catler]] (electric guitar)&amp;lt;br&amp;gt;A. C. Lewis (percussion)&amp;lt;br&amp;gt;Deborah Rothrock (vocals)&lt;br /&gt;
| &lt;br /&gt;
| New York City&lt;br /&gt;
| 1984&lt;br /&gt;
| Rockabilly, [[31edo]], cowpunk&lt;br /&gt;
|-&lt;br /&gt;
| Jock Tears&lt;br /&gt;
| [https://jocktears.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=%22JOCK+TEARS%22 YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/jocktears/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=29hm0LGP_i8 Nasty Boy]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=_UNIeeNnMAQ Live video]&amp;lt;br&amp;gt;[https://jocktears.bandcamp.com/album/bad-boys Bad Boys] (album)&lt;br /&gt;
| Lauren Ray (vocals)&amp;lt;br&amp;gt;Lauren Smith (bass)&amp;lt;br&amp;gt;Spencer Hargreaves (guitar)&amp;lt;br&amp;gt;Dustin Bromley (drum)&lt;br /&gt;
| Best punk band name ever&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2016-&lt;br /&gt;
| Peppy punk rock, female vocals, 17edo&lt;br /&gt;
|-&lt;br /&gt;
| Christiaan de Jong&lt;br /&gt;
| [https://soundcloud.com/christiaan-de-jong-1/ SoundCloud] (not all microtonal)&amp;lt;br&amp;gt;[http://www.christiaandejong.com/recordings.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/CHRISTIAANDEJONG1 YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Guitar, flute and tape&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Churzkia Jrakavla&lt;br /&gt;
| [https://churzkia.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Aif4Lpz4bPo Red Moon]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI; down tempo, IDM, synthwave, and ambient, with mystical/mythological themes&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2002-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jute Gyte&lt;br /&gt;
| [https://jutegyte.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jutegyte.bandcamp.com/album/the-sparrow-12-ep The Sparrow 12&amp;quot; EP]&lt;br /&gt;
| Adam Kalmbach&lt;br /&gt;
| Black metal, [[24edo]]&lt;br /&gt;
| Springfield, MO&lt;br /&gt;
| 2002-&lt;br /&gt;
| Has a relatively large following. Lots of &amp;gt;10 minute long quartertone black metal epics.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== K ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ali Deniz Kardelen&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=yjZQDQBBYyo Kara Toprak (Acoustic Microtonal Guitar]&lt;br /&gt;
| &lt;br /&gt;
| Not sure if all microtonal but has at least one amazing microtonal guitar piece&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Great first xen piece for people who like acoustic music&lt;br /&gt;
|-&lt;br /&gt;
| Buzz Kimball&lt;br /&gt;
| [http://www.nonoctave.com/heroes/buzz/ About his instruments and music]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/1944206-Buzz-Kimball Discogs]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Homemade guitars, etc., in EDOs and JI, electronic, rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Buzz Kimball builds most of his instruments himself in the workshop in his barn.&amp;lt;br&amp;gt;Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| dt King&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=62070 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Change Jar&amp;quot; for quartertone piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| King Gizzard &amp;amp; The Lizard Wizard&lt;br /&gt;
| [[Wikipedia:King Gizzard &amp;amp; the Lizard Wizard| Wikipedia]]&amp;lt;br&amp;gt;[https://kinggizzard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://kinggizzard.bandcamp.com/album/flying-microtonal-banana Flying Microtonal Banana]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=U72rbtrufws Sleep Drifter] (live in radio station studio)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=170Z9qBjfkI Mini-documentary]&lt;br /&gt;
| Stu Mackenzie&amp;lt;br&amp;gt;Ambrose Kenny Smith&amp;lt;br&amp;gt;Joey Walker&amp;lt;br&amp;gt;Cook Craig&amp;lt;br&amp;gt;Lucas Skinner&amp;lt;br&amp;gt;Michael Cavanagh&amp;lt;br&amp;gt;Eric Moore&lt;br /&gt;
| &lt;br /&gt;
| Melbourne, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| [[24edo]], alternative, garage&lt;br /&gt;
|-&lt;br /&gt;
| Wayne Kirby&lt;br /&gt;
| [https://www.youtube.com/channel/UCRn3j-zsIxdhdkHVJ6l_hMA YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Demos, full and excerpts, mp3 and midi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Kenneth Kirschner&lt;br /&gt;
| [http://www.kennethkirschner.com/ Website] (has download link for zipped MP3s)&amp;lt;br&amp;gt;[https://archive.org/details/apl025#files Archive.org]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Looong mp3 of stretched piano, etc., ambient microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Eric Knechtges&lt;br /&gt;
| [[Wikipedia:Eric Knechtges| Wikipedia]]&amp;lt;br&amp;gt;[https://soundcloud.com/eric-knechtges SoundCloud]&amp;lt;br&amp;gt;[http://robertwmcclure.weebly.com/blog/music-with-friends-eric-knechtges Interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic (choir) &amp;amp; electronic, various JI &amp;amp; EDOs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== L ==== &lt;br /&gt;
|-&lt;br /&gt;
| Anne La Berge&lt;br /&gt;
| [http://www.annelaberge.com/ Website]&amp;lt;br&amp;gt;[http://unsounds.com/shop/raw-lp Label Unsounds] (buy link has listen link of excerpts)&lt;br /&gt;
| [https://www.youtube.com/watch?v=DXAP4544NNM Utter] (performance art piece with Anne playing live)&lt;br /&gt;
| &lt;br /&gt;
| Quartertone flute - go to &amp;quot;Releases&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
|[[L4MPLIGHT]]&lt;br /&gt;
|[https://lamplight0.sakura.ne.jp/a Website]&lt;br /&gt;
[https://www.youtube.com/@L4MPLIGHT YouTube]&lt;br /&gt;
[https://soundcloud.com/l4mplight SoundCloud]&lt;br /&gt;
|[https://youtu.be/cMnuMjXeHrY Caftaphata]&lt;br /&gt;
[https://youtu.be/PrfAz8V4WNc Yxeni]&lt;br /&gt;
|&lt;br /&gt;
|Electronic music featuring self-made conlangs, largely [[41edo]]&lt;br /&gt;
|Japan&lt;br /&gt;
|2024-&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| [[Last Sacrament]]&lt;br /&gt;
| [https://lastsacrament.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ron Sword (vocals, guitar, drums)&amp;lt;br&amp;gt;Mike Maletta (lead guitar)&amp;lt;br&amp;gt;Pat Horgan (bass)&lt;br /&gt;
| 16edo death metal&lt;br /&gt;
| Florida&lt;br /&gt;
| 2006-&lt;br /&gt;
| Ron also makes Sword guitars and does a lot of guitar and bass conversions. Pat also does conversions.&lt;br /&gt;
|-&lt;br /&gt;
| [[Jacky Ligon]]&lt;br /&gt;
| [https://jackyligon.com/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=mRWG9AzWs7E Lightweave]&lt;br /&gt;
| &lt;br /&gt;
| filmic xenharmonic music and software blog. Sometimes collaborates with Sevish.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Also makes microtonal VST synths IVOR2, FMTS2, One SF2, Font2&lt;br /&gt;
|-&lt;br /&gt;
| Amit Lissack&lt;br /&gt;
| [https://alumnius.net/new_england_conserva-8502-year-1991-1994#id16664004 Listing on New England Conservatory of Music alumni site]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic instrumental.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| Alvin Lucier&lt;br /&gt;
| [[Wikipedia:Alvin Lucier| Wikipedia]]&amp;lt;br&amp;gt;[http://www.moderecords.com/catalog/124lucier.html Mode Records site] (includes listen links)&amp;lt;br&amp;gt;[http://www.ubu.com/sound/lucier.html UBUWeb] (includes original 1969 recording of &#039;&#039;I Am Sitting In A Room&#039;&#039;)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slow-to-change cluster acoustic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Lucy]]&lt;br /&gt;
| [http://www.lucytune.com/ Website]&amp;lt;br&amp;gt;[http://www.lucytune.com/mp3/ List of Lucy tune direct MP3s]&amp;lt;br&amp;gt;[http://www.lullabies.co.uk/ Lucy tunes lullabies info page]&lt;br /&gt;
| [https://store.cdbaby.com/cd/lucytuned Lucy tunes lullabies CD Baby]{{dead link}} (buy page, has listen excerpt links)&lt;br /&gt;
| &lt;br /&gt;
| Miscellaneous works in progress - also see [[Lucy Tuning| Lucy Tuning page]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== M ==== &lt;br /&gt;
|-&lt;br /&gt;
| Massive Audio Nerve (M.A.N.)&lt;br /&gt;
| [https://de.wikipedia.org/wiki/Massive_Audio_Nerve Wikipedia (Deutsch)]&amp;lt;br&amp;gt;[https://open.spotify.com/album/7gCCSQgShzoJxSKFu2gNXy Spotify]&lt;br /&gt;
| &lt;br /&gt;
| Tony Jelencovich (vocals)&amp;lt;br&amp;gt;Mark Fristedt (guitar)&amp;lt;br&amp;gt;Robert Hakemo (bass)&amp;lt;br&amp;gt;Adde Larsson (drums)&amp;lt;br&amp;gt;+ 5 former members&lt;br /&gt;
| 24edo Nümetal&lt;br /&gt;
| &lt;br /&gt;
| 2010-2014&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Joe Maneri]]&lt;br /&gt;
| [[Wikipedia:Joe Maneri| Wikipedia]]&amp;lt;br&amp;gt;[https://www.nytimes.com/2009/08/30/arts/music/30maneri.html New York Times obituary]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/7aQ5YRpRQ02oK9OtbxfhJr Spotify] (not all microtonal)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8WiSgByqos4&amp;amp;ab_channel=JoeManeri-Topic Audio interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some modern classical excerpts&lt;br /&gt;
| &lt;br /&gt;
| Died in 2009&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Rick McGowan]]&lt;br /&gt;
| There is one of his pieces at the beginning of [http://ripnread.com/?p=328 this microtonal podcast episode]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal works for the theatre&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| John McLaird&lt;br /&gt;
| Quiet audio piece, [https://archive.org/details/seventeenTPP_02/ogives.mp3 Ogives in a Winter Shelter Belt] (direct MP3 link)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7edo]], [[40edo]], [[11-limit]], [[Just intonation]], sampled piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Pete McRae&lt;br /&gt;
| [[Wikipedia:Pete McRae| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Eikosany blues&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carl McTague&lt;br /&gt;
| [http://www.mctague.org/carl/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (ii-V-I)&amp;lt;sup&amp;gt;7&amp;lt;/sup&amp;gt; and Heptadecaphonic Drops&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Melopoeia&lt;br /&gt;
| [https://melopoeia.bandcamp.com/album/tolkiens-ainulindal Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dave Tremblay&amp;lt;br&amp;gt;Brian Leong&lt;br /&gt;
| 26edo black metal&lt;br /&gt;
| Montreal, QC&lt;br /&gt;
| &lt;br /&gt;
| Text-to-midi of Tolkien and other stories.&lt;br /&gt;
|-&lt;br /&gt;
| Claudi Meneghin&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/claudi-meneghin Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.youtube.com/c/ClaudiMeneghin YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neobaroque music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Mercury Tree&lt;br /&gt;
| [https://themercurytree.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ben Spees&amp;lt;br&amp;gt;Connor Reilly&amp;lt;br&amp;gt;Oliver Campbell&amp;lt;br&amp;gt;[[Igliashon Jones]]&lt;br /&gt;
| [[17edo]], [[23edo]], progressive rock, psychedelic, math rock&lt;br /&gt;
| Portland, OR&lt;br /&gt;
| 2007-&lt;br /&gt;
| Newer work is all microtonal.  Older works are standard or a mixture.&lt;br /&gt;
|-&lt;br /&gt;
| [[Herman Miller]]&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/herman-miller Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.prismnet.com/~hmiller/ Website 1]&amp;lt;br&amp;gt;[https://sites.google.com/site/teamouse/home Website 2]&amp;lt;br&amp;gt;[https://soundcloud.com/morphosyntax-1 SoundCloud]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCu3rKPsBlcCjI2FVxJaAqIg YouTube]&lt;br /&gt;
| [https://sites.google.com/site/teamouse/home#h.abtmxk3cr74b Mizarian Porcupine Overture]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=17V4pxuHUgY Ivari na taniravi]&lt;br /&gt;
| &lt;br /&gt;
| Compositions in linear temperaments, [[Equal| ETs]]; [[Warped Canon]]; songs in conlangs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Shaahin Mohajeri&lt;br /&gt;
| [http://www.96edo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Modal, sequenced in various EDO/ADO/EDL/AIDO/ADL&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| MonoNeon&lt;br /&gt;
| [[Wikipedia:Dywane Thomas Jr.| Wikipedia]]&amp;lt;br&amp;gt;[https://dywanethomasjr.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dywane Thomas Jr.&lt;br /&gt;
| 24edo funk, soul, hip-hop&lt;br /&gt;
| Tennessee&lt;br /&gt;
| 2013-2015 (?)&lt;br /&gt;
| Newer recordings seem to be standard tuning, but there was a lot of 24edo released around 2015.&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Monzo]]&lt;br /&gt;
| [http://www.tonalsoft.com/ TonalSoft website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], jazz rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Moriarty]]&lt;br /&gt;
| [https://soundcloud.com/john-lank1 SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Rock and improv in various regularly tempered tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Frederick Moore&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some microtonal works, electronic, other&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Aaron Myers-Brooks&lt;br /&gt;
| [https://aaronmyersbrooks.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 17edo Hard rock/metal on guitar&lt;br /&gt;
| PA&lt;br /&gt;
| 2019&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== N ==== &lt;br /&gt;
|-&lt;br /&gt;
| Naegleria Fowleri&lt;br /&gt;
| [https://sites.google.com/view/naegleriafowleri/ Website]&amp;lt;br&amp;gt;[https://naegleriafowleri.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=QqKf0ItWozs III Flagellate - Propulsion]&lt;br /&gt;
| [[Bostjan Zupancic]] (guitar and bass)&amp;lt;br&amp;gt;Luna Bird (vocals)&lt;br /&gt;
| [[19edo]] metal&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2017-&lt;br /&gt;
| Parrot singing with a xen metal project. What&#039;s not to love?&lt;br /&gt;
|-&lt;br /&gt;
| Ron Nagorcka&lt;br /&gt;
| [http://www.ronnagorcka.com/audio Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], digeridoo, synthesizers, birds...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| norokusi&lt;br /&gt;
| [https://www.youtube.com/channel/UC7imuNShfRqQdCey7qWJLVg YouTube]&amp;lt;br&amp;gt;[https://norokusi.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, contemporary and jazz in various [[edo]]s&lt;br /&gt;
| Tokyo, Japan&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Juhani Nuorvala&lt;br /&gt;
| [https://soundcloud.com/juhani-nuorvala SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== O ==== &lt;br /&gt;
|-&lt;br /&gt;
| Mats Öljare&lt;br /&gt;
| [http://www.angelfire.com/mo/oljare/midicomp.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Contrapuntal midi in various EDOs and etc&#039;s&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== P ==== &lt;br /&gt;
|-&lt;br /&gt;
| Tristan Parker&lt;br /&gt;
| [http://rozencrantzthesane.tripod.com/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], free-pitch, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| P-ART&lt;br /&gt;
| [http://users.skynet.be/P-ART/PARADISE/CLIPS/list.htm Website]&lt;br /&gt;
| &lt;br /&gt;
| Paul A.R. Timmermans&lt;br /&gt;
| Experimental&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Harry Partch]]&lt;br /&gt;
| [http://musicmavericks.publicradio.org/features/feature_partch.html American Mavericks]&amp;lt;br&amp;gt;[https://www.harrypartch.com/music Harry Partch Information Center]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[11-limit]], [[Just intonation]], acoustic, monophony&lt;br /&gt;
| Oakland, CA&lt;br /&gt;
| 1930-1972&lt;br /&gt;
| One of the first 20th-century composers in the West to work systematically with microtonal scales&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Pehrson]]&lt;br /&gt;
| [http://users.rcn.com/jpehrson/JosephPehrson.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Blackjack, acoustic, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| pfly&lt;br /&gt;
| [https://soundcloud.com/pfly SoundCloud]&lt;br /&gt;
| Zlo-88&lt;br /&gt;
| Paul Fly&lt;br /&gt;
| [[88cET]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Samuel Pellman&lt;br /&gt;
| [http://academics.hamilton.edu/music/spellman/MfS/microtonal.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], [[Nonoctave]], [[Equal Temperaments]], electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Joseph Post&lt;br /&gt;
| [http://www.myspace.com/josephpost MySpace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystal-JI, acoustic guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tom Price]]&lt;br /&gt;
| https://soundcloud.com/tomprice719&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kees van Prooijen]]&lt;br /&gt;
| [http://www.kees.cc/music/oddpiano/oddpiano.html Website]&lt;br /&gt;
| Odd Piano&lt;br /&gt;
| &lt;br /&gt;
| [[Bohlen–Pierce]], timbre-stretched piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Barry Prophet&lt;br /&gt;
| [http://www.pomer-prophet.com/barry.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic, sound sculptures&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== Q ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== R ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Johnny Reinhard]]&lt;br /&gt;
| [[wikipedia:Johnny_Reinhard| Wikipedia]]&amp;lt;br&amp;gt;[http://www.afmm.org/ American Festival of Microtonal Music]&amp;lt;br&amp;gt;[https://stereosociety.com/johnny-reinhard/ Stereo Society]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://johnnyreinhard.bandcamp.com/album/reinhard-ensemble-compositions Reinhard Ensemble Compositions]&lt;br /&gt;
| &lt;br /&gt;
| Acoustic polymicrotonality&lt;br /&gt;
| New York, NY&lt;br /&gt;
| 1981-&lt;br /&gt;
| Founded [[American Festival of Microtonal Music]] (AFMM)&lt;br /&gt;
|-&lt;br /&gt;
| Robert Rich&lt;br /&gt;
| [https://robertrich.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7-limit]], [[just intonation]], ambient&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Michael Robinson&lt;br /&gt;
| [http://www.azuremilesrecords.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Worldly electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Prent Rodgers]]&lt;br /&gt;
| [http://ripnread.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Music that&#039;s fake but accurate&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [[Dante Rosati]]&lt;br /&gt;
| [http://www.danterosati.com/justguitar.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], solo guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Robert Ross&lt;br /&gt;
| [http://www.piedwagtail.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[19edo]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== S ==== &lt;br /&gt;
|-&lt;br /&gt;
| Marc Sabat&lt;br /&gt;
| [http://www.plainsound.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carlos Sampaio&lt;br /&gt;
| [https://www.soundclick.com/artist/default.cfm?bandID=236415 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonics&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Scott Sandvik&lt;br /&gt;
| [http://www.scottsandvik.com/html/audio.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slide guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Edward Schocker&lt;br /&gt;
| [http://edwardschocker.com/music/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Dramatic works - excerpts and fulls&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Margo Schulter]]&lt;br /&gt;
| [https://www.bestii.com/~mschulter/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neo-medieval xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Andrew Schulze&lt;br /&gt;
| [http://kalvos.org/schulze.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some mp3s of electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ethan Schwartz&lt;br /&gt;
| [https://myspace.com/tetrachordproject Myspace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI music based on tetrachords, for guitar and keyboard&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[X. J. Scott]]&lt;br /&gt;
| [http://www.nonoctave.com/geocities/ Website]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands/pagemusic.cfm?bandID=141776 Soundclick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[George Secor]]&lt;br /&gt;
| [http://users.bigpond.net.au/d.keenan/sagittal/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various vintage Scalatron performances&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dave Seidel]]&lt;br /&gt;
| [http://mysterybear.net/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal minimalism and ambience, using Csound&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Carlo Serafini]]&lt;br /&gt;
| [http://www.seraph.it/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/iranief YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic. Isomorphic keyboard: the Opal Chameleon&lt;br /&gt;
| Florence, Italy&lt;br /&gt;
| &lt;br /&gt;
| Futurist composer. Also, is admin on Facebook [https://www.facebook.com/groups/356483631067563/ Microtonalitaly group].&lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Sethares]]&lt;br /&gt;
| [http://eceserv0.ece.wisc.edu/~sethares/otherperson/all_mp3s.html Website]&lt;br /&gt;
| [http://sethares.engr.wisc.edu/mp3s/truthonabus.html Truth on a Bus]&lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic with stretched partials&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sevish]]&lt;br /&gt;
| [http://sevish.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/c/Sevish YouTube]&amp;lt;br&amp;gt;[https://soundcloud.com/sevish SoundCloud]&amp;lt;br&amp;gt;[https://sevish.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Gcgawrr2xao Desert Island Rain]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=l9wINwlgxRU Gleam]&lt;br /&gt;
| Sean Archibald (with occasional guest musicians)&lt;br /&gt;
| Drum &#039;n&#039; bass / electronic / trip-hop / ambient; in EDOs, JI, nonoctave scales and various others. &amp;quot;Microtonal music with a beat&amp;quot;; stellar production quality.&lt;br /&gt;
| London, England&lt;br /&gt;
| 2010-&lt;br /&gt;
| Popular (for xen). Great first xen for many people. Also runs several xen-related projects.&lt;br /&gt;
|-&lt;br /&gt;
| [[Ezra Sims]]&lt;br /&gt;
| [https://www.ezrasims.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 72-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Gene Ward Smith]]&lt;br /&gt;
| [[Microtonal Music by Gene Ward Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced originals; Mad Science Tuning; renderings of colleagues&#039; music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jon Lyle Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced classical in odd meters&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sononym]]&lt;br /&gt;
| [https://www.youtube.com/channel/UCO0Tn4tnRrILUxJuchfbnlw YouTube]&lt;br /&gt;
| [https://open.spotify.com/intl-fr/album/3UZ1Q0AqKBBFHN6gCsesz2 Humors]&lt;br /&gt;
| Max McCargar&lt;br /&gt;
| Experimental electronic jazz&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Cole and Spectral Voices&lt;br /&gt;
| [https://www.spectralvoices.com/jim-cole-spectral-voices/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of meditative New Age with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Soundwell (Anders Erkéus)&lt;br /&gt;
| [https://soundcloud.com/soundwell Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Snake&amp;quot; overtone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Manfred Stahnke&lt;br /&gt;
| [https://stahnkemanfred.musicaneo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One piece &amp;quot;Partch Harp&amp;quot; for harp and sampled harp&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans-André Stamm]]&lt;br /&gt;
| [http://www.eufonia.de/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone/48-tone JI acoustic organ!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Starrett]]&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=FD0ec4qOlcs&amp;amp;t=&amp;amp;ab_channel=xenopusRTRT Citified Notions]&lt;br /&gt;
| John Starrett (vocals, bass)&amp;lt;br&amp;gt;Neil Haverstick (guitar)&amp;lt;br&amp;gt;Ernie Crews (drums)&lt;br /&gt;
| 19-EDO. Rockabilly/Pop-rock, comment from John about the song on the YouTube page&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| John Starrett played bass with Neil Haverstick. Neil also plays the 19-EDO guitar on some of John&#039;s recordings.&lt;br /&gt;
|-&lt;br /&gt;
| Stimmhorn&lt;br /&gt;
| [http://www.stimmhorn.ch/ Website]&lt;br /&gt;
| &lt;br /&gt;
| Christian Zehnder&amp;lt;br&amp;gt;Balthasar Streiff&lt;br /&gt;
| Experimental alphorn and yodeling combined with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans Straub]]&lt;br /&gt;
| [http://home.datacomm.ch/straub/musik/index_e.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Pieces with meters that match the tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Redrick Sultan&lt;br /&gt;
| [https://redricksultanband.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=DtrH9ptBV18&amp;amp;index=1&amp;amp;list=PL_GQa1Uf_pEPGi9CxiMfK-13BBs0SVkWP The Prince]&lt;br /&gt;
| Spencer Hargreaves (vocals, guitars)&amp;lt;br&amp;gt;Noah Jordan (vocals, bass, keys, flute, oud)&amp;lt;br&amp;gt;Sean Mitchell (drums, sampling)&lt;br /&gt;
| Spooky, cool, acoustic, electric&lt;br /&gt;
| Vancouver, British Columbia&lt;br /&gt;
| 2010-&lt;br /&gt;
| [[22edo]], acoustic, magic rock, chill&lt;br /&gt;
|-&lt;br /&gt;
| Mick Sussman&lt;br /&gt;
| [http://micksussman.com/pw/music.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Plunderphonic collages in various tunings and multitempi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Susman&lt;br /&gt;
| [https://www.susmanmusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Works in quarter-tone - scores and audio files&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ron Sword]]&lt;br /&gt;
| [http://www.ronsword.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 16-EDO and 31-EDO on 8 and 9 string guitar Etudes, Microtonal Extreme Metal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Ron was also affiliated with the Microtonal Records label and the metatonal music site, as well as the microtonal guitarist forum.&lt;br /&gt;
|-&lt;br /&gt;
| Syzygys&lt;br /&gt;
| [http://www.syzygys.jp Website]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=Syzygys YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/Syzygys Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KjSF41-mdL4 Lotus Rain]&lt;br /&gt;
| Hitomi Shimizu (43-tone organ, vocals)&amp;lt;br&amp;gt;Hiromi Nishida (violin, vocals)&lt;br /&gt;
| Clips of Japanese duo in 43-tone Partch JI, with Chromelodeon&lt;br /&gt;
| Japan&lt;br /&gt;
| ?&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== T ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Tall Kite]]&lt;br /&gt;
| [http://www.tallkite.com/music.html Website]&amp;lt;br&amp;gt;[https://soundcloud.com/tallkite SoundCloud (TallKite)]&amp;lt;br&amp;gt;[https://soundcloud.com/mbirakite SoundCloud (MbiraKite)]&amp;lt;br&amp;gt;[https://tallkite.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://tallkite.com/music/IHearNumbers.html I Hear Numbers]&amp;lt;br&amp;gt;[https://tallkite.com/music/EveningRondo.html Evening Rondo]&amp;lt;br&amp;gt;[http://www.tallkite.com/music/DownminorNocturne.html Downminor Nocturne]&lt;br /&gt;
| Kite Giedraitis&lt;br /&gt;
| 7-limit JI, 41edo.&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 1990&#039;s-&lt;br /&gt;
| See also [https://kiteguitar.com/ KiteGuitar.com]&lt;br /&gt;
|-&lt;br /&gt;
| [[Cam Taylor]]&lt;br /&gt;
| [https://archive.org/search.php?query=creator%3A%22Cam+Taylor%22 Internet Archive]&amp;lt;br&amp;gt;[https://soundcloud.com/camtaylor-1 SoundCloud (1)]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1 SoundCloud (2)]&amp;lt;br&amp;gt;[https://iamcamtaylor.wordpress.com/ Blog]&lt;br /&gt;
| [https://soundcloud.com/cam-taylor-2-1/mothers mothers]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/17-out-of-63edo-wurly-those-early-dreams those early dreams]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/12tone63edo1 12tone63EDO1]&lt;br /&gt;
| &lt;br /&gt;
| Bosanquet Axis49, Lumatone, 12- and 17-tone keyboard improvisations in 17, 19, 22, 26, 31, 37, 39, 41, 43, 46, 50, 53, 56, 63, 94, 112 EDOs, some JI and near-just tunings, and songs with piano or guitar in 31EDO and JI, various.&lt;br /&gt;
| Auckland, New Zealand&lt;br /&gt;
| 2010-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jack Tickner&lt;br /&gt;
| [https://www.facebook.com/JackETickner/ Facebook]&amp;lt;br&amp;gt;[https://jacktickner.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jacktickner.bandcamp.com/album/reassuring-weight Reassuring Weight]&lt;br /&gt;
| &lt;br /&gt;
| Just intonation&lt;br /&gt;
| Sydney, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Thoegersen&lt;br /&gt;
| [https://soundcloud.com/pthoege SoundCloud]&amp;lt;br&amp;gt;[https://peterthoegersen.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/pthoege/two-worlds Two Worlds]&amp;lt;br&amp;gt;[https://soundcloud.com/pthoege/im-a-force-of-nature I Am a Force of Nature]&lt;br /&gt;
| &lt;br /&gt;
| Composer. Absurdist symphonic, chamber. Fun. Difficult music, in a good way. If you like Zappa&#039;s stranger works, you will like this.&lt;br /&gt;
| New York (?)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tony Dubshot]]&lt;br /&gt;
| [http://www.dubbhism.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Macrotonal dub and dancehall in 05-EDO, 07-EDO and 08-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[User:Tristanbay| Tristan Bay]]&lt;br /&gt;
| [https://tristanbay.com Website]&amp;lt;br&amp;gt;[https://youtube.com/@tristanbay YouTube]&amp;lt;br&amp;gt;[https://tristanbay.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/4kHErr2liGBpoChdl4DsTC Spotify]&lt;br /&gt;
| [https://youtu.be/JhGvrJ86jLU Subtract Hominem]&lt;br /&gt;
[https://youtu.be/H47nsivr-TU That]&lt;br /&gt;
&lt;br /&gt;
[https://youtu.be/R30aRbNtoIY Pitchblende]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music, synthwave, equal temperament, instrumental&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 2021-&lt;br /&gt;
| Xen Wiki editor, microtonal instrument maker, active on the XA Discord server, and a regular on the [[Xendergarten|Xendergarten podcast]]&lt;br /&gt;
|-&lt;br /&gt;
| Tritone MSU&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Tui St. George Tucker&lt;br /&gt;
| [http://tuistgeorgetucker.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen James Taylor]]&lt;br /&gt;
| [http://www.stephenjamestaylor.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal film scores, multiple Wilson scales&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jeroen Paul Thesseling]]&lt;br /&gt;
| [http://www.jeroenthesseling.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music for bass guitar: &amp;quot;HAFNIUM&amp;quot; (72-EDO), &amp;quot;ARGON&amp;quot; (18-EDO), &amp;quot;DISCREPANTIUM&amp;quot; (24-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== U ==== &lt;br /&gt;
|-&lt;br /&gt;
| uSSSy&lt;br /&gt;
| [https://www.facebook.com/uSSSy.band/ Facebook]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/music/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=gVJftIEA4KM Acoustic performance on YouTube]&lt;br /&gt;
| [https://usssy.bandcamp.com/album/ud Ud]&amp;lt;br&amp;gt;[https://usssy.bandcamp.com/album/voyage/ Voyage]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/album/naghma Naghma]&lt;br /&gt;
| Artem Galkin&amp;lt;br&amp;gt;Pavel Eremeev&lt;br /&gt;
| [[24edo]] and similar tunings. Styles ranging from &amp;quot;black metal techno blues&amp;quot; to &amp;quot;indo-iranian meditative feedback rock&amp;quot;&lt;br /&gt;
| Moscow, Russia&lt;br /&gt;
| 2009-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== V ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Chris Vaisvil]]&lt;br /&gt;
| [http://chrisvaisvil.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Many tunings (just intonation, various EDOs + tuning survey) microtonal synthesizers controlled by midi guitar (Roland GR-20), Linnstrument, 17 edo keyboard (DIY) + soft synthesizers and &amp;quot;traditional&amp;quot; scored microtonal music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Prolific explorer of a wide range of scales. Neat DIY techniques used and demonstrated &amp;quot;at the edge between acoustic and electric&amp;quot;.&lt;br /&gt;
|-&lt;br /&gt;
| Nicola Vicentino&lt;br /&gt;
| [[Wikipedia:Nicola Vicentino| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=0akGtDPVRxk Musica Prisca Caput (Madrigal for 24-tone two voice harpsichord in Meantone)]&amp;lt;br&amp;gt;Same piece [https://www.youtube.com/watch?v=ld36JlmOtM0 played on an arciorgano]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=bhGwjgZ8zIY Madonna il poco dolce]&lt;br /&gt;
| &lt;br /&gt;
| Early microtonal composer in 16th century&lt;br /&gt;
| &lt;br /&gt;
| Born 1511. Died in either 1575 or 1576.&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nicola Visalli (broken)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronically rendered microtonal contemporary classical&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Voltage Controlled&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of electronic tuning-savvy experiments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Alfredo Votta&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Soundcloud account featuring &amp;quot;Liber Stellarum&amp;quot;, a collection of seven pieces for &amp;lt;br&amp;gt; 13-EDO piano. Has also composed in 18-EDO.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== W ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Elaine Walker]] / [[ZIA]]&lt;br /&gt;
| [http://ziaspace.com/ Website]&amp;lt;br&amp;gt;[https://www.facebook.com/Zia-170293513002981/ Facebook]&amp;lt;br /&amp;gt;[https://ziaspace.bandcamp.com Bandcamp]&lt;br /&gt;
| Zia1.5 (1992), SHEM (1996), Big Bang! (2000), Drum&#039;n&#039;Space (2011), Four-Momentum, No Terrestrial Road, Macrochip (2026)&lt;br /&gt;
| [[Elaine Walker]]&lt;br /&gt;
| Electronic, space, dance, [[10edo]], [[11edo]], [[14edo]], [[15edo]], [[16edo]], [[17edo]], [[19edo]], [[20edo]], [[22edo]], [[Bohlen–Pierce]]&lt;br /&gt;
| Boston / NYC / Tempe, AZ / Las Cruces, NM (&#039;&#039;current&#039;&#039;)&lt;br /&gt;
| 1991-&lt;br /&gt;
| Elaine did music editing for &#039;&#039;Pokémon&#039;&#039; (2001-07) and for private space industry videos in the late 90s and early 00s. Zia is great introductory/accessible xen music.&lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Walker]]&lt;br /&gt;
| [https://robertinventor.com/musicandvirtualflowers/tunes/tunes.htm Website 1]&amp;lt;br&amp;gt;[https://robertinventor.com/musicandvirtualflowers/tunes/improvisations.htm Website 2]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, world, fractal&lt;br /&gt;
| Indianapolis, IN&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen Weigel]]&lt;br /&gt;
| [https://soundcloud.com/overtoneshock SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic pop, computer music, totalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Danny Wier&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Symphonic, progressive rock/metal, jazz, etc., mostly in 72-EDO (all synth-generated)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Randy Winchester]]&lt;br /&gt;
| &lt;br /&gt;
| [[Five Hemispheres]]&amp;lt;br&amp;gt;[[Comets Over Flatland]]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs and Bohlen–Pierce, electronic music and 8-bit synthesizers&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Erling Wold&lt;br /&gt;
| [http://www.erlingwold.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical; search page for just intonation&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Wolf]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic neo-baroque string trio&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brian Wong]]&lt;br /&gt;
| [https://bwong.ca/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Examples of computer-generated music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| James Wyness&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal acousmatic works&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; |&lt;br /&gt;
&lt;br /&gt;
==== X ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Y ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Z ==== &lt;br /&gt;
|-&lt;br /&gt;
| Zadarpadov&lt;br /&gt;
| [https://zadarpadov.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic, avant-garde&lt;br /&gt;
| Finland&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Zhea Erose]]&lt;br /&gt;
| [https://zheaerose.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UC--VosYH0BHISbb4SFO9rQA YouTube]&lt;br /&gt;
| [https://youtu.be/ipNP-8XwezE XQQQ]&amp;lt;br&amp;gt;[https://youtu.be/a63V_fAPNaA WXTCHCRXFT EP]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=wvLLV5qle48 Glitterdance]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8Ol2gzkcprE divinate]&lt;br /&gt;
| Amelia Huff&lt;br /&gt;
| [[31edo]], JI, primodality, contemporary classical, ambient, electronic, &amp;quot;dream&amp;amp;bass&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| 2019-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Matthias Ziegler&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Unconventional flute playing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bostjan Zupancic]]: MicroMetal&lt;br /&gt;
| [https://sites.google.com/site/19edoguitar/home/bostjan-zupancic-micrometal Google Page]&amp;lt;br&amp;gt;[https://bostjanzupancic.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JTpF2MifP5Y Brain for Breakfast]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=D8utL7T0HAc Beezer&#039;s Cellar]&lt;br /&gt;
| Bostjan Zupancic - Guitar, Bass, Drums, Vocals, Synthesizer&lt;br /&gt;
| 19-EDO Modern Hard Rock and Heavy Metal, and occasionally 24-EDO.&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2008-&lt;br /&gt;
| &lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! &#039;&#039;&#039;Website&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Description&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.musicmavericks.org/listening/ American Mavericks concert series]&lt;br /&gt;
| Microtonal RealPlayer files: Lou Harrison Suite for Violin and American Gamelan, Third Symphony; Charles Ives &amp;quot;Allegro&amp;quot; from Quartertone Piano Pieces&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.oeaw.ac.at/kal/agm/ Ancient Greek Music]&lt;br /&gt;
| Library of extant fragments using authentic tunings: Real``Player and MIDI&lt;br /&gt;
|-&lt;br /&gt;
| [http://bostonmicrotonalsociety.org/ Boston Microtonal Society]&lt;br /&gt;
| 72-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://catharsis.egregious.net/errata/ Catharsis] ([http://catharsis.egregious.net/tracks/droneI/ 2])&lt;br /&gt;
| Jon Catler and Jacky Ligon live; &amp;quot;Drone 1&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.fujara.sk/audio_samples.htm Fujara]&lt;br /&gt;
| Slovak overtone flute&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wmich.edu/mus-theo/groven/ Groven Piano Project]&lt;br /&gt;
| 36-tone JI (schismatic) pianos after Eivind Groven&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.xs4all.nl/%7Ehuygensf/english/index.html Huygens-Fokker Foundation]&lt;br /&gt;
| Acoustic and MIDI 31-EDO &amp;amp; 24-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.csounds.com/ezine/winter1999/synthesis/ Implementing Cellular Automatas in Csound]&lt;br /&gt;
| MP3 examples with spectral pictures&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html kingmixers] ([http://www.kingmixers.com/AncGreekMusicFragments.html%20 2]) ([http://www.kingmixers.com/Clouds%20MP3s.html%20copy 3])&lt;br /&gt;
| Some MP3 samples of Greek tunings, reconstructions of Greek music fragments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.last.fm/tag/microtonal last.fm microtonal tag radio]&lt;br /&gt;
| Stream microtonal music from last.fm radio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.lucytune.com/ LucyTuning] ([http://www.harmonics.com/lucy/earindex.html 2]) ([http://www.lullabies.co.uk/ 3])&lt;br /&gt;
| LucyTuned music - clips and full pieces, midi files, mp3s, video&lt;br /&gt;
|-&lt;br /&gt;
| [http://micro.soonlabel.com/ micro.soonlabel.com]&lt;br /&gt;
| Music from multiple composers in various tunings available for direct download.&lt;br /&gt;
|-&lt;br /&gt;
| [http://microtonalismo.com/ MICROTONALISMO]&lt;br /&gt;
| Primera Web oficial de microtonalismo de habla hispana en latinoamerica&lt;br /&gt;
|-&lt;br /&gt;
| [http://cdbaby.com/cd/mfhi Music for Homemade Instruments]{{dead link}}&lt;br /&gt;
| Clips of junkmusic orchestra&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.mvcc.edu/noldani/home Oldani&#039;s Math &amp;amp;amp; music Site]{{dead link}}&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [http://www.overtone.cc/ Overtone Music Network]&lt;br /&gt;
| A platform for overtone music of all kinds, with a huge collection of online audio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.quartertonemarimba.com/ Quartertonemarimba.com]&lt;br /&gt;
| Kjell Tor Innevik&#039;s project at Norwegian Academy of Music&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.geocities.com/dinarra2000/songs.html Eduardo Sábat]&lt;br /&gt;
| Clips of jazz standards on 53-enharmonic frets per Octave guitar (Dinarra)&lt;br /&gt;
|-&lt;br /&gt;
| [http://split-notes.com/ split-notes Microtonal Netlabel]&lt;br /&gt;
| Online record label, free digital releases, microtonal music from various musicians&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.ne.jp/asahi/mariko/takanashi/masa/pagesE1/rev1nwpages/engconcert.html The Perfect Just Intonation Music MIDI Cycle Concerts]&lt;br /&gt;
| Classics tuned in JI&lt;br /&gt;
|-&lt;br /&gt;
| [http://pages.globetrotter.net/roule/demos.htm Tuning and temperament demos]&lt;br /&gt;
| MIDI and audio demonstrating historical tunings&lt;br /&gt;
|-&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=105485 Tuning Lab]&lt;br /&gt;
| Acoustic, electronic tuning experiments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wnyc.org/search/?q=microtonal WNYC microtonal features]&lt;br /&gt;
| Radio shows featuring microtonal music, esp. &amp;quot;New Sounds&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Projects]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Practice]]&lt;br /&gt;
[[Category:Listen| ]] &amp;lt;!-- main article --&amp;gt;&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Listen&amp;diff=231246</id>
		<title>Listen</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Listen&amp;diff=231246"/>
		<updated>2026-05-28T22:39:37Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Z */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Catrel|Listen}}&lt;br /&gt;
&lt;br /&gt;
This page is a list of xenharmonic listening suggestions. If you think anything should be changed, feel free to change it yourself, or leave a note about it here.&lt;br /&gt;
&lt;br /&gt;
== Curated lists ==&lt;br /&gt;
=== By curator ===&lt;br /&gt;
&#039;&#039;&#039;UnTwelve annual competition winners&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://untwelve.org/competition Annual Composition Competition pages] by the [[UnTwelve]] foundation. The majority of the dozens of entrants in each year’s competition provide audio files of their compositions for the public to listen to.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Mike Battaglia]]&#039;s recommendations playlist&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://open.spotify.com/user/1218607737/playlist/70d4bxQpwBM4EPvLj0OmhO?si=ADmgFYnhTxGRDENaYK5XGw&amp;amp;fbclid=IwAR0Tw8l31ERv0cUgO-4OrBMu7wp8I38dhGWUGsmFvWo6sLle1FS7ZJQ7z0o Microtonal Spotify Playlist] — Deliberately includes examples for many different genres. Put it on Shuffle and have a great intro to xen.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Highest rated by the Xen Wiki community&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[List of xenharmonic music by community ratings]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;More recommendations&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Microtonal music recommendation playlists]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
=== By medium/tuning/genre ===&lt;br /&gt;
&#039;&#039;&#039;Sheet music&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Scores]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Albums&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[:Category:Albums]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music by tuning&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;small&amp;gt;&#039;&#039;&#039;[[Music in just intonation]]&#039;&#039;&#039; • [[Bohlen–Pierce scale/Music]] • [[Carlos Alpha#Music]] • [[Carlos Beta#Music]] • [[Carlos Gamma#Music]] • [[Polymicrotonality#Music]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music in EDOs&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;5-9: &#039;&#039;&#039;[[5edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[7edo/Music]]&#039;&#039;&#039; • [[8edo#Music]] • &#039;&#039;&#039;[[9edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
10-19: &#039;&#039;&#039;[[10edo/Music]]&#039;&#039;&#039; • [[11edo#Music]] • [[13edo/Music]] • [[14edo#Music]] • &#039;&#039;&#039;[[15edo/Music]]&#039;&#039;&#039; • [[16edo#Music]] • &#039;&#039;&#039;[[17edo/Music]]&#039;&#039;&#039; • [[18edo#Music]] • &#039;&#039;&#039;[[19edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
20-29: [[20edo#Music]] • [[21edo#Music]] • &#039;&#039;&#039;[[22edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[23edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[24edo/Music]]&#039;&#039;&#039; • [[25edo#Music]] • [[26edo#Music]] • [[27edo#Music]] • [[28edo#Music]] • [[29edo#Music]]&lt;br /&gt;
&lt;br /&gt;
30-41: [[30edo#Music]] • &#039;&#039;&#039;[[31edo/Music]]&#039;&#039;&#039; • [[32edo#Music]] • [[33edo#Music]] • [[34edo#Music]] • [[35edo#Music]] • [[36edo#Music]] • [[37edo#Music]] • [[38edo#Music]] • [[39edo#Music]] • [[40edo#Music]] • &#039;&#039;&#039;[[41edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;(for higher EDOs see [[EDO#Individual pages for EDOs|the individual EDO pages]])&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Classical pieces that were written with microtones&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
{{todo|expand|add examples|inline=1}}&lt;br /&gt;
Notable examples from 20th century classical music that briefly use the 7th harmonic, and for the Britten piece, the 11th harmonic as well:&lt;br /&gt;
* Ralph Vaughan Williams&#039;s [[wikipedia:A_Pastoral_Symphony|Symphony No. 3, A Pastoral Symphony]] from 1922, two horn solos in the 2nd movement&lt;br /&gt;
* Benjamin Britten&#039;s [[wikipedia:Serenade_for_Tenor,_Horn_and_Strings|Serenade for Tenor, Horn and Strings]] from 1943, prologue and epilogue&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Non-microtonal classical pieces translated to microtonal tunings&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
For a list of pieces that were originally written in a non-xenharmonic context, and then translated into a xenharmonic tuning, see [[Familiar melodies in unfamiliar tunings]]. (&#039;&#039;Stephen Weigel&#039;s [https://www.youtube.com/watch?v=bKNuSRujLPY&amp;amp;list=PLzY9zzOkuloTH7IYBl6AHFcbdM-Qop7u4 YouTube channel], Mike Battaglia&#039;s [https://soundcloud.com/mikebattagliaexperiments SoundCloud], and H. Wakabayashi&#039;s [https://www.youtube.com/user/inodapicnic YouTube channel] have great examples of these&#039;&#039;).&lt;br /&gt;
&lt;br /&gt;
== Giant table of xenharmonic music examples ==&lt;br /&gt;
What follows for the rest of this page is a large alphabetical list of as many xenharmonic artists and pieces as the wiki editors could find. It is not filtered or curated by quality, genre, or any other criteria. Feel free to add to it:&lt;br /&gt;
&lt;br /&gt;
{{TOC Horizontal&lt;br /&gt;
| a1=[[#Compilations|Compilations]]&lt;br /&gt;
| a2=[[#Artists|Artists]] ([[#A|A]]&lt;br /&gt;
| a3=[[#B|B]]&lt;br /&gt;
| a4=[[#C|C]]&lt;br /&gt;
| a5=[[#D|D]]&lt;br /&gt;
| a6=[[#E|E]]&lt;br /&gt;
| a7=[[#F|F]]&lt;br /&gt;
| a8=[[#G|G]]&lt;br /&gt;
| a9=[[#H|H]]&lt;br /&gt;
| a10=[[#I|I]]&lt;br /&gt;
| a11=[[#J|J]]&lt;br /&gt;
| a12=[[#K|K]]&lt;br /&gt;
| a13=[[#L|L]]&lt;br /&gt;
| a14=[[#M|M]]&lt;br /&gt;
| a15=[[#N|N]]&lt;br /&gt;
| a16=[[#O|O]]&lt;br /&gt;
| a17=[[#P|P]]&lt;br /&gt;
| a18=[[#Q|Q]]&lt;br /&gt;
| a19=[[#R|R]]&lt;br /&gt;
| a20=[[#S|S]]&lt;br /&gt;
| a21=[[#T|T]]&lt;br /&gt;
| a22=[[#U|U]]&lt;br /&gt;
| a23=[[#V|V]]&lt;br /&gt;
| a24=[[#W|W&amp;amp;ndash;Z]])&lt;br /&gt;
| a25=[[#Other|Other]]&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
=== Compilations ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Year&lt;br /&gt;
! &#039;&#039;&#039;Links&#039;&#039;&#039;&lt;br /&gt;
! Title&lt;br /&gt;
! &#039;&#039;&#039;Synopsis&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Genres, tunings, keywords&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Additional notes&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| 2024&lt;br /&gt;
| [https://www.youtube.com/watch?v=ftfnW9DsFVE YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Christmas Compilation 2024&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. &amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 41edo, mixed tunings*, 87edo, 159edo, 15edt, 15edo, free pitch, 31edo, &lt;br /&gt;
| *31edo diatonic, 25edo mavila, 7edo, 27edo mosh[7], 17edo &amp;quot;sun&amp;quot; scale, 26edo diasem-ish&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=U3fDWlG2Cb8 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Adxenture EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 11 artists. &amp;lt;br /&amp;gt;Theme: Explore + Discover&lt;br /&gt;
| Tunings: 15edo, 17-note tempered 2.3.7.29 ternary scale*, 26edo, 27edo, 12-tone 7-limit scale**, 21edo, 22edo, 37edo&lt;br /&gt;
| Was an entry in the Server vs Server V competition.&amp;lt;br /&amp;gt;*28/27 + 0.193{{cent}}, 29/27 + 2.596{{cent}}, 9/8 - 1.066{{cent}}, 7/6 - 0.873{{cent}}, 29/24 + 1.53{{cent}}, 81/64 - 2.132{{cent}}, 21/16 - 1.939{{cent}}, 87/64 + 0.464{{cent}}, 116/81 + 3.129{{cent}}, 3/2 - 0.533{{cent}}, 14/9 - 0.34{{cent}}, 29/18 + 2.063{{cent}}, 27/16 - 1.599{{cent}}, 7/4 - 1.406{{cent}}, 29/16 + 0.997{{cent}}, 243/128 - 2.665{{cent}}, 2/1&amp;lt;br /&amp;gt;**135/128, 9/8, 75/64, 5/4, 21/16, 45/32, 3/2, 25/16, 27/16, 7/4, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=-boJuGbymMY YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Kids Songs Edition&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 4 artists. &amp;lt;br /&amp;gt;Theme: Kids Songs&lt;br /&gt;
| Tunings: 46edo, octave-reduced 10L 7s MOS, 53edo, 15edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=fOZiX7f7t8Q YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Cover My Song&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. 8 tracks.&lt;br /&gt;
| Tunings: Free pitch, 22edo, 410edo, 159edo, 41edo, 19edo, 27edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://www.youtube.com/watch?v=WoF89oQ1Pn0 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Christmas 2022 Edition!&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 8 artists.&amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 7-Limit POTE Whitewood[21], 29edo, 23edo, 159edo*, 22edo, 353edo**, Iceface 75***, 17edo, Harmonics 16-32 starting from multiple notes****&lt;br /&gt;
| *Used for multiple songs, each song with a different reference pitch; main scale: 27\159, 51\159, 66\159, 93\159, 120\159, 144\159, 159\159 &amp;lt;br /&amp;gt;**38\353 Rectified Hebrew + 38\353 Apparatus on Harp &amp;lt;br /&amp;gt;***12edo with the black piano keys raised 75 cents &amp;lt;br /&amp;gt;****D = 293.333 Hz, G = 195.556 Hz, C = 260.741 Hz, F = 173.827 Hz, Bb = 234.667 Hz, Eb = 156.444 Hz&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/tDjLcCictVQ Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project 2&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Tostarena: Ruins&amp;quot; from &#039;&#039;Super Mario Odyssey&#039;&#039;.&lt;br /&gt;
| Tunings: 17edo, 13-limit JI*, 21edo, 19edo, 13-limit lemba, 13-limit srutal[12], 23edo, 11-limit JI**, 37edo, 33edo&lt;br /&gt;
| *28/27, 9/8, 7/6, 63/52, 4/3, 3/2, 14/9, 21/13, 7/4, 2/1&amp;lt;br /&amp;gt;**12/11, 9/8, 6/5, 5/4, 4/3, 15/11, 3/2, 18/11, 27/16, 16/9, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/9rTbLQ9j1sE Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Deleted User EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 12 artists.&amp;lt;br /&amp;gt;Theme: Secrets&lt;br /&gt;
| Tunings: 19edo, 2)5 [[CPS]] 3 7 9 11 13, 21edo, 18edo, 29edo, 33edo, 22edo, 11edo, 13edo, a [[porcupine]]-derived [[nonoctave]] tuning&lt;br /&gt;
| Was an entry in the Server vs Server IV competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/mkSlVrpC7HI Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Aquatic Ambience&amp;quot; from &#039;&#039;Donkey Kong Country&#039;&#039;.&lt;br /&gt;
| Tunings: 7-limit JI*, 18edo, 17edo, 7-limit JI**, 41edo, 15edo, 22edo&lt;br /&gt;
| *9/8, 7/6, 6/5, 4/3, 3/2, 14/9, 8/5, 16/9, 2/1&amp;lt;br /&amp;gt;**28/27, 9/8, 6/5, 5/4, 4/3, 7/5, 3/2, 8/5, 5/3, 9/5, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/XomJ5Hutl7k Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - LM x SvS 1v1s&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 one-minute tracks by 10 artists.&lt;br /&gt;
| Tunings: 16edo neji /128, 22edo, 17edo, Ibn Sina diatonic + extra chromatic tones (JI)*, 31edo, 20edo, 24edo, 16edo, 26edo&lt;br /&gt;
| LM x SvS = Lucid Monday x Server vs Server&amp;lt;br /&amp;gt;*14/13, 7/6, 4/3, 3/2, 21/13, 7/4, 2/1 + 28/27, 21/20, 14/9&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7b-luna-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7b-luna-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7b - Luna Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 15 artists.&lt;br /&gt;
| Each track uses a different [[EDO]] or other [[equal-step tuning]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://youtu.be/jBXpOPeQFYY Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Gone Too Deep EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 14 artists.&amp;lt;br /&amp;gt;Theme: Dreams&lt;br /&gt;
| Tunings: 14edo, a [[Neji]] tuning, 18edo, 17edo, 96edo, 31edo, 15edo, 21edo, 23edo, 20edo&lt;br /&gt;
| Was an entry in the Server vs Server III competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7-terra-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7-terra-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7 - Terra Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 16 artists.&lt;br /&gt;
| Each track uses a different [[EDO]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2019&lt;br /&gt;
| [https://open.spotify.com/album/2ojBIQLtipAo6MPJhmNiWP Listen free on Spotify]&amp;lt;br /&amp;gt;[https://biptunia.com/?p=4633 More info].&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Microtonal Freedom (A Benefit Compilation Album for Lyn Ulbricht)&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists. Many of them are contributors on this wiki.&lt;br /&gt;
| &#039;&#039;&#039;GENRES&#039;&#039;&#039;: Blues, metal, prog, trip-hop, hip-hop, funk, classical, ambient, math, punk, spoken, folk, solo acoustic guitar.&lt;br /&gt;
| Very good overview, and very listenable, especially for people without experience in Xen, or who think it sounds odd.&lt;br /&gt;
|-&lt;br /&gt;
| 2016&lt;br /&gt;
| [http://split-notes.com/various-artists-next-xen/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Next Xen&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2010&lt;br /&gt;
| [http://split-notes.com/various-artists-crack-my-pitch-up/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Crack My Pitch Up&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 1998&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/mills.html Broken Link?]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;A Microtonal Musical Experience&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10-ish groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| Many of the tracks on the CD were the first widely available audio files on the internet featuring xenharmonic tunings.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Artists ===&lt;br /&gt;
: &#039;&#039;Note: Please don&#039;t put external links on artist&#039;s name in first column. Put them in LINKS column, Link description of what they are (Website, YouTube, SoundCloud, etc.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Name&lt;br /&gt;
! Links&lt;br /&gt;
! Recommended works&lt;br /&gt;
! Members&lt;br /&gt;
! Genres, tunings, keywords&lt;br /&gt;
! Location&lt;br /&gt;
! Years &#039;&#039;microtonally&#039;&#039; active&lt;br /&gt;
! Additional notes&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== A ==== &lt;br /&gt;
|-&lt;br /&gt;
| Agonanist&lt;br /&gt;
| [https://transylvaniantapes.bandcamp.com/album/agonanist-the-cynicism-of-solitude Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Black metal in various EDO&#039;s&lt;br /&gt;
| California&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Alves]]&lt;br /&gt;
| [http://www.billalves.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/billalves YouTube]&amp;lt;br&amp;gt;[http://pages.hmc.edu/alves/ Harvey Mudd College]&lt;br /&gt;
| [http://www.billalves.com/imbal-imbalan.html Imbal-Imbalan]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI, gamelan, etc. Different tunings on different songs. Sometimes creates his own tunings just for one song.  &lt;br /&gt;
| Claremont, California&lt;br /&gt;
| 1987- &lt;br /&gt;
| College professor, author. Important cat. Check him out. &lt;br /&gt;
|-&lt;br /&gt;
| Aphex Twin&lt;br /&gt;
| [https://aphextwin.warp.net/ Official Store]&amp;lt;br&amp;gt;[[Wikipedia:Aphex Twin| Wikipedia]]&lt;br /&gt;
| [https://aphextwin.warp.net/release/68148-aphex-twin-selected-ambient-works-volume-ii Selected Ambient Works Volume II]&amp;lt;br&amp;gt;[https://aphextwin.warp.net/release/71102-aphex-twin-drukqs drukQs]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music&lt;br /&gt;
| Scotland&lt;br /&gt;
| 1994-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Atar Arad&lt;br /&gt;
| [https://www.youtube.com/channel/UCqkcxbIr8LriIoZBx96RT7g YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sonata for Viola with quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Astroid power-up!&lt;br /&gt;
| [https://store.cdbaby.com/cd/googleplex CD Baby]{{dead link}} (includes audio previews) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of hyper drum&amp;amp;amp;bass. Microtonal tracks: 3, 4, 8 and 9 (60-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot;| &lt;br /&gt;
&lt;br /&gt;
==== B ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Christopher Bailey]]&lt;br /&gt;
| [http://christopherbaileymusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystallized JI, 17-EDO, 19-EDO, 7-limit adaptive&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Mike Battaglia]]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments SoundCloud]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments/sets/natural-sounding-porcupine &amp;quot;Natural&amp;quot;-sounding Porcupine Comma Pump Experiments]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs, technical studies, experimental music cognition demos&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (a.k.a. Bugs, a.k.a. The Bugs) &lt;br /&gt;
|-&lt;br /&gt;
| Matt Barber&lt;br /&gt;
| [http://ecmc.rochester.edu/mbarb/web/music.php?filter=chrono Rochester EDU listing] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| In some pieces, 19-ED(per 2:1 and 3:1), quartertones, 11-EDO and 14-EDO in 3:2 equivalence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacob Barton]]&lt;br /&gt;
| [http://jacobbarton.net/ Website] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced and acoustic, various EDO and JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dennis Báthory-Kitsz]]&lt;br /&gt;
| [http://www.maltedmedia.com/people/bathory/cat-solo.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Thièle&amp;quot; - violin in quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David Beardsley&lt;br /&gt;
| [https://microtonal.wordpress.com/ Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UChoIaFN4ZM2nMzsktVnPuqQ YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI electric guitar and JI chamber music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Antoine Beaudet&lt;br /&gt;
| [https://soundcloud.com/jollybard SoundCloud] (as Jollybard)&lt;br /&gt;
| [https://soundcloud.com/jollybard/superbeat-wip SuperBeat]&amp;lt;br&amp;gt;[https://soundcloud.com/jollybard/spooky Spooky]&lt;br /&gt;
| &lt;br /&gt;
| Joan temperament, JI, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[benyamind]]&lt;br /&gt;
| [https://benyamind.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCFWIWi2GVCKMM9uYDdlUQqw Youtube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 31edo, 22edo, JI, orchestral, piano&lt;br /&gt;
|-&lt;br /&gt;
| BipTunia&lt;br /&gt;
| [https://biptunia.com/?s=microtonal Website]&amp;lt;br&amp;gt;[https://biptunia.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://biptunia.com/?p=3432 Microtonal Cats from Alpha-Centauri”]&lt;br /&gt;
| Michael W. Dean (synths, singing, talking)&amp;lt;br&amp;gt;Phil Wormuth (poetry, talking)&lt;br /&gt;
| Darkwave, rock, pop, experimental, poetry with music, different tunings on every song. Prolific. &lt;br /&gt;
| Casper Wyoming &lt;br /&gt;
| 2018-&lt;br /&gt;
| MWD is [[User:SyntheticThought]] on this wiki. MWD also makes [https://biptunia.com/?page_id=2070 xen VST software]. &lt;br /&gt;
|-&lt;br /&gt;
| Marcus Alessi Bittencourt&lt;br /&gt;
| [http://www.marcusalessi.com/site/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classic electronic pan-intonational&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Easley Blackwood Jr.]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=HbuFPpiJL1o YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal etudes [excerpts]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Douglas Blumeyer]]&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin SoundCloud]&amp;lt;br&amp;gt;[http://musical-patterns.douglasblumeyer.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Musical patterns&lt;br /&gt;
| Berkeley&lt;br /&gt;
| 2006-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cameron Bobro]]&lt;br /&gt;
| [https://soundcloud.com/cameron-bobro Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Bass vocals and microtonal folk instruments in haunting songs.&lt;br /&gt;
| Maribor, Slovenia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| M. Edward Borasky&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Stochastic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Donald Bousted&lt;br /&gt;
| [https://donaldbousted.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music and film&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Graham Breed]]&lt;br /&gt;
| [http://x31eq.com/music/ Website]&lt;br /&gt;
| [http://x31eq.com/music/wisofl.mp3 When I Set Out for Lyonnesse] &lt;br /&gt;
| &lt;br /&gt;
| Electronic with spoken word; (Thomas Hardy poems), examples of different temperaments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Chris Bryan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brendan Byrnes]]&lt;br /&gt;
| [http://www.brendanbyrnes.com/ Website]&amp;lt;br&amp;gt;[https://brendanbyrnes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsg5wuPYEmD7w7Jutqy8IhA YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/bpbyrnes Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=1PYbIPaW_eg Siolas]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=dgVDQU8CuPE Operator]&lt;br /&gt;
| Brendan Byrnes + various side players.&lt;br /&gt;
| Great production. Progressive, rock, driving, good vocals. Is also in band ILEVENS (separate entry below).&lt;br /&gt;
| Los Angeles / Glendale&lt;br /&gt;
| 2011-&lt;br /&gt;
| Great first xen for many people. &lt;br /&gt;
|-&lt;br /&gt;
| [[Warren Burt]]&lt;br /&gt;
| [http://retiary.net/idea/idea5/IDEA_5/warren/warren.htm Website] (flashing images warning)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sound installation; manipulated voice...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== C ==== &lt;br /&gt;
|-&lt;br /&gt;
| Charles Carpenter&lt;br /&gt;
| [https://charlescarpenter.net/ Website]&lt;br /&gt;
| [https://open.spotify.com/album/0tLOtB35zIsId4S47hll3X?si=hUoXPLLyS9SR6kBitJUD2g Splat]&amp;lt;br /&amp;gt;[https://open.spotify.com/album/3CQHBKHfYBx4VC8ZS1cQfo?si=d3G8aLe6S127Lb7YGVXmHQ Frog à la Pêche]&lt;br /&gt;
| &lt;br /&gt;
| Bohlen–Pierce electronic&lt;br /&gt;
| &lt;br /&gt;
| 1994-1996&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tolgahan Çoğulu]]&lt;br /&gt;
| [https://www.youtube.com/user/TolgahanCogulu YouTube]&amp;lt;br&amp;gt;[https://www.microtonalguitar.org/ Website 1]&amp;lt;br&amp;gt;[http://www.tolgahancogulu.com/en/ Website 2]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JT0z2nOyUlg Microtonal guitar duo]&lt;br /&gt;
| &lt;br /&gt;
| Microtonal guitar. Custom builds guitars with half, quarter frets, and movable frets.&lt;br /&gt;
| Istanbul, Turkey&lt;br /&gt;
| 2008-&lt;br /&gt;
| Good first xen for many people. Popular. Teaches music at Istanbul Technical University.&lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Loli]]&lt;br /&gt;
| [http://microtonalismo.com/microweb/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 drone 17-EDO, 20-EDO, 29-EDO and 53-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Wendy Carlos]]&lt;br /&gt;
| [[Wikipedia:Wendy Carlos| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=RuT6Y53LYH4 Video analyzing her microtonal scales]&lt;br /&gt;
| [https://www.dailymotion.com/video/x2j1gy2 Beauty and the Beast]&lt;br /&gt;
| &lt;br /&gt;
| Not all her work is microtonal, but &#039;&#039;[[wikipedia:Beauty_in_the_Beast| Beauty in the Beast]]&#039;&#039; (1986) is. She invented her own non-octave-repeating musical scales for it. &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Early synthesizer pioneer ([[wikipedia:Switched-On_Bach| &#039;&#039;Switched on Bach&#039;&#039;]], 1968)&lt;br /&gt;
|-&lt;br /&gt;
| Catler Bros. / [[Jon Catler]]&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=346893 SoundClick]&amp;lt;br&amp;gt;[[Wikipedia:Jon Catler| Jon Catler on Wikipedia]]&amp;lt;br&amp;gt;[https://preparedguitar.blogspot.com/2015/03/jon-catler-13-questions.html Interview with Jon Catler]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/4496860-Catler-Bros Discogs]&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=346893 Hyperspace]&lt;br /&gt;
| Jon Catler&lt;br /&gt;
| 64-note JI bluesrock. Have had mainstream press in Rolling Stone, Downbeat, and elsewhere. Jon Catler runs [http://freenotemusic.com/ FreeNote Records].&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Jon Catler also plays in [http://freenotemusic.com/fretlessbrothers/ The Fretless Brothers] and makes Freenote guitars. &lt;br /&gt;
|-&lt;br /&gt;
| [[City of the Asleep]]&lt;br /&gt;
| [https://cityoftheasleep.bandcamp.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Electronica, post-rock, and unclassifiable music in a variety of tunings, especially uncommon EDOs and theoretically-discordant tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nick Collins&lt;br /&gt;
| [https://composerprogrammer.com/music.html Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/playlist?list=PLvsv24zg5vzuGovKXXhjU7bYVnJIqNOZ3 YouTube playlist]&lt;br /&gt;
| [https://composerprogrammer.com/music/simphony2movement1.mp3 Simphony 2, Movement 1] (MP3 direct link) &lt;br /&gt;
| &lt;br /&gt;
| Microtonal supercollider tempo canons&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Copper&lt;br /&gt;
| [http://www.williamcopper.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 5-limit JI, printed scores with intonation markings, intonalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mildred Couper&lt;br /&gt;
| [[Wikipedia:Mildred Couper| Wikipedia]]&amp;lt;br&amp;gt;[http://www.academia.edu/7921833/Quarter-Tone_Composer_and_Pianist_Mildred_Couper PDF academic article]&amp;lt;br&amp;gt;[http://digital.library.ucsb.edu/collections/show/14 Scores at USC Santa Barbara site]&lt;br /&gt;
| [https://www.youtube.com/watch?v=PEOp3tFNaiI Dirge]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=2Y_9AqbpIdw Calliope of the Nine Muses]&lt;br /&gt;
| &lt;br /&gt;
| Quartertone pianos &lt;br /&gt;
| Buenos Aires, Argentina / Santa Barbara, California&lt;br /&gt;
| Died in 1974&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cryptic Ruse]]&lt;br /&gt;
| [https://cryptic-ruse.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Instrumental progressive metal &amp;amp; drone-metal in 13edo, 14edo, 15edo, 17edo, and 23edo&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Cubberly&lt;br /&gt;
| [https://www.discogs.com/artist/4027870-David-Cubberly Listing at Discogs]&amp;lt;br&amp;gt;[http://www.davidjcubberly.com/music.html Website]&lt;br /&gt;
| Per email reply from him, no listen links online. See note on Talk page.  &lt;br /&gt;
| &lt;br /&gt;
| Sequenced microtonal midi ensemble&lt;br /&gt;
| Urbana, Illinois&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== D ==== &lt;br /&gt;
|-&lt;br /&gt;
| Philip Dadson&lt;br /&gt;
| [[Wikipedia:Philip Dadson| Wikipedia]]&amp;lt;br&amp;gt;[https://sounz.org.nz/contributors/1026 Centre for New Zealand Music]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Instruments in JI, installations and performance&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ivor Darreg]]&lt;br /&gt;
| [[Wikipedia:Ivor Darreg| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=8nG0T1t9WUY Prelude 2 For 19 Tone Guitar]&amp;lt;br&amp;gt;[https://ivordarreg.bandcamp.com/releases Detwelvulate!]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-i Ivor Darreg Originals - I]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-2 Ivor Darreg Originals - II]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| San Diego, Los Angeles&lt;br /&gt;
| c. 1936-1994&lt;br /&gt;
| Important cat. Check him out. &amp;quot;Granddaddy of xenharmonic music.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| Jarod DCamp&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=998452 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic - various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tútim Dennsuul Wafiil]]&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/timo.html List of MP3s] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips in 23-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mark Deutsch&lt;br /&gt;
| [http://bazantar.com/ Website]&amp;lt;br&amp;gt;[https://bazantar.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.facebook.com/bazantar Facebook]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sensual acoustic microtonal music, world influence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Invented the [[wikipedia:Bazantar| Bazantar]], a stringed instrument &lt;br /&gt;
|-&lt;br /&gt;
| [[Diamond Doll]]&lt;br /&gt;
| [https://helloitsdiamonddoll.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/6nAsvYXrvYDqY5EqpbFgCa?si=6109ce7e857740b7 Spotify]&lt;br /&gt;
| [https://open.spotify.com/track/02hYX9uAKNk7uBr5lLnXIG Hello My Name&#039;s Diamond Doll]&amp;lt;br&amp;gt;[https://open.spotify.com/track/18d6VnHUY6JvLU1FjrJxnr Autogynephilia]&amp;lt;br&amp;gt;[https://open.spotify.com/track/4UqXCEKsKR5VdggZrr1cWo Little Brother] &lt;br /&gt;
| [[Kit Hagerstrom]] (songwriting, production, vocals)&amp;lt;br&amp;gt;Grey Tyson (vocals)&lt;br /&gt;
| Postpunk, hyperpop, queercore, various EDOs&lt;br /&gt;
| Winnipeg, Manitoba&lt;br /&gt;
| 2019-&lt;br /&gt;
| good entry point to xen&lt;br /&gt;
|-&lt;br /&gt;
| Divide by Pi&lt;br /&gt;
| [https://play.google.com/store/music/artist/Divide_by_Pi?id=Atehcbhgf7qggp2nxx4hajelerq&amp;amp;hl=en Google Music]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/dividebypi CD Baby]{{dead link}} (can listen to excerpts) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 clips: synthesizer and percussion improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Paul Dolden&lt;br /&gt;
| [https://pauldolden.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[[Wikipedia:Paul Dolden| Wikipedia]]  &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| dotuXil&lt;br /&gt;
| [https://www.youtube.com/@dotuxil Youtube]&amp;lt;br&amp;gt;[https://dotuxil.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://mirlo.space/dotuxil/release/collected-refractions Mirlo]&amp;lt;br&amp;gt;[https://dotuxil.github.io/ Github]&lt;br /&gt;
| [https://dotuxil.bandcamp.com/album/collected-refractions Collected Refractions Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=cFpKgUD9tQI Collected Refractions Youtube]&lt;br /&gt;
| &lt;br /&gt;
| Electronic, Various Tunings, Melodic&lt;br /&gt;
| &lt;br /&gt;
| 2023-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[David B. Doty]]&lt;br /&gt;
| [http://www.dbdoty.com/Just-Intonation-Links.html Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=a9bW4o5UedE Steel Suite]&lt;br /&gt;
| &lt;br /&gt;
| Synth JI, acoustic guitar JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Arnold Dreyblatt]]&lt;br /&gt;
| [http://www.dreyblatt.net/composer-1 Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Grooving JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Dsilton Trio&lt;br /&gt;
| [https://georgvogel.net/PROJEKTE-DSILTON.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCmzn7wDBp_H3N0diqakaRvg YouTube]&amp;lt;br&amp;gt;Facebook&lt;br /&gt;
| [https://www.youtube.com/watch?v=9LcWqSzDv7A Duschscha]&lt;br /&gt;
| Georg Vogel (clavinet, synthesizer, composition)&amp;lt;br&amp;gt;David Dornig (31-tone guitars)&amp;lt;br&amp;gt;Valentin Duit (drumset)&lt;br /&gt;
| Odd time signatures, chamber influence, jazz influence. [[31edo]].&lt;br /&gt;
| Vienna, Austria&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacques Dudon]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KuL4aSwNT0o YouTube]&amp;lt;br&amp;gt;[https://www.semantic-danielou.com/designers/jacques-dudon/ Academic profile]&amp;lt;br&amp;gt;[[wikipedia:Jacques_Dudon| Wikipedia]]&amp;lt;br&amp;gt;[https://www.forcedexposure.com/Catalog/dudon-jacques-erosion-distillee-lp/MMLP.009LP.html Forced Exposure]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Samples of &amp;quot;Lumières audibles&amp;quot; JI electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Richard Dunlap&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=106711 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Mostly 12-EDO&lt;br /&gt;
| California USA&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== E ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Paul Erlich]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=lO5xSjIHyMg YouTube]&amp;lt;br&amp;gt;[http://www.myspace.com/paulerlich/ MySpace]&amp;lt;br&amp;gt;[http://untwelve.org/interviews/paul_erlich UnTwelve interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[22-EDO]] guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== F ==== &lt;br /&gt;
|-&lt;br /&gt;
| John Farah&lt;br /&gt;
| [http://www.johnfarah.com/ Website]&lt;br /&gt;
[https://soundcloud.com/johnkameelfarah SoundCloud]&amp;lt;br&amp;gt;[https://johnkameelfarah.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/user/Hatiyn YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/JohnKameelFarah Facebook]&amp;lt;br&amp;gt;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| String quartet, electronic in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Fabrizio Fiale| FFF Fiale]]&lt;br /&gt;
| [https://ffffiale.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Fabrizio Fulvio Fausto Fiale&lt;br /&gt;
| 16-EDO instrumental guitar thrash metal and eclectic rock&lt;br /&gt;
| Italy&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Finnamore&lt;br /&gt;
| [http://www.elvenminstrel.com/music/tuning/horagrams/horagram-music.htm List of MP3s]&amp;lt;br&amp;gt;[http://www.elvenminstrel.com/music/tuning/equal/13equal/13tet.htm 13 TET MP3s]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Etudes using &amp;quot;golden horograms&amp;quot;; clips of dirty 13-EDO guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Forro]]&lt;br /&gt;
| [https://www.soundclick.com/members4/default.cfm?memberID=1540764 SoundClick]&amp;lt;br&amp;gt;[[Daniel Forro| List of MP3s]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Kakamigahara, Japan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Harold Fortuin&lt;br /&gt;
| [http://www.fortuitous-artists.biz/clavetteMusic.html 2 MP3s]&amp;lt;br&amp;gt;[[wikipedia:Harold_Fortuin| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=Dp3Gq0xjlhE YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Francium]]&lt;br /&gt;
| [https://francium223.bandcamp.com Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/0Nz4jp5ckOxUA404IFtbDL Spotify]&amp;lt;br&amp;gt;[https://www.youtube.com/@FranciumMusic YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| various EDOs, tuning comparisons, electronic&lt;br /&gt;
| &lt;br /&gt;
| 2021-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Glenn R. Frantz&lt;br /&gt;
| [https://archive.org/details/@glenn_r_frantz Songs on Archive.org]&lt;br /&gt;
| [https://archive.org/details/ThreeRagtime-basedPieces Three Ragtime-Based Pieces]}&lt;br /&gt;
| &lt;br /&gt;
| Freestyle JI via computer, based on ragtime music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Adam Freese]]&lt;br /&gt;
| [https://www.youtube.com/@adamfreese YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ellen Fullman&lt;br /&gt;
| [https://www.ellenfullman.com/ Website]&amp;lt;br&amp;gt;[https://ellenfullman.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]]&lt;br /&gt;
| San Francisco Bay Area, CA&lt;br /&gt;
| &lt;br /&gt;
| known for her 70-foot (21-meter) [[wikipedia:Long-string_instrument| Long String instrument]], tuned in just intonation and played with rosin-coated fingers.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; |&lt;br /&gt;
&lt;br /&gt;
==== G ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Frédéric Gagné]]&lt;br /&gt;
| [https://www.youtube.com/@fredg999music YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kyle Gann]]&lt;br /&gt;
| [https://www.kylegann.com/ Website]&amp;lt;br&amp;gt;[https://www.kylegann.com/Gannaudio.html MP3s on website]&amp;lt;br&amp;gt;[https://www.kylegann.com/complist.html List of compositions]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic JI, now with more Sitting Bull!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kite Giedraitis]]&lt;br /&gt;
| see Tall Kite&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Monroe Golden&lt;br /&gt;
| [http://monroegolden.com/ Website]&amp;lt;br&amp;gt;[https://soundcloud.com/monroe-golden SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal chamber music, microtone-informed 12-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Gongs&lt;br /&gt;
| [http://imomus.com/thegongs.html Momus website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM Rob Reich] (full length album on Youtube)&lt;br /&gt;
| Peter Blasser&amp;lt;br&amp;gt;Clara Latham&amp;lt;br&amp;gt;Grisha Krivchenia&amp;lt;br&amp;gt;Stefan Tcherepnin&lt;br /&gt;
| &lt;br /&gt;
| Oberlin, OH&lt;br /&gt;
| 2001-2002&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM First song on this], and whole record.&lt;br /&gt;
|-&lt;br /&gt;
| Mark Gould&lt;br /&gt;
| [http://www.derek-hasted.co.uk/assets/audio/derek-hasted/ten-tone.mp3 MP3]&amp;lt;br&amp;gt;[http://www.users.waitrose.com/~equiton/Mark_Gould/About_Me.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 1 electronic mp3: 10-EDO; midi recorder duets in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kraig Grady]]&lt;br /&gt;
| [https://www.youtube.com/results?search_query=Kraig+Grady+ YouTube]&amp;lt;br&amp;gt;[http://anaphoria.com/music.html Samples]&amp;lt;br&amp;gt;[[wikipedia:Kraig_Grady| Wikipedia]]&amp;lt;br&amp;gt;[http://www.anaphoria.com/ Website]&amp;lt;br&amp;gt;[https://anaphoriasouth.blogspot.com/ Blog]&amp;lt;br&amp;gt;[https://www.facebook.com/kraig.grady Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=9R33w7aaxS8 Live at the Cad Factory]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=GiSE9srsDt8 Ear Meal] (music + Skype interview)&lt;br /&gt;
| &lt;br /&gt;
| Original acoustic instruments/ensembles informed by the music of Anaphoria Island&lt;br /&gt;
| Wollongong, Australia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Patrick Grant&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.obscuresound.com/2018/10/patrick-grant-keeping-still/ Bio and audio examples]&amp;lt;br&amp;gt;Website&amp;lt;br&amp;gt;[[wikipedia:Patrick_Grant_(composer)| Wikipedia]]&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/album/fields-amaze-and-other-strange-music FIELDS AMAZE and other sTRANGE music]&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Percussion, gamelan, microtonal instruments, and electric chamber ensembles with narrative structures informed by chaos theory, biological forms, and B-horror films.&amp;quot;&lt;br /&gt;
| New York City&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Guidi&lt;br /&gt;
| [[wikipedia:Peter_Guidi| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One track of quartertone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (Can find [https://www.youtube.com/watch?v=Pb8Anz9xt1w&amp;amp;start_radio=1&amp;amp;list=RDEMgggUYKUD44vtsdamPmXt-A music of his] on YouTube, but isn&#039;t microtonal. Anyone got links to his microtonal music?)&lt;br /&gt;
|-&lt;br /&gt;
| Milan Guštar&lt;br /&gt;
| [http://www.uvnitr.cz/mg/art.html Listing of music]&lt;br /&gt;
| [http://www.uvnitr.cz/mg/music/240_four_seasons.html Generative composition for piano and theremin]&lt;br /&gt;
| &lt;br /&gt;
| Music in various tunings (06-EDO, 07-EDO, 08-EDO, 12-EDO, JI)&lt;br /&gt;
| Czech Republic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== H ==== &lt;br /&gt;
|-&lt;br /&gt;
| Edu Haubensak&lt;br /&gt;
| [http://www.eduhaubensak.ch/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=vmKWcJhuagk Sechs Walserminiaturen (1996) for soprano and violin]&lt;br /&gt;
| &lt;br /&gt;
| Music for retuned pianos and retuned strings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Georg Hajdu]]&lt;br /&gt;
| [http://georghajdu.de/ Website]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=k0HJUUWRkn0 Lecture on YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic 17-EDO; scene from opera Der Sprung (Bohlen–Pierce)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (some of his music online is not microtonal. Anyone got a link to microtonal music by him?)&lt;br /&gt;
|-&lt;br /&gt;
| [[Jeff Harrington]]&lt;br /&gt;
| [http://parnasse.com/jh/blog/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsgsUVmnMsgyIZzv4WTGxhA YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=14JPGOz9Qg4 Acid Bach III for Quartertone Microtonal Synthesize]&lt;br /&gt;
| &lt;br /&gt;
| Electronic in 19-EDO, 24-EDO, others&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Lou Harrison]]&lt;br /&gt;
| [[wikipedia:Lou_Harrison| Wikipedia]]&amp;lt;br&amp;gt;[http://www.archive.org/audio/audio-details-db.php?collectionid=OM8HarrisonScenesfromNikChand&amp;amp;collection=other_minds Steel Guitar piece]&lt;br /&gt;
| [https://www.youtube.com/watch?v=UWuT9AheQRM John Schneider plays Lou Harrison Jahla]&lt;br /&gt;
| &lt;br /&gt;
| Nek Chand for solo guitar in JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Hasegawa]]&lt;br /&gt;
| [http://www.roberthasegawa.com/ Website]&amp;lt;br&amp;gt;[http://roberthasegawa.com/ Lecture]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic chamber JI, quartertones, 19-tone pianos, with scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Neil Haverstick]]&lt;br /&gt;
| [http://microstick.net/ Website]&lt;br /&gt;
| [https://soundcloud.com/gregory-ts-walker/african-stick-neil-haverstick African Stick]&lt;br /&gt;
| &lt;br /&gt;
| Excerpts - guitars in 19-EDO, 31-EDO and 34-EDO&lt;br /&gt;
| Colorado&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Stickman&amp;quot; has some method books and quite a few radio spots as well.&lt;br /&gt;
|-&lt;br /&gt;
| [[Andrew Heathwaite]]&lt;br /&gt;
| [https://andrewheathwaite.bandcamp.com/album/newbeams&#039; Bandcamp]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands3/default.cfm?bandid=122613 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Amano Hideya]]&lt;br /&gt;
| [https://www.youtube.com/@hideya YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=5zaiOBSQV_Q 1 to 11 tone Equal temperament songs]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=YawFcH4cXfs Like 40s music 11EDO]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs&lt;br /&gt;
| Tokyo Japan&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Horton and Bill Thibault&lt;br /&gt;
| [http://www.mcs.csueastbay.edu/~tebo/bio.html Bill Thibault website]&amp;lt;br&amp;gt;[http://eamusic.dartmouth.edu/~larry/recordings/horton_notes.pdf Info on Dartmouth website]&amp;lt;br&amp;gt;[http://www.o-art.org/history/LongDur/JimHorton/jh-music4.html Jim Horton list of works]&lt;br /&gt;
| [https://www.youtube.com/watch?v=GHxLeIDuECc Gorgeous Clothed Flies]&lt;br /&gt;
| &lt;br /&gt;
| Electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sten Hostfalt]]&lt;br /&gt;
| [https://www.stenhostfalt.com/ Website]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/stenhostfalt2 CD Baby]{{dead link}} (has a few excerpts)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Excerpts of microtonal guitar (72-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Horse Lords&lt;br /&gt;
| [https://horselords.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://horselords.bandcamp.com/album/mixtape-iv Mixtape IV]&lt;br /&gt;
| Sam Haberman&amp;lt;br&amp;gt;Max Eilbacher&amp;lt;br&amp;gt;Owen Gardner&amp;lt;br&amp;gt;Andrew Bernstein&lt;br /&gt;
| [[Just intonation]], polyrhythm, minimalist, musique concrète&lt;br /&gt;
| Baltimore, MD&lt;br /&gt;
| 2012-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Chuckk Hubbard]]&lt;br /&gt;
| anyone got a current link?&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI sequenced music, etc.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Lucas Hulen&lt;br /&gt;
| [http://persweb.wabash.edu/facstaff/hulenp/compositions.html Website]&lt;br /&gt;
| [https://vimeo.com/61493873 Lamentationes Jeremiae I]&lt;br /&gt;
| &lt;br /&gt;
| Modern classical electronic compositions - search website page for &#039;microtonal&#039;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== I ==== &lt;br /&gt;
|-&lt;br /&gt;
| ILEVENS&lt;br /&gt;
| [https://ilevens.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCfgSTF9EOal71sFbPTLJ0Gw YouTube]&amp;lt;br&amp;gt;[http://split-notes.com/ilevens-transmitter/ Split Notes Records]&amp;lt;br&amp;gt;[https://www.facebook.com/Ilevens1111/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=N9MjtfEQl_c Drowns]&lt;br /&gt;
| [[Brendan Byrnes]] (vocals, guitar)&amp;lt;br&amp;gt;Mike Horick (drums)&amp;lt;br&amp;gt;Lauren Davis (synths)&amp;lt;br&amp;gt;Rusty Kennedy (bass)&lt;br /&gt;
| [[22edo]], rock band, led by Brendan Byrnes&lt;br /&gt;
| Los Angeles&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== J ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ralph Jarzombek&lt;br /&gt;
| [https://www.freewebs.com/ralphjarzombek/ Website with listen links]&lt;br /&gt;
| [https://webzoom.freewebs.com/ralphjarzombek/micro1.mp3 Micro 1]&amp;lt;br&amp;gt;[https://webzoom.freewebs.com/ralphjarzombek/micro6.mp3 Micro 6]&lt;br /&gt;
| &lt;br /&gt;
| [[14edo]], [[17edo]], [[Bohlen–Pierce]], electronic&lt;br /&gt;
| &lt;br /&gt;
| 1980s&lt;br /&gt;
| If you like the Residents, you&#039;ll love this.&lt;br /&gt;
|-&lt;br /&gt;
| [[Aaron Krister Johnson]]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson SoundCloud]&amp;lt;br&amp;gt;[https://aaronkristerjohnson.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson/the-juggler The Juggler]&lt;br /&gt;
| &lt;br /&gt;
| Mostly electronic compositions and improvisations; some theatre incidental music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| JC &amp;amp; The Microtones&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin/cow-people Cowpeople]&lt;br /&gt;
| &lt;br /&gt;
| Johnny Reinhard (electric bassoon)&amp;lt;br&amp;gt;Brad Catler (electric fretless bass)&amp;lt;br&amp;gt;[[Jon Catler]] (electric guitar)&amp;lt;br&amp;gt;A. C. Lewis (percussion)&amp;lt;br&amp;gt;Deborah Rothrock (vocals)&lt;br /&gt;
| &lt;br /&gt;
| New York City&lt;br /&gt;
| 1984&lt;br /&gt;
| Rockabilly, [[31edo]], cowpunk&lt;br /&gt;
|-&lt;br /&gt;
| Jock Tears&lt;br /&gt;
| [https://jocktears.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=%22JOCK+TEARS%22 YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/jocktears/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=29hm0LGP_i8 Nasty Boy]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=_UNIeeNnMAQ Live video]&amp;lt;br&amp;gt;[https://jocktears.bandcamp.com/album/bad-boys Bad Boys] (album)&lt;br /&gt;
| Lauren Ray (vocals)&amp;lt;br&amp;gt;Lauren Smith (bass)&amp;lt;br&amp;gt;Spencer Hargreaves (guitar)&amp;lt;br&amp;gt;Dustin Bromley (drum)&lt;br /&gt;
| Best punk band name ever&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2016-&lt;br /&gt;
| Peppy punk rock, female vocals, 17edo&lt;br /&gt;
|-&lt;br /&gt;
| Christiaan de Jong&lt;br /&gt;
| [https://soundcloud.com/christiaan-de-jong-1/ SoundCloud] (not all microtonal)&amp;lt;br&amp;gt;[http://www.christiaandejong.com/recordings.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/CHRISTIAANDEJONG1 YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Guitar, flute and tape&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Churzkia Jrakavla&lt;br /&gt;
| [https://churzkia.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Aif4Lpz4bPo Red Moon]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI; down tempo, IDM, synthwave, and ambient, with mystical/mythological themes&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2002-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jute Gyte&lt;br /&gt;
| [https://jutegyte.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jutegyte.bandcamp.com/album/the-sparrow-12-ep The Sparrow 12&amp;quot; EP]&lt;br /&gt;
| Adam Kalmbach&lt;br /&gt;
| Black metal, [[24edo]]&lt;br /&gt;
| Springfield, MO&lt;br /&gt;
| 2002-&lt;br /&gt;
| Has a relatively large following. Lots of &amp;gt;10 minute long quartertone black metal epics.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== K ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ali Deniz Kardelen&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=yjZQDQBBYyo Kara Toprak (Acoustic Microtonal Guitar]&lt;br /&gt;
| &lt;br /&gt;
| Not sure if all microtonal but has at least one amazing microtonal guitar piece&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Great first xen piece for people who like acoustic music&lt;br /&gt;
|-&lt;br /&gt;
| Buzz Kimball&lt;br /&gt;
| [http://www.nonoctave.com/heroes/buzz/ About his instruments and music]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/1944206-Buzz-Kimball Discogs]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Homemade guitars, etc., in EDOs and JI, electronic, rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Buzz Kimball builds most of his instruments himself in the workshop in his barn.&amp;lt;br&amp;gt;Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| dt King&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=62070 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Change Jar&amp;quot; for quartertone piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| King Gizzard &amp;amp; The Lizard Wizard&lt;br /&gt;
| [[Wikipedia:King Gizzard &amp;amp; the Lizard Wizard| Wikipedia]]&amp;lt;br&amp;gt;[https://kinggizzard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://kinggizzard.bandcamp.com/album/flying-microtonal-banana Flying Microtonal Banana]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=U72rbtrufws Sleep Drifter] (live in radio station studio)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=170Z9qBjfkI Mini-documentary]&lt;br /&gt;
| Stu Mackenzie&amp;lt;br&amp;gt;Ambrose Kenny Smith&amp;lt;br&amp;gt;Joey Walker&amp;lt;br&amp;gt;Cook Craig&amp;lt;br&amp;gt;Lucas Skinner&amp;lt;br&amp;gt;Michael Cavanagh&amp;lt;br&amp;gt;Eric Moore&lt;br /&gt;
| &lt;br /&gt;
| Melbourne, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| [[24edo]], alternative, garage&lt;br /&gt;
|-&lt;br /&gt;
| Wayne Kirby&lt;br /&gt;
| [https://www.youtube.com/channel/UCRn3j-zsIxdhdkHVJ6l_hMA YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Demos, full and excerpts, mp3 and midi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Kenneth Kirschner&lt;br /&gt;
| [http://www.kennethkirschner.com/ Website] (has download link for zipped MP3s)&amp;lt;br&amp;gt;[https://archive.org/details/apl025#files Archive.org]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Looong mp3 of stretched piano, etc., ambient microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Eric Knechtges&lt;br /&gt;
| [[Wikipedia:Eric Knechtges| Wikipedia]]&amp;lt;br&amp;gt;[https://soundcloud.com/eric-knechtges SoundCloud]&amp;lt;br&amp;gt;[http://robertwmcclure.weebly.com/blog/music-with-friends-eric-knechtges Interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic (choir) &amp;amp; electronic, various JI &amp;amp; EDOs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== L ==== &lt;br /&gt;
|-&lt;br /&gt;
| Anne La Berge&lt;br /&gt;
| [http://www.annelaberge.com/ Website]&amp;lt;br&amp;gt;[http://unsounds.com/shop/raw-lp Label Unsounds] (buy link has listen link of excerpts)&lt;br /&gt;
| [https://www.youtube.com/watch?v=DXAP4544NNM Utter] (performance art piece with Anne playing live)&lt;br /&gt;
| &lt;br /&gt;
| Quartertone flute - go to &amp;quot;Releases&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
|[[L4MPLIGHT]]&lt;br /&gt;
|[https://lamplight0.sakura.ne.jp/a Website]&lt;br /&gt;
[https://www.youtube.com/@L4MPLIGHT YouTube]&lt;br /&gt;
[https://soundcloud.com/l4mplight SoundCloud]&lt;br /&gt;
|[https://youtu.be/cMnuMjXeHrY Caftaphata]&lt;br /&gt;
[https://youtu.be/PrfAz8V4WNc Yxeni]&lt;br /&gt;
|&lt;br /&gt;
|Electronic music featuring self-made conlangs, largely [[41edo]]&lt;br /&gt;
|Japan&lt;br /&gt;
|2024-&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| [[Last Sacrament]]&lt;br /&gt;
| [https://lastsacrament.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ron Sword (vocals, guitar, drums)&amp;lt;br&amp;gt;Mike Maletta (lead guitar)&amp;lt;br&amp;gt;Pat Horgan (bass)&lt;br /&gt;
| 16edo death metal&lt;br /&gt;
| Florida&lt;br /&gt;
| 2006-&lt;br /&gt;
| Ron also makes Sword guitars and does a lot of guitar and bass conversions. Pat also does conversions.&lt;br /&gt;
|-&lt;br /&gt;
| [[Jacky Ligon]]&lt;br /&gt;
| [https://jackyligon.com/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=mRWG9AzWs7E Lightweave]&lt;br /&gt;
| &lt;br /&gt;
| filmic xenharmonic music and software blog. Sometimes collaborates with Sevish.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Also makes microtonal VST synths IVOR2, FMTS2, One SF2, Font2&lt;br /&gt;
|-&lt;br /&gt;
| Amit Lissack&lt;br /&gt;
| [https://alumnius.net/new_england_conserva-8502-year-1991-1994#id16664004 Listing on New England Conservatory of Music alumni site]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic instrumental.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| Alvin Lucier&lt;br /&gt;
| [[Wikipedia:Alvin Lucier| Wikipedia]]&amp;lt;br&amp;gt;[http://www.moderecords.com/catalog/124lucier.html Mode Records site] (includes listen links)&amp;lt;br&amp;gt;[http://www.ubu.com/sound/lucier.html UBUWeb] (includes original 1969 recording of &#039;&#039;I Am Sitting In A Room&#039;&#039;)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slow-to-change cluster acoustic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Lucy]]&lt;br /&gt;
| [http://www.lucytune.com/ Website]&amp;lt;br&amp;gt;[http://www.lucytune.com/mp3/ List of Lucy tune direct MP3s]&amp;lt;br&amp;gt;[http://www.lullabies.co.uk/ Lucy tunes lullabies info page]&lt;br /&gt;
| [https://store.cdbaby.com/cd/lucytuned Lucy tunes lullabies CD Baby]{{dead link}} (buy page, has listen excerpt links)&lt;br /&gt;
| &lt;br /&gt;
| Miscellaneous works in progress - also see [[Lucy Tuning| Lucy Tuning page]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== M ==== &lt;br /&gt;
|-&lt;br /&gt;
| Massive Audio Nerve (M.A.N.)&lt;br /&gt;
| [https://de.wikipedia.org/wiki/Massive_Audio_Nerve Wikipedia (Deutsch)]&amp;lt;br&amp;gt;[https://open.spotify.com/album/7gCCSQgShzoJxSKFu2gNXy Spotify]&lt;br /&gt;
| &lt;br /&gt;
| Tony Jelencovich (vocals)&amp;lt;br&amp;gt;Mark Fristedt (guitar)&amp;lt;br&amp;gt;Robert Hakemo (bass)&amp;lt;br&amp;gt;Adde Larsson (drums)&amp;lt;br&amp;gt;+ 5 former members&lt;br /&gt;
| 24edo Nümetal&lt;br /&gt;
| &lt;br /&gt;
| 2010-2014&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Joe Maneri]]&lt;br /&gt;
| [[Wikipedia:Joe Maneri| Wikipedia]]&amp;lt;br&amp;gt;[https://www.nytimes.com/2009/08/30/arts/music/30maneri.html New York Times obituary]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/7aQ5YRpRQ02oK9OtbxfhJr Spotify] (not all microtonal)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8WiSgByqos4&amp;amp;ab_channel=JoeManeri-Topic Audio interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some modern classical excerpts&lt;br /&gt;
| &lt;br /&gt;
| Died in 2009&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Rick McGowan]]&lt;br /&gt;
| There is one of his pieces at the beginning of [http://ripnread.com/?p=328 this microtonal podcast episode]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal works for the theatre&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| John McLaird&lt;br /&gt;
| Quiet audio piece, [https://archive.org/details/seventeenTPP_02/ogives.mp3 Ogives in a Winter Shelter Belt] (direct MP3 link)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7edo]], [[40edo]], [[11-limit]], [[Just intonation]], sampled piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Pete McRae&lt;br /&gt;
| [[Wikipedia:Pete McRae| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Eikosany blues&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carl McTague&lt;br /&gt;
| [http://www.mctague.org/carl/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (ii-V-I)&amp;lt;sup&amp;gt;7&amp;lt;/sup&amp;gt; and Heptadecaphonic Drops&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Melopoeia&lt;br /&gt;
| [https://melopoeia.bandcamp.com/album/tolkiens-ainulindal Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dave Tremblay&amp;lt;br&amp;gt;Brian Leong&lt;br /&gt;
| 26edo black metal&lt;br /&gt;
| Montreal, QC&lt;br /&gt;
| &lt;br /&gt;
| Text-to-midi of Tolkien and other stories.&lt;br /&gt;
|-&lt;br /&gt;
| Claudi Meneghin&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/claudi-meneghin Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.youtube.com/c/ClaudiMeneghin YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neobaroque music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Mercury Tree&lt;br /&gt;
| [https://themercurytree.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ben Spees&amp;lt;br&amp;gt;Connor Reilly&amp;lt;br&amp;gt;Oliver Campbell&amp;lt;br&amp;gt;[[Igliashon Jones]]&lt;br /&gt;
| [[17edo]], [[23edo]], progressive rock, psychedelic, math rock&lt;br /&gt;
| Portland, OR&lt;br /&gt;
| 2007-&lt;br /&gt;
| Newer work is all microtonal.  Older works are standard or a mixture.&lt;br /&gt;
|-&lt;br /&gt;
| [[Herman Miller]]&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/herman-miller Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.prismnet.com/~hmiller/ Website 1]&amp;lt;br&amp;gt;[https://sites.google.com/site/teamouse/home Website 2]&amp;lt;br&amp;gt;[https://soundcloud.com/morphosyntax-1 SoundCloud]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCu3rKPsBlcCjI2FVxJaAqIg YouTube]&lt;br /&gt;
| [https://sites.google.com/site/teamouse/home#h.abtmxk3cr74b Mizarian Porcupine Overture]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=17V4pxuHUgY Ivari na taniravi]&lt;br /&gt;
| &lt;br /&gt;
| Compositions in linear temperaments, [[Equal| ETs]]; [[Warped Canon]]; songs in conlangs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Shaahin Mohajeri&lt;br /&gt;
| [http://www.96edo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Modal, sequenced in various EDO/ADO/EDL/AIDO/ADL&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| MonoNeon&lt;br /&gt;
| [[Wikipedia:Dywane Thomas Jr.| Wikipedia]]&amp;lt;br&amp;gt;[https://dywanethomasjr.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dywane Thomas Jr.&lt;br /&gt;
| 24edo funk, soul, hip-hop&lt;br /&gt;
| Tennessee&lt;br /&gt;
| 2013-2015 (?)&lt;br /&gt;
| Newer recordings seem to be standard tuning, but there was a lot of 24edo released around 2015.&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Monzo]]&lt;br /&gt;
| [http://www.tonalsoft.com/ TonalSoft website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], jazz rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Moriarty]]&lt;br /&gt;
| [https://soundcloud.com/john-lank1 SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Rock and improv in various regularly tempered tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Frederick Moore&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some microtonal works, electronic, other&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Aaron Myers-Brooks&lt;br /&gt;
| [https://aaronmyersbrooks.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 17edo Hard rock/metal on guitar&lt;br /&gt;
| PA&lt;br /&gt;
| 2019&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== N ==== &lt;br /&gt;
|-&lt;br /&gt;
| Naegleria Fowleri&lt;br /&gt;
| [https://sites.google.com/view/naegleriafowleri/ Website]&amp;lt;br&amp;gt;[https://naegleriafowleri.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=QqKf0ItWozs III Flagellate - Propulsion]&lt;br /&gt;
| [[Bostjan Zupancic]] (guitar and bass)&amp;lt;br&amp;gt;Luna Bird (vocals)&lt;br /&gt;
| [[19edo]] metal&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2017-&lt;br /&gt;
| Parrot singing with a xen metal project. What&#039;s not to love?&lt;br /&gt;
|-&lt;br /&gt;
| Ron Nagorcka&lt;br /&gt;
| [http://www.ronnagorcka.com/audio Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], digeridoo, synthesizers, birds...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| norokusi&lt;br /&gt;
| [https://www.youtube.com/channel/UC7imuNShfRqQdCey7qWJLVg YouTube]&amp;lt;br&amp;gt;[https://norokusi.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, contemporary and jazz in various [[edo]]s&lt;br /&gt;
| Tokyo, Japan&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Juhani Nuorvala&lt;br /&gt;
| [https://soundcloud.com/juhani-nuorvala SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== O ==== &lt;br /&gt;
|-&lt;br /&gt;
| Mats Öljare&lt;br /&gt;
| [http://www.angelfire.com/mo/oljare/midicomp.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Contrapuntal midi in various EDOs and etc&#039;s&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== P ==== &lt;br /&gt;
|-&lt;br /&gt;
| Tristan Parker&lt;br /&gt;
| [http://rozencrantzthesane.tripod.com/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], free-pitch, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| P-ART&lt;br /&gt;
| [http://users.skynet.be/P-ART/PARADISE/CLIPS/list.htm Website]&lt;br /&gt;
| &lt;br /&gt;
| Paul A.R. Timmermans&lt;br /&gt;
| Experimental&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Harry Partch]]&lt;br /&gt;
| [http://musicmavericks.publicradio.org/features/feature_partch.html American Mavericks]&amp;lt;br&amp;gt;[https://www.harrypartch.com/music Harry Partch Information Center]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[11-limit]], [[Just intonation]], acoustic, monophony&lt;br /&gt;
| Oakland, CA&lt;br /&gt;
| 1930-1972&lt;br /&gt;
| One of the first 20th-century composers in the West to work systematically with microtonal scales&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Pehrson]]&lt;br /&gt;
| [http://users.rcn.com/jpehrson/JosephPehrson.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Blackjack, acoustic, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| pfly&lt;br /&gt;
| [https://soundcloud.com/pfly SoundCloud]&lt;br /&gt;
| Zlo-88&lt;br /&gt;
| Paul Fly&lt;br /&gt;
| [[88cET]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Samuel Pellman&lt;br /&gt;
| [http://academics.hamilton.edu/music/spellman/MfS/microtonal.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], [[Nonoctave]], [[Equal Temperaments]], electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Joseph Post&lt;br /&gt;
| [http://www.myspace.com/josephpost MySpace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystal-JI, acoustic guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tom Price]]&lt;br /&gt;
| https://soundcloud.com/tomprice719&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kees van Prooijen]]&lt;br /&gt;
| [http://www.kees.cc/music/oddpiano/oddpiano.html Website]&lt;br /&gt;
| Odd Piano&lt;br /&gt;
| &lt;br /&gt;
| [[Bohlen–Pierce]], timbre-stretched piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Barry Prophet&lt;br /&gt;
| [http://www.pomer-prophet.com/barry.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic, sound sculptures&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== Q ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== R ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Johnny Reinhard]]&lt;br /&gt;
| [[wikipedia:Johnny_Reinhard| Wikipedia]]&amp;lt;br&amp;gt;[http://www.afmm.org/ American Festival of Microtonal Music]&amp;lt;br&amp;gt;[https://stereosociety.com/johnny-reinhard/ Stereo Society]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://johnnyreinhard.bandcamp.com/album/reinhard-ensemble-compositions Reinhard Ensemble Compositions]&lt;br /&gt;
| &lt;br /&gt;
| Acoustic polymicrotonality&lt;br /&gt;
| New York, NY&lt;br /&gt;
| 1981-&lt;br /&gt;
| Founded [[American Festival of Microtonal Music]] (AFMM)&lt;br /&gt;
|-&lt;br /&gt;
| Robert Rich&lt;br /&gt;
| [https://robertrich.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7-limit]], [[just intonation]], ambient&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Michael Robinson&lt;br /&gt;
| [http://www.azuremilesrecords.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Worldly electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Prent Rodgers]]&lt;br /&gt;
| [http://ripnread.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Music that&#039;s fake but accurate&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [[Dante Rosati]]&lt;br /&gt;
| [http://www.danterosati.com/justguitar.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], solo guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Robert Ross&lt;br /&gt;
| [http://www.piedwagtail.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[19edo]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== S ==== &lt;br /&gt;
|-&lt;br /&gt;
| Marc Sabat&lt;br /&gt;
| [http://www.plainsound.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carlos Sampaio&lt;br /&gt;
| [https://www.soundclick.com/artist/default.cfm?bandID=236415 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonics&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Scott Sandvik&lt;br /&gt;
| [http://www.scottsandvik.com/html/audio.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slide guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Edward Schocker&lt;br /&gt;
| [http://edwardschocker.com/music/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Dramatic works - excerpts and fulls&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Margo Schulter]]&lt;br /&gt;
| [https://www.bestii.com/~mschulter/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neo-medieval xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Andrew Schulze&lt;br /&gt;
| [http://kalvos.org/schulze.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some mp3s of electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ethan Schwartz&lt;br /&gt;
| [https://myspace.com/tetrachordproject Myspace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI music based on tetrachords, for guitar and keyboard&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[X. J. Scott]]&lt;br /&gt;
| [http://www.nonoctave.com/geocities/ Website]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands/pagemusic.cfm?bandID=141776 Soundclick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[George Secor]]&lt;br /&gt;
| [http://users.bigpond.net.au/d.keenan/sagittal/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various vintage Scalatron performances&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dave Seidel]]&lt;br /&gt;
| [http://mysterybear.net/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal minimalism and ambience, using Csound&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Carlo Serafini]]&lt;br /&gt;
| [http://www.seraph.it/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/iranief YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic. Isomorphic keyboard: the Opal Chameleon&lt;br /&gt;
| Florence, Italy&lt;br /&gt;
| &lt;br /&gt;
| Futurist composer. Also, is admin on Facebook [https://www.facebook.com/groups/356483631067563/ Microtonalitaly group].&lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Sethares]]&lt;br /&gt;
| [http://eceserv0.ece.wisc.edu/~sethares/otherperson/all_mp3s.html Website]&lt;br /&gt;
| [http://sethares.engr.wisc.edu/mp3s/truthonabus.html Truth on a Bus]&lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic with stretched partials&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sevish]]&lt;br /&gt;
| [http://sevish.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/c/Sevish YouTube]&amp;lt;br&amp;gt;[https://soundcloud.com/sevish SoundCloud]&amp;lt;br&amp;gt;[https://sevish.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Gcgawrr2xao Desert Island Rain]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=l9wINwlgxRU Gleam]&lt;br /&gt;
| Sean Archibald (with occasional guest musicians)&lt;br /&gt;
| Drum &#039;n&#039; bass / electronic / trip-hop / ambient; in EDOs, JI, nonoctave scales and various others. &amp;quot;Microtonal music with a beat&amp;quot;; stellar production quality.&lt;br /&gt;
| London, England&lt;br /&gt;
| 2010-&lt;br /&gt;
| Popular (for xen). Great first xen for many people. Also runs several xen-related projects.&lt;br /&gt;
|-&lt;br /&gt;
| [[Ezra Sims]]&lt;br /&gt;
| [https://www.ezrasims.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 72-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Gene Ward Smith]]&lt;br /&gt;
| [[Microtonal Music by Gene Ward Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced originals; Mad Science Tuning; renderings of colleagues&#039; music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jon Lyle Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced classical in odd meters&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sononym]]&lt;br /&gt;
| [https://www.youtube.com/channel/UCO0Tn4tnRrILUxJuchfbnlw YouTube]&lt;br /&gt;
| [https://open.spotify.com/intl-fr/album/3UZ1Q0AqKBBFHN6gCsesz2 Humors]&lt;br /&gt;
| Max McCargar&lt;br /&gt;
| Experimental electronic jazz&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Cole and Spectral Voices&lt;br /&gt;
| [https://www.spectralvoices.com/jim-cole-spectral-voices/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of meditative New Age with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Soundwell (Anders Erkéus)&lt;br /&gt;
| [https://soundcloud.com/soundwell Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Snake&amp;quot; overtone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Manfred Stahnke&lt;br /&gt;
| [https://stahnkemanfred.musicaneo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One piece &amp;quot;Partch Harp&amp;quot; for harp and sampled harp&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans-André Stamm]]&lt;br /&gt;
| [http://www.eufonia.de/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone/48-tone JI acoustic organ!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Starrett]]&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=FD0ec4qOlcs&amp;amp;t=&amp;amp;ab_channel=xenopusRTRT Citified Notions]&lt;br /&gt;
| John Starrett (vocals, bass)&amp;lt;br&amp;gt;Neil Haverstick (guitar)&amp;lt;br&amp;gt;Ernie Crews (drums)&lt;br /&gt;
| 19-EDO. Rockabilly/Pop-rock, comment from John about the song on the YouTube page&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| John Starrett played bass with Neil Haverstick. Neil also plays the 19-EDO guitar on some of John&#039;s recordings.&lt;br /&gt;
|-&lt;br /&gt;
| Stimmhorn&lt;br /&gt;
| [http://www.stimmhorn.ch/ Website]&lt;br /&gt;
| &lt;br /&gt;
| Christian Zehnder&amp;lt;br&amp;gt;Balthasar Streiff&lt;br /&gt;
| Experimental alphorn and yodeling combined with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans Straub]]&lt;br /&gt;
| [http://home.datacomm.ch/straub/musik/index_e.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Pieces with meters that match the tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Redrick Sultan&lt;br /&gt;
| [https://redricksultanband.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=DtrH9ptBV18&amp;amp;index=1&amp;amp;list=PL_GQa1Uf_pEPGi9CxiMfK-13BBs0SVkWP The Prince]&lt;br /&gt;
| Spencer Hargreaves (vocals, guitars)&amp;lt;br&amp;gt;Noah Jordan (vocals, bass, keys, flute, oud)&amp;lt;br&amp;gt;Sean Mitchell (drums, sampling)&lt;br /&gt;
| Spooky, cool, acoustic, electric&lt;br /&gt;
| Vancouver, British Columbia&lt;br /&gt;
| 2010-&lt;br /&gt;
| [[22edo]], acoustic, magic rock, chill&lt;br /&gt;
|-&lt;br /&gt;
| Mick Sussman&lt;br /&gt;
| [http://micksussman.com/pw/music.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Plunderphonic collages in various tunings and multitempi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Susman&lt;br /&gt;
| [https://www.susmanmusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Works in quarter-tone - scores and audio files&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ron Sword]]&lt;br /&gt;
| [http://www.ronsword.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 16-EDO and 31-EDO on 8 and 9 string guitar Etudes, Microtonal Extreme Metal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Ron was also affiliated with the Microtonal Records label and the metatonal music site, as well as the microtonal guitarist forum.&lt;br /&gt;
|-&lt;br /&gt;
| Syzygys&lt;br /&gt;
| [http://www.syzygys.jp Website]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=Syzygys YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/Syzygys Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KjSF41-mdL4 Lotus Rain]&lt;br /&gt;
| Hitomi Shimizu (43-tone organ, vocals)&amp;lt;br&amp;gt;Hiromi Nishida (violin, vocals)&lt;br /&gt;
| Clips of Japanese duo in 43-tone Partch JI, with Chromelodeon&lt;br /&gt;
| Japan&lt;br /&gt;
| ?&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== T ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Tall Kite]]&lt;br /&gt;
| [http://www.tallkite.com/music.html Website]&amp;lt;br&amp;gt;[https://soundcloud.com/tallkite SoundCloud (TallKite)]&amp;lt;br&amp;gt;[https://soundcloud.com/mbirakite SoundCloud (MbiraKite)]&amp;lt;br&amp;gt;[https://tallkite.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://tallkite.com/music/IHearNumbers.html I Hear Numbers]&amp;lt;br&amp;gt;[https://tallkite.com/music/EveningRondo.html Evening Rondo]&amp;lt;br&amp;gt;[http://www.tallkite.com/music/DownminorNocturne.html Downminor Nocturne]&lt;br /&gt;
| Kite Giedraitis&lt;br /&gt;
| 7-limit JI, 41edo.&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 1990&#039;s-&lt;br /&gt;
| See also [https://kiteguitar.com/ KiteGuitar.com]&lt;br /&gt;
|-&lt;br /&gt;
| [[Cam Taylor]]&lt;br /&gt;
| [https://archive.org/search.php?query=creator%3A%22Cam+Taylor%22 Internet Archive]&amp;lt;br&amp;gt;[https://soundcloud.com/camtaylor-1 SoundCloud (1)]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1 SoundCloud (2)]&amp;lt;br&amp;gt;[https://iamcamtaylor.wordpress.com/ Blog]&lt;br /&gt;
| [https://soundcloud.com/cam-taylor-2-1/mothers mothers]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/17-out-of-63edo-wurly-those-early-dreams those early dreams]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/12tone63edo1 12tone63EDO1]&lt;br /&gt;
| &lt;br /&gt;
| Bosanquet Axis49, Lumatone, 12- and 17-tone keyboard improvisations in 17, 19, 22, 26, 31, 37, 39, 41, 43, 46, 50, 53, 56, 63, 94, 112 EDOs, some JI and near-just tunings, and songs with piano or guitar in 31EDO and JI, various.&lt;br /&gt;
| Auckland, New Zealand&lt;br /&gt;
| 2010-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jack Tickner&lt;br /&gt;
| [https://www.facebook.com/JackETickner/ Facebook]&amp;lt;br&amp;gt;[https://jacktickner.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jacktickner.bandcamp.com/album/reassuring-weight Reassuring Weight]&lt;br /&gt;
| &lt;br /&gt;
| Just intonation&lt;br /&gt;
| Sydney, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Thoegersen&lt;br /&gt;
| [https://soundcloud.com/pthoege SoundCloud]&amp;lt;br&amp;gt;[https://peterthoegersen.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/pthoege/two-worlds Two Worlds]&amp;lt;br&amp;gt;[https://soundcloud.com/pthoege/im-a-force-of-nature I Am a Force of Nature]&lt;br /&gt;
| &lt;br /&gt;
| Composer. Absurdist symphonic, chamber. Fun. Difficult music, in a good way. If you like Zappa&#039;s stranger works, you will like this.&lt;br /&gt;
| New York (?)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tony Dubshot]]&lt;br /&gt;
| [http://www.dubbhism.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Macrotonal dub and dancehall in 05-EDO, 07-EDO and 08-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[User:Tristanbay| Tristan Bay]]&lt;br /&gt;
| [https://tristanbay.com Website]&amp;lt;br&amp;gt;[https://youtube.com/@tristanbay YouTube]&amp;lt;br&amp;gt;[https://tristanbay.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/4kHErr2liGBpoChdl4DsTC Spotify]&lt;br /&gt;
| [https://youtu.be/JhGvrJ86jLU Subtract Hominem]&lt;br /&gt;
[https://youtu.be/H47nsivr-TU That]&lt;br /&gt;
&lt;br /&gt;
[https://youtu.be/R30aRbNtoIY Pitchblende]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music, synthwave, equal temperament, instrumental&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 2021-&lt;br /&gt;
| Xen Wiki editor, microtonal instrument maker, active on the XA Discord server, and a regular on the [[Xendergarten|Xendergarten podcast]]&lt;br /&gt;
|-&lt;br /&gt;
| Tritone MSU&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Tui St. George Tucker&lt;br /&gt;
| [http://tuistgeorgetucker.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen James Taylor]]&lt;br /&gt;
| [http://www.stephenjamestaylor.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal film scores, multiple Wilson scales&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jeroen Paul Thesseling]]&lt;br /&gt;
| [http://www.jeroenthesseling.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music for bass guitar: &amp;quot;HAFNIUM&amp;quot; (72-EDO), &amp;quot;ARGON&amp;quot; (18-EDO), &amp;quot;DISCREPANTIUM&amp;quot; (24-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== U ==== &lt;br /&gt;
|-&lt;br /&gt;
| uSSSy&lt;br /&gt;
| [https://www.facebook.com/uSSSy.band/ Facebook]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/music/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=gVJftIEA4KM Acoustic performance on YouTube]&lt;br /&gt;
| [https://usssy.bandcamp.com/album/ud Ud]&amp;lt;br&amp;gt;[https://usssy.bandcamp.com/album/voyage/ Voyage]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/album/naghma Naghma]&lt;br /&gt;
| Artem Galkin&amp;lt;br&amp;gt;Pavel Eremeev&lt;br /&gt;
| [[24edo]] and similar tunings. Styles ranging from &amp;quot;black metal techno blues&amp;quot; to &amp;quot;indo-iranian meditative feedback rock&amp;quot;&lt;br /&gt;
| Moscow, Russia&lt;br /&gt;
| 2009-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== V ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Chris Vaisvil]]&lt;br /&gt;
| [http://chrisvaisvil.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Many tunings (just intonation, various EDOs + tuning survey) microtonal synthesizers controlled by midi guitar (Roland GR-20), Linnstrument, 17 edo keyboard (DIY) + soft synthesizers and &amp;quot;traditional&amp;quot; scored microtonal music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Prolific explorer of a wide range of scales. Neat DIY techniques used and demonstrated &amp;quot;at the edge between acoustic and electric&amp;quot;.&lt;br /&gt;
|-&lt;br /&gt;
| Nicola Vicentino&lt;br /&gt;
| [[Wikipedia:Nicola Vicentino| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=0akGtDPVRxk Musica Prisca Caput (Madrigal for 24-tone two voice harpsichord in Meantone)]&amp;lt;br&amp;gt;Same piece [https://www.youtube.com/watch?v=ld36JlmOtM0 played on an arciorgano]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=bhGwjgZ8zIY Madonna il poco dolce]&lt;br /&gt;
| &lt;br /&gt;
| Early microtonal composer in 16th century&lt;br /&gt;
| &lt;br /&gt;
| Born 1511. Died in either 1575 or 1576.&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nicola Visalli (broken)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronically rendered microtonal contemporary classical&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Voltage Controlled&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of electronic tuning-savvy experiments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Alfredo Votta&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Soundcloud account featuring &amp;quot;Liber Stellarum&amp;quot;, a collection of seven pieces for &amp;lt;br&amp;gt; 13-EDO piano. Has also composed in 18-EDO.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== W ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Walker]]&lt;br /&gt;
| [https://robertinventor.com/musicandvirtualflowers/tunes/tunes.htm Website 1]&amp;lt;br&amp;gt;[https://robertinventor.com/musicandvirtualflowers/tunes/improvisations.htm Website 2]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, world, fractal&lt;br /&gt;
| Indianapolis, IN&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen Weigel]]&lt;br /&gt;
| [https://soundcloud.com/overtoneshock SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic pop, computer music, totalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Danny Wier&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Symphonic, progressive rock/metal, jazz, etc., mostly in 72-EDO (all synth-generated)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Randy Winchester]]&lt;br /&gt;
| &lt;br /&gt;
| [[Five Hemispheres]]&amp;lt;br&amp;gt;[[Comets Over Flatland]]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs and Bohlen–Pierce, electronic music and 8-bit synthesizers&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Erling Wold&lt;br /&gt;
| [http://www.erlingwold.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical; search page for just intonation&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Wolf]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic neo-baroque string trio&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brian Wong]]&lt;br /&gt;
| [https://bwong.ca/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Examples of computer-generated music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| James Wyness&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal acousmatic works&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== X ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Y ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Z ==== &lt;br /&gt;
|-&lt;br /&gt;
| Zadarpadov&lt;br /&gt;
| [https://zadarpadov.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic, avant-garde&lt;br /&gt;
| Finland&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Zhea Erose]]&lt;br /&gt;
| [https://zheaerose.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UC--VosYH0BHISbb4SFO9rQA YouTube]&lt;br /&gt;
| [https://youtu.be/ipNP-8XwezE XQQQ]&amp;lt;br&amp;gt;[https://youtu.be/a63V_fAPNaA WXTCHCRXFT EP]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=wvLLV5qle48 Glitterdance]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8Ol2gzkcprE divinate]&lt;br /&gt;
| Amelia Huff&lt;br /&gt;
| [[31edo]], JI, primodality, contemporary classical, ambient, electronic, &amp;quot;dream&amp;amp;bass&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| 2019-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Matthias Ziegler&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Unconventional flute playing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bostjan Zupancic]]: MicroMetal&lt;br /&gt;
| [https://sites.google.com/site/19edoguitar/home/bostjan-zupancic-micrometal Google Page]&amp;lt;br&amp;gt;[https://bostjanzupancic.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JTpF2MifP5Y Brain for Breakfast]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=D8utL7T0HAc Beezer&#039;s Cellar]&lt;br /&gt;
| Bostjan Zupancic - Guitar, Bass, Drums, Vocals, Synthesizer&lt;br /&gt;
| 19-EDO Modern Hard Rock and Heavy Metal, and occasionally 24-EDO.&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2008-&lt;br /&gt;
| &lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! &#039;&#039;&#039;Website&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Description&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.musicmavericks.org/listening/ American Mavericks concert series]&lt;br /&gt;
| Microtonal RealPlayer files: Lou Harrison Suite for Violin and American Gamelan, Third Symphony; Charles Ives &amp;quot;Allegro&amp;quot; from Quartertone Piano Pieces&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.oeaw.ac.at/kal/agm/ Ancient Greek Music]&lt;br /&gt;
| Library of extant fragments using authentic tunings: Real``Player and MIDI&lt;br /&gt;
|-&lt;br /&gt;
| [http://bostonmicrotonalsociety.org/ Boston Microtonal Society]&lt;br /&gt;
| 72-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://catharsis.egregious.net/errata/ Catharsis] ([http://catharsis.egregious.net/tracks/droneI/ 2])&lt;br /&gt;
| Jon Catler and Jacky Ligon live; &amp;quot;Drone 1&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.fujara.sk/audio_samples.htm Fujara]&lt;br /&gt;
| Slovak overtone flute&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wmich.edu/mus-theo/groven/ Groven Piano Project]&lt;br /&gt;
| 36-tone JI (schismatic) pianos after Eivind Groven&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.xs4all.nl/%7Ehuygensf/english/index.html Huygens-Fokker Foundation]&lt;br /&gt;
| Acoustic and MIDI 31-EDO &amp;amp; 24-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.csounds.com/ezine/winter1999/synthesis/ Implementing Cellular Automatas in Csound]&lt;br /&gt;
| MP3 examples with spectral pictures&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html kingmixers] ([http://www.kingmixers.com/AncGreekMusicFragments.html%20 2]) ([http://www.kingmixers.com/Clouds%20MP3s.html%20copy 3])&lt;br /&gt;
| Some MP3 samples of Greek tunings, reconstructions of Greek music fragments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.last.fm/tag/microtonal last.fm microtonal tag radio]&lt;br /&gt;
| Stream microtonal music from last.fm radio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.lucytune.com/ LucyTuning] ([http://www.harmonics.com/lucy/earindex.html 2]) ([http://www.lullabies.co.uk/ 3])&lt;br /&gt;
| LucyTuned music - clips and full pieces, midi files, mp3s, video&lt;br /&gt;
|-&lt;br /&gt;
| [http://micro.soonlabel.com/ micro.soonlabel.com]&lt;br /&gt;
| Music from multiple composers in various tunings available for direct download.&lt;br /&gt;
|-&lt;br /&gt;
| [http://microtonalismo.com/ MICROTONALISMO]&lt;br /&gt;
| Primera Web oficial de microtonalismo de habla hispana en latinoamerica&lt;br /&gt;
|-&lt;br /&gt;
| [http://cdbaby.com/cd/mfhi Music for Homemade Instruments]{{dead link}}&lt;br /&gt;
| Clips of junkmusic orchestra&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.mvcc.edu/noldani/home Oldani&#039;s Math &amp;amp;amp; music Site]{{dead link}}&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [http://www.overtone.cc/ Overtone Music Network]&lt;br /&gt;
| A platform for overtone music of all kinds, with a huge collection of online audio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.quartertonemarimba.com/ Quartertonemarimba.com]&lt;br /&gt;
| Kjell Tor Innevik&#039;s project at Norwegian Academy of Music&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.geocities.com/dinarra2000/songs.html Eduardo Sábat]&lt;br /&gt;
| Clips of jazz standards on 53-enharmonic frets per Octave guitar (Dinarra)&lt;br /&gt;
|-&lt;br /&gt;
| [http://split-notes.com/ split-notes Microtonal Netlabel]&lt;br /&gt;
| Online record label, free digital releases, microtonal music from various musicians&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.ne.jp/asahi/mariko/takanashi/masa/pagesE1/rev1nwpages/engconcert.html The Perfect Just Intonation Music MIDI Cycle Concerts]&lt;br /&gt;
| Classics tuned in JI&lt;br /&gt;
|-&lt;br /&gt;
| [http://pages.globetrotter.net/roule/demos.htm Tuning and temperament demos]&lt;br /&gt;
| MIDI and audio demonstrating historical tunings&lt;br /&gt;
|-&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=105485 Tuning Lab]&lt;br /&gt;
| Acoustic, electronic tuning experiments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wnyc.org/search/?q=microtonal WNYC microtonal features]&lt;br /&gt;
| Radio shows featuring microtonal music, esp. &amp;quot;New Sounds&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Projects]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Practice]]&lt;br /&gt;
[[Category:Listen| ]] &amp;lt;!-- main article --&amp;gt;&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Listen&amp;diff=231235</id>
		<title>Listen</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Listen&amp;diff=231235"/>
		<updated>2026-05-28T11:03:53Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Z */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Catrel|Listen}}&lt;br /&gt;
&lt;br /&gt;
This page is a list of xenharmonic listening suggestions. If you think anything should be changed, feel free to change it yourself, or leave a note about it here.&lt;br /&gt;
&lt;br /&gt;
== Curated lists ==&lt;br /&gt;
=== By curator ===&lt;br /&gt;
&#039;&#039;&#039;UnTwelve annual competition winners&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://untwelve.org/competition Annual Composition Competition pages] by the [[UnTwelve]] foundation. The majority of the dozens of entrants in each year’s competition provide audio files of their compositions for the public to listen to.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Mike Battaglia]]&#039;s recommendations playlist&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://open.spotify.com/user/1218607737/playlist/70d4bxQpwBM4EPvLj0OmhO?si=ADmgFYnhTxGRDENaYK5XGw&amp;amp;fbclid=IwAR0Tw8l31ERv0cUgO-4OrBMu7wp8I38dhGWUGsmFvWo6sLle1FS7ZJQ7z0o Microtonal Spotify Playlist] — Deliberately includes examples for many different genres. Put it on Shuffle and have a great intro to xen.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Highest rated by the Xen Wiki community&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[List of xenharmonic music by community ratings]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;More recommendations&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Microtonal music recommendation playlists]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
=== By medium/tuning/genre ===&lt;br /&gt;
&#039;&#039;&#039;Sheet music&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Scores]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Albums&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[:Category:Albums]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music by tuning&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;small&amp;gt;&#039;&#039;&#039;[[Music in just intonation]]&#039;&#039;&#039; • [[Bohlen–Pierce scale/Music]] • [[Carlos Alpha#Music]] • [[Carlos Beta#Music]] • [[Carlos Gamma#Music]] • [[Polymicrotonality#Music]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music in EDOs&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;5-9: &#039;&#039;&#039;[[5edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[7edo/Music]]&#039;&#039;&#039; • [[8edo#Music]] • &#039;&#039;&#039;[[9edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
10-19: &#039;&#039;&#039;[[10edo/Music]]&#039;&#039;&#039; • [[11edo#Music]] • [[13edo/Music]] • [[14edo#Music]] • &#039;&#039;&#039;[[15edo/Music]]&#039;&#039;&#039; • [[16edo#Music]] • &#039;&#039;&#039;[[17edo/Music]]&#039;&#039;&#039; • [[18edo#Music]] • &#039;&#039;&#039;[[19edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
20-29: [[20edo#Music]] • [[21edo#Music]] • &#039;&#039;&#039;[[22edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[23edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[24edo/Music]]&#039;&#039;&#039; • [[25edo#Music]] • [[26edo#Music]] • [[27edo#Music]] • [[28edo#Music]] • [[29edo#Music]]&lt;br /&gt;
&lt;br /&gt;
30-41: [[30edo#Music]] • &#039;&#039;&#039;[[31edo/Music]]&#039;&#039;&#039; • [[32edo#Music]] • [[33edo#Music]] • [[34edo#Music]] • [[35edo#Music]] • [[36edo#Music]] • [[37edo#Music]] • [[38edo#Music]] • [[39edo#Music]] • [[40edo#Music]] • &#039;&#039;&#039;[[41edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;(for higher EDOs see [[EDO#Individual pages for EDOs|the individual EDO pages]])&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Classical pieces that were written with microtones&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
{{todo|expand|add examples|inline=1}}&lt;br /&gt;
Notable examples from 20th century classical music that briefly use the 7th harmonic, and for the Britten piece, the 11th harmonic as well:&lt;br /&gt;
* Ralph Vaughan Williams&#039;s [[wikipedia:A_Pastoral_Symphony|Symphony No. 3, A Pastoral Symphony]] from 1922, two horn solos in the 2nd movement&lt;br /&gt;
* Benjamin Britten&#039;s [[wikipedia:Serenade_for_Tenor,_Horn_and_Strings|Serenade for Tenor, Horn and Strings]] from 1943, prologue and epilogue&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Non-microtonal classical pieces translated to microtonal tunings&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
For a list of pieces that were originally written in a non-xenharmonic context, and then translated into a xenharmonic tuning, see [[Familiar melodies in unfamiliar tunings]]. (&#039;&#039;Stephen Weigel&#039;s [https://www.youtube.com/watch?v=bKNuSRujLPY&amp;amp;list=PLzY9zzOkuloTH7IYBl6AHFcbdM-Qop7u4 YouTube channel], Mike Battaglia&#039;s [https://soundcloud.com/mikebattagliaexperiments SoundCloud], and H. Wakabayashi&#039;s [https://www.youtube.com/user/inodapicnic YouTube channel] have great examples of these&#039;&#039;).&lt;br /&gt;
&lt;br /&gt;
== Giant table of xenharmonic music examples ==&lt;br /&gt;
What follows for the rest of this page is a large alphabetical list of as many xenharmonic artists and pieces as the wiki editors could find. It is not filtered or curated by quality, genre, or any other criteria. Feel free to add to it:&lt;br /&gt;
&lt;br /&gt;
{{TOC Horizontal&lt;br /&gt;
| a1=[[#Compilations|Compilations]]&lt;br /&gt;
| a2=[[#Artists|Artists]] ([[#A|A]]&lt;br /&gt;
| a3=[[#B|B]]&lt;br /&gt;
| a4=[[#C|C]]&lt;br /&gt;
| a5=[[#D|D]]&lt;br /&gt;
| a6=[[#E|E]]&lt;br /&gt;
| a7=[[#F|F]]&lt;br /&gt;
| a8=[[#G|G]]&lt;br /&gt;
| a9=[[#H|H]]&lt;br /&gt;
| a10=[[#I|I]]&lt;br /&gt;
| a11=[[#J|J]]&lt;br /&gt;
| a12=[[#K|K]]&lt;br /&gt;
| a13=[[#L|L]]&lt;br /&gt;
| a14=[[#M|M]]&lt;br /&gt;
| a15=[[#N|N]]&lt;br /&gt;
| a16=[[#O|O]]&lt;br /&gt;
| a17=[[#P|P]]&lt;br /&gt;
| a18=[[#Q|Q]]&lt;br /&gt;
| a19=[[#R|R]]&lt;br /&gt;
| a20=[[#S|S]]&lt;br /&gt;
| a21=[[#T|T]]&lt;br /&gt;
| a22=[[#U|U]]&lt;br /&gt;
| a23=[[#V|V]]&lt;br /&gt;
| a24=[[#W|W&amp;amp;ndash;Z]])&lt;br /&gt;
| a25=[[#Other|Other]]&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
=== Compilations ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Year&lt;br /&gt;
! &#039;&#039;&#039;Links&#039;&#039;&#039;&lt;br /&gt;
! Title&lt;br /&gt;
! &#039;&#039;&#039;Synopsis&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Genres, tunings, keywords&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Additional notes&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| 2024&lt;br /&gt;
| [https://www.youtube.com/watch?v=ftfnW9DsFVE YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Christmas Compilation 2024&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. &amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 41edo, mixed tunings*, 87edo, 159edo, 15edt, 15edo, free pitch, 31edo, &lt;br /&gt;
| *31edo diatonic, 25edo mavila, 7edo, 27edo mosh[7], 17edo &amp;quot;sun&amp;quot; scale, 26edo diasem-ish&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=U3fDWlG2Cb8 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Adxenture EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 11 artists. &amp;lt;br /&amp;gt;Theme: Explore + Discover&lt;br /&gt;
| Tunings: 15edo, 17-note tempered 2.3.7.29 ternary scale*, 26edo, 27edo, 12-tone 7-limit scale**, 21edo, 22edo, 37edo&lt;br /&gt;
| Was an entry in the Server vs Server V competition.&amp;lt;br /&amp;gt;*28/27 + 0.193{{cent}}, 29/27 + 2.596{{cent}}, 9/8 - 1.066{{cent}}, 7/6 - 0.873{{cent}}, 29/24 + 1.53{{cent}}, 81/64 - 2.132{{cent}}, 21/16 - 1.939{{cent}}, 87/64 + 0.464{{cent}}, 116/81 + 3.129{{cent}}, 3/2 - 0.533{{cent}}, 14/9 - 0.34{{cent}}, 29/18 + 2.063{{cent}}, 27/16 - 1.599{{cent}}, 7/4 - 1.406{{cent}}, 29/16 + 0.997{{cent}}, 243/128 - 2.665{{cent}}, 2/1&amp;lt;br /&amp;gt;**135/128, 9/8, 75/64, 5/4, 21/16, 45/32, 3/2, 25/16, 27/16, 7/4, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=-boJuGbymMY YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Kids Songs Edition&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 4 artists. &amp;lt;br /&amp;gt;Theme: Kids Songs&lt;br /&gt;
| Tunings: 46edo, octave-reduced 10L 7s MOS, 53edo, 15edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=fOZiX7f7t8Q YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Cover My Song&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. 8 tracks.&lt;br /&gt;
| Tunings: Free pitch, 22edo, 410edo, 159edo, 41edo, 19edo, 27edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://www.youtube.com/watch?v=WoF89oQ1Pn0 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Christmas 2022 Edition!&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 8 artists.&amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 7-Limit POTE Whitewood[21], 29edo, 23edo, 159edo*, 22edo, 353edo**, Iceface 75***, 17edo, Harmonics 16-32 starting from multiple notes****&lt;br /&gt;
| *Used for multiple songs, each song with a different reference pitch; main scale: 27\159, 51\159, 66\159, 93\159, 120\159, 144\159, 159\159 &amp;lt;br /&amp;gt;**38\353 Rectified Hebrew + 38\353 Apparatus on Harp &amp;lt;br /&amp;gt;***12edo with the black piano keys raised 75 cents &amp;lt;br /&amp;gt;****D = 293.333 Hz, G = 195.556 Hz, C = 260.741 Hz, F = 173.827 Hz, Bb = 234.667 Hz, Eb = 156.444 Hz&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/tDjLcCictVQ Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project 2&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Tostarena: Ruins&amp;quot; from &#039;&#039;Super Mario Odyssey&#039;&#039;.&lt;br /&gt;
| Tunings: 17edo, 13-limit JI*, 21edo, 19edo, 13-limit lemba, 13-limit srutal[12], 23edo, 11-limit JI**, 37edo, 33edo&lt;br /&gt;
| *28/27, 9/8, 7/6, 63/52, 4/3, 3/2, 14/9, 21/13, 7/4, 2/1&amp;lt;br /&amp;gt;**12/11, 9/8, 6/5, 5/4, 4/3, 15/11, 3/2, 18/11, 27/16, 16/9, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/9rTbLQ9j1sE Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Deleted User EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 12 artists.&amp;lt;br /&amp;gt;Theme: Secrets&lt;br /&gt;
| Tunings: 19edo, 2)5 [[CPS]] 3 7 9 11 13, 21edo, 18edo, 29edo, 33edo, 22edo, 11edo, 13edo, a [[porcupine]]-derived [[nonoctave]] tuning&lt;br /&gt;
| Was an entry in the Server vs Server IV competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/mkSlVrpC7HI Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Aquatic Ambience&amp;quot; from &#039;&#039;Donkey Kong Country&#039;&#039;.&lt;br /&gt;
| Tunings: 7-limit JI*, 18edo, 17edo, 7-limit JI**, 41edo, 15edo, 22edo&lt;br /&gt;
| *9/8, 7/6, 6/5, 4/3, 3/2, 14/9, 8/5, 16/9, 2/1&amp;lt;br /&amp;gt;**28/27, 9/8, 6/5, 5/4, 4/3, 7/5, 3/2, 8/5, 5/3, 9/5, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/XomJ5Hutl7k Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - LM x SvS 1v1s&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 one-minute tracks by 10 artists.&lt;br /&gt;
| Tunings: 16edo neji /128, 22edo, 17edo, Ibn Sina diatonic + extra chromatic tones (JI)*, 31edo, 20edo, 24edo, 16edo, 26edo&lt;br /&gt;
| LM x SvS = Lucid Monday x Server vs Server&amp;lt;br /&amp;gt;*14/13, 7/6, 4/3, 3/2, 21/13, 7/4, 2/1 + 28/27, 21/20, 14/9&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7b-luna-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7b-luna-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7b - Luna Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 15 artists.&lt;br /&gt;
| Each track uses a different [[EDO]] or other [[equal-step tuning]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://youtu.be/jBXpOPeQFYY Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Gone Too Deep EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 14 artists.&amp;lt;br /&amp;gt;Theme: Dreams&lt;br /&gt;
| Tunings: 14edo, a [[Neji]] tuning, 18edo, 17edo, 96edo, 31edo, 15edo, 21edo, 23edo, 20edo&lt;br /&gt;
| Was an entry in the Server vs Server III competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7-terra-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7-terra-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7 - Terra Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 16 artists.&lt;br /&gt;
| Each track uses a different [[EDO]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2019&lt;br /&gt;
| [https://open.spotify.com/album/2ojBIQLtipAo6MPJhmNiWP Listen free on Spotify]&amp;lt;br /&amp;gt;[https://biptunia.com/?p=4633 More info].&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Microtonal Freedom (A Benefit Compilation Album for Lyn Ulbricht)&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists. Many of them are contributors on this wiki.&lt;br /&gt;
| &#039;&#039;&#039;GENRES&#039;&#039;&#039;: Blues, metal, prog, trip-hop, hip-hop, funk, classical, ambient, math, punk, spoken, folk, solo acoustic guitar.&lt;br /&gt;
| Very good overview, and very listenable, especially for people without experience in Xen, or who think it sounds odd.&lt;br /&gt;
|-&lt;br /&gt;
| 2016&lt;br /&gt;
| [http://split-notes.com/various-artists-next-xen/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Next Xen&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2010&lt;br /&gt;
| [http://split-notes.com/various-artists-crack-my-pitch-up/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Crack My Pitch Up&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 1998&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/mills.html Broken Link?]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;A Microtonal Musical Experience&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10-ish groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| Many of the tracks on the CD were the first widely available audio files on the internet featuring xenharmonic tunings.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Artists ===&lt;br /&gt;
: &#039;&#039;Note: Please don&#039;t put external links on artist&#039;s name in first column. Put them in LINKS column, Link description of what they are (Website, YouTube, SoundCloud, etc.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Name&lt;br /&gt;
! Links&lt;br /&gt;
! Recommended works&lt;br /&gt;
! Members&lt;br /&gt;
! Genres, tunings, keywords&lt;br /&gt;
! Location&lt;br /&gt;
! Years &#039;&#039;microtonally&#039;&#039; active&lt;br /&gt;
! Additional notes&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== A ==== &lt;br /&gt;
|-&lt;br /&gt;
| Agonanist&lt;br /&gt;
| [https://transylvaniantapes.bandcamp.com/album/agonanist-the-cynicism-of-solitude Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Black metal in various EDO&#039;s&lt;br /&gt;
| California&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Alves]]&lt;br /&gt;
| [http://www.billalves.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/billalves YouTube]&amp;lt;br&amp;gt;[http://pages.hmc.edu/alves/ Harvey Mudd College]&lt;br /&gt;
| [http://www.billalves.com/imbal-imbalan.html Imbal-Imbalan]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI, gamelan, etc. Different tunings on different songs. Sometimes creates his own tunings just for one song.  &lt;br /&gt;
| Claremont, California&lt;br /&gt;
| 1987- &lt;br /&gt;
| College professor, author. Important cat. Check him out. &lt;br /&gt;
|-&lt;br /&gt;
| Aphex Twin&lt;br /&gt;
| [https://aphextwin.warp.net/ Official Store]&amp;lt;br&amp;gt;[[Wikipedia:Aphex Twin| Wikipedia]]&lt;br /&gt;
| [https://aphextwin.warp.net/release/68148-aphex-twin-selected-ambient-works-volume-ii Selected Ambient Works Volume II]&amp;lt;br&amp;gt;[https://aphextwin.warp.net/release/71102-aphex-twin-drukqs drukQs]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music&lt;br /&gt;
| Scotland&lt;br /&gt;
| 1994-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Atar Arad&lt;br /&gt;
| [https://www.youtube.com/channel/UCqkcxbIr8LriIoZBx96RT7g YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sonata for Viola with quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Astroid power-up!&lt;br /&gt;
| [https://store.cdbaby.com/cd/googleplex CD Baby]{{dead link}} (includes audio previews) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of hyper drum&amp;amp;amp;bass. Microtonal tracks: 3, 4, 8 and 9 (60-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot;| &lt;br /&gt;
&lt;br /&gt;
==== B ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Christopher Bailey]]&lt;br /&gt;
| [http://christopherbaileymusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystallized JI, 17-EDO, 19-EDO, 7-limit adaptive&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Mike Battaglia]]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments SoundCloud]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments/sets/natural-sounding-porcupine &amp;quot;Natural&amp;quot;-sounding Porcupine Comma Pump Experiments]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs, technical studies, experimental music cognition demos&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (a.k.a. Bugs, a.k.a. The Bugs) &lt;br /&gt;
|-&lt;br /&gt;
| Matt Barber&lt;br /&gt;
| [http://ecmc.rochester.edu/mbarb/web/music.php?filter=chrono Rochester EDU listing] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| In some pieces, 19-ED(per 2:1 and 3:1), quartertones, 11-EDO and 14-EDO in 3:2 equivalence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacob Barton]]&lt;br /&gt;
| [http://jacobbarton.net/ Website] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced and acoustic, various EDO and JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dennis Báthory-Kitsz]]&lt;br /&gt;
| [http://www.maltedmedia.com/people/bathory/cat-solo.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Thièle&amp;quot; - violin in quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David Beardsley&lt;br /&gt;
| [https://microtonal.wordpress.com/ Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UChoIaFN4ZM2nMzsktVnPuqQ YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI electric guitar and JI chamber music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Antoine Beaudet&lt;br /&gt;
| [https://soundcloud.com/jollybard SoundCloud] (as Jollybard)&lt;br /&gt;
| [https://soundcloud.com/jollybard/superbeat-wip SuperBeat]&amp;lt;br&amp;gt;[https://soundcloud.com/jollybard/spooky Spooky]&lt;br /&gt;
| &lt;br /&gt;
| Joan temperament, JI, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[benyamind]]&lt;br /&gt;
| [https://benyamind.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCFWIWi2GVCKMM9uYDdlUQqw Youtube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 31edo, 22edo, JI, orchestral, piano&lt;br /&gt;
|-&lt;br /&gt;
| BipTunia&lt;br /&gt;
| [https://biptunia.com/?s=microtonal Website]&amp;lt;br&amp;gt;[https://biptunia.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://biptunia.com/?p=3432 Microtonal Cats from Alpha-Centauri”]&lt;br /&gt;
| Michael W. Dean (synths, singing, talking)&amp;lt;br&amp;gt;Phil Wormuth (poetry, talking)&lt;br /&gt;
| Darkwave, rock, pop, experimental, poetry with music, different tunings on every song. Prolific. &lt;br /&gt;
| Casper Wyoming &lt;br /&gt;
| 2018-&lt;br /&gt;
| MWD is [[User:SyntheticThought]] on this wiki. MWD also makes [https://biptunia.com/?page_id=2070 xen VST software]. &lt;br /&gt;
|-&lt;br /&gt;
| Marcus Alessi Bittencourt&lt;br /&gt;
| [http://www.marcusalessi.com/site/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classic electronic pan-intonational&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Easley Blackwood Jr.]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=HbuFPpiJL1o YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal etudes [excerpts]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Douglas Blumeyer]]&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin SoundCloud]&amp;lt;br&amp;gt;[http://musical-patterns.douglasblumeyer.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Musical patterns&lt;br /&gt;
| Berkeley&lt;br /&gt;
| 2006-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cameron Bobro]]&lt;br /&gt;
| [https://soundcloud.com/cameron-bobro Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Bass vocals and microtonal folk instruments in haunting songs.&lt;br /&gt;
| Maribor, Slovenia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| M. Edward Borasky&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Stochastic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Donald Bousted&lt;br /&gt;
| [https://donaldbousted.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music and film&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Graham Breed]]&lt;br /&gt;
| [http://x31eq.com/music/ Website]&lt;br /&gt;
| [http://x31eq.com/music/wisofl.mp3 When I Set Out for Lyonnesse] &lt;br /&gt;
| &lt;br /&gt;
| Electronic with spoken word; (Thomas Hardy poems), examples of different temperaments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Chris Bryan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brendan Byrnes]]&lt;br /&gt;
| [http://www.brendanbyrnes.com/ Website]&amp;lt;br&amp;gt;[https://brendanbyrnes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsg5wuPYEmD7w7Jutqy8IhA YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/bpbyrnes Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=1PYbIPaW_eg Siolas]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=dgVDQU8CuPE Operator]&lt;br /&gt;
| Brendan Byrnes + various side players.&lt;br /&gt;
| Great production. Progressive, rock, driving, good vocals. Is also in band ILEVENS (separate entry below).&lt;br /&gt;
| Los Angeles / Glendale&lt;br /&gt;
| 2011-&lt;br /&gt;
| Great first xen for many people. &lt;br /&gt;
|-&lt;br /&gt;
| [[Warren Burt]]&lt;br /&gt;
| [http://retiary.net/idea/idea5/IDEA_5/warren/warren.htm Website] (flashing images warning)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sound installation; manipulated voice...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== C ==== &lt;br /&gt;
|-&lt;br /&gt;
| Charles Carpenter&lt;br /&gt;
| [https://charlescarpenter.net/ Website]&lt;br /&gt;
| [https://open.spotify.com/album/0tLOtB35zIsId4S47hll3X?si=hUoXPLLyS9SR6kBitJUD2g Splat]&amp;lt;br /&amp;gt;[https://open.spotify.com/album/3CQHBKHfYBx4VC8ZS1cQfo?si=d3G8aLe6S127Lb7YGVXmHQ Frog à la Pêche]&lt;br /&gt;
| &lt;br /&gt;
| Bohlen–Pierce electronic&lt;br /&gt;
| &lt;br /&gt;
| 1994-1996&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tolgahan Çoğulu]]&lt;br /&gt;
| [https://www.youtube.com/user/TolgahanCogulu YouTube]&amp;lt;br&amp;gt;[https://www.microtonalguitar.org/ Website 1]&amp;lt;br&amp;gt;[http://www.tolgahancogulu.com/en/ Website 2]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JT0z2nOyUlg Microtonal guitar duo]&lt;br /&gt;
| &lt;br /&gt;
| Microtonal guitar. Custom builds guitars with half, quarter frets, and movable frets.&lt;br /&gt;
| Istanbul, Turkey&lt;br /&gt;
| 2008-&lt;br /&gt;
| Good first xen for many people. Popular. Teaches music at Istanbul Technical University.&lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Loli]]&lt;br /&gt;
| [http://microtonalismo.com/microweb/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 drone 17-EDO, 20-EDO, 29-EDO and 53-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Wendy Carlos]]&lt;br /&gt;
| [[Wikipedia:Wendy Carlos| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=RuT6Y53LYH4 Video analyzing her microtonal scales]&lt;br /&gt;
| [https://www.dailymotion.com/video/x2j1gy2 Beauty and the Beast]&lt;br /&gt;
| &lt;br /&gt;
| Not all her work is microtonal, but &#039;&#039;[[wikipedia:Beauty_in_the_Beast| Beauty in the Beast]]&#039;&#039; (1986) is. She invented her own non-octave-repeating musical scales for it. &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Early synthesizer pioneer ([[wikipedia:Switched-On_Bach| &#039;&#039;Switched on Bach&#039;&#039;]], 1968)&lt;br /&gt;
|-&lt;br /&gt;
| Catler Bros. / [[Jon Catler]]&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=346893 SoundClick]&amp;lt;br&amp;gt;[[Wikipedia:Jon Catler| Jon Catler on Wikipedia]]&amp;lt;br&amp;gt;[https://preparedguitar.blogspot.com/2015/03/jon-catler-13-questions.html Interview with Jon Catler]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/4496860-Catler-Bros Discogs]&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=346893 Hyperspace]&lt;br /&gt;
| Jon Catler&lt;br /&gt;
| 64-note JI bluesrock. Have had mainstream press in Rolling Stone, Downbeat, and elsewhere. Jon Catler runs [http://freenotemusic.com/ FreeNote Records].&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Jon Catler also plays in [http://freenotemusic.com/fretlessbrothers/ The Fretless Brothers] and makes Freenote guitars. &lt;br /&gt;
|-&lt;br /&gt;
| [[City of the Asleep]]&lt;br /&gt;
| [https://cityoftheasleep.bandcamp.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Electronica, post-rock, and unclassifiable music in a variety of tunings, especially uncommon EDOs and theoretically-discordant tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nick Collins&lt;br /&gt;
| [https://composerprogrammer.com/music.html Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/playlist?list=PLvsv24zg5vzuGovKXXhjU7bYVnJIqNOZ3 YouTube playlist]&lt;br /&gt;
| [https://composerprogrammer.com/music/simphony2movement1.mp3 Simphony 2, Movement 1] (MP3 direct link) &lt;br /&gt;
| &lt;br /&gt;
| Microtonal supercollider tempo canons&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Copper&lt;br /&gt;
| [http://www.williamcopper.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 5-limit JI, printed scores with intonation markings, intonalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mildred Couper&lt;br /&gt;
| [[Wikipedia:Mildred Couper| Wikipedia]]&amp;lt;br&amp;gt;[http://www.academia.edu/7921833/Quarter-Tone_Composer_and_Pianist_Mildred_Couper PDF academic article]&amp;lt;br&amp;gt;[http://digital.library.ucsb.edu/collections/show/14 Scores at USC Santa Barbara site]&lt;br /&gt;
| [https://www.youtube.com/watch?v=PEOp3tFNaiI Dirge]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=2Y_9AqbpIdw Calliope of the Nine Muses]&lt;br /&gt;
| &lt;br /&gt;
| Quartertone pianos &lt;br /&gt;
| Buenos Aires, Argentina / Santa Barbara, California&lt;br /&gt;
| Died in 1974&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cryptic Ruse]]&lt;br /&gt;
| [https://cryptic-ruse.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Instrumental progressive metal &amp;amp; drone-metal in 13edo, 14edo, 15edo, 17edo, and 23edo&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Cubberly&lt;br /&gt;
| [https://www.discogs.com/artist/4027870-David-Cubberly Listing at Discogs]&amp;lt;br&amp;gt;[http://www.davidjcubberly.com/music.html Website]&lt;br /&gt;
| Per email reply from him, no listen links online. See note on Talk page.  &lt;br /&gt;
| &lt;br /&gt;
| Sequenced microtonal midi ensemble&lt;br /&gt;
| Urbana, Illinois&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== D ==== &lt;br /&gt;
|-&lt;br /&gt;
| Philip Dadson&lt;br /&gt;
| [[Wikipedia:Philip Dadson| Wikipedia]]&amp;lt;br&amp;gt;[https://sounz.org.nz/contributors/1026 Centre for New Zealand Music]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Instruments in JI, installations and performance&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ivor Darreg]]&lt;br /&gt;
| [[Wikipedia:Ivor Darreg| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=8nG0T1t9WUY Prelude 2 For 19 Tone Guitar]&amp;lt;br&amp;gt;[https://ivordarreg.bandcamp.com/releases Detwelvulate!]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-i Ivor Darreg Originals - I]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-2 Ivor Darreg Originals - II]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| San Diego, Los Angeles&lt;br /&gt;
| c. 1936-1994&lt;br /&gt;
| Important cat. Check him out. &amp;quot;Granddaddy of xenharmonic music.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| Jarod DCamp&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=998452 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic - various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tútim Dennsuul Wafiil]]&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/timo.html List of MP3s] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips in 23-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mark Deutsch&lt;br /&gt;
| [http://bazantar.com/ Website]&amp;lt;br&amp;gt;[https://bazantar.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.facebook.com/bazantar Facebook]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sensual acoustic microtonal music, world influence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Invented the [[wikipedia:Bazantar| Bazantar]], a stringed instrument &lt;br /&gt;
|-&lt;br /&gt;
| [[Diamond Doll]]&lt;br /&gt;
| [https://helloitsdiamonddoll.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/6nAsvYXrvYDqY5EqpbFgCa?si=6109ce7e857740b7 Spotify]&lt;br /&gt;
| [https://open.spotify.com/track/02hYX9uAKNk7uBr5lLnXIG Hello My Name&#039;s Diamond Doll]&amp;lt;br&amp;gt;[https://open.spotify.com/track/18d6VnHUY6JvLU1FjrJxnr Autogynephilia]&amp;lt;br&amp;gt;[https://open.spotify.com/track/4UqXCEKsKR5VdggZrr1cWo Little Brother] &lt;br /&gt;
| [[Kit Hagerstrom]] (songwriting, production, vocals)&amp;lt;br&amp;gt;Grey Tyson (vocals)&lt;br /&gt;
| Postpunk, hyperpop, queercore, various EDOs&lt;br /&gt;
| Winnipeg, Manitoba&lt;br /&gt;
| 2019-&lt;br /&gt;
| good entry point to xen&lt;br /&gt;
|-&lt;br /&gt;
| Divide by Pi&lt;br /&gt;
| [https://play.google.com/store/music/artist/Divide_by_Pi?id=Atehcbhgf7qggp2nxx4hajelerq&amp;amp;hl=en Google Music]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/dividebypi CD Baby]{{dead link}} (can listen to excerpts) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 clips: synthesizer and percussion improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Paul Dolden&lt;br /&gt;
| [https://pauldolden.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[[Wikipedia:Paul Dolden| Wikipedia]]  &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| dotuXil&lt;br /&gt;
| [https://www.youtube.com/@dotuxil Youtube]&amp;lt;br&amp;gt;[https://dotuxil.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://mirlo.space/dotuxil/release/collected-refractions Mirlo]&amp;lt;br&amp;gt;[https://dotuxil.github.io/ Github]&lt;br /&gt;
| [https://dotuxil.bandcamp.com/album/collected-refractions Collected Refractions Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=cFpKgUD9tQI Collected Refractions Youtube]&lt;br /&gt;
| &lt;br /&gt;
| Electronic, Various Tunings, Melodic&lt;br /&gt;
| &lt;br /&gt;
| 2023-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[David B. Doty]]&lt;br /&gt;
| [http://www.dbdoty.com/Just-Intonation-Links.html Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=a9bW4o5UedE Steel Suite]&lt;br /&gt;
| &lt;br /&gt;
| Synth JI, acoustic guitar JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Arnold Dreyblatt]]&lt;br /&gt;
| [http://www.dreyblatt.net/composer-1 Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Grooving JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Dsilton Trio&lt;br /&gt;
| [https://georgvogel.net/PROJEKTE-DSILTON.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCmzn7wDBp_H3N0diqakaRvg YouTube]&amp;lt;br&amp;gt;Facebook&lt;br /&gt;
| [https://www.youtube.com/watch?v=9LcWqSzDv7A Duschscha]&lt;br /&gt;
| Georg Vogel (clavinet, synthesizer, composition)&amp;lt;br&amp;gt;David Dornig (31-tone guitars)&amp;lt;br&amp;gt;Valentin Duit (drumset)&lt;br /&gt;
| Odd time signatures, chamber influence, jazz influence. [[31edo]].&lt;br /&gt;
| Vienna, Austria&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacques Dudon]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KuL4aSwNT0o YouTube]&amp;lt;br&amp;gt;[https://www.semantic-danielou.com/designers/jacques-dudon/ Academic profile]&amp;lt;br&amp;gt;[[wikipedia:Jacques_Dudon| Wikipedia]]&amp;lt;br&amp;gt;[https://www.forcedexposure.com/Catalog/dudon-jacques-erosion-distillee-lp/MMLP.009LP.html Forced Exposure]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Samples of &amp;quot;Lumières audibles&amp;quot; JI electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Richard Dunlap&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=106711 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Mostly 12-EDO&lt;br /&gt;
| California USA&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== E ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Paul Erlich]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=lO5xSjIHyMg YouTube]&amp;lt;br&amp;gt;[http://www.myspace.com/paulerlich/ MySpace]&amp;lt;br&amp;gt;[http://untwelve.org/interviews/paul_erlich UnTwelve interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[22-EDO]] guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== F ==== &lt;br /&gt;
|-&lt;br /&gt;
| John Farah&lt;br /&gt;
| [http://www.johnfarah.com/ Website]&lt;br /&gt;
[https://soundcloud.com/johnkameelfarah SoundCloud]&amp;lt;br&amp;gt;[https://johnkameelfarah.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/user/Hatiyn YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/JohnKameelFarah Facebook]&amp;lt;br&amp;gt;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| String quartet, electronic in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Fabrizio Fiale| FFF Fiale]]&lt;br /&gt;
| [https://ffffiale.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Fabrizio Fulvio Fausto Fiale&lt;br /&gt;
| 16-EDO instrumental guitar thrash metal and eclectic rock&lt;br /&gt;
| Italy&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Finnamore&lt;br /&gt;
| [http://www.elvenminstrel.com/music/tuning/horagrams/horagram-music.htm List of MP3s]&amp;lt;br&amp;gt;[http://www.elvenminstrel.com/music/tuning/equal/13equal/13tet.htm 13 TET MP3s]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Etudes using &amp;quot;golden horograms&amp;quot;; clips of dirty 13-EDO guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Forro]]&lt;br /&gt;
| [https://www.soundclick.com/members4/default.cfm?memberID=1540764 SoundClick]&amp;lt;br&amp;gt;[[Daniel Forro| List of MP3s]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Kakamigahara, Japan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Harold Fortuin&lt;br /&gt;
| [http://www.fortuitous-artists.biz/clavetteMusic.html 2 MP3s]&amp;lt;br&amp;gt;[[wikipedia:Harold_Fortuin| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=Dp3Gq0xjlhE YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Francium]]&lt;br /&gt;
| [https://francium223.bandcamp.com Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/0Nz4jp5ckOxUA404IFtbDL Spotify]&amp;lt;br&amp;gt;[https://www.youtube.com/@FranciumMusic YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| various EDOs, tuning comparisons, electronic&lt;br /&gt;
| &lt;br /&gt;
| 2021-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Glenn R. Frantz&lt;br /&gt;
| [https://archive.org/details/@glenn_r_frantz Songs on Archive.org]&lt;br /&gt;
| [https://archive.org/details/ThreeRagtime-basedPieces Three Ragtime-Based Pieces]}&lt;br /&gt;
| &lt;br /&gt;
| Freestyle JI via computer, based on ragtime music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Adam Freese]]&lt;br /&gt;
| [https://www.youtube.com/@adamfreese YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ellen Fullman&lt;br /&gt;
| [https://www.ellenfullman.com/ Website]&amp;lt;br&amp;gt;[https://ellenfullman.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]]&lt;br /&gt;
| San Francisco Bay Area, CA&lt;br /&gt;
| &lt;br /&gt;
| known for her 70-foot (21-meter) [[wikipedia:Long-string_instrument| Long String instrument]], tuned in just intonation and played with rosin-coated fingers.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; |&lt;br /&gt;
&lt;br /&gt;
==== G ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Frédéric Gagné]]&lt;br /&gt;
| [https://www.youtube.com/@fredg999music YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kyle Gann]]&lt;br /&gt;
| [https://www.kylegann.com/ Website]&amp;lt;br&amp;gt;[https://www.kylegann.com/Gannaudio.html MP3s on website]&amp;lt;br&amp;gt;[https://www.kylegann.com/complist.html List of compositions]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic JI, now with more Sitting Bull!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kite Giedraitis]]&lt;br /&gt;
| see Tall Kite&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Monroe Golden&lt;br /&gt;
| [http://monroegolden.com/ Website]&amp;lt;br&amp;gt;[https://soundcloud.com/monroe-golden SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal chamber music, microtone-informed 12-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Gongs&lt;br /&gt;
| [http://imomus.com/thegongs.html Momus website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM Rob Reich] (full length album on Youtube)&lt;br /&gt;
| Peter Blasser&amp;lt;br&amp;gt;Clara Latham&amp;lt;br&amp;gt;Grisha Krivchenia&amp;lt;br&amp;gt;Stefan Tcherepnin&lt;br /&gt;
| &lt;br /&gt;
| Oberlin, OH&lt;br /&gt;
| 2001-2002&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM First song on this], and whole record.&lt;br /&gt;
|-&lt;br /&gt;
| Mark Gould&lt;br /&gt;
| [http://www.derek-hasted.co.uk/assets/audio/derek-hasted/ten-tone.mp3 MP3]&amp;lt;br&amp;gt;[http://www.users.waitrose.com/~equiton/Mark_Gould/About_Me.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 1 electronic mp3: 10-EDO; midi recorder duets in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kraig Grady]]&lt;br /&gt;
| [https://www.youtube.com/results?search_query=Kraig+Grady+ YouTube]&amp;lt;br&amp;gt;[http://anaphoria.com/music.html Samples]&amp;lt;br&amp;gt;[[wikipedia:Kraig_Grady| Wikipedia]]&amp;lt;br&amp;gt;[http://www.anaphoria.com/ Website]&amp;lt;br&amp;gt;[https://anaphoriasouth.blogspot.com/ Blog]&amp;lt;br&amp;gt;[https://www.facebook.com/kraig.grady Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=9R33w7aaxS8 Live at the Cad Factory]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=GiSE9srsDt8 Ear Meal] (music + Skype interview)&lt;br /&gt;
| &lt;br /&gt;
| Original acoustic instruments/ensembles informed by the music of Anaphoria Island&lt;br /&gt;
| Wollongong, Australia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Patrick Grant&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.obscuresound.com/2018/10/patrick-grant-keeping-still/ Bio and audio examples]&amp;lt;br&amp;gt;Website&amp;lt;br&amp;gt;[[wikipedia:Patrick_Grant_(composer)| Wikipedia]]&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/album/fields-amaze-and-other-strange-music FIELDS AMAZE and other sTRANGE music]&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Percussion, gamelan, microtonal instruments, and electric chamber ensembles with narrative structures informed by chaos theory, biological forms, and B-horror films.&amp;quot;&lt;br /&gt;
| New York City&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Guidi&lt;br /&gt;
| [[wikipedia:Peter_Guidi| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One track of quartertone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (Can find [https://www.youtube.com/watch?v=Pb8Anz9xt1w&amp;amp;start_radio=1&amp;amp;list=RDEMgggUYKUD44vtsdamPmXt-A music of his] on YouTube, but isn&#039;t microtonal. Anyone got links to his microtonal music?)&lt;br /&gt;
|-&lt;br /&gt;
| Milan Guštar&lt;br /&gt;
| [http://www.uvnitr.cz/mg/art.html Listing of music]&lt;br /&gt;
| [http://www.uvnitr.cz/mg/music/240_four_seasons.html Generative composition for piano and theremin]&lt;br /&gt;
| &lt;br /&gt;
| Music in various tunings (06-EDO, 07-EDO, 08-EDO, 12-EDO, JI)&lt;br /&gt;
| Czech Republic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== H ==== &lt;br /&gt;
|-&lt;br /&gt;
| Edu Haubensak&lt;br /&gt;
| [http://www.eduhaubensak.ch/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=vmKWcJhuagk Sechs Walserminiaturen (1996) for soprano and violin]&lt;br /&gt;
| &lt;br /&gt;
| Music for retuned pianos and retuned strings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Georg Hajdu]]&lt;br /&gt;
| [http://georghajdu.de/ Website]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=k0HJUUWRkn0 Lecture on YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic 17-EDO; scene from opera Der Sprung (Bohlen–Pierce)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (some of his music online is not microtonal. Anyone got a link to microtonal music by him?)&lt;br /&gt;
|-&lt;br /&gt;
| [[Jeff Harrington]]&lt;br /&gt;
| [http://parnasse.com/jh/blog/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsgsUVmnMsgyIZzv4WTGxhA YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=14JPGOz9Qg4 Acid Bach III for Quartertone Microtonal Synthesize]&lt;br /&gt;
| &lt;br /&gt;
| Electronic in 19-EDO, 24-EDO, others&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Lou Harrison]]&lt;br /&gt;
| [[wikipedia:Lou_Harrison| Wikipedia]]&amp;lt;br&amp;gt;[http://www.archive.org/audio/audio-details-db.php?collectionid=OM8HarrisonScenesfromNikChand&amp;amp;collection=other_minds Steel Guitar piece]&lt;br /&gt;
| [https://www.youtube.com/watch?v=UWuT9AheQRM John Schneider plays Lou Harrison Jahla]&lt;br /&gt;
| &lt;br /&gt;
| Nek Chand for solo guitar in JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Hasegawa]]&lt;br /&gt;
| [http://www.roberthasegawa.com/ Website]&amp;lt;br&amp;gt;[http://roberthasegawa.com/ Lecture]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic chamber JI, quartertones, 19-tone pianos, with scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Neil Haverstick]]&lt;br /&gt;
| [http://microstick.net/ Website]&lt;br /&gt;
| [https://soundcloud.com/gregory-ts-walker/african-stick-neil-haverstick African Stick]&lt;br /&gt;
| &lt;br /&gt;
| Excerpts - guitars in 19-EDO, 31-EDO and 34-EDO&lt;br /&gt;
| Colorado&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Stickman&amp;quot; has some method books and quite a few radio spots as well.&lt;br /&gt;
|-&lt;br /&gt;
| [[Andrew Heathwaite]]&lt;br /&gt;
| [https://andrewheathwaite.bandcamp.com/album/newbeams&#039; Bandcamp]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands3/default.cfm?bandid=122613 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Amano Hideya]]&lt;br /&gt;
| [https://www.youtube.com/@hideya YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=5zaiOBSQV_Q 1 to 11 tone Equal temperament songs]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=YawFcH4cXfs Like 40s music 11EDO]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs&lt;br /&gt;
| Tokyo Japan&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Horton and Bill Thibault&lt;br /&gt;
| [http://www.mcs.csueastbay.edu/~tebo/bio.html Bill Thibault website]&amp;lt;br&amp;gt;[http://eamusic.dartmouth.edu/~larry/recordings/horton_notes.pdf Info on Dartmouth website]&amp;lt;br&amp;gt;[http://www.o-art.org/history/LongDur/JimHorton/jh-music4.html Jim Horton list of works]&lt;br /&gt;
| [https://www.youtube.com/watch?v=GHxLeIDuECc Gorgeous Clothed Flies]&lt;br /&gt;
| &lt;br /&gt;
| Electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sten Hostfalt]]&lt;br /&gt;
| [https://www.stenhostfalt.com/ Website]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/stenhostfalt2 CD Baby]{{dead link}} (has a few excerpts)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Excerpts of microtonal guitar (72-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Horse Lords&lt;br /&gt;
| [https://horselords.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://horselords.bandcamp.com/album/mixtape-iv Mixtape IV]&lt;br /&gt;
| Sam Haberman&amp;lt;br&amp;gt;Max Eilbacher&amp;lt;br&amp;gt;Owen Gardner&amp;lt;br&amp;gt;Andrew Bernstein&lt;br /&gt;
| [[Just intonation]], polyrhythm, minimalist, musique concrète&lt;br /&gt;
| Baltimore, MD&lt;br /&gt;
| 2012-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Chuckk Hubbard]]&lt;br /&gt;
| anyone got a current link?&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI sequenced music, etc.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Lucas Hulen&lt;br /&gt;
| [http://persweb.wabash.edu/facstaff/hulenp/compositions.html Website]&lt;br /&gt;
| [https://vimeo.com/61493873 Lamentationes Jeremiae I]&lt;br /&gt;
| &lt;br /&gt;
| Modern classical electronic compositions - search website page for &#039;microtonal&#039;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== I ==== &lt;br /&gt;
|-&lt;br /&gt;
| ILEVENS&lt;br /&gt;
| [https://ilevens.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCfgSTF9EOal71sFbPTLJ0Gw YouTube]&amp;lt;br&amp;gt;[http://split-notes.com/ilevens-transmitter/ Split Notes Records]&amp;lt;br&amp;gt;[https://www.facebook.com/Ilevens1111/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=N9MjtfEQl_c Drowns]&lt;br /&gt;
| [[Brendan Byrnes]] (vocals, guitar)&amp;lt;br&amp;gt;Mike Horick (drums)&amp;lt;br&amp;gt;Lauren Davis (synths)&amp;lt;br&amp;gt;Rusty Kennedy (bass)&lt;br /&gt;
| [[22edo]], rock band, led by Brendan Byrnes&lt;br /&gt;
| Los Angeles&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== J ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ralph Jarzombek&lt;br /&gt;
| [https://www.freewebs.com/ralphjarzombek/ Website with listen links]&lt;br /&gt;
| [https://webzoom.freewebs.com/ralphjarzombek/micro1.mp3 Micro 1]&amp;lt;br&amp;gt;[https://webzoom.freewebs.com/ralphjarzombek/micro6.mp3 Micro 6]&lt;br /&gt;
| &lt;br /&gt;
| [[14edo]], [[17edo]], [[Bohlen–Pierce]], electronic&lt;br /&gt;
| &lt;br /&gt;
| 1980s&lt;br /&gt;
| If you like the Residents, you&#039;ll love this.&lt;br /&gt;
|-&lt;br /&gt;
| [[Aaron Krister Johnson]]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson SoundCloud]&amp;lt;br&amp;gt;[https://aaronkristerjohnson.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson/the-juggler The Juggler]&lt;br /&gt;
| &lt;br /&gt;
| Mostly electronic compositions and improvisations; some theatre incidental music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| JC &amp;amp; The Microtones&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin/cow-people Cowpeople]&lt;br /&gt;
| &lt;br /&gt;
| Johnny Reinhard (electric bassoon)&amp;lt;br&amp;gt;Brad Catler (electric fretless bass)&amp;lt;br&amp;gt;[[Jon Catler]] (electric guitar)&amp;lt;br&amp;gt;A. C. Lewis (percussion)&amp;lt;br&amp;gt;Deborah Rothrock (vocals)&lt;br /&gt;
| &lt;br /&gt;
| New York City&lt;br /&gt;
| 1984&lt;br /&gt;
| Rockabilly, [[31edo]], cowpunk&lt;br /&gt;
|-&lt;br /&gt;
| Jock Tears&lt;br /&gt;
| [https://jocktears.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=%22JOCK+TEARS%22 YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/jocktears/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=29hm0LGP_i8 Nasty Boy]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=_UNIeeNnMAQ Live video]&amp;lt;br&amp;gt;[https://jocktears.bandcamp.com/album/bad-boys Bad Boys] (album)&lt;br /&gt;
| Lauren Ray (vocals)&amp;lt;br&amp;gt;Lauren Smith (bass)&amp;lt;br&amp;gt;Spencer Hargreaves (guitar)&amp;lt;br&amp;gt;Dustin Bromley (drum)&lt;br /&gt;
| Best punk band name ever&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2016-&lt;br /&gt;
| Peppy punk rock, female vocals, 17edo&lt;br /&gt;
|-&lt;br /&gt;
| Christiaan de Jong&lt;br /&gt;
| [https://soundcloud.com/christiaan-de-jong-1/ SoundCloud] (not all microtonal)&amp;lt;br&amp;gt;[http://www.christiaandejong.com/recordings.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/CHRISTIAANDEJONG1 YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Guitar, flute and tape&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Churzkia Jrakavla&lt;br /&gt;
| [https://churzkia.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Aif4Lpz4bPo Red Moon]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI; down tempo, IDM, synthwave, and ambient, with mystical/mythological themes&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2002-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jute Gyte&lt;br /&gt;
| [https://jutegyte.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jutegyte.bandcamp.com/album/the-sparrow-12-ep The Sparrow 12&amp;quot; EP]&lt;br /&gt;
| Adam Kalmbach&lt;br /&gt;
| Black metal, [[24edo]]&lt;br /&gt;
| Springfield, MO&lt;br /&gt;
| 2002-&lt;br /&gt;
| Has a relatively large following. Lots of &amp;gt;10 minute long quartertone black metal epics.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== K ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ali Deniz Kardelen&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=yjZQDQBBYyo Kara Toprak (Acoustic Microtonal Guitar]&lt;br /&gt;
| &lt;br /&gt;
| Not sure if all microtonal but has at least one amazing microtonal guitar piece&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Great first xen piece for people who like acoustic music&lt;br /&gt;
|-&lt;br /&gt;
| Buzz Kimball&lt;br /&gt;
| [http://www.nonoctave.com/heroes/buzz/ About his instruments and music]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/1944206-Buzz-Kimball Discogs]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Homemade guitars, etc., in EDOs and JI, electronic, rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Buzz Kimball builds most of his instruments himself in the workshop in his barn.&amp;lt;br&amp;gt;Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| dt King&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=62070 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Change Jar&amp;quot; for quartertone piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| King Gizzard &amp;amp; The Lizard Wizard&lt;br /&gt;
| [[Wikipedia:King Gizzard &amp;amp; the Lizard Wizard| Wikipedia]]&amp;lt;br&amp;gt;[https://kinggizzard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://kinggizzard.bandcamp.com/album/flying-microtonal-banana Flying Microtonal Banana]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=U72rbtrufws Sleep Drifter] (live in radio station studio)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=170Z9qBjfkI Mini-documentary]&lt;br /&gt;
| Stu Mackenzie&amp;lt;br&amp;gt;Ambrose Kenny Smith&amp;lt;br&amp;gt;Joey Walker&amp;lt;br&amp;gt;Cook Craig&amp;lt;br&amp;gt;Lucas Skinner&amp;lt;br&amp;gt;Michael Cavanagh&amp;lt;br&amp;gt;Eric Moore&lt;br /&gt;
| &lt;br /&gt;
| Melbourne, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| [[24edo]], alternative, garage&lt;br /&gt;
|-&lt;br /&gt;
| Wayne Kirby&lt;br /&gt;
| [https://www.youtube.com/channel/UCRn3j-zsIxdhdkHVJ6l_hMA YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Demos, full and excerpts, mp3 and midi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Kenneth Kirschner&lt;br /&gt;
| [http://www.kennethkirschner.com/ Website] (has download link for zipped MP3s)&amp;lt;br&amp;gt;[https://archive.org/details/apl025#files Archive.org]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Looong mp3 of stretched piano, etc., ambient microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Eric Knechtges&lt;br /&gt;
| [[Wikipedia:Eric Knechtges| Wikipedia]]&amp;lt;br&amp;gt;[https://soundcloud.com/eric-knechtges SoundCloud]&amp;lt;br&amp;gt;[http://robertwmcclure.weebly.com/blog/music-with-friends-eric-knechtges Interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic (choir) &amp;amp; electronic, various JI &amp;amp; EDOs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== L ==== &lt;br /&gt;
|-&lt;br /&gt;
| Anne La Berge&lt;br /&gt;
| [http://www.annelaberge.com/ Website]&amp;lt;br&amp;gt;[http://unsounds.com/shop/raw-lp Label Unsounds] (buy link has listen link of excerpts)&lt;br /&gt;
| [https://www.youtube.com/watch?v=DXAP4544NNM Utter] (performance art piece with Anne playing live)&lt;br /&gt;
| &lt;br /&gt;
| Quartertone flute - go to &amp;quot;Releases&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
|[[L4MPLIGHT]]&lt;br /&gt;
|[https://lamplight0.sakura.ne.jp/a Website]&lt;br /&gt;
[https://www.youtube.com/@L4MPLIGHT YouTube]&lt;br /&gt;
[https://soundcloud.com/l4mplight SoundCloud]&lt;br /&gt;
|[https://youtu.be/cMnuMjXeHrY Caftaphata]&lt;br /&gt;
[https://youtu.be/PrfAz8V4WNc Yxeni]&lt;br /&gt;
|&lt;br /&gt;
|Electronic music featuring self-made conlangs, largely [[41edo]]&lt;br /&gt;
|Japan&lt;br /&gt;
|2024-&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| [[Last Sacrament]]&lt;br /&gt;
| [https://lastsacrament.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ron Sword (vocals, guitar, drums)&amp;lt;br&amp;gt;Mike Maletta (lead guitar)&amp;lt;br&amp;gt;Pat Horgan (bass)&lt;br /&gt;
| 16edo death metal&lt;br /&gt;
| Florida&lt;br /&gt;
| 2006-&lt;br /&gt;
| Ron also makes Sword guitars and does a lot of guitar and bass conversions. Pat also does conversions.&lt;br /&gt;
|-&lt;br /&gt;
| [[Jacky Ligon]]&lt;br /&gt;
| [https://jackyligon.com/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=mRWG9AzWs7E Lightweave]&lt;br /&gt;
| &lt;br /&gt;
| filmic xenharmonic music and software blog. Sometimes collaborates with Sevish.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Also makes microtonal VST synths IVOR2, FMTS2, One SF2, Font2&lt;br /&gt;
|-&lt;br /&gt;
| Amit Lissack&lt;br /&gt;
| [https://alumnius.net/new_england_conserva-8502-year-1991-1994#id16664004 Listing on New England Conservatory of Music alumni site]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic instrumental.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| Alvin Lucier&lt;br /&gt;
| [[Wikipedia:Alvin Lucier| Wikipedia]]&amp;lt;br&amp;gt;[http://www.moderecords.com/catalog/124lucier.html Mode Records site] (includes listen links)&amp;lt;br&amp;gt;[http://www.ubu.com/sound/lucier.html UBUWeb] (includes original 1969 recording of &#039;&#039;I Am Sitting In A Room&#039;&#039;)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slow-to-change cluster acoustic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Lucy]]&lt;br /&gt;
| [http://www.lucytune.com/ Website]&amp;lt;br&amp;gt;[http://www.lucytune.com/mp3/ List of Lucy tune direct MP3s]&amp;lt;br&amp;gt;[http://www.lullabies.co.uk/ Lucy tunes lullabies info page]&lt;br /&gt;
| [https://store.cdbaby.com/cd/lucytuned Lucy tunes lullabies CD Baby]{{dead link}} (buy page, has listen excerpt links)&lt;br /&gt;
| &lt;br /&gt;
| Miscellaneous works in progress - also see [[Lucy Tuning| Lucy Tuning page]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== M ==== &lt;br /&gt;
|-&lt;br /&gt;
| Massive Audio Nerve (M.A.N.)&lt;br /&gt;
| [https://de.wikipedia.org/wiki/Massive_Audio_Nerve Wikipedia (Deutsch)]&amp;lt;br&amp;gt;[https://open.spotify.com/album/7gCCSQgShzoJxSKFu2gNXy Spotify]&lt;br /&gt;
| &lt;br /&gt;
| Tony Jelencovich (vocals)&amp;lt;br&amp;gt;Mark Fristedt (guitar)&amp;lt;br&amp;gt;Robert Hakemo (bass)&amp;lt;br&amp;gt;Adde Larsson (drums)&amp;lt;br&amp;gt;+ 5 former members&lt;br /&gt;
| 24edo Nümetal&lt;br /&gt;
| &lt;br /&gt;
| 2010-2014&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Joe Maneri]]&lt;br /&gt;
| [[Wikipedia:Joe Maneri| Wikipedia]]&amp;lt;br&amp;gt;[https://www.nytimes.com/2009/08/30/arts/music/30maneri.html New York Times obituary]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/7aQ5YRpRQ02oK9OtbxfhJr Spotify] (not all microtonal)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8WiSgByqos4&amp;amp;ab_channel=JoeManeri-Topic Audio interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some modern classical excerpts&lt;br /&gt;
| &lt;br /&gt;
| Died in 2009&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Rick McGowan]]&lt;br /&gt;
| There is one of his pieces at the beginning of [http://ripnread.com/?p=328 this microtonal podcast episode]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal works for the theatre&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| John McLaird&lt;br /&gt;
| Quiet audio piece, [https://archive.org/details/seventeenTPP_02/ogives.mp3 Ogives in a Winter Shelter Belt] (direct MP3 link)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7edo]], [[40edo]], [[11-limit]], [[Just intonation]], sampled piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Pete McRae&lt;br /&gt;
| [[Wikipedia:Pete McRae| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Eikosany blues&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carl McTague&lt;br /&gt;
| [http://www.mctague.org/carl/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (ii-V-I)&amp;lt;sup&amp;gt;7&amp;lt;/sup&amp;gt; and Heptadecaphonic Drops&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Melopoeia&lt;br /&gt;
| [https://melopoeia.bandcamp.com/album/tolkiens-ainulindal Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dave Tremblay&amp;lt;br&amp;gt;Brian Leong&lt;br /&gt;
| 26edo black metal&lt;br /&gt;
| Montreal, QC&lt;br /&gt;
| &lt;br /&gt;
| Text-to-midi of Tolkien and other stories.&lt;br /&gt;
|-&lt;br /&gt;
| Claudi Meneghin&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/claudi-meneghin Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.youtube.com/c/ClaudiMeneghin YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neobaroque music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Mercury Tree&lt;br /&gt;
| [https://themercurytree.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ben Spees&amp;lt;br&amp;gt;Connor Reilly&amp;lt;br&amp;gt;Oliver Campbell&amp;lt;br&amp;gt;[[Igliashon Jones]]&lt;br /&gt;
| [[17edo]], [[23edo]], progressive rock, psychedelic, math rock&lt;br /&gt;
| Portland, OR&lt;br /&gt;
| 2007-&lt;br /&gt;
| Newer work is all microtonal.  Older works are standard or a mixture.&lt;br /&gt;
|-&lt;br /&gt;
| [[Herman Miller]]&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/herman-miller Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.prismnet.com/~hmiller/ Website 1]&amp;lt;br&amp;gt;[https://sites.google.com/site/teamouse/home Website 2]&amp;lt;br&amp;gt;[https://soundcloud.com/morphosyntax-1 SoundCloud]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCu3rKPsBlcCjI2FVxJaAqIg YouTube]&lt;br /&gt;
| [https://sites.google.com/site/teamouse/home#h.abtmxk3cr74b Mizarian Porcupine Overture]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=17V4pxuHUgY Ivari na taniravi]&lt;br /&gt;
| &lt;br /&gt;
| Compositions in linear temperaments, [[Equal| ETs]]; [[Warped Canon]]; songs in conlangs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Shaahin Mohajeri&lt;br /&gt;
| [http://www.96edo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Modal, sequenced in various EDO/ADO/EDL/AIDO/ADL&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| MonoNeon&lt;br /&gt;
| [[Wikipedia:Dywane Thomas Jr.| Wikipedia]]&amp;lt;br&amp;gt;[https://dywanethomasjr.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dywane Thomas Jr.&lt;br /&gt;
| 24edo funk, soul, hip-hop&lt;br /&gt;
| Tennessee&lt;br /&gt;
| 2013-2015 (?)&lt;br /&gt;
| Newer recordings seem to be standard tuning, but there was a lot of 24edo released around 2015.&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Monzo]]&lt;br /&gt;
| [http://www.tonalsoft.com/ TonalSoft website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], jazz rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Moriarty]]&lt;br /&gt;
| [https://soundcloud.com/john-lank1 SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Rock and improv in various regularly tempered tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Frederick Moore&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some microtonal works, electronic, other&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Aaron Myers-Brooks&lt;br /&gt;
| [https://aaronmyersbrooks.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 17edo Hard rock/metal on guitar&lt;br /&gt;
| PA&lt;br /&gt;
| 2019&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== N ==== &lt;br /&gt;
|-&lt;br /&gt;
| Naegleria Fowleri&lt;br /&gt;
| [https://sites.google.com/view/naegleriafowleri/ Website]&amp;lt;br&amp;gt;[https://naegleriafowleri.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=QqKf0ItWozs III Flagellate - Propulsion]&lt;br /&gt;
| [[Bostjan Zupancic]] (guitar and bass)&amp;lt;br&amp;gt;Luna Bird (vocals)&lt;br /&gt;
| [[19edo]] metal&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2017-&lt;br /&gt;
| Parrot singing with a xen metal project. What&#039;s not to love?&lt;br /&gt;
|-&lt;br /&gt;
| Ron Nagorcka&lt;br /&gt;
| [http://www.ronnagorcka.com/audio Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], digeridoo, synthesizers, birds...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| norokusi&lt;br /&gt;
| [https://www.youtube.com/channel/UC7imuNShfRqQdCey7qWJLVg YouTube]&amp;lt;br&amp;gt;[https://norokusi.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, contemporary and jazz in various [[edo]]s&lt;br /&gt;
| Tokyo, Japan&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Juhani Nuorvala&lt;br /&gt;
| [https://soundcloud.com/juhani-nuorvala SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== O ==== &lt;br /&gt;
|-&lt;br /&gt;
| Mats Öljare&lt;br /&gt;
| [http://www.angelfire.com/mo/oljare/midicomp.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Contrapuntal midi in various EDOs and etc&#039;s&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== P ==== &lt;br /&gt;
|-&lt;br /&gt;
| Tristan Parker&lt;br /&gt;
| [http://rozencrantzthesane.tripod.com/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], free-pitch, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| P-ART&lt;br /&gt;
| [http://users.skynet.be/P-ART/PARADISE/CLIPS/list.htm Website]&lt;br /&gt;
| &lt;br /&gt;
| Paul A.R. Timmermans&lt;br /&gt;
| Experimental&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Harry Partch]]&lt;br /&gt;
| [http://musicmavericks.publicradio.org/features/feature_partch.html American Mavericks]&amp;lt;br&amp;gt;[https://www.harrypartch.com/music Harry Partch Information Center]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[11-limit]], [[Just intonation]], acoustic, monophony&lt;br /&gt;
| Oakland, CA&lt;br /&gt;
| 1930-1972&lt;br /&gt;
| One of the first 20th-century composers in the West to work systematically with microtonal scales&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Pehrson]]&lt;br /&gt;
| [http://users.rcn.com/jpehrson/JosephPehrson.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Blackjack, acoustic, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| pfly&lt;br /&gt;
| [https://soundcloud.com/pfly SoundCloud]&lt;br /&gt;
| Zlo-88&lt;br /&gt;
| Paul Fly&lt;br /&gt;
| [[88cET]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Samuel Pellman&lt;br /&gt;
| [http://academics.hamilton.edu/music/spellman/MfS/microtonal.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], [[Nonoctave]], [[Equal Temperaments]], electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Joseph Post&lt;br /&gt;
| [http://www.myspace.com/josephpost MySpace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystal-JI, acoustic guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tom Price]]&lt;br /&gt;
| https://soundcloud.com/tomprice719&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kees van Prooijen]]&lt;br /&gt;
| [http://www.kees.cc/music/oddpiano/oddpiano.html Website]&lt;br /&gt;
| Odd Piano&lt;br /&gt;
| &lt;br /&gt;
| [[Bohlen–Pierce]], timbre-stretched piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Barry Prophet&lt;br /&gt;
| [http://www.pomer-prophet.com/barry.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic, sound sculptures&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== Q ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== R ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Johnny Reinhard]]&lt;br /&gt;
| [[wikipedia:Johnny_Reinhard| Wikipedia]]&amp;lt;br&amp;gt;[http://www.afmm.org/ American Festival of Microtonal Music]&amp;lt;br&amp;gt;[https://stereosociety.com/johnny-reinhard/ Stereo Society]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://johnnyreinhard.bandcamp.com/album/reinhard-ensemble-compositions Reinhard Ensemble Compositions]&lt;br /&gt;
| &lt;br /&gt;
| Acoustic polymicrotonality&lt;br /&gt;
| New York, NY&lt;br /&gt;
| 1981-&lt;br /&gt;
| Founded [[American Festival of Microtonal Music]] (AFMM)&lt;br /&gt;
|-&lt;br /&gt;
| Robert Rich&lt;br /&gt;
| [https://robertrich.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7-limit]], [[just intonation]], ambient&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Michael Robinson&lt;br /&gt;
| [http://www.azuremilesrecords.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Worldly electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Prent Rodgers]]&lt;br /&gt;
| [http://ripnread.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Music that&#039;s fake but accurate&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [[Dante Rosati]]&lt;br /&gt;
| [http://www.danterosati.com/justguitar.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], solo guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Robert Ross&lt;br /&gt;
| [http://www.piedwagtail.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[19edo]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== S ==== &lt;br /&gt;
|-&lt;br /&gt;
| Marc Sabat&lt;br /&gt;
| [http://www.plainsound.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carlos Sampaio&lt;br /&gt;
| [https://www.soundclick.com/artist/default.cfm?bandID=236415 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonics&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Scott Sandvik&lt;br /&gt;
| [http://www.scottsandvik.com/html/audio.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slide guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Edward Schocker&lt;br /&gt;
| [http://edwardschocker.com/music/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Dramatic works - excerpts and fulls&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Margo Schulter]]&lt;br /&gt;
| [https://www.bestii.com/~mschulter/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neo-medieval xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Andrew Schulze&lt;br /&gt;
| [http://kalvos.org/schulze.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some mp3s of electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ethan Schwartz&lt;br /&gt;
| [https://myspace.com/tetrachordproject Myspace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI music based on tetrachords, for guitar and keyboard&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[X. J. Scott]]&lt;br /&gt;
| [http://www.nonoctave.com/geocities/ Website]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands/pagemusic.cfm?bandID=141776 Soundclick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[George Secor]]&lt;br /&gt;
| [http://users.bigpond.net.au/d.keenan/sagittal/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various vintage Scalatron performances&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dave Seidel]]&lt;br /&gt;
| [http://mysterybear.net/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal minimalism and ambience, using Csound&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Carlo Serafini]]&lt;br /&gt;
| [http://www.seraph.it/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/iranief YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic. Isomorphic keyboard: the Opal Chameleon&lt;br /&gt;
| Florence, Italy&lt;br /&gt;
| &lt;br /&gt;
| Futurist composer. Also, is admin on Facebook [https://www.facebook.com/groups/356483631067563/ Microtonalitaly group].&lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Sethares]]&lt;br /&gt;
| [http://eceserv0.ece.wisc.edu/~sethares/otherperson/all_mp3s.html Website]&lt;br /&gt;
| [http://sethares.engr.wisc.edu/mp3s/truthonabus.html Truth on a Bus]&lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic with stretched partials&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sevish]]&lt;br /&gt;
| [http://sevish.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/c/Sevish YouTube]&amp;lt;br&amp;gt;[https://soundcloud.com/sevish SoundCloud]&amp;lt;br&amp;gt;[https://sevish.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Gcgawrr2xao Desert Island Rain]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=l9wINwlgxRU Gleam]&lt;br /&gt;
| Sean Archibald (with occasional guest musicians)&lt;br /&gt;
| Drum &#039;n&#039; bass / electronic / trip-hop / ambient; in EDOs, JI, nonoctave scales and various others. &amp;quot;Microtonal music with a beat&amp;quot;; stellar production quality.&lt;br /&gt;
| London, England&lt;br /&gt;
| 2010-&lt;br /&gt;
| Popular (for xen). Great first xen for many people. Also runs several xen-related projects.&lt;br /&gt;
|-&lt;br /&gt;
| [[Ezra Sims]]&lt;br /&gt;
| [https://www.ezrasims.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 72-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Gene Ward Smith]]&lt;br /&gt;
| [[Microtonal Music by Gene Ward Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced originals; Mad Science Tuning; renderings of colleagues&#039; music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jon Lyle Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced classical in odd meters&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sononym]]&lt;br /&gt;
| [https://www.youtube.com/channel/UCO0Tn4tnRrILUxJuchfbnlw YouTube]&lt;br /&gt;
| [https://open.spotify.com/intl-fr/album/3UZ1Q0AqKBBFHN6gCsesz2 Humors]&lt;br /&gt;
| Max McCargar&lt;br /&gt;
| Experimental electronic jazz&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Cole and Spectral Voices&lt;br /&gt;
| [https://www.spectralvoices.com/jim-cole-spectral-voices/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of meditative New Age with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Soundwell (Anders Erkéus)&lt;br /&gt;
| [https://soundcloud.com/soundwell Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Snake&amp;quot; overtone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Manfred Stahnke&lt;br /&gt;
| [https://stahnkemanfred.musicaneo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One piece &amp;quot;Partch Harp&amp;quot; for harp and sampled harp&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans-André Stamm]]&lt;br /&gt;
| [http://www.eufonia.de/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone/48-tone JI acoustic organ!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Starrett]]&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=FD0ec4qOlcs&amp;amp;t=&amp;amp;ab_channel=xenopusRTRT Citified Notions]&lt;br /&gt;
| John Starrett (vocals, bass)&amp;lt;br&amp;gt;Neil Haverstick (guitar)&amp;lt;br&amp;gt;Ernie Crews (drums)&lt;br /&gt;
| 19-EDO. Rockabilly/Pop-rock, comment from John about the song on the YouTube page&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| John Starrett played bass with Neil Haverstick. Neil also plays the 19-EDO guitar on some of John&#039;s recordings.&lt;br /&gt;
|-&lt;br /&gt;
| Stimmhorn&lt;br /&gt;
| [http://www.stimmhorn.ch/ Website]&lt;br /&gt;
| &lt;br /&gt;
| Christian Zehnder&amp;lt;br&amp;gt;Balthasar Streiff&lt;br /&gt;
| Experimental alphorn and yodeling combined with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans Straub]]&lt;br /&gt;
| [http://home.datacomm.ch/straub/musik/index_e.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Pieces with meters that match the tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Redrick Sultan&lt;br /&gt;
| [https://redricksultanband.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=DtrH9ptBV18&amp;amp;index=1&amp;amp;list=PL_GQa1Uf_pEPGi9CxiMfK-13BBs0SVkWP The Prince]&lt;br /&gt;
| Spencer Hargreaves (vocals, guitars)&amp;lt;br&amp;gt;Noah Jordan (vocals, bass, keys, flute, oud)&amp;lt;br&amp;gt;Sean Mitchell (drums, sampling)&lt;br /&gt;
| Spooky, cool, acoustic, electric&lt;br /&gt;
| Vancouver, British Columbia&lt;br /&gt;
| 2010-&lt;br /&gt;
| [[22edo]], acoustic, magic rock, chill&lt;br /&gt;
|-&lt;br /&gt;
| Mick Sussman&lt;br /&gt;
| [http://micksussman.com/pw/music.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Plunderphonic collages in various tunings and multitempi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Susman&lt;br /&gt;
| [https://www.susmanmusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Works in quarter-tone - scores and audio files&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ron Sword]]&lt;br /&gt;
| [http://www.ronsword.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 16-EDO and 31-EDO on 8 and 9 string guitar Etudes, Microtonal Extreme Metal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Ron was also affiliated with the Microtonal Records label and the metatonal music site, as well as the microtonal guitarist forum.&lt;br /&gt;
|-&lt;br /&gt;
| Syzygys&lt;br /&gt;
| [http://www.syzygys.jp Website]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=Syzygys YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/Syzygys Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KjSF41-mdL4 Lotus Rain]&lt;br /&gt;
| Hitomi Shimizu (43-tone organ, vocals)&amp;lt;br&amp;gt;Hiromi Nishida (violin, vocals)&lt;br /&gt;
| Clips of Japanese duo in 43-tone Partch JI, with Chromelodeon&lt;br /&gt;
| Japan&lt;br /&gt;
| ?&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== T ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Tall Kite]]&lt;br /&gt;
| [http://www.tallkite.com/music.html Website]&amp;lt;br&amp;gt;[https://soundcloud.com/tallkite SoundCloud (TallKite)]&amp;lt;br&amp;gt;[https://soundcloud.com/mbirakite SoundCloud (MbiraKite)]&amp;lt;br&amp;gt;[https://tallkite.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://tallkite.com/music/IHearNumbers.html I Hear Numbers]&amp;lt;br&amp;gt;[https://tallkite.com/music/EveningRondo.html Evening Rondo]&amp;lt;br&amp;gt;[http://www.tallkite.com/music/DownminorNocturne.html Downminor Nocturne]&lt;br /&gt;
| Kite Giedraitis&lt;br /&gt;
| 7-limit JI, 41edo.&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 1990&#039;s-&lt;br /&gt;
| See also [https://kiteguitar.com/ KiteGuitar.com]&lt;br /&gt;
|-&lt;br /&gt;
| [[Cam Taylor]]&lt;br /&gt;
| [https://archive.org/search.php?query=creator%3A%22Cam+Taylor%22 Internet Archive]&amp;lt;br&amp;gt;[https://soundcloud.com/camtaylor-1 SoundCloud (1)]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1 SoundCloud (2)]&amp;lt;br&amp;gt;[https://iamcamtaylor.wordpress.com/ Blog]&lt;br /&gt;
| [https://soundcloud.com/cam-taylor-2-1/mothers mothers]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/17-out-of-63edo-wurly-those-early-dreams those early dreams]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/12tone63edo1 12tone63EDO1]&lt;br /&gt;
| &lt;br /&gt;
| Bosanquet Axis49, Lumatone, 12- and 17-tone keyboard improvisations in 17, 19, 22, 26, 31, 37, 39, 41, 43, 46, 50, 53, 56, 63, 94, 112 EDOs, some JI and near-just tunings, and songs with piano or guitar in 31EDO and JI, various.&lt;br /&gt;
| Auckland, New Zealand&lt;br /&gt;
| 2010-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jack Tickner&lt;br /&gt;
| [https://www.facebook.com/JackETickner/ Facebook]&amp;lt;br&amp;gt;[https://jacktickner.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jacktickner.bandcamp.com/album/reassuring-weight Reassuring Weight]&lt;br /&gt;
| &lt;br /&gt;
| Just intonation&lt;br /&gt;
| Sydney, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Thoegersen&lt;br /&gt;
| [https://soundcloud.com/pthoege SoundCloud]&amp;lt;br&amp;gt;[https://peterthoegersen.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/pthoege/two-worlds Two Worlds]&amp;lt;br&amp;gt;[https://soundcloud.com/pthoege/im-a-force-of-nature I Am a Force of Nature]&lt;br /&gt;
| &lt;br /&gt;
| Composer. Absurdist symphonic, chamber. Fun. Difficult music, in a good way. If you like Zappa&#039;s stranger works, you will like this.&lt;br /&gt;
| New York (?)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tony Dubshot]]&lt;br /&gt;
| [http://www.dubbhism.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Macrotonal dub and dancehall in 05-EDO, 07-EDO and 08-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[User:Tristanbay| Tristan Bay]]&lt;br /&gt;
| [https://tristanbay.com Website]&amp;lt;br&amp;gt;[https://youtube.com/@tristanbay YouTube]&amp;lt;br&amp;gt;[https://tristanbay.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/4kHErr2liGBpoChdl4DsTC Spotify]&lt;br /&gt;
| [https://youtu.be/JhGvrJ86jLU Subtract Hominem]&lt;br /&gt;
[https://youtu.be/H47nsivr-TU That]&lt;br /&gt;
&lt;br /&gt;
[https://youtu.be/R30aRbNtoIY Pitchblende]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music, synthwave, equal temperament, instrumental&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 2021-&lt;br /&gt;
| Xen Wiki editor, microtonal instrument maker, active on the XA Discord server, and a regular on the [[Xendergarten|Xendergarten podcast]]&lt;br /&gt;
|-&lt;br /&gt;
| Tritone MSU&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Tui St. George Tucker&lt;br /&gt;
| [http://tuistgeorgetucker.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen James Taylor]]&lt;br /&gt;
| [http://www.stephenjamestaylor.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal film scores, multiple Wilson scales&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jeroen Paul Thesseling]]&lt;br /&gt;
| [http://www.jeroenthesseling.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music for bass guitar: &amp;quot;HAFNIUM&amp;quot; (72-EDO), &amp;quot;ARGON&amp;quot; (18-EDO), &amp;quot;DISCREPANTIUM&amp;quot; (24-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== U ==== &lt;br /&gt;
|-&lt;br /&gt;
| uSSSy&lt;br /&gt;
| [https://www.facebook.com/uSSSy.band/ Facebook]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/music/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=gVJftIEA4KM Acoustic performance on YouTube]&lt;br /&gt;
| [https://usssy.bandcamp.com/album/ud Ud]&amp;lt;br&amp;gt;[https://usssy.bandcamp.com/album/voyage/ Voyage]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/album/naghma Naghma]&lt;br /&gt;
| Artem Galkin&amp;lt;br&amp;gt;Pavel Eremeev&lt;br /&gt;
| [[24edo]] and similar tunings. Styles ranging from &amp;quot;black metal techno blues&amp;quot; to &amp;quot;indo-iranian meditative feedback rock&amp;quot;&lt;br /&gt;
| Moscow, Russia&lt;br /&gt;
| 2009-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== V ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Chris Vaisvil]]&lt;br /&gt;
| [http://chrisvaisvil.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Many tunings (just intonation, various EDOs + tuning survey) microtonal synthesizers controlled by midi guitar (Roland GR-20), Linnstrument, 17 edo keyboard (DIY) + soft synthesizers and &amp;quot;traditional&amp;quot; scored microtonal music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Prolific explorer of a wide range of scales. Neat DIY techniques used and demonstrated &amp;quot;at the edge between acoustic and electric&amp;quot;.&lt;br /&gt;
|-&lt;br /&gt;
| Nicola Vicentino&lt;br /&gt;
| [[Wikipedia:Nicola Vicentino| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=0akGtDPVRxk Musica Prisca Caput (Madrigal for 24-tone two voice harpsichord in Meantone)]&amp;lt;br&amp;gt;Same piece [https://www.youtube.com/watch?v=ld36JlmOtM0 played on an arciorgano]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=bhGwjgZ8zIY Madonna il poco dolce]&lt;br /&gt;
| &lt;br /&gt;
| Early microtonal composer in 16th century&lt;br /&gt;
| &lt;br /&gt;
| Born 1511. Died in either 1575 or 1576.&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nicola Visalli (broken)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronically rendered microtonal contemporary classical&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Voltage Controlled&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of electronic tuning-savvy experiments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Alfredo Votta&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Soundcloud account featuring &amp;quot;Liber Stellarum&amp;quot;, a collection of seven pieces for &amp;lt;br&amp;gt; 13-EDO piano. Has also composed in 18-EDO.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== W ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Walker]]&lt;br /&gt;
| [https://robertinventor.com/musicandvirtualflowers/tunes/tunes.htm Website 1]&amp;lt;br&amp;gt;[https://robertinventor.com/musicandvirtualflowers/tunes/improvisations.htm Website 2]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, world, fractal&lt;br /&gt;
| Indianapolis, IN&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen Weigel]]&lt;br /&gt;
| [https://soundcloud.com/overtoneshock SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic pop, computer music, totalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Danny Wier&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Symphonic, progressive rock/metal, jazz, etc., mostly in 72-EDO (all synth-generated)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Randy Winchester]]&lt;br /&gt;
| &lt;br /&gt;
| [[Five Hemispheres]]&amp;lt;br&amp;gt;[[Comets Over Flatland]]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs and Bohlen–Pierce, electronic music and 8-bit synthesizers&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Erling Wold&lt;br /&gt;
| [http://www.erlingwold.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical; search page for just intonation&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Wolf]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic neo-baroque string trio&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brian Wong]]&lt;br /&gt;
| [https://bwong.ca/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Examples of computer-generated music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| James Wyness&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal acousmatic works&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== X ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Y ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Z ==== &lt;br /&gt;
|-&lt;br /&gt;
| Zadarpadov&lt;br /&gt;
| [https://zadarpadov.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic, avant-garde&lt;br /&gt;
| Finland&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Zhea Erose]]&lt;br /&gt;
| [https://zheaerose.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UC--VosYH0BHISbb4SFO9rQA YouTube]&lt;br /&gt;
| [https://youtu.be/ipNP-8XwezE XQQQ]&amp;lt;br&amp;gt;[https://youtu.be/a63V_fAPNaA WXTCHCRXFT EP]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=wvLLV5qle48 Glitterdance]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8Ol2gzkcprE divinate]&lt;br /&gt;
| Amelia Huff&lt;br /&gt;
| [[31edo]], JI, primodality, contemporary classical, ambient, electronic, &amp;quot;dream&amp;amp;bass&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| 2019-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[ZIA]] / [[Elaine Walker]]&lt;br /&gt;
| [http://ziaspace.com/ Website]&amp;lt;br&amp;gt;[https://www.facebook.com/Zia-170293513002981/ Facebook]&amp;lt;br /&amp;gt;[https://ziaspace.bandcamp.com Bandcamp]&lt;br /&gt;
| Zia1.5 (1992), SHEM (1996), Bang! (2000), Drum&#039;n&#039;Space (2011), Four-Momentum, No Terrestrial Road, Macrochip (2026)&lt;br /&gt;
| [[Elaine Walker]]&lt;br /&gt;
| Electronic, space, dance, [[10edo]], [[11edo]], [[14edo]], [[15edo]], [[16edo]], [[17edo]], [[19edo]], [[20edo]], [[22edo]], [[Bohlen–Pierce]]&lt;br /&gt;
| Boston / NYC / Tempe, AZ / Las Cruces, NM (&#039;&#039;current&#039;&#039;)&lt;br /&gt;
| 1991-&lt;br /&gt;
| Elaine did music editing for &#039;&#039;Pokémon&#039;&#039; (2001-07) and for private space industry videos in the late 90s and early 00s. Zia is great introductory/accessible xen music.&lt;br /&gt;
|-&lt;br /&gt;
| Matthias Ziegler&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Unconventional flute playing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bostjan Zupancic]]: MicroMetal&lt;br /&gt;
| [https://sites.google.com/site/19edoguitar/home/bostjan-zupancic-micrometal Google Page]&amp;lt;br&amp;gt;[https://bostjanzupancic.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JTpF2MifP5Y Brain for Breakfast]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=D8utL7T0HAc Beezer&#039;s Cellar]&lt;br /&gt;
| Bostjan Zupancic - Guitar, Bass, Drums, Vocals, Synthesizer&lt;br /&gt;
| 19-EDO Modern Hard Rock and Heavy Metal, and occasionally 24-EDO.&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2008-&lt;br /&gt;
| &lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! &#039;&#039;&#039;Website&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Description&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.musicmavericks.org/listening/ American Mavericks concert series]&lt;br /&gt;
| Microtonal RealPlayer files: Lou Harrison Suite for Violin and American Gamelan, Third Symphony; Charles Ives &amp;quot;Allegro&amp;quot; from Quartertone Piano Pieces&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.oeaw.ac.at/kal/agm/ Ancient Greek Music]&lt;br /&gt;
| Library of extant fragments using authentic tunings: Real``Player and MIDI&lt;br /&gt;
|-&lt;br /&gt;
| [http://bostonmicrotonalsociety.org/ Boston Microtonal Society]&lt;br /&gt;
| 72-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://catharsis.egregious.net/errata/ Catharsis] ([http://catharsis.egregious.net/tracks/droneI/ 2])&lt;br /&gt;
| Jon Catler and Jacky Ligon live; &amp;quot;Drone 1&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.fujara.sk/audio_samples.htm Fujara]&lt;br /&gt;
| Slovak overtone flute&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wmich.edu/mus-theo/groven/ Groven Piano Project]&lt;br /&gt;
| 36-tone JI (schismatic) pianos after Eivind Groven&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.xs4all.nl/%7Ehuygensf/english/index.html Huygens-Fokker Foundation]&lt;br /&gt;
| Acoustic and MIDI 31-EDO &amp;amp; 24-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.csounds.com/ezine/winter1999/synthesis/ Implementing Cellular Automatas in Csound]&lt;br /&gt;
| MP3 examples with spectral pictures&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html kingmixers] ([http://www.kingmixers.com/AncGreekMusicFragments.html%20 2]) ([http://www.kingmixers.com/Clouds%20MP3s.html%20copy 3])&lt;br /&gt;
| Some MP3 samples of Greek tunings, reconstructions of Greek music fragments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.last.fm/tag/microtonal last.fm microtonal tag radio]&lt;br /&gt;
| Stream microtonal music from last.fm radio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.lucytune.com/ LucyTuning] ([http://www.harmonics.com/lucy/earindex.html 2]) ([http://www.lullabies.co.uk/ 3])&lt;br /&gt;
| LucyTuned music - clips and full pieces, midi files, mp3s, video&lt;br /&gt;
|-&lt;br /&gt;
| [http://micro.soonlabel.com/ micro.soonlabel.com]&lt;br /&gt;
| Music from multiple composers in various tunings available for direct download.&lt;br /&gt;
|-&lt;br /&gt;
| [http://microtonalismo.com/ MICROTONALISMO]&lt;br /&gt;
| Primera Web oficial de microtonalismo de habla hispana en latinoamerica&lt;br /&gt;
|-&lt;br /&gt;
| [http://cdbaby.com/cd/mfhi Music for Homemade Instruments]{{dead link}}&lt;br /&gt;
| Clips of junkmusic orchestra&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.mvcc.edu/noldani/home Oldani&#039;s Math &amp;amp;amp; music Site]{{dead link}}&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [http://www.overtone.cc/ Overtone Music Network]&lt;br /&gt;
| A platform for overtone music of all kinds, with a huge collection of online audio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.quartertonemarimba.com/ Quartertonemarimba.com]&lt;br /&gt;
| Kjell Tor Innevik&#039;s project at Norwegian Academy of Music&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.geocities.com/dinarra2000/songs.html Eduardo Sábat]&lt;br /&gt;
| Clips of jazz standards on 53-enharmonic frets per Octave guitar (Dinarra)&lt;br /&gt;
|-&lt;br /&gt;
| [http://split-notes.com/ split-notes Microtonal Netlabel]&lt;br /&gt;
| Online record label, free digital releases, microtonal music from various musicians&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.ne.jp/asahi/mariko/takanashi/masa/pagesE1/rev1nwpages/engconcert.html The Perfect Just Intonation Music MIDI Cycle Concerts]&lt;br /&gt;
| Classics tuned in JI&lt;br /&gt;
|-&lt;br /&gt;
| [http://pages.globetrotter.net/roule/demos.htm Tuning and temperament demos]&lt;br /&gt;
| MIDI and audio demonstrating historical tunings&lt;br /&gt;
|-&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=105485 Tuning Lab]&lt;br /&gt;
| Acoustic, electronic tuning experiments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wnyc.org/search/?q=microtonal WNYC microtonal features]&lt;br /&gt;
| Radio shows featuring microtonal music, esp. &amp;quot;New Sounds&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Projects]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Practice]]&lt;br /&gt;
[[Category:Listen| ]] &amp;lt;!-- main article --&amp;gt;&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Listen&amp;diff=231234</id>
		<title>Listen</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Listen&amp;diff=231234"/>
		<updated>2026-05-28T11:03:00Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Z */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Catrel|Listen}}&lt;br /&gt;
&lt;br /&gt;
This page is a list of xenharmonic listening suggestions. If you think anything should be changed, feel free to change it yourself, or leave a note about it here.&lt;br /&gt;
&lt;br /&gt;
== Curated lists ==&lt;br /&gt;
=== By curator ===&lt;br /&gt;
&#039;&#039;&#039;UnTwelve annual competition winners&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://untwelve.org/competition Annual Composition Competition pages] by the [[UnTwelve]] foundation. The majority of the dozens of entrants in each year’s competition provide audio files of their compositions for the public to listen to.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Mike Battaglia]]&#039;s recommendations playlist&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://open.spotify.com/user/1218607737/playlist/70d4bxQpwBM4EPvLj0OmhO?si=ADmgFYnhTxGRDENaYK5XGw&amp;amp;fbclid=IwAR0Tw8l31ERv0cUgO-4OrBMu7wp8I38dhGWUGsmFvWo6sLle1FS7ZJQ7z0o Microtonal Spotify Playlist] — Deliberately includes examples for many different genres. Put it on Shuffle and have a great intro to xen.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Highest rated by the Xen Wiki community&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[List of xenharmonic music by community ratings]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;More recommendations&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Microtonal music recommendation playlists]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
=== By medium/tuning/genre ===&lt;br /&gt;
&#039;&#039;&#039;Sheet music&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Scores]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Albums&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[:Category:Albums]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music by tuning&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;small&amp;gt;&#039;&#039;&#039;[[Music in just intonation]]&#039;&#039;&#039; • [[Bohlen–Pierce scale/Music]] • [[Carlos Alpha#Music]] • [[Carlos Beta#Music]] • [[Carlos Gamma#Music]] • [[Polymicrotonality#Music]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music in EDOs&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;5-9: &#039;&#039;&#039;[[5edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[7edo/Music]]&#039;&#039;&#039; • [[8edo#Music]] • &#039;&#039;&#039;[[9edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
10-19: &#039;&#039;&#039;[[10edo/Music]]&#039;&#039;&#039; • [[11edo#Music]] • [[13edo/Music]] • [[14edo#Music]] • &#039;&#039;&#039;[[15edo/Music]]&#039;&#039;&#039; • [[16edo#Music]] • &#039;&#039;&#039;[[17edo/Music]]&#039;&#039;&#039; • [[18edo#Music]] • &#039;&#039;&#039;[[19edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
20-29: [[20edo#Music]] • [[21edo#Music]] • &#039;&#039;&#039;[[22edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[23edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[24edo/Music]]&#039;&#039;&#039; • [[25edo#Music]] • [[26edo#Music]] • [[27edo#Music]] • [[28edo#Music]] • [[29edo#Music]]&lt;br /&gt;
&lt;br /&gt;
30-41: [[30edo#Music]] • &#039;&#039;&#039;[[31edo/Music]]&#039;&#039;&#039; • [[32edo#Music]] • [[33edo#Music]] • [[34edo#Music]] • [[35edo#Music]] • [[36edo#Music]] • [[37edo#Music]] • [[38edo#Music]] • [[39edo#Music]] • [[40edo#Music]] • &#039;&#039;&#039;[[41edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;(for higher EDOs see [[EDO#Individual pages for EDOs|the individual EDO pages]])&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Classical pieces that were written with microtones&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
{{todo|expand|add examples|inline=1}}&lt;br /&gt;
Notable examples from 20th century classical music that briefly use the 7th harmonic, and for the Britten piece, the 11th harmonic as well:&lt;br /&gt;
* Ralph Vaughan Williams&#039;s [[wikipedia:A_Pastoral_Symphony|Symphony No. 3, A Pastoral Symphony]] from 1922, two horn solos in the 2nd movement&lt;br /&gt;
* Benjamin Britten&#039;s [[wikipedia:Serenade_for_Tenor,_Horn_and_Strings|Serenade for Tenor, Horn and Strings]] from 1943, prologue and epilogue&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Non-microtonal classical pieces translated to microtonal tunings&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
For a list of pieces that were originally written in a non-xenharmonic context, and then translated into a xenharmonic tuning, see [[Familiar melodies in unfamiliar tunings]]. (&#039;&#039;Stephen Weigel&#039;s [https://www.youtube.com/watch?v=bKNuSRujLPY&amp;amp;list=PLzY9zzOkuloTH7IYBl6AHFcbdM-Qop7u4 YouTube channel], Mike Battaglia&#039;s [https://soundcloud.com/mikebattagliaexperiments SoundCloud], and H. Wakabayashi&#039;s [https://www.youtube.com/user/inodapicnic YouTube channel] have great examples of these&#039;&#039;).&lt;br /&gt;
&lt;br /&gt;
== Giant table of xenharmonic music examples ==&lt;br /&gt;
What follows for the rest of this page is a large alphabetical list of as many xenharmonic artists and pieces as the wiki editors could find. It is not filtered or curated by quality, genre, or any other criteria. Feel free to add to it:&lt;br /&gt;
&lt;br /&gt;
{{TOC Horizontal&lt;br /&gt;
| a1=[[#Compilations|Compilations]]&lt;br /&gt;
| a2=[[#Artists|Artists]] ([[#A|A]]&lt;br /&gt;
| a3=[[#B|B]]&lt;br /&gt;
| a4=[[#C|C]]&lt;br /&gt;
| a5=[[#D|D]]&lt;br /&gt;
| a6=[[#E|E]]&lt;br /&gt;
| a7=[[#F|F]]&lt;br /&gt;
| a8=[[#G|G]]&lt;br /&gt;
| a9=[[#H|H]]&lt;br /&gt;
| a10=[[#I|I]]&lt;br /&gt;
| a11=[[#J|J]]&lt;br /&gt;
| a12=[[#K|K]]&lt;br /&gt;
| a13=[[#L|L]]&lt;br /&gt;
| a14=[[#M|M]]&lt;br /&gt;
| a15=[[#N|N]]&lt;br /&gt;
| a16=[[#O|O]]&lt;br /&gt;
| a17=[[#P|P]]&lt;br /&gt;
| a18=[[#Q|Q]]&lt;br /&gt;
| a19=[[#R|R]]&lt;br /&gt;
| a20=[[#S|S]]&lt;br /&gt;
| a21=[[#T|T]]&lt;br /&gt;
| a22=[[#U|U]]&lt;br /&gt;
| a23=[[#V|V]]&lt;br /&gt;
| a24=[[#W|W&amp;amp;ndash;Z]])&lt;br /&gt;
| a25=[[#Other|Other]]&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
=== Compilations ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Year&lt;br /&gt;
! &#039;&#039;&#039;Links&#039;&#039;&#039;&lt;br /&gt;
! Title&lt;br /&gt;
! &#039;&#039;&#039;Synopsis&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Genres, tunings, keywords&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Additional notes&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| 2024&lt;br /&gt;
| [https://www.youtube.com/watch?v=ftfnW9DsFVE YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Christmas Compilation 2024&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. &amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 41edo, mixed tunings*, 87edo, 159edo, 15edt, 15edo, free pitch, 31edo, &lt;br /&gt;
| *31edo diatonic, 25edo mavila, 7edo, 27edo mosh[7], 17edo &amp;quot;sun&amp;quot; scale, 26edo diasem-ish&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=U3fDWlG2Cb8 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Adxenture EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 11 artists. &amp;lt;br /&amp;gt;Theme: Explore + Discover&lt;br /&gt;
| Tunings: 15edo, 17-note tempered 2.3.7.29 ternary scale*, 26edo, 27edo, 12-tone 7-limit scale**, 21edo, 22edo, 37edo&lt;br /&gt;
| Was an entry in the Server vs Server V competition.&amp;lt;br /&amp;gt;*28/27 + 0.193{{cent}}, 29/27 + 2.596{{cent}}, 9/8 - 1.066{{cent}}, 7/6 - 0.873{{cent}}, 29/24 + 1.53{{cent}}, 81/64 - 2.132{{cent}}, 21/16 - 1.939{{cent}}, 87/64 + 0.464{{cent}}, 116/81 + 3.129{{cent}}, 3/2 - 0.533{{cent}}, 14/9 - 0.34{{cent}}, 29/18 + 2.063{{cent}}, 27/16 - 1.599{{cent}}, 7/4 - 1.406{{cent}}, 29/16 + 0.997{{cent}}, 243/128 - 2.665{{cent}}, 2/1&amp;lt;br /&amp;gt;**135/128, 9/8, 75/64, 5/4, 21/16, 45/32, 3/2, 25/16, 27/16, 7/4, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=-boJuGbymMY YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Kids Songs Edition&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 4 artists. &amp;lt;br /&amp;gt;Theme: Kids Songs&lt;br /&gt;
| Tunings: 46edo, octave-reduced 10L 7s MOS, 53edo, 15edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=fOZiX7f7t8Q YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Cover My Song&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. 8 tracks.&lt;br /&gt;
| Tunings: Free pitch, 22edo, 410edo, 159edo, 41edo, 19edo, 27edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://www.youtube.com/watch?v=WoF89oQ1Pn0 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Christmas 2022 Edition!&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 8 artists.&amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 7-Limit POTE Whitewood[21], 29edo, 23edo, 159edo*, 22edo, 353edo**, Iceface 75***, 17edo, Harmonics 16-32 starting from multiple notes****&lt;br /&gt;
| *Used for multiple songs, each song with a different reference pitch; main scale: 27\159, 51\159, 66\159, 93\159, 120\159, 144\159, 159\159 &amp;lt;br /&amp;gt;**38\353 Rectified Hebrew + 38\353 Apparatus on Harp &amp;lt;br /&amp;gt;***12edo with the black piano keys raised 75 cents &amp;lt;br /&amp;gt;****D = 293.333 Hz, G = 195.556 Hz, C = 260.741 Hz, F = 173.827 Hz, Bb = 234.667 Hz, Eb = 156.444 Hz&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/tDjLcCictVQ Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project 2&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Tostarena: Ruins&amp;quot; from &#039;&#039;Super Mario Odyssey&#039;&#039;.&lt;br /&gt;
| Tunings: 17edo, 13-limit JI*, 21edo, 19edo, 13-limit lemba, 13-limit srutal[12], 23edo, 11-limit JI**, 37edo, 33edo&lt;br /&gt;
| *28/27, 9/8, 7/6, 63/52, 4/3, 3/2, 14/9, 21/13, 7/4, 2/1&amp;lt;br /&amp;gt;**12/11, 9/8, 6/5, 5/4, 4/3, 15/11, 3/2, 18/11, 27/16, 16/9, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/9rTbLQ9j1sE Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Deleted User EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 12 artists.&amp;lt;br /&amp;gt;Theme: Secrets&lt;br /&gt;
| Tunings: 19edo, 2)5 [[CPS]] 3 7 9 11 13, 21edo, 18edo, 29edo, 33edo, 22edo, 11edo, 13edo, a [[porcupine]]-derived [[nonoctave]] tuning&lt;br /&gt;
| Was an entry in the Server vs Server IV competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/mkSlVrpC7HI Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Aquatic Ambience&amp;quot; from &#039;&#039;Donkey Kong Country&#039;&#039;.&lt;br /&gt;
| Tunings: 7-limit JI*, 18edo, 17edo, 7-limit JI**, 41edo, 15edo, 22edo&lt;br /&gt;
| *9/8, 7/6, 6/5, 4/3, 3/2, 14/9, 8/5, 16/9, 2/1&amp;lt;br /&amp;gt;**28/27, 9/8, 6/5, 5/4, 4/3, 7/5, 3/2, 8/5, 5/3, 9/5, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/XomJ5Hutl7k Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - LM x SvS 1v1s&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 one-minute tracks by 10 artists.&lt;br /&gt;
| Tunings: 16edo neji /128, 22edo, 17edo, Ibn Sina diatonic + extra chromatic tones (JI)*, 31edo, 20edo, 24edo, 16edo, 26edo&lt;br /&gt;
| LM x SvS = Lucid Monday x Server vs Server&amp;lt;br /&amp;gt;*14/13, 7/6, 4/3, 3/2, 21/13, 7/4, 2/1 + 28/27, 21/20, 14/9&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7b-luna-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7b-luna-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7b - Luna Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 15 artists.&lt;br /&gt;
| Each track uses a different [[EDO]] or other [[equal-step tuning]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://youtu.be/jBXpOPeQFYY Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Gone Too Deep EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 14 artists.&amp;lt;br /&amp;gt;Theme: Dreams&lt;br /&gt;
| Tunings: 14edo, a [[Neji]] tuning, 18edo, 17edo, 96edo, 31edo, 15edo, 21edo, 23edo, 20edo&lt;br /&gt;
| Was an entry in the Server vs Server III competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7-terra-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7-terra-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7 - Terra Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 16 artists.&lt;br /&gt;
| Each track uses a different [[EDO]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2019&lt;br /&gt;
| [https://open.spotify.com/album/2ojBIQLtipAo6MPJhmNiWP Listen free on Spotify]&amp;lt;br /&amp;gt;[https://biptunia.com/?p=4633 More info].&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Microtonal Freedom (A Benefit Compilation Album for Lyn Ulbricht)&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists. Many of them are contributors on this wiki.&lt;br /&gt;
| &#039;&#039;&#039;GENRES&#039;&#039;&#039;: Blues, metal, prog, trip-hop, hip-hop, funk, classical, ambient, math, punk, spoken, folk, solo acoustic guitar.&lt;br /&gt;
| Very good overview, and very listenable, especially for people without experience in Xen, or who think it sounds odd.&lt;br /&gt;
|-&lt;br /&gt;
| 2016&lt;br /&gt;
| [http://split-notes.com/various-artists-next-xen/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Next Xen&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2010&lt;br /&gt;
| [http://split-notes.com/various-artists-crack-my-pitch-up/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Crack My Pitch Up&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 1998&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/mills.html Broken Link?]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;A Microtonal Musical Experience&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10-ish groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| Many of the tracks on the CD were the first widely available audio files on the internet featuring xenharmonic tunings.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Artists ===&lt;br /&gt;
: &#039;&#039;Note: Please don&#039;t put external links on artist&#039;s name in first column. Put them in LINKS column, Link description of what they are (Website, YouTube, SoundCloud, etc.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Name&lt;br /&gt;
! Links&lt;br /&gt;
! Recommended works&lt;br /&gt;
! Members&lt;br /&gt;
! Genres, tunings, keywords&lt;br /&gt;
! Location&lt;br /&gt;
! Years &#039;&#039;microtonally&#039;&#039; active&lt;br /&gt;
! Additional notes&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== A ==== &lt;br /&gt;
|-&lt;br /&gt;
| Agonanist&lt;br /&gt;
| [https://transylvaniantapes.bandcamp.com/album/agonanist-the-cynicism-of-solitude Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Black metal in various EDO&#039;s&lt;br /&gt;
| California&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Alves]]&lt;br /&gt;
| [http://www.billalves.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/billalves YouTube]&amp;lt;br&amp;gt;[http://pages.hmc.edu/alves/ Harvey Mudd College]&lt;br /&gt;
| [http://www.billalves.com/imbal-imbalan.html Imbal-Imbalan]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI, gamelan, etc. Different tunings on different songs. Sometimes creates his own tunings just for one song.  &lt;br /&gt;
| Claremont, California&lt;br /&gt;
| 1987- &lt;br /&gt;
| College professor, author. Important cat. Check him out. &lt;br /&gt;
|-&lt;br /&gt;
| Aphex Twin&lt;br /&gt;
| [https://aphextwin.warp.net/ Official Store]&amp;lt;br&amp;gt;[[Wikipedia:Aphex Twin| Wikipedia]]&lt;br /&gt;
| [https://aphextwin.warp.net/release/68148-aphex-twin-selected-ambient-works-volume-ii Selected Ambient Works Volume II]&amp;lt;br&amp;gt;[https://aphextwin.warp.net/release/71102-aphex-twin-drukqs drukQs]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music&lt;br /&gt;
| Scotland&lt;br /&gt;
| 1994-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Atar Arad&lt;br /&gt;
| [https://www.youtube.com/channel/UCqkcxbIr8LriIoZBx96RT7g YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sonata for Viola with quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Astroid power-up!&lt;br /&gt;
| [https://store.cdbaby.com/cd/googleplex CD Baby]{{dead link}} (includes audio previews) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of hyper drum&amp;amp;amp;bass. Microtonal tracks: 3, 4, 8 and 9 (60-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot;| &lt;br /&gt;
&lt;br /&gt;
==== B ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Christopher Bailey]]&lt;br /&gt;
| [http://christopherbaileymusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystallized JI, 17-EDO, 19-EDO, 7-limit adaptive&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Mike Battaglia]]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments SoundCloud]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments/sets/natural-sounding-porcupine &amp;quot;Natural&amp;quot;-sounding Porcupine Comma Pump Experiments]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs, technical studies, experimental music cognition demos&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (a.k.a. Bugs, a.k.a. The Bugs) &lt;br /&gt;
|-&lt;br /&gt;
| Matt Barber&lt;br /&gt;
| [http://ecmc.rochester.edu/mbarb/web/music.php?filter=chrono Rochester EDU listing] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| In some pieces, 19-ED(per 2:1 and 3:1), quartertones, 11-EDO and 14-EDO in 3:2 equivalence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacob Barton]]&lt;br /&gt;
| [http://jacobbarton.net/ Website] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced and acoustic, various EDO and JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dennis Báthory-Kitsz]]&lt;br /&gt;
| [http://www.maltedmedia.com/people/bathory/cat-solo.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Thièle&amp;quot; - violin in quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David Beardsley&lt;br /&gt;
| [https://microtonal.wordpress.com/ Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UChoIaFN4ZM2nMzsktVnPuqQ YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI electric guitar and JI chamber music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Antoine Beaudet&lt;br /&gt;
| [https://soundcloud.com/jollybard SoundCloud] (as Jollybard)&lt;br /&gt;
| [https://soundcloud.com/jollybard/superbeat-wip SuperBeat]&amp;lt;br&amp;gt;[https://soundcloud.com/jollybard/spooky Spooky]&lt;br /&gt;
| &lt;br /&gt;
| Joan temperament, JI, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[benyamind]]&lt;br /&gt;
| [https://benyamind.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCFWIWi2GVCKMM9uYDdlUQqw Youtube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 31edo, 22edo, JI, orchestral, piano&lt;br /&gt;
|-&lt;br /&gt;
| BipTunia&lt;br /&gt;
| [https://biptunia.com/?s=microtonal Website]&amp;lt;br&amp;gt;[https://biptunia.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://biptunia.com/?p=3432 Microtonal Cats from Alpha-Centauri”]&lt;br /&gt;
| Michael W. Dean (synths, singing, talking)&amp;lt;br&amp;gt;Phil Wormuth (poetry, talking)&lt;br /&gt;
| Darkwave, rock, pop, experimental, poetry with music, different tunings on every song. Prolific. &lt;br /&gt;
| Casper Wyoming &lt;br /&gt;
| 2018-&lt;br /&gt;
| MWD is [[User:SyntheticThought]] on this wiki. MWD also makes [https://biptunia.com/?page_id=2070 xen VST software]. &lt;br /&gt;
|-&lt;br /&gt;
| Marcus Alessi Bittencourt&lt;br /&gt;
| [http://www.marcusalessi.com/site/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classic electronic pan-intonational&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Easley Blackwood Jr.]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=HbuFPpiJL1o YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal etudes [excerpts]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Douglas Blumeyer]]&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin SoundCloud]&amp;lt;br&amp;gt;[http://musical-patterns.douglasblumeyer.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Musical patterns&lt;br /&gt;
| Berkeley&lt;br /&gt;
| 2006-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cameron Bobro]]&lt;br /&gt;
| [https://soundcloud.com/cameron-bobro Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Bass vocals and microtonal folk instruments in haunting songs.&lt;br /&gt;
| Maribor, Slovenia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| M. Edward Borasky&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Stochastic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Donald Bousted&lt;br /&gt;
| [https://donaldbousted.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music and film&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Graham Breed]]&lt;br /&gt;
| [http://x31eq.com/music/ Website]&lt;br /&gt;
| [http://x31eq.com/music/wisofl.mp3 When I Set Out for Lyonnesse] &lt;br /&gt;
| &lt;br /&gt;
| Electronic with spoken word; (Thomas Hardy poems), examples of different temperaments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Chris Bryan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brendan Byrnes]]&lt;br /&gt;
| [http://www.brendanbyrnes.com/ Website]&amp;lt;br&amp;gt;[https://brendanbyrnes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsg5wuPYEmD7w7Jutqy8IhA YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/bpbyrnes Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=1PYbIPaW_eg Siolas]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=dgVDQU8CuPE Operator]&lt;br /&gt;
| Brendan Byrnes + various side players.&lt;br /&gt;
| Great production. Progressive, rock, driving, good vocals. Is also in band ILEVENS (separate entry below).&lt;br /&gt;
| Los Angeles / Glendale&lt;br /&gt;
| 2011-&lt;br /&gt;
| Great first xen for many people. &lt;br /&gt;
|-&lt;br /&gt;
| [[Warren Burt]]&lt;br /&gt;
| [http://retiary.net/idea/idea5/IDEA_5/warren/warren.htm Website] (flashing images warning)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sound installation; manipulated voice...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== C ==== &lt;br /&gt;
|-&lt;br /&gt;
| Charles Carpenter&lt;br /&gt;
| [https://charlescarpenter.net/ Website]&lt;br /&gt;
| [https://open.spotify.com/album/0tLOtB35zIsId4S47hll3X?si=hUoXPLLyS9SR6kBitJUD2g Splat]&amp;lt;br /&amp;gt;[https://open.spotify.com/album/3CQHBKHfYBx4VC8ZS1cQfo?si=d3G8aLe6S127Lb7YGVXmHQ Frog à la Pêche]&lt;br /&gt;
| &lt;br /&gt;
| Bohlen–Pierce electronic&lt;br /&gt;
| &lt;br /&gt;
| 1994-1996&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tolgahan Çoğulu]]&lt;br /&gt;
| [https://www.youtube.com/user/TolgahanCogulu YouTube]&amp;lt;br&amp;gt;[https://www.microtonalguitar.org/ Website 1]&amp;lt;br&amp;gt;[http://www.tolgahancogulu.com/en/ Website 2]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JT0z2nOyUlg Microtonal guitar duo]&lt;br /&gt;
| &lt;br /&gt;
| Microtonal guitar. Custom builds guitars with half, quarter frets, and movable frets.&lt;br /&gt;
| Istanbul, Turkey&lt;br /&gt;
| 2008-&lt;br /&gt;
| Good first xen for many people. Popular. Teaches music at Istanbul Technical University.&lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Loli]]&lt;br /&gt;
| [http://microtonalismo.com/microweb/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 drone 17-EDO, 20-EDO, 29-EDO and 53-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Wendy Carlos]]&lt;br /&gt;
| [[Wikipedia:Wendy Carlos| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=RuT6Y53LYH4 Video analyzing her microtonal scales]&lt;br /&gt;
| [https://www.dailymotion.com/video/x2j1gy2 Beauty and the Beast]&lt;br /&gt;
| &lt;br /&gt;
| Not all her work is microtonal, but &#039;&#039;[[wikipedia:Beauty_in_the_Beast| Beauty in the Beast]]&#039;&#039; (1986) is. She invented her own non-octave-repeating musical scales for it. &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Early synthesizer pioneer ([[wikipedia:Switched-On_Bach| &#039;&#039;Switched on Bach&#039;&#039;]], 1968)&lt;br /&gt;
|-&lt;br /&gt;
| Catler Bros. / [[Jon Catler]]&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=346893 SoundClick]&amp;lt;br&amp;gt;[[Wikipedia:Jon Catler| Jon Catler on Wikipedia]]&amp;lt;br&amp;gt;[https://preparedguitar.blogspot.com/2015/03/jon-catler-13-questions.html Interview with Jon Catler]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/4496860-Catler-Bros Discogs]&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=346893 Hyperspace]&lt;br /&gt;
| Jon Catler&lt;br /&gt;
| 64-note JI bluesrock. Have had mainstream press in Rolling Stone, Downbeat, and elsewhere. Jon Catler runs [http://freenotemusic.com/ FreeNote Records].&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Jon Catler also plays in [http://freenotemusic.com/fretlessbrothers/ The Fretless Brothers] and makes Freenote guitars. &lt;br /&gt;
|-&lt;br /&gt;
| [[City of the Asleep]]&lt;br /&gt;
| [https://cityoftheasleep.bandcamp.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Electronica, post-rock, and unclassifiable music in a variety of tunings, especially uncommon EDOs and theoretically-discordant tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nick Collins&lt;br /&gt;
| [https://composerprogrammer.com/music.html Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/playlist?list=PLvsv24zg5vzuGovKXXhjU7bYVnJIqNOZ3 YouTube playlist]&lt;br /&gt;
| [https://composerprogrammer.com/music/simphony2movement1.mp3 Simphony 2, Movement 1] (MP3 direct link) &lt;br /&gt;
| &lt;br /&gt;
| Microtonal supercollider tempo canons&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Copper&lt;br /&gt;
| [http://www.williamcopper.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 5-limit JI, printed scores with intonation markings, intonalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mildred Couper&lt;br /&gt;
| [[Wikipedia:Mildred Couper| Wikipedia]]&amp;lt;br&amp;gt;[http://www.academia.edu/7921833/Quarter-Tone_Composer_and_Pianist_Mildred_Couper PDF academic article]&amp;lt;br&amp;gt;[http://digital.library.ucsb.edu/collections/show/14 Scores at USC Santa Barbara site]&lt;br /&gt;
| [https://www.youtube.com/watch?v=PEOp3tFNaiI Dirge]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=2Y_9AqbpIdw Calliope of the Nine Muses]&lt;br /&gt;
| &lt;br /&gt;
| Quartertone pianos &lt;br /&gt;
| Buenos Aires, Argentina / Santa Barbara, California&lt;br /&gt;
| Died in 1974&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cryptic Ruse]]&lt;br /&gt;
| [https://cryptic-ruse.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Instrumental progressive metal &amp;amp; drone-metal in 13edo, 14edo, 15edo, 17edo, and 23edo&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Cubberly&lt;br /&gt;
| [https://www.discogs.com/artist/4027870-David-Cubberly Listing at Discogs]&amp;lt;br&amp;gt;[http://www.davidjcubberly.com/music.html Website]&lt;br /&gt;
| Per email reply from him, no listen links online. See note on Talk page.  &lt;br /&gt;
| &lt;br /&gt;
| Sequenced microtonal midi ensemble&lt;br /&gt;
| Urbana, Illinois&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== D ==== &lt;br /&gt;
|-&lt;br /&gt;
| Philip Dadson&lt;br /&gt;
| [[Wikipedia:Philip Dadson| Wikipedia]]&amp;lt;br&amp;gt;[https://sounz.org.nz/contributors/1026 Centre for New Zealand Music]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Instruments in JI, installations and performance&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ivor Darreg]]&lt;br /&gt;
| [[Wikipedia:Ivor Darreg| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=8nG0T1t9WUY Prelude 2 For 19 Tone Guitar]&amp;lt;br&amp;gt;[https://ivordarreg.bandcamp.com/releases Detwelvulate!]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-i Ivor Darreg Originals - I]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-2 Ivor Darreg Originals - II]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| San Diego, Los Angeles&lt;br /&gt;
| c. 1936-1994&lt;br /&gt;
| Important cat. Check him out. &amp;quot;Granddaddy of xenharmonic music.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| Jarod DCamp&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=998452 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic - various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tútim Dennsuul Wafiil]]&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/timo.html List of MP3s] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips in 23-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mark Deutsch&lt;br /&gt;
| [http://bazantar.com/ Website]&amp;lt;br&amp;gt;[https://bazantar.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.facebook.com/bazantar Facebook]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sensual acoustic microtonal music, world influence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Invented the [[wikipedia:Bazantar| Bazantar]], a stringed instrument &lt;br /&gt;
|-&lt;br /&gt;
| [[Diamond Doll]]&lt;br /&gt;
| [https://helloitsdiamonddoll.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/6nAsvYXrvYDqY5EqpbFgCa?si=6109ce7e857740b7 Spotify]&lt;br /&gt;
| [https://open.spotify.com/track/02hYX9uAKNk7uBr5lLnXIG Hello My Name&#039;s Diamond Doll]&amp;lt;br&amp;gt;[https://open.spotify.com/track/18d6VnHUY6JvLU1FjrJxnr Autogynephilia]&amp;lt;br&amp;gt;[https://open.spotify.com/track/4UqXCEKsKR5VdggZrr1cWo Little Brother] &lt;br /&gt;
| [[Kit Hagerstrom]] (songwriting, production, vocals)&amp;lt;br&amp;gt;Grey Tyson (vocals)&lt;br /&gt;
| Postpunk, hyperpop, queercore, various EDOs&lt;br /&gt;
| Winnipeg, Manitoba&lt;br /&gt;
| 2019-&lt;br /&gt;
| good entry point to xen&lt;br /&gt;
|-&lt;br /&gt;
| Divide by Pi&lt;br /&gt;
| [https://play.google.com/store/music/artist/Divide_by_Pi?id=Atehcbhgf7qggp2nxx4hajelerq&amp;amp;hl=en Google Music]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/dividebypi CD Baby]{{dead link}} (can listen to excerpts) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 clips: synthesizer and percussion improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Paul Dolden&lt;br /&gt;
| [https://pauldolden.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[[Wikipedia:Paul Dolden| Wikipedia]]  &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| dotuXil&lt;br /&gt;
| [https://www.youtube.com/@dotuxil Youtube]&amp;lt;br&amp;gt;[https://dotuxil.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://mirlo.space/dotuxil/release/collected-refractions Mirlo]&amp;lt;br&amp;gt;[https://dotuxil.github.io/ Github]&lt;br /&gt;
| [https://dotuxil.bandcamp.com/album/collected-refractions Collected Refractions Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=cFpKgUD9tQI Collected Refractions Youtube]&lt;br /&gt;
| &lt;br /&gt;
| Electronic, Various Tunings, Melodic&lt;br /&gt;
| &lt;br /&gt;
| 2023-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[David B. Doty]]&lt;br /&gt;
| [http://www.dbdoty.com/Just-Intonation-Links.html Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=a9bW4o5UedE Steel Suite]&lt;br /&gt;
| &lt;br /&gt;
| Synth JI, acoustic guitar JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Arnold Dreyblatt]]&lt;br /&gt;
| [http://www.dreyblatt.net/composer-1 Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Grooving JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Dsilton Trio&lt;br /&gt;
| [https://georgvogel.net/PROJEKTE-DSILTON.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCmzn7wDBp_H3N0diqakaRvg YouTube]&amp;lt;br&amp;gt;Facebook&lt;br /&gt;
| [https://www.youtube.com/watch?v=9LcWqSzDv7A Duschscha]&lt;br /&gt;
| Georg Vogel (clavinet, synthesizer, composition)&amp;lt;br&amp;gt;David Dornig (31-tone guitars)&amp;lt;br&amp;gt;Valentin Duit (drumset)&lt;br /&gt;
| Odd time signatures, chamber influence, jazz influence. [[31edo]].&lt;br /&gt;
| Vienna, Austria&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacques Dudon]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KuL4aSwNT0o YouTube]&amp;lt;br&amp;gt;[https://www.semantic-danielou.com/designers/jacques-dudon/ Academic profile]&amp;lt;br&amp;gt;[[wikipedia:Jacques_Dudon| Wikipedia]]&amp;lt;br&amp;gt;[https://www.forcedexposure.com/Catalog/dudon-jacques-erosion-distillee-lp/MMLP.009LP.html Forced Exposure]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Samples of &amp;quot;Lumières audibles&amp;quot; JI electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Richard Dunlap&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=106711 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Mostly 12-EDO&lt;br /&gt;
| California USA&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== E ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Paul Erlich]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=lO5xSjIHyMg YouTube]&amp;lt;br&amp;gt;[http://www.myspace.com/paulerlich/ MySpace]&amp;lt;br&amp;gt;[http://untwelve.org/interviews/paul_erlich UnTwelve interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[22-EDO]] guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== F ==== &lt;br /&gt;
|-&lt;br /&gt;
| John Farah&lt;br /&gt;
| [http://www.johnfarah.com/ Website]&lt;br /&gt;
[https://soundcloud.com/johnkameelfarah SoundCloud]&amp;lt;br&amp;gt;[https://johnkameelfarah.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/user/Hatiyn YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/JohnKameelFarah Facebook]&amp;lt;br&amp;gt;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| String quartet, electronic in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Fabrizio Fiale| FFF Fiale]]&lt;br /&gt;
| [https://ffffiale.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Fabrizio Fulvio Fausto Fiale&lt;br /&gt;
| 16-EDO instrumental guitar thrash metal and eclectic rock&lt;br /&gt;
| Italy&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Finnamore&lt;br /&gt;
| [http://www.elvenminstrel.com/music/tuning/horagrams/horagram-music.htm List of MP3s]&amp;lt;br&amp;gt;[http://www.elvenminstrel.com/music/tuning/equal/13equal/13tet.htm 13 TET MP3s]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Etudes using &amp;quot;golden horograms&amp;quot;; clips of dirty 13-EDO guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Forro]]&lt;br /&gt;
| [https://www.soundclick.com/members4/default.cfm?memberID=1540764 SoundClick]&amp;lt;br&amp;gt;[[Daniel Forro| List of MP3s]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Kakamigahara, Japan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Harold Fortuin&lt;br /&gt;
| [http://www.fortuitous-artists.biz/clavetteMusic.html 2 MP3s]&amp;lt;br&amp;gt;[[wikipedia:Harold_Fortuin| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=Dp3Gq0xjlhE YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Francium]]&lt;br /&gt;
| [https://francium223.bandcamp.com Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/0Nz4jp5ckOxUA404IFtbDL Spotify]&amp;lt;br&amp;gt;[https://www.youtube.com/@FranciumMusic YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| various EDOs, tuning comparisons, electronic&lt;br /&gt;
| &lt;br /&gt;
| 2021-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Glenn R. Frantz&lt;br /&gt;
| [https://archive.org/details/@glenn_r_frantz Songs on Archive.org]&lt;br /&gt;
| [https://archive.org/details/ThreeRagtime-basedPieces Three Ragtime-Based Pieces]}&lt;br /&gt;
| &lt;br /&gt;
| Freestyle JI via computer, based on ragtime music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Adam Freese]]&lt;br /&gt;
| [https://www.youtube.com/@adamfreese YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ellen Fullman&lt;br /&gt;
| [https://www.ellenfullman.com/ Website]&amp;lt;br&amp;gt;[https://ellenfullman.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]]&lt;br /&gt;
| San Francisco Bay Area, CA&lt;br /&gt;
| &lt;br /&gt;
| known for her 70-foot (21-meter) [[wikipedia:Long-string_instrument| Long String instrument]], tuned in just intonation and played with rosin-coated fingers.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; |&lt;br /&gt;
&lt;br /&gt;
==== G ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Frédéric Gagné]]&lt;br /&gt;
| [https://www.youtube.com/@fredg999music YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kyle Gann]]&lt;br /&gt;
| [https://www.kylegann.com/ Website]&amp;lt;br&amp;gt;[https://www.kylegann.com/Gannaudio.html MP3s on website]&amp;lt;br&amp;gt;[https://www.kylegann.com/complist.html List of compositions]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic JI, now with more Sitting Bull!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kite Giedraitis]]&lt;br /&gt;
| see Tall Kite&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Monroe Golden&lt;br /&gt;
| [http://monroegolden.com/ Website]&amp;lt;br&amp;gt;[https://soundcloud.com/monroe-golden SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal chamber music, microtone-informed 12-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Gongs&lt;br /&gt;
| [http://imomus.com/thegongs.html Momus website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM Rob Reich] (full length album on Youtube)&lt;br /&gt;
| Peter Blasser&amp;lt;br&amp;gt;Clara Latham&amp;lt;br&amp;gt;Grisha Krivchenia&amp;lt;br&amp;gt;Stefan Tcherepnin&lt;br /&gt;
| &lt;br /&gt;
| Oberlin, OH&lt;br /&gt;
| 2001-2002&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM First song on this], and whole record.&lt;br /&gt;
|-&lt;br /&gt;
| Mark Gould&lt;br /&gt;
| [http://www.derek-hasted.co.uk/assets/audio/derek-hasted/ten-tone.mp3 MP3]&amp;lt;br&amp;gt;[http://www.users.waitrose.com/~equiton/Mark_Gould/About_Me.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 1 electronic mp3: 10-EDO; midi recorder duets in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kraig Grady]]&lt;br /&gt;
| [https://www.youtube.com/results?search_query=Kraig+Grady+ YouTube]&amp;lt;br&amp;gt;[http://anaphoria.com/music.html Samples]&amp;lt;br&amp;gt;[[wikipedia:Kraig_Grady| Wikipedia]]&amp;lt;br&amp;gt;[http://www.anaphoria.com/ Website]&amp;lt;br&amp;gt;[https://anaphoriasouth.blogspot.com/ Blog]&amp;lt;br&amp;gt;[https://www.facebook.com/kraig.grady Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=9R33w7aaxS8 Live at the Cad Factory]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=GiSE9srsDt8 Ear Meal] (music + Skype interview)&lt;br /&gt;
| &lt;br /&gt;
| Original acoustic instruments/ensembles informed by the music of Anaphoria Island&lt;br /&gt;
| Wollongong, Australia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Patrick Grant&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.obscuresound.com/2018/10/patrick-grant-keeping-still/ Bio and audio examples]&amp;lt;br&amp;gt;Website&amp;lt;br&amp;gt;[[wikipedia:Patrick_Grant_(composer)| Wikipedia]]&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/album/fields-amaze-and-other-strange-music FIELDS AMAZE and other sTRANGE music]&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Percussion, gamelan, microtonal instruments, and electric chamber ensembles with narrative structures informed by chaos theory, biological forms, and B-horror films.&amp;quot;&lt;br /&gt;
| New York City&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Guidi&lt;br /&gt;
| [[wikipedia:Peter_Guidi| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One track of quartertone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (Can find [https://www.youtube.com/watch?v=Pb8Anz9xt1w&amp;amp;start_radio=1&amp;amp;list=RDEMgggUYKUD44vtsdamPmXt-A music of his] on YouTube, but isn&#039;t microtonal. Anyone got links to his microtonal music?)&lt;br /&gt;
|-&lt;br /&gt;
| Milan Guštar&lt;br /&gt;
| [http://www.uvnitr.cz/mg/art.html Listing of music]&lt;br /&gt;
| [http://www.uvnitr.cz/mg/music/240_four_seasons.html Generative composition for piano and theremin]&lt;br /&gt;
| &lt;br /&gt;
| Music in various tunings (06-EDO, 07-EDO, 08-EDO, 12-EDO, JI)&lt;br /&gt;
| Czech Republic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== H ==== &lt;br /&gt;
|-&lt;br /&gt;
| Edu Haubensak&lt;br /&gt;
| [http://www.eduhaubensak.ch/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=vmKWcJhuagk Sechs Walserminiaturen (1996) for soprano and violin]&lt;br /&gt;
| &lt;br /&gt;
| Music for retuned pianos and retuned strings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Georg Hajdu]]&lt;br /&gt;
| [http://georghajdu.de/ Website]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=k0HJUUWRkn0 Lecture on YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic 17-EDO; scene from opera Der Sprung (Bohlen–Pierce)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (some of his music online is not microtonal. Anyone got a link to microtonal music by him?)&lt;br /&gt;
|-&lt;br /&gt;
| [[Jeff Harrington]]&lt;br /&gt;
| [http://parnasse.com/jh/blog/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsgsUVmnMsgyIZzv4WTGxhA YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=14JPGOz9Qg4 Acid Bach III for Quartertone Microtonal Synthesize]&lt;br /&gt;
| &lt;br /&gt;
| Electronic in 19-EDO, 24-EDO, others&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Lou Harrison]]&lt;br /&gt;
| [[wikipedia:Lou_Harrison| Wikipedia]]&amp;lt;br&amp;gt;[http://www.archive.org/audio/audio-details-db.php?collectionid=OM8HarrisonScenesfromNikChand&amp;amp;collection=other_minds Steel Guitar piece]&lt;br /&gt;
| [https://www.youtube.com/watch?v=UWuT9AheQRM John Schneider plays Lou Harrison Jahla]&lt;br /&gt;
| &lt;br /&gt;
| Nek Chand for solo guitar in JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Hasegawa]]&lt;br /&gt;
| [http://www.roberthasegawa.com/ Website]&amp;lt;br&amp;gt;[http://roberthasegawa.com/ Lecture]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic chamber JI, quartertones, 19-tone pianos, with scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Neil Haverstick]]&lt;br /&gt;
| [http://microstick.net/ Website]&lt;br /&gt;
| [https://soundcloud.com/gregory-ts-walker/african-stick-neil-haverstick African Stick]&lt;br /&gt;
| &lt;br /&gt;
| Excerpts - guitars in 19-EDO, 31-EDO and 34-EDO&lt;br /&gt;
| Colorado&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Stickman&amp;quot; has some method books and quite a few radio spots as well.&lt;br /&gt;
|-&lt;br /&gt;
| [[Andrew Heathwaite]]&lt;br /&gt;
| [https://andrewheathwaite.bandcamp.com/album/newbeams&#039; Bandcamp]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands3/default.cfm?bandid=122613 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Amano Hideya]]&lt;br /&gt;
| [https://www.youtube.com/@hideya YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=5zaiOBSQV_Q 1 to 11 tone Equal temperament songs]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=YawFcH4cXfs Like 40s music 11EDO]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs&lt;br /&gt;
| Tokyo Japan&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Horton and Bill Thibault&lt;br /&gt;
| [http://www.mcs.csueastbay.edu/~tebo/bio.html Bill Thibault website]&amp;lt;br&amp;gt;[http://eamusic.dartmouth.edu/~larry/recordings/horton_notes.pdf Info on Dartmouth website]&amp;lt;br&amp;gt;[http://www.o-art.org/history/LongDur/JimHorton/jh-music4.html Jim Horton list of works]&lt;br /&gt;
| [https://www.youtube.com/watch?v=GHxLeIDuECc Gorgeous Clothed Flies]&lt;br /&gt;
| &lt;br /&gt;
| Electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sten Hostfalt]]&lt;br /&gt;
| [https://www.stenhostfalt.com/ Website]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/stenhostfalt2 CD Baby]{{dead link}} (has a few excerpts)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Excerpts of microtonal guitar (72-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Horse Lords&lt;br /&gt;
| [https://horselords.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://horselords.bandcamp.com/album/mixtape-iv Mixtape IV]&lt;br /&gt;
| Sam Haberman&amp;lt;br&amp;gt;Max Eilbacher&amp;lt;br&amp;gt;Owen Gardner&amp;lt;br&amp;gt;Andrew Bernstein&lt;br /&gt;
| [[Just intonation]], polyrhythm, minimalist, musique concrète&lt;br /&gt;
| Baltimore, MD&lt;br /&gt;
| 2012-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Chuckk Hubbard]]&lt;br /&gt;
| anyone got a current link?&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI sequenced music, etc.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Lucas Hulen&lt;br /&gt;
| [http://persweb.wabash.edu/facstaff/hulenp/compositions.html Website]&lt;br /&gt;
| [https://vimeo.com/61493873 Lamentationes Jeremiae I]&lt;br /&gt;
| &lt;br /&gt;
| Modern classical electronic compositions - search website page for &#039;microtonal&#039;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== I ==== &lt;br /&gt;
|-&lt;br /&gt;
| ILEVENS&lt;br /&gt;
| [https://ilevens.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCfgSTF9EOal71sFbPTLJ0Gw YouTube]&amp;lt;br&amp;gt;[http://split-notes.com/ilevens-transmitter/ Split Notes Records]&amp;lt;br&amp;gt;[https://www.facebook.com/Ilevens1111/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=N9MjtfEQl_c Drowns]&lt;br /&gt;
| [[Brendan Byrnes]] (vocals, guitar)&amp;lt;br&amp;gt;Mike Horick (drums)&amp;lt;br&amp;gt;Lauren Davis (synths)&amp;lt;br&amp;gt;Rusty Kennedy (bass)&lt;br /&gt;
| [[22edo]], rock band, led by Brendan Byrnes&lt;br /&gt;
| Los Angeles&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== J ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ralph Jarzombek&lt;br /&gt;
| [https://www.freewebs.com/ralphjarzombek/ Website with listen links]&lt;br /&gt;
| [https://webzoom.freewebs.com/ralphjarzombek/micro1.mp3 Micro 1]&amp;lt;br&amp;gt;[https://webzoom.freewebs.com/ralphjarzombek/micro6.mp3 Micro 6]&lt;br /&gt;
| &lt;br /&gt;
| [[14edo]], [[17edo]], [[Bohlen–Pierce]], electronic&lt;br /&gt;
| &lt;br /&gt;
| 1980s&lt;br /&gt;
| If you like the Residents, you&#039;ll love this.&lt;br /&gt;
|-&lt;br /&gt;
| [[Aaron Krister Johnson]]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson SoundCloud]&amp;lt;br&amp;gt;[https://aaronkristerjohnson.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson/the-juggler The Juggler]&lt;br /&gt;
| &lt;br /&gt;
| Mostly electronic compositions and improvisations; some theatre incidental music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| JC &amp;amp; The Microtones&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin/cow-people Cowpeople]&lt;br /&gt;
| &lt;br /&gt;
| Johnny Reinhard (electric bassoon)&amp;lt;br&amp;gt;Brad Catler (electric fretless bass)&amp;lt;br&amp;gt;[[Jon Catler]] (electric guitar)&amp;lt;br&amp;gt;A. C. Lewis (percussion)&amp;lt;br&amp;gt;Deborah Rothrock (vocals)&lt;br /&gt;
| &lt;br /&gt;
| New York City&lt;br /&gt;
| 1984&lt;br /&gt;
| Rockabilly, [[31edo]], cowpunk&lt;br /&gt;
|-&lt;br /&gt;
| Jock Tears&lt;br /&gt;
| [https://jocktears.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=%22JOCK+TEARS%22 YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/jocktears/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=29hm0LGP_i8 Nasty Boy]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=_UNIeeNnMAQ Live video]&amp;lt;br&amp;gt;[https://jocktears.bandcamp.com/album/bad-boys Bad Boys] (album)&lt;br /&gt;
| Lauren Ray (vocals)&amp;lt;br&amp;gt;Lauren Smith (bass)&amp;lt;br&amp;gt;Spencer Hargreaves (guitar)&amp;lt;br&amp;gt;Dustin Bromley (drum)&lt;br /&gt;
| Best punk band name ever&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2016-&lt;br /&gt;
| Peppy punk rock, female vocals, 17edo&lt;br /&gt;
|-&lt;br /&gt;
| Christiaan de Jong&lt;br /&gt;
| [https://soundcloud.com/christiaan-de-jong-1/ SoundCloud] (not all microtonal)&amp;lt;br&amp;gt;[http://www.christiaandejong.com/recordings.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/CHRISTIAANDEJONG1 YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Guitar, flute and tape&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Churzkia Jrakavla&lt;br /&gt;
| [https://churzkia.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Aif4Lpz4bPo Red Moon]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI; down tempo, IDM, synthwave, and ambient, with mystical/mythological themes&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2002-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jute Gyte&lt;br /&gt;
| [https://jutegyte.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jutegyte.bandcamp.com/album/the-sparrow-12-ep The Sparrow 12&amp;quot; EP]&lt;br /&gt;
| Adam Kalmbach&lt;br /&gt;
| Black metal, [[24edo]]&lt;br /&gt;
| Springfield, MO&lt;br /&gt;
| 2002-&lt;br /&gt;
| Has a relatively large following. Lots of &amp;gt;10 minute long quartertone black metal epics.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== K ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ali Deniz Kardelen&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=yjZQDQBBYyo Kara Toprak (Acoustic Microtonal Guitar]&lt;br /&gt;
| &lt;br /&gt;
| Not sure if all microtonal but has at least one amazing microtonal guitar piece&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Great first xen piece for people who like acoustic music&lt;br /&gt;
|-&lt;br /&gt;
| Buzz Kimball&lt;br /&gt;
| [http://www.nonoctave.com/heroes/buzz/ About his instruments and music]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/1944206-Buzz-Kimball Discogs]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Homemade guitars, etc., in EDOs and JI, electronic, rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Buzz Kimball builds most of his instruments himself in the workshop in his barn.&amp;lt;br&amp;gt;Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| dt King&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=62070 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Change Jar&amp;quot; for quartertone piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| King Gizzard &amp;amp; The Lizard Wizard&lt;br /&gt;
| [[Wikipedia:King Gizzard &amp;amp; the Lizard Wizard| Wikipedia]]&amp;lt;br&amp;gt;[https://kinggizzard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://kinggizzard.bandcamp.com/album/flying-microtonal-banana Flying Microtonal Banana]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=U72rbtrufws Sleep Drifter] (live in radio station studio)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=170Z9qBjfkI Mini-documentary]&lt;br /&gt;
| Stu Mackenzie&amp;lt;br&amp;gt;Ambrose Kenny Smith&amp;lt;br&amp;gt;Joey Walker&amp;lt;br&amp;gt;Cook Craig&amp;lt;br&amp;gt;Lucas Skinner&amp;lt;br&amp;gt;Michael Cavanagh&amp;lt;br&amp;gt;Eric Moore&lt;br /&gt;
| &lt;br /&gt;
| Melbourne, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| [[24edo]], alternative, garage&lt;br /&gt;
|-&lt;br /&gt;
| Wayne Kirby&lt;br /&gt;
| [https://www.youtube.com/channel/UCRn3j-zsIxdhdkHVJ6l_hMA YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Demos, full and excerpts, mp3 and midi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Kenneth Kirschner&lt;br /&gt;
| [http://www.kennethkirschner.com/ Website] (has download link for zipped MP3s)&amp;lt;br&amp;gt;[https://archive.org/details/apl025#files Archive.org]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Looong mp3 of stretched piano, etc., ambient microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Eric Knechtges&lt;br /&gt;
| [[Wikipedia:Eric Knechtges| Wikipedia]]&amp;lt;br&amp;gt;[https://soundcloud.com/eric-knechtges SoundCloud]&amp;lt;br&amp;gt;[http://robertwmcclure.weebly.com/blog/music-with-friends-eric-knechtges Interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic (choir) &amp;amp; electronic, various JI &amp;amp; EDOs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== L ==== &lt;br /&gt;
|-&lt;br /&gt;
| Anne La Berge&lt;br /&gt;
| [http://www.annelaberge.com/ Website]&amp;lt;br&amp;gt;[http://unsounds.com/shop/raw-lp Label Unsounds] (buy link has listen link of excerpts)&lt;br /&gt;
| [https://www.youtube.com/watch?v=DXAP4544NNM Utter] (performance art piece with Anne playing live)&lt;br /&gt;
| &lt;br /&gt;
| Quartertone flute - go to &amp;quot;Releases&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
|[[L4MPLIGHT]]&lt;br /&gt;
|[https://lamplight0.sakura.ne.jp/a Website]&lt;br /&gt;
[https://www.youtube.com/@L4MPLIGHT YouTube]&lt;br /&gt;
[https://soundcloud.com/l4mplight SoundCloud]&lt;br /&gt;
|[https://youtu.be/cMnuMjXeHrY Caftaphata]&lt;br /&gt;
[https://youtu.be/PrfAz8V4WNc Yxeni]&lt;br /&gt;
|&lt;br /&gt;
|Electronic music featuring self-made conlangs, largely [[41edo]]&lt;br /&gt;
|Japan&lt;br /&gt;
|2024-&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| [[Last Sacrament]]&lt;br /&gt;
| [https://lastsacrament.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ron Sword (vocals, guitar, drums)&amp;lt;br&amp;gt;Mike Maletta (lead guitar)&amp;lt;br&amp;gt;Pat Horgan (bass)&lt;br /&gt;
| 16edo death metal&lt;br /&gt;
| Florida&lt;br /&gt;
| 2006-&lt;br /&gt;
| Ron also makes Sword guitars and does a lot of guitar and bass conversions. Pat also does conversions.&lt;br /&gt;
|-&lt;br /&gt;
| [[Jacky Ligon]]&lt;br /&gt;
| [https://jackyligon.com/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=mRWG9AzWs7E Lightweave]&lt;br /&gt;
| &lt;br /&gt;
| filmic xenharmonic music and software blog. Sometimes collaborates with Sevish.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Also makes microtonal VST synths IVOR2, FMTS2, One SF2, Font2&lt;br /&gt;
|-&lt;br /&gt;
| Amit Lissack&lt;br /&gt;
| [https://alumnius.net/new_england_conserva-8502-year-1991-1994#id16664004 Listing on New England Conservatory of Music alumni site]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic instrumental.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| Alvin Lucier&lt;br /&gt;
| [[Wikipedia:Alvin Lucier| Wikipedia]]&amp;lt;br&amp;gt;[http://www.moderecords.com/catalog/124lucier.html Mode Records site] (includes listen links)&amp;lt;br&amp;gt;[http://www.ubu.com/sound/lucier.html UBUWeb] (includes original 1969 recording of &#039;&#039;I Am Sitting In A Room&#039;&#039;)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slow-to-change cluster acoustic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Lucy]]&lt;br /&gt;
| [http://www.lucytune.com/ Website]&amp;lt;br&amp;gt;[http://www.lucytune.com/mp3/ List of Lucy tune direct MP3s]&amp;lt;br&amp;gt;[http://www.lullabies.co.uk/ Lucy tunes lullabies info page]&lt;br /&gt;
| [https://store.cdbaby.com/cd/lucytuned Lucy tunes lullabies CD Baby]{{dead link}} (buy page, has listen excerpt links)&lt;br /&gt;
| &lt;br /&gt;
| Miscellaneous works in progress - also see [[Lucy Tuning| Lucy Tuning page]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== M ==== &lt;br /&gt;
|-&lt;br /&gt;
| Massive Audio Nerve (M.A.N.)&lt;br /&gt;
| [https://de.wikipedia.org/wiki/Massive_Audio_Nerve Wikipedia (Deutsch)]&amp;lt;br&amp;gt;[https://open.spotify.com/album/7gCCSQgShzoJxSKFu2gNXy Spotify]&lt;br /&gt;
| &lt;br /&gt;
| Tony Jelencovich (vocals)&amp;lt;br&amp;gt;Mark Fristedt (guitar)&amp;lt;br&amp;gt;Robert Hakemo (bass)&amp;lt;br&amp;gt;Adde Larsson (drums)&amp;lt;br&amp;gt;+ 5 former members&lt;br /&gt;
| 24edo Nümetal&lt;br /&gt;
| &lt;br /&gt;
| 2010-2014&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Joe Maneri]]&lt;br /&gt;
| [[Wikipedia:Joe Maneri| Wikipedia]]&amp;lt;br&amp;gt;[https://www.nytimes.com/2009/08/30/arts/music/30maneri.html New York Times obituary]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/7aQ5YRpRQ02oK9OtbxfhJr Spotify] (not all microtonal)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8WiSgByqos4&amp;amp;ab_channel=JoeManeri-Topic Audio interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some modern classical excerpts&lt;br /&gt;
| &lt;br /&gt;
| Died in 2009&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Rick McGowan]]&lt;br /&gt;
| There is one of his pieces at the beginning of [http://ripnread.com/?p=328 this microtonal podcast episode]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal works for the theatre&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| John McLaird&lt;br /&gt;
| Quiet audio piece, [https://archive.org/details/seventeenTPP_02/ogives.mp3 Ogives in a Winter Shelter Belt] (direct MP3 link)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7edo]], [[40edo]], [[11-limit]], [[Just intonation]], sampled piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Pete McRae&lt;br /&gt;
| [[Wikipedia:Pete McRae| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Eikosany blues&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carl McTague&lt;br /&gt;
| [http://www.mctague.org/carl/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (ii-V-I)&amp;lt;sup&amp;gt;7&amp;lt;/sup&amp;gt; and Heptadecaphonic Drops&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Melopoeia&lt;br /&gt;
| [https://melopoeia.bandcamp.com/album/tolkiens-ainulindal Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dave Tremblay&amp;lt;br&amp;gt;Brian Leong&lt;br /&gt;
| 26edo black metal&lt;br /&gt;
| Montreal, QC&lt;br /&gt;
| &lt;br /&gt;
| Text-to-midi of Tolkien and other stories.&lt;br /&gt;
|-&lt;br /&gt;
| Claudi Meneghin&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/claudi-meneghin Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.youtube.com/c/ClaudiMeneghin YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neobaroque music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Mercury Tree&lt;br /&gt;
| [https://themercurytree.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ben Spees&amp;lt;br&amp;gt;Connor Reilly&amp;lt;br&amp;gt;Oliver Campbell&amp;lt;br&amp;gt;[[Igliashon Jones]]&lt;br /&gt;
| [[17edo]], [[23edo]], progressive rock, psychedelic, math rock&lt;br /&gt;
| Portland, OR&lt;br /&gt;
| 2007-&lt;br /&gt;
| Newer work is all microtonal.  Older works are standard or a mixture.&lt;br /&gt;
|-&lt;br /&gt;
| [[Herman Miller]]&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/herman-miller Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.prismnet.com/~hmiller/ Website 1]&amp;lt;br&amp;gt;[https://sites.google.com/site/teamouse/home Website 2]&amp;lt;br&amp;gt;[https://soundcloud.com/morphosyntax-1 SoundCloud]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCu3rKPsBlcCjI2FVxJaAqIg YouTube]&lt;br /&gt;
| [https://sites.google.com/site/teamouse/home#h.abtmxk3cr74b Mizarian Porcupine Overture]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=17V4pxuHUgY Ivari na taniravi]&lt;br /&gt;
| &lt;br /&gt;
| Compositions in linear temperaments, [[Equal| ETs]]; [[Warped Canon]]; songs in conlangs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Shaahin Mohajeri&lt;br /&gt;
| [http://www.96edo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Modal, sequenced in various EDO/ADO/EDL/AIDO/ADL&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| MonoNeon&lt;br /&gt;
| [[Wikipedia:Dywane Thomas Jr.| Wikipedia]]&amp;lt;br&amp;gt;[https://dywanethomasjr.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dywane Thomas Jr.&lt;br /&gt;
| 24edo funk, soul, hip-hop&lt;br /&gt;
| Tennessee&lt;br /&gt;
| 2013-2015 (?)&lt;br /&gt;
| Newer recordings seem to be standard tuning, but there was a lot of 24edo released around 2015.&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Monzo]]&lt;br /&gt;
| [http://www.tonalsoft.com/ TonalSoft website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], jazz rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Moriarty]]&lt;br /&gt;
| [https://soundcloud.com/john-lank1 SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Rock and improv in various regularly tempered tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Frederick Moore&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some microtonal works, electronic, other&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Aaron Myers-Brooks&lt;br /&gt;
| [https://aaronmyersbrooks.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 17edo Hard rock/metal on guitar&lt;br /&gt;
| PA&lt;br /&gt;
| 2019&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== N ==== &lt;br /&gt;
|-&lt;br /&gt;
| Naegleria Fowleri&lt;br /&gt;
| [https://sites.google.com/view/naegleriafowleri/ Website]&amp;lt;br&amp;gt;[https://naegleriafowleri.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=QqKf0ItWozs III Flagellate - Propulsion]&lt;br /&gt;
| [[Bostjan Zupancic]] (guitar and bass)&amp;lt;br&amp;gt;Luna Bird (vocals)&lt;br /&gt;
| [[19edo]] metal&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2017-&lt;br /&gt;
| Parrot singing with a xen metal project. What&#039;s not to love?&lt;br /&gt;
|-&lt;br /&gt;
| Ron Nagorcka&lt;br /&gt;
| [http://www.ronnagorcka.com/audio Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], digeridoo, synthesizers, birds...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| norokusi&lt;br /&gt;
| [https://www.youtube.com/channel/UC7imuNShfRqQdCey7qWJLVg YouTube]&amp;lt;br&amp;gt;[https://norokusi.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, contemporary and jazz in various [[edo]]s&lt;br /&gt;
| Tokyo, Japan&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Juhani Nuorvala&lt;br /&gt;
| [https://soundcloud.com/juhani-nuorvala SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== O ==== &lt;br /&gt;
|-&lt;br /&gt;
| Mats Öljare&lt;br /&gt;
| [http://www.angelfire.com/mo/oljare/midicomp.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Contrapuntal midi in various EDOs and etc&#039;s&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== P ==== &lt;br /&gt;
|-&lt;br /&gt;
| Tristan Parker&lt;br /&gt;
| [http://rozencrantzthesane.tripod.com/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], free-pitch, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| P-ART&lt;br /&gt;
| [http://users.skynet.be/P-ART/PARADISE/CLIPS/list.htm Website]&lt;br /&gt;
| &lt;br /&gt;
| Paul A.R. Timmermans&lt;br /&gt;
| Experimental&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Harry Partch]]&lt;br /&gt;
| [http://musicmavericks.publicradio.org/features/feature_partch.html American Mavericks]&amp;lt;br&amp;gt;[https://www.harrypartch.com/music Harry Partch Information Center]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[11-limit]], [[Just intonation]], acoustic, monophony&lt;br /&gt;
| Oakland, CA&lt;br /&gt;
| 1930-1972&lt;br /&gt;
| One of the first 20th-century composers in the West to work systematically with microtonal scales&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Pehrson]]&lt;br /&gt;
| [http://users.rcn.com/jpehrson/JosephPehrson.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Blackjack, acoustic, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| pfly&lt;br /&gt;
| [https://soundcloud.com/pfly SoundCloud]&lt;br /&gt;
| Zlo-88&lt;br /&gt;
| Paul Fly&lt;br /&gt;
| [[88cET]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Samuel Pellman&lt;br /&gt;
| [http://academics.hamilton.edu/music/spellman/MfS/microtonal.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], [[Nonoctave]], [[Equal Temperaments]], electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Joseph Post&lt;br /&gt;
| [http://www.myspace.com/josephpost MySpace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystal-JI, acoustic guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tom Price]]&lt;br /&gt;
| https://soundcloud.com/tomprice719&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kees van Prooijen]]&lt;br /&gt;
| [http://www.kees.cc/music/oddpiano/oddpiano.html Website]&lt;br /&gt;
| Odd Piano&lt;br /&gt;
| &lt;br /&gt;
| [[Bohlen–Pierce]], timbre-stretched piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Barry Prophet&lt;br /&gt;
| [http://www.pomer-prophet.com/barry.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic, sound sculptures&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== Q ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== R ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Johnny Reinhard]]&lt;br /&gt;
| [[wikipedia:Johnny_Reinhard| Wikipedia]]&amp;lt;br&amp;gt;[http://www.afmm.org/ American Festival of Microtonal Music]&amp;lt;br&amp;gt;[https://stereosociety.com/johnny-reinhard/ Stereo Society]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://johnnyreinhard.bandcamp.com/album/reinhard-ensemble-compositions Reinhard Ensemble Compositions]&lt;br /&gt;
| &lt;br /&gt;
| Acoustic polymicrotonality&lt;br /&gt;
| New York, NY&lt;br /&gt;
| 1981-&lt;br /&gt;
| Founded [[American Festival of Microtonal Music]] (AFMM)&lt;br /&gt;
|-&lt;br /&gt;
| Robert Rich&lt;br /&gt;
| [https://robertrich.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7-limit]], [[just intonation]], ambient&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Michael Robinson&lt;br /&gt;
| [http://www.azuremilesrecords.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Worldly electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Prent Rodgers]]&lt;br /&gt;
| [http://ripnread.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Music that&#039;s fake but accurate&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [[Dante Rosati]]&lt;br /&gt;
| [http://www.danterosati.com/justguitar.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], solo guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Robert Ross&lt;br /&gt;
| [http://www.piedwagtail.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[19edo]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== S ==== &lt;br /&gt;
|-&lt;br /&gt;
| Marc Sabat&lt;br /&gt;
| [http://www.plainsound.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carlos Sampaio&lt;br /&gt;
| [https://www.soundclick.com/artist/default.cfm?bandID=236415 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonics&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Scott Sandvik&lt;br /&gt;
| [http://www.scottsandvik.com/html/audio.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slide guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Edward Schocker&lt;br /&gt;
| [http://edwardschocker.com/music/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Dramatic works - excerpts and fulls&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Margo Schulter]]&lt;br /&gt;
| [https://www.bestii.com/~mschulter/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neo-medieval xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Andrew Schulze&lt;br /&gt;
| [http://kalvos.org/schulze.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some mp3s of electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ethan Schwartz&lt;br /&gt;
| [https://myspace.com/tetrachordproject Myspace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI music based on tetrachords, for guitar and keyboard&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[X. J. Scott]]&lt;br /&gt;
| [http://www.nonoctave.com/geocities/ Website]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands/pagemusic.cfm?bandID=141776 Soundclick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[George Secor]]&lt;br /&gt;
| [http://users.bigpond.net.au/d.keenan/sagittal/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various vintage Scalatron performances&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dave Seidel]]&lt;br /&gt;
| [http://mysterybear.net/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal minimalism and ambience, using Csound&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Carlo Serafini]]&lt;br /&gt;
| [http://www.seraph.it/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/iranief YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic. Isomorphic keyboard: the Opal Chameleon&lt;br /&gt;
| Florence, Italy&lt;br /&gt;
| &lt;br /&gt;
| Futurist composer. Also, is admin on Facebook [https://www.facebook.com/groups/356483631067563/ Microtonalitaly group].&lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Sethares]]&lt;br /&gt;
| [http://eceserv0.ece.wisc.edu/~sethares/otherperson/all_mp3s.html Website]&lt;br /&gt;
| [http://sethares.engr.wisc.edu/mp3s/truthonabus.html Truth on a Bus]&lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic with stretched partials&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sevish]]&lt;br /&gt;
| [http://sevish.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/c/Sevish YouTube]&amp;lt;br&amp;gt;[https://soundcloud.com/sevish SoundCloud]&amp;lt;br&amp;gt;[https://sevish.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Gcgawrr2xao Desert Island Rain]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=l9wINwlgxRU Gleam]&lt;br /&gt;
| Sean Archibald (with occasional guest musicians)&lt;br /&gt;
| Drum &#039;n&#039; bass / electronic / trip-hop / ambient; in EDOs, JI, nonoctave scales and various others. &amp;quot;Microtonal music with a beat&amp;quot;; stellar production quality.&lt;br /&gt;
| London, England&lt;br /&gt;
| 2010-&lt;br /&gt;
| Popular (for xen). Great first xen for many people. Also runs several xen-related projects.&lt;br /&gt;
|-&lt;br /&gt;
| [[Ezra Sims]]&lt;br /&gt;
| [https://www.ezrasims.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 72-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Gene Ward Smith]]&lt;br /&gt;
| [[Microtonal Music by Gene Ward Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced originals; Mad Science Tuning; renderings of colleagues&#039; music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jon Lyle Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced classical in odd meters&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sononym]]&lt;br /&gt;
| [https://www.youtube.com/channel/UCO0Tn4tnRrILUxJuchfbnlw YouTube]&lt;br /&gt;
| [https://open.spotify.com/intl-fr/album/3UZ1Q0AqKBBFHN6gCsesz2 Humors]&lt;br /&gt;
| Max McCargar&lt;br /&gt;
| Experimental electronic jazz&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Cole and Spectral Voices&lt;br /&gt;
| [https://www.spectralvoices.com/jim-cole-spectral-voices/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of meditative New Age with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Soundwell (Anders Erkéus)&lt;br /&gt;
| [https://soundcloud.com/soundwell Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Snake&amp;quot; overtone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Manfred Stahnke&lt;br /&gt;
| [https://stahnkemanfred.musicaneo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One piece &amp;quot;Partch Harp&amp;quot; for harp and sampled harp&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans-André Stamm]]&lt;br /&gt;
| [http://www.eufonia.de/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone/48-tone JI acoustic organ!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Starrett]]&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=FD0ec4qOlcs&amp;amp;t=&amp;amp;ab_channel=xenopusRTRT Citified Notions]&lt;br /&gt;
| John Starrett (vocals, bass)&amp;lt;br&amp;gt;Neil Haverstick (guitar)&amp;lt;br&amp;gt;Ernie Crews (drums)&lt;br /&gt;
| 19-EDO. Rockabilly/Pop-rock, comment from John about the song on the YouTube page&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| John Starrett played bass with Neil Haverstick. Neil also plays the 19-EDO guitar on some of John&#039;s recordings.&lt;br /&gt;
|-&lt;br /&gt;
| Stimmhorn&lt;br /&gt;
| [http://www.stimmhorn.ch/ Website]&lt;br /&gt;
| &lt;br /&gt;
| Christian Zehnder&amp;lt;br&amp;gt;Balthasar Streiff&lt;br /&gt;
| Experimental alphorn and yodeling combined with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans Straub]]&lt;br /&gt;
| [http://home.datacomm.ch/straub/musik/index_e.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Pieces with meters that match the tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Redrick Sultan&lt;br /&gt;
| [https://redricksultanband.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=DtrH9ptBV18&amp;amp;index=1&amp;amp;list=PL_GQa1Uf_pEPGi9CxiMfK-13BBs0SVkWP The Prince]&lt;br /&gt;
| Spencer Hargreaves (vocals, guitars)&amp;lt;br&amp;gt;Noah Jordan (vocals, bass, keys, flute, oud)&amp;lt;br&amp;gt;Sean Mitchell (drums, sampling)&lt;br /&gt;
| Spooky, cool, acoustic, electric&lt;br /&gt;
| Vancouver, British Columbia&lt;br /&gt;
| 2010-&lt;br /&gt;
| [[22edo]], acoustic, magic rock, chill&lt;br /&gt;
|-&lt;br /&gt;
| Mick Sussman&lt;br /&gt;
| [http://micksussman.com/pw/music.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Plunderphonic collages in various tunings and multitempi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Susman&lt;br /&gt;
| [https://www.susmanmusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Works in quarter-tone - scores and audio files&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ron Sword]]&lt;br /&gt;
| [http://www.ronsword.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 16-EDO and 31-EDO on 8 and 9 string guitar Etudes, Microtonal Extreme Metal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Ron was also affiliated with the Microtonal Records label and the metatonal music site, as well as the microtonal guitarist forum.&lt;br /&gt;
|-&lt;br /&gt;
| Syzygys&lt;br /&gt;
| [http://www.syzygys.jp Website]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=Syzygys YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/Syzygys Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KjSF41-mdL4 Lotus Rain]&lt;br /&gt;
| Hitomi Shimizu (43-tone organ, vocals)&amp;lt;br&amp;gt;Hiromi Nishida (violin, vocals)&lt;br /&gt;
| Clips of Japanese duo in 43-tone Partch JI, with Chromelodeon&lt;br /&gt;
| Japan&lt;br /&gt;
| ?&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== T ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Tall Kite]]&lt;br /&gt;
| [http://www.tallkite.com/music.html Website]&amp;lt;br&amp;gt;[https://soundcloud.com/tallkite SoundCloud (TallKite)]&amp;lt;br&amp;gt;[https://soundcloud.com/mbirakite SoundCloud (MbiraKite)]&amp;lt;br&amp;gt;[https://tallkite.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://tallkite.com/music/IHearNumbers.html I Hear Numbers]&amp;lt;br&amp;gt;[https://tallkite.com/music/EveningRondo.html Evening Rondo]&amp;lt;br&amp;gt;[http://www.tallkite.com/music/DownminorNocturne.html Downminor Nocturne]&lt;br /&gt;
| Kite Giedraitis&lt;br /&gt;
| 7-limit JI, 41edo.&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 1990&#039;s-&lt;br /&gt;
| See also [https://kiteguitar.com/ KiteGuitar.com]&lt;br /&gt;
|-&lt;br /&gt;
| [[Cam Taylor]]&lt;br /&gt;
| [https://archive.org/search.php?query=creator%3A%22Cam+Taylor%22 Internet Archive]&amp;lt;br&amp;gt;[https://soundcloud.com/camtaylor-1 SoundCloud (1)]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1 SoundCloud (2)]&amp;lt;br&amp;gt;[https://iamcamtaylor.wordpress.com/ Blog]&lt;br /&gt;
| [https://soundcloud.com/cam-taylor-2-1/mothers mothers]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/17-out-of-63edo-wurly-those-early-dreams those early dreams]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/12tone63edo1 12tone63EDO1]&lt;br /&gt;
| &lt;br /&gt;
| Bosanquet Axis49, Lumatone, 12- and 17-tone keyboard improvisations in 17, 19, 22, 26, 31, 37, 39, 41, 43, 46, 50, 53, 56, 63, 94, 112 EDOs, some JI and near-just tunings, and songs with piano or guitar in 31EDO and JI, various.&lt;br /&gt;
| Auckland, New Zealand&lt;br /&gt;
| 2010-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jack Tickner&lt;br /&gt;
| [https://www.facebook.com/JackETickner/ Facebook]&amp;lt;br&amp;gt;[https://jacktickner.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jacktickner.bandcamp.com/album/reassuring-weight Reassuring Weight]&lt;br /&gt;
| &lt;br /&gt;
| Just intonation&lt;br /&gt;
| Sydney, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Thoegersen&lt;br /&gt;
| [https://soundcloud.com/pthoege SoundCloud]&amp;lt;br&amp;gt;[https://peterthoegersen.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/pthoege/two-worlds Two Worlds]&amp;lt;br&amp;gt;[https://soundcloud.com/pthoege/im-a-force-of-nature I Am a Force of Nature]&lt;br /&gt;
| &lt;br /&gt;
| Composer. Absurdist symphonic, chamber. Fun. Difficult music, in a good way. If you like Zappa&#039;s stranger works, you will like this.&lt;br /&gt;
| New York (?)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tony Dubshot]]&lt;br /&gt;
| [http://www.dubbhism.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Macrotonal dub and dancehall in 05-EDO, 07-EDO and 08-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[User:Tristanbay| Tristan Bay]]&lt;br /&gt;
| [https://tristanbay.com Website]&amp;lt;br&amp;gt;[https://youtube.com/@tristanbay YouTube]&amp;lt;br&amp;gt;[https://tristanbay.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/4kHErr2liGBpoChdl4DsTC Spotify]&lt;br /&gt;
| [https://youtu.be/JhGvrJ86jLU Subtract Hominem]&lt;br /&gt;
[https://youtu.be/H47nsivr-TU That]&lt;br /&gt;
&lt;br /&gt;
[https://youtu.be/R30aRbNtoIY Pitchblende]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music, synthwave, equal temperament, instrumental&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 2021-&lt;br /&gt;
| Xen Wiki editor, microtonal instrument maker, active on the XA Discord server, and a regular on the [[Xendergarten|Xendergarten podcast]]&lt;br /&gt;
|-&lt;br /&gt;
| Tritone MSU&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Tui St. George Tucker&lt;br /&gt;
| [http://tuistgeorgetucker.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen James Taylor]]&lt;br /&gt;
| [http://www.stephenjamestaylor.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal film scores, multiple Wilson scales&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jeroen Paul Thesseling]]&lt;br /&gt;
| [http://www.jeroenthesseling.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music for bass guitar: &amp;quot;HAFNIUM&amp;quot; (72-EDO), &amp;quot;ARGON&amp;quot; (18-EDO), &amp;quot;DISCREPANTIUM&amp;quot; (24-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== U ==== &lt;br /&gt;
|-&lt;br /&gt;
| uSSSy&lt;br /&gt;
| [https://www.facebook.com/uSSSy.band/ Facebook]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/music/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=gVJftIEA4KM Acoustic performance on YouTube]&lt;br /&gt;
| [https://usssy.bandcamp.com/album/ud Ud]&amp;lt;br&amp;gt;[https://usssy.bandcamp.com/album/voyage/ Voyage]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/album/naghma Naghma]&lt;br /&gt;
| Artem Galkin&amp;lt;br&amp;gt;Pavel Eremeev&lt;br /&gt;
| [[24edo]] and similar tunings. Styles ranging from &amp;quot;black metal techno blues&amp;quot; to &amp;quot;indo-iranian meditative feedback rock&amp;quot;&lt;br /&gt;
| Moscow, Russia&lt;br /&gt;
| 2009-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== V ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Chris Vaisvil]]&lt;br /&gt;
| [http://chrisvaisvil.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Many tunings (just intonation, various EDOs + tuning survey) microtonal synthesizers controlled by midi guitar (Roland GR-20), Linnstrument, 17 edo keyboard (DIY) + soft synthesizers and &amp;quot;traditional&amp;quot; scored microtonal music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Prolific explorer of a wide range of scales. Neat DIY techniques used and demonstrated &amp;quot;at the edge between acoustic and electric&amp;quot;.&lt;br /&gt;
|-&lt;br /&gt;
| Nicola Vicentino&lt;br /&gt;
| [[Wikipedia:Nicola Vicentino| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=0akGtDPVRxk Musica Prisca Caput (Madrigal for 24-tone two voice harpsichord in Meantone)]&amp;lt;br&amp;gt;Same piece [https://www.youtube.com/watch?v=ld36JlmOtM0 played on an arciorgano]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=bhGwjgZ8zIY Madonna il poco dolce]&lt;br /&gt;
| &lt;br /&gt;
| Early microtonal composer in 16th century&lt;br /&gt;
| &lt;br /&gt;
| Born 1511. Died in either 1575 or 1576.&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nicola Visalli (broken)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronically rendered microtonal contemporary classical&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Voltage Controlled&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of electronic tuning-savvy experiments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Alfredo Votta&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Soundcloud account featuring &amp;quot;Liber Stellarum&amp;quot;, a collection of seven pieces for &amp;lt;br&amp;gt; 13-EDO piano. Has also composed in 18-EDO.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== W ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Walker]]&lt;br /&gt;
| [https://robertinventor.com/musicandvirtualflowers/tunes/tunes.htm Website 1]&amp;lt;br&amp;gt;[https://robertinventor.com/musicandvirtualflowers/tunes/improvisations.htm Website 2]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, world, fractal&lt;br /&gt;
| Indianapolis, IN&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen Weigel]]&lt;br /&gt;
| [https://soundcloud.com/overtoneshock SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic pop, computer music, totalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Danny Wier&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Symphonic, progressive rock/metal, jazz, etc., mostly in 72-EDO (all synth-generated)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Randy Winchester]]&lt;br /&gt;
| &lt;br /&gt;
| [[Five Hemispheres]]&amp;lt;br&amp;gt;[[Comets Over Flatland]]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs and Bohlen–Pierce, electronic music and 8-bit synthesizers&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Erling Wold&lt;br /&gt;
| [http://www.erlingwold.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical; search page for just intonation&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Wolf]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic neo-baroque string trio&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brian Wong]]&lt;br /&gt;
| [https://bwong.ca/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Examples of computer-generated music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| James Wyness&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal acousmatic works&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== X ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Y ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Z ==== &lt;br /&gt;
|-&lt;br /&gt;
| Zadarpadov&lt;br /&gt;
| [https://zadarpadov.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic, avant-garde&lt;br /&gt;
| Finland&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Zhea Erose]]&lt;br /&gt;
| [https://zheaerose.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UC--VosYH0BHISbb4SFO9rQA YouTube]&lt;br /&gt;
| [https://youtu.be/ipNP-8XwezE XQQQ]&amp;lt;br&amp;gt;[https://youtu.be/a63V_fAPNaA WXTCHCRXFT EP]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=wvLLV5qle48 Glitterdance]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8Ol2gzkcprE divinate]&lt;br /&gt;
| Amelia Huff&lt;br /&gt;
| [[31edo]], JI, primodality, contemporary classical, ambient, electronic, &amp;quot;dream&amp;amp;bass&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| 2019-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[ZIA]]/[[Elaine Walker]]&lt;br /&gt;
| [http://ziaspace.com/ Website]&amp;lt;br&amp;gt;[https://www.facebook.com/Zia-170293513002981/ Facebook]&amp;lt;br /&amp;gt;[https://ziaspace.bandcamp.com Bandcamp]&lt;br /&gt;
| Zia1.5 (1992), SHEM (1996), Bang! (2000), Drum&#039;n&#039;Space (2011), Four-Momentum, No Terrestrial Road, Macrochip (2026)&lt;br /&gt;
| [[Elaine Walker]]&lt;br /&gt;
| Electronic, space, dance, [[10edo]], [[11edo]], [[14edo]], [[15edo]], [[16edo]], [[17edo]], [[19edo]], [[20edo]], [[22edo]], [[Bohlen–Pierce]]&lt;br /&gt;
| Boston / NYC / Tempe, AZ / Las Cruces, NM (&#039;&#039;current&#039;&#039;)&lt;br /&gt;
| 1991-&lt;br /&gt;
| Elaine did music editing for &#039;&#039;Pokémon&#039;&#039; (2001-07) and for private space industry videos in the late 90s and early 00s. Zia is great introductory/accessible xen music.&lt;br /&gt;
|-&lt;br /&gt;
| Matthias Ziegler&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Unconventional flute playing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bostjan Zupancic]]: MicroMetal&lt;br /&gt;
| [https://sites.google.com/site/19edoguitar/home/bostjan-zupancic-micrometal Google Page]&amp;lt;br&amp;gt;[https://bostjanzupancic.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JTpF2MifP5Y Brain for Breakfast]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=D8utL7T0HAc Beezer&#039;s Cellar]&lt;br /&gt;
| Bostjan Zupancic - Guitar, Bass, Drums, Vocals, Synthesizer&lt;br /&gt;
| 19-EDO Modern Hard Rock and Heavy Metal, and occasionally 24-EDO.&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2008-&lt;br /&gt;
| &lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! &#039;&#039;&#039;Website&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Description&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.musicmavericks.org/listening/ American Mavericks concert series]&lt;br /&gt;
| Microtonal RealPlayer files: Lou Harrison Suite for Violin and American Gamelan, Third Symphony; Charles Ives &amp;quot;Allegro&amp;quot; from Quartertone Piano Pieces&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.oeaw.ac.at/kal/agm/ Ancient Greek Music]&lt;br /&gt;
| Library of extant fragments using authentic tunings: Real``Player and MIDI&lt;br /&gt;
|-&lt;br /&gt;
| [http://bostonmicrotonalsociety.org/ Boston Microtonal Society]&lt;br /&gt;
| 72-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://catharsis.egregious.net/errata/ Catharsis] ([http://catharsis.egregious.net/tracks/droneI/ 2])&lt;br /&gt;
| Jon Catler and Jacky Ligon live; &amp;quot;Drone 1&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.fujara.sk/audio_samples.htm Fujara]&lt;br /&gt;
| Slovak overtone flute&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wmich.edu/mus-theo/groven/ Groven Piano Project]&lt;br /&gt;
| 36-tone JI (schismatic) pianos after Eivind Groven&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.xs4all.nl/%7Ehuygensf/english/index.html Huygens-Fokker Foundation]&lt;br /&gt;
| Acoustic and MIDI 31-EDO &amp;amp; 24-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.csounds.com/ezine/winter1999/synthesis/ Implementing Cellular Automatas in Csound]&lt;br /&gt;
| MP3 examples with spectral pictures&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html kingmixers] ([http://www.kingmixers.com/AncGreekMusicFragments.html%20 2]) ([http://www.kingmixers.com/Clouds%20MP3s.html%20copy 3])&lt;br /&gt;
| Some MP3 samples of Greek tunings, reconstructions of Greek music fragments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.last.fm/tag/microtonal last.fm microtonal tag radio]&lt;br /&gt;
| Stream microtonal music from last.fm radio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.lucytune.com/ LucyTuning] ([http://www.harmonics.com/lucy/earindex.html 2]) ([http://www.lullabies.co.uk/ 3])&lt;br /&gt;
| LucyTuned music - clips and full pieces, midi files, mp3s, video&lt;br /&gt;
|-&lt;br /&gt;
| [http://micro.soonlabel.com/ micro.soonlabel.com]&lt;br /&gt;
| Music from multiple composers in various tunings available for direct download.&lt;br /&gt;
|-&lt;br /&gt;
| [http://microtonalismo.com/ MICROTONALISMO]&lt;br /&gt;
| Primera Web oficial de microtonalismo de habla hispana en latinoamerica&lt;br /&gt;
|-&lt;br /&gt;
| [http://cdbaby.com/cd/mfhi Music for Homemade Instruments]{{dead link}}&lt;br /&gt;
| Clips of junkmusic orchestra&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.mvcc.edu/noldani/home Oldani&#039;s Math &amp;amp;amp; music Site]{{dead link}}&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [http://www.overtone.cc/ Overtone Music Network]&lt;br /&gt;
| A platform for overtone music of all kinds, with a huge collection of online audio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.quartertonemarimba.com/ Quartertonemarimba.com]&lt;br /&gt;
| Kjell Tor Innevik&#039;s project at Norwegian Academy of Music&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.geocities.com/dinarra2000/songs.html Eduardo Sábat]&lt;br /&gt;
| Clips of jazz standards on 53-enharmonic frets per Octave guitar (Dinarra)&lt;br /&gt;
|-&lt;br /&gt;
| [http://split-notes.com/ split-notes Microtonal Netlabel]&lt;br /&gt;
| Online record label, free digital releases, microtonal music from various musicians&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.ne.jp/asahi/mariko/takanashi/masa/pagesE1/rev1nwpages/engconcert.html The Perfect Just Intonation Music MIDI Cycle Concerts]&lt;br /&gt;
| Classics tuned in JI&lt;br /&gt;
|-&lt;br /&gt;
| [http://pages.globetrotter.net/roule/demos.htm Tuning and temperament demos]&lt;br /&gt;
| MIDI and audio demonstrating historical tunings&lt;br /&gt;
|-&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=105485 Tuning Lab]&lt;br /&gt;
| Acoustic, electronic tuning experiments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wnyc.org/search/?q=microtonal WNYC microtonal features]&lt;br /&gt;
| Radio shows featuring microtonal music, esp. &amp;quot;New Sounds&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Projects]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Practice]]&lt;br /&gt;
[[Category:Listen| ]] &amp;lt;!-- main article --&amp;gt;&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Listen&amp;diff=231232</id>
		<title>Listen</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Listen&amp;diff=231232"/>
		<updated>2026-05-28T11:02:36Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Z */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Catrel|Listen}}&lt;br /&gt;
&lt;br /&gt;
This page is a list of xenharmonic listening suggestions. If you think anything should be changed, feel free to change it yourself, or leave a note about it here.&lt;br /&gt;
&lt;br /&gt;
== Curated lists ==&lt;br /&gt;
=== By curator ===&lt;br /&gt;
&#039;&#039;&#039;UnTwelve annual competition winners&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://untwelve.org/competition Annual Composition Competition pages] by the [[UnTwelve]] foundation. The majority of the dozens of entrants in each year’s competition provide audio files of their compositions for the public to listen to.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Mike Battaglia]]&#039;s recommendations playlist&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://open.spotify.com/user/1218607737/playlist/70d4bxQpwBM4EPvLj0OmhO?si=ADmgFYnhTxGRDENaYK5XGw&amp;amp;fbclid=IwAR0Tw8l31ERv0cUgO-4OrBMu7wp8I38dhGWUGsmFvWo6sLle1FS7ZJQ7z0o Microtonal Spotify Playlist] — Deliberately includes examples for many different genres. Put it on Shuffle and have a great intro to xen.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Highest rated by the Xen Wiki community&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[List of xenharmonic music by community ratings]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;More recommendations&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Microtonal music recommendation playlists]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
=== By medium/tuning/genre ===&lt;br /&gt;
&#039;&#039;&#039;Sheet music&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Scores]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Albums&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[:Category:Albums]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music by tuning&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;small&amp;gt;&#039;&#039;&#039;[[Music in just intonation]]&#039;&#039;&#039; • [[Bohlen–Pierce scale/Music]] • [[Carlos Alpha#Music]] • [[Carlos Beta#Music]] • [[Carlos Gamma#Music]] • [[Polymicrotonality#Music]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music in EDOs&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;5-9: &#039;&#039;&#039;[[5edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[7edo/Music]]&#039;&#039;&#039; • [[8edo#Music]] • &#039;&#039;&#039;[[9edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
10-19: &#039;&#039;&#039;[[10edo/Music]]&#039;&#039;&#039; • [[11edo#Music]] • [[13edo/Music]] • [[14edo#Music]] • &#039;&#039;&#039;[[15edo/Music]]&#039;&#039;&#039; • [[16edo#Music]] • &#039;&#039;&#039;[[17edo/Music]]&#039;&#039;&#039; • [[18edo#Music]] • &#039;&#039;&#039;[[19edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
20-29: [[20edo#Music]] • [[21edo#Music]] • &#039;&#039;&#039;[[22edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[23edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[24edo/Music]]&#039;&#039;&#039; • [[25edo#Music]] • [[26edo#Music]] • [[27edo#Music]] • [[28edo#Music]] • [[29edo#Music]]&lt;br /&gt;
&lt;br /&gt;
30-41: [[30edo#Music]] • &#039;&#039;&#039;[[31edo/Music]]&#039;&#039;&#039; • [[32edo#Music]] • [[33edo#Music]] • [[34edo#Music]] • [[35edo#Music]] • [[36edo#Music]] • [[37edo#Music]] • [[38edo#Music]] • [[39edo#Music]] • [[40edo#Music]] • &#039;&#039;&#039;[[41edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;(for higher EDOs see [[EDO#Individual pages for EDOs|the individual EDO pages]])&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Classical pieces that were written with microtones&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
{{todo|expand|add examples|inline=1}}&lt;br /&gt;
Notable examples from 20th century classical music that briefly use the 7th harmonic, and for the Britten piece, the 11th harmonic as well:&lt;br /&gt;
* Ralph Vaughan Williams&#039;s [[wikipedia:A_Pastoral_Symphony|Symphony No. 3, A Pastoral Symphony]] from 1922, two horn solos in the 2nd movement&lt;br /&gt;
* Benjamin Britten&#039;s [[wikipedia:Serenade_for_Tenor,_Horn_and_Strings|Serenade for Tenor, Horn and Strings]] from 1943, prologue and epilogue&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Non-microtonal classical pieces translated to microtonal tunings&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
For a list of pieces that were originally written in a non-xenharmonic context, and then translated into a xenharmonic tuning, see [[Familiar melodies in unfamiliar tunings]]. (&#039;&#039;Stephen Weigel&#039;s [https://www.youtube.com/watch?v=bKNuSRujLPY&amp;amp;list=PLzY9zzOkuloTH7IYBl6AHFcbdM-Qop7u4 YouTube channel], Mike Battaglia&#039;s [https://soundcloud.com/mikebattagliaexperiments SoundCloud], and H. Wakabayashi&#039;s [https://www.youtube.com/user/inodapicnic YouTube channel] have great examples of these&#039;&#039;).&lt;br /&gt;
&lt;br /&gt;
== Giant table of xenharmonic music examples ==&lt;br /&gt;
What follows for the rest of this page is a large alphabetical list of as many xenharmonic artists and pieces as the wiki editors could find. It is not filtered or curated by quality, genre, or any other criteria. Feel free to add to it:&lt;br /&gt;
&lt;br /&gt;
{{TOC Horizontal&lt;br /&gt;
| a1=[[#Compilations|Compilations]]&lt;br /&gt;
| a2=[[#Artists|Artists]] ([[#A|A]]&lt;br /&gt;
| a3=[[#B|B]]&lt;br /&gt;
| a4=[[#C|C]]&lt;br /&gt;
| a5=[[#D|D]]&lt;br /&gt;
| a6=[[#E|E]]&lt;br /&gt;
| a7=[[#F|F]]&lt;br /&gt;
| a8=[[#G|G]]&lt;br /&gt;
| a9=[[#H|H]]&lt;br /&gt;
| a10=[[#I|I]]&lt;br /&gt;
| a11=[[#J|J]]&lt;br /&gt;
| a12=[[#K|K]]&lt;br /&gt;
| a13=[[#L|L]]&lt;br /&gt;
| a14=[[#M|M]]&lt;br /&gt;
| a15=[[#N|N]]&lt;br /&gt;
| a16=[[#O|O]]&lt;br /&gt;
| a17=[[#P|P]]&lt;br /&gt;
| a18=[[#Q|Q]]&lt;br /&gt;
| a19=[[#R|R]]&lt;br /&gt;
| a20=[[#S|S]]&lt;br /&gt;
| a21=[[#T|T]]&lt;br /&gt;
| a22=[[#U|U]]&lt;br /&gt;
| a23=[[#V|V]]&lt;br /&gt;
| a24=[[#W|W&amp;amp;ndash;Z]])&lt;br /&gt;
| a25=[[#Other|Other]]&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
=== Compilations ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Year&lt;br /&gt;
! &#039;&#039;&#039;Links&#039;&#039;&#039;&lt;br /&gt;
! Title&lt;br /&gt;
! &#039;&#039;&#039;Synopsis&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Genres, tunings, keywords&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Additional notes&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| 2024&lt;br /&gt;
| [https://www.youtube.com/watch?v=ftfnW9DsFVE YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Christmas Compilation 2024&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. &amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 41edo, mixed tunings*, 87edo, 159edo, 15edt, 15edo, free pitch, 31edo, &lt;br /&gt;
| *31edo diatonic, 25edo mavila, 7edo, 27edo mosh[7], 17edo &amp;quot;sun&amp;quot; scale, 26edo diasem-ish&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=U3fDWlG2Cb8 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Adxenture EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 11 artists. &amp;lt;br /&amp;gt;Theme: Explore + Discover&lt;br /&gt;
| Tunings: 15edo, 17-note tempered 2.3.7.29 ternary scale*, 26edo, 27edo, 12-tone 7-limit scale**, 21edo, 22edo, 37edo&lt;br /&gt;
| Was an entry in the Server vs Server V competition.&amp;lt;br /&amp;gt;*28/27 + 0.193{{cent}}, 29/27 + 2.596{{cent}}, 9/8 - 1.066{{cent}}, 7/6 - 0.873{{cent}}, 29/24 + 1.53{{cent}}, 81/64 - 2.132{{cent}}, 21/16 - 1.939{{cent}}, 87/64 + 0.464{{cent}}, 116/81 + 3.129{{cent}}, 3/2 - 0.533{{cent}}, 14/9 - 0.34{{cent}}, 29/18 + 2.063{{cent}}, 27/16 - 1.599{{cent}}, 7/4 - 1.406{{cent}}, 29/16 + 0.997{{cent}}, 243/128 - 2.665{{cent}}, 2/1&amp;lt;br /&amp;gt;**135/128, 9/8, 75/64, 5/4, 21/16, 45/32, 3/2, 25/16, 27/16, 7/4, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=-boJuGbymMY YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Kids Songs Edition&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 4 artists. &amp;lt;br /&amp;gt;Theme: Kids Songs&lt;br /&gt;
| Tunings: 46edo, octave-reduced 10L 7s MOS, 53edo, 15edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=fOZiX7f7t8Q YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Cover My Song&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. 8 tracks.&lt;br /&gt;
| Tunings: Free pitch, 22edo, 410edo, 159edo, 41edo, 19edo, 27edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://www.youtube.com/watch?v=WoF89oQ1Pn0 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Christmas 2022 Edition!&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 8 artists.&amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 7-Limit POTE Whitewood[21], 29edo, 23edo, 159edo*, 22edo, 353edo**, Iceface 75***, 17edo, Harmonics 16-32 starting from multiple notes****&lt;br /&gt;
| *Used for multiple songs, each song with a different reference pitch; main scale: 27\159, 51\159, 66\159, 93\159, 120\159, 144\159, 159\159 &amp;lt;br /&amp;gt;**38\353 Rectified Hebrew + 38\353 Apparatus on Harp &amp;lt;br /&amp;gt;***12edo with the black piano keys raised 75 cents &amp;lt;br /&amp;gt;****D = 293.333 Hz, G = 195.556 Hz, C = 260.741 Hz, F = 173.827 Hz, Bb = 234.667 Hz, Eb = 156.444 Hz&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/tDjLcCictVQ Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project 2&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Tostarena: Ruins&amp;quot; from &#039;&#039;Super Mario Odyssey&#039;&#039;.&lt;br /&gt;
| Tunings: 17edo, 13-limit JI*, 21edo, 19edo, 13-limit lemba, 13-limit srutal[12], 23edo, 11-limit JI**, 37edo, 33edo&lt;br /&gt;
| *28/27, 9/8, 7/6, 63/52, 4/3, 3/2, 14/9, 21/13, 7/4, 2/1&amp;lt;br /&amp;gt;**12/11, 9/8, 6/5, 5/4, 4/3, 15/11, 3/2, 18/11, 27/16, 16/9, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/9rTbLQ9j1sE Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Deleted User EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 12 artists.&amp;lt;br /&amp;gt;Theme: Secrets&lt;br /&gt;
| Tunings: 19edo, 2)5 [[CPS]] 3 7 9 11 13, 21edo, 18edo, 29edo, 33edo, 22edo, 11edo, 13edo, a [[porcupine]]-derived [[nonoctave]] tuning&lt;br /&gt;
| Was an entry in the Server vs Server IV competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/mkSlVrpC7HI Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Aquatic Ambience&amp;quot; from &#039;&#039;Donkey Kong Country&#039;&#039;.&lt;br /&gt;
| Tunings: 7-limit JI*, 18edo, 17edo, 7-limit JI**, 41edo, 15edo, 22edo&lt;br /&gt;
| *9/8, 7/6, 6/5, 4/3, 3/2, 14/9, 8/5, 16/9, 2/1&amp;lt;br /&amp;gt;**28/27, 9/8, 6/5, 5/4, 4/3, 7/5, 3/2, 8/5, 5/3, 9/5, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/XomJ5Hutl7k Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - LM x SvS 1v1s&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 one-minute tracks by 10 artists.&lt;br /&gt;
| Tunings: 16edo neji /128, 22edo, 17edo, Ibn Sina diatonic + extra chromatic tones (JI)*, 31edo, 20edo, 24edo, 16edo, 26edo&lt;br /&gt;
| LM x SvS = Lucid Monday x Server vs Server&amp;lt;br /&amp;gt;*14/13, 7/6, 4/3, 3/2, 21/13, 7/4, 2/1 + 28/27, 21/20, 14/9&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7b-luna-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7b-luna-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7b - Luna Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 15 artists.&lt;br /&gt;
| Each track uses a different [[EDO]] or other [[equal-step tuning]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://youtu.be/jBXpOPeQFYY Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Gone Too Deep EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 14 artists.&amp;lt;br /&amp;gt;Theme: Dreams&lt;br /&gt;
| Tunings: 14edo, a [[Neji]] tuning, 18edo, 17edo, 96edo, 31edo, 15edo, 21edo, 23edo, 20edo&lt;br /&gt;
| Was an entry in the Server vs Server III competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7-terra-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7-terra-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7 - Terra Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 16 artists.&lt;br /&gt;
| Each track uses a different [[EDO]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2019&lt;br /&gt;
| [https://open.spotify.com/album/2ojBIQLtipAo6MPJhmNiWP Listen free on Spotify]&amp;lt;br /&amp;gt;[https://biptunia.com/?p=4633 More info].&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Microtonal Freedom (A Benefit Compilation Album for Lyn Ulbricht)&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists. Many of them are contributors on this wiki.&lt;br /&gt;
| &#039;&#039;&#039;GENRES&#039;&#039;&#039;: Blues, metal, prog, trip-hop, hip-hop, funk, classical, ambient, math, punk, spoken, folk, solo acoustic guitar.&lt;br /&gt;
| Very good overview, and very listenable, especially for people without experience in Xen, or who think it sounds odd.&lt;br /&gt;
|-&lt;br /&gt;
| 2016&lt;br /&gt;
| [http://split-notes.com/various-artists-next-xen/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Next Xen&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2010&lt;br /&gt;
| [http://split-notes.com/various-artists-crack-my-pitch-up/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Crack My Pitch Up&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 1998&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/mills.html Broken Link?]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;A Microtonal Musical Experience&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10-ish groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| Many of the tracks on the CD were the first widely available audio files on the internet featuring xenharmonic tunings.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Artists ===&lt;br /&gt;
: &#039;&#039;Note: Please don&#039;t put external links on artist&#039;s name in first column. Put them in LINKS column, Link description of what they are (Website, YouTube, SoundCloud, etc.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Name&lt;br /&gt;
! Links&lt;br /&gt;
! Recommended works&lt;br /&gt;
! Members&lt;br /&gt;
! Genres, tunings, keywords&lt;br /&gt;
! Location&lt;br /&gt;
! Years &#039;&#039;microtonally&#039;&#039; active&lt;br /&gt;
! Additional notes&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== A ==== &lt;br /&gt;
|-&lt;br /&gt;
| Agonanist&lt;br /&gt;
| [https://transylvaniantapes.bandcamp.com/album/agonanist-the-cynicism-of-solitude Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Black metal in various EDO&#039;s&lt;br /&gt;
| California&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Alves]]&lt;br /&gt;
| [http://www.billalves.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/billalves YouTube]&amp;lt;br&amp;gt;[http://pages.hmc.edu/alves/ Harvey Mudd College]&lt;br /&gt;
| [http://www.billalves.com/imbal-imbalan.html Imbal-Imbalan]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI, gamelan, etc. Different tunings on different songs. Sometimes creates his own tunings just for one song.  &lt;br /&gt;
| Claremont, California&lt;br /&gt;
| 1987- &lt;br /&gt;
| College professor, author. Important cat. Check him out. &lt;br /&gt;
|-&lt;br /&gt;
| Aphex Twin&lt;br /&gt;
| [https://aphextwin.warp.net/ Official Store]&amp;lt;br&amp;gt;[[Wikipedia:Aphex Twin| Wikipedia]]&lt;br /&gt;
| [https://aphextwin.warp.net/release/68148-aphex-twin-selected-ambient-works-volume-ii Selected Ambient Works Volume II]&amp;lt;br&amp;gt;[https://aphextwin.warp.net/release/71102-aphex-twin-drukqs drukQs]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music&lt;br /&gt;
| Scotland&lt;br /&gt;
| 1994-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Atar Arad&lt;br /&gt;
| [https://www.youtube.com/channel/UCqkcxbIr8LriIoZBx96RT7g YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sonata for Viola with quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Astroid power-up!&lt;br /&gt;
| [https://store.cdbaby.com/cd/googleplex CD Baby]{{dead link}} (includes audio previews) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of hyper drum&amp;amp;amp;bass. Microtonal tracks: 3, 4, 8 and 9 (60-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot;| &lt;br /&gt;
&lt;br /&gt;
==== B ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Christopher Bailey]]&lt;br /&gt;
| [http://christopherbaileymusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystallized JI, 17-EDO, 19-EDO, 7-limit adaptive&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Mike Battaglia]]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments SoundCloud]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments/sets/natural-sounding-porcupine &amp;quot;Natural&amp;quot;-sounding Porcupine Comma Pump Experiments]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs, technical studies, experimental music cognition demos&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (a.k.a. Bugs, a.k.a. The Bugs) &lt;br /&gt;
|-&lt;br /&gt;
| Matt Barber&lt;br /&gt;
| [http://ecmc.rochester.edu/mbarb/web/music.php?filter=chrono Rochester EDU listing] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| In some pieces, 19-ED(per 2:1 and 3:1), quartertones, 11-EDO and 14-EDO in 3:2 equivalence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacob Barton]]&lt;br /&gt;
| [http://jacobbarton.net/ Website] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced and acoustic, various EDO and JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dennis Báthory-Kitsz]]&lt;br /&gt;
| [http://www.maltedmedia.com/people/bathory/cat-solo.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Thièle&amp;quot; - violin in quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David Beardsley&lt;br /&gt;
| [https://microtonal.wordpress.com/ Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UChoIaFN4ZM2nMzsktVnPuqQ YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI electric guitar and JI chamber music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Antoine Beaudet&lt;br /&gt;
| [https://soundcloud.com/jollybard SoundCloud] (as Jollybard)&lt;br /&gt;
| [https://soundcloud.com/jollybard/superbeat-wip SuperBeat]&amp;lt;br&amp;gt;[https://soundcloud.com/jollybard/spooky Spooky]&lt;br /&gt;
| &lt;br /&gt;
| Joan temperament, JI, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[benyamind]]&lt;br /&gt;
| [https://benyamind.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCFWIWi2GVCKMM9uYDdlUQqw Youtube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 31edo, 22edo, JI, orchestral, piano&lt;br /&gt;
|-&lt;br /&gt;
| BipTunia&lt;br /&gt;
| [https://biptunia.com/?s=microtonal Website]&amp;lt;br&amp;gt;[https://biptunia.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://biptunia.com/?p=3432 Microtonal Cats from Alpha-Centauri”]&lt;br /&gt;
| Michael W. Dean (synths, singing, talking)&amp;lt;br&amp;gt;Phil Wormuth (poetry, talking)&lt;br /&gt;
| Darkwave, rock, pop, experimental, poetry with music, different tunings on every song. Prolific. &lt;br /&gt;
| Casper Wyoming &lt;br /&gt;
| 2018-&lt;br /&gt;
| MWD is [[User:SyntheticThought]] on this wiki. MWD also makes [https://biptunia.com/?page_id=2070 xen VST software]. &lt;br /&gt;
|-&lt;br /&gt;
| Marcus Alessi Bittencourt&lt;br /&gt;
| [http://www.marcusalessi.com/site/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classic electronic pan-intonational&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Easley Blackwood Jr.]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=HbuFPpiJL1o YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal etudes [excerpts]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Douglas Blumeyer]]&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin SoundCloud]&amp;lt;br&amp;gt;[http://musical-patterns.douglasblumeyer.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Musical patterns&lt;br /&gt;
| Berkeley&lt;br /&gt;
| 2006-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cameron Bobro]]&lt;br /&gt;
| [https://soundcloud.com/cameron-bobro Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Bass vocals and microtonal folk instruments in haunting songs.&lt;br /&gt;
| Maribor, Slovenia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| M. Edward Borasky&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Stochastic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Donald Bousted&lt;br /&gt;
| [https://donaldbousted.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music and film&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Graham Breed]]&lt;br /&gt;
| [http://x31eq.com/music/ Website]&lt;br /&gt;
| [http://x31eq.com/music/wisofl.mp3 When I Set Out for Lyonnesse] &lt;br /&gt;
| &lt;br /&gt;
| Electronic with spoken word; (Thomas Hardy poems), examples of different temperaments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Chris Bryan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brendan Byrnes]]&lt;br /&gt;
| [http://www.brendanbyrnes.com/ Website]&amp;lt;br&amp;gt;[https://brendanbyrnes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsg5wuPYEmD7w7Jutqy8IhA YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/bpbyrnes Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=1PYbIPaW_eg Siolas]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=dgVDQU8CuPE Operator]&lt;br /&gt;
| Brendan Byrnes + various side players.&lt;br /&gt;
| Great production. Progressive, rock, driving, good vocals. Is also in band ILEVENS (separate entry below).&lt;br /&gt;
| Los Angeles / Glendale&lt;br /&gt;
| 2011-&lt;br /&gt;
| Great first xen for many people. &lt;br /&gt;
|-&lt;br /&gt;
| [[Warren Burt]]&lt;br /&gt;
| [http://retiary.net/idea/idea5/IDEA_5/warren/warren.htm Website] (flashing images warning)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sound installation; manipulated voice...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== C ==== &lt;br /&gt;
|-&lt;br /&gt;
| Charles Carpenter&lt;br /&gt;
| [https://charlescarpenter.net/ Website]&lt;br /&gt;
| [https://open.spotify.com/album/0tLOtB35zIsId4S47hll3X?si=hUoXPLLyS9SR6kBitJUD2g Splat]&amp;lt;br /&amp;gt;[https://open.spotify.com/album/3CQHBKHfYBx4VC8ZS1cQfo?si=d3G8aLe6S127Lb7YGVXmHQ Frog à la Pêche]&lt;br /&gt;
| &lt;br /&gt;
| Bohlen–Pierce electronic&lt;br /&gt;
| &lt;br /&gt;
| 1994-1996&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tolgahan Çoğulu]]&lt;br /&gt;
| [https://www.youtube.com/user/TolgahanCogulu YouTube]&amp;lt;br&amp;gt;[https://www.microtonalguitar.org/ Website 1]&amp;lt;br&amp;gt;[http://www.tolgahancogulu.com/en/ Website 2]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JT0z2nOyUlg Microtonal guitar duo]&lt;br /&gt;
| &lt;br /&gt;
| Microtonal guitar. Custom builds guitars with half, quarter frets, and movable frets.&lt;br /&gt;
| Istanbul, Turkey&lt;br /&gt;
| 2008-&lt;br /&gt;
| Good first xen for many people. Popular. Teaches music at Istanbul Technical University.&lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Loli]]&lt;br /&gt;
| [http://microtonalismo.com/microweb/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 drone 17-EDO, 20-EDO, 29-EDO and 53-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Wendy Carlos]]&lt;br /&gt;
| [[Wikipedia:Wendy Carlos| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=RuT6Y53LYH4 Video analyzing her microtonal scales]&lt;br /&gt;
| [https://www.dailymotion.com/video/x2j1gy2 Beauty and the Beast]&lt;br /&gt;
| &lt;br /&gt;
| Not all her work is microtonal, but &#039;&#039;[[wikipedia:Beauty_in_the_Beast| Beauty in the Beast]]&#039;&#039; (1986) is. She invented her own non-octave-repeating musical scales for it. &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Early synthesizer pioneer ([[wikipedia:Switched-On_Bach| &#039;&#039;Switched on Bach&#039;&#039;]], 1968)&lt;br /&gt;
|-&lt;br /&gt;
| Catler Bros. / [[Jon Catler]]&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=346893 SoundClick]&amp;lt;br&amp;gt;[[Wikipedia:Jon Catler| Jon Catler on Wikipedia]]&amp;lt;br&amp;gt;[https://preparedguitar.blogspot.com/2015/03/jon-catler-13-questions.html Interview with Jon Catler]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/4496860-Catler-Bros Discogs]&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=346893 Hyperspace]&lt;br /&gt;
| Jon Catler&lt;br /&gt;
| 64-note JI bluesrock. Have had mainstream press in Rolling Stone, Downbeat, and elsewhere. Jon Catler runs [http://freenotemusic.com/ FreeNote Records].&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Jon Catler also plays in [http://freenotemusic.com/fretlessbrothers/ The Fretless Brothers] and makes Freenote guitars. &lt;br /&gt;
|-&lt;br /&gt;
| [[City of the Asleep]]&lt;br /&gt;
| [https://cityoftheasleep.bandcamp.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Electronica, post-rock, and unclassifiable music in a variety of tunings, especially uncommon EDOs and theoretically-discordant tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nick Collins&lt;br /&gt;
| [https://composerprogrammer.com/music.html Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/playlist?list=PLvsv24zg5vzuGovKXXhjU7bYVnJIqNOZ3 YouTube playlist]&lt;br /&gt;
| [https://composerprogrammer.com/music/simphony2movement1.mp3 Simphony 2, Movement 1] (MP3 direct link) &lt;br /&gt;
| &lt;br /&gt;
| Microtonal supercollider tempo canons&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Copper&lt;br /&gt;
| [http://www.williamcopper.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 5-limit JI, printed scores with intonation markings, intonalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mildred Couper&lt;br /&gt;
| [[Wikipedia:Mildred Couper| Wikipedia]]&amp;lt;br&amp;gt;[http://www.academia.edu/7921833/Quarter-Tone_Composer_and_Pianist_Mildred_Couper PDF academic article]&amp;lt;br&amp;gt;[http://digital.library.ucsb.edu/collections/show/14 Scores at USC Santa Barbara site]&lt;br /&gt;
| [https://www.youtube.com/watch?v=PEOp3tFNaiI Dirge]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=2Y_9AqbpIdw Calliope of the Nine Muses]&lt;br /&gt;
| &lt;br /&gt;
| Quartertone pianos &lt;br /&gt;
| Buenos Aires, Argentina / Santa Barbara, California&lt;br /&gt;
| Died in 1974&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cryptic Ruse]]&lt;br /&gt;
| [https://cryptic-ruse.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Instrumental progressive metal &amp;amp; drone-metal in 13edo, 14edo, 15edo, 17edo, and 23edo&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Cubberly&lt;br /&gt;
| [https://www.discogs.com/artist/4027870-David-Cubberly Listing at Discogs]&amp;lt;br&amp;gt;[http://www.davidjcubberly.com/music.html Website]&lt;br /&gt;
| Per email reply from him, no listen links online. See note on Talk page.  &lt;br /&gt;
| &lt;br /&gt;
| Sequenced microtonal midi ensemble&lt;br /&gt;
| Urbana, Illinois&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== D ==== &lt;br /&gt;
|-&lt;br /&gt;
| Philip Dadson&lt;br /&gt;
| [[Wikipedia:Philip Dadson| Wikipedia]]&amp;lt;br&amp;gt;[https://sounz.org.nz/contributors/1026 Centre for New Zealand Music]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Instruments in JI, installations and performance&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ivor Darreg]]&lt;br /&gt;
| [[Wikipedia:Ivor Darreg| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=8nG0T1t9WUY Prelude 2 For 19 Tone Guitar]&amp;lt;br&amp;gt;[https://ivordarreg.bandcamp.com/releases Detwelvulate!]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-i Ivor Darreg Originals - I]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-2 Ivor Darreg Originals - II]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| San Diego, Los Angeles&lt;br /&gt;
| c. 1936-1994&lt;br /&gt;
| Important cat. Check him out. &amp;quot;Granddaddy of xenharmonic music.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| Jarod DCamp&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=998452 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic - various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tútim Dennsuul Wafiil]]&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/timo.html List of MP3s] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips in 23-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mark Deutsch&lt;br /&gt;
| [http://bazantar.com/ Website]&amp;lt;br&amp;gt;[https://bazantar.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.facebook.com/bazantar Facebook]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sensual acoustic microtonal music, world influence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Invented the [[wikipedia:Bazantar| Bazantar]], a stringed instrument &lt;br /&gt;
|-&lt;br /&gt;
| [[Diamond Doll]]&lt;br /&gt;
| [https://helloitsdiamonddoll.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/6nAsvYXrvYDqY5EqpbFgCa?si=6109ce7e857740b7 Spotify]&lt;br /&gt;
| [https://open.spotify.com/track/02hYX9uAKNk7uBr5lLnXIG Hello My Name&#039;s Diamond Doll]&amp;lt;br&amp;gt;[https://open.spotify.com/track/18d6VnHUY6JvLU1FjrJxnr Autogynephilia]&amp;lt;br&amp;gt;[https://open.spotify.com/track/4UqXCEKsKR5VdggZrr1cWo Little Brother] &lt;br /&gt;
| [[Kit Hagerstrom]] (songwriting, production, vocals)&amp;lt;br&amp;gt;Grey Tyson (vocals)&lt;br /&gt;
| Postpunk, hyperpop, queercore, various EDOs&lt;br /&gt;
| Winnipeg, Manitoba&lt;br /&gt;
| 2019-&lt;br /&gt;
| good entry point to xen&lt;br /&gt;
|-&lt;br /&gt;
| Divide by Pi&lt;br /&gt;
| [https://play.google.com/store/music/artist/Divide_by_Pi?id=Atehcbhgf7qggp2nxx4hajelerq&amp;amp;hl=en Google Music]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/dividebypi CD Baby]{{dead link}} (can listen to excerpts) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 clips: synthesizer and percussion improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Paul Dolden&lt;br /&gt;
| [https://pauldolden.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[[Wikipedia:Paul Dolden| Wikipedia]]  &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| dotuXil&lt;br /&gt;
| [https://www.youtube.com/@dotuxil Youtube]&amp;lt;br&amp;gt;[https://dotuxil.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://mirlo.space/dotuxil/release/collected-refractions Mirlo]&amp;lt;br&amp;gt;[https://dotuxil.github.io/ Github]&lt;br /&gt;
| [https://dotuxil.bandcamp.com/album/collected-refractions Collected Refractions Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=cFpKgUD9tQI Collected Refractions Youtube]&lt;br /&gt;
| &lt;br /&gt;
| Electronic, Various Tunings, Melodic&lt;br /&gt;
| &lt;br /&gt;
| 2023-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[David B. Doty]]&lt;br /&gt;
| [http://www.dbdoty.com/Just-Intonation-Links.html Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=a9bW4o5UedE Steel Suite]&lt;br /&gt;
| &lt;br /&gt;
| Synth JI, acoustic guitar JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Arnold Dreyblatt]]&lt;br /&gt;
| [http://www.dreyblatt.net/composer-1 Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Grooving JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Dsilton Trio&lt;br /&gt;
| [https://georgvogel.net/PROJEKTE-DSILTON.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCmzn7wDBp_H3N0diqakaRvg YouTube]&amp;lt;br&amp;gt;Facebook&lt;br /&gt;
| [https://www.youtube.com/watch?v=9LcWqSzDv7A Duschscha]&lt;br /&gt;
| Georg Vogel (clavinet, synthesizer, composition)&amp;lt;br&amp;gt;David Dornig (31-tone guitars)&amp;lt;br&amp;gt;Valentin Duit (drumset)&lt;br /&gt;
| Odd time signatures, chamber influence, jazz influence. [[31edo]].&lt;br /&gt;
| Vienna, Austria&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacques Dudon]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KuL4aSwNT0o YouTube]&amp;lt;br&amp;gt;[https://www.semantic-danielou.com/designers/jacques-dudon/ Academic profile]&amp;lt;br&amp;gt;[[wikipedia:Jacques_Dudon| Wikipedia]]&amp;lt;br&amp;gt;[https://www.forcedexposure.com/Catalog/dudon-jacques-erosion-distillee-lp/MMLP.009LP.html Forced Exposure]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Samples of &amp;quot;Lumières audibles&amp;quot; JI electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Richard Dunlap&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=106711 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Mostly 12-EDO&lt;br /&gt;
| California USA&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== E ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Paul Erlich]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=lO5xSjIHyMg YouTube]&amp;lt;br&amp;gt;[http://www.myspace.com/paulerlich/ MySpace]&amp;lt;br&amp;gt;[http://untwelve.org/interviews/paul_erlich UnTwelve interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[22-EDO]] guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== F ==== &lt;br /&gt;
|-&lt;br /&gt;
| John Farah&lt;br /&gt;
| [http://www.johnfarah.com/ Website]&lt;br /&gt;
[https://soundcloud.com/johnkameelfarah SoundCloud]&amp;lt;br&amp;gt;[https://johnkameelfarah.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/user/Hatiyn YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/JohnKameelFarah Facebook]&amp;lt;br&amp;gt;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| String quartet, electronic in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Fabrizio Fiale| FFF Fiale]]&lt;br /&gt;
| [https://ffffiale.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Fabrizio Fulvio Fausto Fiale&lt;br /&gt;
| 16-EDO instrumental guitar thrash metal and eclectic rock&lt;br /&gt;
| Italy&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Finnamore&lt;br /&gt;
| [http://www.elvenminstrel.com/music/tuning/horagrams/horagram-music.htm List of MP3s]&amp;lt;br&amp;gt;[http://www.elvenminstrel.com/music/tuning/equal/13equal/13tet.htm 13 TET MP3s]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Etudes using &amp;quot;golden horograms&amp;quot;; clips of dirty 13-EDO guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Forro]]&lt;br /&gt;
| [https://www.soundclick.com/members4/default.cfm?memberID=1540764 SoundClick]&amp;lt;br&amp;gt;[[Daniel Forro| List of MP3s]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Kakamigahara, Japan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Harold Fortuin&lt;br /&gt;
| [http://www.fortuitous-artists.biz/clavetteMusic.html 2 MP3s]&amp;lt;br&amp;gt;[[wikipedia:Harold_Fortuin| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=Dp3Gq0xjlhE YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Francium]]&lt;br /&gt;
| [https://francium223.bandcamp.com Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/0Nz4jp5ckOxUA404IFtbDL Spotify]&amp;lt;br&amp;gt;[https://www.youtube.com/@FranciumMusic YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| various EDOs, tuning comparisons, electronic&lt;br /&gt;
| &lt;br /&gt;
| 2021-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Glenn R. Frantz&lt;br /&gt;
| [https://archive.org/details/@glenn_r_frantz Songs on Archive.org]&lt;br /&gt;
| [https://archive.org/details/ThreeRagtime-basedPieces Three Ragtime-Based Pieces]}&lt;br /&gt;
| &lt;br /&gt;
| Freestyle JI via computer, based on ragtime music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Adam Freese]]&lt;br /&gt;
| [https://www.youtube.com/@adamfreese YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ellen Fullman&lt;br /&gt;
| [https://www.ellenfullman.com/ Website]&amp;lt;br&amp;gt;[https://ellenfullman.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]]&lt;br /&gt;
| San Francisco Bay Area, CA&lt;br /&gt;
| &lt;br /&gt;
| known for her 70-foot (21-meter) [[wikipedia:Long-string_instrument| Long String instrument]], tuned in just intonation and played with rosin-coated fingers.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; |&lt;br /&gt;
&lt;br /&gt;
==== G ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Frédéric Gagné]]&lt;br /&gt;
| [https://www.youtube.com/@fredg999music YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kyle Gann]]&lt;br /&gt;
| [https://www.kylegann.com/ Website]&amp;lt;br&amp;gt;[https://www.kylegann.com/Gannaudio.html MP3s on website]&amp;lt;br&amp;gt;[https://www.kylegann.com/complist.html List of compositions]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic JI, now with more Sitting Bull!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kite Giedraitis]]&lt;br /&gt;
| see Tall Kite&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Monroe Golden&lt;br /&gt;
| [http://monroegolden.com/ Website]&amp;lt;br&amp;gt;[https://soundcloud.com/monroe-golden SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal chamber music, microtone-informed 12-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Gongs&lt;br /&gt;
| [http://imomus.com/thegongs.html Momus website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM Rob Reich] (full length album on Youtube)&lt;br /&gt;
| Peter Blasser&amp;lt;br&amp;gt;Clara Latham&amp;lt;br&amp;gt;Grisha Krivchenia&amp;lt;br&amp;gt;Stefan Tcherepnin&lt;br /&gt;
| &lt;br /&gt;
| Oberlin, OH&lt;br /&gt;
| 2001-2002&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM First song on this], and whole record.&lt;br /&gt;
|-&lt;br /&gt;
| Mark Gould&lt;br /&gt;
| [http://www.derek-hasted.co.uk/assets/audio/derek-hasted/ten-tone.mp3 MP3]&amp;lt;br&amp;gt;[http://www.users.waitrose.com/~equiton/Mark_Gould/About_Me.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 1 electronic mp3: 10-EDO; midi recorder duets in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kraig Grady]]&lt;br /&gt;
| [https://www.youtube.com/results?search_query=Kraig+Grady+ YouTube]&amp;lt;br&amp;gt;[http://anaphoria.com/music.html Samples]&amp;lt;br&amp;gt;[[wikipedia:Kraig_Grady| Wikipedia]]&amp;lt;br&amp;gt;[http://www.anaphoria.com/ Website]&amp;lt;br&amp;gt;[https://anaphoriasouth.blogspot.com/ Blog]&amp;lt;br&amp;gt;[https://www.facebook.com/kraig.grady Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=9R33w7aaxS8 Live at the Cad Factory]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=GiSE9srsDt8 Ear Meal] (music + Skype interview)&lt;br /&gt;
| &lt;br /&gt;
| Original acoustic instruments/ensembles informed by the music of Anaphoria Island&lt;br /&gt;
| Wollongong, Australia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Patrick Grant&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.obscuresound.com/2018/10/patrick-grant-keeping-still/ Bio and audio examples]&amp;lt;br&amp;gt;Website&amp;lt;br&amp;gt;[[wikipedia:Patrick_Grant_(composer)| Wikipedia]]&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/album/fields-amaze-and-other-strange-music FIELDS AMAZE and other sTRANGE music]&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Percussion, gamelan, microtonal instruments, and electric chamber ensembles with narrative structures informed by chaos theory, biological forms, and B-horror films.&amp;quot;&lt;br /&gt;
| New York City&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Guidi&lt;br /&gt;
| [[wikipedia:Peter_Guidi| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One track of quartertone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (Can find [https://www.youtube.com/watch?v=Pb8Anz9xt1w&amp;amp;start_radio=1&amp;amp;list=RDEMgggUYKUD44vtsdamPmXt-A music of his] on YouTube, but isn&#039;t microtonal. Anyone got links to his microtonal music?)&lt;br /&gt;
|-&lt;br /&gt;
| Milan Guštar&lt;br /&gt;
| [http://www.uvnitr.cz/mg/art.html Listing of music]&lt;br /&gt;
| [http://www.uvnitr.cz/mg/music/240_four_seasons.html Generative composition for piano and theremin]&lt;br /&gt;
| &lt;br /&gt;
| Music in various tunings (06-EDO, 07-EDO, 08-EDO, 12-EDO, JI)&lt;br /&gt;
| Czech Republic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== H ==== &lt;br /&gt;
|-&lt;br /&gt;
| Edu Haubensak&lt;br /&gt;
| [http://www.eduhaubensak.ch/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=vmKWcJhuagk Sechs Walserminiaturen (1996) for soprano and violin]&lt;br /&gt;
| &lt;br /&gt;
| Music for retuned pianos and retuned strings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Georg Hajdu]]&lt;br /&gt;
| [http://georghajdu.de/ Website]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=k0HJUUWRkn0 Lecture on YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic 17-EDO; scene from opera Der Sprung (Bohlen–Pierce)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (some of his music online is not microtonal. Anyone got a link to microtonal music by him?)&lt;br /&gt;
|-&lt;br /&gt;
| [[Jeff Harrington]]&lt;br /&gt;
| [http://parnasse.com/jh/blog/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsgsUVmnMsgyIZzv4WTGxhA YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=14JPGOz9Qg4 Acid Bach III for Quartertone Microtonal Synthesize]&lt;br /&gt;
| &lt;br /&gt;
| Electronic in 19-EDO, 24-EDO, others&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Lou Harrison]]&lt;br /&gt;
| [[wikipedia:Lou_Harrison| Wikipedia]]&amp;lt;br&amp;gt;[http://www.archive.org/audio/audio-details-db.php?collectionid=OM8HarrisonScenesfromNikChand&amp;amp;collection=other_minds Steel Guitar piece]&lt;br /&gt;
| [https://www.youtube.com/watch?v=UWuT9AheQRM John Schneider plays Lou Harrison Jahla]&lt;br /&gt;
| &lt;br /&gt;
| Nek Chand for solo guitar in JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Hasegawa]]&lt;br /&gt;
| [http://www.roberthasegawa.com/ Website]&amp;lt;br&amp;gt;[http://roberthasegawa.com/ Lecture]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic chamber JI, quartertones, 19-tone pianos, with scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Neil Haverstick]]&lt;br /&gt;
| [http://microstick.net/ Website]&lt;br /&gt;
| [https://soundcloud.com/gregory-ts-walker/african-stick-neil-haverstick African Stick]&lt;br /&gt;
| &lt;br /&gt;
| Excerpts - guitars in 19-EDO, 31-EDO and 34-EDO&lt;br /&gt;
| Colorado&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Stickman&amp;quot; has some method books and quite a few radio spots as well.&lt;br /&gt;
|-&lt;br /&gt;
| [[Andrew Heathwaite]]&lt;br /&gt;
| [https://andrewheathwaite.bandcamp.com/album/newbeams&#039; Bandcamp]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands3/default.cfm?bandid=122613 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Amano Hideya]]&lt;br /&gt;
| [https://www.youtube.com/@hideya YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=5zaiOBSQV_Q 1 to 11 tone Equal temperament songs]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=YawFcH4cXfs Like 40s music 11EDO]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs&lt;br /&gt;
| Tokyo Japan&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Horton and Bill Thibault&lt;br /&gt;
| [http://www.mcs.csueastbay.edu/~tebo/bio.html Bill Thibault website]&amp;lt;br&amp;gt;[http://eamusic.dartmouth.edu/~larry/recordings/horton_notes.pdf Info on Dartmouth website]&amp;lt;br&amp;gt;[http://www.o-art.org/history/LongDur/JimHorton/jh-music4.html Jim Horton list of works]&lt;br /&gt;
| [https://www.youtube.com/watch?v=GHxLeIDuECc Gorgeous Clothed Flies]&lt;br /&gt;
| &lt;br /&gt;
| Electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sten Hostfalt]]&lt;br /&gt;
| [https://www.stenhostfalt.com/ Website]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/stenhostfalt2 CD Baby]{{dead link}} (has a few excerpts)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Excerpts of microtonal guitar (72-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Horse Lords&lt;br /&gt;
| [https://horselords.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://horselords.bandcamp.com/album/mixtape-iv Mixtape IV]&lt;br /&gt;
| Sam Haberman&amp;lt;br&amp;gt;Max Eilbacher&amp;lt;br&amp;gt;Owen Gardner&amp;lt;br&amp;gt;Andrew Bernstein&lt;br /&gt;
| [[Just intonation]], polyrhythm, minimalist, musique concrète&lt;br /&gt;
| Baltimore, MD&lt;br /&gt;
| 2012-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Chuckk Hubbard]]&lt;br /&gt;
| anyone got a current link?&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI sequenced music, etc.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Lucas Hulen&lt;br /&gt;
| [http://persweb.wabash.edu/facstaff/hulenp/compositions.html Website]&lt;br /&gt;
| [https://vimeo.com/61493873 Lamentationes Jeremiae I]&lt;br /&gt;
| &lt;br /&gt;
| Modern classical electronic compositions - search website page for &#039;microtonal&#039;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== I ==== &lt;br /&gt;
|-&lt;br /&gt;
| ILEVENS&lt;br /&gt;
| [https://ilevens.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCfgSTF9EOal71sFbPTLJ0Gw YouTube]&amp;lt;br&amp;gt;[http://split-notes.com/ilevens-transmitter/ Split Notes Records]&amp;lt;br&amp;gt;[https://www.facebook.com/Ilevens1111/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=N9MjtfEQl_c Drowns]&lt;br /&gt;
| [[Brendan Byrnes]] (vocals, guitar)&amp;lt;br&amp;gt;Mike Horick (drums)&amp;lt;br&amp;gt;Lauren Davis (synths)&amp;lt;br&amp;gt;Rusty Kennedy (bass)&lt;br /&gt;
| [[22edo]], rock band, led by Brendan Byrnes&lt;br /&gt;
| Los Angeles&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== J ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ralph Jarzombek&lt;br /&gt;
| [https://www.freewebs.com/ralphjarzombek/ Website with listen links]&lt;br /&gt;
| [https://webzoom.freewebs.com/ralphjarzombek/micro1.mp3 Micro 1]&amp;lt;br&amp;gt;[https://webzoom.freewebs.com/ralphjarzombek/micro6.mp3 Micro 6]&lt;br /&gt;
| &lt;br /&gt;
| [[14edo]], [[17edo]], [[Bohlen–Pierce]], electronic&lt;br /&gt;
| &lt;br /&gt;
| 1980s&lt;br /&gt;
| If you like the Residents, you&#039;ll love this.&lt;br /&gt;
|-&lt;br /&gt;
| [[Aaron Krister Johnson]]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson SoundCloud]&amp;lt;br&amp;gt;[https://aaronkristerjohnson.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson/the-juggler The Juggler]&lt;br /&gt;
| &lt;br /&gt;
| Mostly electronic compositions and improvisations; some theatre incidental music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| JC &amp;amp; The Microtones&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin/cow-people Cowpeople]&lt;br /&gt;
| &lt;br /&gt;
| Johnny Reinhard (electric bassoon)&amp;lt;br&amp;gt;Brad Catler (electric fretless bass)&amp;lt;br&amp;gt;[[Jon Catler]] (electric guitar)&amp;lt;br&amp;gt;A. C. Lewis (percussion)&amp;lt;br&amp;gt;Deborah Rothrock (vocals)&lt;br /&gt;
| &lt;br /&gt;
| New York City&lt;br /&gt;
| 1984&lt;br /&gt;
| Rockabilly, [[31edo]], cowpunk&lt;br /&gt;
|-&lt;br /&gt;
| Jock Tears&lt;br /&gt;
| [https://jocktears.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=%22JOCK+TEARS%22 YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/jocktears/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=29hm0LGP_i8 Nasty Boy]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=_UNIeeNnMAQ Live video]&amp;lt;br&amp;gt;[https://jocktears.bandcamp.com/album/bad-boys Bad Boys] (album)&lt;br /&gt;
| Lauren Ray (vocals)&amp;lt;br&amp;gt;Lauren Smith (bass)&amp;lt;br&amp;gt;Spencer Hargreaves (guitar)&amp;lt;br&amp;gt;Dustin Bromley (drum)&lt;br /&gt;
| Best punk band name ever&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2016-&lt;br /&gt;
| Peppy punk rock, female vocals, 17edo&lt;br /&gt;
|-&lt;br /&gt;
| Christiaan de Jong&lt;br /&gt;
| [https://soundcloud.com/christiaan-de-jong-1/ SoundCloud] (not all microtonal)&amp;lt;br&amp;gt;[http://www.christiaandejong.com/recordings.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/CHRISTIAANDEJONG1 YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Guitar, flute and tape&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Churzkia Jrakavla&lt;br /&gt;
| [https://churzkia.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Aif4Lpz4bPo Red Moon]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI; down tempo, IDM, synthwave, and ambient, with mystical/mythological themes&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2002-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jute Gyte&lt;br /&gt;
| [https://jutegyte.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jutegyte.bandcamp.com/album/the-sparrow-12-ep The Sparrow 12&amp;quot; EP]&lt;br /&gt;
| Adam Kalmbach&lt;br /&gt;
| Black metal, [[24edo]]&lt;br /&gt;
| Springfield, MO&lt;br /&gt;
| 2002-&lt;br /&gt;
| Has a relatively large following. Lots of &amp;gt;10 minute long quartertone black metal epics.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== K ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ali Deniz Kardelen&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=yjZQDQBBYyo Kara Toprak (Acoustic Microtonal Guitar]&lt;br /&gt;
| &lt;br /&gt;
| Not sure if all microtonal but has at least one amazing microtonal guitar piece&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Great first xen piece for people who like acoustic music&lt;br /&gt;
|-&lt;br /&gt;
| Buzz Kimball&lt;br /&gt;
| [http://www.nonoctave.com/heroes/buzz/ About his instruments and music]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/1944206-Buzz-Kimball Discogs]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Homemade guitars, etc., in EDOs and JI, electronic, rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Buzz Kimball builds most of his instruments himself in the workshop in his barn.&amp;lt;br&amp;gt;Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| dt King&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=62070 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Change Jar&amp;quot; for quartertone piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| King Gizzard &amp;amp; The Lizard Wizard&lt;br /&gt;
| [[Wikipedia:King Gizzard &amp;amp; the Lizard Wizard| Wikipedia]]&amp;lt;br&amp;gt;[https://kinggizzard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://kinggizzard.bandcamp.com/album/flying-microtonal-banana Flying Microtonal Banana]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=U72rbtrufws Sleep Drifter] (live in radio station studio)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=170Z9qBjfkI Mini-documentary]&lt;br /&gt;
| Stu Mackenzie&amp;lt;br&amp;gt;Ambrose Kenny Smith&amp;lt;br&amp;gt;Joey Walker&amp;lt;br&amp;gt;Cook Craig&amp;lt;br&amp;gt;Lucas Skinner&amp;lt;br&amp;gt;Michael Cavanagh&amp;lt;br&amp;gt;Eric Moore&lt;br /&gt;
| &lt;br /&gt;
| Melbourne, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| [[24edo]], alternative, garage&lt;br /&gt;
|-&lt;br /&gt;
| Wayne Kirby&lt;br /&gt;
| [https://www.youtube.com/channel/UCRn3j-zsIxdhdkHVJ6l_hMA YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Demos, full and excerpts, mp3 and midi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Kenneth Kirschner&lt;br /&gt;
| [http://www.kennethkirschner.com/ Website] (has download link for zipped MP3s)&amp;lt;br&amp;gt;[https://archive.org/details/apl025#files Archive.org]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Looong mp3 of stretched piano, etc., ambient microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Eric Knechtges&lt;br /&gt;
| [[Wikipedia:Eric Knechtges| Wikipedia]]&amp;lt;br&amp;gt;[https://soundcloud.com/eric-knechtges SoundCloud]&amp;lt;br&amp;gt;[http://robertwmcclure.weebly.com/blog/music-with-friends-eric-knechtges Interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic (choir) &amp;amp; electronic, various JI &amp;amp; EDOs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== L ==== &lt;br /&gt;
|-&lt;br /&gt;
| Anne La Berge&lt;br /&gt;
| [http://www.annelaberge.com/ Website]&amp;lt;br&amp;gt;[http://unsounds.com/shop/raw-lp Label Unsounds] (buy link has listen link of excerpts)&lt;br /&gt;
| [https://www.youtube.com/watch?v=DXAP4544NNM Utter] (performance art piece with Anne playing live)&lt;br /&gt;
| &lt;br /&gt;
| Quartertone flute - go to &amp;quot;Releases&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
|[[L4MPLIGHT]]&lt;br /&gt;
|[https://lamplight0.sakura.ne.jp/a Website]&lt;br /&gt;
[https://www.youtube.com/@L4MPLIGHT YouTube]&lt;br /&gt;
[https://soundcloud.com/l4mplight SoundCloud]&lt;br /&gt;
|[https://youtu.be/cMnuMjXeHrY Caftaphata]&lt;br /&gt;
[https://youtu.be/PrfAz8V4WNc Yxeni]&lt;br /&gt;
|&lt;br /&gt;
|Electronic music featuring self-made conlangs, largely [[41edo]]&lt;br /&gt;
|Japan&lt;br /&gt;
|2024-&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| [[Last Sacrament]]&lt;br /&gt;
| [https://lastsacrament.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ron Sword (vocals, guitar, drums)&amp;lt;br&amp;gt;Mike Maletta (lead guitar)&amp;lt;br&amp;gt;Pat Horgan (bass)&lt;br /&gt;
| 16edo death metal&lt;br /&gt;
| Florida&lt;br /&gt;
| 2006-&lt;br /&gt;
| Ron also makes Sword guitars and does a lot of guitar and bass conversions. Pat also does conversions.&lt;br /&gt;
|-&lt;br /&gt;
| [[Jacky Ligon]]&lt;br /&gt;
| [https://jackyligon.com/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=mRWG9AzWs7E Lightweave]&lt;br /&gt;
| &lt;br /&gt;
| filmic xenharmonic music and software blog. Sometimes collaborates with Sevish.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Also makes microtonal VST synths IVOR2, FMTS2, One SF2, Font2&lt;br /&gt;
|-&lt;br /&gt;
| Amit Lissack&lt;br /&gt;
| [https://alumnius.net/new_england_conserva-8502-year-1991-1994#id16664004 Listing on New England Conservatory of Music alumni site]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic instrumental.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| Alvin Lucier&lt;br /&gt;
| [[Wikipedia:Alvin Lucier| Wikipedia]]&amp;lt;br&amp;gt;[http://www.moderecords.com/catalog/124lucier.html Mode Records site] (includes listen links)&amp;lt;br&amp;gt;[http://www.ubu.com/sound/lucier.html UBUWeb] (includes original 1969 recording of &#039;&#039;I Am Sitting In A Room&#039;&#039;)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slow-to-change cluster acoustic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Lucy]]&lt;br /&gt;
| [http://www.lucytune.com/ Website]&amp;lt;br&amp;gt;[http://www.lucytune.com/mp3/ List of Lucy tune direct MP3s]&amp;lt;br&amp;gt;[http://www.lullabies.co.uk/ Lucy tunes lullabies info page]&lt;br /&gt;
| [https://store.cdbaby.com/cd/lucytuned Lucy tunes lullabies CD Baby]{{dead link}} (buy page, has listen excerpt links)&lt;br /&gt;
| &lt;br /&gt;
| Miscellaneous works in progress - also see [[Lucy Tuning| Lucy Tuning page]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== M ==== &lt;br /&gt;
|-&lt;br /&gt;
| Massive Audio Nerve (M.A.N.)&lt;br /&gt;
| [https://de.wikipedia.org/wiki/Massive_Audio_Nerve Wikipedia (Deutsch)]&amp;lt;br&amp;gt;[https://open.spotify.com/album/7gCCSQgShzoJxSKFu2gNXy Spotify]&lt;br /&gt;
| &lt;br /&gt;
| Tony Jelencovich (vocals)&amp;lt;br&amp;gt;Mark Fristedt (guitar)&amp;lt;br&amp;gt;Robert Hakemo (bass)&amp;lt;br&amp;gt;Adde Larsson (drums)&amp;lt;br&amp;gt;+ 5 former members&lt;br /&gt;
| 24edo Nümetal&lt;br /&gt;
| &lt;br /&gt;
| 2010-2014&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Joe Maneri]]&lt;br /&gt;
| [[Wikipedia:Joe Maneri| Wikipedia]]&amp;lt;br&amp;gt;[https://www.nytimes.com/2009/08/30/arts/music/30maneri.html New York Times obituary]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/7aQ5YRpRQ02oK9OtbxfhJr Spotify] (not all microtonal)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8WiSgByqos4&amp;amp;ab_channel=JoeManeri-Topic Audio interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some modern classical excerpts&lt;br /&gt;
| &lt;br /&gt;
| Died in 2009&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Rick McGowan]]&lt;br /&gt;
| There is one of his pieces at the beginning of [http://ripnread.com/?p=328 this microtonal podcast episode]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal works for the theatre&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| John McLaird&lt;br /&gt;
| Quiet audio piece, [https://archive.org/details/seventeenTPP_02/ogives.mp3 Ogives in a Winter Shelter Belt] (direct MP3 link)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7edo]], [[40edo]], [[11-limit]], [[Just intonation]], sampled piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Pete McRae&lt;br /&gt;
| [[Wikipedia:Pete McRae| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Eikosany blues&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carl McTague&lt;br /&gt;
| [http://www.mctague.org/carl/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (ii-V-I)&amp;lt;sup&amp;gt;7&amp;lt;/sup&amp;gt; and Heptadecaphonic Drops&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Melopoeia&lt;br /&gt;
| [https://melopoeia.bandcamp.com/album/tolkiens-ainulindal Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dave Tremblay&amp;lt;br&amp;gt;Brian Leong&lt;br /&gt;
| 26edo black metal&lt;br /&gt;
| Montreal, QC&lt;br /&gt;
| &lt;br /&gt;
| Text-to-midi of Tolkien and other stories.&lt;br /&gt;
|-&lt;br /&gt;
| Claudi Meneghin&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/claudi-meneghin Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.youtube.com/c/ClaudiMeneghin YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neobaroque music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Mercury Tree&lt;br /&gt;
| [https://themercurytree.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ben Spees&amp;lt;br&amp;gt;Connor Reilly&amp;lt;br&amp;gt;Oliver Campbell&amp;lt;br&amp;gt;[[Igliashon Jones]]&lt;br /&gt;
| [[17edo]], [[23edo]], progressive rock, psychedelic, math rock&lt;br /&gt;
| Portland, OR&lt;br /&gt;
| 2007-&lt;br /&gt;
| Newer work is all microtonal.  Older works are standard or a mixture.&lt;br /&gt;
|-&lt;br /&gt;
| [[Herman Miller]]&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/herman-miller Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.prismnet.com/~hmiller/ Website 1]&amp;lt;br&amp;gt;[https://sites.google.com/site/teamouse/home Website 2]&amp;lt;br&amp;gt;[https://soundcloud.com/morphosyntax-1 SoundCloud]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCu3rKPsBlcCjI2FVxJaAqIg YouTube]&lt;br /&gt;
| [https://sites.google.com/site/teamouse/home#h.abtmxk3cr74b Mizarian Porcupine Overture]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=17V4pxuHUgY Ivari na taniravi]&lt;br /&gt;
| &lt;br /&gt;
| Compositions in linear temperaments, [[Equal| ETs]]; [[Warped Canon]]; songs in conlangs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Shaahin Mohajeri&lt;br /&gt;
| [http://www.96edo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Modal, sequenced in various EDO/ADO/EDL/AIDO/ADL&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| MonoNeon&lt;br /&gt;
| [[Wikipedia:Dywane Thomas Jr.| Wikipedia]]&amp;lt;br&amp;gt;[https://dywanethomasjr.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dywane Thomas Jr.&lt;br /&gt;
| 24edo funk, soul, hip-hop&lt;br /&gt;
| Tennessee&lt;br /&gt;
| 2013-2015 (?)&lt;br /&gt;
| Newer recordings seem to be standard tuning, but there was a lot of 24edo released around 2015.&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Monzo]]&lt;br /&gt;
| [http://www.tonalsoft.com/ TonalSoft website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], jazz rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Moriarty]]&lt;br /&gt;
| [https://soundcloud.com/john-lank1 SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Rock and improv in various regularly tempered tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Frederick Moore&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some microtonal works, electronic, other&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Aaron Myers-Brooks&lt;br /&gt;
| [https://aaronmyersbrooks.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 17edo Hard rock/metal on guitar&lt;br /&gt;
| PA&lt;br /&gt;
| 2019&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== N ==== &lt;br /&gt;
|-&lt;br /&gt;
| Naegleria Fowleri&lt;br /&gt;
| [https://sites.google.com/view/naegleriafowleri/ Website]&amp;lt;br&amp;gt;[https://naegleriafowleri.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=QqKf0ItWozs III Flagellate - Propulsion]&lt;br /&gt;
| [[Bostjan Zupancic]] (guitar and bass)&amp;lt;br&amp;gt;Luna Bird (vocals)&lt;br /&gt;
| [[19edo]] metal&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2017-&lt;br /&gt;
| Parrot singing with a xen metal project. What&#039;s not to love?&lt;br /&gt;
|-&lt;br /&gt;
| Ron Nagorcka&lt;br /&gt;
| [http://www.ronnagorcka.com/audio Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], digeridoo, synthesizers, birds...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| norokusi&lt;br /&gt;
| [https://www.youtube.com/channel/UC7imuNShfRqQdCey7qWJLVg YouTube]&amp;lt;br&amp;gt;[https://norokusi.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, contemporary and jazz in various [[edo]]s&lt;br /&gt;
| Tokyo, Japan&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Juhani Nuorvala&lt;br /&gt;
| [https://soundcloud.com/juhani-nuorvala SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== O ==== &lt;br /&gt;
|-&lt;br /&gt;
| Mats Öljare&lt;br /&gt;
| [http://www.angelfire.com/mo/oljare/midicomp.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Contrapuntal midi in various EDOs and etc&#039;s&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== P ==== &lt;br /&gt;
|-&lt;br /&gt;
| Tristan Parker&lt;br /&gt;
| [http://rozencrantzthesane.tripod.com/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], free-pitch, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| P-ART&lt;br /&gt;
| [http://users.skynet.be/P-ART/PARADISE/CLIPS/list.htm Website]&lt;br /&gt;
| &lt;br /&gt;
| Paul A.R. Timmermans&lt;br /&gt;
| Experimental&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Harry Partch]]&lt;br /&gt;
| [http://musicmavericks.publicradio.org/features/feature_partch.html American Mavericks]&amp;lt;br&amp;gt;[https://www.harrypartch.com/music Harry Partch Information Center]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[11-limit]], [[Just intonation]], acoustic, monophony&lt;br /&gt;
| Oakland, CA&lt;br /&gt;
| 1930-1972&lt;br /&gt;
| One of the first 20th-century composers in the West to work systematically with microtonal scales&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Pehrson]]&lt;br /&gt;
| [http://users.rcn.com/jpehrson/JosephPehrson.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Blackjack, acoustic, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| pfly&lt;br /&gt;
| [https://soundcloud.com/pfly SoundCloud]&lt;br /&gt;
| Zlo-88&lt;br /&gt;
| Paul Fly&lt;br /&gt;
| [[88cET]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Samuel Pellman&lt;br /&gt;
| [http://academics.hamilton.edu/music/spellman/MfS/microtonal.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], [[Nonoctave]], [[Equal Temperaments]], electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Joseph Post&lt;br /&gt;
| [http://www.myspace.com/josephpost MySpace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystal-JI, acoustic guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tom Price]]&lt;br /&gt;
| https://soundcloud.com/tomprice719&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kees van Prooijen]]&lt;br /&gt;
| [http://www.kees.cc/music/oddpiano/oddpiano.html Website]&lt;br /&gt;
| Odd Piano&lt;br /&gt;
| &lt;br /&gt;
| [[Bohlen–Pierce]], timbre-stretched piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Barry Prophet&lt;br /&gt;
| [http://www.pomer-prophet.com/barry.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic, sound sculptures&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== Q ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== R ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Johnny Reinhard]]&lt;br /&gt;
| [[wikipedia:Johnny_Reinhard| Wikipedia]]&amp;lt;br&amp;gt;[http://www.afmm.org/ American Festival of Microtonal Music]&amp;lt;br&amp;gt;[https://stereosociety.com/johnny-reinhard/ Stereo Society]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://johnnyreinhard.bandcamp.com/album/reinhard-ensemble-compositions Reinhard Ensemble Compositions]&lt;br /&gt;
| &lt;br /&gt;
| Acoustic polymicrotonality&lt;br /&gt;
| New York, NY&lt;br /&gt;
| 1981-&lt;br /&gt;
| Founded [[American Festival of Microtonal Music]] (AFMM)&lt;br /&gt;
|-&lt;br /&gt;
| Robert Rich&lt;br /&gt;
| [https://robertrich.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7-limit]], [[just intonation]], ambient&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Michael Robinson&lt;br /&gt;
| [http://www.azuremilesrecords.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Worldly electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Prent Rodgers]]&lt;br /&gt;
| [http://ripnread.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Music that&#039;s fake but accurate&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [[Dante Rosati]]&lt;br /&gt;
| [http://www.danterosati.com/justguitar.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], solo guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Robert Ross&lt;br /&gt;
| [http://www.piedwagtail.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[19edo]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== S ==== &lt;br /&gt;
|-&lt;br /&gt;
| Marc Sabat&lt;br /&gt;
| [http://www.plainsound.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carlos Sampaio&lt;br /&gt;
| [https://www.soundclick.com/artist/default.cfm?bandID=236415 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonics&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Scott Sandvik&lt;br /&gt;
| [http://www.scottsandvik.com/html/audio.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slide guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Edward Schocker&lt;br /&gt;
| [http://edwardschocker.com/music/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Dramatic works - excerpts and fulls&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Margo Schulter]]&lt;br /&gt;
| [https://www.bestii.com/~mschulter/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neo-medieval xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Andrew Schulze&lt;br /&gt;
| [http://kalvos.org/schulze.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some mp3s of electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ethan Schwartz&lt;br /&gt;
| [https://myspace.com/tetrachordproject Myspace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI music based on tetrachords, for guitar and keyboard&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[X. J. Scott]]&lt;br /&gt;
| [http://www.nonoctave.com/geocities/ Website]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands/pagemusic.cfm?bandID=141776 Soundclick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[George Secor]]&lt;br /&gt;
| [http://users.bigpond.net.au/d.keenan/sagittal/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various vintage Scalatron performances&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dave Seidel]]&lt;br /&gt;
| [http://mysterybear.net/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal minimalism and ambience, using Csound&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Carlo Serafini]]&lt;br /&gt;
| [http://www.seraph.it/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/iranief YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic. Isomorphic keyboard: the Opal Chameleon&lt;br /&gt;
| Florence, Italy&lt;br /&gt;
| &lt;br /&gt;
| Futurist composer. Also, is admin on Facebook [https://www.facebook.com/groups/356483631067563/ Microtonalitaly group].&lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Sethares]]&lt;br /&gt;
| [http://eceserv0.ece.wisc.edu/~sethares/otherperson/all_mp3s.html Website]&lt;br /&gt;
| [http://sethares.engr.wisc.edu/mp3s/truthonabus.html Truth on a Bus]&lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic with stretched partials&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sevish]]&lt;br /&gt;
| [http://sevish.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/c/Sevish YouTube]&amp;lt;br&amp;gt;[https://soundcloud.com/sevish SoundCloud]&amp;lt;br&amp;gt;[https://sevish.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Gcgawrr2xao Desert Island Rain]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=l9wINwlgxRU Gleam]&lt;br /&gt;
| Sean Archibald (with occasional guest musicians)&lt;br /&gt;
| Drum &#039;n&#039; bass / electronic / trip-hop / ambient; in EDOs, JI, nonoctave scales and various others. &amp;quot;Microtonal music with a beat&amp;quot;; stellar production quality.&lt;br /&gt;
| London, England&lt;br /&gt;
| 2010-&lt;br /&gt;
| Popular (for xen). Great first xen for many people. Also runs several xen-related projects.&lt;br /&gt;
|-&lt;br /&gt;
| [[Ezra Sims]]&lt;br /&gt;
| [https://www.ezrasims.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 72-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Gene Ward Smith]]&lt;br /&gt;
| [[Microtonal Music by Gene Ward Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced originals; Mad Science Tuning; renderings of colleagues&#039; music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jon Lyle Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced classical in odd meters&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sononym]]&lt;br /&gt;
| [https://www.youtube.com/channel/UCO0Tn4tnRrILUxJuchfbnlw YouTube]&lt;br /&gt;
| [https://open.spotify.com/intl-fr/album/3UZ1Q0AqKBBFHN6gCsesz2 Humors]&lt;br /&gt;
| Max McCargar&lt;br /&gt;
| Experimental electronic jazz&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Cole and Spectral Voices&lt;br /&gt;
| [https://www.spectralvoices.com/jim-cole-spectral-voices/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of meditative New Age with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Soundwell (Anders Erkéus)&lt;br /&gt;
| [https://soundcloud.com/soundwell Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Snake&amp;quot; overtone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Manfred Stahnke&lt;br /&gt;
| [https://stahnkemanfred.musicaneo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One piece &amp;quot;Partch Harp&amp;quot; for harp and sampled harp&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans-André Stamm]]&lt;br /&gt;
| [http://www.eufonia.de/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone/48-tone JI acoustic organ!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Starrett]]&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=FD0ec4qOlcs&amp;amp;t=&amp;amp;ab_channel=xenopusRTRT Citified Notions]&lt;br /&gt;
| John Starrett (vocals, bass)&amp;lt;br&amp;gt;Neil Haverstick (guitar)&amp;lt;br&amp;gt;Ernie Crews (drums)&lt;br /&gt;
| 19-EDO. Rockabilly/Pop-rock, comment from John about the song on the YouTube page&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| John Starrett played bass with Neil Haverstick. Neil also plays the 19-EDO guitar on some of John&#039;s recordings.&lt;br /&gt;
|-&lt;br /&gt;
| Stimmhorn&lt;br /&gt;
| [http://www.stimmhorn.ch/ Website]&lt;br /&gt;
| &lt;br /&gt;
| Christian Zehnder&amp;lt;br&amp;gt;Balthasar Streiff&lt;br /&gt;
| Experimental alphorn and yodeling combined with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans Straub]]&lt;br /&gt;
| [http://home.datacomm.ch/straub/musik/index_e.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Pieces with meters that match the tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Redrick Sultan&lt;br /&gt;
| [https://redricksultanband.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=DtrH9ptBV18&amp;amp;index=1&amp;amp;list=PL_GQa1Uf_pEPGi9CxiMfK-13BBs0SVkWP The Prince]&lt;br /&gt;
| Spencer Hargreaves (vocals, guitars)&amp;lt;br&amp;gt;Noah Jordan (vocals, bass, keys, flute, oud)&amp;lt;br&amp;gt;Sean Mitchell (drums, sampling)&lt;br /&gt;
| Spooky, cool, acoustic, electric&lt;br /&gt;
| Vancouver, British Columbia&lt;br /&gt;
| 2010-&lt;br /&gt;
| [[22edo]], acoustic, magic rock, chill&lt;br /&gt;
|-&lt;br /&gt;
| Mick Sussman&lt;br /&gt;
| [http://micksussman.com/pw/music.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Plunderphonic collages in various tunings and multitempi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Susman&lt;br /&gt;
| [https://www.susmanmusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Works in quarter-tone - scores and audio files&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ron Sword]]&lt;br /&gt;
| [http://www.ronsword.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 16-EDO and 31-EDO on 8 and 9 string guitar Etudes, Microtonal Extreme Metal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Ron was also affiliated with the Microtonal Records label and the metatonal music site, as well as the microtonal guitarist forum.&lt;br /&gt;
|-&lt;br /&gt;
| Syzygys&lt;br /&gt;
| [http://www.syzygys.jp Website]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=Syzygys YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/Syzygys Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KjSF41-mdL4 Lotus Rain]&lt;br /&gt;
| Hitomi Shimizu (43-tone organ, vocals)&amp;lt;br&amp;gt;Hiromi Nishida (violin, vocals)&lt;br /&gt;
| Clips of Japanese duo in 43-tone Partch JI, with Chromelodeon&lt;br /&gt;
| Japan&lt;br /&gt;
| ?&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== T ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Tall Kite]]&lt;br /&gt;
| [http://www.tallkite.com/music.html Website]&amp;lt;br&amp;gt;[https://soundcloud.com/tallkite SoundCloud (TallKite)]&amp;lt;br&amp;gt;[https://soundcloud.com/mbirakite SoundCloud (MbiraKite)]&amp;lt;br&amp;gt;[https://tallkite.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://tallkite.com/music/IHearNumbers.html I Hear Numbers]&amp;lt;br&amp;gt;[https://tallkite.com/music/EveningRondo.html Evening Rondo]&amp;lt;br&amp;gt;[http://www.tallkite.com/music/DownminorNocturne.html Downminor Nocturne]&lt;br /&gt;
| Kite Giedraitis&lt;br /&gt;
| 7-limit JI, 41edo.&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 1990&#039;s-&lt;br /&gt;
| See also [https://kiteguitar.com/ KiteGuitar.com]&lt;br /&gt;
|-&lt;br /&gt;
| [[Cam Taylor]]&lt;br /&gt;
| [https://archive.org/search.php?query=creator%3A%22Cam+Taylor%22 Internet Archive]&amp;lt;br&amp;gt;[https://soundcloud.com/camtaylor-1 SoundCloud (1)]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1 SoundCloud (2)]&amp;lt;br&amp;gt;[https://iamcamtaylor.wordpress.com/ Blog]&lt;br /&gt;
| [https://soundcloud.com/cam-taylor-2-1/mothers mothers]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/17-out-of-63edo-wurly-those-early-dreams those early dreams]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/12tone63edo1 12tone63EDO1]&lt;br /&gt;
| &lt;br /&gt;
| Bosanquet Axis49, Lumatone, 12- and 17-tone keyboard improvisations in 17, 19, 22, 26, 31, 37, 39, 41, 43, 46, 50, 53, 56, 63, 94, 112 EDOs, some JI and near-just tunings, and songs with piano or guitar in 31EDO and JI, various.&lt;br /&gt;
| Auckland, New Zealand&lt;br /&gt;
| 2010-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jack Tickner&lt;br /&gt;
| [https://www.facebook.com/JackETickner/ Facebook]&amp;lt;br&amp;gt;[https://jacktickner.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jacktickner.bandcamp.com/album/reassuring-weight Reassuring Weight]&lt;br /&gt;
| &lt;br /&gt;
| Just intonation&lt;br /&gt;
| Sydney, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Thoegersen&lt;br /&gt;
| [https://soundcloud.com/pthoege SoundCloud]&amp;lt;br&amp;gt;[https://peterthoegersen.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/pthoege/two-worlds Two Worlds]&amp;lt;br&amp;gt;[https://soundcloud.com/pthoege/im-a-force-of-nature I Am a Force of Nature]&lt;br /&gt;
| &lt;br /&gt;
| Composer. Absurdist symphonic, chamber. Fun. Difficult music, in a good way. If you like Zappa&#039;s stranger works, you will like this.&lt;br /&gt;
| New York (?)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tony Dubshot]]&lt;br /&gt;
| [http://www.dubbhism.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Macrotonal dub and dancehall in 05-EDO, 07-EDO and 08-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[User:Tristanbay| Tristan Bay]]&lt;br /&gt;
| [https://tristanbay.com Website]&amp;lt;br&amp;gt;[https://youtube.com/@tristanbay YouTube]&amp;lt;br&amp;gt;[https://tristanbay.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/4kHErr2liGBpoChdl4DsTC Spotify]&lt;br /&gt;
| [https://youtu.be/JhGvrJ86jLU Subtract Hominem]&lt;br /&gt;
[https://youtu.be/H47nsivr-TU That]&lt;br /&gt;
&lt;br /&gt;
[https://youtu.be/R30aRbNtoIY Pitchblende]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music, synthwave, equal temperament, instrumental&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 2021-&lt;br /&gt;
| Xen Wiki editor, microtonal instrument maker, active on the XA Discord server, and a regular on the [[Xendergarten|Xendergarten podcast]]&lt;br /&gt;
|-&lt;br /&gt;
| Tritone MSU&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Tui St. George Tucker&lt;br /&gt;
| [http://tuistgeorgetucker.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen James Taylor]]&lt;br /&gt;
| [http://www.stephenjamestaylor.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal film scores, multiple Wilson scales&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jeroen Paul Thesseling]]&lt;br /&gt;
| [http://www.jeroenthesseling.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music for bass guitar: &amp;quot;HAFNIUM&amp;quot; (72-EDO), &amp;quot;ARGON&amp;quot; (18-EDO), &amp;quot;DISCREPANTIUM&amp;quot; (24-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== U ==== &lt;br /&gt;
|-&lt;br /&gt;
| uSSSy&lt;br /&gt;
| [https://www.facebook.com/uSSSy.band/ Facebook]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/music/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=gVJftIEA4KM Acoustic performance on YouTube]&lt;br /&gt;
| [https://usssy.bandcamp.com/album/ud Ud]&amp;lt;br&amp;gt;[https://usssy.bandcamp.com/album/voyage/ Voyage]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/album/naghma Naghma]&lt;br /&gt;
| Artem Galkin&amp;lt;br&amp;gt;Pavel Eremeev&lt;br /&gt;
| [[24edo]] and similar tunings. Styles ranging from &amp;quot;black metal techno blues&amp;quot; to &amp;quot;indo-iranian meditative feedback rock&amp;quot;&lt;br /&gt;
| Moscow, Russia&lt;br /&gt;
| 2009-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== V ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Chris Vaisvil]]&lt;br /&gt;
| [http://chrisvaisvil.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Many tunings (just intonation, various EDOs + tuning survey) microtonal synthesizers controlled by midi guitar (Roland GR-20), Linnstrument, 17 edo keyboard (DIY) + soft synthesizers and &amp;quot;traditional&amp;quot; scored microtonal music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Prolific explorer of a wide range of scales. Neat DIY techniques used and demonstrated &amp;quot;at the edge between acoustic and electric&amp;quot;.&lt;br /&gt;
|-&lt;br /&gt;
| Nicola Vicentino&lt;br /&gt;
| [[Wikipedia:Nicola Vicentino| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=0akGtDPVRxk Musica Prisca Caput (Madrigal for 24-tone two voice harpsichord in Meantone)]&amp;lt;br&amp;gt;Same piece [https://www.youtube.com/watch?v=ld36JlmOtM0 played on an arciorgano]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=bhGwjgZ8zIY Madonna il poco dolce]&lt;br /&gt;
| &lt;br /&gt;
| Early microtonal composer in 16th century&lt;br /&gt;
| &lt;br /&gt;
| Born 1511. Died in either 1575 or 1576.&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nicola Visalli (broken)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronically rendered microtonal contemporary classical&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Voltage Controlled&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of electronic tuning-savvy experiments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Alfredo Votta&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Soundcloud account featuring &amp;quot;Liber Stellarum&amp;quot;, a collection of seven pieces for &amp;lt;br&amp;gt; 13-EDO piano. Has also composed in 18-EDO.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== W ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Walker]]&lt;br /&gt;
| [https://robertinventor.com/musicandvirtualflowers/tunes/tunes.htm Website 1]&amp;lt;br&amp;gt;[https://robertinventor.com/musicandvirtualflowers/tunes/improvisations.htm Website 2]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, world, fractal&lt;br /&gt;
| Indianapolis, IN&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen Weigel]]&lt;br /&gt;
| [https://soundcloud.com/overtoneshock SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic pop, computer music, totalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Danny Wier&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Symphonic, progressive rock/metal, jazz, etc., mostly in 72-EDO (all synth-generated)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Randy Winchester]]&lt;br /&gt;
| &lt;br /&gt;
| [[Five Hemispheres]]&amp;lt;br&amp;gt;[[Comets Over Flatland]]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs and Bohlen–Pierce, electronic music and 8-bit synthesizers&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Erling Wold&lt;br /&gt;
| [http://www.erlingwold.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical; search page for just intonation&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Wolf]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic neo-baroque string trio&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brian Wong]]&lt;br /&gt;
| [https://bwong.ca/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Examples of computer-generated music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| James Wyness&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal acousmatic works&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== X ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Y ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Z ==== &lt;br /&gt;
|-&lt;br /&gt;
| Zadarpadov&lt;br /&gt;
| [https://zadarpadov.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic, avant-garde&lt;br /&gt;
| Finland&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Zhea Erose]]&lt;br /&gt;
| [https://zheaerose.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UC--VosYH0BHISbb4SFO9rQA YouTube]&lt;br /&gt;
| [https://youtu.be/ipNP-8XwezE XQQQ]&amp;lt;br&amp;gt;[https://youtu.be/a63V_fAPNaA WXTCHCRXFT EP]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=wvLLV5qle48 Glitterdance]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8Ol2gzkcprE divinate]&lt;br /&gt;
| Amelia Huff&lt;br /&gt;
| [[31edo]], JI, primodality, contemporary classical, ambient, electronic, &amp;quot;dream&amp;amp;bass&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| 2019-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[ZIA]]/[[Elaine Walker]]&lt;br /&gt;
| [http://ziaspace.com/ Website]&amp;lt;br&amp;gt;[https://www.facebook.com/Zia-170293513002981/ Facebook]&amp;lt;br /&amp;gt;[https://ziaspace.bandcamp.com Bandcamp]&lt;br /&gt;
| Zia1.5 (1992), SHEM (1996), Bang! (2000), Drum&#039;N&#039;Space (2011), Four-Momentum, No Terrestrial Road, Macrochip (2026)&lt;br /&gt;
| [[Elaine Walker]]&lt;br /&gt;
| Electronic, space, dance, [[10edo]], [[11edo]], [[14edo]], [[15edo]], [[16edo]], [[17edo]], [[19edo]], [[20edo]], [[22edo]], [[Bohlen–Pierce]]&lt;br /&gt;
| Boston / NYC / Tempe, AZ / Las Cruces, NM (&#039;&#039;current&#039;&#039;)&lt;br /&gt;
| 1991-&lt;br /&gt;
| Elaine did music editing for &#039;&#039;Pokémon&#039;&#039; (2001-07) and for private space industry videos in the late 90s and early 00s. Zia is great introductory/accessible xen music.&lt;br /&gt;
|-&lt;br /&gt;
| Matthias Ziegler&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Unconventional flute playing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bostjan Zupancic]]: MicroMetal&lt;br /&gt;
| [https://sites.google.com/site/19edoguitar/home/bostjan-zupancic-micrometal Google Page]&amp;lt;br&amp;gt;[https://bostjanzupancic.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JTpF2MifP5Y Brain for Breakfast]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=D8utL7T0HAc Beezer&#039;s Cellar]&lt;br /&gt;
| Bostjan Zupancic - Guitar, Bass, Drums, Vocals, Synthesizer&lt;br /&gt;
| 19-EDO Modern Hard Rock and Heavy Metal, and occasionally 24-EDO.&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2008-&lt;br /&gt;
| &lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! &#039;&#039;&#039;Website&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Description&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.musicmavericks.org/listening/ American Mavericks concert series]&lt;br /&gt;
| Microtonal RealPlayer files: Lou Harrison Suite for Violin and American Gamelan, Third Symphony; Charles Ives &amp;quot;Allegro&amp;quot; from Quartertone Piano Pieces&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.oeaw.ac.at/kal/agm/ Ancient Greek Music]&lt;br /&gt;
| Library of extant fragments using authentic tunings: Real``Player and MIDI&lt;br /&gt;
|-&lt;br /&gt;
| [http://bostonmicrotonalsociety.org/ Boston Microtonal Society]&lt;br /&gt;
| 72-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://catharsis.egregious.net/errata/ Catharsis] ([http://catharsis.egregious.net/tracks/droneI/ 2])&lt;br /&gt;
| Jon Catler and Jacky Ligon live; &amp;quot;Drone 1&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.fujara.sk/audio_samples.htm Fujara]&lt;br /&gt;
| Slovak overtone flute&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wmich.edu/mus-theo/groven/ Groven Piano Project]&lt;br /&gt;
| 36-tone JI (schismatic) pianos after Eivind Groven&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.xs4all.nl/%7Ehuygensf/english/index.html Huygens-Fokker Foundation]&lt;br /&gt;
| Acoustic and MIDI 31-EDO &amp;amp; 24-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.csounds.com/ezine/winter1999/synthesis/ Implementing Cellular Automatas in Csound]&lt;br /&gt;
| MP3 examples with spectral pictures&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html kingmixers] ([http://www.kingmixers.com/AncGreekMusicFragments.html%20 2]) ([http://www.kingmixers.com/Clouds%20MP3s.html%20copy 3])&lt;br /&gt;
| Some MP3 samples of Greek tunings, reconstructions of Greek music fragments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.last.fm/tag/microtonal last.fm microtonal tag radio]&lt;br /&gt;
| Stream microtonal music from last.fm radio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.lucytune.com/ LucyTuning] ([http://www.harmonics.com/lucy/earindex.html 2]) ([http://www.lullabies.co.uk/ 3])&lt;br /&gt;
| LucyTuned music - clips and full pieces, midi files, mp3s, video&lt;br /&gt;
|-&lt;br /&gt;
| [http://micro.soonlabel.com/ micro.soonlabel.com]&lt;br /&gt;
| Music from multiple composers in various tunings available for direct download.&lt;br /&gt;
|-&lt;br /&gt;
| [http://microtonalismo.com/ MICROTONALISMO]&lt;br /&gt;
| Primera Web oficial de microtonalismo de habla hispana en latinoamerica&lt;br /&gt;
|-&lt;br /&gt;
| [http://cdbaby.com/cd/mfhi Music for Homemade Instruments]{{dead link}}&lt;br /&gt;
| Clips of junkmusic orchestra&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.mvcc.edu/noldani/home Oldani&#039;s Math &amp;amp;amp; music Site]{{dead link}}&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [http://www.overtone.cc/ Overtone Music Network]&lt;br /&gt;
| A platform for overtone music of all kinds, with a huge collection of online audio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.quartertonemarimba.com/ Quartertonemarimba.com]&lt;br /&gt;
| Kjell Tor Innevik&#039;s project at Norwegian Academy of Music&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.geocities.com/dinarra2000/songs.html Eduardo Sábat]&lt;br /&gt;
| Clips of jazz standards on 53-enharmonic frets per Octave guitar (Dinarra)&lt;br /&gt;
|-&lt;br /&gt;
| [http://split-notes.com/ split-notes Microtonal Netlabel]&lt;br /&gt;
| Online record label, free digital releases, microtonal music from various musicians&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.ne.jp/asahi/mariko/takanashi/masa/pagesE1/rev1nwpages/engconcert.html The Perfect Just Intonation Music MIDI Cycle Concerts]&lt;br /&gt;
| Classics tuned in JI&lt;br /&gt;
|-&lt;br /&gt;
| [http://pages.globetrotter.net/roule/demos.htm Tuning and temperament demos]&lt;br /&gt;
| MIDI and audio demonstrating historical tunings&lt;br /&gt;
|-&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=105485 Tuning Lab]&lt;br /&gt;
| Acoustic, electronic tuning experiments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wnyc.org/search/?q=microtonal WNYC microtonal features]&lt;br /&gt;
| Radio shows featuring microtonal music, esp. &amp;quot;New Sounds&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Projects]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Practice]]&lt;br /&gt;
[[Category:Listen| ]] &amp;lt;!-- main article --&amp;gt;&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Listen&amp;diff=231231</id>
		<title>Listen</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Listen&amp;diff=231231"/>
		<updated>2026-05-28T11:01:15Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Z */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Catrel|Listen}}&lt;br /&gt;
&lt;br /&gt;
This page is a list of xenharmonic listening suggestions. If you think anything should be changed, feel free to change it yourself, or leave a note about it here.&lt;br /&gt;
&lt;br /&gt;
== Curated lists ==&lt;br /&gt;
=== By curator ===&lt;br /&gt;
&#039;&#039;&#039;UnTwelve annual competition winners&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://untwelve.org/competition Annual Composition Competition pages] by the [[UnTwelve]] foundation. The majority of the dozens of entrants in each year’s competition provide audio files of their compositions for the public to listen to.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Mike Battaglia]]&#039;s recommendations playlist&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://open.spotify.com/user/1218607737/playlist/70d4bxQpwBM4EPvLj0OmhO?si=ADmgFYnhTxGRDENaYK5XGw&amp;amp;fbclid=IwAR0Tw8l31ERv0cUgO-4OrBMu7wp8I38dhGWUGsmFvWo6sLle1FS7ZJQ7z0o Microtonal Spotify Playlist] — Deliberately includes examples for many different genres. Put it on Shuffle and have a great intro to xen.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Highest rated by the Xen Wiki community&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[List of xenharmonic music by community ratings]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;More recommendations&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Microtonal music recommendation playlists]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
=== By medium/tuning/genre ===&lt;br /&gt;
&#039;&#039;&#039;Sheet music&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Scores]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Albums&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[:Category:Albums]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music by tuning&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;small&amp;gt;&#039;&#039;&#039;[[Music in just intonation]]&#039;&#039;&#039; • [[Bohlen–Pierce scale/Music]] • [[Carlos Alpha#Music]] • [[Carlos Beta#Music]] • [[Carlos Gamma#Music]] • [[Polymicrotonality#Music]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music in EDOs&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;5-9: &#039;&#039;&#039;[[5edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[7edo/Music]]&#039;&#039;&#039; • [[8edo#Music]] • &#039;&#039;&#039;[[9edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
10-19: &#039;&#039;&#039;[[10edo/Music]]&#039;&#039;&#039; • [[11edo#Music]] • [[13edo/Music]] • [[14edo#Music]] • &#039;&#039;&#039;[[15edo/Music]]&#039;&#039;&#039; • [[16edo#Music]] • &#039;&#039;&#039;[[17edo/Music]]&#039;&#039;&#039; • [[18edo#Music]] • &#039;&#039;&#039;[[19edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
20-29: [[20edo#Music]] • [[21edo#Music]] • &#039;&#039;&#039;[[22edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[23edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[24edo/Music]]&#039;&#039;&#039; • [[25edo#Music]] • [[26edo#Music]] • [[27edo#Music]] • [[28edo#Music]] • [[29edo#Music]]&lt;br /&gt;
&lt;br /&gt;
30-41: [[30edo#Music]] • &#039;&#039;&#039;[[31edo/Music]]&#039;&#039;&#039; • [[32edo#Music]] • [[33edo#Music]] • [[34edo#Music]] • [[35edo#Music]] • [[36edo#Music]] • [[37edo#Music]] • [[38edo#Music]] • [[39edo#Music]] • [[40edo#Music]] • &#039;&#039;&#039;[[41edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;(for higher EDOs see [[EDO#Individual pages for EDOs|the individual EDO pages]])&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Classical pieces that were written with microtones&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
{{todo|expand|add examples|inline=1}}&lt;br /&gt;
Notable examples from 20th century classical music that briefly use the 7th harmonic, and for the Britten piece, the 11th harmonic as well:&lt;br /&gt;
* Ralph Vaughan Williams&#039;s [[wikipedia:A_Pastoral_Symphony|Symphony No. 3, A Pastoral Symphony]] from 1922, two horn solos in the 2nd movement&lt;br /&gt;
* Benjamin Britten&#039;s [[wikipedia:Serenade_for_Tenor,_Horn_and_Strings|Serenade for Tenor, Horn and Strings]] from 1943, prologue and epilogue&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Non-microtonal classical pieces translated to microtonal tunings&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
For a list of pieces that were originally written in a non-xenharmonic context, and then translated into a xenharmonic tuning, see [[Familiar melodies in unfamiliar tunings]]. (&#039;&#039;Stephen Weigel&#039;s [https://www.youtube.com/watch?v=bKNuSRujLPY&amp;amp;list=PLzY9zzOkuloTH7IYBl6AHFcbdM-Qop7u4 YouTube channel], Mike Battaglia&#039;s [https://soundcloud.com/mikebattagliaexperiments SoundCloud], and H. Wakabayashi&#039;s [https://www.youtube.com/user/inodapicnic YouTube channel] have great examples of these&#039;&#039;).&lt;br /&gt;
&lt;br /&gt;
== Giant table of xenharmonic music examples ==&lt;br /&gt;
What follows for the rest of this page is a large alphabetical list of as many xenharmonic artists and pieces as the wiki editors could find. It is not filtered or curated by quality, genre, or any other criteria. Feel free to add to it:&lt;br /&gt;
&lt;br /&gt;
{{TOC Horizontal&lt;br /&gt;
| a1=[[#Compilations|Compilations]]&lt;br /&gt;
| a2=[[#Artists|Artists]] ([[#A|A]]&lt;br /&gt;
| a3=[[#B|B]]&lt;br /&gt;
| a4=[[#C|C]]&lt;br /&gt;
| a5=[[#D|D]]&lt;br /&gt;
| a6=[[#E|E]]&lt;br /&gt;
| a7=[[#F|F]]&lt;br /&gt;
| a8=[[#G|G]]&lt;br /&gt;
| a9=[[#H|H]]&lt;br /&gt;
| a10=[[#I|I]]&lt;br /&gt;
| a11=[[#J|J]]&lt;br /&gt;
| a12=[[#K|K]]&lt;br /&gt;
| a13=[[#L|L]]&lt;br /&gt;
| a14=[[#M|M]]&lt;br /&gt;
| a15=[[#N|N]]&lt;br /&gt;
| a16=[[#O|O]]&lt;br /&gt;
| a17=[[#P|P]]&lt;br /&gt;
| a18=[[#Q|Q]]&lt;br /&gt;
| a19=[[#R|R]]&lt;br /&gt;
| a20=[[#S|S]]&lt;br /&gt;
| a21=[[#T|T]]&lt;br /&gt;
| a22=[[#U|U]]&lt;br /&gt;
| a23=[[#V|V]]&lt;br /&gt;
| a24=[[#W|W&amp;amp;ndash;Z]])&lt;br /&gt;
| a25=[[#Other|Other]]&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
=== Compilations ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Year&lt;br /&gt;
! &#039;&#039;&#039;Links&#039;&#039;&#039;&lt;br /&gt;
! Title&lt;br /&gt;
! &#039;&#039;&#039;Synopsis&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Genres, tunings, keywords&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Additional notes&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| 2024&lt;br /&gt;
| [https://www.youtube.com/watch?v=ftfnW9DsFVE YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Christmas Compilation 2024&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. &amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 41edo, mixed tunings*, 87edo, 159edo, 15edt, 15edo, free pitch, 31edo, &lt;br /&gt;
| *31edo diatonic, 25edo mavila, 7edo, 27edo mosh[7], 17edo &amp;quot;sun&amp;quot; scale, 26edo diasem-ish&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=U3fDWlG2Cb8 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Adxenture EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 11 artists. &amp;lt;br /&amp;gt;Theme: Explore + Discover&lt;br /&gt;
| Tunings: 15edo, 17-note tempered 2.3.7.29 ternary scale*, 26edo, 27edo, 12-tone 7-limit scale**, 21edo, 22edo, 37edo&lt;br /&gt;
| Was an entry in the Server vs Server V competition.&amp;lt;br /&amp;gt;*28/27 + 0.193{{cent}}, 29/27 + 2.596{{cent}}, 9/8 - 1.066{{cent}}, 7/6 - 0.873{{cent}}, 29/24 + 1.53{{cent}}, 81/64 - 2.132{{cent}}, 21/16 - 1.939{{cent}}, 87/64 + 0.464{{cent}}, 116/81 + 3.129{{cent}}, 3/2 - 0.533{{cent}}, 14/9 - 0.34{{cent}}, 29/18 + 2.063{{cent}}, 27/16 - 1.599{{cent}}, 7/4 - 1.406{{cent}}, 29/16 + 0.997{{cent}}, 243/128 - 2.665{{cent}}, 2/1&amp;lt;br /&amp;gt;**135/128, 9/8, 75/64, 5/4, 21/16, 45/32, 3/2, 25/16, 27/16, 7/4, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=-boJuGbymMY YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Kids Songs Edition&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 4 artists. &amp;lt;br /&amp;gt;Theme: Kids Songs&lt;br /&gt;
| Tunings: 46edo, octave-reduced 10L 7s MOS, 53edo, 15edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=fOZiX7f7t8Q YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Cover My Song&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. 8 tracks.&lt;br /&gt;
| Tunings: Free pitch, 22edo, 410edo, 159edo, 41edo, 19edo, 27edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://www.youtube.com/watch?v=WoF89oQ1Pn0 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Christmas 2022 Edition!&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 8 artists.&amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 7-Limit POTE Whitewood[21], 29edo, 23edo, 159edo*, 22edo, 353edo**, Iceface 75***, 17edo, Harmonics 16-32 starting from multiple notes****&lt;br /&gt;
| *Used for multiple songs, each song with a different reference pitch; main scale: 27\159, 51\159, 66\159, 93\159, 120\159, 144\159, 159\159 &amp;lt;br /&amp;gt;**38\353 Rectified Hebrew + 38\353 Apparatus on Harp &amp;lt;br /&amp;gt;***12edo with the black piano keys raised 75 cents &amp;lt;br /&amp;gt;****D = 293.333 Hz, G = 195.556 Hz, C = 260.741 Hz, F = 173.827 Hz, Bb = 234.667 Hz, Eb = 156.444 Hz&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/tDjLcCictVQ Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project 2&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Tostarena: Ruins&amp;quot; from &#039;&#039;Super Mario Odyssey&#039;&#039;.&lt;br /&gt;
| Tunings: 17edo, 13-limit JI*, 21edo, 19edo, 13-limit lemba, 13-limit srutal[12], 23edo, 11-limit JI**, 37edo, 33edo&lt;br /&gt;
| *28/27, 9/8, 7/6, 63/52, 4/3, 3/2, 14/9, 21/13, 7/4, 2/1&amp;lt;br /&amp;gt;**12/11, 9/8, 6/5, 5/4, 4/3, 15/11, 3/2, 18/11, 27/16, 16/9, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/9rTbLQ9j1sE Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Deleted User EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 12 artists.&amp;lt;br /&amp;gt;Theme: Secrets&lt;br /&gt;
| Tunings: 19edo, 2)5 [[CPS]] 3 7 9 11 13, 21edo, 18edo, 29edo, 33edo, 22edo, 11edo, 13edo, a [[porcupine]]-derived [[nonoctave]] tuning&lt;br /&gt;
| Was an entry in the Server vs Server IV competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/mkSlVrpC7HI Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Aquatic Ambience&amp;quot; from &#039;&#039;Donkey Kong Country&#039;&#039;.&lt;br /&gt;
| Tunings: 7-limit JI*, 18edo, 17edo, 7-limit JI**, 41edo, 15edo, 22edo&lt;br /&gt;
| *9/8, 7/6, 6/5, 4/3, 3/2, 14/9, 8/5, 16/9, 2/1&amp;lt;br /&amp;gt;**28/27, 9/8, 6/5, 5/4, 4/3, 7/5, 3/2, 8/5, 5/3, 9/5, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/XomJ5Hutl7k Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - LM x SvS 1v1s&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 one-minute tracks by 10 artists.&lt;br /&gt;
| Tunings: 16edo neji /128, 22edo, 17edo, Ibn Sina diatonic + extra chromatic tones (JI)*, 31edo, 20edo, 24edo, 16edo, 26edo&lt;br /&gt;
| LM x SvS = Lucid Monday x Server vs Server&amp;lt;br /&amp;gt;*14/13, 7/6, 4/3, 3/2, 21/13, 7/4, 2/1 + 28/27, 21/20, 14/9&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7b-luna-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7b-luna-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7b - Luna Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 15 artists.&lt;br /&gt;
| Each track uses a different [[EDO]] or other [[equal-step tuning]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://youtu.be/jBXpOPeQFYY Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Gone Too Deep EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 14 artists.&amp;lt;br /&amp;gt;Theme: Dreams&lt;br /&gt;
| Tunings: 14edo, a [[Neji]] tuning, 18edo, 17edo, 96edo, 31edo, 15edo, 21edo, 23edo, 20edo&lt;br /&gt;
| Was an entry in the Server vs Server III competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7-terra-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7-terra-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7 - Terra Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 16 artists.&lt;br /&gt;
| Each track uses a different [[EDO]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2019&lt;br /&gt;
| [https://open.spotify.com/album/2ojBIQLtipAo6MPJhmNiWP Listen free on Spotify]&amp;lt;br /&amp;gt;[https://biptunia.com/?p=4633 More info].&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Microtonal Freedom (A Benefit Compilation Album for Lyn Ulbricht)&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists. Many of them are contributors on this wiki.&lt;br /&gt;
| &#039;&#039;&#039;GENRES&#039;&#039;&#039;: Blues, metal, prog, trip-hop, hip-hop, funk, classical, ambient, math, punk, spoken, folk, solo acoustic guitar.&lt;br /&gt;
| Very good overview, and very listenable, especially for people without experience in Xen, or who think it sounds odd.&lt;br /&gt;
|-&lt;br /&gt;
| 2016&lt;br /&gt;
| [http://split-notes.com/various-artists-next-xen/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Next Xen&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2010&lt;br /&gt;
| [http://split-notes.com/various-artists-crack-my-pitch-up/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Crack My Pitch Up&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 1998&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/mills.html Broken Link?]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;A Microtonal Musical Experience&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10-ish groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| Many of the tracks on the CD were the first widely available audio files on the internet featuring xenharmonic tunings.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Artists ===&lt;br /&gt;
: &#039;&#039;Note: Please don&#039;t put external links on artist&#039;s name in first column. Put them in LINKS column, Link description of what they are (Website, YouTube, SoundCloud, etc.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Name&lt;br /&gt;
! Links&lt;br /&gt;
! Recommended works&lt;br /&gt;
! Members&lt;br /&gt;
! Genres, tunings, keywords&lt;br /&gt;
! Location&lt;br /&gt;
! Years &#039;&#039;microtonally&#039;&#039; active&lt;br /&gt;
! Additional notes&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== A ==== &lt;br /&gt;
|-&lt;br /&gt;
| Agonanist&lt;br /&gt;
| [https://transylvaniantapes.bandcamp.com/album/agonanist-the-cynicism-of-solitude Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Black metal in various EDO&#039;s&lt;br /&gt;
| California&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Alves]]&lt;br /&gt;
| [http://www.billalves.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/billalves YouTube]&amp;lt;br&amp;gt;[http://pages.hmc.edu/alves/ Harvey Mudd College]&lt;br /&gt;
| [http://www.billalves.com/imbal-imbalan.html Imbal-Imbalan]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI, gamelan, etc. Different tunings on different songs. Sometimes creates his own tunings just for one song.  &lt;br /&gt;
| Claremont, California&lt;br /&gt;
| 1987- &lt;br /&gt;
| College professor, author. Important cat. Check him out. &lt;br /&gt;
|-&lt;br /&gt;
| Aphex Twin&lt;br /&gt;
| [https://aphextwin.warp.net/ Official Store]&amp;lt;br&amp;gt;[[Wikipedia:Aphex Twin| Wikipedia]]&lt;br /&gt;
| [https://aphextwin.warp.net/release/68148-aphex-twin-selected-ambient-works-volume-ii Selected Ambient Works Volume II]&amp;lt;br&amp;gt;[https://aphextwin.warp.net/release/71102-aphex-twin-drukqs drukQs]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music&lt;br /&gt;
| Scotland&lt;br /&gt;
| 1994-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Atar Arad&lt;br /&gt;
| [https://www.youtube.com/channel/UCqkcxbIr8LriIoZBx96RT7g YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sonata for Viola with quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Astroid power-up!&lt;br /&gt;
| [https://store.cdbaby.com/cd/googleplex CD Baby]{{dead link}} (includes audio previews) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of hyper drum&amp;amp;amp;bass. Microtonal tracks: 3, 4, 8 and 9 (60-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot;| &lt;br /&gt;
&lt;br /&gt;
==== B ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Christopher Bailey]]&lt;br /&gt;
| [http://christopherbaileymusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystallized JI, 17-EDO, 19-EDO, 7-limit adaptive&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Mike Battaglia]]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments SoundCloud]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments/sets/natural-sounding-porcupine &amp;quot;Natural&amp;quot;-sounding Porcupine Comma Pump Experiments]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs, technical studies, experimental music cognition demos&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (a.k.a. Bugs, a.k.a. The Bugs) &lt;br /&gt;
|-&lt;br /&gt;
| Matt Barber&lt;br /&gt;
| [http://ecmc.rochester.edu/mbarb/web/music.php?filter=chrono Rochester EDU listing] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| In some pieces, 19-ED(per 2:1 and 3:1), quartertones, 11-EDO and 14-EDO in 3:2 equivalence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacob Barton]]&lt;br /&gt;
| [http://jacobbarton.net/ Website] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced and acoustic, various EDO and JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dennis Báthory-Kitsz]]&lt;br /&gt;
| [http://www.maltedmedia.com/people/bathory/cat-solo.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Thièle&amp;quot; - violin in quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David Beardsley&lt;br /&gt;
| [https://microtonal.wordpress.com/ Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UChoIaFN4ZM2nMzsktVnPuqQ YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI electric guitar and JI chamber music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Antoine Beaudet&lt;br /&gt;
| [https://soundcloud.com/jollybard SoundCloud] (as Jollybard)&lt;br /&gt;
| [https://soundcloud.com/jollybard/superbeat-wip SuperBeat]&amp;lt;br&amp;gt;[https://soundcloud.com/jollybard/spooky Spooky]&lt;br /&gt;
| &lt;br /&gt;
| Joan temperament, JI, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[benyamind]]&lt;br /&gt;
| [https://benyamind.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCFWIWi2GVCKMM9uYDdlUQqw Youtube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 31edo, 22edo, JI, orchestral, piano&lt;br /&gt;
|-&lt;br /&gt;
| BipTunia&lt;br /&gt;
| [https://biptunia.com/?s=microtonal Website]&amp;lt;br&amp;gt;[https://biptunia.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://biptunia.com/?p=3432 Microtonal Cats from Alpha-Centauri”]&lt;br /&gt;
| Michael W. Dean (synths, singing, talking)&amp;lt;br&amp;gt;Phil Wormuth (poetry, talking)&lt;br /&gt;
| Darkwave, rock, pop, experimental, poetry with music, different tunings on every song. Prolific. &lt;br /&gt;
| Casper Wyoming &lt;br /&gt;
| 2018-&lt;br /&gt;
| MWD is [[User:SyntheticThought]] on this wiki. MWD also makes [https://biptunia.com/?page_id=2070 xen VST software]. &lt;br /&gt;
|-&lt;br /&gt;
| Marcus Alessi Bittencourt&lt;br /&gt;
| [http://www.marcusalessi.com/site/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classic electronic pan-intonational&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Easley Blackwood Jr.]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=HbuFPpiJL1o YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal etudes [excerpts]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Douglas Blumeyer]]&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin SoundCloud]&amp;lt;br&amp;gt;[http://musical-patterns.douglasblumeyer.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Musical patterns&lt;br /&gt;
| Berkeley&lt;br /&gt;
| 2006-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cameron Bobro]]&lt;br /&gt;
| [https://soundcloud.com/cameron-bobro Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Bass vocals and microtonal folk instruments in haunting songs.&lt;br /&gt;
| Maribor, Slovenia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| M. Edward Borasky&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Stochastic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Donald Bousted&lt;br /&gt;
| [https://donaldbousted.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music and film&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Graham Breed]]&lt;br /&gt;
| [http://x31eq.com/music/ Website]&lt;br /&gt;
| [http://x31eq.com/music/wisofl.mp3 When I Set Out for Lyonnesse] &lt;br /&gt;
| &lt;br /&gt;
| Electronic with spoken word; (Thomas Hardy poems), examples of different temperaments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Chris Bryan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brendan Byrnes]]&lt;br /&gt;
| [http://www.brendanbyrnes.com/ Website]&amp;lt;br&amp;gt;[https://brendanbyrnes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsg5wuPYEmD7w7Jutqy8IhA YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/bpbyrnes Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=1PYbIPaW_eg Siolas]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=dgVDQU8CuPE Operator]&lt;br /&gt;
| Brendan Byrnes + various side players.&lt;br /&gt;
| Great production. Progressive, rock, driving, good vocals. Is also in band ILEVENS (separate entry below).&lt;br /&gt;
| Los Angeles / Glendale&lt;br /&gt;
| 2011-&lt;br /&gt;
| Great first xen for many people. &lt;br /&gt;
|-&lt;br /&gt;
| [[Warren Burt]]&lt;br /&gt;
| [http://retiary.net/idea/idea5/IDEA_5/warren/warren.htm Website] (flashing images warning)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sound installation; manipulated voice...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== C ==== &lt;br /&gt;
|-&lt;br /&gt;
| Charles Carpenter&lt;br /&gt;
| [https://charlescarpenter.net/ Website]&lt;br /&gt;
| [https://open.spotify.com/album/0tLOtB35zIsId4S47hll3X?si=hUoXPLLyS9SR6kBitJUD2g Splat]&amp;lt;br /&amp;gt;[https://open.spotify.com/album/3CQHBKHfYBx4VC8ZS1cQfo?si=d3G8aLe6S127Lb7YGVXmHQ Frog à la Pêche]&lt;br /&gt;
| &lt;br /&gt;
| Bohlen–Pierce electronic&lt;br /&gt;
| &lt;br /&gt;
| 1994-1996&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tolgahan Çoğulu]]&lt;br /&gt;
| [https://www.youtube.com/user/TolgahanCogulu YouTube]&amp;lt;br&amp;gt;[https://www.microtonalguitar.org/ Website 1]&amp;lt;br&amp;gt;[http://www.tolgahancogulu.com/en/ Website 2]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JT0z2nOyUlg Microtonal guitar duo]&lt;br /&gt;
| &lt;br /&gt;
| Microtonal guitar. Custom builds guitars with half, quarter frets, and movable frets.&lt;br /&gt;
| Istanbul, Turkey&lt;br /&gt;
| 2008-&lt;br /&gt;
| Good first xen for many people. Popular. Teaches music at Istanbul Technical University.&lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Loli]]&lt;br /&gt;
| [http://microtonalismo.com/microweb/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 drone 17-EDO, 20-EDO, 29-EDO and 53-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Wendy Carlos]]&lt;br /&gt;
| [[Wikipedia:Wendy Carlos| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=RuT6Y53LYH4 Video analyzing her microtonal scales]&lt;br /&gt;
| [https://www.dailymotion.com/video/x2j1gy2 Beauty and the Beast]&lt;br /&gt;
| &lt;br /&gt;
| Not all her work is microtonal, but &#039;&#039;[[wikipedia:Beauty_in_the_Beast| Beauty in the Beast]]&#039;&#039; (1986) is. She invented her own non-octave-repeating musical scales for it. &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Early synthesizer pioneer ([[wikipedia:Switched-On_Bach| &#039;&#039;Switched on Bach&#039;&#039;]], 1968)&lt;br /&gt;
|-&lt;br /&gt;
| Catler Bros. / [[Jon Catler]]&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=346893 SoundClick]&amp;lt;br&amp;gt;[[Wikipedia:Jon Catler| Jon Catler on Wikipedia]]&amp;lt;br&amp;gt;[https://preparedguitar.blogspot.com/2015/03/jon-catler-13-questions.html Interview with Jon Catler]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/4496860-Catler-Bros Discogs]&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=346893 Hyperspace]&lt;br /&gt;
| Jon Catler&lt;br /&gt;
| 64-note JI bluesrock. Have had mainstream press in Rolling Stone, Downbeat, and elsewhere. Jon Catler runs [http://freenotemusic.com/ FreeNote Records].&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Jon Catler also plays in [http://freenotemusic.com/fretlessbrothers/ The Fretless Brothers] and makes Freenote guitars. &lt;br /&gt;
|-&lt;br /&gt;
| [[City of the Asleep]]&lt;br /&gt;
| [https://cityoftheasleep.bandcamp.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Electronica, post-rock, and unclassifiable music in a variety of tunings, especially uncommon EDOs and theoretically-discordant tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nick Collins&lt;br /&gt;
| [https://composerprogrammer.com/music.html Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/playlist?list=PLvsv24zg5vzuGovKXXhjU7bYVnJIqNOZ3 YouTube playlist]&lt;br /&gt;
| [https://composerprogrammer.com/music/simphony2movement1.mp3 Simphony 2, Movement 1] (MP3 direct link) &lt;br /&gt;
| &lt;br /&gt;
| Microtonal supercollider tempo canons&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Copper&lt;br /&gt;
| [http://www.williamcopper.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 5-limit JI, printed scores with intonation markings, intonalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mildred Couper&lt;br /&gt;
| [[Wikipedia:Mildred Couper| Wikipedia]]&amp;lt;br&amp;gt;[http://www.academia.edu/7921833/Quarter-Tone_Composer_and_Pianist_Mildred_Couper PDF academic article]&amp;lt;br&amp;gt;[http://digital.library.ucsb.edu/collections/show/14 Scores at USC Santa Barbara site]&lt;br /&gt;
| [https://www.youtube.com/watch?v=PEOp3tFNaiI Dirge]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=2Y_9AqbpIdw Calliope of the Nine Muses]&lt;br /&gt;
| &lt;br /&gt;
| Quartertone pianos &lt;br /&gt;
| Buenos Aires, Argentina / Santa Barbara, California&lt;br /&gt;
| Died in 1974&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cryptic Ruse]]&lt;br /&gt;
| [https://cryptic-ruse.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Instrumental progressive metal &amp;amp; drone-metal in 13edo, 14edo, 15edo, 17edo, and 23edo&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Cubberly&lt;br /&gt;
| [https://www.discogs.com/artist/4027870-David-Cubberly Listing at Discogs]&amp;lt;br&amp;gt;[http://www.davidjcubberly.com/music.html Website]&lt;br /&gt;
| Per email reply from him, no listen links online. See note on Talk page.  &lt;br /&gt;
| &lt;br /&gt;
| Sequenced microtonal midi ensemble&lt;br /&gt;
| Urbana, Illinois&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== D ==== &lt;br /&gt;
|-&lt;br /&gt;
| Philip Dadson&lt;br /&gt;
| [[Wikipedia:Philip Dadson| Wikipedia]]&amp;lt;br&amp;gt;[https://sounz.org.nz/contributors/1026 Centre for New Zealand Music]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Instruments in JI, installations and performance&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ivor Darreg]]&lt;br /&gt;
| [[Wikipedia:Ivor Darreg| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=8nG0T1t9WUY Prelude 2 For 19 Tone Guitar]&amp;lt;br&amp;gt;[https://ivordarreg.bandcamp.com/releases Detwelvulate!]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-i Ivor Darreg Originals - I]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-2 Ivor Darreg Originals - II]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| San Diego, Los Angeles&lt;br /&gt;
| c. 1936-1994&lt;br /&gt;
| Important cat. Check him out. &amp;quot;Granddaddy of xenharmonic music.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| Jarod DCamp&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=998452 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic - various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tútim Dennsuul Wafiil]]&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/timo.html List of MP3s] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips in 23-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mark Deutsch&lt;br /&gt;
| [http://bazantar.com/ Website]&amp;lt;br&amp;gt;[https://bazantar.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.facebook.com/bazantar Facebook]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sensual acoustic microtonal music, world influence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Invented the [[wikipedia:Bazantar| Bazantar]], a stringed instrument &lt;br /&gt;
|-&lt;br /&gt;
| [[Diamond Doll]]&lt;br /&gt;
| [https://helloitsdiamonddoll.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/6nAsvYXrvYDqY5EqpbFgCa?si=6109ce7e857740b7 Spotify]&lt;br /&gt;
| [https://open.spotify.com/track/02hYX9uAKNk7uBr5lLnXIG Hello My Name&#039;s Diamond Doll]&amp;lt;br&amp;gt;[https://open.spotify.com/track/18d6VnHUY6JvLU1FjrJxnr Autogynephilia]&amp;lt;br&amp;gt;[https://open.spotify.com/track/4UqXCEKsKR5VdggZrr1cWo Little Brother] &lt;br /&gt;
| [[Kit Hagerstrom]] (songwriting, production, vocals)&amp;lt;br&amp;gt;Grey Tyson (vocals)&lt;br /&gt;
| Postpunk, hyperpop, queercore, various EDOs&lt;br /&gt;
| Winnipeg, Manitoba&lt;br /&gt;
| 2019-&lt;br /&gt;
| good entry point to xen&lt;br /&gt;
|-&lt;br /&gt;
| Divide by Pi&lt;br /&gt;
| [https://play.google.com/store/music/artist/Divide_by_Pi?id=Atehcbhgf7qggp2nxx4hajelerq&amp;amp;hl=en Google Music]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/dividebypi CD Baby]{{dead link}} (can listen to excerpts) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 clips: synthesizer and percussion improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Paul Dolden&lt;br /&gt;
| [https://pauldolden.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[[Wikipedia:Paul Dolden| Wikipedia]]  &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| dotuXil&lt;br /&gt;
| [https://www.youtube.com/@dotuxil Youtube]&amp;lt;br&amp;gt;[https://dotuxil.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://mirlo.space/dotuxil/release/collected-refractions Mirlo]&amp;lt;br&amp;gt;[https://dotuxil.github.io/ Github]&lt;br /&gt;
| [https://dotuxil.bandcamp.com/album/collected-refractions Collected Refractions Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=cFpKgUD9tQI Collected Refractions Youtube]&lt;br /&gt;
| &lt;br /&gt;
| Electronic, Various Tunings, Melodic&lt;br /&gt;
| &lt;br /&gt;
| 2023-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[David B. Doty]]&lt;br /&gt;
| [http://www.dbdoty.com/Just-Intonation-Links.html Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=a9bW4o5UedE Steel Suite]&lt;br /&gt;
| &lt;br /&gt;
| Synth JI, acoustic guitar JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Arnold Dreyblatt]]&lt;br /&gt;
| [http://www.dreyblatt.net/composer-1 Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Grooving JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Dsilton Trio&lt;br /&gt;
| [https://georgvogel.net/PROJEKTE-DSILTON.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCmzn7wDBp_H3N0diqakaRvg YouTube]&amp;lt;br&amp;gt;Facebook&lt;br /&gt;
| [https://www.youtube.com/watch?v=9LcWqSzDv7A Duschscha]&lt;br /&gt;
| Georg Vogel (clavinet, synthesizer, composition)&amp;lt;br&amp;gt;David Dornig (31-tone guitars)&amp;lt;br&amp;gt;Valentin Duit (drumset)&lt;br /&gt;
| Odd time signatures, chamber influence, jazz influence. [[31edo]].&lt;br /&gt;
| Vienna, Austria&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacques Dudon]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KuL4aSwNT0o YouTube]&amp;lt;br&amp;gt;[https://www.semantic-danielou.com/designers/jacques-dudon/ Academic profile]&amp;lt;br&amp;gt;[[wikipedia:Jacques_Dudon| Wikipedia]]&amp;lt;br&amp;gt;[https://www.forcedexposure.com/Catalog/dudon-jacques-erosion-distillee-lp/MMLP.009LP.html Forced Exposure]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Samples of &amp;quot;Lumières audibles&amp;quot; JI electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Richard Dunlap&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=106711 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Mostly 12-EDO&lt;br /&gt;
| California USA&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== E ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Paul Erlich]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=lO5xSjIHyMg YouTube]&amp;lt;br&amp;gt;[http://www.myspace.com/paulerlich/ MySpace]&amp;lt;br&amp;gt;[http://untwelve.org/interviews/paul_erlich UnTwelve interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[22-EDO]] guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== F ==== &lt;br /&gt;
|-&lt;br /&gt;
| John Farah&lt;br /&gt;
| [http://www.johnfarah.com/ Website]&lt;br /&gt;
[https://soundcloud.com/johnkameelfarah SoundCloud]&amp;lt;br&amp;gt;[https://johnkameelfarah.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/user/Hatiyn YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/JohnKameelFarah Facebook]&amp;lt;br&amp;gt;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| String quartet, electronic in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Fabrizio Fiale| FFF Fiale]]&lt;br /&gt;
| [https://ffffiale.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Fabrizio Fulvio Fausto Fiale&lt;br /&gt;
| 16-EDO instrumental guitar thrash metal and eclectic rock&lt;br /&gt;
| Italy&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Finnamore&lt;br /&gt;
| [http://www.elvenminstrel.com/music/tuning/horagrams/horagram-music.htm List of MP3s]&amp;lt;br&amp;gt;[http://www.elvenminstrel.com/music/tuning/equal/13equal/13tet.htm 13 TET MP3s]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Etudes using &amp;quot;golden horograms&amp;quot;; clips of dirty 13-EDO guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Forro]]&lt;br /&gt;
| [https://www.soundclick.com/members4/default.cfm?memberID=1540764 SoundClick]&amp;lt;br&amp;gt;[[Daniel Forro| List of MP3s]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Kakamigahara, Japan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Harold Fortuin&lt;br /&gt;
| [http://www.fortuitous-artists.biz/clavetteMusic.html 2 MP3s]&amp;lt;br&amp;gt;[[wikipedia:Harold_Fortuin| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=Dp3Gq0xjlhE YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Francium]]&lt;br /&gt;
| [https://francium223.bandcamp.com Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/0Nz4jp5ckOxUA404IFtbDL Spotify]&amp;lt;br&amp;gt;[https://www.youtube.com/@FranciumMusic YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| various EDOs, tuning comparisons, electronic&lt;br /&gt;
| &lt;br /&gt;
| 2021-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Glenn R. Frantz&lt;br /&gt;
| [https://archive.org/details/@glenn_r_frantz Songs on Archive.org]&lt;br /&gt;
| [https://archive.org/details/ThreeRagtime-basedPieces Three Ragtime-Based Pieces]}&lt;br /&gt;
| &lt;br /&gt;
| Freestyle JI via computer, based on ragtime music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Adam Freese]]&lt;br /&gt;
| [https://www.youtube.com/@adamfreese YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ellen Fullman&lt;br /&gt;
| [https://www.ellenfullman.com/ Website]&amp;lt;br&amp;gt;[https://ellenfullman.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]]&lt;br /&gt;
| San Francisco Bay Area, CA&lt;br /&gt;
| &lt;br /&gt;
| known for her 70-foot (21-meter) [[wikipedia:Long-string_instrument| Long String instrument]], tuned in just intonation and played with rosin-coated fingers.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; |&lt;br /&gt;
&lt;br /&gt;
==== G ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Frédéric Gagné]]&lt;br /&gt;
| [https://www.youtube.com/@fredg999music YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kyle Gann]]&lt;br /&gt;
| [https://www.kylegann.com/ Website]&amp;lt;br&amp;gt;[https://www.kylegann.com/Gannaudio.html MP3s on website]&amp;lt;br&amp;gt;[https://www.kylegann.com/complist.html List of compositions]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic JI, now with more Sitting Bull!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kite Giedraitis]]&lt;br /&gt;
| see Tall Kite&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Monroe Golden&lt;br /&gt;
| [http://monroegolden.com/ Website]&amp;lt;br&amp;gt;[https://soundcloud.com/monroe-golden SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal chamber music, microtone-informed 12-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Gongs&lt;br /&gt;
| [http://imomus.com/thegongs.html Momus website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM Rob Reich] (full length album on Youtube)&lt;br /&gt;
| Peter Blasser&amp;lt;br&amp;gt;Clara Latham&amp;lt;br&amp;gt;Grisha Krivchenia&amp;lt;br&amp;gt;Stefan Tcherepnin&lt;br /&gt;
| &lt;br /&gt;
| Oberlin, OH&lt;br /&gt;
| 2001-2002&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM First song on this], and whole record.&lt;br /&gt;
|-&lt;br /&gt;
| Mark Gould&lt;br /&gt;
| [http://www.derek-hasted.co.uk/assets/audio/derek-hasted/ten-tone.mp3 MP3]&amp;lt;br&amp;gt;[http://www.users.waitrose.com/~equiton/Mark_Gould/About_Me.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 1 electronic mp3: 10-EDO; midi recorder duets in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kraig Grady]]&lt;br /&gt;
| [https://www.youtube.com/results?search_query=Kraig+Grady+ YouTube]&amp;lt;br&amp;gt;[http://anaphoria.com/music.html Samples]&amp;lt;br&amp;gt;[[wikipedia:Kraig_Grady| Wikipedia]]&amp;lt;br&amp;gt;[http://www.anaphoria.com/ Website]&amp;lt;br&amp;gt;[https://anaphoriasouth.blogspot.com/ Blog]&amp;lt;br&amp;gt;[https://www.facebook.com/kraig.grady Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=9R33w7aaxS8 Live at the Cad Factory]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=GiSE9srsDt8 Ear Meal] (music + Skype interview)&lt;br /&gt;
| &lt;br /&gt;
| Original acoustic instruments/ensembles informed by the music of Anaphoria Island&lt;br /&gt;
| Wollongong, Australia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Patrick Grant&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.obscuresound.com/2018/10/patrick-grant-keeping-still/ Bio and audio examples]&amp;lt;br&amp;gt;Website&amp;lt;br&amp;gt;[[wikipedia:Patrick_Grant_(composer)| Wikipedia]]&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/album/fields-amaze-and-other-strange-music FIELDS AMAZE and other sTRANGE music]&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Percussion, gamelan, microtonal instruments, and electric chamber ensembles with narrative structures informed by chaos theory, biological forms, and B-horror films.&amp;quot;&lt;br /&gt;
| New York City&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Guidi&lt;br /&gt;
| [[wikipedia:Peter_Guidi| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One track of quartertone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (Can find [https://www.youtube.com/watch?v=Pb8Anz9xt1w&amp;amp;start_radio=1&amp;amp;list=RDEMgggUYKUD44vtsdamPmXt-A music of his] on YouTube, but isn&#039;t microtonal. Anyone got links to his microtonal music?)&lt;br /&gt;
|-&lt;br /&gt;
| Milan Guštar&lt;br /&gt;
| [http://www.uvnitr.cz/mg/art.html Listing of music]&lt;br /&gt;
| [http://www.uvnitr.cz/mg/music/240_four_seasons.html Generative composition for piano and theremin]&lt;br /&gt;
| &lt;br /&gt;
| Music in various tunings (06-EDO, 07-EDO, 08-EDO, 12-EDO, JI)&lt;br /&gt;
| Czech Republic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== H ==== &lt;br /&gt;
|-&lt;br /&gt;
| Edu Haubensak&lt;br /&gt;
| [http://www.eduhaubensak.ch/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=vmKWcJhuagk Sechs Walserminiaturen (1996) for soprano and violin]&lt;br /&gt;
| &lt;br /&gt;
| Music for retuned pianos and retuned strings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Georg Hajdu]]&lt;br /&gt;
| [http://georghajdu.de/ Website]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=k0HJUUWRkn0 Lecture on YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic 17-EDO; scene from opera Der Sprung (Bohlen–Pierce)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (some of his music online is not microtonal. Anyone got a link to microtonal music by him?)&lt;br /&gt;
|-&lt;br /&gt;
| [[Jeff Harrington]]&lt;br /&gt;
| [http://parnasse.com/jh/blog/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsgsUVmnMsgyIZzv4WTGxhA YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=14JPGOz9Qg4 Acid Bach III for Quartertone Microtonal Synthesize]&lt;br /&gt;
| &lt;br /&gt;
| Electronic in 19-EDO, 24-EDO, others&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Lou Harrison]]&lt;br /&gt;
| [[wikipedia:Lou_Harrison| Wikipedia]]&amp;lt;br&amp;gt;[http://www.archive.org/audio/audio-details-db.php?collectionid=OM8HarrisonScenesfromNikChand&amp;amp;collection=other_minds Steel Guitar piece]&lt;br /&gt;
| [https://www.youtube.com/watch?v=UWuT9AheQRM John Schneider plays Lou Harrison Jahla]&lt;br /&gt;
| &lt;br /&gt;
| Nek Chand for solo guitar in JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Hasegawa]]&lt;br /&gt;
| [http://www.roberthasegawa.com/ Website]&amp;lt;br&amp;gt;[http://roberthasegawa.com/ Lecture]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic chamber JI, quartertones, 19-tone pianos, with scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Neil Haverstick]]&lt;br /&gt;
| [http://microstick.net/ Website]&lt;br /&gt;
| [https://soundcloud.com/gregory-ts-walker/african-stick-neil-haverstick African Stick]&lt;br /&gt;
| &lt;br /&gt;
| Excerpts - guitars in 19-EDO, 31-EDO and 34-EDO&lt;br /&gt;
| Colorado&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Stickman&amp;quot; has some method books and quite a few radio spots as well.&lt;br /&gt;
|-&lt;br /&gt;
| [[Andrew Heathwaite]]&lt;br /&gt;
| [https://andrewheathwaite.bandcamp.com/album/newbeams&#039; Bandcamp]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands3/default.cfm?bandid=122613 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Amano Hideya]]&lt;br /&gt;
| [https://www.youtube.com/@hideya YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=5zaiOBSQV_Q 1 to 11 tone Equal temperament songs]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=YawFcH4cXfs Like 40s music 11EDO]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs&lt;br /&gt;
| Tokyo Japan&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Horton and Bill Thibault&lt;br /&gt;
| [http://www.mcs.csueastbay.edu/~tebo/bio.html Bill Thibault website]&amp;lt;br&amp;gt;[http://eamusic.dartmouth.edu/~larry/recordings/horton_notes.pdf Info on Dartmouth website]&amp;lt;br&amp;gt;[http://www.o-art.org/history/LongDur/JimHorton/jh-music4.html Jim Horton list of works]&lt;br /&gt;
| [https://www.youtube.com/watch?v=GHxLeIDuECc Gorgeous Clothed Flies]&lt;br /&gt;
| &lt;br /&gt;
| Electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sten Hostfalt]]&lt;br /&gt;
| [https://www.stenhostfalt.com/ Website]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/stenhostfalt2 CD Baby]{{dead link}} (has a few excerpts)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Excerpts of microtonal guitar (72-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Horse Lords&lt;br /&gt;
| [https://horselords.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://horselords.bandcamp.com/album/mixtape-iv Mixtape IV]&lt;br /&gt;
| Sam Haberman&amp;lt;br&amp;gt;Max Eilbacher&amp;lt;br&amp;gt;Owen Gardner&amp;lt;br&amp;gt;Andrew Bernstein&lt;br /&gt;
| [[Just intonation]], polyrhythm, minimalist, musique concrète&lt;br /&gt;
| Baltimore, MD&lt;br /&gt;
| 2012-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Chuckk Hubbard]]&lt;br /&gt;
| anyone got a current link?&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI sequenced music, etc.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Lucas Hulen&lt;br /&gt;
| [http://persweb.wabash.edu/facstaff/hulenp/compositions.html Website]&lt;br /&gt;
| [https://vimeo.com/61493873 Lamentationes Jeremiae I]&lt;br /&gt;
| &lt;br /&gt;
| Modern classical electronic compositions - search website page for &#039;microtonal&#039;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== I ==== &lt;br /&gt;
|-&lt;br /&gt;
| ILEVENS&lt;br /&gt;
| [https://ilevens.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCfgSTF9EOal71sFbPTLJ0Gw YouTube]&amp;lt;br&amp;gt;[http://split-notes.com/ilevens-transmitter/ Split Notes Records]&amp;lt;br&amp;gt;[https://www.facebook.com/Ilevens1111/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=N9MjtfEQl_c Drowns]&lt;br /&gt;
| [[Brendan Byrnes]] (vocals, guitar)&amp;lt;br&amp;gt;Mike Horick (drums)&amp;lt;br&amp;gt;Lauren Davis (synths)&amp;lt;br&amp;gt;Rusty Kennedy (bass)&lt;br /&gt;
| [[22edo]], rock band, led by Brendan Byrnes&lt;br /&gt;
| Los Angeles&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== J ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ralph Jarzombek&lt;br /&gt;
| [https://www.freewebs.com/ralphjarzombek/ Website with listen links]&lt;br /&gt;
| [https://webzoom.freewebs.com/ralphjarzombek/micro1.mp3 Micro 1]&amp;lt;br&amp;gt;[https://webzoom.freewebs.com/ralphjarzombek/micro6.mp3 Micro 6]&lt;br /&gt;
| &lt;br /&gt;
| [[14edo]], [[17edo]], [[Bohlen–Pierce]], electronic&lt;br /&gt;
| &lt;br /&gt;
| 1980s&lt;br /&gt;
| If you like the Residents, you&#039;ll love this.&lt;br /&gt;
|-&lt;br /&gt;
| [[Aaron Krister Johnson]]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson SoundCloud]&amp;lt;br&amp;gt;[https://aaronkristerjohnson.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson/the-juggler The Juggler]&lt;br /&gt;
| &lt;br /&gt;
| Mostly electronic compositions and improvisations; some theatre incidental music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| JC &amp;amp; The Microtones&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin/cow-people Cowpeople]&lt;br /&gt;
| &lt;br /&gt;
| Johnny Reinhard (electric bassoon)&amp;lt;br&amp;gt;Brad Catler (electric fretless bass)&amp;lt;br&amp;gt;[[Jon Catler]] (electric guitar)&amp;lt;br&amp;gt;A. C. Lewis (percussion)&amp;lt;br&amp;gt;Deborah Rothrock (vocals)&lt;br /&gt;
| &lt;br /&gt;
| New York City&lt;br /&gt;
| 1984&lt;br /&gt;
| Rockabilly, [[31edo]], cowpunk&lt;br /&gt;
|-&lt;br /&gt;
| Jock Tears&lt;br /&gt;
| [https://jocktears.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=%22JOCK+TEARS%22 YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/jocktears/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=29hm0LGP_i8 Nasty Boy]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=_UNIeeNnMAQ Live video]&amp;lt;br&amp;gt;[https://jocktears.bandcamp.com/album/bad-boys Bad Boys] (album)&lt;br /&gt;
| Lauren Ray (vocals)&amp;lt;br&amp;gt;Lauren Smith (bass)&amp;lt;br&amp;gt;Spencer Hargreaves (guitar)&amp;lt;br&amp;gt;Dustin Bromley (drum)&lt;br /&gt;
| Best punk band name ever&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2016-&lt;br /&gt;
| Peppy punk rock, female vocals, 17edo&lt;br /&gt;
|-&lt;br /&gt;
| Christiaan de Jong&lt;br /&gt;
| [https://soundcloud.com/christiaan-de-jong-1/ SoundCloud] (not all microtonal)&amp;lt;br&amp;gt;[http://www.christiaandejong.com/recordings.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/CHRISTIAANDEJONG1 YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Guitar, flute and tape&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Churzkia Jrakavla&lt;br /&gt;
| [https://churzkia.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Aif4Lpz4bPo Red Moon]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI; down tempo, IDM, synthwave, and ambient, with mystical/mythological themes&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2002-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jute Gyte&lt;br /&gt;
| [https://jutegyte.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jutegyte.bandcamp.com/album/the-sparrow-12-ep The Sparrow 12&amp;quot; EP]&lt;br /&gt;
| Adam Kalmbach&lt;br /&gt;
| Black metal, [[24edo]]&lt;br /&gt;
| Springfield, MO&lt;br /&gt;
| 2002-&lt;br /&gt;
| Has a relatively large following. Lots of &amp;gt;10 minute long quartertone black metal epics.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== K ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ali Deniz Kardelen&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=yjZQDQBBYyo Kara Toprak (Acoustic Microtonal Guitar]&lt;br /&gt;
| &lt;br /&gt;
| Not sure if all microtonal but has at least one amazing microtonal guitar piece&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Great first xen piece for people who like acoustic music&lt;br /&gt;
|-&lt;br /&gt;
| Buzz Kimball&lt;br /&gt;
| [http://www.nonoctave.com/heroes/buzz/ About his instruments and music]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/1944206-Buzz-Kimball Discogs]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Homemade guitars, etc., in EDOs and JI, electronic, rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Buzz Kimball builds most of his instruments himself in the workshop in his barn.&amp;lt;br&amp;gt;Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| dt King&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=62070 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Change Jar&amp;quot; for quartertone piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| King Gizzard &amp;amp; The Lizard Wizard&lt;br /&gt;
| [[Wikipedia:King Gizzard &amp;amp; the Lizard Wizard| Wikipedia]]&amp;lt;br&amp;gt;[https://kinggizzard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://kinggizzard.bandcamp.com/album/flying-microtonal-banana Flying Microtonal Banana]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=U72rbtrufws Sleep Drifter] (live in radio station studio)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=170Z9qBjfkI Mini-documentary]&lt;br /&gt;
| Stu Mackenzie&amp;lt;br&amp;gt;Ambrose Kenny Smith&amp;lt;br&amp;gt;Joey Walker&amp;lt;br&amp;gt;Cook Craig&amp;lt;br&amp;gt;Lucas Skinner&amp;lt;br&amp;gt;Michael Cavanagh&amp;lt;br&amp;gt;Eric Moore&lt;br /&gt;
| &lt;br /&gt;
| Melbourne, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| [[24edo]], alternative, garage&lt;br /&gt;
|-&lt;br /&gt;
| Wayne Kirby&lt;br /&gt;
| [https://www.youtube.com/channel/UCRn3j-zsIxdhdkHVJ6l_hMA YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Demos, full and excerpts, mp3 and midi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Kenneth Kirschner&lt;br /&gt;
| [http://www.kennethkirschner.com/ Website] (has download link for zipped MP3s)&amp;lt;br&amp;gt;[https://archive.org/details/apl025#files Archive.org]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Looong mp3 of stretched piano, etc., ambient microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Eric Knechtges&lt;br /&gt;
| [[Wikipedia:Eric Knechtges| Wikipedia]]&amp;lt;br&amp;gt;[https://soundcloud.com/eric-knechtges SoundCloud]&amp;lt;br&amp;gt;[http://robertwmcclure.weebly.com/blog/music-with-friends-eric-knechtges Interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic (choir) &amp;amp; electronic, various JI &amp;amp; EDOs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== L ==== &lt;br /&gt;
|-&lt;br /&gt;
| Anne La Berge&lt;br /&gt;
| [http://www.annelaberge.com/ Website]&amp;lt;br&amp;gt;[http://unsounds.com/shop/raw-lp Label Unsounds] (buy link has listen link of excerpts)&lt;br /&gt;
| [https://www.youtube.com/watch?v=DXAP4544NNM Utter] (performance art piece with Anne playing live)&lt;br /&gt;
| &lt;br /&gt;
| Quartertone flute - go to &amp;quot;Releases&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
|[[L4MPLIGHT]]&lt;br /&gt;
|[https://lamplight0.sakura.ne.jp/a Website]&lt;br /&gt;
[https://www.youtube.com/@L4MPLIGHT YouTube]&lt;br /&gt;
[https://soundcloud.com/l4mplight SoundCloud]&lt;br /&gt;
|[https://youtu.be/cMnuMjXeHrY Caftaphata]&lt;br /&gt;
[https://youtu.be/PrfAz8V4WNc Yxeni]&lt;br /&gt;
|&lt;br /&gt;
|Electronic music featuring self-made conlangs, largely [[41edo]]&lt;br /&gt;
|Japan&lt;br /&gt;
|2024-&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| [[Last Sacrament]]&lt;br /&gt;
| [https://lastsacrament.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ron Sword (vocals, guitar, drums)&amp;lt;br&amp;gt;Mike Maletta (lead guitar)&amp;lt;br&amp;gt;Pat Horgan (bass)&lt;br /&gt;
| 16edo death metal&lt;br /&gt;
| Florida&lt;br /&gt;
| 2006-&lt;br /&gt;
| Ron also makes Sword guitars and does a lot of guitar and bass conversions. Pat also does conversions.&lt;br /&gt;
|-&lt;br /&gt;
| [[Jacky Ligon]]&lt;br /&gt;
| [https://jackyligon.com/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=mRWG9AzWs7E Lightweave]&lt;br /&gt;
| &lt;br /&gt;
| filmic xenharmonic music and software blog. Sometimes collaborates with Sevish.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Also makes microtonal VST synths IVOR2, FMTS2, One SF2, Font2&lt;br /&gt;
|-&lt;br /&gt;
| Amit Lissack&lt;br /&gt;
| [https://alumnius.net/new_england_conserva-8502-year-1991-1994#id16664004 Listing on New England Conservatory of Music alumni site]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic instrumental.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| Alvin Lucier&lt;br /&gt;
| [[Wikipedia:Alvin Lucier| Wikipedia]]&amp;lt;br&amp;gt;[http://www.moderecords.com/catalog/124lucier.html Mode Records site] (includes listen links)&amp;lt;br&amp;gt;[http://www.ubu.com/sound/lucier.html UBUWeb] (includes original 1969 recording of &#039;&#039;I Am Sitting In A Room&#039;&#039;)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slow-to-change cluster acoustic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Lucy]]&lt;br /&gt;
| [http://www.lucytune.com/ Website]&amp;lt;br&amp;gt;[http://www.lucytune.com/mp3/ List of Lucy tune direct MP3s]&amp;lt;br&amp;gt;[http://www.lullabies.co.uk/ Lucy tunes lullabies info page]&lt;br /&gt;
| [https://store.cdbaby.com/cd/lucytuned Lucy tunes lullabies CD Baby]{{dead link}} (buy page, has listen excerpt links)&lt;br /&gt;
| &lt;br /&gt;
| Miscellaneous works in progress - also see [[Lucy Tuning| Lucy Tuning page]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== M ==== &lt;br /&gt;
|-&lt;br /&gt;
| Massive Audio Nerve (M.A.N.)&lt;br /&gt;
| [https://de.wikipedia.org/wiki/Massive_Audio_Nerve Wikipedia (Deutsch)]&amp;lt;br&amp;gt;[https://open.spotify.com/album/7gCCSQgShzoJxSKFu2gNXy Spotify]&lt;br /&gt;
| &lt;br /&gt;
| Tony Jelencovich (vocals)&amp;lt;br&amp;gt;Mark Fristedt (guitar)&amp;lt;br&amp;gt;Robert Hakemo (bass)&amp;lt;br&amp;gt;Adde Larsson (drums)&amp;lt;br&amp;gt;+ 5 former members&lt;br /&gt;
| 24edo Nümetal&lt;br /&gt;
| &lt;br /&gt;
| 2010-2014&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Joe Maneri]]&lt;br /&gt;
| [[Wikipedia:Joe Maneri| Wikipedia]]&amp;lt;br&amp;gt;[https://www.nytimes.com/2009/08/30/arts/music/30maneri.html New York Times obituary]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/7aQ5YRpRQ02oK9OtbxfhJr Spotify] (not all microtonal)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8WiSgByqos4&amp;amp;ab_channel=JoeManeri-Topic Audio interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some modern classical excerpts&lt;br /&gt;
| &lt;br /&gt;
| Died in 2009&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Rick McGowan]]&lt;br /&gt;
| There is one of his pieces at the beginning of [http://ripnread.com/?p=328 this microtonal podcast episode]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal works for the theatre&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| John McLaird&lt;br /&gt;
| Quiet audio piece, [https://archive.org/details/seventeenTPP_02/ogives.mp3 Ogives in a Winter Shelter Belt] (direct MP3 link)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7edo]], [[40edo]], [[11-limit]], [[Just intonation]], sampled piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Pete McRae&lt;br /&gt;
| [[Wikipedia:Pete McRae| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Eikosany blues&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carl McTague&lt;br /&gt;
| [http://www.mctague.org/carl/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (ii-V-I)&amp;lt;sup&amp;gt;7&amp;lt;/sup&amp;gt; and Heptadecaphonic Drops&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Melopoeia&lt;br /&gt;
| [https://melopoeia.bandcamp.com/album/tolkiens-ainulindal Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dave Tremblay&amp;lt;br&amp;gt;Brian Leong&lt;br /&gt;
| 26edo black metal&lt;br /&gt;
| Montreal, QC&lt;br /&gt;
| &lt;br /&gt;
| Text-to-midi of Tolkien and other stories.&lt;br /&gt;
|-&lt;br /&gt;
| Claudi Meneghin&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/claudi-meneghin Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.youtube.com/c/ClaudiMeneghin YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neobaroque music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Mercury Tree&lt;br /&gt;
| [https://themercurytree.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ben Spees&amp;lt;br&amp;gt;Connor Reilly&amp;lt;br&amp;gt;Oliver Campbell&amp;lt;br&amp;gt;[[Igliashon Jones]]&lt;br /&gt;
| [[17edo]], [[23edo]], progressive rock, psychedelic, math rock&lt;br /&gt;
| Portland, OR&lt;br /&gt;
| 2007-&lt;br /&gt;
| Newer work is all microtonal.  Older works are standard or a mixture.&lt;br /&gt;
|-&lt;br /&gt;
| [[Herman Miller]]&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/herman-miller Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.prismnet.com/~hmiller/ Website 1]&amp;lt;br&amp;gt;[https://sites.google.com/site/teamouse/home Website 2]&amp;lt;br&amp;gt;[https://soundcloud.com/morphosyntax-1 SoundCloud]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCu3rKPsBlcCjI2FVxJaAqIg YouTube]&lt;br /&gt;
| [https://sites.google.com/site/teamouse/home#h.abtmxk3cr74b Mizarian Porcupine Overture]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=17V4pxuHUgY Ivari na taniravi]&lt;br /&gt;
| &lt;br /&gt;
| Compositions in linear temperaments, [[Equal| ETs]]; [[Warped Canon]]; songs in conlangs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Shaahin Mohajeri&lt;br /&gt;
| [http://www.96edo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Modal, sequenced in various EDO/ADO/EDL/AIDO/ADL&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| MonoNeon&lt;br /&gt;
| [[Wikipedia:Dywane Thomas Jr.| Wikipedia]]&amp;lt;br&amp;gt;[https://dywanethomasjr.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dywane Thomas Jr.&lt;br /&gt;
| 24edo funk, soul, hip-hop&lt;br /&gt;
| Tennessee&lt;br /&gt;
| 2013-2015 (?)&lt;br /&gt;
| Newer recordings seem to be standard tuning, but there was a lot of 24edo released around 2015.&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Monzo]]&lt;br /&gt;
| [http://www.tonalsoft.com/ TonalSoft website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], jazz rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Moriarty]]&lt;br /&gt;
| [https://soundcloud.com/john-lank1 SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Rock and improv in various regularly tempered tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Frederick Moore&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some microtonal works, electronic, other&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Aaron Myers-Brooks&lt;br /&gt;
| [https://aaronmyersbrooks.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 17edo Hard rock/metal on guitar&lt;br /&gt;
| PA&lt;br /&gt;
| 2019&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== N ==== &lt;br /&gt;
|-&lt;br /&gt;
| Naegleria Fowleri&lt;br /&gt;
| [https://sites.google.com/view/naegleriafowleri/ Website]&amp;lt;br&amp;gt;[https://naegleriafowleri.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=QqKf0ItWozs III Flagellate - Propulsion]&lt;br /&gt;
| [[Bostjan Zupancic]] (guitar and bass)&amp;lt;br&amp;gt;Luna Bird (vocals)&lt;br /&gt;
| [[19edo]] metal&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2017-&lt;br /&gt;
| Parrot singing with a xen metal project. What&#039;s not to love?&lt;br /&gt;
|-&lt;br /&gt;
| Ron Nagorcka&lt;br /&gt;
| [http://www.ronnagorcka.com/audio Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], digeridoo, synthesizers, birds...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| norokusi&lt;br /&gt;
| [https://www.youtube.com/channel/UC7imuNShfRqQdCey7qWJLVg YouTube]&amp;lt;br&amp;gt;[https://norokusi.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, contemporary and jazz in various [[edo]]s&lt;br /&gt;
| Tokyo, Japan&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Juhani Nuorvala&lt;br /&gt;
| [https://soundcloud.com/juhani-nuorvala SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== O ==== &lt;br /&gt;
|-&lt;br /&gt;
| Mats Öljare&lt;br /&gt;
| [http://www.angelfire.com/mo/oljare/midicomp.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Contrapuntal midi in various EDOs and etc&#039;s&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== P ==== &lt;br /&gt;
|-&lt;br /&gt;
| Tristan Parker&lt;br /&gt;
| [http://rozencrantzthesane.tripod.com/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], free-pitch, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| P-ART&lt;br /&gt;
| [http://users.skynet.be/P-ART/PARADISE/CLIPS/list.htm Website]&lt;br /&gt;
| &lt;br /&gt;
| Paul A.R. Timmermans&lt;br /&gt;
| Experimental&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Harry Partch]]&lt;br /&gt;
| [http://musicmavericks.publicradio.org/features/feature_partch.html American Mavericks]&amp;lt;br&amp;gt;[https://www.harrypartch.com/music Harry Partch Information Center]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[11-limit]], [[Just intonation]], acoustic, monophony&lt;br /&gt;
| Oakland, CA&lt;br /&gt;
| 1930-1972&lt;br /&gt;
| One of the first 20th-century composers in the West to work systematically with microtonal scales&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Pehrson]]&lt;br /&gt;
| [http://users.rcn.com/jpehrson/JosephPehrson.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Blackjack, acoustic, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| pfly&lt;br /&gt;
| [https://soundcloud.com/pfly SoundCloud]&lt;br /&gt;
| Zlo-88&lt;br /&gt;
| Paul Fly&lt;br /&gt;
| [[88cET]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Samuel Pellman&lt;br /&gt;
| [http://academics.hamilton.edu/music/spellman/MfS/microtonal.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], [[Nonoctave]], [[Equal Temperaments]], electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Joseph Post&lt;br /&gt;
| [http://www.myspace.com/josephpost MySpace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystal-JI, acoustic guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tom Price]]&lt;br /&gt;
| https://soundcloud.com/tomprice719&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kees van Prooijen]]&lt;br /&gt;
| [http://www.kees.cc/music/oddpiano/oddpiano.html Website]&lt;br /&gt;
| Odd Piano&lt;br /&gt;
| &lt;br /&gt;
| [[Bohlen–Pierce]], timbre-stretched piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Barry Prophet&lt;br /&gt;
| [http://www.pomer-prophet.com/barry.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic, sound sculptures&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== Q ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== R ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Johnny Reinhard]]&lt;br /&gt;
| [[wikipedia:Johnny_Reinhard| Wikipedia]]&amp;lt;br&amp;gt;[http://www.afmm.org/ American Festival of Microtonal Music]&amp;lt;br&amp;gt;[https://stereosociety.com/johnny-reinhard/ Stereo Society]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://johnnyreinhard.bandcamp.com/album/reinhard-ensemble-compositions Reinhard Ensemble Compositions]&lt;br /&gt;
| &lt;br /&gt;
| Acoustic polymicrotonality&lt;br /&gt;
| New York, NY&lt;br /&gt;
| 1981-&lt;br /&gt;
| Founded [[American Festival of Microtonal Music]] (AFMM)&lt;br /&gt;
|-&lt;br /&gt;
| Robert Rich&lt;br /&gt;
| [https://robertrich.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7-limit]], [[just intonation]], ambient&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Michael Robinson&lt;br /&gt;
| [http://www.azuremilesrecords.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Worldly electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Prent Rodgers]]&lt;br /&gt;
| [http://ripnread.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Music that&#039;s fake but accurate&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [[Dante Rosati]]&lt;br /&gt;
| [http://www.danterosati.com/justguitar.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], solo guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Robert Ross&lt;br /&gt;
| [http://www.piedwagtail.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[19edo]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== S ==== &lt;br /&gt;
|-&lt;br /&gt;
| Marc Sabat&lt;br /&gt;
| [http://www.plainsound.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carlos Sampaio&lt;br /&gt;
| [https://www.soundclick.com/artist/default.cfm?bandID=236415 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonics&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Scott Sandvik&lt;br /&gt;
| [http://www.scottsandvik.com/html/audio.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slide guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Edward Schocker&lt;br /&gt;
| [http://edwardschocker.com/music/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Dramatic works - excerpts and fulls&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Margo Schulter]]&lt;br /&gt;
| [https://www.bestii.com/~mschulter/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neo-medieval xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Andrew Schulze&lt;br /&gt;
| [http://kalvos.org/schulze.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some mp3s of electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ethan Schwartz&lt;br /&gt;
| [https://myspace.com/tetrachordproject Myspace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI music based on tetrachords, for guitar and keyboard&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[X. J. Scott]]&lt;br /&gt;
| [http://www.nonoctave.com/geocities/ Website]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands/pagemusic.cfm?bandID=141776 Soundclick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[George Secor]]&lt;br /&gt;
| [http://users.bigpond.net.au/d.keenan/sagittal/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various vintage Scalatron performances&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dave Seidel]]&lt;br /&gt;
| [http://mysterybear.net/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal minimalism and ambience, using Csound&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Carlo Serafini]]&lt;br /&gt;
| [http://www.seraph.it/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/iranief YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic. Isomorphic keyboard: the Opal Chameleon&lt;br /&gt;
| Florence, Italy&lt;br /&gt;
| &lt;br /&gt;
| Futurist composer. Also, is admin on Facebook [https://www.facebook.com/groups/356483631067563/ Microtonalitaly group].&lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Sethares]]&lt;br /&gt;
| [http://eceserv0.ece.wisc.edu/~sethares/otherperson/all_mp3s.html Website]&lt;br /&gt;
| [http://sethares.engr.wisc.edu/mp3s/truthonabus.html Truth on a Bus]&lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic with stretched partials&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sevish]]&lt;br /&gt;
| [http://sevish.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/c/Sevish YouTube]&amp;lt;br&amp;gt;[https://soundcloud.com/sevish SoundCloud]&amp;lt;br&amp;gt;[https://sevish.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Gcgawrr2xao Desert Island Rain]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=l9wINwlgxRU Gleam]&lt;br /&gt;
| Sean Archibald (with occasional guest musicians)&lt;br /&gt;
| Drum &#039;n&#039; bass / electronic / trip-hop / ambient; in EDOs, JI, nonoctave scales and various others. &amp;quot;Microtonal music with a beat&amp;quot;; stellar production quality.&lt;br /&gt;
| London, England&lt;br /&gt;
| 2010-&lt;br /&gt;
| Popular (for xen). Great first xen for many people. Also runs several xen-related projects.&lt;br /&gt;
|-&lt;br /&gt;
| [[Ezra Sims]]&lt;br /&gt;
| [https://www.ezrasims.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 72-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Gene Ward Smith]]&lt;br /&gt;
| [[Microtonal Music by Gene Ward Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced originals; Mad Science Tuning; renderings of colleagues&#039; music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jon Lyle Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced classical in odd meters&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sononym]]&lt;br /&gt;
| [https://www.youtube.com/channel/UCO0Tn4tnRrILUxJuchfbnlw YouTube]&lt;br /&gt;
| [https://open.spotify.com/intl-fr/album/3UZ1Q0AqKBBFHN6gCsesz2 Humors]&lt;br /&gt;
| Max McCargar&lt;br /&gt;
| Experimental electronic jazz&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Cole and Spectral Voices&lt;br /&gt;
| [https://www.spectralvoices.com/jim-cole-spectral-voices/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of meditative New Age with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Soundwell (Anders Erkéus)&lt;br /&gt;
| [https://soundcloud.com/soundwell Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Snake&amp;quot; overtone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Manfred Stahnke&lt;br /&gt;
| [https://stahnkemanfred.musicaneo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One piece &amp;quot;Partch Harp&amp;quot; for harp and sampled harp&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans-André Stamm]]&lt;br /&gt;
| [http://www.eufonia.de/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone/48-tone JI acoustic organ!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Starrett]]&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=FD0ec4qOlcs&amp;amp;t=&amp;amp;ab_channel=xenopusRTRT Citified Notions]&lt;br /&gt;
| John Starrett (vocals, bass)&amp;lt;br&amp;gt;Neil Haverstick (guitar)&amp;lt;br&amp;gt;Ernie Crews (drums)&lt;br /&gt;
| 19-EDO. Rockabilly/Pop-rock, comment from John about the song on the YouTube page&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| John Starrett played bass with Neil Haverstick. Neil also plays the 19-EDO guitar on some of John&#039;s recordings.&lt;br /&gt;
|-&lt;br /&gt;
| Stimmhorn&lt;br /&gt;
| [http://www.stimmhorn.ch/ Website]&lt;br /&gt;
| &lt;br /&gt;
| Christian Zehnder&amp;lt;br&amp;gt;Balthasar Streiff&lt;br /&gt;
| Experimental alphorn and yodeling combined with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans Straub]]&lt;br /&gt;
| [http://home.datacomm.ch/straub/musik/index_e.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Pieces with meters that match the tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Redrick Sultan&lt;br /&gt;
| [https://redricksultanband.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=DtrH9ptBV18&amp;amp;index=1&amp;amp;list=PL_GQa1Uf_pEPGi9CxiMfK-13BBs0SVkWP The Prince]&lt;br /&gt;
| Spencer Hargreaves (vocals, guitars)&amp;lt;br&amp;gt;Noah Jordan (vocals, bass, keys, flute, oud)&amp;lt;br&amp;gt;Sean Mitchell (drums, sampling)&lt;br /&gt;
| Spooky, cool, acoustic, electric&lt;br /&gt;
| Vancouver, British Columbia&lt;br /&gt;
| 2010-&lt;br /&gt;
| [[22edo]], acoustic, magic rock, chill&lt;br /&gt;
|-&lt;br /&gt;
| Mick Sussman&lt;br /&gt;
| [http://micksussman.com/pw/music.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Plunderphonic collages in various tunings and multitempi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Susman&lt;br /&gt;
| [https://www.susmanmusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Works in quarter-tone - scores and audio files&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ron Sword]]&lt;br /&gt;
| [http://www.ronsword.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 16-EDO and 31-EDO on 8 and 9 string guitar Etudes, Microtonal Extreme Metal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Ron was also affiliated with the Microtonal Records label and the metatonal music site, as well as the microtonal guitarist forum.&lt;br /&gt;
|-&lt;br /&gt;
| Syzygys&lt;br /&gt;
| [http://www.syzygys.jp Website]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=Syzygys YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/Syzygys Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KjSF41-mdL4 Lotus Rain]&lt;br /&gt;
| Hitomi Shimizu (43-tone organ, vocals)&amp;lt;br&amp;gt;Hiromi Nishida (violin, vocals)&lt;br /&gt;
| Clips of Japanese duo in 43-tone Partch JI, with Chromelodeon&lt;br /&gt;
| Japan&lt;br /&gt;
| ?&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== T ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Tall Kite]]&lt;br /&gt;
| [http://www.tallkite.com/music.html Website]&amp;lt;br&amp;gt;[https://soundcloud.com/tallkite SoundCloud (TallKite)]&amp;lt;br&amp;gt;[https://soundcloud.com/mbirakite SoundCloud (MbiraKite)]&amp;lt;br&amp;gt;[https://tallkite.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://tallkite.com/music/IHearNumbers.html I Hear Numbers]&amp;lt;br&amp;gt;[https://tallkite.com/music/EveningRondo.html Evening Rondo]&amp;lt;br&amp;gt;[http://www.tallkite.com/music/DownminorNocturne.html Downminor Nocturne]&lt;br /&gt;
| Kite Giedraitis&lt;br /&gt;
| 7-limit JI, 41edo.&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 1990&#039;s-&lt;br /&gt;
| See also [https://kiteguitar.com/ KiteGuitar.com]&lt;br /&gt;
|-&lt;br /&gt;
| [[Cam Taylor]]&lt;br /&gt;
| [https://archive.org/search.php?query=creator%3A%22Cam+Taylor%22 Internet Archive]&amp;lt;br&amp;gt;[https://soundcloud.com/camtaylor-1 SoundCloud (1)]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1 SoundCloud (2)]&amp;lt;br&amp;gt;[https://iamcamtaylor.wordpress.com/ Blog]&lt;br /&gt;
| [https://soundcloud.com/cam-taylor-2-1/mothers mothers]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/17-out-of-63edo-wurly-those-early-dreams those early dreams]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/12tone63edo1 12tone63EDO1]&lt;br /&gt;
| &lt;br /&gt;
| Bosanquet Axis49, Lumatone, 12- and 17-tone keyboard improvisations in 17, 19, 22, 26, 31, 37, 39, 41, 43, 46, 50, 53, 56, 63, 94, 112 EDOs, some JI and near-just tunings, and songs with piano or guitar in 31EDO and JI, various.&lt;br /&gt;
| Auckland, New Zealand&lt;br /&gt;
| 2010-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jack Tickner&lt;br /&gt;
| [https://www.facebook.com/JackETickner/ Facebook]&amp;lt;br&amp;gt;[https://jacktickner.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jacktickner.bandcamp.com/album/reassuring-weight Reassuring Weight]&lt;br /&gt;
| &lt;br /&gt;
| Just intonation&lt;br /&gt;
| Sydney, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Thoegersen&lt;br /&gt;
| [https://soundcloud.com/pthoege SoundCloud]&amp;lt;br&amp;gt;[https://peterthoegersen.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/pthoege/two-worlds Two Worlds]&amp;lt;br&amp;gt;[https://soundcloud.com/pthoege/im-a-force-of-nature I Am a Force of Nature]&lt;br /&gt;
| &lt;br /&gt;
| Composer. Absurdist symphonic, chamber. Fun. Difficult music, in a good way. If you like Zappa&#039;s stranger works, you will like this.&lt;br /&gt;
| New York (?)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tony Dubshot]]&lt;br /&gt;
| [http://www.dubbhism.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Macrotonal dub and dancehall in 05-EDO, 07-EDO and 08-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[User:Tristanbay| Tristan Bay]]&lt;br /&gt;
| [https://tristanbay.com Website]&amp;lt;br&amp;gt;[https://youtube.com/@tristanbay YouTube]&amp;lt;br&amp;gt;[https://tristanbay.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/4kHErr2liGBpoChdl4DsTC Spotify]&lt;br /&gt;
| [https://youtu.be/JhGvrJ86jLU Subtract Hominem]&lt;br /&gt;
[https://youtu.be/H47nsivr-TU That]&lt;br /&gt;
&lt;br /&gt;
[https://youtu.be/R30aRbNtoIY Pitchblende]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music, synthwave, equal temperament, instrumental&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 2021-&lt;br /&gt;
| Xen Wiki editor, microtonal instrument maker, active on the XA Discord server, and a regular on the [[Xendergarten|Xendergarten podcast]]&lt;br /&gt;
|-&lt;br /&gt;
| Tritone MSU&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Tui St. George Tucker&lt;br /&gt;
| [http://tuistgeorgetucker.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen James Taylor]]&lt;br /&gt;
| [http://www.stephenjamestaylor.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal film scores, multiple Wilson scales&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jeroen Paul Thesseling]]&lt;br /&gt;
| [http://www.jeroenthesseling.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music for bass guitar: &amp;quot;HAFNIUM&amp;quot; (72-EDO), &amp;quot;ARGON&amp;quot; (18-EDO), &amp;quot;DISCREPANTIUM&amp;quot; (24-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== U ==== &lt;br /&gt;
|-&lt;br /&gt;
| uSSSy&lt;br /&gt;
| [https://www.facebook.com/uSSSy.band/ Facebook]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/music/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=gVJftIEA4KM Acoustic performance on YouTube]&lt;br /&gt;
| [https://usssy.bandcamp.com/album/ud Ud]&amp;lt;br&amp;gt;[https://usssy.bandcamp.com/album/voyage/ Voyage]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/album/naghma Naghma]&lt;br /&gt;
| Artem Galkin&amp;lt;br&amp;gt;Pavel Eremeev&lt;br /&gt;
| [[24edo]] and similar tunings. Styles ranging from &amp;quot;black metal techno blues&amp;quot; to &amp;quot;indo-iranian meditative feedback rock&amp;quot;&lt;br /&gt;
| Moscow, Russia&lt;br /&gt;
| 2009-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== V ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Chris Vaisvil]]&lt;br /&gt;
| [http://chrisvaisvil.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Many tunings (just intonation, various EDOs + tuning survey) microtonal synthesizers controlled by midi guitar (Roland GR-20), Linnstrument, 17 edo keyboard (DIY) + soft synthesizers and &amp;quot;traditional&amp;quot; scored microtonal music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Prolific explorer of a wide range of scales. Neat DIY techniques used and demonstrated &amp;quot;at the edge between acoustic and electric&amp;quot;.&lt;br /&gt;
|-&lt;br /&gt;
| Nicola Vicentino&lt;br /&gt;
| [[Wikipedia:Nicola Vicentino| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=0akGtDPVRxk Musica Prisca Caput (Madrigal for 24-tone two voice harpsichord in Meantone)]&amp;lt;br&amp;gt;Same piece [https://www.youtube.com/watch?v=ld36JlmOtM0 played on an arciorgano]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=bhGwjgZ8zIY Madonna il poco dolce]&lt;br /&gt;
| &lt;br /&gt;
| Early microtonal composer in 16th century&lt;br /&gt;
| &lt;br /&gt;
| Born 1511. Died in either 1575 or 1576.&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nicola Visalli (broken)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronically rendered microtonal contemporary classical&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Voltage Controlled&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of electronic tuning-savvy experiments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Alfredo Votta&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Soundcloud account featuring &amp;quot;Liber Stellarum&amp;quot;, a collection of seven pieces for &amp;lt;br&amp;gt; 13-EDO piano. Has also composed in 18-EDO.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== W ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Walker]]&lt;br /&gt;
| [https://robertinventor.com/musicandvirtualflowers/tunes/tunes.htm Website 1]&amp;lt;br&amp;gt;[https://robertinventor.com/musicandvirtualflowers/tunes/improvisations.htm Website 2]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, world, fractal&lt;br /&gt;
| Indianapolis, IN&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen Weigel]]&lt;br /&gt;
| [https://soundcloud.com/overtoneshock SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic pop, computer music, totalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Danny Wier&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Symphonic, progressive rock/metal, jazz, etc., mostly in 72-EDO (all synth-generated)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Randy Winchester]]&lt;br /&gt;
| &lt;br /&gt;
| [[Five Hemispheres]]&amp;lt;br&amp;gt;[[Comets Over Flatland]]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs and Bohlen–Pierce, electronic music and 8-bit synthesizers&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Erling Wold&lt;br /&gt;
| [http://www.erlingwold.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical; search page for just intonation&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Wolf]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic neo-baroque string trio&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brian Wong]]&lt;br /&gt;
| [https://bwong.ca/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Examples of computer-generated music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| James Wyness&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal acousmatic works&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== X ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Y ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Z ==== &lt;br /&gt;
|-&lt;br /&gt;
| Zadarpadov&lt;br /&gt;
| [https://zadarpadov.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic, avant-garde&lt;br /&gt;
| Finland&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Zhea Erose]]&lt;br /&gt;
| [https://zheaerose.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UC--VosYH0BHISbb4SFO9rQA YouTube]&lt;br /&gt;
| [https://youtu.be/ipNP-8XwezE XQQQ]&amp;lt;br&amp;gt;[https://youtu.be/a63V_fAPNaA WXTCHCRXFT EP]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=wvLLV5qle48 Glitterdance]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8Ol2gzkcprE divinate]&lt;br /&gt;
| Amelia Huff&lt;br /&gt;
| [[31edo]], JI, primodality, contemporary classical, ambient, electronic, &amp;quot;dream&amp;amp;bass&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| 2019-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[ZIA]]/[[Elaine Walker]]&lt;br /&gt;
| [http://ziaspace.com/ Website]&amp;lt;br&amp;gt;[https://www.facebook.com/Zia-170293513002981/ Facebook]&amp;lt;br /&amp;gt;[https://ziaspace.bandcamp.com Bandcamp]&lt;br /&gt;
| Zia1.5 (1992), SHEM (1996), Bang! (2000), Drum&#039;N&#039;Space (2011), Four-Momentum, No Terrestrial Road, Macrochip (2026)&lt;br /&gt;
| [[Elaine Walker]]&lt;br /&gt;
| Electronic, space, dance, [[10edo]], [[11edo]], [[14edo]], [[15edo]], [[16edo]], [[17edo]], [[19edo]], [[20edo]], [[22edo], [[Bohlen–Pierce]]&lt;br /&gt;
| Boston / NYC / Tempe, AZ / Las Cruces, NM (&#039;&#039;current&#039;&#039;)&lt;br /&gt;
| 1991-&lt;br /&gt;
| Elaine did music editing for &#039;&#039;Pokémon&#039;&#039; (2001-07) and for private space industry videos in the late 90s and early 00s. Zia is great introductory/accessible xen music.&lt;br /&gt;
|-&lt;br /&gt;
| Matthias Ziegler&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Unconventional flute playing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bostjan Zupancic]]: MicroMetal&lt;br /&gt;
| [https://sites.google.com/site/19edoguitar/home/bostjan-zupancic-micrometal Google Page]&amp;lt;br&amp;gt;[https://bostjanzupancic.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JTpF2MifP5Y Brain for Breakfast]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=D8utL7T0HAc Beezer&#039;s Cellar]&lt;br /&gt;
| Bostjan Zupancic - Guitar, Bass, Drums, Vocals, Synthesizer&lt;br /&gt;
| 19-EDO Modern Hard Rock and Heavy Metal, and occasionally 24-EDO.&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2008-&lt;br /&gt;
| &lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! &#039;&#039;&#039;Website&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Description&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.musicmavericks.org/listening/ American Mavericks concert series]&lt;br /&gt;
| Microtonal RealPlayer files: Lou Harrison Suite for Violin and American Gamelan, Third Symphony; Charles Ives &amp;quot;Allegro&amp;quot; from Quartertone Piano Pieces&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.oeaw.ac.at/kal/agm/ Ancient Greek Music]&lt;br /&gt;
| Library of extant fragments using authentic tunings: Real``Player and MIDI&lt;br /&gt;
|-&lt;br /&gt;
| [http://bostonmicrotonalsociety.org/ Boston Microtonal Society]&lt;br /&gt;
| 72-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://catharsis.egregious.net/errata/ Catharsis] ([http://catharsis.egregious.net/tracks/droneI/ 2])&lt;br /&gt;
| Jon Catler and Jacky Ligon live; &amp;quot;Drone 1&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.fujara.sk/audio_samples.htm Fujara]&lt;br /&gt;
| Slovak overtone flute&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wmich.edu/mus-theo/groven/ Groven Piano Project]&lt;br /&gt;
| 36-tone JI (schismatic) pianos after Eivind Groven&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.xs4all.nl/%7Ehuygensf/english/index.html Huygens-Fokker Foundation]&lt;br /&gt;
| Acoustic and MIDI 31-EDO &amp;amp; 24-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.csounds.com/ezine/winter1999/synthesis/ Implementing Cellular Automatas in Csound]&lt;br /&gt;
| MP3 examples with spectral pictures&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html kingmixers] ([http://www.kingmixers.com/AncGreekMusicFragments.html%20 2]) ([http://www.kingmixers.com/Clouds%20MP3s.html%20copy 3])&lt;br /&gt;
| Some MP3 samples of Greek tunings, reconstructions of Greek music fragments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.last.fm/tag/microtonal last.fm microtonal tag radio]&lt;br /&gt;
| Stream microtonal music from last.fm radio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.lucytune.com/ LucyTuning] ([http://www.harmonics.com/lucy/earindex.html 2]) ([http://www.lullabies.co.uk/ 3])&lt;br /&gt;
| LucyTuned music - clips and full pieces, midi files, mp3s, video&lt;br /&gt;
|-&lt;br /&gt;
| [http://micro.soonlabel.com/ micro.soonlabel.com]&lt;br /&gt;
| Music from multiple composers in various tunings available for direct download.&lt;br /&gt;
|-&lt;br /&gt;
| [http://microtonalismo.com/ MICROTONALISMO]&lt;br /&gt;
| Primera Web oficial de microtonalismo de habla hispana en latinoamerica&lt;br /&gt;
|-&lt;br /&gt;
| [http://cdbaby.com/cd/mfhi Music for Homemade Instruments]{{dead link}}&lt;br /&gt;
| Clips of junkmusic orchestra&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.mvcc.edu/noldani/home Oldani&#039;s Math &amp;amp;amp; music Site]{{dead link}}&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [http://www.overtone.cc/ Overtone Music Network]&lt;br /&gt;
| A platform for overtone music of all kinds, with a huge collection of online audio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.quartertonemarimba.com/ Quartertonemarimba.com]&lt;br /&gt;
| Kjell Tor Innevik&#039;s project at Norwegian Academy of Music&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.geocities.com/dinarra2000/songs.html Eduardo Sábat]&lt;br /&gt;
| Clips of jazz standards on 53-enharmonic frets per Octave guitar (Dinarra)&lt;br /&gt;
|-&lt;br /&gt;
| [http://split-notes.com/ split-notes Microtonal Netlabel]&lt;br /&gt;
| Online record label, free digital releases, microtonal music from various musicians&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.ne.jp/asahi/mariko/takanashi/masa/pagesE1/rev1nwpages/engconcert.html The Perfect Just Intonation Music MIDI Cycle Concerts]&lt;br /&gt;
| Classics tuned in JI&lt;br /&gt;
|-&lt;br /&gt;
| [http://pages.globetrotter.net/roule/demos.htm Tuning and temperament demos]&lt;br /&gt;
| MIDI and audio demonstrating historical tunings&lt;br /&gt;
|-&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=105485 Tuning Lab]&lt;br /&gt;
| Acoustic, electronic tuning experiments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wnyc.org/search/?q=microtonal WNYC microtonal features]&lt;br /&gt;
| Radio shows featuring microtonal music, esp. &amp;quot;New Sounds&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Projects]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Practice]]&lt;br /&gt;
[[Category:Listen| ]] &amp;lt;!-- main article --&amp;gt;&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Listen&amp;diff=231230</id>
		<title>Listen</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Listen&amp;diff=231230"/>
		<updated>2026-05-28T11:00:47Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Z */ see Discord wiki channel&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Catrel|Listen}}&lt;br /&gt;
&lt;br /&gt;
This page is a list of xenharmonic listening suggestions. If you think anything should be changed, feel free to change it yourself, or leave a note about it here.&lt;br /&gt;
&lt;br /&gt;
== Curated lists ==&lt;br /&gt;
=== By curator ===&lt;br /&gt;
&#039;&#039;&#039;UnTwelve annual competition winners&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://untwelve.org/competition Annual Composition Competition pages] by the [[UnTwelve]] foundation. The majority of the dozens of entrants in each year’s competition provide audio files of their compositions for the public to listen to.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Mike Battaglia]]&#039;s recommendations playlist&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://open.spotify.com/user/1218607737/playlist/70d4bxQpwBM4EPvLj0OmhO?si=ADmgFYnhTxGRDENaYK5XGw&amp;amp;fbclid=IwAR0Tw8l31ERv0cUgO-4OrBMu7wp8I38dhGWUGsmFvWo6sLle1FS7ZJQ7z0o Microtonal Spotify Playlist] — Deliberately includes examples for many different genres. Put it on Shuffle and have a great intro to xen.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Highest rated by the Xen Wiki community&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[List of xenharmonic music by community ratings]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;More recommendations&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Microtonal music recommendation playlists]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
=== By medium/tuning/genre ===&lt;br /&gt;
&#039;&#039;&#039;Sheet music&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Scores]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Albums&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[:Category:Albums]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music by tuning&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;small&amp;gt;&#039;&#039;&#039;[[Music in just intonation]]&#039;&#039;&#039; • [[Bohlen–Pierce scale/Music]] • [[Carlos Alpha#Music]] • [[Carlos Beta#Music]] • [[Carlos Gamma#Music]] • [[Polymicrotonality#Music]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music in EDOs&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;5-9: &#039;&#039;&#039;[[5edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[7edo/Music]]&#039;&#039;&#039; • [[8edo#Music]] • &#039;&#039;&#039;[[9edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
10-19: &#039;&#039;&#039;[[10edo/Music]]&#039;&#039;&#039; • [[11edo#Music]] • [[13edo/Music]] • [[14edo#Music]] • &#039;&#039;&#039;[[15edo/Music]]&#039;&#039;&#039; • [[16edo#Music]] • &#039;&#039;&#039;[[17edo/Music]]&#039;&#039;&#039; • [[18edo#Music]] • &#039;&#039;&#039;[[19edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
20-29: [[20edo#Music]] • [[21edo#Music]] • &#039;&#039;&#039;[[22edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[23edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[24edo/Music]]&#039;&#039;&#039; • [[25edo#Music]] • [[26edo#Music]] • [[27edo#Music]] • [[28edo#Music]] • [[29edo#Music]]&lt;br /&gt;
&lt;br /&gt;
30-41: [[30edo#Music]] • &#039;&#039;&#039;[[31edo/Music]]&#039;&#039;&#039; • [[32edo#Music]] • [[33edo#Music]] • [[34edo#Music]] • [[35edo#Music]] • [[36edo#Music]] • [[37edo#Music]] • [[38edo#Music]] • [[39edo#Music]] • [[40edo#Music]] • &#039;&#039;&#039;[[41edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;(for higher EDOs see [[EDO#Individual pages for EDOs|the individual EDO pages]])&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Classical pieces that were written with microtones&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
{{todo|expand|add examples|inline=1}}&lt;br /&gt;
Notable examples from 20th century classical music that briefly use the 7th harmonic, and for the Britten piece, the 11th harmonic as well:&lt;br /&gt;
* Ralph Vaughan Williams&#039;s [[wikipedia:A_Pastoral_Symphony|Symphony No. 3, A Pastoral Symphony]] from 1922, two horn solos in the 2nd movement&lt;br /&gt;
* Benjamin Britten&#039;s [[wikipedia:Serenade_for_Tenor,_Horn_and_Strings|Serenade for Tenor, Horn and Strings]] from 1943, prologue and epilogue&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Non-microtonal classical pieces translated to microtonal tunings&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
For a list of pieces that were originally written in a non-xenharmonic context, and then translated into a xenharmonic tuning, see [[Familiar melodies in unfamiliar tunings]]. (&#039;&#039;Stephen Weigel&#039;s [https://www.youtube.com/watch?v=bKNuSRujLPY&amp;amp;list=PLzY9zzOkuloTH7IYBl6AHFcbdM-Qop7u4 YouTube channel], Mike Battaglia&#039;s [https://soundcloud.com/mikebattagliaexperiments SoundCloud], and H. Wakabayashi&#039;s [https://www.youtube.com/user/inodapicnic YouTube channel] have great examples of these&#039;&#039;).&lt;br /&gt;
&lt;br /&gt;
== Giant table of xenharmonic music examples ==&lt;br /&gt;
What follows for the rest of this page is a large alphabetical list of as many xenharmonic artists and pieces as the wiki editors could find. It is not filtered or curated by quality, genre, or any other criteria. Feel free to add to it:&lt;br /&gt;
&lt;br /&gt;
{{TOC Horizontal&lt;br /&gt;
| a1=[[#Compilations|Compilations]]&lt;br /&gt;
| a2=[[#Artists|Artists]] ([[#A|A]]&lt;br /&gt;
| a3=[[#B|B]]&lt;br /&gt;
| a4=[[#C|C]]&lt;br /&gt;
| a5=[[#D|D]]&lt;br /&gt;
| a6=[[#E|E]]&lt;br /&gt;
| a7=[[#F|F]]&lt;br /&gt;
| a8=[[#G|G]]&lt;br /&gt;
| a9=[[#H|H]]&lt;br /&gt;
| a10=[[#I|I]]&lt;br /&gt;
| a11=[[#J|J]]&lt;br /&gt;
| a12=[[#K|K]]&lt;br /&gt;
| a13=[[#L|L]]&lt;br /&gt;
| a14=[[#M|M]]&lt;br /&gt;
| a15=[[#N|N]]&lt;br /&gt;
| a16=[[#O|O]]&lt;br /&gt;
| a17=[[#P|P]]&lt;br /&gt;
| a18=[[#Q|Q]]&lt;br /&gt;
| a19=[[#R|R]]&lt;br /&gt;
| a20=[[#S|S]]&lt;br /&gt;
| a21=[[#T|T]]&lt;br /&gt;
| a22=[[#U|U]]&lt;br /&gt;
| a23=[[#V|V]]&lt;br /&gt;
| a24=[[#W|W&amp;amp;ndash;Z]])&lt;br /&gt;
| a25=[[#Other|Other]]&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
=== Compilations ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Year&lt;br /&gt;
! &#039;&#039;&#039;Links&#039;&#039;&#039;&lt;br /&gt;
! Title&lt;br /&gt;
! &#039;&#039;&#039;Synopsis&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Genres, tunings, keywords&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Additional notes&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| 2024&lt;br /&gt;
| [https://www.youtube.com/watch?v=ftfnW9DsFVE YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Christmas Compilation 2024&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. &amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 41edo, mixed tunings*, 87edo, 159edo, 15edt, 15edo, free pitch, 31edo, &lt;br /&gt;
| *31edo diatonic, 25edo mavila, 7edo, 27edo mosh[7], 17edo &amp;quot;sun&amp;quot; scale, 26edo diasem-ish&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=U3fDWlG2Cb8 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Adxenture EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 11 artists. &amp;lt;br /&amp;gt;Theme: Explore + Discover&lt;br /&gt;
| Tunings: 15edo, 17-note tempered 2.3.7.29 ternary scale*, 26edo, 27edo, 12-tone 7-limit scale**, 21edo, 22edo, 37edo&lt;br /&gt;
| Was an entry in the Server vs Server V competition.&amp;lt;br /&amp;gt;*28/27 + 0.193{{cent}}, 29/27 + 2.596{{cent}}, 9/8 - 1.066{{cent}}, 7/6 - 0.873{{cent}}, 29/24 + 1.53{{cent}}, 81/64 - 2.132{{cent}}, 21/16 - 1.939{{cent}}, 87/64 + 0.464{{cent}}, 116/81 + 3.129{{cent}}, 3/2 - 0.533{{cent}}, 14/9 - 0.34{{cent}}, 29/18 + 2.063{{cent}}, 27/16 - 1.599{{cent}}, 7/4 - 1.406{{cent}}, 29/16 + 0.997{{cent}}, 243/128 - 2.665{{cent}}, 2/1&amp;lt;br /&amp;gt;**135/128, 9/8, 75/64, 5/4, 21/16, 45/32, 3/2, 25/16, 27/16, 7/4, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=-boJuGbymMY YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Kids Songs Edition&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 4 artists. &amp;lt;br /&amp;gt;Theme: Kids Songs&lt;br /&gt;
| Tunings: 46edo, octave-reduced 10L 7s MOS, 53edo, 15edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=fOZiX7f7t8Q YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Cover My Song&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. 8 tracks.&lt;br /&gt;
| Tunings: Free pitch, 22edo, 410edo, 159edo, 41edo, 19edo, 27edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://www.youtube.com/watch?v=WoF89oQ1Pn0 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Christmas 2022 Edition!&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 8 artists.&amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 7-Limit POTE Whitewood[21], 29edo, 23edo, 159edo*, 22edo, 353edo**, Iceface 75***, 17edo, Harmonics 16-32 starting from multiple notes****&lt;br /&gt;
| *Used for multiple songs, each song with a different reference pitch; main scale: 27\159, 51\159, 66\159, 93\159, 120\159, 144\159, 159\159 &amp;lt;br /&amp;gt;**38\353 Rectified Hebrew + 38\353 Apparatus on Harp &amp;lt;br /&amp;gt;***12edo with the black piano keys raised 75 cents &amp;lt;br /&amp;gt;****D = 293.333 Hz, G = 195.556 Hz, C = 260.741 Hz, F = 173.827 Hz, Bb = 234.667 Hz, Eb = 156.444 Hz&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/tDjLcCictVQ Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project 2&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Tostarena: Ruins&amp;quot; from &#039;&#039;Super Mario Odyssey&#039;&#039;.&lt;br /&gt;
| Tunings: 17edo, 13-limit JI*, 21edo, 19edo, 13-limit lemba, 13-limit srutal[12], 23edo, 11-limit JI**, 37edo, 33edo&lt;br /&gt;
| *28/27, 9/8, 7/6, 63/52, 4/3, 3/2, 14/9, 21/13, 7/4, 2/1&amp;lt;br /&amp;gt;**12/11, 9/8, 6/5, 5/4, 4/3, 15/11, 3/2, 18/11, 27/16, 16/9, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/9rTbLQ9j1sE Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Deleted User EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 12 artists.&amp;lt;br /&amp;gt;Theme: Secrets&lt;br /&gt;
| Tunings: 19edo, 2)5 [[CPS]] 3 7 9 11 13, 21edo, 18edo, 29edo, 33edo, 22edo, 11edo, 13edo, a [[porcupine]]-derived [[nonoctave]] tuning&lt;br /&gt;
| Was an entry in the Server vs Server IV competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/mkSlVrpC7HI Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Aquatic Ambience&amp;quot; from &#039;&#039;Donkey Kong Country&#039;&#039;.&lt;br /&gt;
| Tunings: 7-limit JI*, 18edo, 17edo, 7-limit JI**, 41edo, 15edo, 22edo&lt;br /&gt;
| *9/8, 7/6, 6/5, 4/3, 3/2, 14/9, 8/5, 16/9, 2/1&amp;lt;br /&amp;gt;**28/27, 9/8, 6/5, 5/4, 4/3, 7/5, 3/2, 8/5, 5/3, 9/5, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/XomJ5Hutl7k Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - LM x SvS 1v1s&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 one-minute tracks by 10 artists.&lt;br /&gt;
| Tunings: 16edo neji /128, 22edo, 17edo, Ibn Sina diatonic + extra chromatic tones (JI)*, 31edo, 20edo, 24edo, 16edo, 26edo&lt;br /&gt;
| LM x SvS = Lucid Monday x Server vs Server&amp;lt;br /&amp;gt;*14/13, 7/6, 4/3, 3/2, 21/13, 7/4, 2/1 + 28/27, 21/20, 14/9&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7b-luna-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7b-luna-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7b - Luna Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 15 artists.&lt;br /&gt;
| Each track uses a different [[EDO]] or other [[equal-step tuning]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://youtu.be/jBXpOPeQFYY Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Gone Too Deep EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 14 artists.&amp;lt;br /&amp;gt;Theme: Dreams&lt;br /&gt;
| Tunings: 14edo, a [[Neji]] tuning, 18edo, 17edo, 96edo, 31edo, 15edo, 21edo, 23edo, 20edo&lt;br /&gt;
| Was an entry in the Server vs Server III competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7-terra-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7-terra-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7 - Terra Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 16 artists.&lt;br /&gt;
| Each track uses a different [[EDO]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2019&lt;br /&gt;
| [https://open.spotify.com/album/2ojBIQLtipAo6MPJhmNiWP Listen free on Spotify]&amp;lt;br /&amp;gt;[https://biptunia.com/?p=4633 More info].&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Microtonal Freedom (A Benefit Compilation Album for Lyn Ulbricht)&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists. Many of them are contributors on this wiki.&lt;br /&gt;
| &#039;&#039;&#039;GENRES&#039;&#039;&#039;: Blues, metal, prog, trip-hop, hip-hop, funk, classical, ambient, math, punk, spoken, folk, solo acoustic guitar.&lt;br /&gt;
| Very good overview, and very listenable, especially for people without experience in Xen, or who think it sounds odd.&lt;br /&gt;
|-&lt;br /&gt;
| 2016&lt;br /&gt;
| [http://split-notes.com/various-artists-next-xen/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Next Xen&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2010&lt;br /&gt;
| [http://split-notes.com/various-artists-crack-my-pitch-up/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Crack My Pitch Up&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 1998&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/mills.html Broken Link?]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;A Microtonal Musical Experience&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10-ish groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| Many of the tracks on the CD were the first widely available audio files on the internet featuring xenharmonic tunings.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Artists ===&lt;br /&gt;
: &#039;&#039;Note: Please don&#039;t put external links on artist&#039;s name in first column. Put them in LINKS column, Link description of what they are (Website, YouTube, SoundCloud, etc.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Name&lt;br /&gt;
! Links&lt;br /&gt;
! Recommended works&lt;br /&gt;
! Members&lt;br /&gt;
! Genres, tunings, keywords&lt;br /&gt;
! Location&lt;br /&gt;
! Years &#039;&#039;microtonally&#039;&#039; active&lt;br /&gt;
! Additional notes&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== A ==== &lt;br /&gt;
|-&lt;br /&gt;
| Agonanist&lt;br /&gt;
| [https://transylvaniantapes.bandcamp.com/album/agonanist-the-cynicism-of-solitude Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Black metal in various EDO&#039;s&lt;br /&gt;
| California&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Alves]]&lt;br /&gt;
| [http://www.billalves.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/billalves YouTube]&amp;lt;br&amp;gt;[http://pages.hmc.edu/alves/ Harvey Mudd College]&lt;br /&gt;
| [http://www.billalves.com/imbal-imbalan.html Imbal-Imbalan]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI, gamelan, etc. Different tunings on different songs. Sometimes creates his own tunings just for one song.  &lt;br /&gt;
| Claremont, California&lt;br /&gt;
| 1987- &lt;br /&gt;
| College professor, author. Important cat. Check him out. &lt;br /&gt;
|-&lt;br /&gt;
| Aphex Twin&lt;br /&gt;
| [https://aphextwin.warp.net/ Official Store]&amp;lt;br&amp;gt;[[Wikipedia:Aphex Twin| Wikipedia]]&lt;br /&gt;
| [https://aphextwin.warp.net/release/68148-aphex-twin-selected-ambient-works-volume-ii Selected Ambient Works Volume II]&amp;lt;br&amp;gt;[https://aphextwin.warp.net/release/71102-aphex-twin-drukqs drukQs]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music&lt;br /&gt;
| Scotland&lt;br /&gt;
| 1994-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Atar Arad&lt;br /&gt;
| [https://www.youtube.com/channel/UCqkcxbIr8LriIoZBx96RT7g YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sonata for Viola with quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Astroid power-up!&lt;br /&gt;
| [https://store.cdbaby.com/cd/googleplex CD Baby]{{dead link}} (includes audio previews) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of hyper drum&amp;amp;amp;bass. Microtonal tracks: 3, 4, 8 and 9 (60-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot;| &lt;br /&gt;
&lt;br /&gt;
==== B ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Christopher Bailey]]&lt;br /&gt;
| [http://christopherbaileymusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystallized JI, 17-EDO, 19-EDO, 7-limit adaptive&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Mike Battaglia]]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments SoundCloud]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments/sets/natural-sounding-porcupine &amp;quot;Natural&amp;quot;-sounding Porcupine Comma Pump Experiments]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs, technical studies, experimental music cognition demos&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (a.k.a. Bugs, a.k.a. The Bugs) &lt;br /&gt;
|-&lt;br /&gt;
| Matt Barber&lt;br /&gt;
| [http://ecmc.rochester.edu/mbarb/web/music.php?filter=chrono Rochester EDU listing] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| In some pieces, 19-ED(per 2:1 and 3:1), quartertones, 11-EDO and 14-EDO in 3:2 equivalence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacob Barton]]&lt;br /&gt;
| [http://jacobbarton.net/ Website] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced and acoustic, various EDO and JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dennis Báthory-Kitsz]]&lt;br /&gt;
| [http://www.maltedmedia.com/people/bathory/cat-solo.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Thièle&amp;quot; - violin in quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David Beardsley&lt;br /&gt;
| [https://microtonal.wordpress.com/ Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UChoIaFN4ZM2nMzsktVnPuqQ YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI electric guitar and JI chamber music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Antoine Beaudet&lt;br /&gt;
| [https://soundcloud.com/jollybard SoundCloud] (as Jollybard)&lt;br /&gt;
| [https://soundcloud.com/jollybard/superbeat-wip SuperBeat]&amp;lt;br&amp;gt;[https://soundcloud.com/jollybard/spooky Spooky]&lt;br /&gt;
| &lt;br /&gt;
| Joan temperament, JI, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[benyamind]]&lt;br /&gt;
| [https://benyamind.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCFWIWi2GVCKMM9uYDdlUQqw Youtube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 31edo, 22edo, JI, orchestral, piano&lt;br /&gt;
|-&lt;br /&gt;
| BipTunia&lt;br /&gt;
| [https://biptunia.com/?s=microtonal Website]&amp;lt;br&amp;gt;[https://biptunia.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://biptunia.com/?p=3432 Microtonal Cats from Alpha-Centauri”]&lt;br /&gt;
| Michael W. Dean (synths, singing, talking)&amp;lt;br&amp;gt;Phil Wormuth (poetry, talking)&lt;br /&gt;
| Darkwave, rock, pop, experimental, poetry with music, different tunings on every song. Prolific. &lt;br /&gt;
| Casper Wyoming &lt;br /&gt;
| 2018-&lt;br /&gt;
| MWD is [[User:SyntheticThought]] on this wiki. MWD also makes [https://biptunia.com/?page_id=2070 xen VST software]. &lt;br /&gt;
|-&lt;br /&gt;
| Marcus Alessi Bittencourt&lt;br /&gt;
| [http://www.marcusalessi.com/site/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classic electronic pan-intonational&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Easley Blackwood Jr.]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=HbuFPpiJL1o YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal etudes [excerpts]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Douglas Blumeyer]]&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin SoundCloud]&amp;lt;br&amp;gt;[http://musical-patterns.douglasblumeyer.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Musical patterns&lt;br /&gt;
| Berkeley&lt;br /&gt;
| 2006-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cameron Bobro]]&lt;br /&gt;
| [https://soundcloud.com/cameron-bobro Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Bass vocals and microtonal folk instruments in haunting songs.&lt;br /&gt;
| Maribor, Slovenia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| M. Edward Borasky&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Stochastic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Donald Bousted&lt;br /&gt;
| [https://donaldbousted.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music and film&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Graham Breed]]&lt;br /&gt;
| [http://x31eq.com/music/ Website]&lt;br /&gt;
| [http://x31eq.com/music/wisofl.mp3 When I Set Out for Lyonnesse] &lt;br /&gt;
| &lt;br /&gt;
| Electronic with spoken word; (Thomas Hardy poems), examples of different temperaments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Chris Bryan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brendan Byrnes]]&lt;br /&gt;
| [http://www.brendanbyrnes.com/ Website]&amp;lt;br&amp;gt;[https://brendanbyrnes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsg5wuPYEmD7w7Jutqy8IhA YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/bpbyrnes Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=1PYbIPaW_eg Siolas]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=dgVDQU8CuPE Operator]&lt;br /&gt;
| Brendan Byrnes + various side players.&lt;br /&gt;
| Great production. Progressive, rock, driving, good vocals. Is also in band ILEVENS (separate entry below).&lt;br /&gt;
| Los Angeles / Glendale&lt;br /&gt;
| 2011-&lt;br /&gt;
| Great first xen for many people. &lt;br /&gt;
|-&lt;br /&gt;
| [[Warren Burt]]&lt;br /&gt;
| [http://retiary.net/idea/idea5/IDEA_5/warren/warren.htm Website] (flashing images warning)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sound installation; manipulated voice...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== C ==== &lt;br /&gt;
|-&lt;br /&gt;
| Charles Carpenter&lt;br /&gt;
| [https://charlescarpenter.net/ Website]&lt;br /&gt;
| [https://open.spotify.com/album/0tLOtB35zIsId4S47hll3X?si=hUoXPLLyS9SR6kBitJUD2g Splat]&amp;lt;br /&amp;gt;[https://open.spotify.com/album/3CQHBKHfYBx4VC8ZS1cQfo?si=d3G8aLe6S127Lb7YGVXmHQ Frog à la Pêche]&lt;br /&gt;
| &lt;br /&gt;
| Bohlen–Pierce electronic&lt;br /&gt;
| &lt;br /&gt;
| 1994-1996&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tolgahan Çoğulu]]&lt;br /&gt;
| [https://www.youtube.com/user/TolgahanCogulu YouTube]&amp;lt;br&amp;gt;[https://www.microtonalguitar.org/ Website 1]&amp;lt;br&amp;gt;[http://www.tolgahancogulu.com/en/ Website 2]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JT0z2nOyUlg Microtonal guitar duo]&lt;br /&gt;
| &lt;br /&gt;
| Microtonal guitar. Custom builds guitars with half, quarter frets, and movable frets.&lt;br /&gt;
| Istanbul, Turkey&lt;br /&gt;
| 2008-&lt;br /&gt;
| Good first xen for many people. Popular. Teaches music at Istanbul Technical University.&lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Loli]]&lt;br /&gt;
| [http://microtonalismo.com/microweb/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 drone 17-EDO, 20-EDO, 29-EDO and 53-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Wendy Carlos]]&lt;br /&gt;
| [[Wikipedia:Wendy Carlos| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=RuT6Y53LYH4 Video analyzing her microtonal scales]&lt;br /&gt;
| [https://www.dailymotion.com/video/x2j1gy2 Beauty and the Beast]&lt;br /&gt;
| &lt;br /&gt;
| Not all her work is microtonal, but &#039;&#039;[[wikipedia:Beauty_in_the_Beast| Beauty in the Beast]]&#039;&#039; (1986) is. She invented her own non-octave-repeating musical scales for it. &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Early synthesizer pioneer ([[wikipedia:Switched-On_Bach| &#039;&#039;Switched on Bach&#039;&#039;]], 1968)&lt;br /&gt;
|-&lt;br /&gt;
| Catler Bros. / [[Jon Catler]]&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=346893 SoundClick]&amp;lt;br&amp;gt;[[Wikipedia:Jon Catler| Jon Catler on Wikipedia]]&amp;lt;br&amp;gt;[https://preparedguitar.blogspot.com/2015/03/jon-catler-13-questions.html Interview with Jon Catler]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/4496860-Catler-Bros Discogs]&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=346893 Hyperspace]&lt;br /&gt;
| Jon Catler&lt;br /&gt;
| 64-note JI bluesrock. Have had mainstream press in Rolling Stone, Downbeat, and elsewhere. Jon Catler runs [http://freenotemusic.com/ FreeNote Records].&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Jon Catler also plays in [http://freenotemusic.com/fretlessbrothers/ The Fretless Brothers] and makes Freenote guitars. &lt;br /&gt;
|-&lt;br /&gt;
| [[City of the Asleep]]&lt;br /&gt;
| [https://cityoftheasleep.bandcamp.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Electronica, post-rock, and unclassifiable music in a variety of tunings, especially uncommon EDOs and theoretically-discordant tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nick Collins&lt;br /&gt;
| [https://composerprogrammer.com/music.html Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/playlist?list=PLvsv24zg5vzuGovKXXhjU7bYVnJIqNOZ3 YouTube playlist]&lt;br /&gt;
| [https://composerprogrammer.com/music/simphony2movement1.mp3 Simphony 2, Movement 1] (MP3 direct link) &lt;br /&gt;
| &lt;br /&gt;
| Microtonal supercollider tempo canons&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Copper&lt;br /&gt;
| [http://www.williamcopper.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 5-limit JI, printed scores with intonation markings, intonalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mildred Couper&lt;br /&gt;
| [[Wikipedia:Mildred Couper| Wikipedia]]&amp;lt;br&amp;gt;[http://www.academia.edu/7921833/Quarter-Tone_Composer_and_Pianist_Mildred_Couper PDF academic article]&amp;lt;br&amp;gt;[http://digital.library.ucsb.edu/collections/show/14 Scores at USC Santa Barbara site]&lt;br /&gt;
| [https://www.youtube.com/watch?v=PEOp3tFNaiI Dirge]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=2Y_9AqbpIdw Calliope of the Nine Muses]&lt;br /&gt;
| &lt;br /&gt;
| Quartertone pianos &lt;br /&gt;
| Buenos Aires, Argentina / Santa Barbara, California&lt;br /&gt;
| Died in 1974&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cryptic Ruse]]&lt;br /&gt;
| [https://cryptic-ruse.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Instrumental progressive metal &amp;amp; drone-metal in 13edo, 14edo, 15edo, 17edo, and 23edo&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Cubberly&lt;br /&gt;
| [https://www.discogs.com/artist/4027870-David-Cubberly Listing at Discogs]&amp;lt;br&amp;gt;[http://www.davidjcubberly.com/music.html Website]&lt;br /&gt;
| Per email reply from him, no listen links online. See note on Talk page.  &lt;br /&gt;
| &lt;br /&gt;
| Sequenced microtonal midi ensemble&lt;br /&gt;
| Urbana, Illinois&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== D ==== &lt;br /&gt;
|-&lt;br /&gt;
| Philip Dadson&lt;br /&gt;
| [[Wikipedia:Philip Dadson| Wikipedia]]&amp;lt;br&amp;gt;[https://sounz.org.nz/contributors/1026 Centre for New Zealand Music]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Instruments in JI, installations and performance&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ivor Darreg]]&lt;br /&gt;
| [[Wikipedia:Ivor Darreg| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=8nG0T1t9WUY Prelude 2 For 19 Tone Guitar]&amp;lt;br&amp;gt;[https://ivordarreg.bandcamp.com/releases Detwelvulate!]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-i Ivor Darreg Originals - I]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-2 Ivor Darreg Originals - II]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| San Diego, Los Angeles&lt;br /&gt;
| c. 1936-1994&lt;br /&gt;
| Important cat. Check him out. &amp;quot;Granddaddy of xenharmonic music.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| Jarod DCamp&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=998452 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic - various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tútim Dennsuul Wafiil]]&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/timo.html List of MP3s] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips in 23-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mark Deutsch&lt;br /&gt;
| [http://bazantar.com/ Website]&amp;lt;br&amp;gt;[https://bazantar.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.facebook.com/bazantar Facebook]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sensual acoustic microtonal music, world influence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Invented the [[wikipedia:Bazantar| Bazantar]], a stringed instrument &lt;br /&gt;
|-&lt;br /&gt;
| [[Diamond Doll]]&lt;br /&gt;
| [https://helloitsdiamonddoll.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/6nAsvYXrvYDqY5EqpbFgCa?si=6109ce7e857740b7 Spotify]&lt;br /&gt;
| [https://open.spotify.com/track/02hYX9uAKNk7uBr5lLnXIG Hello My Name&#039;s Diamond Doll]&amp;lt;br&amp;gt;[https://open.spotify.com/track/18d6VnHUY6JvLU1FjrJxnr Autogynephilia]&amp;lt;br&amp;gt;[https://open.spotify.com/track/4UqXCEKsKR5VdggZrr1cWo Little Brother] &lt;br /&gt;
| [[Kit Hagerstrom]] (songwriting, production, vocals)&amp;lt;br&amp;gt;Grey Tyson (vocals)&lt;br /&gt;
| Postpunk, hyperpop, queercore, various EDOs&lt;br /&gt;
| Winnipeg, Manitoba&lt;br /&gt;
| 2019-&lt;br /&gt;
| good entry point to xen&lt;br /&gt;
|-&lt;br /&gt;
| Divide by Pi&lt;br /&gt;
| [https://play.google.com/store/music/artist/Divide_by_Pi?id=Atehcbhgf7qggp2nxx4hajelerq&amp;amp;hl=en Google Music]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/dividebypi CD Baby]{{dead link}} (can listen to excerpts) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 clips: synthesizer and percussion improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Paul Dolden&lt;br /&gt;
| [https://pauldolden.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[[Wikipedia:Paul Dolden| Wikipedia]]  &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| dotuXil&lt;br /&gt;
| [https://www.youtube.com/@dotuxil Youtube]&amp;lt;br&amp;gt;[https://dotuxil.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://mirlo.space/dotuxil/release/collected-refractions Mirlo]&amp;lt;br&amp;gt;[https://dotuxil.github.io/ Github]&lt;br /&gt;
| [https://dotuxil.bandcamp.com/album/collected-refractions Collected Refractions Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=cFpKgUD9tQI Collected Refractions Youtube]&lt;br /&gt;
| &lt;br /&gt;
| Electronic, Various Tunings, Melodic&lt;br /&gt;
| &lt;br /&gt;
| 2023-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[David B. Doty]]&lt;br /&gt;
| [http://www.dbdoty.com/Just-Intonation-Links.html Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=a9bW4o5UedE Steel Suite]&lt;br /&gt;
| &lt;br /&gt;
| Synth JI, acoustic guitar JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Arnold Dreyblatt]]&lt;br /&gt;
| [http://www.dreyblatt.net/composer-1 Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Grooving JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Dsilton Trio&lt;br /&gt;
| [https://georgvogel.net/PROJEKTE-DSILTON.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCmzn7wDBp_H3N0diqakaRvg YouTube]&amp;lt;br&amp;gt;Facebook&lt;br /&gt;
| [https://www.youtube.com/watch?v=9LcWqSzDv7A Duschscha]&lt;br /&gt;
| Georg Vogel (clavinet, synthesizer, composition)&amp;lt;br&amp;gt;David Dornig (31-tone guitars)&amp;lt;br&amp;gt;Valentin Duit (drumset)&lt;br /&gt;
| Odd time signatures, chamber influence, jazz influence. [[31edo]].&lt;br /&gt;
| Vienna, Austria&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacques Dudon]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KuL4aSwNT0o YouTube]&amp;lt;br&amp;gt;[https://www.semantic-danielou.com/designers/jacques-dudon/ Academic profile]&amp;lt;br&amp;gt;[[wikipedia:Jacques_Dudon| Wikipedia]]&amp;lt;br&amp;gt;[https://www.forcedexposure.com/Catalog/dudon-jacques-erosion-distillee-lp/MMLP.009LP.html Forced Exposure]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Samples of &amp;quot;Lumières audibles&amp;quot; JI electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Richard Dunlap&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=106711 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Mostly 12-EDO&lt;br /&gt;
| California USA&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== E ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Paul Erlich]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=lO5xSjIHyMg YouTube]&amp;lt;br&amp;gt;[http://www.myspace.com/paulerlich/ MySpace]&amp;lt;br&amp;gt;[http://untwelve.org/interviews/paul_erlich UnTwelve interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[22-EDO]] guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== F ==== &lt;br /&gt;
|-&lt;br /&gt;
| John Farah&lt;br /&gt;
| [http://www.johnfarah.com/ Website]&lt;br /&gt;
[https://soundcloud.com/johnkameelfarah SoundCloud]&amp;lt;br&amp;gt;[https://johnkameelfarah.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/user/Hatiyn YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/JohnKameelFarah Facebook]&amp;lt;br&amp;gt;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| String quartet, electronic in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Fabrizio Fiale| FFF Fiale]]&lt;br /&gt;
| [https://ffffiale.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Fabrizio Fulvio Fausto Fiale&lt;br /&gt;
| 16-EDO instrumental guitar thrash metal and eclectic rock&lt;br /&gt;
| Italy&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Finnamore&lt;br /&gt;
| [http://www.elvenminstrel.com/music/tuning/horagrams/horagram-music.htm List of MP3s]&amp;lt;br&amp;gt;[http://www.elvenminstrel.com/music/tuning/equal/13equal/13tet.htm 13 TET MP3s]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Etudes using &amp;quot;golden horograms&amp;quot;; clips of dirty 13-EDO guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Forro]]&lt;br /&gt;
| [https://www.soundclick.com/members4/default.cfm?memberID=1540764 SoundClick]&amp;lt;br&amp;gt;[[Daniel Forro| List of MP3s]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Kakamigahara, Japan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Harold Fortuin&lt;br /&gt;
| [http://www.fortuitous-artists.biz/clavetteMusic.html 2 MP3s]&amp;lt;br&amp;gt;[[wikipedia:Harold_Fortuin| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=Dp3Gq0xjlhE YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Francium]]&lt;br /&gt;
| [https://francium223.bandcamp.com Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/0Nz4jp5ckOxUA404IFtbDL Spotify]&amp;lt;br&amp;gt;[https://www.youtube.com/@FranciumMusic YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| various EDOs, tuning comparisons, electronic&lt;br /&gt;
| &lt;br /&gt;
| 2021-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Glenn R. Frantz&lt;br /&gt;
| [https://archive.org/details/@glenn_r_frantz Songs on Archive.org]&lt;br /&gt;
| [https://archive.org/details/ThreeRagtime-basedPieces Three Ragtime-Based Pieces]}&lt;br /&gt;
| &lt;br /&gt;
| Freestyle JI via computer, based on ragtime music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Adam Freese]]&lt;br /&gt;
| [https://www.youtube.com/@adamfreese YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ellen Fullman&lt;br /&gt;
| [https://www.ellenfullman.com/ Website]&amp;lt;br&amp;gt;[https://ellenfullman.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]]&lt;br /&gt;
| San Francisco Bay Area, CA&lt;br /&gt;
| &lt;br /&gt;
| known for her 70-foot (21-meter) [[wikipedia:Long-string_instrument| Long String instrument]], tuned in just intonation and played with rosin-coated fingers.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; |&lt;br /&gt;
&lt;br /&gt;
==== G ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Frédéric Gagné]]&lt;br /&gt;
| [https://www.youtube.com/@fredg999music YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kyle Gann]]&lt;br /&gt;
| [https://www.kylegann.com/ Website]&amp;lt;br&amp;gt;[https://www.kylegann.com/Gannaudio.html MP3s on website]&amp;lt;br&amp;gt;[https://www.kylegann.com/complist.html List of compositions]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic JI, now with more Sitting Bull!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kite Giedraitis]]&lt;br /&gt;
| see Tall Kite&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Monroe Golden&lt;br /&gt;
| [http://monroegolden.com/ Website]&amp;lt;br&amp;gt;[https://soundcloud.com/monroe-golden SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal chamber music, microtone-informed 12-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Gongs&lt;br /&gt;
| [http://imomus.com/thegongs.html Momus website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM Rob Reich] (full length album on Youtube)&lt;br /&gt;
| Peter Blasser&amp;lt;br&amp;gt;Clara Latham&amp;lt;br&amp;gt;Grisha Krivchenia&amp;lt;br&amp;gt;Stefan Tcherepnin&lt;br /&gt;
| &lt;br /&gt;
| Oberlin, OH&lt;br /&gt;
| 2001-2002&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM First song on this], and whole record.&lt;br /&gt;
|-&lt;br /&gt;
| Mark Gould&lt;br /&gt;
| [http://www.derek-hasted.co.uk/assets/audio/derek-hasted/ten-tone.mp3 MP3]&amp;lt;br&amp;gt;[http://www.users.waitrose.com/~equiton/Mark_Gould/About_Me.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 1 electronic mp3: 10-EDO; midi recorder duets in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kraig Grady]]&lt;br /&gt;
| [https://www.youtube.com/results?search_query=Kraig+Grady+ YouTube]&amp;lt;br&amp;gt;[http://anaphoria.com/music.html Samples]&amp;lt;br&amp;gt;[[wikipedia:Kraig_Grady| Wikipedia]]&amp;lt;br&amp;gt;[http://www.anaphoria.com/ Website]&amp;lt;br&amp;gt;[https://anaphoriasouth.blogspot.com/ Blog]&amp;lt;br&amp;gt;[https://www.facebook.com/kraig.grady Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=9R33w7aaxS8 Live at the Cad Factory]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=GiSE9srsDt8 Ear Meal] (music + Skype interview)&lt;br /&gt;
| &lt;br /&gt;
| Original acoustic instruments/ensembles informed by the music of Anaphoria Island&lt;br /&gt;
| Wollongong, Australia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Patrick Grant&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.obscuresound.com/2018/10/patrick-grant-keeping-still/ Bio and audio examples]&amp;lt;br&amp;gt;Website&amp;lt;br&amp;gt;[[wikipedia:Patrick_Grant_(composer)| Wikipedia]]&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/album/fields-amaze-and-other-strange-music FIELDS AMAZE and other sTRANGE music]&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Percussion, gamelan, microtonal instruments, and electric chamber ensembles with narrative structures informed by chaos theory, biological forms, and B-horror films.&amp;quot;&lt;br /&gt;
| New York City&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Guidi&lt;br /&gt;
| [[wikipedia:Peter_Guidi| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One track of quartertone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (Can find [https://www.youtube.com/watch?v=Pb8Anz9xt1w&amp;amp;start_radio=1&amp;amp;list=RDEMgggUYKUD44vtsdamPmXt-A music of his] on YouTube, but isn&#039;t microtonal. Anyone got links to his microtonal music?)&lt;br /&gt;
|-&lt;br /&gt;
| Milan Guštar&lt;br /&gt;
| [http://www.uvnitr.cz/mg/art.html Listing of music]&lt;br /&gt;
| [http://www.uvnitr.cz/mg/music/240_four_seasons.html Generative composition for piano and theremin]&lt;br /&gt;
| &lt;br /&gt;
| Music in various tunings (06-EDO, 07-EDO, 08-EDO, 12-EDO, JI)&lt;br /&gt;
| Czech Republic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== H ==== &lt;br /&gt;
|-&lt;br /&gt;
| Edu Haubensak&lt;br /&gt;
| [http://www.eduhaubensak.ch/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=vmKWcJhuagk Sechs Walserminiaturen (1996) for soprano and violin]&lt;br /&gt;
| &lt;br /&gt;
| Music for retuned pianos and retuned strings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Georg Hajdu]]&lt;br /&gt;
| [http://georghajdu.de/ Website]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=k0HJUUWRkn0 Lecture on YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic 17-EDO; scene from opera Der Sprung (Bohlen–Pierce)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (some of his music online is not microtonal. Anyone got a link to microtonal music by him?)&lt;br /&gt;
|-&lt;br /&gt;
| [[Jeff Harrington]]&lt;br /&gt;
| [http://parnasse.com/jh/blog/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsgsUVmnMsgyIZzv4WTGxhA YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=14JPGOz9Qg4 Acid Bach III for Quartertone Microtonal Synthesize]&lt;br /&gt;
| &lt;br /&gt;
| Electronic in 19-EDO, 24-EDO, others&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Lou Harrison]]&lt;br /&gt;
| [[wikipedia:Lou_Harrison| Wikipedia]]&amp;lt;br&amp;gt;[http://www.archive.org/audio/audio-details-db.php?collectionid=OM8HarrisonScenesfromNikChand&amp;amp;collection=other_minds Steel Guitar piece]&lt;br /&gt;
| [https://www.youtube.com/watch?v=UWuT9AheQRM John Schneider plays Lou Harrison Jahla]&lt;br /&gt;
| &lt;br /&gt;
| Nek Chand for solo guitar in JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Hasegawa]]&lt;br /&gt;
| [http://www.roberthasegawa.com/ Website]&amp;lt;br&amp;gt;[http://roberthasegawa.com/ Lecture]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic chamber JI, quartertones, 19-tone pianos, with scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Neil Haverstick]]&lt;br /&gt;
| [http://microstick.net/ Website]&lt;br /&gt;
| [https://soundcloud.com/gregory-ts-walker/african-stick-neil-haverstick African Stick]&lt;br /&gt;
| &lt;br /&gt;
| Excerpts - guitars in 19-EDO, 31-EDO and 34-EDO&lt;br /&gt;
| Colorado&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Stickman&amp;quot; has some method books and quite a few radio spots as well.&lt;br /&gt;
|-&lt;br /&gt;
| [[Andrew Heathwaite]]&lt;br /&gt;
| [https://andrewheathwaite.bandcamp.com/album/newbeams&#039; Bandcamp]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands3/default.cfm?bandid=122613 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Amano Hideya]]&lt;br /&gt;
| [https://www.youtube.com/@hideya YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=5zaiOBSQV_Q 1 to 11 tone Equal temperament songs]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=YawFcH4cXfs Like 40s music 11EDO]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs&lt;br /&gt;
| Tokyo Japan&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Horton and Bill Thibault&lt;br /&gt;
| [http://www.mcs.csueastbay.edu/~tebo/bio.html Bill Thibault website]&amp;lt;br&amp;gt;[http://eamusic.dartmouth.edu/~larry/recordings/horton_notes.pdf Info on Dartmouth website]&amp;lt;br&amp;gt;[http://www.o-art.org/history/LongDur/JimHorton/jh-music4.html Jim Horton list of works]&lt;br /&gt;
| [https://www.youtube.com/watch?v=GHxLeIDuECc Gorgeous Clothed Flies]&lt;br /&gt;
| &lt;br /&gt;
| Electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sten Hostfalt]]&lt;br /&gt;
| [https://www.stenhostfalt.com/ Website]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/stenhostfalt2 CD Baby]{{dead link}} (has a few excerpts)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Excerpts of microtonal guitar (72-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Horse Lords&lt;br /&gt;
| [https://horselords.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://horselords.bandcamp.com/album/mixtape-iv Mixtape IV]&lt;br /&gt;
| Sam Haberman&amp;lt;br&amp;gt;Max Eilbacher&amp;lt;br&amp;gt;Owen Gardner&amp;lt;br&amp;gt;Andrew Bernstein&lt;br /&gt;
| [[Just intonation]], polyrhythm, minimalist, musique concrète&lt;br /&gt;
| Baltimore, MD&lt;br /&gt;
| 2012-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Chuckk Hubbard]]&lt;br /&gt;
| anyone got a current link?&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI sequenced music, etc.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Lucas Hulen&lt;br /&gt;
| [http://persweb.wabash.edu/facstaff/hulenp/compositions.html Website]&lt;br /&gt;
| [https://vimeo.com/61493873 Lamentationes Jeremiae I]&lt;br /&gt;
| &lt;br /&gt;
| Modern classical electronic compositions - search website page for &#039;microtonal&#039;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== I ==== &lt;br /&gt;
|-&lt;br /&gt;
| ILEVENS&lt;br /&gt;
| [https://ilevens.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCfgSTF9EOal71sFbPTLJ0Gw YouTube]&amp;lt;br&amp;gt;[http://split-notes.com/ilevens-transmitter/ Split Notes Records]&amp;lt;br&amp;gt;[https://www.facebook.com/Ilevens1111/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=N9MjtfEQl_c Drowns]&lt;br /&gt;
| [[Brendan Byrnes]] (vocals, guitar)&amp;lt;br&amp;gt;Mike Horick (drums)&amp;lt;br&amp;gt;Lauren Davis (synths)&amp;lt;br&amp;gt;Rusty Kennedy (bass)&lt;br /&gt;
| [[22edo]], rock band, led by Brendan Byrnes&lt;br /&gt;
| Los Angeles&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== J ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ralph Jarzombek&lt;br /&gt;
| [https://www.freewebs.com/ralphjarzombek/ Website with listen links]&lt;br /&gt;
| [https://webzoom.freewebs.com/ralphjarzombek/micro1.mp3 Micro 1]&amp;lt;br&amp;gt;[https://webzoom.freewebs.com/ralphjarzombek/micro6.mp3 Micro 6]&lt;br /&gt;
| &lt;br /&gt;
| [[14edo]], [[17edo]], [[Bohlen–Pierce]], electronic&lt;br /&gt;
| &lt;br /&gt;
| 1980s&lt;br /&gt;
| If you like the Residents, you&#039;ll love this.&lt;br /&gt;
|-&lt;br /&gt;
| [[Aaron Krister Johnson]]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson SoundCloud]&amp;lt;br&amp;gt;[https://aaronkristerjohnson.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson/the-juggler The Juggler]&lt;br /&gt;
| &lt;br /&gt;
| Mostly electronic compositions and improvisations; some theatre incidental music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| JC &amp;amp; The Microtones&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin/cow-people Cowpeople]&lt;br /&gt;
| &lt;br /&gt;
| Johnny Reinhard (electric bassoon)&amp;lt;br&amp;gt;Brad Catler (electric fretless bass)&amp;lt;br&amp;gt;[[Jon Catler]] (electric guitar)&amp;lt;br&amp;gt;A. C. Lewis (percussion)&amp;lt;br&amp;gt;Deborah Rothrock (vocals)&lt;br /&gt;
| &lt;br /&gt;
| New York City&lt;br /&gt;
| 1984&lt;br /&gt;
| Rockabilly, [[31edo]], cowpunk&lt;br /&gt;
|-&lt;br /&gt;
| Jock Tears&lt;br /&gt;
| [https://jocktears.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=%22JOCK+TEARS%22 YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/jocktears/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=29hm0LGP_i8 Nasty Boy]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=_UNIeeNnMAQ Live video]&amp;lt;br&amp;gt;[https://jocktears.bandcamp.com/album/bad-boys Bad Boys] (album)&lt;br /&gt;
| Lauren Ray (vocals)&amp;lt;br&amp;gt;Lauren Smith (bass)&amp;lt;br&amp;gt;Spencer Hargreaves (guitar)&amp;lt;br&amp;gt;Dustin Bromley (drum)&lt;br /&gt;
| Best punk band name ever&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2016-&lt;br /&gt;
| Peppy punk rock, female vocals, 17edo&lt;br /&gt;
|-&lt;br /&gt;
| Christiaan de Jong&lt;br /&gt;
| [https://soundcloud.com/christiaan-de-jong-1/ SoundCloud] (not all microtonal)&amp;lt;br&amp;gt;[http://www.christiaandejong.com/recordings.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/CHRISTIAANDEJONG1 YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Guitar, flute and tape&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Churzkia Jrakavla&lt;br /&gt;
| [https://churzkia.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Aif4Lpz4bPo Red Moon]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI; down tempo, IDM, synthwave, and ambient, with mystical/mythological themes&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2002-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jute Gyte&lt;br /&gt;
| [https://jutegyte.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jutegyte.bandcamp.com/album/the-sparrow-12-ep The Sparrow 12&amp;quot; EP]&lt;br /&gt;
| Adam Kalmbach&lt;br /&gt;
| Black metal, [[24edo]]&lt;br /&gt;
| Springfield, MO&lt;br /&gt;
| 2002-&lt;br /&gt;
| Has a relatively large following. Lots of &amp;gt;10 minute long quartertone black metal epics.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== K ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ali Deniz Kardelen&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=yjZQDQBBYyo Kara Toprak (Acoustic Microtonal Guitar]&lt;br /&gt;
| &lt;br /&gt;
| Not sure if all microtonal but has at least one amazing microtonal guitar piece&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Great first xen piece for people who like acoustic music&lt;br /&gt;
|-&lt;br /&gt;
| Buzz Kimball&lt;br /&gt;
| [http://www.nonoctave.com/heroes/buzz/ About his instruments and music]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/1944206-Buzz-Kimball Discogs]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Homemade guitars, etc., in EDOs and JI, electronic, rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Buzz Kimball builds most of his instruments himself in the workshop in his barn.&amp;lt;br&amp;gt;Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| dt King&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=62070 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Change Jar&amp;quot; for quartertone piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| King Gizzard &amp;amp; The Lizard Wizard&lt;br /&gt;
| [[Wikipedia:King Gizzard &amp;amp; the Lizard Wizard| Wikipedia]]&amp;lt;br&amp;gt;[https://kinggizzard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://kinggizzard.bandcamp.com/album/flying-microtonal-banana Flying Microtonal Banana]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=U72rbtrufws Sleep Drifter] (live in radio station studio)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=170Z9qBjfkI Mini-documentary]&lt;br /&gt;
| Stu Mackenzie&amp;lt;br&amp;gt;Ambrose Kenny Smith&amp;lt;br&amp;gt;Joey Walker&amp;lt;br&amp;gt;Cook Craig&amp;lt;br&amp;gt;Lucas Skinner&amp;lt;br&amp;gt;Michael Cavanagh&amp;lt;br&amp;gt;Eric Moore&lt;br /&gt;
| &lt;br /&gt;
| Melbourne, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| [[24edo]], alternative, garage&lt;br /&gt;
|-&lt;br /&gt;
| Wayne Kirby&lt;br /&gt;
| [https://www.youtube.com/channel/UCRn3j-zsIxdhdkHVJ6l_hMA YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Demos, full and excerpts, mp3 and midi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Kenneth Kirschner&lt;br /&gt;
| [http://www.kennethkirschner.com/ Website] (has download link for zipped MP3s)&amp;lt;br&amp;gt;[https://archive.org/details/apl025#files Archive.org]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Looong mp3 of stretched piano, etc., ambient microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Eric Knechtges&lt;br /&gt;
| [[Wikipedia:Eric Knechtges| Wikipedia]]&amp;lt;br&amp;gt;[https://soundcloud.com/eric-knechtges SoundCloud]&amp;lt;br&amp;gt;[http://robertwmcclure.weebly.com/blog/music-with-friends-eric-knechtges Interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic (choir) &amp;amp; electronic, various JI &amp;amp; EDOs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== L ==== &lt;br /&gt;
|-&lt;br /&gt;
| Anne La Berge&lt;br /&gt;
| [http://www.annelaberge.com/ Website]&amp;lt;br&amp;gt;[http://unsounds.com/shop/raw-lp Label Unsounds] (buy link has listen link of excerpts)&lt;br /&gt;
| [https://www.youtube.com/watch?v=DXAP4544NNM Utter] (performance art piece with Anne playing live)&lt;br /&gt;
| &lt;br /&gt;
| Quartertone flute - go to &amp;quot;Releases&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
|[[L4MPLIGHT]]&lt;br /&gt;
|[https://lamplight0.sakura.ne.jp/a Website]&lt;br /&gt;
[https://www.youtube.com/@L4MPLIGHT YouTube]&lt;br /&gt;
[https://soundcloud.com/l4mplight SoundCloud]&lt;br /&gt;
|[https://youtu.be/cMnuMjXeHrY Caftaphata]&lt;br /&gt;
[https://youtu.be/PrfAz8V4WNc Yxeni]&lt;br /&gt;
|&lt;br /&gt;
|Electronic music featuring self-made conlangs, largely [[41edo]]&lt;br /&gt;
|Japan&lt;br /&gt;
|2024-&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| [[Last Sacrament]]&lt;br /&gt;
| [https://lastsacrament.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ron Sword (vocals, guitar, drums)&amp;lt;br&amp;gt;Mike Maletta (lead guitar)&amp;lt;br&amp;gt;Pat Horgan (bass)&lt;br /&gt;
| 16edo death metal&lt;br /&gt;
| Florida&lt;br /&gt;
| 2006-&lt;br /&gt;
| Ron also makes Sword guitars and does a lot of guitar and bass conversions. Pat also does conversions.&lt;br /&gt;
|-&lt;br /&gt;
| [[Jacky Ligon]]&lt;br /&gt;
| [https://jackyligon.com/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=mRWG9AzWs7E Lightweave]&lt;br /&gt;
| &lt;br /&gt;
| filmic xenharmonic music and software blog. Sometimes collaborates with Sevish.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Also makes microtonal VST synths IVOR2, FMTS2, One SF2, Font2&lt;br /&gt;
|-&lt;br /&gt;
| Amit Lissack&lt;br /&gt;
| [https://alumnius.net/new_england_conserva-8502-year-1991-1994#id16664004 Listing on New England Conservatory of Music alumni site]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic instrumental.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| Alvin Lucier&lt;br /&gt;
| [[Wikipedia:Alvin Lucier| Wikipedia]]&amp;lt;br&amp;gt;[http://www.moderecords.com/catalog/124lucier.html Mode Records site] (includes listen links)&amp;lt;br&amp;gt;[http://www.ubu.com/sound/lucier.html UBUWeb] (includes original 1969 recording of &#039;&#039;I Am Sitting In A Room&#039;&#039;)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slow-to-change cluster acoustic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Lucy]]&lt;br /&gt;
| [http://www.lucytune.com/ Website]&amp;lt;br&amp;gt;[http://www.lucytune.com/mp3/ List of Lucy tune direct MP3s]&amp;lt;br&amp;gt;[http://www.lullabies.co.uk/ Lucy tunes lullabies info page]&lt;br /&gt;
| [https://store.cdbaby.com/cd/lucytuned Lucy tunes lullabies CD Baby]{{dead link}} (buy page, has listen excerpt links)&lt;br /&gt;
| &lt;br /&gt;
| Miscellaneous works in progress - also see [[Lucy Tuning| Lucy Tuning page]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== M ==== &lt;br /&gt;
|-&lt;br /&gt;
| Massive Audio Nerve (M.A.N.)&lt;br /&gt;
| [https://de.wikipedia.org/wiki/Massive_Audio_Nerve Wikipedia (Deutsch)]&amp;lt;br&amp;gt;[https://open.spotify.com/album/7gCCSQgShzoJxSKFu2gNXy Spotify]&lt;br /&gt;
| &lt;br /&gt;
| Tony Jelencovich (vocals)&amp;lt;br&amp;gt;Mark Fristedt (guitar)&amp;lt;br&amp;gt;Robert Hakemo (bass)&amp;lt;br&amp;gt;Adde Larsson (drums)&amp;lt;br&amp;gt;+ 5 former members&lt;br /&gt;
| 24edo Nümetal&lt;br /&gt;
| &lt;br /&gt;
| 2010-2014&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Joe Maneri]]&lt;br /&gt;
| [[Wikipedia:Joe Maneri| Wikipedia]]&amp;lt;br&amp;gt;[https://www.nytimes.com/2009/08/30/arts/music/30maneri.html New York Times obituary]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/7aQ5YRpRQ02oK9OtbxfhJr Spotify] (not all microtonal)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8WiSgByqos4&amp;amp;ab_channel=JoeManeri-Topic Audio interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some modern classical excerpts&lt;br /&gt;
| &lt;br /&gt;
| Died in 2009&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Rick McGowan]]&lt;br /&gt;
| There is one of his pieces at the beginning of [http://ripnread.com/?p=328 this microtonal podcast episode]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal works for the theatre&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| John McLaird&lt;br /&gt;
| Quiet audio piece, [https://archive.org/details/seventeenTPP_02/ogives.mp3 Ogives in a Winter Shelter Belt] (direct MP3 link)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7edo]], [[40edo]], [[11-limit]], [[Just intonation]], sampled piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Pete McRae&lt;br /&gt;
| [[Wikipedia:Pete McRae| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Eikosany blues&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carl McTague&lt;br /&gt;
| [http://www.mctague.org/carl/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (ii-V-I)&amp;lt;sup&amp;gt;7&amp;lt;/sup&amp;gt; and Heptadecaphonic Drops&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Melopoeia&lt;br /&gt;
| [https://melopoeia.bandcamp.com/album/tolkiens-ainulindal Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dave Tremblay&amp;lt;br&amp;gt;Brian Leong&lt;br /&gt;
| 26edo black metal&lt;br /&gt;
| Montreal, QC&lt;br /&gt;
| &lt;br /&gt;
| Text-to-midi of Tolkien and other stories.&lt;br /&gt;
|-&lt;br /&gt;
| Claudi Meneghin&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/claudi-meneghin Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.youtube.com/c/ClaudiMeneghin YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neobaroque music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Mercury Tree&lt;br /&gt;
| [https://themercurytree.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ben Spees&amp;lt;br&amp;gt;Connor Reilly&amp;lt;br&amp;gt;Oliver Campbell&amp;lt;br&amp;gt;[[Igliashon Jones]]&lt;br /&gt;
| [[17edo]], [[23edo]], progressive rock, psychedelic, math rock&lt;br /&gt;
| Portland, OR&lt;br /&gt;
| 2007-&lt;br /&gt;
| Newer work is all microtonal.  Older works are standard or a mixture.&lt;br /&gt;
|-&lt;br /&gt;
| [[Herman Miller]]&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/herman-miller Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.prismnet.com/~hmiller/ Website 1]&amp;lt;br&amp;gt;[https://sites.google.com/site/teamouse/home Website 2]&amp;lt;br&amp;gt;[https://soundcloud.com/morphosyntax-1 SoundCloud]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCu3rKPsBlcCjI2FVxJaAqIg YouTube]&lt;br /&gt;
| [https://sites.google.com/site/teamouse/home#h.abtmxk3cr74b Mizarian Porcupine Overture]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=17V4pxuHUgY Ivari na taniravi]&lt;br /&gt;
| &lt;br /&gt;
| Compositions in linear temperaments, [[Equal| ETs]]; [[Warped Canon]]; songs in conlangs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Shaahin Mohajeri&lt;br /&gt;
| [http://www.96edo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Modal, sequenced in various EDO/ADO/EDL/AIDO/ADL&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| MonoNeon&lt;br /&gt;
| [[Wikipedia:Dywane Thomas Jr.| Wikipedia]]&amp;lt;br&amp;gt;[https://dywanethomasjr.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dywane Thomas Jr.&lt;br /&gt;
| 24edo funk, soul, hip-hop&lt;br /&gt;
| Tennessee&lt;br /&gt;
| 2013-2015 (?)&lt;br /&gt;
| Newer recordings seem to be standard tuning, but there was a lot of 24edo released around 2015.&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Monzo]]&lt;br /&gt;
| [http://www.tonalsoft.com/ TonalSoft website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], jazz rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Moriarty]]&lt;br /&gt;
| [https://soundcloud.com/john-lank1 SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Rock and improv in various regularly tempered tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Frederick Moore&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some microtonal works, electronic, other&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Aaron Myers-Brooks&lt;br /&gt;
| [https://aaronmyersbrooks.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 17edo Hard rock/metal on guitar&lt;br /&gt;
| PA&lt;br /&gt;
| 2019&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== N ==== &lt;br /&gt;
|-&lt;br /&gt;
| Naegleria Fowleri&lt;br /&gt;
| [https://sites.google.com/view/naegleriafowleri/ Website]&amp;lt;br&amp;gt;[https://naegleriafowleri.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=QqKf0ItWozs III Flagellate - Propulsion]&lt;br /&gt;
| [[Bostjan Zupancic]] (guitar and bass)&amp;lt;br&amp;gt;Luna Bird (vocals)&lt;br /&gt;
| [[19edo]] metal&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2017-&lt;br /&gt;
| Parrot singing with a xen metal project. What&#039;s not to love?&lt;br /&gt;
|-&lt;br /&gt;
| Ron Nagorcka&lt;br /&gt;
| [http://www.ronnagorcka.com/audio Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], digeridoo, synthesizers, birds...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| norokusi&lt;br /&gt;
| [https://www.youtube.com/channel/UC7imuNShfRqQdCey7qWJLVg YouTube]&amp;lt;br&amp;gt;[https://norokusi.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, contemporary and jazz in various [[edo]]s&lt;br /&gt;
| Tokyo, Japan&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Juhani Nuorvala&lt;br /&gt;
| [https://soundcloud.com/juhani-nuorvala SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== O ==== &lt;br /&gt;
|-&lt;br /&gt;
| Mats Öljare&lt;br /&gt;
| [http://www.angelfire.com/mo/oljare/midicomp.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Contrapuntal midi in various EDOs and etc&#039;s&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== P ==== &lt;br /&gt;
|-&lt;br /&gt;
| Tristan Parker&lt;br /&gt;
| [http://rozencrantzthesane.tripod.com/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], free-pitch, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| P-ART&lt;br /&gt;
| [http://users.skynet.be/P-ART/PARADISE/CLIPS/list.htm Website]&lt;br /&gt;
| &lt;br /&gt;
| Paul A.R. Timmermans&lt;br /&gt;
| Experimental&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Harry Partch]]&lt;br /&gt;
| [http://musicmavericks.publicradio.org/features/feature_partch.html American Mavericks]&amp;lt;br&amp;gt;[https://www.harrypartch.com/music Harry Partch Information Center]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[11-limit]], [[Just intonation]], acoustic, monophony&lt;br /&gt;
| Oakland, CA&lt;br /&gt;
| 1930-1972&lt;br /&gt;
| One of the first 20th-century composers in the West to work systematically with microtonal scales&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Pehrson]]&lt;br /&gt;
| [http://users.rcn.com/jpehrson/JosephPehrson.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Blackjack, acoustic, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| pfly&lt;br /&gt;
| [https://soundcloud.com/pfly SoundCloud]&lt;br /&gt;
| Zlo-88&lt;br /&gt;
| Paul Fly&lt;br /&gt;
| [[88cET]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Samuel Pellman&lt;br /&gt;
| [http://academics.hamilton.edu/music/spellman/MfS/microtonal.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], [[Nonoctave]], [[Equal Temperaments]], electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Joseph Post&lt;br /&gt;
| [http://www.myspace.com/josephpost MySpace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystal-JI, acoustic guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tom Price]]&lt;br /&gt;
| https://soundcloud.com/tomprice719&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kees van Prooijen]]&lt;br /&gt;
| [http://www.kees.cc/music/oddpiano/oddpiano.html Website]&lt;br /&gt;
| Odd Piano&lt;br /&gt;
| &lt;br /&gt;
| [[Bohlen–Pierce]], timbre-stretched piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Barry Prophet&lt;br /&gt;
| [http://www.pomer-prophet.com/barry.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic, sound sculptures&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== Q ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== R ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Johnny Reinhard]]&lt;br /&gt;
| [[wikipedia:Johnny_Reinhard| Wikipedia]]&amp;lt;br&amp;gt;[http://www.afmm.org/ American Festival of Microtonal Music]&amp;lt;br&amp;gt;[https://stereosociety.com/johnny-reinhard/ Stereo Society]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://johnnyreinhard.bandcamp.com/album/reinhard-ensemble-compositions Reinhard Ensemble Compositions]&lt;br /&gt;
| &lt;br /&gt;
| Acoustic polymicrotonality&lt;br /&gt;
| New York, NY&lt;br /&gt;
| 1981-&lt;br /&gt;
| Founded [[American Festival of Microtonal Music]] (AFMM)&lt;br /&gt;
|-&lt;br /&gt;
| Robert Rich&lt;br /&gt;
| [https://robertrich.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7-limit]], [[just intonation]], ambient&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Michael Robinson&lt;br /&gt;
| [http://www.azuremilesrecords.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Worldly electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Prent Rodgers]]&lt;br /&gt;
| [http://ripnread.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Music that&#039;s fake but accurate&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [[Dante Rosati]]&lt;br /&gt;
| [http://www.danterosati.com/justguitar.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], solo guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Robert Ross&lt;br /&gt;
| [http://www.piedwagtail.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[19edo]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== S ==== &lt;br /&gt;
|-&lt;br /&gt;
| Marc Sabat&lt;br /&gt;
| [http://www.plainsound.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carlos Sampaio&lt;br /&gt;
| [https://www.soundclick.com/artist/default.cfm?bandID=236415 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonics&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Scott Sandvik&lt;br /&gt;
| [http://www.scottsandvik.com/html/audio.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slide guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Edward Schocker&lt;br /&gt;
| [http://edwardschocker.com/music/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Dramatic works - excerpts and fulls&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Margo Schulter]]&lt;br /&gt;
| [https://www.bestii.com/~mschulter/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neo-medieval xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Andrew Schulze&lt;br /&gt;
| [http://kalvos.org/schulze.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some mp3s of electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ethan Schwartz&lt;br /&gt;
| [https://myspace.com/tetrachordproject Myspace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI music based on tetrachords, for guitar and keyboard&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[X. J. Scott]]&lt;br /&gt;
| [http://www.nonoctave.com/geocities/ Website]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands/pagemusic.cfm?bandID=141776 Soundclick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[George Secor]]&lt;br /&gt;
| [http://users.bigpond.net.au/d.keenan/sagittal/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various vintage Scalatron performances&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dave Seidel]]&lt;br /&gt;
| [http://mysterybear.net/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal minimalism and ambience, using Csound&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Carlo Serafini]]&lt;br /&gt;
| [http://www.seraph.it/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/iranief YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic. Isomorphic keyboard: the Opal Chameleon&lt;br /&gt;
| Florence, Italy&lt;br /&gt;
| &lt;br /&gt;
| Futurist composer. Also, is admin on Facebook [https://www.facebook.com/groups/356483631067563/ Microtonalitaly group].&lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Sethares]]&lt;br /&gt;
| [http://eceserv0.ece.wisc.edu/~sethares/otherperson/all_mp3s.html Website]&lt;br /&gt;
| [http://sethares.engr.wisc.edu/mp3s/truthonabus.html Truth on a Bus]&lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic with stretched partials&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sevish]]&lt;br /&gt;
| [http://sevish.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/c/Sevish YouTube]&amp;lt;br&amp;gt;[https://soundcloud.com/sevish SoundCloud]&amp;lt;br&amp;gt;[https://sevish.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Gcgawrr2xao Desert Island Rain]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=l9wINwlgxRU Gleam]&lt;br /&gt;
| Sean Archibald (with occasional guest musicians)&lt;br /&gt;
| Drum &#039;n&#039; bass / electronic / trip-hop / ambient; in EDOs, JI, nonoctave scales and various others. &amp;quot;Microtonal music with a beat&amp;quot;; stellar production quality.&lt;br /&gt;
| London, England&lt;br /&gt;
| 2010-&lt;br /&gt;
| Popular (for xen). Great first xen for many people. Also runs several xen-related projects.&lt;br /&gt;
|-&lt;br /&gt;
| [[Ezra Sims]]&lt;br /&gt;
| [https://www.ezrasims.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 72-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Gene Ward Smith]]&lt;br /&gt;
| [[Microtonal Music by Gene Ward Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced originals; Mad Science Tuning; renderings of colleagues&#039; music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jon Lyle Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced classical in odd meters&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sononym]]&lt;br /&gt;
| [https://www.youtube.com/channel/UCO0Tn4tnRrILUxJuchfbnlw YouTube]&lt;br /&gt;
| [https://open.spotify.com/intl-fr/album/3UZ1Q0AqKBBFHN6gCsesz2 Humors]&lt;br /&gt;
| Max McCargar&lt;br /&gt;
| Experimental electronic jazz&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Cole and Spectral Voices&lt;br /&gt;
| [https://www.spectralvoices.com/jim-cole-spectral-voices/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of meditative New Age with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Soundwell (Anders Erkéus)&lt;br /&gt;
| [https://soundcloud.com/soundwell Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Snake&amp;quot; overtone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Manfred Stahnke&lt;br /&gt;
| [https://stahnkemanfred.musicaneo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One piece &amp;quot;Partch Harp&amp;quot; for harp and sampled harp&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans-André Stamm]]&lt;br /&gt;
| [http://www.eufonia.de/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone/48-tone JI acoustic organ!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Starrett]]&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=FD0ec4qOlcs&amp;amp;t=&amp;amp;ab_channel=xenopusRTRT Citified Notions]&lt;br /&gt;
| John Starrett (vocals, bass)&amp;lt;br&amp;gt;Neil Haverstick (guitar)&amp;lt;br&amp;gt;Ernie Crews (drums)&lt;br /&gt;
| 19-EDO. Rockabilly/Pop-rock, comment from John about the song on the YouTube page&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| John Starrett played bass with Neil Haverstick. Neil also plays the 19-EDO guitar on some of John&#039;s recordings.&lt;br /&gt;
|-&lt;br /&gt;
| Stimmhorn&lt;br /&gt;
| [http://www.stimmhorn.ch/ Website]&lt;br /&gt;
| &lt;br /&gt;
| Christian Zehnder&amp;lt;br&amp;gt;Balthasar Streiff&lt;br /&gt;
| Experimental alphorn and yodeling combined with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans Straub]]&lt;br /&gt;
| [http://home.datacomm.ch/straub/musik/index_e.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Pieces with meters that match the tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Redrick Sultan&lt;br /&gt;
| [https://redricksultanband.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=DtrH9ptBV18&amp;amp;index=1&amp;amp;list=PL_GQa1Uf_pEPGi9CxiMfK-13BBs0SVkWP The Prince]&lt;br /&gt;
| Spencer Hargreaves (vocals, guitars)&amp;lt;br&amp;gt;Noah Jordan (vocals, bass, keys, flute, oud)&amp;lt;br&amp;gt;Sean Mitchell (drums, sampling)&lt;br /&gt;
| Spooky, cool, acoustic, electric&lt;br /&gt;
| Vancouver, British Columbia&lt;br /&gt;
| 2010-&lt;br /&gt;
| [[22edo]], acoustic, magic rock, chill&lt;br /&gt;
|-&lt;br /&gt;
| Mick Sussman&lt;br /&gt;
| [http://micksussman.com/pw/music.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Plunderphonic collages in various tunings and multitempi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Susman&lt;br /&gt;
| [https://www.susmanmusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Works in quarter-tone - scores and audio files&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ron Sword]]&lt;br /&gt;
| [http://www.ronsword.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 16-EDO and 31-EDO on 8 and 9 string guitar Etudes, Microtonal Extreme Metal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Ron was also affiliated with the Microtonal Records label and the metatonal music site, as well as the microtonal guitarist forum.&lt;br /&gt;
|-&lt;br /&gt;
| Syzygys&lt;br /&gt;
| [http://www.syzygys.jp Website]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=Syzygys YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/Syzygys Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KjSF41-mdL4 Lotus Rain]&lt;br /&gt;
| Hitomi Shimizu (43-tone organ, vocals)&amp;lt;br&amp;gt;Hiromi Nishida (violin, vocals)&lt;br /&gt;
| Clips of Japanese duo in 43-tone Partch JI, with Chromelodeon&lt;br /&gt;
| Japan&lt;br /&gt;
| ?&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== T ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Tall Kite]]&lt;br /&gt;
| [http://www.tallkite.com/music.html Website]&amp;lt;br&amp;gt;[https://soundcloud.com/tallkite SoundCloud (TallKite)]&amp;lt;br&amp;gt;[https://soundcloud.com/mbirakite SoundCloud (MbiraKite)]&amp;lt;br&amp;gt;[https://tallkite.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://tallkite.com/music/IHearNumbers.html I Hear Numbers]&amp;lt;br&amp;gt;[https://tallkite.com/music/EveningRondo.html Evening Rondo]&amp;lt;br&amp;gt;[http://www.tallkite.com/music/DownminorNocturne.html Downminor Nocturne]&lt;br /&gt;
| Kite Giedraitis&lt;br /&gt;
| 7-limit JI, 41edo.&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 1990&#039;s-&lt;br /&gt;
| See also [https://kiteguitar.com/ KiteGuitar.com]&lt;br /&gt;
|-&lt;br /&gt;
| [[Cam Taylor]]&lt;br /&gt;
| [https://archive.org/search.php?query=creator%3A%22Cam+Taylor%22 Internet Archive]&amp;lt;br&amp;gt;[https://soundcloud.com/camtaylor-1 SoundCloud (1)]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1 SoundCloud (2)]&amp;lt;br&amp;gt;[https://iamcamtaylor.wordpress.com/ Blog]&lt;br /&gt;
| [https://soundcloud.com/cam-taylor-2-1/mothers mothers]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/17-out-of-63edo-wurly-those-early-dreams those early dreams]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/12tone63edo1 12tone63EDO1]&lt;br /&gt;
| &lt;br /&gt;
| Bosanquet Axis49, Lumatone, 12- and 17-tone keyboard improvisations in 17, 19, 22, 26, 31, 37, 39, 41, 43, 46, 50, 53, 56, 63, 94, 112 EDOs, some JI and near-just tunings, and songs with piano or guitar in 31EDO and JI, various.&lt;br /&gt;
| Auckland, New Zealand&lt;br /&gt;
| 2010-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jack Tickner&lt;br /&gt;
| [https://www.facebook.com/JackETickner/ Facebook]&amp;lt;br&amp;gt;[https://jacktickner.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jacktickner.bandcamp.com/album/reassuring-weight Reassuring Weight]&lt;br /&gt;
| &lt;br /&gt;
| Just intonation&lt;br /&gt;
| Sydney, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Thoegersen&lt;br /&gt;
| [https://soundcloud.com/pthoege SoundCloud]&amp;lt;br&amp;gt;[https://peterthoegersen.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/pthoege/two-worlds Two Worlds]&amp;lt;br&amp;gt;[https://soundcloud.com/pthoege/im-a-force-of-nature I Am a Force of Nature]&lt;br /&gt;
| &lt;br /&gt;
| Composer. Absurdist symphonic, chamber. Fun. Difficult music, in a good way. If you like Zappa&#039;s stranger works, you will like this.&lt;br /&gt;
| New York (?)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tony Dubshot]]&lt;br /&gt;
| [http://www.dubbhism.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Macrotonal dub and dancehall in 05-EDO, 07-EDO and 08-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[User:Tristanbay| Tristan Bay]]&lt;br /&gt;
| [https://tristanbay.com Website]&amp;lt;br&amp;gt;[https://youtube.com/@tristanbay YouTube]&amp;lt;br&amp;gt;[https://tristanbay.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/4kHErr2liGBpoChdl4DsTC Spotify]&lt;br /&gt;
| [https://youtu.be/JhGvrJ86jLU Subtract Hominem]&lt;br /&gt;
[https://youtu.be/H47nsivr-TU That]&lt;br /&gt;
&lt;br /&gt;
[https://youtu.be/R30aRbNtoIY Pitchblende]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music, synthwave, equal temperament, instrumental&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 2021-&lt;br /&gt;
| Xen Wiki editor, microtonal instrument maker, active on the XA Discord server, and a regular on the [[Xendergarten|Xendergarten podcast]]&lt;br /&gt;
|-&lt;br /&gt;
| Tritone MSU&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Tui St. George Tucker&lt;br /&gt;
| [http://tuistgeorgetucker.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen James Taylor]]&lt;br /&gt;
| [http://www.stephenjamestaylor.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal film scores, multiple Wilson scales&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jeroen Paul Thesseling]]&lt;br /&gt;
| [http://www.jeroenthesseling.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music for bass guitar: &amp;quot;HAFNIUM&amp;quot; (72-EDO), &amp;quot;ARGON&amp;quot; (18-EDO), &amp;quot;DISCREPANTIUM&amp;quot; (24-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== U ==== &lt;br /&gt;
|-&lt;br /&gt;
| uSSSy&lt;br /&gt;
| [https://www.facebook.com/uSSSy.band/ Facebook]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/music/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=gVJftIEA4KM Acoustic performance on YouTube]&lt;br /&gt;
| [https://usssy.bandcamp.com/album/ud Ud]&amp;lt;br&amp;gt;[https://usssy.bandcamp.com/album/voyage/ Voyage]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/album/naghma Naghma]&lt;br /&gt;
| Artem Galkin&amp;lt;br&amp;gt;Pavel Eremeev&lt;br /&gt;
| [[24edo]] and similar tunings. Styles ranging from &amp;quot;black metal techno blues&amp;quot; to &amp;quot;indo-iranian meditative feedback rock&amp;quot;&lt;br /&gt;
| Moscow, Russia&lt;br /&gt;
| 2009-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== V ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Chris Vaisvil]]&lt;br /&gt;
| [http://chrisvaisvil.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Many tunings (just intonation, various EDOs + tuning survey) microtonal synthesizers controlled by midi guitar (Roland GR-20), Linnstrument, 17 edo keyboard (DIY) + soft synthesizers and &amp;quot;traditional&amp;quot; scored microtonal music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Prolific explorer of a wide range of scales. Neat DIY techniques used and demonstrated &amp;quot;at the edge between acoustic and electric&amp;quot;.&lt;br /&gt;
|-&lt;br /&gt;
| Nicola Vicentino&lt;br /&gt;
| [[Wikipedia:Nicola Vicentino| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=0akGtDPVRxk Musica Prisca Caput (Madrigal for 24-tone two voice harpsichord in Meantone)]&amp;lt;br&amp;gt;Same piece [https://www.youtube.com/watch?v=ld36JlmOtM0 played on an arciorgano]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=bhGwjgZ8zIY Madonna il poco dolce]&lt;br /&gt;
| &lt;br /&gt;
| Early microtonal composer in 16th century&lt;br /&gt;
| &lt;br /&gt;
| Born 1511. Died in either 1575 or 1576.&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nicola Visalli (broken)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronically rendered microtonal contemporary classical&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Voltage Controlled&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of electronic tuning-savvy experiments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Alfredo Votta&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Soundcloud account featuring &amp;quot;Liber Stellarum&amp;quot;, a collection of seven pieces for &amp;lt;br&amp;gt; 13-EDO piano. Has also composed in 18-EDO.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== W ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Walker]]&lt;br /&gt;
| [https://robertinventor.com/musicandvirtualflowers/tunes/tunes.htm Website 1]&amp;lt;br&amp;gt;[https://robertinventor.com/musicandvirtualflowers/tunes/improvisations.htm Website 2]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, world, fractal&lt;br /&gt;
| Indianapolis, IN&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen Weigel]]&lt;br /&gt;
| [https://soundcloud.com/overtoneshock SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic pop, computer music, totalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Danny Wier&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Symphonic, progressive rock/metal, jazz, etc., mostly in 72-EDO (all synth-generated)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Randy Winchester]]&lt;br /&gt;
| &lt;br /&gt;
| [[Five Hemispheres]]&amp;lt;br&amp;gt;[[Comets Over Flatland]]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs and Bohlen–Pierce, electronic music and 8-bit synthesizers&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Erling Wold&lt;br /&gt;
| [http://www.erlingwold.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical; search page for just intonation&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Wolf]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic neo-baroque string trio&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brian Wong]]&lt;br /&gt;
| [https://bwong.ca/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Examples of computer-generated music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| James Wyness&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal acousmatic works&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== X ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Y ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Z ==== &lt;br /&gt;
|-&lt;br /&gt;
| Zadarpadov&lt;br /&gt;
| [https://zadarpadov.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic, avant-garde&lt;br /&gt;
| Finland&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Zhea Erose]]&lt;br /&gt;
| [https://zheaerose.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UC--VosYH0BHISbb4SFO9rQA YouTube]&lt;br /&gt;
| [https://youtu.be/ipNP-8XwezE XQQQ]&amp;lt;br&amp;gt;[https://youtu.be/a63V_fAPNaA WXTCHCRXFT EP]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=wvLLV5qle48 Glitterdance]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8Ol2gzkcprE divinate]&lt;br /&gt;
| Amelia Huff&lt;br /&gt;
| [[31edo]], JI, primodality, contemporary classical, ambient, electronic, &amp;quot;dream&amp;amp;bass&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| 2019-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[ZIA]]/[[Elaine Walker]]&lt;br /&gt;
| [http://ziaspace.com/ Website]&amp;lt;br&amp;gt;[https://www.facebook.com/Zia-170293513002981/ Facebook]&amp;lt;br /&amp;gt;[https://ziaspace.bandcamp.com Bandcamp]&lt;br /&gt;
| Zia1.5 (1992), SHEM (1996), Bang! (2000), Drum&#039;N&#039;Space (2011), Four-Momentum, No Terrestrial Road, Macrochip (2026)&lt;br /&gt;
| [[Elaine Walker]]&lt;br /&gt;
| Electronic, space, dance, [[10edo]], [[11edo]], [[14edo]], [[15edo]], [[16edo]], [[17edo]], [[19edo]], [[20edo]], [[22edo], [[Bohlen–Pierce]]&lt;br /&gt;
| Boston / NYC / Tempe, AZ / Las Cruces, NM (&#039;&#039;current&#039;&#039;)&lt;br /&gt;
| 1992-&lt;br /&gt;
| Elaine did music editing for &#039;&#039;Pokémon&#039;&#039; (2001-07) and for private space industry videos in the late 90s and early 00s. Zia is great introductory/accessible xen music.&lt;br /&gt;
|-&lt;br /&gt;
| Matthias Ziegler&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Unconventional flute playing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bostjan Zupancic]]: MicroMetal&lt;br /&gt;
| [https://sites.google.com/site/19edoguitar/home/bostjan-zupancic-micrometal Google Page]&amp;lt;br&amp;gt;[https://bostjanzupancic.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JTpF2MifP5Y Brain for Breakfast]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=D8utL7T0HAc Beezer&#039;s Cellar]&lt;br /&gt;
| Bostjan Zupancic - Guitar, Bass, Drums, Vocals, Synthesizer&lt;br /&gt;
| 19-EDO Modern Hard Rock and Heavy Metal, and occasionally 24-EDO.&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2008-&lt;br /&gt;
| &lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! &#039;&#039;&#039;Website&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Description&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.musicmavericks.org/listening/ American Mavericks concert series]&lt;br /&gt;
| Microtonal RealPlayer files: Lou Harrison Suite for Violin and American Gamelan, Third Symphony; Charles Ives &amp;quot;Allegro&amp;quot; from Quartertone Piano Pieces&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.oeaw.ac.at/kal/agm/ Ancient Greek Music]&lt;br /&gt;
| Library of extant fragments using authentic tunings: Real``Player and MIDI&lt;br /&gt;
|-&lt;br /&gt;
| [http://bostonmicrotonalsociety.org/ Boston Microtonal Society]&lt;br /&gt;
| 72-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://catharsis.egregious.net/errata/ Catharsis] ([http://catharsis.egregious.net/tracks/droneI/ 2])&lt;br /&gt;
| Jon Catler and Jacky Ligon live; &amp;quot;Drone 1&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.fujara.sk/audio_samples.htm Fujara]&lt;br /&gt;
| Slovak overtone flute&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wmich.edu/mus-theo/groven/ Groven Piano Project]&lt;br /&gt;
| 36-tone JI (schismatic) pianos after Eivind Groven&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.xs4all.nl/%7Ehuygensf/english/index.html Huygens-Fokker Foundation]&lt;br /&gt;
| Acoustic and MIDI 31-EDO &amp;amp; 24-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.csounds.com/ezine/winter1999/synthesis/ Implementing Cellular Automatas in Csound]&lt;br /&gt;
| MP3 examples with spectral pictures&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html kingmixers] ([http://www.kingmixers.com/AncGreekMusicFragments.html%20 2]) ([http://www.kingmixers.com/Clouds%20MP3s.html%20copy 3])&lt;br /&gt;
| Some MP3 samples of Greek tunings, reconstructions of Greek music fragments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.last.fm/tag/microtonal last.fm microtonal tag radio]&lt;br /&gt;
| Stream microtonal music from last.fm radio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.lucytune.com/ LucyTuning] ([http://www.harmonics.com/lucy/earindex.html 2]) ([http://www.lullabies.co.uk/ 3])&lt;br /&gt;
| LucyTuned music - clips and full pieces, midi files, mp3s, video&lt;br /&gt;
|-&lt;br /&gt;
| [http://micro.soonlabel.com/ micro.soonlabel.com]&lt;br /&gt;
| Music from multiple composers in various tunings available for direct download.&lt;br /&gt;
|-&lt;br /&gt;
| [http://microtonalismo.com/ MICROTONALISMO]&lt;br /&gt;
| Primera Web oficial de microtonalismo de habla hispana en latinoamerica&lt;br /&gt;
|-&lt;br /&gt;
| [http://cdbaby.com/cd/mfhi Music for Homemade Instruments]{{dead link}}&lt;br /&gt;
| Clips of junkmusic orchestra&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.mvcc.edu/noldani/home Oldani&#039;s Math &amp;amp;amp; music Site]{{dead link}}&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [http://www.overtone.cc/ Overtone Music Network]&lt;br /&gt;
| A platform for overtone music of all kinds, with a huge collection of online audio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.quartertonemarimba.com/ Quartertonemarimba.com]&lt;br /&gt;
| Kjell Tor Innevik&#039;s project at Norwegian Academy of Music&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.geocities.com/dinarra2000/songs.html Eduardo Sábat]&lt;br /&gt;
| Clips of jazz standards on 53-enharmonic frets per Octave guitar (Dinarra)&lt;br /&gt;
|-&lt;br /&gt;
| [http://split-notes.com/ split-notes Microtonal Netlabel]&lt;br /&gt;
| Online record label, free digital releases, microtonal music from various musicians&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.ne.jp/asahi/mariko/takanashi/masa/pagesE1/rev1nwpages/engconcert.html The Perfect Just Intonation Music MIDI Cycle Concerts]&lt;br /&gt;
| Classics tuned in JI&lt;br /&gt;
|-&lt;br /&gt;
| [http://pages.globetrotter.net/roule/demos.htm Tuning and temperament demos]&lt;br /&gt;
| MIDI and audio demonstrating historical tunings&lt;br /&gt;
|-&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=105485 Tuning Lab]&lt;br /&gt;
| Acoustic, electronic tuning experiments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wnyc.org/search/?q=microtonal WNYC microtonal features]&lt;br /&gt;
| Radio shows featuring microtonal music, esp. &amp;quot;New Sounds&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Projects]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Practice]]&lt;br /&gt;
[[Category:Listen| ]] &amp;lt;!-- main article --&amp;gt;&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Listen&amp;diff=231167</id>
		<title>Listen</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Listen&amp;diff=231167"/>
		<updated>2026-05-27T10:48:25Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: Todo&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Catrel|Listen}}&lt;br /&gt;
&lt;br /&gt;
This page is a list of xenharmonic listening suggestions. If you think anything should be changed, feel free to change it yourself, or leave a note about it here.&lt;br /&gt;
&lt;br /&gt;
== Curated lists ==&lt;br /&gt;
=== By curator ===&lt;br /&gt;
&#039;&#039;&#039;UnTwelve annual competition winners&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://untwelve.org/competition Annual Composition Competition pages] by the [[UnTwelve]] foundation. The majority of the dozens of entrants in each year’s competition provide audio files of their compositions for the public to listen to.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;[[Mike Battaglia]]&#039;s recommendations playlist&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
[https://open.spotify.com/user/1218607737/playlist/70d4bxQpwBM4EPvLj0OmhO?si=ADmgFYnhTxGRDENaYK5XGw&amp;amp;fbclid=IwAR0Tw8l31ERv0cUgO-4OrBMu7wp8I38dhGWUGsmFvWo6sLle1FS7ZJQ7z0o Microtonal Spotify Playlist] — Deliberately includes examples for many different genres. Put it on Shuffle and have a great intro to xen.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Highest rated by the Xen Wiki community&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[List of xenharmonic music by community ratings]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;More recommendations&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Microtonal music recommendation playlists]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
=== By medium/tuning/genre ===&lt;br /&gt;
&#039;&#039;&#039;Sheet music&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[Scores]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Albums&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&#039;&#039;See [[:Category:Albums]]&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music by tuning&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
&amp;lt;small&amp;gt;&#039;&#039;&#039;[[Music in just intonation]]&#039;&#039;&#039; • [[Bohlen–Pierce scale/Music]] • [[Carlos Alpha#Music]] • [[Carlos Beta#Music]] • [[Carlos Gamma#Music]] • [[Polymicrotonality#Music]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Music in EDOs&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;5-9: &#039;&#039;&#039;[[5edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[7edo/Music]]&#039;&#039;&#039; • [[8edo#Music]] • &#039;&#039;&#039;[[9edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
10-19: &#039;&#039;&#039;[[10edo/Music]]&#039;&#039;&#039; • [[11edo#Music]] • [[13edo/Music]] • [[14edo#Music]] • &#039;&#039;&#039;[[15edo/Music]]&#039;&#039;&#039; • [[16edo#Music]] • &#039;&#039;&#039;[[17edo/Music]]&#039;&#039;&#039; • [[18edo#Music]] • &#039;&#039;&#039;[[19edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
20-29: [[20edo#Music]] • [[21edo#Music]] • &#039;&#039;&#039;[[22edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[23edo/Music]]&#039;&#039;&#039; • &#039;&#039;&#039;[[24edo/Music]]&#039;&#039;&#039; • [[25edo#Music]] • [[26edo#Music]] • [[27edo#Music]] • [[28edo#Music]] • [[29edo#Music]]&lt;br /&gt;
&lt;br /&gt;
30-41: [[30edo#Music]] • &#039;&#039;&#039;[[31edo/Music]]&#039;&#039;&#039; • [[32edo#Music]] • [[33edo#Music]] • [[34edo#Music]] • [[35edo#Music]] • [[36edo#Music]] • [[37edo#Music]] • [[38edo#Music]] • [[39edo#Music]] • [[40edo#Music]] • &#039;&#039;&#039;[[41edo/Music]]&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;(for higher EDOs see [[EDO#Individual pages for EDOs|the individual EDO pages]])&#039;&#039;&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Classical pieces that were written with microtones&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
{{todo|expand|add examples|inline=1}}&lt;br /&gt;
Notable examples from 20th century classical music that briefly use the 7th harmonic, and for the Britten piece, the 11th harmonic as well:&lt;br /&gt;
* Ralph Vaughan Williams&#039;s [[wikipedia:A_Pastoral_Symphony|Symphony No. 3, A Pastoral Symphony]] from 1922, two horn solos in the 2nd movement&lt;br /&gt;
* Benjamin Britten&#039;s [[wikipedia:Serenade_for_Tenor,_Horn_and_Strings|Serenade for Tenor, Horn and Strings]] from 1943, prologue and epilogue&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Non-microtonal classical pieces translated to microtonal tunings&#039;&#039;&#039; &amp;lt;br /&amp;gt;&lt;br /&gt;
For a list of pieces that were originally written in a non-xenharmonic context, and then translated into a xenharmonic tuning, see [[Familiar melodies in unfamiliar tunings]]. (&#039;&#039;Stephen Weigel&#039;s [https://www.youtube.com/watch?v=bKNuSRujLPY&amp;amp;list=PLzY9zzOkuloTH7IYBl6AHFcbdM-Qop7u4 YouTube channel], Mike Battaglia&#039;s [https://soundcloud.com/mikebattagliaexperiments SoundCloud], and H. Wakabayashi&#039;s [https://www.youtube.com/user/inodapicnic YouTube channel] have great examples of these&#039;&#039;).&lt;br /&gt;
&lt;br /&gt;
== Giant table of xenharmonic music examples ==&lt;br /&gt;
What follows for the rest of this page is a large alphabetical list of as many xenharmonic artists and pieces as the wiki editors could find. It is not filtered or curated by quality, genre, or any other criteria. Feel free to add to it:&lt;br /&gt;
&lt;br /&gt;
{{TOC Horizontal&lt;br /&gt;
| a1=[[#Compilations|Compilations]]&lt;br /&gt;
| a2=[[#Artists|Artists]] ([[#A|A]]&lt;br /&gt;
| a3=[[#B|B]]&lt;br /&gt;
| a4=[[#C|C]]&lt;br /&gt;
| a5=[[#D|D]]&lt;br /&gt;
| a6=[[#E|E]]&lt;br /&gt;
| a7=[[#F|F]]&lt;br /&gt;
| a8=[[#G|G]]&lt;br /&gt;
| a9=[[#H|H]]&lt;br /&gt;
| a10=[[#I|I]]&lt;br /&gt;
| a11=[[#J|J]]&lt;br /&gt;
| a12=[[#K|K]]&lt;br /&gt;
| a13=[[#L|L]]&lt;br /&gt;
| a14=[[#M|M]]&lt;br /&gt;
| a15=[[#N|N]]&lt;br /&gt;
| a16=[[#O|O]]&lt;br /&gt;
| a17=[[#P|P]]&lt;br /&gt;
| a18=[[#Q|Q]]&lt;br /&gt;
| a19=[[#R|R]]&lt;br /&gt;
| a20=[[#S|S]]&lt;br /&gt;
| a21=[[#T|T]]&lt;br /&gt;
| a22=[[#U|U]]&lt;br /&gt;
| a23=[[#V|V]]&lt;br /&gt;
| a24=[[#W|W&amp;amp;ndash;Z]])&lt;br /&gt;
| a25=[[#Other|Other]]&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
=== Compilations ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Year&lt;br /&gt;
! &#039;&#039;&#039;Links&#039;&#039;&#039;&lt;br /&gt;
! Title&lt;br /&gt;
! &#039;&#039;&#039;Synopsis&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Genres, tunings, keywords&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Additional notes&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| 2024&lt;br /&gt;
| [https://www.youtube.com/watch?v=ftfnW9DsFVE YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Christmas Compilation 2024&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. &amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 41edo, mixed tunings*, 87edo, 159edo, 15edt, 15edo, free pitch, 31edo, &lt;br /&gt;
| *31edo diatonic, 25edo mavila, 7edo, 27edo mosh[7], 17edo &amp;quot;sun&amp;quot; scale, 26edo diasem-ish&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=U3fDWlG2Cb8 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Adxenture EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 11 artists. &amp;lt;br /&amp;gt;Theme: Explore + Discover&lt;br /&gt;
| Tunings: 15edo, 17-note tempered 2.3.7.29 ternary scale*, 26edo, 27edo, 12-tone 7-limit scale**, 21edo, 22edo, 37edo&lt;br /&gt;
| Was an entry in the Server vs Server V competition.&amp;lt;br /&amp;gt;*28/27 + 0.193{{cent}}, 29/27 + 2.596{{cent}}, 9/8 - 1.066{{cent}}, 7/6 - 0.873{{cent}}, 29/24 + 1.53{{cent}}, 81/64 - 2.132{{cent}}, 21/16 - 1.939{{cent}}, 87/64 + 0.464{{cent}}, 116/81 + 3.129{{cent}}, 3/2 - 0.533{{cent}}, 14/9 - 0.34{{cent}}, 29/18 + 2.063{{cent}}, 27/16 - 1.599{{cent}}, 7/4 - 1.406{{cent}}, 29/16 + 0.997{{cent}}, 243/128 - 2.665{{cent}}, 2/1&amp;lt;br /&amp;gt;**135/128, 9/8, 75/64, 5/4, 21/16, 45/32, 3/2, 25/16, 27/16, 7/4, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=-boJuGbymMY YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Kids Songs Edition&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 4 artists. &amp;lt;br /&amp;gt;Theme: Kids Songs&lt;br /&gt;
| Tunings: 46edo, octave-reduced 10L 7s MOS, 53edo, 15edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| [https://www.youtube.com/watch?v=fOZiX7f7t8Q YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Cover My Song&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists. 8 tracks.&lt;br /&gt;
| Tunings: Free pitch, 22edo, 410edo, 159edo, 41edo, 19edo, 27edo&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://www.youtube.com/watch?v=WoF89oQ1Pn0 YouTube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project - Christmas 2022 Edition!&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 8 artists.&amp;lt;br /&amp;gt;Theme: Christmas and Winter songs&lt;br /&gt;
| Tunings: 7-Limit POTE Whitewood[21], 29edo, 23edo, 159edo*, 22edo, 353edo**, Iceface 75***, 17edo, Harmonics 16-32 starting from multiple notes****&lt;br /&gt;
| *Used for multiple songs, each song with a different reference pitch; main scale: 27\159, 51\159, 66\159, 93\159, 120\159, 144\159, 159\159 &amp;lt;br /&amp;gt;**38\353 Rectified Hebrew + 38\353 Apparatus on Harp &amp;lt;br /&amp;gt;***12edo with the black piano keys raised 75 cents &amp;lt;br /&amp;gt;****D = 293.333 Hz, G = 195.556 Hz, C = 260.741 Hz, F = 173.827 Hz, Bb = 234.667 Hz, Eb = 156.444 Hz&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/tDjLcCictVQ Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project 2&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Tostarena: Ruins&amp;quot; from &#039;&#039;Super Mario Odyssey&#039;&#039;.&lt;br /&gt;
| Tunings: 17edo, 13-limit JI*, 21edo, 19edo, 13-limit lemba, 13-limit srutal[12], 23edo, 11-limit JI**, 37edo, 33edo&lt;br /&gt;
| *28/27, 9/8, 7/6, 63/52, 4/3, 3/2, 14/9, 21/13, 7/4, 2/1&amp;lt;br /&amp;gt;**12/11, 9/8, 6/5, 5/4, 4/3, 15/11, 3/2, 18/11, 27/16, 16/9, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/9rTbLQ9j1sE Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Deleted User EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 12 artists.&amp;lt;br /&amp;gt;Theme: Secrets&lt;br /&gt;
| Tunings: 19edo, 2)5 [[CPS]] 3 7 9 11 13, 21edo, 18edo, 29edo, 33edo, 22edo, 11edo, 13edo, a [[porcupine]]-derived [[nonoctave]] tuning&lt;br /&gt;
| Was an entry in the Server vs Server IV competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/mkSlVrpC7HI Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Xen Cover Project&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 7 artists.&amp;lt;br /&amp;gt;Covers of &amp;quot;Aquatic Ambience&amp;quot; from &#039;&#039;Donkey Kong Country&#039;&#039;.&lt;br /&gt;
| Tunings: 7-limit JI*, 18edo, 17edo, 7-limit JI**, 41edo, 15edo, 22edo&lt;br /&gt;
| *9/8, 7/6, 6/5, 4/3, 3/2, 14/9, 8/5, 16/9, 2/1&amp;lt;br /&amp;gt;**28/27, 9/8, 6/5, 5/4, 4/3, 7/5, 3/2, 8/5, 5/3, 9/5, 15/8, 2/1&lt;br /&gt;
|-&lt;br /&gt;
| 2022&lt;br /&gt;
| [https://youtu.be/XomJ5Hutl7k Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - LM x SvS 1v1s&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 one-minute tracks by 10 artists.&lt;br /&gt;
| Tunings: 16edo neji /128, 22edo, 17edo, Ibn Sina diatonic + extra chromatic tones (JI)*, 31edo, 20edo, 24edo, 16edo, 26edo&lt;br /&gt;
| LM x SvS = Lucid Monday x Server vs Server&amp;lt;br /&amp;gt;*14/13, 7/6, 4/3, 3/2, 21/13, 7/4, 2/1 + 28/27, 21/20, 14/9&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7b-luna-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7b-luna-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7b - Luna Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 15 artists.&lt;br /&gt;
| Each track uses a different [[EDO]] or other [[equal-step tuning]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://youtu.be/jBXpOPeQFYY Youtube]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Xenharmonic Alliance Discord - Gone Too Deep EP&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 14 artists.&amp;lt;br /&amp;gt;Theme: Dreams&lt;br /&gt;
| Tunings: 14edo, a [[Neji]] tuning, 18edo, 17edo, 96edo, 31edo, 15edo, 21edo, 23edo, 20edo&lt;br /&gt;
| Was an entry in the Server vs Server III competition.&lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| [https://sexytoadsandfrogsfriendcircle.bandcamp.com/album/staffcirc-vol-7-terra-octava Bandcamp]&amp;lt;br /&amp;gt;[https://soundcloud.com/sexytoadsandfrogsfriendcircle/sets/staffcirc-vol-7-terra-octava Soundcloud]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;STAFFcirc vol. 7 - Terra Octava&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 16 artists.&lt;br /&gt;
| Each track uses a different [[EDO]].&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2019&lt;br /&gt;
| [https://open.spotify.com/album/2ojBIQLtipAo6MPJhmNiWP Listen free on Spotify]&amp;lt;br /&amp;gt;[https://biptunia.com/?p=4633 More info].&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Microtonal Freedom (A Benefit Compilation Album for Lyn Ulbricht)&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists. Many of them are contributors on this wiki.&lt;br /&gt;
| &#039;&#039;&#039;GENRES&#039;&#039;&#039;: Blues, metal, prog, trip-hop, hip-hop, funk, classical, ambient, math, punk, spoken, folk, solo acoustic guitar.&lt;br /&gt;
| Very good overview, and very listenable, especially for people without experience in Xen, or who think it sounds odd.&lt;br /&gt;
|-&lt;br /&gt;
| 2016&lt;br /&gt;
| [http://split-notes.com/various-artists-next-xen/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Next Xen&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 17 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2010&lt;br /&gt;
| [http://split-notes.com/various-artists-crack-my-pitch-up/ Split-notes]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;Crack My Pitch Up&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10 groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 1998&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/mills.html Broken Link?]&lt;br /&gt;
| &#039;&#039;&#039;&#039;&#039;A Microtonal Musical Experience&#039;&#039;&#039;&#039;&#039;&lt;br /&gt;
| 10-ish groups/artists.&lt;br /&gt;
| &lt;br /&gt;
| Many of the tracks on the CD were the first widely available audio files on the internet featuring xenharmonic tunings.&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Artists ===&lt;br /&gt;
: &#039;&#039;Note: Please don&#039;t put external links on artist&#039;s name in first column. Put them in LINKS column, Link description of what they are (Website, YouTube, SoundCloud, etc.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! Name&lt;br /&gt;
! Links&lt;br /&gt;
! Recommended works&lt;br /&gt;
! Members&lt;br /&gt;
! Genres, tunings, keywords&lt;br /&gt;
! Location&lt;br /&gt;
! Years &#039;&#039;microtonally&#039;&#039; active&lt;br /&gt;
! Additional notes&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== A ==== &lt;br /&gt;
|-&lt;br /&gt;
| Agonanist&lt;br /&gt;
| [https://transylvaniantapes.bandcamp.com/album/agonanist-the-cynicism-of-solitude Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Black metal in various EDO&#039;s&lt;br /&gt;
| California&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Alves]]&lt;br /&gt;
| [http://www.billalves.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/billalves YouTube]&amp;lt;br&amp;gt;[http://pages.hmc.edu/alves/ Harvey Mudd College]&lt;br /&gt;
| [http://www.billalves.com/imbal-imbalan.html Imbal-Imbalan]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI, gamelan, etc. Different tunings on different songs. Sometimes creates his own tunings just for one song.  &lt;br /&gt;
| Claremont, California&lt;br /&gt;
| 1987- &lt;br /&gt;
| College professor, author. Important cat. Check him out. &lt;br /&gt;
|-&lt;br /&gt;
| Aphex Twin&lt;br /&gt;
| [https://aphextwin.warp.net/ Official Store]&amp;lt;br&amp;gt;[[Wikipedia:Aphex Twin| Wikipedia]]&lt;br /&gt;
| [https://aphextwin.warp.net/release/68148-aphex-twin-selected-ambient-works-volume-ii Selected Ambient Works Volume II]&amp;lt;br&amp;gt;[https://aphextwin.warp.net/release/71102-aphex-twin-drukqs drukQs]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music&lt;br /&gt;
| Scotland&lt;br /&gt;
| 1994-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Atar Arad&lt;br /&gt;
| [https://www.youtube.com/channel/UCqkcxbIr8LriIoZBx96RT7g YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sonata for Viola with quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Astroid power-up!&lt;br /&gt;
| [https://store.cdbaby.com/cd/googleplex CD Baby]{{dead link}} (includes audio previews) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of hyper drum&amp;amp;amp;bass. Microtonal tracks: 3, 4, 8 and 9 (60-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot;| &lt;br /&gt;
&lt;br /&gt;
==== B ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Christopher Bailey]]&lt;br /&gt;
| [http://christopherbaileymusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystallized JI, 17-EDO, 19-EDO, 7-limit adaptive&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Mike Battaglia]]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments SoundCloud]&lt;br /&gt;
| [https://soundcloud.com/mikebattagliaexperiments/sets/natural-sounding-porcupine &amp;quot;Natural&amp;quot;-sounding Porcupine Comma Pump Experiments]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs, technical studies, experimental music cognition demos&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (a.k.a. Bugs, a.k.a. The Bugs) &lt;br /&gt;
|-&lt;br /&gt;
| Matt Barber&lt;br /&gt;
| [http://ecmc.rochester.edu/mbarb/web/music.php?filter=chrono Rochester EDU listing] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| In some pieces, 19-ED(per 2:1 and 3:1), quartertones, 11-EDO and 14-EDO in 3:2 equivalence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacob Barton]]&lt;br /&gt;
| [http://jacobbarton.net/ Website] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced and acoustic, various EDO and JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dennis Báthory-Kitsz]]&lt;br /&gt;
| [http://www.maltedmedia.com/people/bathory/cat-solo.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Thièle&amp;quot; - violin in quartertones&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David Beardsley&lt;br /&gt;
| [https://microtonal.wordpress.com/ Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UChoIaFN4ZM2nMzsktVnPuqQ YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI electric guitar and JI chamber music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Antoine Beaudet&lt;br /&gt;
| [https://soundcloud.com/jollybard SoundCloud] (as Jollybard)&lt;br /&gt;
| [https://soundcloud.com/jollybard/superbeat-wip SuperBeat]&amp;lt;br&amp;gt;[https://soundcloud.com/jollybard/spooky Spooky]&lt;br /&gt;
| &lt;br /&gt;
| Joan temperament, JI, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[benyamind]]&lt;br /&gt;
| [https://benyamind.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCFWIWi2GVCKMM9uYDdlUQqw Youtube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 31edo, 22edo, JI, orchestral, piano&lt;br /&gt;
|-&lt;br /&gt;
| BipTunia&lt;br /&gt;
| [https://biptunia.com/?s=microtonal Website]&amp;lt;br&amp;gt;[https://biptunia.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://biptunia.com/?p=3432 Microtonal Cats from Alpha-Centauri”]&lt;br /&gt;
| Michael W. Dean (synths, singing, talking)&amp;lt;br&amp;gt;Phil Wormuth (poetry, talking)&lt;br /&gt;
| Darkwave, rock, pop, experimental, poetry with music, different tunings on every song. Prolific. &lt;br /&gt;
| Casper Wyoming &lt;br /&gt;
| 2018-&lt;br /&gt;
| MWD is [[User:SyntheticThought]] on this wiki. MWD also makes [https://biptunia.com/?page_id=2070 xen VST software]. &lt;br /&gt;
|-&lt;br /&gt;
| Marcus Alessi Bittencourt&lt;br /&gt;
| [http://www.marcusalessi.com/site/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classic electronic pan-intonational&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Easley Blackwood Jr.]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=HbuFPpiJL1o YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal etudes [excerpts]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Douglas Blumeyer]]&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin SoundCloud]&amp;lt;br&amp;gt;[http://musical-patterns.douglasblumeyer.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Musical patterns&lt;br /&gt;
| Berkeley&lt;br /&gt;
| 2006-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cameron Bobro]]&lt;br /&gt;
| [https://soundcloud.com/cameron-bobro Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Bass vocals and microtonal folk instruments in haunting songs.&lt;br /&gt;
| Maribor, Slovenia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| M. Edward Borasky&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Stochastic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Donald Bousted&lt;br /&gt;
| [https://donaldbousted.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music and film&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Graham Breed]]&lt;br /&gt;
| [http://x31eq.com/music/ Website]&lt;br /&gt;
| [http://x31eq.com/music/wisofl.mp3 When I Set Out for Lyonnesse] &lt;br /&gt;
| &lt;br /&gt;
| Electronic with spoken word; (Thomas Hardy poems), examples of different temperaments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Chris Bryan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brendan Byrnes]]&lt;br /&gt;
| [http://www.brendanbyrnes.com/ Website]&amp;lt;br&amp;gt;[https://brendanbyrnes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsg5wuPYEmD7w7Jutqy8IhA YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/bpbyrnes Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=1PYbIPaW_eg Siolas]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=dgVDQU8CuPE Operator]&lt;br /&gt;
| Brendan Byrnes + various side players.&lt;br /&gt;
| Great production. Progressive, rock, driving, good vocals. Is also in band ILEVENS (separate entry below).&lt;br /&gt;
| Los Angeles / Glendale&lt;br /&gt;
| 2011-&lt;br /&gt;
| Great first xen for many people. &lt;br /&gt;
|-&lt;br /&gt;
| [[Warren Burt]]&lt;br /&gt;
| [http://retiary.net/idea/idea5/IDEA_5/warren/warren.htm Website] (flashing images warning)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sound installation; manipulated voice...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== C ==== &lt;br /&gt;
|-&lt;br /&gt;
| Charles Carpenter&lt;br /&gt;
| [https://charlescarpenter.net/ Website]&lt;br /&gt;
| [https://open.spotify.com/album/0tLOtB35zIsId4S47hll3X?si=hUoXPLLyS9SR6kBitJUD2g Splat]&amp;lt;br /&amp;gt;[https://open.spotify.com/album/3CQHBKHfYBx4VC8ZS1cQfo?si=d3G8aLe6S127Lb7YGVXmHQ Frog à la Pêche]&lt;br /&gt;
| &lt;br /&gt;
| Bohlen–Pierce electronic&lt;br /&gt;
| &lt;br /&gt;
| 1994-1996&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tolgahan Çoğulu]]&lt;br /&gt;
| [https://www.youtube.com/user/TolgahanCogulu YouTube]&amp;lt;br&amp;gt;[https://www.microtonalguitar.org/ Website 1]&amp;lt;br&amp;gt;[http://www.tolgahancogulu.com/en/ Website 2]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JT0z2nOyUlg Microtonal guitar duo]&lt;br /&gt;
| &lt;br /&gt;
| Microtonal guitar. Custom builds guitars with half, quarter frets, and movable frets.&lt;br /&gt;
| Istanbul, Turkey&lt;br /&gt;
| 2008-&lt;br /&gt;
| Good first xen for many people. Popular. Teaches music at Istanbul Technical University.&lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Loli]]&lt;br /&gt;
| [http://microtonalismo.com/microweb/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 drone 17-EDO, 20-EDO, 29-EDO and 53-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Wendy Carlos]]&lt;br /&gt;
| [[Wikipedia:Wendy Carlos| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=RuT6Y53LYH4 Video analyzing her microtonal scales]&lt;br /&gt;
| [https://www.dailymotion.com/video/x2j1gy2 Beauty and the Beast]&lt;br /&gt;
| &lt;br /&gt;
| Not all her work is microtonal, but &#039;&#039;[[wikipedia:Beauty_in_the_Beast| Beauty in the Beast]]&#039;&#039; (1986) is. She invented her own non-octave-repeating musical scales for it. &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Early synthesizer pioneer ([[wikipedia:Switched-On_Bach| &#039;&#039;Switched on Bach&#039;&#039;]], 1968)&lt;br /&gt;
|-&lt;br /&gt;
| Catler Bros. / [[Jon Catler]]&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=346893 SoundClick]&amp;lt;br&amp;gt;[[Wikipedia:Jon Catler| Jon Catler on Wikipedia]]&amp;lt;br&amp;gt;[https://preparedguitar.blogspot.com/2015/03/jon-catler-13-questions.html Interview with Jon Catler]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/4496860-Catler-Bros Discogs]&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=346893 Hyperspace]&lt;br /&gt;
| Jon Catler&lt;br /&gt;
| 64-note JI bluesrock. Have had mainstream press in Rolling Stone, Downbeat, and elsewhere. Jon Catler runs [http://freenotemusic.com/ FreeNote Records].&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Jon Catler also plays in [http://freenotemusic.com/fretlessbrothers/ The Fretless Brothers] and makes Freenote guitars. &lt;br /&gt;
|-&lt;br /&gt;
| [[City of the Asleep]]&lt;br /&gt;
| [https://cityoftheasleep.bandcamp.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Electronica, post-rock, and unclassifiable music in a variety of tunings, especially uncommon EDOs and theoretically-discordant tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nick Collins&lt;br /&gt;
| [https://composerprogrammer.com/music.html Blog]&amp;lt;br&amp;gt;[https://www.youtube.com/playlist?list=PLvsv24zg5vzuGovKXXhjU7bYVnJIqNOZ3 YouTube playlist]&lt;br /&gt;
| [https://composerprogrammer.com/music/simphony2movement1.mp3 Simphony 2, Movement 1] (MP3 direct link) &lt;br /&gt;
| &lt;br /&gt;
| Microtonal supercollider tempo canons&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Copper&lt;br /&gt;
| [http://www.williamcopper.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 5-limit JI, printed scores with intonation markings, intonalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mildred Couper&lt;br /&gt;
| [[Wikipedia:Mildred Couper| Wikipedia]]&amp;lt;br&amp;gt;[http://www.academia.edu/7921833/Quarter-Tone_Composer_and_Pianist_Mildred_Couper PDF academic article]&amp;lt;br&amp;gt;[http://digital.library.ucsb.edu/collections/show/14 Scores at USC Santa Barbara site]&lt;br /&gt;
| [https://www.youtube.com/watch?v=PEOp3tFNaiI Dirge]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=2Y_9AqbpIdw Calliope of the Nine Muses]&lt;br /&gt;
| &lt;br /&gt;
| Quartertone pianos &lt;br /&gt;
| Buenos Aires, Argentina / Santa Barbara, California&lt;br /&gt;
| Died in 1974&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Cryptic Ruse]]&lt;br /&gt;
| [https://cryptic-ruse.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| [[Jason Yerger]]&lt;br /&gt;
| Instrumental progressive metal &amp;amp; drone-metal in 13edo, 14edo, 15edo, 17edo, and 23edo&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Cubberly&lt;br /&gt;
| [https://www.discogs.com/artist/4027870-David-Cubberly Listing at Discogs]&amp;lt;br&amp;gt;[http://www.davidjcubberly.com/music.html Website]&lt;br /&gt;
| Per email reply from him, no listen links online. See note on Talk page.  &lt;br /&gt;
| &lt;br /&gt;
| Sequenced microtonal midi ensemble&lt;br /&gt;
| Urbana, Illinois&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== D ==== &lt;br /&gt;
|-&lt;br /&gt;
| Philip Dadson&lt;br /&gt;
| [[Wikipedia:Philip Dadson| Wikipedia]]&amp;lt;br&amp;gt;[https://sounz.org.nz/contributors/1026 Centre for New Zealand Music]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Instruments in JI, installations and performance&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ivor Darreg]]&lt;br /&gt;
| [[Wikipedia:Ivor Darreg| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=8nG0T1t9WUY Prelude 2 For 19 Tone Guitar]&amp;lt;br&amp;gt;[https://ivordarreg.bandcamp.com/releases Detwelvulate!]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-i Ivor Darreg Originals - I]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/album/ivor-darreg-originals-2 Ivor Darreg Originals - II]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| San Diego, Los Angeles&lt;br /&gt;
| c. 1936-1994&lt;br /&gt;
| Important cat. Check him out. &amp;quot;Granddaddy of xenharmonic music.&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| Jarod DCamp&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandid=998452 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic - various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tútim Dennsuul Wafiil]]&lt;br /&gt;
| [http://micro.soonlabel.com/0-hosted-albums/timo.html List of MP3s] &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips in 23-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Mark Deutsch&lt;br /&gt;
| [http://bazantar.com/ Website]&amp;lt;br&amp;gt;[https://bazantar.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.facebook.com/bazantar Facebook]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sensual acoustic microtonal music, world influence&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Invented the [[wikipedia:Bazantar| Bazantar]], a stringed instrument &lt;br /&gt;
|-&lt;br /&gt;
| [[Diamond Doll]]&lt;br /&gt;
| [https://helloitsdiamonddoll.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/6nAsvYXrvYDqY5EqpbFgCa?si=6109ce7e857740b7 Spotify]&lt;br /&gt;
| [https://open.spotify.com/track/02hYX9uAKNk7uBr5lLnXIG Hello My Name&#039;s Diamond Doll]&amp;lt;br&amp;gt;[https://open.spotify.com/track/18d6VnHUY6JvLU1FjrJxnr Autogynephilia]&amp;lt;br&amp;gt;[https://open.spotify.com/track/4UqXCEKsKR5VdggZrr1cWo Little Brother] &lt;br /&gt;
| [[Kit Hagerstrom]] (songwriting, production, vocals)&amp;lt;br&amp;gt;Grey Tyson (vocals)&lt;br /&gt;
| Postpunk, hyperpop, queercore, various EDOs&lt;br /&gt;
| Winnipeg, Manitoba&lt;br /&gt;
| 2019-&lt;br /&gt;
| good entry point to xen&lt;br /&gt;
|-&lt;br /&gt;
| Divide by Pi&lt;br /&gt;
| [https://play.google.com/store/music/artist/Divide_by_Pi?id=Atehcbhgf7qggp2nxx4hajelerq&amp;amp;hl=en Google Music]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/dividebypi CD Baby]{{dead link}} (can listen to excerpts) &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| MP3 clips: synthesizer and percussion improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Paul Dolden&lt;br /&gt;
| [https://pauldolden.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[[Wikipedia:Paul Dolden| Wikipedia]]  &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| dotuXil&lt;br /&gt;
| [https://www.youtube.com/@dotuxil Youtube]&amp;lt;br&amp;gt;[https://dotuxil.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://mirlo.space/dotuxil/release/collected-refractions Mirlo]&amp;lt;br&amp;gt;[https://dotuxil.github.io/ Github]&lt;br /&gt;
| [https://dotuxil.bandcamp.com/album/collected-refractions Collected Refractions Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=cFpKgUD9tQI Collected Refractions Youtube]&lt;br /&gt;
| &lt;br /&gt;
| Electronic, Various Tunings, Melodic&lt;br /&gt;
| &lt;br /&gt;
| 2023-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[David B. Doty]]&lt;br /&gt;
| [http://www.dbdoty.com/Just-Intonation-Links.html Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=a9bW4o5UedE Steel Suite]&lt;br /&gt;
| &lt;br /&gt;
| Synth JI, acoustic guitar JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Arnold Dreyblatt]]&lt;br /&gt;
| [http://www.dreyblatt.net/composer-1 Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Grooving JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Dsilton Trio&lt;br /&gt;
| [https://georgvogel.net/PROJEKTE-DSILTON.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCmzn7wDBp_H3N0diqakaRvg YouTube]&amp;lt;br&amp;gt;Facebook&lt;br /&gt;
| [https://www.youtube.com/watch?v=9LcWqSzDv7A Duschscha]&lt;br /&gt;
| Georg Vogel (clavinet, synthesizer, composition)&amp;lt;br&amp;gt;David Dornig (31-tone guitars)&amp;lt;br&amp;gt;Valentin Duit (drumset)&lt;br /&gt;
| Odd time signatures, chamber influence, jazz influence. [[31edo]].&lt;br /&gt;
| Vienna, Austria&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jacques Dudon]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KuL4aSwNT0o YouTube]&amp;lt;br&amp;gt;[https://www.semantic-danielou.com/designers/jacques-dudon/ Academic profile]&amp;lt;br&amp;gt;[[wikipedia:Jacques_Dudon| Wikipedia]]&amp;lt;br&amp;gt;[https://www.forcedexposure.com/Catalog/dudon-jacques-erosion-distillee-lp/MMLP.009LP.html Forced Exposure]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Samples of &amp;quot;Lumières audibles&amp;quot; JI electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Richard Dunlap&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=106711 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Mostly 12-EDO&lt;br /&gt;
| California USA&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== E ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Paul Erlich]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=lO5xSjIHyMg YouTube]&amp;lt;br&amp;gt;[http://www.myspace.com/paulerlich/ MySpace]&amp;lt;br&amp;gt;[http://untwelve.org/interviews/paul_erlich UnTwelve interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[22-EDO]] guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== F ==== &lt;br /&gt;
|-&lt;br /&gt;
| John Farah&lt;br /&gt;
| [http://www.johnfarah.com/ Website]&lt;br /&gt;
[https://soundcloud.com/johnkameelfarah SoundCloud]&amp;lt;br&amp;gt;[https://johnkameelfarah.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/user/Hatiyn YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/JohnKameelFarah Facebook]&amp;lt;br&amp;gt;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| String quartet, electronic in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Fabrizio Fiale| FFF Fiale]]&lt;br /&gt;
| [https://ffffiale.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Fabrizio Fulvio Fausto Fiale&lt;br /&gt;
| 16-EDO instrumental guitar thrash metal and eclectic rock&lt;br /&gt;
| Italy&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| David J. Finnamore&lt;br /&gt;
| [http://www.elvenminstrel.com/music/tuning/horagrams/horagram-music.htm List of MP3s]&amp;lt;br&amp;gt;[http://www.elvenminstrel.com/music/tuning/equal/13equal/13tet.htm 13 TET MP3s]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Etudes using &amp;quot;golden horograms&amp;quot;; clips of dirty 13-EDO guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Forro]]&lt;br /&gt;
| [https://www.soundclick.com/members4/default.cfm?memberID=1540764 SoundClick]&amp;lt;br&amp;gt;[[Daniel Forro| List of MP3s]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Kakamigahara, Japan&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Harold Fortuin&lt;br /&gt;
| [http://www.fortuitous-artists.biz/clavetteMusic.html 2 MP3s]&amp;lt;br&amp;gt;[[wikipedia:Harold_Fortuin| Wikipedia]]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=Dp3Gq0xjlhE YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Francium]]&lt;br /&gt;
| [https://francium223.bandcamp.com Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/0Nz4jp5ckOxUA404IFtbDL Spotify]&amp;lt;br&amp;gt;[https://www.youtube.com/@FranciumMusic YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| various EDOs, tuning comparisons, electronic&lt;br /&gt;
| &lt;br /&gt;
| 2021-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Glenn R. Frantz&lt;br /&gt;
| [https://archive.org/details/@glenn_r_frantz Songs on Archive.org]&lt;br /&gt;
| [https://archive.org/details/ThreeRagtime-basedPieces Three Ragtime-Based Pieces]}&lt;br /&gt;
| &lt;br /&gt;
| Freestyle JI via computer, based on ragtime music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Adam Freese]]&lt;br /&gt;
| [https://www.youtube.com/@adamfreese YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ellen Fullman&lt;br /&gt;
| [https://www.ellenfullman.com/ Website]&amp;lt;br&amp;gt;[https://ellenfullman.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]]&lt;br /&gt;
| San Francisco Bay Area, CA&lt;br /&gt;
| &lt;br /&gt;
| known for her 70-foot (21-meter) [[wikipedia:Long-string_instrument| Long String instrument]], tuned in just intonation and played with rosin-coated fingers.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; |&lt;br /&gt;
&lt;br /&gt;
==== G ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Frédéric Gagné]]&lt;br /&gt;
| [https://www.youtube.com/@fredg999music YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kyle Gann]]&lt;br /&gt;
| [https://www.kylegann.com/ Website]&amp;lt;br&amp;gt;[https://www.kylegann.com/Gannaudio.html MP3s on website]&amp;lt;br&amp;gt;[https://www.kylegann.com/complist.html List of compositions]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic JI, now with more Sitting Bull!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kite Giedraitis]]&lt;br /&gt;
| see Tall Kite&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Monroe Golden&lt;br /&gt;
| [http://monroegolden.com/ Website]&amp;lt;br&amp;gt;[https://soundcloud.com/monroe-golden SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal chamber music, microtone-informed 12-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Gongs&lt;br /&gt;
| [http://imomus.com/thegongs.html Momus website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM Rob Reich] (full length album on Youtube)&lt;br /&gt;
| Peter Blasser&amp;lt;br&amp;gt;Clara Latham&amp;lt;br&amp;gt;Grisha Krivchenia&amp;lt;br&amp;gt;Stefan Tcherepnin&lt;br /&gt;
| &lt;br /&gt;
| Oberlin, OH&lt;br /&gt;
| 2001-2002&lt;br /&gt;
| [https://www.youtube.com/watch?v=3IEZEPlMmlM First song on this], and whole record.&lt;br /&gt;
|-&lt;br /&gt;
| Mark Gould&lt;br /&gt;
| [http://www.derek-hasted.co.uk/assets/audio/derek-hasted/ten-tone.mp3 MP3]&amp;lt;br&amp;gt;[http://www.users.waitrose.com/~equiton/Mark_Gould/About_Me.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 1 electronic mp3: 10-EDO; midi recorder duets in 19-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kraig Grady]]&lt;br /&gt;
| [https://www.youtube.com/results?search_query=Kraig+Grady+ YouTube]&amp;lt;br&amp;gt;[http://anaphoria.com/music.html Samples]&amp;lt;br&amp;gt;[[wikipedia:Kraig_Grady| Wikipedia]]&amp;lt;br&amp;gt;[http://www.anaphoria.com/ Website]&amp;lt;br&amp;gt;[https://anaphoriasouth.blogspot.com/ Blog]&amp;lt;br&amp;gt;[https://www.facebook.com/kraig.grady Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=9R33w7aaxS8 Live at the Cad Factory]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=GiSE9srsDt8 Ear Meal] (music + Skype interview)&lt;br /&gt;
| &lt;br /&gt;
| Original acoustic instruments/ensembles informed by the music of Anaphoria Island&lt;br /&gt;
| Wollongong, Australia&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Patrick Grant&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.obscuresound.com/2018/10/patrick-grant-keeping-still/ Bio and audio examples]&amp;lt;br&amp;gt;Website&amp;lt;br&amp;gt;[[wikipedia:Patrick_Grant_(composer)| Wikipedia]]&lt;br /&gt;
| [https://tiltedaxes.bandcamp.com/album/fields-amaze-and-other-strange-music FIELDS AMAZE and other sTRANGE music]&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Percussion, gamelan, microtonal instruments, and electric chamber ensembles with narrative structures informed by chaos theory, biological forms, and B-horror films.&amp;quot;&lt;br /&gt;
| New York City&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Guidi&lt;br /&gt;
| [[wikipedia:Peter_Guidi| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One track of quartertone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (Can find [https://www.youtube.com/watch?v=Pb8Anz9xt1w&amp;amp;start_radio=1&amp;amp;list=RDEMgggUYKUD44vtsdamPmXt-A music of his] on YouTube, but isn&#039;t microtonal. Anyone got links to his microtonal music?)&lt;br /&gt;
|-&lt;br /&gt;
| Milan Guštar&lt;br /&gt;
| [http://www.uvnitr.cz/mg/art.html Listing of music]&lt;br /&gt;
| [http://www.uvnitr.cz/mg/music/240_four_seasons.html Generative composition for piano and theremin]&lt;br /&gt;
| &lt;br /&gt;
| Music in various tunings (06-EDO, 07-EDO, 08-EDO, 12-EDO, JI)&lt;br /&gt;
| Czech Republic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== H ==== &lt;br /&gt;
|-&lt;br /&gt;
| Edu Haubensak&lt;br /&gt;
| [http://www.eduhaubensak.ch/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=vmKWcJhuagk Sechs Walserminiaturen (1996) for soprano and violin]&lt;br /&gt;
| &lt;br /&gt;
| Music for retuned pianos and retuned strings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Georg Hajdu]]&lt;br /&gt;
| [http://georghajdu.de/ Website]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=k0HJUUWRkn0 Lecture on YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic 17-EDO; scene from opera Der Sprung (Bohlen–Pierce)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (some of his music online is not microtonal. Anyone got a link to microtonal music by him?)&lt;br /&gt;
|-&lt;br /&gt;
| [[Jeff Harrington]]&lt;br /&gt;
| [http://parnasse.com/jh/blog/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCsgsUVmnMsgyIZzv4WTGxhA YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=14JPGOz9Qg4 Acid Bach III for Quartertone Microtonal Synthesize]&lt;br /&gt;
| &lt;br /&gt;
| Electronic in 19-EDO, 24-EDO, others&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Lou Harrison]]&lt;br /&gt;
| [[wikipedia:Lou_Harrison| Wikipedia]]&amp;lt;br&amp;gt;[http://www.archive.org/audio/audio-details-db.php?collectionid=OM8HarrisonScenesfromNikChand&amp;amp;collection=other_minds Steel Guitar piece]&lt;br /&gt;
| [https://www.youtube.com/watch?v=UWuT9AheQRM John Schneider plays Lou Harrison Jahla]&lt;br /&gt;
| &lt;br /&gt;
| Nek Chand for solo guitar in JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Hasegawa]]&lt;br /&gt;
| [http://www.roberthasegawa.com/ Website]&amp;lt;br&amp;gt;[http://roberthasegawa.com/ Lecture]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic chamber JI, quartertones, 19-tone pianos, with scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Neil Haverstick]]&lt;br /&gt;
| [http://microstick.net/ Website]&lt;br /&gt;
| [https://soundcloud.com/gregory-ts-walker/african-stick-neil-haverstick African Stick]&lt;br /&gt;
| &lt;br /&gt;
| Excerpts - guitars in 19-EDO, 31-EDO and 34-EDO&lt;br /&gt;
| Colorado&lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Stickman&amp;quot; has some method books and quite a few radio spots as well.&lt;br /&gt;
|-&lt;br /&gt;
| [[Andrew Heathwaite]]&lt;br /&gt;
| [https://andrewheathwaite.bandcamp.com/album/newbeams&#039; Bandcamp]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands3/default.cfm?bandid=122613 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic improvisations&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Amano Hideya]]&lt;br /&gt;
| [https://www.youtube.com/@hideya YouTube]&lt;br /&gt;
| [https://www.youtube.com/watch?v=5zaiOBSQV_Q 1 to 11 tone Equal temperament songs]&amp;lt;br /&amp;gt;[https://www.youtube.com/watch?v=YawFcH4cXfs Like 40s music 11EDO]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs&lt;br /&gt;
| Tokyo Japan&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Horton and Bill Thibault&lt;br /&gt;
| [http://www.mcs.csueastbay.edu/~tebo/bio.html Bill Thibault website]&amp;lt;br&amp;gt;[http://eamusic.dartmouth.edu/~larry/recordings/horton_notes.pdf Info on Dartmouth website]&amp;lt;br&amp;gt;[http://www.o-art.org/history/LongDur/JimHorton/jh-music4.html Jim Horton list of works]&lt;br /&gt;
| [https://www.youtube.com/watch?v=GHxLeIDuECc Gorgeous Clothed Flies]&lt;br /&gt;
| &lt;br /&gt;
| Electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sten Hostfalt]]&lt;br /&gt;
| [https://www.stenhostfalt.com/ Website]&amp;lt;br&amp;gt;[https://store.cdbaby.com/cd/stenhostfalt2 CD Baby]{{dead link}} (has a few excerpts)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Excerpts of microtonal guitar (72-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Horse Lords&lt;br /&gt;
| [https://horselords.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://horselords.bandcamp.com/album/mixtape-iv Mixtape IV]&lt;br /&gt;
| Sam Haberman&amp;lt;br&amp;gt;Max Eilbacher&amp;lt;br&amp;gt;Owen Gardner&amp;lt;br&amp;gt;Andrew Bernstein&lt;br /&gt;
| [[Just intonation]], polyrhythm, minimalist, musique concrète&lt;br /&gt;
| Baltimore, MD&lt;br /&gt;
| 2012-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Chuckk Hubbard]]&lt;br /&gt;
| anyone got a current link?&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI sequenced music, etc.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Lucas Hulen&lt;br /&gt;
| [http://persweb.wabash.edu/facstaff/hulenp/compositions.html Website]&lt;br /&gt;
| [https://vimeo.com/61493873 Lamentationes Jeremiae I]&lt;br /&gt;
| &lt;br /&gt;
| Modern classical electronic compositions - search website page for &#039;microtonal&#039;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== I ==== &lt;br /&gt;
|-&lt;br /&gt;
| ILEVENS&lt;br /&gt;
| [https://ilevens.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCfgSTF9EOal71sFbPTLJ0Gw YouTube]&amp;lt;br&amp;gt;[http://split-notes.com/ilevens-transmitter/ Split Notes Records]&amp;lt;br&amp;gt;[https://www.facebook.com/Ilevens1111/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=N9MjtfEQl_c Drowns]&lt;br /&gt;
| [[Brendan Byrnes]] (vocals, guitar)&amp;lt;br&amp;gt;Mike Horick (drums)&amp;lt;br&amp;gt;Lauren Davis (synths)&amp;lt;br&amp;gt;Rusty Kennedy (bass)&lt;br /&gt;
| [[22edo]], rock band, led by Brendan Byrnes&lt;br /&gt;
| Los Angeles&lt;br /&gt;
| 2015-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== J ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ralph Jarzombek&lt;br /&gt;
| [https://www.freewebs.com/ralphjarzombek/ Website with listen links]&lt;br /&gt;
| [https://webzoom.freewebs.com/ralphjarzombek/micro1.mp3 Micro 1]&amp;lt;br&amp;gt;[https://webzoom.freewebs.com/ralphjarzombek/micro6.mp3 Micro 6]&lt;br /&gt;
| &lt;br /&gt;
| [[14edo]], [[17edo]], [[Bohlen–Pierce]], electronic&lt;br /&gt;
| &lt;br /&gt;
| 1980s&lt;br /&gt;
| If you like the Residents, you&#039;ll love this.&lt;br /&gt;
|-&lt;br /&gt;
| [[Aaron Krister Johnson]]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson SoundCloud]&amp;lt;br&amp;gt;[https://aaronkristerjohnson.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/aaron-krister-johnson/the-juggler The Juggler]&lt;br /&gt;
| &lt;br /&gt;
| Mostly electronic compositions and improvisations; some theatre incidental music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| JC &amp;amp; The Microtones&lt;br /&gt;
| [https://soundcloud.com/cmloegcmluin/cow-people Cowpeople]&lt;br /&gt;
| &lt;br /&gt;
| Johnny Reinhard (electric bassoon)&amp;lt;br&amp;gt;Brad Catler (electric fretless bass)&amp;lt;br&amp;gt;[[Jon Catler]] (electric guitar)&amp;lt;br&amp;gt;A. C. Lewis (percussion)&amp;lt;br&amp;gt;Deborah Rothrock (vocals)&lt;br /&gt;
| &lt;br /&gt;
| New York City&lt;br /&gt;
| 1984&lt;br /&gt;
| Rockabilly, [[31edo]], cowpunk&lt;br /&gt;
|-&lt;br /&gt;
| Jock Tears&lt;br /&gt;
| [https://jocktears.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=%22JOCK+TEARS%22 YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/jocktears/ Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=29hm0LGP_i8 Nasty Boy]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=_UNIeeNnMAQ Live video]&amp;lt;br&amp;gt;[https://jocktears.bandcamp.com/album/bad-boys Bad Boys] (album)&lt;br /&gt;
| Lauren Ray (vocals)&amp;lt;br&amp;gt;Lauren Smith (bass)&amp;lt;br&amp;gt;Spencer Hargreaves (guitar)&amp;lt;br&amp;gt;Dustin Bromley (drum)&lt;br /&gt;
| Best punk band name ever&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2016-&lt;br /&gt;
| Peppy punk rock, female vocals, 17edo&lt;br /&gt;
|-&lt;br /&gt;
| Christiaan de Jong&lt;br /&gt;
| [https://soundcloud.com/christiaan-de-jong-1/ SoundCloud] (not all microtonal)&amp;lt;br&amp;gt;[http://www.christiaandejong.com/recordings.htm Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/CHRISTIAANDEJONG1 YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Guitar, flute and tape&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Churzkia Jrakavla&lt;br /&gt;
| [https://churzkia.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Aif4Lpz4bPo Red Moon]&lt;br /&gt;
| &lt;br /&gt;
| Electronic JI; down tempo, IDM, synthwave, and ambient, with mystical/mythological themes&lt;br /&gt;
| Vancouver, BC&lt;br /&gt;
| 2002-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jute Gyte&lt;br /&gt;
| [https://jutegyte.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jutegyte.bandcamp.com/album/the-sparrow-12-ep The Sparrow 12&amp;quot; EP]&lt;br /&gt;
| Adam Kalmbach&lt;br /&gt;
| Black metal, [[24edo]]&lt;br /&gt;
| Springfield, MO&lt;br /&gt;
| 2002-&lt;br /&gt;
| Has a relatively large following. Lots of &amp;gt;10 minute long quartertone black metal epics.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== K ==== &lt;br /&gt;
|-&lt;br /&gt;
| Ali Deniz Kardelen&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=yjZQDQBBYyo Kara Toprak (Acoustic Microtonal Guitar]&lt;br /&gt;
| &lt;br /&gt;
| Not sure if all microtonal but has at least one amazing microtonal guitar piece&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Great first xen piece for people who like acoustic music&lt;br /&gt;
|-&lt;br /&gt;
| Buzz Kimball&lt;br /&gt;
| [http://www.nonoctave.com/heroes/buzz/ About his instruments and music]&amp;lt;br&amp;gt;[https://www.discogs.com/artist/1944206-Buzz-Kimball Discogs]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Homemade guitars, etc., in EDOs and JI, electronic, rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Buzz Kimball builds most of his instruments himself in the workshop in his barn.&amp;lt;br&amp;gt;Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| dt King&lt;br /&gt;
| [https://www.soundclick.com/bands3/default.cfm?bandID=62070 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Change Jar&amp;quot; for quartertone piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| King Gizzard &amp;amp; The Lizard Wizard&lt;br /&gt;
| [[Wikipedia:King Gizzard &amp;amp; the Lizard Wizard| Wikipedia]]&amp;lt;br&amp;gt;[https://kinggizzard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://kinggizzard.bandcamp.com/album/flying-microtonal-banana Flying Microtonal Banana]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=U72rbtrufws Sleep Drifter] (live in radio station studio)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=170Z9qBjfkI Mini-documentary]&lt;br /&gt;
| Stu Mackenzie&amp;lt;br&amp;gt;Ambrose Kenny Smith&amp;lt;br&amp;gt;Joey Walker&amp;lt;br&amp;gt;Cook Craig&amp;lt;br&amp;gt;Lucas Skinner&amp;lt;br&amp;gt;Michael Cavanagh&amp;lt;br&amp;gt;Eric Moore&lt;br /&gt;
| &lt;br /&gt;
| Melbourne, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| [[24edo]], alternative, garage&lt;br /&gt;
|-&lt;br /&gt;
| Wayne Kirby&lt;br /&gt;
| [https://www.youtube.com/channel/UCRn3j-zsIxdhdkHVJ6l_hMA YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Demos, full and excerpts, mp3 and midi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Kenneth Kirschner&lt;br /&gt;
| [http://www.kennethkirschner.com/ Website] (has download link for zipped MP3s)&amp;lt;br&amp;gt;[https://archive.org/details/apl025#files Archive.org]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Looong mp3 of stretched piano, etc., ambient microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Eric Knechtges&lt;br /&gt;
| [[Wikipedia:Eric Knechtges| Wikipedia]]&amp;lt;br&amp;gt;[https://soundcloud.com/eric-knechtges SoundCloud]&amp;lt;br&amp;gt;[http://robertwmcclure.weebly.com/blog/music-with-friends-eric-knechtges Interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic (choir) &amp;amp; electronic, various JI &amp;amp; EDOs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== L ==== &lt;br /&gt;
|-&lt;br /&gt;
| Anne La Berge&lt;br /&gt;
| [http://www.annelaberge.com/ Website]&amp;lt;br&amp;gt;[http://unsounds.com/shop/raw-lp Label Unsounds] (buy link has listen link of excerpts)&lt;br /&gt;
| [https://www.youtube.com/watch?v=DXAP4544NNM Utter] (performance art piece with Anne playing live)&lt;br /&gt;
| &lt;br /&gt;
| Quartertone flute - go to &amp;quot;Releases&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
|[[L4MPLIGHT]]&lt;br /&gt;
|[https://lamplight0.sakura.ne.jp/a Website]&lt;br /&gt;
[https://www.youtube.com/@L4MPLIGHT YouTube]&lt;br /&gt;
[https://soundcloud.com/l4mplight SoundCloud]&lt;br /&gt;
|[https://youtu.be/cMnuMjXeHrY Caftaphata]&lt;br /&gt;
[https://youtu.be/PrfAz8V4WNc Yxeni]&lt;br /&gt;
|&lt;br /&gt;
|Electronic music featuring self-made conlangs, largely [[41edo]]&lt;br /&gt;
|Japan&lt;br /&gt;
|2024-&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| [[Last Sacrament]]&lt;br /&gt;
| [https://lastsacrament.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ron Sword (vocals, guitar, drums)&amp;lt;br&amp;gt;Mike Maletta (lead guitar)&amp;lt;br&amp;gt;Pat Horgan (bass)&lt;br /&gt;
| 16edo death metal&lt;br /&gt;
| Florida&lt;br /&gt;
| 2006-&lt;br /&gt;
| Ron also makes Sword guitars and does a lot of guitar and bass conversions. Pat also does conversions.&lt;br /&gt;
|-&lt;br /&gt;
| [[Jacky Ligon]]&lt;br /&gt;
| [https://jackyligon.com/ Website]&lt;br /&gt;
| [https://www.youtube.com/watch?v=mRWG9AzWs7E Lightweave]&lt;br /&gt;
| &lt;br /&gt;
| filmic xenharmonic music and software blog. Sometimes collaborates with Sevish.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Also makes microtonal VST synths IVOR2, FMTS2, One SF2, Font2&lt;br /&gt;
|-&lt;br /&gt;
| Amit Lissack&lt;br /&gt;
| [https://alumnius.net/new_england_conserva-8502-year-1991-1994#id16664004 Listing on New England Conservatory of Music alumni site]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic instrumental.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Can&#039;t find listen links. Anyone got one?&lt;br /&gt;
|-&lt;br /&gt;
| Alvin Lucier&lt;br /&gt;
| [[Wikipedia:Alvin Lucier| Wikipedia]]&amp;lt;br&amp;gt;[http://www.moderecords.com/catalog/124lucier.html Mode Records site] (includes listen links)&amp;lt;br&amp;gt;[http://www.ubu.com/sound/lucier.html UBUWeb] (includes original 1969 recording of &#039;&#039;I Am Sitting In A Room&#039;&#039;)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slow-to-change cluster acoustic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Charles Lucy]]&lt;br /&gt;
| [http://www.lucytune.com/ Website]&amp;lt;br&amp;gt;[http://www.lucytune.com/mp3/ List of Lucy tune direct MP3s]&amp;lt;br&amp;gt;[http://www.lullabies.co.uk/ Lucy tunes lullabies info page]&lt;br /&gt;
| [https://store.cdbaby.com/cd/lucytuned Lucy tunes lullabies CD Baby]{{dead link}} (buy page, has listen excerpt links)&lt;br /&gt;
| &lt;br /&gt;
| Miscellaneous works in progress - also see [[Lucy Tuning| Lucy Tuning page]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== M ==== &lt;br /&gt;
|-&lt;br /&gt;
| Massive Audio Nerve (M.A.N.)&lt;br /&gt;
| [https://de.wikipedia.org/wiki/Massive_Audio_Nerve Wikipedia (Deutsch)]&amp;lt;br&amp;gt;[https://open.spotify.com/album/7gCCSQgShzoJxSKFu2gNXy Spotify]&lt;br /&gt;
| &lt;br /&gt;
| Tony Jelencovich (vocals)&amp;lt;br&amp;gt;Mark Fristedt (guitar)&amp;lt;br&amp;gt;Robert Hakemo (bass)&amp;lt;br&amp;gt;Adde Larsson (drums)&amp;lt;br&amp;gt;+ 5 former members&lt;br /&gt;
| 24edo Nümetal&lt;br /&gt;
| &lt;br /&gt;
| 2010-2014&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Joe Maneri]]&lt;br /&gt;
| [[Wikipedia:Joe Maneri| Wikipedia]]&amp;lt;br&amp;gt;[https://www.nytimes.com/2009/08/30/arts/music/30maneri.html New York Times obituary]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/7aQ5YRpRQ02oK9OtbxfhJr Spotify] (not all microtonal)&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8WiSgByqos4&amp;amp;ab_channel=JoeManeri-Topic Audio interview]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some modern classical excerpts&lt;br /&gt;
| &lt;br /&gt;
| Died in 2009&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Rick McGowan]]&lt;br /&gt;
| There is one of his pieces at the beginning of [http://ripnread.com/?p=328 this microtonal podcast episode]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal works for the theatre&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| John McLaird&lt;br /&gt;
| Quiet audio piece, [https://archive.org/details/seventeenTPP_02/ogives.mp3 Ogives in a Winter Shelter Belt] (direct MP3 link)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7edo]], [[40edo]], [[11-limit]], [[Just intonation]], sampled piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Pete McRae&lt;br /&gt;
| [[Wikipedia:Pete McRae| Wikipedia]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Eikosany blues&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carl McTague&lt;br /&gt;
| [http://www.mctague.org/carl/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| (ii-V-I)&amp;lt;sup&amp;gt;7&amp;lt;/sup&amp;gt; and Heptadecaphonic Drops&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Melopoeia&lt;br /&gt;
| [https://melopoeia.bandcamp.com/album/tolkiens-ainulindal Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dave Tremblay&amp;lt;br&amp;gt;Brian Leong&lt;br /&gt;
| 26edo black metal&lt;br /&gt;
| Montreal, QC&lt;br /&gt;
| &lt;br /&gt;
| Text-to-midi of Tolkien and other stories.&lt;br /&gt;
|-&lt;br /&gt;
| Claudi Meneghin&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/claudi-meneghin Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.youtube.com/c/ClaudiMeneghin YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neobaroque music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| The Mercury Tree&lt;br /&gt;
| [https://themercurytree.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Ben Spees&amp;lt;br&amp;gt;Connor Reilly&amp;lt;br&amp;gt;Oliver Campbell&amp;lt;br&amp;gt;[[Igliashon Jones]]&lt;br /&gt;
| [[17edo]], [[23edo]], progressive rock, psychedelic, math rock&lt;br /&gt;
| Portland, OR&lt;br /&gt;
| 2007-&lt;br /&gt;
| Newer work is all microtonal.  Older works are standard or a mixture.&lt;br /&gt;
|-&lt;br /&gt;
| [[Herman Miller]]&lt;br /&gt;
| [http://soonlabel.com/xenharmonic/archives/tag/herman-miller Soonlabel]{{dead link}}&amp;lt;br&amp;gt;[https://www.prismnet.com/~hmiller/ Website 1]&amp;lt;br&amp;gt;[https://sites.google.com/site/teamouse/home Website 2]&amp;lt;br&amp;gt;[https://soundcloud.com/morphosyntax-1 SoundCloud]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UCu3rKPsBlcCjI2FVxJaAqIg YouTube]&lt;br /&gt;
| [https://sites.google.com/site/teamouse/home#h.abtmxk3cr74b Mizarian Porcupine Overture]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=17V4pxuHUgY Ivari na taniravi]&lt;br /&gt;
| &lt;br /&gt;
| Compositions in linear temperaments, [[Equal| ETs]]; [[Warped Canon]]; songs in conlangs&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Shaahin Mohajeri&lt;br /&gt;
| [http://www.96edo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Modal, sequenced in various EDO/ADO/EDL/AIDO/ADL&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| MonoNeon&lt;br /&gt;
| [[Wikipedia:Dywane Thomas Jr.| Wikipedia]]&amp;lt;br&amp;gt;[https://dywanethomasjr.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| Dywane Thomas Jr.&lt;br /&gt;
| 24edo funk, soul, hip-hop&lt;br /&gt;
| Tennessee&lt;br /&gt;
| 2013-2015 (?)&lt;br /&gt;
| Newer recordings seem to be standard tuning, but there was a lot of 24edo released around 2015.&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Monzo]]&lt;br /&gt;
| [http://www.tonalsoft.com/ TonalSoft website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], jazz rock&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Moriarty]]&lt;br /&gt;
| [https://soundcloud.com/john-lank1 SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Rock and improv in various regularly tempered tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Frederick Moore&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some microtonal works, electronic, other&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Aaron Myers-Brooks&lt;br /&gt;
| [https://aaronmyersbrooks.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 17edo Hard rock/metal on guitar&lt;br /&gt;
| PA&lt;br /&gt;
| 2019&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== N ==== &lt;br /&gt;
|-&lt;br /&gt;
| Naegleria Fowleri&lt;br /&gt;
| [https://sites.google.com/view/naegleriafowleri/ Website]&amp;lt;br&amp;gt;[https://naegleriafowleri.bandcamp.com/releases Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=QqKf0ItWozs III Flagellate - Propulsion]&lt;br /&gt;
| [[Bostjan Zupancic]] (guitar and bass)&amp;lt;br&amp;gt;Luna Bird (vocals)&lt;br /&gt;
| [[19edo]] metal&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2017-&lt;br /&gt;
| Parrot singing with a xen metal project. What&#039;s not to love?&lt;br /&gt;
|-&lt;br /&gt;
| Ron Nagorcka&lt;br /&gt;
| [http://www.ronnagorcka.com/audio Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], digeridoo, synthesizers, birds...&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| norokusi&lt;br /&gt;
| [https://www.youtube.com/channel/UC7imuNShfRqQdCey7qWJLVg YouTube]&amp;lt;br&amp;gt;[https://norokusi.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, contemporary and jazz in various [[edo]]s&lt;br /&gt;
| Tokyo, Japan&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Juhani Nuorvala&lt;br /&gt;
| [https://soundcloud.com/juhani-nuorvala SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== O ==== &lt;br /&gt;
|-&lt;br /&gt;
| Mats Öljare&lt;br /&gt;
| [http://www.angelfire.com/mo/oljare/midicomp.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Contrapuntal midi in various EDOs and etc&#039;s&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== P ==== &lt;br /&gt;
|-&lt;br /&gt;
| Tristan Parker&lt;br /&gt;
| [http://rozencrantzthesane.tripod.com/index.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], free-pitch, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| P-ART&lt;br /&gt;
| [http://users.skynet.be/P-ART/PARADISE/CLIPS/list.htm Website]&lt;br /&gt;
| &lt;br /&gt;
| Paul A.R. Timmermans&lt;br /&gt;
| Experimental&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Harry Partch]]&lt;br /&gt;
| [http://musicmavericks.publicradio.org/features/feature_partch.html American Mavericks]&amp;lt;br&amp;gt;[https://www.harrypartch.com/music Harry Partch Information Center]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[11-limit]], [[Just intonation]], acoustic, monophony&lt;br /&gt;
| Oakland, CA&lt;br /&gt;
| 1930-1972&lt;br /&gt;
| One of the first 20th-century composers in the West to work systematically with microtonal scales&lt;br /&gt;
|-&lt;br /&gt;
| [[Joseph Pehrson]]&lt;br /&gt;
| [http://users.rcn.com/jpehrson/JosephPehrson.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Blackjack, acoustic, electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| pfly&lt;br /&gt;
| [https://soundcloud.com/pfly SoundCloud]&lt;br /&gt;
| Zlo-88&lt;br /&gt;
| Paul Fly&lt;br /&gt;
| [[88cET]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Samuel Pellman&lt;br /&gt;
| [http://academics.hamilton.edu/music/spellman/MfS/microtonal.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], [[Nonoctave]], [[Equal Temperaments]], electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Joseph Post&lt;br /&gt;
| [http://www.myspace.com/josephpost MySpace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Crystal-JI, acoustic guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tom Price]]&lt;br /&gt;
| https://soundcloud.com/tomprice719&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Kees van Prooijen]]&lt;br /&gt;
| [http://www.kees.cc/music/oddpiano/oddpiano.html Website]&lt;br /&gt;
| Odd Piano&lt;br /&gt;
| &lt;br /&gt;
| [[Bohlen–Pierce]], timbre-stretched piano&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Barry Prophet&lt;br /&gt;
| [http://www.pomer-prophet.com/barry.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Acoustic, sound sculptures&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== Q ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== R ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Johnny Reinhard]]&lt;br /&gt;
| [[wikipedia:Johnny_Reinhard| Wikipedia]]&amp;lt;br&amp;gt;[http://www.afmm.org/ American Festival of Microtonal Music]&amp;lt;br&amp;gt;[https://stereosociety.com/johnny-reinhard/ Stereo Society]&amp;lt;br&amp;gt;[https://johnnyreinhard.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://johnnyreinhard.bandcamp.com/album/reinhard-ensemble-compositions Reinhard Ensemble Compositions]&lt;br /&gt;
| &lt;br /&gt;
| Acoustic polymicrotonality&lt;br /&gt;
| New York, NY&lt;br /&gt;
| 1981-&lt;br /&gt;
| Founded [[American Festival of Microtonal Music]] (AFMM)&lt;br /&gt;
|-&lt;br /&gt;
| Robert Rich&lt;br /&gt;
| [https://robertrich.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[7-limit]], [[just intonation]], ambient&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Michael Robinson&lt;br /&gt;
| [http://www.azuremilesrecords.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Worldly electronic microtonal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Prent Rodgers]]&lt;br /&gt;
| [http://ripnread.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Music that&#039;s fake but accurate&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [[Dante Rosati]]&lt;br /&gt;
| [http://www.danterosati.com/justguitar.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], solo guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Robert Ross&lt;br /&gt;
| [http://www.piedwagtail.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[19edo]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== S ==== &lt;br /&gt;
|-&lt;br /&gt;
| Marc Sabat&lt;br /&gt;
| [http://www.plainsound.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| [[Just intonation]], guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Carlos Sampaio&lt;br /&gt;
| [https://www.soundclick.com/artist/default.cfm?bandID=236415 SoundClick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonics&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Scott Sandvik&lt;br /&gt;
| [http://www.scottsandvik.com/html/audio.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Slide guitar&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Edward Schocker&lt;br /&gt;
| [http://edwardschocker.com/music/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Dramatic works - excerpts and fulls&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Margo Schulter]]&lt;br /&gt;
| [https://www.bestii.com/~mschulter/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Neo-medieval xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Andrew Schulze&lt;br /&gt;
| [http://kalvos.org/schulze.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Some mp3s of electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Ethan Schwartz&lt;br /&gt;
| [https://myspace.com/tetrachordproject Myspace]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| JI music based on tetrachords, for guitar and keyboard&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[X. J. Scott]]&lt;br /&gt;
| [http://www.nonoctave.com/geocities/ Website]&amp;lt;br&amp;gt;[https://www.soundclick.com/bands/pagemusic.cfm?bandID=141776 Soundclick]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[George Secor]]&lt;br /&gt;
| [http://users.bigpond.net.au/d.keenan/sagittal/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Various vintage Scalatron performances&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Dave Seidel]]&lt;br /&gt;
| [http://mysterybear.net/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal minimalism and ambience, using Csound&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Carlo Serafini]]&lt;br /&gt;
| [http://www.seraph.it/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/user/iranief YouTube]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic. Isomorphic keyboard: the Opal Chameleon&lt;br /&gt;
| Florence, Italy&lt;br /&gt;
| &lt;br /&gt;
| Futurist composer. Also, is admin on Facebook [https://www.facebook.com/groups/356483631067563/ Microtonalitaly group].&lt;br /&gt;
|-&lt;br /&gt;
| [[Bill Sethares]]&lt;br /&gt;
| [http://eceserv0.ece.wisc.edu/~sethares/otherperson/all_mp3s.html Website]&lt;br /&gt;
| [http://sethares.engr.wisc.edu/mp3s/truthonabus.html Truth on a Bus]&lt;br /&gt;
| &lt;br /&gt;
| Electronic xenharmonic with stretched partials&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sevish]]&lt;br /&gt;
| [http://sevish.com/ Website]&amp;lt;br&amp;gt;[https://www.youtube.com/c/Sevish YouTube]&amp;lt;br&amp;gt;[https://soundcloud.com/sevish SoundCloud]&amp;lt;br&amp;gt;[https://sevish.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=Gcgawrr2xao Desert Island Rain]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=l9wINwlgxRU Gleam]&lt;br /&gt;
| Sean Archibald (with occasional guest musicians)&lt;br /&gt;
| Drum &#039;n&#039; bass / electronic / trip-hop / ambient; in EDOs, JI, nonoctave scales and various others. &amp;quot;Microtonal music with a beat&amp;quot;; stellar production quality.&lt;br /&gt;
| London, England&lt;br /&gt;
| 2010-&lt;br /&gt;
| Popular (for xen). Great first xen for many people. Also runs several xen-related projects.&lt;br /&gt;
|-&lt;br /&gt;
| [[Ezra Sims]]&lt;br /&gt;
| [https://www.ezrasims.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Music in 72-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Gene Ward Smith]]&lt;br /&gt;
| [[Microtonal Music by Gene Ward Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced originals; Mad Science Tuning; renderings of colleagues&#039; music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jon Lyle Smith]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Sequenced classical in odd meters&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Sononym]]&lt;br /&gt;
| [https://www.youtube.com/channel/UCO0Tn4tnRrILUxJuchfbnlw YouTube]&lt;br /&gt;
| [https://open.spotify.com/intl-fr/album/3UZ1Q0AqKBBFHN6gCsesz2 Humors]&lt;br /&gt;
| Max McCargar&lt;br /&gt;
| Experimental electronic jazz&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jim Cole and Spectral Voices&lt;br /&gt;
| [https://www.spectralvoices.com/jim-cole-spectral-voices/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of meditative New Age with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Soundwell (Anders Erkéus)&lt;br /&gt;
| [https://soundcloud.com/soundwell Soundcloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &amp;quot;Snake&amp;quot; overtone flute&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Manfred Stahnke&lt;br /&gt;
| [https://stahnkemanfred.musicaneo.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| One piece &amp;quot;Partch Harp&amp;quot; for harp and sampled harp&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans-André Stamm]]&lt;br /&gt;
| [http://www.eufonia.de/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone/48-tone JI acoustic organ!&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[John Starrett]]&lt;br /&gt;
| &lt;br /&gt;
| [https://www.youtube.com/watch?v=FD0ec4qOlcs&amp;amp;t=&amp;amp;ab_channel=xenopusRTRT Citified Notions]&lt;br /&gt;
| John Starrett (vocals, bass)&amp;lt;br&amp;gt;Neil Haverstick (guitar)&amp;lt;br&amp;gt;Ernie Crews (drums)&lt;br /&gt;
| 19-EDO. Rockabilly/Pop-rock, comment from John about the song on the YouTube page&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| John Starrett played bass with Neil Haverstick. Neil also plays the 19-EDO guitar on some of John&#039;s recordings.&lt;br /&gt;
|-&lt;br /&gt;
| Stimmhorn&lt;br /&gt;
| [http://www.stimmhorn.ch/ Website]&lt;br /&gt;
| &lt;br /&gt;
| Christian Zehnder&amp;lt;br&amp;gt;Balthasar Streiff&lt;br /&gt;
| Experimental alphorn and yodeling combined with overtone singing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Hans Straub]]&lt;br /&gt;
| [http://home.datacomm.ch/straub/musik/index_e.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Pieces with meters that match the tunings&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Redrick Sultan&lt;br /&gt;
| [https://redricksultanband.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=DtrH9ptBV18&amp;amp;index=1&amp;amp;list=PL_GQa1Uf_pEPGi9CxiMfK-13BBs0SVkWP The Prince]&lt;br /&gt;
| Spencer Hargreaves (vocals, guitars)&amp;lt;br&amp;gt;Noah Jordan (vocals, bass, keys, flute, oud)&amp;lt;br&amp;gt;Sean Mitchell (drums, sampling)&lt;br /&gt;
| Spooky, cool, acoustic, electric&lt;br /&gt;
| Vancouver, British Columbia&lt;br /&gt;
| 2010-&lt;br /&gt;
| [[22edo]], acoustic, magic rock, chill&lt;br /&gt;
|-&lt;br /&gt;
| Mick Sussman&lt;br /&gt;
| [http://micksussman.com/pw/music.html Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Plunderphonic collages in various tunings and multitempi&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| William Susman&lt;br /&gt;
| [https://www.susmanmusic.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Works in quarter-tone - scores and audio files&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Ron Sword]]&lt;br /&gt;
| [http://www.ronsword.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| 16-EDO and 31-EDO on 8 and 9 string guitar Etudes, Microtonal Extreme Metal&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Ron was also affiliated with the Microtonal Records label and the metatonal music site, as well as the microtonal guitarist forum.&lt;br /&gt;
|-&lt;br /&gt;
| Syzygys&lt;br /&gt;
| [http://www.syzygys.jp Website]&amp;lt;br&amp;gt;[https://www.youtube.com/results?search_query=Syzygys YouTube]&amp;lt;br&amp;gt;[https://www.facebook.com/Syzygys Facebook]&lt;br /&gt;
| [https://www.youtube.com/watch?v=KjSF41-mdL4 Lotus Rain]&lt;br /&gt;
| Hitomi Shimizu (43-tone organ, vocals)&amp;lt;br&amp;gt;Hiromi Nishida (violin, vocals)&lt;br /&gt;
| Clips of Japanese duo in 43-tone Partch JI, with Chromelodeon&lt;br /&gt;
| Japan&lt;br /&gt;
| ?&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== T ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Tall Kite]]&lt;br /&gt;
| [http://www.tallkite.com/music.html Website]&amp;lt;br&amp;gt;[https://soundcloud.com/tallkite SoundCloud (TallKite)]&amp;lt;br&amp;gt;[https://soundcloud.com/mbirakite SoundCloud (MbiraKite)]&amp;lt;br&amp;gt;[https://tallkite.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://tallkite.com/music/IHearNumbers.html I Hear Numbers]&amp;lt;br&amp;gt;[https://tallkite.com/music/EveningRondo.html Evening Rondo]&amp;lt;br&amp;gt;[http://www.tallkite.com/music/DownminorNocturne.html Downminor Nocturne]&lt;br /&gt;
| Kite Giedraitis&lt;br /&gt;
| 7-limit JI, 41edo.&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 1990&#039;s-&lt;br /&gt;
| See also [https://kiteguitar.com/ KiteGuitar.com]&lt;br /&gt;
|-&lt;br /&gt;
| [[Cam Taylor]]&lt;br /&gt;
| [https://archive.org/search.php?query=creator%3A%22Cam+Taylor%22 Internet Archive]&amp;lt;br&amp;gt;[https://soundcloud.com/camtaylor-1 SoundCloud (1)]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1 SoundCloud (2)]&amp;lt;br&amp;gt;[https://iamcamtaylor.wordpress.com/ Blog]&lt;br /&gt;
| [https://soundcloud.com/cam-taylor-2-1/mothers mothers]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/17-out-of-63edo-wurly-those-early-dreams those early dreams]&amp;lt;br&amp;gt;[https://soundcloud.com/cam-taylor-2-1/12tone63edo1 12tone63EDO1]&lt;br /&gt;
| &lt;br /&gt;
| Bosanquet Axis49, Lumatone, 12- and 17-tone keyboard improvisations in 17, 19, 22, 26, 31, 37, 39, 41, 43, 46, 50, 53, 56, 63, 94, 112 EDOs, some JI and near-just tunings, and songs with piano or guitar in 31EDO and JI, various.&lt;br /&gt;
| Auckland, New Zealand&lt;br /&gt;
| 2010-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Jack Tickner&lt;br /&gt;
| [https://www.facebook.com/JackETickner/ Facebook]&amp;lt;br&amp;gt;[https://jacktickner.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://jacktickner.bandcamp.com/album/reassuring-weight Reassuring Weight]&lt;br /&gt;
| &lt;br /&gt;
| Just intonation&lt;br /&gt;
| Sydney, Australia&lt;br /&gt;
| 2017-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Peter Thoegersen&lt;br /&gt;
| [https://soundcloud.com/pthoege SoundCloud]&amp;lt;br&amp;gt;[https://peterthoegersen.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://soundcloud.com/pthoege/two-worlds Two Worlds]&amp;lt;br&amp;gt;[https://soundcloud.com/pthoege/im-a-force-of-nature I Am a Force of Nature]&lt;br /&gt;
| &lt;br /&gt;
| Composer. Absurdist symphonic, chamber. Fun. Difficult music, in a good way. If you like Zappa&#039;s stranger works, you will like this.&lt;br /&gt;
| New York (?)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Tony Dubshot]]&lt;br /&gt;
| [http://www.dubbhism.org/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Macrotonal dub and dancehall in 05-EDO, 07-EDO and 08-EDO&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[User:Tristanbay| Tristan Bay]]&lt;br /&gt;
| [https://tristanbay.com Website]&amp;lt;br&amp;gt;[https://youtube.com/@tristanbay YouTube]&amp;lt;br&amp;gt;[https://tristanbay.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://open.spotify.com/artist/4kHErr2liGBpoChdl4DsTC Spotify]&lt;br /&gt;
| [https://youtu.be/JhGvrJ86jLU Subtract Hominem]&lt;br /&gt;
[https://youtu.be/H47nsivr-TU That]&lt;br /&gt;
&lt;br /&gt;
[https://youtu.be/R30aRbNtoIY Pitchblende]&lt;br /&gt;
| &lt;br /&gt;
| Electronic music, synthwave, equal temperament, instrumental&lt;br /&gt;
| Portland, Oregon (USA)&lt;br /&gt;
| 2021-&lt;br /&gt;
| Xen Wiki editor, microtonal instrument maker, active on the XA Discord server, and a regular on the [[Xendergarten|Xendergarten podcast]]&lt;br /&gt;
|-&lt;br /&gt;
| Tritone MSU&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic JI&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Tui St. George Tucker&lt;br /&gt;
| [http://tuistgeorgetucker.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Quartertone scores&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen James Taylor]]&lt;br /&gt;
| [http://www.stephenjamestaylor.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal film scores, multiple Wilson scales&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Jeroen Paul Thesseling]]&lt;br /&gt;
| [http://www.jeroenthesseling.com Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal music for bass guitar: &amp;quot;HAFNIUM&amp;quot; (72-EDO), &amp;quot;ARGON&amp;quot; (18-EDO), &amp;quot;DISCREPANTIUM&amp;quot; (24-EDO)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== U ==== &lt;br /&gt;
|-&lt;br /&gt;
| uSSSy&lt;br /&gt;
| [https://www.facebook.com/uSSSy.band/ Facebook]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/music/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=gVJftIEA4KM Acoustic performance on YouTube]&lt;br /&gt;
| [https://usssy.bandcamp.com/album/ud Ud]&amp;lt;br&amp;gt;[https://usssy.bandcamp.com/album/voyage/ Voyage]&amp;lt;br /&amp;gt;[https://usssy.bandcamp.com/album/naghma Naghma]&lt;br /&gt;
| Artem Galkin&amp;lt;br&amp;gt;Pavel Eremeev&lt;br /&gt;
| [[24edo]] and similar tunings. Styles ranging from &amp;quot;black metal techno blues&amp;quot; to &amp;quot;indo-iranian meditative feedback rock&amp;quot;&lt;br /&gt;
| Moscow, Russia&lt;br /&gt;
| 2009-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== V ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Chris Vaisvil]]&lt;br /&gt;
| [http://chrisvaisvil.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Many tunings (just intonation, various EDOs + tuning survey) microtonal synthesizers controlled by midi guitar (Roland GR-20), Linnstrument, 17 edo keyboard (DIY) + soft synthesizers and &amp;quot;traditional&amp;quot; scored microtonal music.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Prolific explorer of a wide range of scales. Neat DIY techniques used and demonstrated &amp;quot;at the edge between acoustic and electric&amp;quot;.&lt;br /&gt;
|-&lt;br /&gt;
| Nicola Vicentino&lt;br /&gt;
| [[Wikipedia:Nicola Vicentino| Wikipedia]]&lt;br /&gt;
| [https://www.youtube.com/watch?v=0akGtDPVRxk Musica Prisca Caput (Madrigal for 24-tone two voice harpsichord in Meantone)]&amp;lt;br&amp;gt;Same piece [https://www.youtube.com/watch?v=ld36JlmOtM0 played on an arciorgano]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=bhGwjgZ8zIY Madonna il poco dolce]&lt;br /&gt;
| &lt;br /&gt;
| Early microtonal composer in 16th century&lt;br /&gt;
| &lt;br /&gt;
| Born 1511. Died in either 1575 or 1576.&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Nicola Visalli (broken)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronically rendered microtonal contemporary classical&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Voltage Controlled&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Clips of electronic tuning-savvy experiments&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Alfredo Votta&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Soundcloud account featuring &amp;quot;Liber Stellarum&amp;quot;, a collection of seven pieces for &amp;lt;br&amp;gt; 13-EDO piano. Has also composed in 18-EDO.&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== W ==== &lt;br /&gt;
|-&lt;br /&gt;
| [[Robert Walker]]&lt;br /&gt;
| [https://robertinventor.com/musicandvirtualflowers/tunes/tunes.htm Website 1]&amp;lt;br&amp;gt;[https://robertinventor.com/musicandvirtualflowers/tunes/improvisations.htm Website 2]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical, world, fractal&lt;br /&gt;
| Indianapolis, IN&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Stephen Weigel]]&lt;br /&gt;
| [https://soundcloud.com/overtoneshock SoundCloud]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic pop, computer music, totalism&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Danny Wier&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Symphonic, progressive rock/metal, jazz, etc., mostly in 72-EDO (all synth-generated)&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Randy Winchester]]&lt;br /&gt;
| &lt;br /&gt;
| [[Five Hemispheres]]&amp;lt;br&amp;gt;[[Comets Over Flatland]]&lt;br /&gt;
| &lt;br /&gt;
| Various EDOs and Bohlen–Pierce, electronic music and 8-bit synthesizers&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Erling Wold&lt;br /&gt;
| [http://www.erlingwold.com/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Classical; search page for just intonation&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Daniel Wolf]]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Xenharmonic neo-baroque string trio&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Brian Wong]]&lt;br /&gt;
| [https://bwong.ca/ Website]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Examples of computer-generated music&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| James Wyness&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Microtonal acousmatic works&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
&lt;br /&gt;
==== X ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Y ==== &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; | &lt;br /&gt;
==== Z ==== &lt;br /&gt;
|-&lt;br /&gt;
| Zadarpadov&lt;br /&gt;
| [https://zadarpadov.bandcamp.com/ Bandcamp]&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Electronic, avant-garde&lt;br /&gt;
| Finland&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Zhea Erose]]&lt;br /&gt;
| [https://zheaerose.bandcamp.com/ Bandcamp]&amp;lt;br&amp;gt;[https://www.youtube.com/channel/UC--VosYH0BHISbb4SFO9rQA YouTube]&lt;br /&gt;
| [https://youtu.be/ipNP-8XwezE XQQQ]&amp;lt;br&amp;gt;[https://youtu.be/a63V_fAPNaA WXTCHCRXFT EP]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=wvLLV5qle48 Glitterdance]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=8Ol2gzkcprE divinate]&lt;br /&gt;
| Amelia Huff&lt;br /&gt;
| [[31edo]], JI, primodality, contemporary classical, ambient, electronic, &amp;quot;dream&amp;amp;bass&amp;quot;&lt;br /&gt;
| &lt;br /&gt;
| 2019-&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[ZIA]]&lt;br /&gt;
| [http://ziaspace.com/ Website]&amp;lt;br&amp;gt;[https://www.reverbnation.com/ziausa Reverb Nation]&amp;lt;br&amp;gt;[https://www.facebook.com/Zia-170293513002981/ Facebook]&amp;lt;br /&amp;gt;[https://ziaspace.bandcamp.com Bandcamp]&lt;br /&gt;
| [https://www.reverbnation.com/1029821/album/172732 Martians]&lt;br /&gt;
| [[Elaine Walker]] and collaborators&lt;br /&gt;
| Electronic, space, dance, [[10edo]], [[19edo]], [[Bohlen–Pierce]], [[17edo]], [[16edo]]&lt;br /&gt;
| Las Cruces, NM / Tempe, AZ&lt;br /&gt;
| 1992-&lt;br /&gt;
| Elaine has also composed for the television industry. Zia is great introductory/accessible xen music.&lt;br /&gt;
|-&lt;br /&gt;
| Matthias Ziegler&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| Unconventional flute playing&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [[Bostjan Zupancic]]: MicroMetal&lt;br /&gt;
| [https://sites.google.com/site/19edoguitar/home/bostjan-zupancic-micrometal Google Page]&amp;lt;br&amp;gt;[https://bostjanzupancic.bandcamp.com/ Bandcamp]&lt;br /&gt;
| [https://www.youtube.com/watch?v=JTpF2MifP5Y Brain for Breakfast]&amp;lt;br&amp;gt;[https://www.youtube.com/watch?v=D8utL7T0HAc Beezer&#039;s Cellar]&lt;br /&gt;
| Bostjan Zupancic - Guitar, Bass, Drums, Vocals, Synthesizer&lt;br /&gt;
| 19-EDO Modern Hard Rock and Heavy Metal, and occasionally 24-EDO.&lt;br /&gt;
| St. Johnsbury, Vermont&lt;br /&gt;
| 2008-&lt;br /&gt;
| &lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
: &#039;&#039;Note: More artist pages (with music links) are listed in: [[:Category:Composers]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! &#039;&#039;&#039;Website&#039;&#039;&#039;&lt;br /&gt;
! &#039;&#039;&#039;Description&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.musicmavericks.org/listening/ American Mavericks concert series]&lt;br /&gt;
| Microtonal RealPlayer files: Lou Harrison Suite for Violin and American Gamelan, Third Symphony; Charles Ives &amp;quot;Allegro&amp;quot; from Quartertone Piano Pieces&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.oeaw.ac.at/kal/agm/ Ancient Greek Music]&lt;br /&gt;
| Library of extant fragments using authentic tunings: Real``Player and MIDI&lt;br /&gt;
|-&lt;br /&gt;
| [http://bostonmicrotonalsociety.org/ Boston Microtonal Society]&lt;br /&gt;
| 72-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://catharsis.egregious.net/errata/ Catharsis] ([http://catharsis.egregious.net/tracks/droneI/ 2])&lt;br /&gt;
| Jon Catler and Jacky Ligon live; &amp;quot;Drone 1&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.fujara.sk/audio_samples.htm Fujara]&lt;br /&gt;
| Slovak overtone flute&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wmich.edu/mus-theo/groven/ Groven Piano Project]&lt;br /&gt;
| 36-tone JI (schismatic) pianos after Eivind Groven&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.xs4all.nl/%7Ehuygensf/english/index.html Huygens-Fokker Foundation]&lt;br /&gt;
| Acoustic and MIDI 31-EDO &amp;amp; 24-EDO&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.csounds.com/ezine/winter1999/synthesis/ Implementing Cellular Automatas in Csound]&lt;br /&gt;
| MP3 examples with spectral pictures&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.kingmixers.com/Hearing%20Greek%20Microtones.html kingmixers] ([http://www.kingmixers.com/AncGreekMusicFragments.html%20 2]) ([http://www.kingmixers.com/Clouds%20MP3s.html%20copy 3])&lt;br /&gt;
| Some MP3 samples of Greek tunings, reconstructions of Greek music fragments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.last.fm/tag/microtonal last.fm microtonal tag radio]&lt;br /&gt;
| Stream microtonal music from last.fm radio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.lucytune.com/ LucyTuning] ([http://www.harmonics.com/lucy/earindex.html 2]) ([http://www.lullabies.co.uk/ 3])&lt;br /&gt;
| LucyTuned music - clips and full pieces, midi files, mp3s, video&lt;br /&gt;
|-&lt;br /&gt;
| [http://micro.soonlabel.com/ micro.soonlabel.com]&lt;br /&gt;
| Music from multiple composers in various tunings available for direct download.&lt;br /&gt;
|-&lt;br /&gt;
| [http://microtonalismo.com/ MICROTONALISMO]&lt;br /&gt;
| Primera Web oficial de microtonalismo de habla hispana en latinoamerica&lt;br /&gt;
|-&lt;br /&gt;
| [http://cdbaby.com/cd/mfhi Music for Homemade Instruments]{{dead link}}&lt;br /&gt;
| Clips of junkmusic orchestra&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.mvcc.edu/noldani/home Oldani&#039;s Math &amp;amp;amp; music Site]{{dead link}}&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| [http://www.overtone.cc/ Overtone Music Network]&lt;br /&gt;
| A platform for overtone music of all kinds, with a huge collection of online audio&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.quartertonemarimba.com/ Quartertonemarimba.com]&lt;br /&gt;
| Kjell Tor Innevik&#039;s project at Norwegian Academy of Music&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.geocities.com/dinarra2000/songs.html Eduardo Sábat]&lt;br /&gt;
| Clips of jazz standards on 53-enharmonic frets per Octave guitar (Dinarra)&lt;br /&gt;
|-&lt;br /&gt;
| [http://split-notes.com/ split-notes Microtonal Netlabel]&lt;br /&gt;
| Online record label, free digital releases, microtonal music from various musicians&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.ne.jp/asahi/mariko/takanashi/masa/pagesE1/rev1nwpages/engconcert.html The Perfect Just Intonation Music MIDI Cycle Concerts]&lt;br /&gt;
| Classics tuned in JI&lt;br /&gt;
|-&lt;br /&gt;
| [http://pages.globetrotter.net/roule/demos.htm Tuning and temperament demos]&lt;br /&gt;
| MIDI and audio demonstrating historical tunings&lt;br /&gt;
|-&lt;br /&gt;
| [https://www.soundclick.com/bands/pagemusic.cfm?bandID=105485 Tuning Lab]&lt;br /&gt;
| Acoustic, electronic tuning experiments&lt;br /&gt;
|-&lt;br /&gt;
| [http://www.wnyc.org/search/?q=microtonal WNYC microtonal features]&lt;br /&gt;
| Radio shows featuring microtonal music, esp. &amp;quot;New Sounds&amp;quot;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Projects]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Practice]]&lt;br /&gt;
[[Category:Listen| ]] &amp;lt;!-- main article --&amp;gt;&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Gallery_of_combination_product_sets&amp;diff=230795</id>
		<title>Gallery of combination product sets</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Gallery_of_combination_product_sets&amp;diff=230795"/>
		<updated>2026-05-23T12:00:15Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Stellated hexanies (14-tone) */ updated recommendations based on new pages&amp;#039; contenta&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a gallery of [[combination product set]] (CPS) scales, as well as subsets of, mergers of, or modifications of such scales.&lt;br /&gt;
&lt;br /&gt;
There are infinite possible CPS scales, so this list can never be complete. If you find a CPS scale that you like, please document it here so that people can make music with it.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
See also [[:Category:Combination product sets]], which may include scales that have yet to be added to this list.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Italicised text following an em-dash beside a listed scale is a description by a wiki contributor of the subjective mood they personally feel when listening to the scale.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Pentanies (5-tone) ==&lt;br /&gt;
[[Category:5-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Pentany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [[4 from 1-3-5-7-11 pentany]] — &#039;&#039;sturdy, earthy&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-29-37 pentany]] — &#039;&#039;like anticipating the sunrise&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-29-41 pentany]] — &#039;&#039;ethereal, enchanting&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-31-41 pentany]] — &#039;&#039;sorrowful, warm&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-31-43 pentany]] — &#039;&#039;alert, tense&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Hexanies (6-tone) ==&lt;br /&gt;
[[Category:6-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s [[subgroup]]s ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-5-7-11 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-7-13 hexany]] — &#039;&#039;spicier whole tone scale&#039;&#039;&lt;br /&gt;
* [[1-7-11-13 hexany]] — &#039;&#039;extra [[xenharmonic]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-11-13 hexany]] — &#039;&#039;melodically effective, contains a diminished chord&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-7-9 hexany]] — &#039;&#039;a [[detempering]] of the [[archy]] scale&#039;&#039;&lt;br /&gt;
* [[1-3-7-11 hexany]] — &#039;&#039;symmetrical shape; 2 strong tonal centres&#039;&#039;&lt;br /&gt;
* [[1-3-7-13 hexany]] — &#039;&#039;extra xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-7-21 hexany]] — &#039;&#039;a [[detempering]] of the [[semaphore]] scale&#039;&#039;&lt;br /&gt;
* [[1-3-9-11 hexany]] — &#039;&#039;an even mix of xenharmonic and familiar&#039;&#039;&lt;br /&gt;
* [[1-3-9-13 hexany]] — &#039;&#039;an even mix of xenmelodic and familiar&#039;&#039;&lt;br /&gt;
* [[1-3-9-17 hexany]] — &#039;&#039;whole tone scale-like structure, but new unfamiliar melodies and harmonies&#039;&#039;&lt;br /&gt;
* [[1-3-11-13 hexany]] — &#039;&#039;sounds surprisingly un-xenharmonic&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 1 3 21 29.png|1-3-21-29 hexany]] — &#039;&#039;fierce, groovy, dark&#039;&#039;&lt;br /&gt;
* [[1-3-21-49 hexany]] — &#039;&#039;a [[detempering]] of the [[slendric]] scale&#039;&#039;&lt;br /&gt;
* [[1-7-9-11 hexany]] — &#039;&#039;warped xenharmonic whole tone scale&#039;&#039;&lt;br /&gt;
* [[1-7-9-13 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-7-9-11 hexany]] — &#039;&#039;fresh [[11-limit]] JI version of the augmented scale&#039;&#039;&lt;br /&gt;
* [[3-7-9-13 hexany]] — &#039;&#039;effective both at melody and harmony&#039;&#039;&lt;br /&gt;
* [[3-7-11-13 hexany]] — &#039;&#039;very lopsided, very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-9-11-13 hexany]] — &#039;&#039;lopsided but with lots of useful consonances&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 3 9 19 31.png|3-9-19-31 hexany]] — &#039;&#039;sparkly, pretty&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-11-13 hexany]] — &#039;&#039;neat step pattern useful for melody and harmony, no [[5-limit]] intervals - forces xenharmony&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-9 hexany]] — &#039;&#039;difficult due to [[wolf interval|wolf fifth]] - better as a basis for building larger scales&#039;&#039;&lt;br /&gt;
* [[1-3-5-11 hexany]] — &#039;&#039;stable chord roots + very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-5-13 hexany]] — &#039;&#039;stable chord roots + very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-5-15 hexany]] — &#039;&#039;difficult to use&#039;&#039;&lt;br /&gt;
* [[1-3-5-45 hexany]] — &#039;&#039;very useful foundation for adding xenharmonic notes on top off; can play all &#039;&#039;Zelda&#039;&#039;&#039;s ocarina melodies&#039;&#039;&lt;br /&gt;
* [[1-3-5-81 hexany]] — &#039;&#039;built around subtle pitch shifts&#039;&#039;&lt;br /&gt;
* [[1-3-5-121 hexany]] — &#039;&#039;built-in beating effect that could be interesting&#039;&#039;&lt;br /&gt;
* [[1-3-9-135 hexany]] — &#039;&#039;near identical to [[1-3-9-17 hexany]]&#039;&#039;&lt;br /&gt;
* [[1-3-11-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-3-13-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-9-11 hexany]] — &#039;&#039;very lopsided and very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-5-9-13 hexany]] — &#039;&#039;easy to build [[bihexany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-9-15 hexany]] — &#039;&#039;easy to build [[dekany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-11-13 hexany]] — &#039;&#039;an [[omniconsonant scale]]&#039;&#039;&lt;br /&gt;
* [[1-5-11-15 hexany]] — &#039;&#039;easy to build [[bihexany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-13-15 hexany]] — &#039;&#039;big variety of consonances useful for emotionally expressive music&#039;&#039;&lt;br /&gt;
* [[1-9-11-15 hexany]] — &#039;&#039;very melodically effective; all the chords will be unfamiliar&#039;&#039;&lt;br /&gt;
* [[1-9-11-13 hexany]] — &#039;&#039;better to remove one note and use as a [[pentatonic]] scale instead&#039;&#039;&lt;br /&gt;
* [[1-9-13-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-11-13-15 hexany]] — &#039;&#039;very melodically effective; all the chords will be unfamiliar&#039;&#039;&lt;br /&gt;
* [[1-15-45-75 hexany]] — &#039;&#039;a [[detempering]] of the blues scale with sweet simple [[just intonation]] harmonies that blend well&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-9-11 hexany]] — &#039;&#039;very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-5-9-13 hexany]] — &#039;&#039;very useful both for melody and harmony; contains good [[barbados]] intervals&#039;&#039;&lt;br /&gt;
* [[3-5-9-15 hexany]] — &#039;&#039;too similar to [[12edo]] to be interesting&#039;&#039;&lt;br /&gt;
* [[3-5-9-25 hexany]] — &#039;&#039;easy to build a [[bihexany]] or [[stellated hexany]] with&#039;&#039;&lt;br /&gt;
* [[3-5-9-27 hexany]] — &#039;&#039;useful as a teaching tool, but not for making real music&#039;&#039;&lt;br /&gt;
* [[3-5-11-13 hexany]] — &#039;&#039;unwieldy but xenharmonically interesting&#039;&#039;&lt;br /&gt;
* [[3-5-11-15 hexany]] — &#039;&#039;both xenharmonic yet also highly accessible - recommended for beginner microtonalists&#039;&#039;&lt;br /&gt;
* [[3-5-13-15 hexany]] — &#039;&#039;both xenharmonic yet also highly accessible - recommended for beginner microtonalists&#039;&#039;&lt;br /&gt;
* [[3-5-15-19 hexany]] — &#039;&#039;useful for ear training; contains a [[wolf interval|wolf fifth]]&#039;&#039;&lt;br /&gt;
* [[3-5-15-27 hexany]] — &#039;&#039;a worse version of the normal major scale&#039;&#039;&lt;br /&gt;
* [[3-9-11-15 hexany]] — &#039;&#039;unfamiliar notes&#039;&#039;&lt;br /&gt;
* [[3-9-13-15 hexany]] — &#039;&#039;very xenharmonic melodies; easy to learn the notes and intervals - especially audibly distinct from one another&#039;&#039;&lt;br /&gt;
* [[3-11-13-15 hexany]] — &#039;&#039;unwieldy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-9-11-13 hexany]] — &#039;&#039;useful for building melodies; an even mix of familiar and xenharmonic&#039;&#039;&lt;br /&gt;
* [[5-9-11-15 hexany]] — &#039;&#039;a [[detempering]] of the [[porcupine]] scale; nice melodies&#039;&#039;&lt;br /&gt;
* [[5-9-13-15 hexany]] — &#039;&#039;melodically interesting but harmonically unrewarding&#039;&#039;&lt;br /&gt;
* [[5-11-13-15 hexany]] — &#039;&#039;highly recommended; an even mix of familiar and xenharmonic&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 9.n ====&lt;br /&gt;
* [[9-11-13-15 hexany]] — &#039;&#039;better used as a [[pentatonic]] scale by removing 1 note&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-7 hexany]] — &#039;&#039;cold, hazy&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-7-9 hexany]] — &#039;&#039;whole tone scale-like but with a [[quarter tone]], making it very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-7-9-15 hexany]] — &#039;&#039;lopsided but useful for making [[bihexany]]s&#039;&#039;&lt;br /&gt;
* [[1-7-13-15 hexany]] — &#039;&#039;useful for making [[bihexany]] versions of [[10edo]], which would be a type of [[neji]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-7-9 hexany]] — &#039;&#039;useful for melody and harmony&#039;&#039;&lt;br /&gt;
* [[3-5-7-13 hexany]] — &#039;&#039;useful for building [[dekany]]s&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 hexany]] — &#039;&#039;the optimal configuration for maximising the number and variety of simple harmonies available in a hexatonic scale; strong melodically also&#039;&#039;&lt;br /&gt;
* [[3-5-15-21 hexany]] — &#039;&#039;solidly rooted and consonant&#039;&#039;&lt;br /&gt;
* [[3-7-9-15 hexany]] — &#039;&#039;big variety of chords available, both familiar and xenharmonic ones&#039;&#039;&lt;br /&gt;
* [[3-7-13-15 hexany]] — &#039;&#039;related to the [[negri]] scale; useful for building [[bihexany]]s or [[dekany]]s&#039;&#039;&lt;br /&gt;
* [[3-9-15-21 hexany]] — &#039;&#039;very similar to the [[1-3-5-7 hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-9-13 hexany]] — &#039;&#039;very xenharmonic; easy to expand to a [[bihexany]] or [[dekany]]&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 hexany]] — &#039;&#039;potential for good compositions; a [[detempering]] of the [[starling]] scale&#039;&#039;&lt;br /&gt;
* [[5-7-13-15 hexany]] — &#039;&#039;both harmonically and melodically strong, and useful for [[bihexany]]s&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-13-15 hexany]] — &#039;&#039;useful for building [[bihexany]]s or [[dekany]]s out of&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 9.n ====&lt;br /&gt;
* [[9-25-49-81 hexany]] — &#039;&#039;a diminished tetrad with built-in beating effects&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-7-11-15 hexany]] — &#039;&#039;a little unwieldy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-7-11 hexany]] — &#039;&#039;very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-7-9-55 hexany]] — &#039;&#039;creates interesting complex beating when played in the bass or sub bass range&#039;&#039;&lt;br /&gt;
* [[3-7-11-15 hexany]] — &#039;&#039;xenharmonic but also with sweet major thirds&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-9-11 hexany]] — &#039;&#039;a [[neji]] of [[6edo]] with an [[primodality|over-35 semiprime]] feel&#039;&#039;&lt;br /&gt;
* [[5-7-9-33 hexany]] — &#039;&#039;though the small steps are mathematically distinct from one another, they don&#039;t sound audibly distinct&#039;&#039;&lt;br /&gt;
* [[5-7-11-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-11-15 hexany]] — &#039;&#039;useful for building [[bihexany]]s&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 7 11 17 45 cents.png|7-11-17-45 hexany]] — &#039;&#039;dark, supernatural, metallic&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 27.n ====&lt;br /&gt;
* [[:File:Hexany 27 35 47 59 cents.png|27-35-47-59 hexany]] — &#039;&#039;like melting rainbow ice cream in the sun&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-17s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-11-13-15 hexany]] — &#039;&#039;useful for writing melody - expanding into a [[bihexany]] makes it more useful still&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Hexany 1029]]&lt;br /&gt;
* [[Hexany 126]]&lt;br /&gt;
* [[Hexany 225]]&lt;br /&gt;
* [[Hexany 2401]]&lt;br /&gt;
* [[Hexany 245]]&lt;br /&gt;
* [[Hexany 3136]]&lt;br /&gt;
* [[Hexany 4375]]&lt;br /&gt;
* [[Hexany 5120]]&lt;br /&gt;
* [[Hexany 6144]]&lt;br /&gt;
* [[Hexany 65625]]&lt;br /&gt;
* [[Hexany 875]]&lt;br /&gt;
* [[User:BudjarnLambeth/My favourite hexanies using at least one odd greater than 15]]&lt;br /&gt;
&lt;br /&gt;
== Dekanies (10-tone) ==&lt;br /&gt;
[[Category:10-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Dekany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s subgroups ===&lt;br /&gt;
* [[1-5-7-11-13 dekany]]&lt;br /&gt;
* [[5-7-9-11-13 dekany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
* [[1-3-7-9-11 dekany]]&lt;br /&gt;
* [[1-3-7-11-13 dekany]]&lt;br /&gt;
* [[1-3-9-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-29 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-11-13 dekany]] — &#039;&#039;highly unusual but not necessarily bad&#039;&#039;&lt;br /&gt;
* [[3-7-9-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
* [[1-3-5-9-11 dekany]]&lt;br /&gt;
* [[1-3-5-9-13 dekany]]&lt;br /&gt;
* [[1-3-5-9-81 dekany]]&lt;br /&gt;
* [[1-3-5-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-13-15 dekany]]&lt;br /&gt;
* [[1-3-11-13-15 dekany]]&lt;br /&gt;
* [[1-5-9-11-13 dekany]]&lt;br /&gt;
* [[1-5-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-9-11-13-15 dekany]]&lt;br /&gt;
* [[3-5-9-11-13 dekany]]&lt;br /&gt;
* [[3-5-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-9-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
* [[1-3-5-7-9 dekany]]&lt;br /&gt;
* [[1-3-5-7-13 dekany]]&lt;br /&gt;
* [[1-3-5-7-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-9-15 dekany]]&lt;br /&gt;
* [[1-3-7-9-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-15 dekany]]&lt;br /&gt;
* [[1-3-7-13-15 dekany]]&lt;br /&gt;
* [[1-5-7-9-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9-15 dekany]]&lt;br /&gt;
* [[1-5-7-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-13-15 dekany]]&lt;br /&gt;
* [[3-5-7-9-13 dekany]]&lt;br /&gt;
* [[3-5-7-9-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-13-15 dekany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
* [[1-3-5-7-11 dekany]]&lt;br /&gt;
* [[1-3-7-11-15 dekany]]&lt;br /&gt;
* [[1-5-7-9-11 dekany]]&lt;br /&gt;
* [[1-5-7-11-15 dekany]] — &#039;&#039;recommended but extra spicy&#039;&#039;&lt;br /&gt;
* [[1-7-9-11-15 dekany]]&lt;br /&gt;
* [[3-5-7-9-11 dekany]]&lt;br /&gt;
* [[3-5-7-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-11-15 dekany]]&lt;br /&gt;
* [[5-7-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-17s subgroups ===&lt;br /&gt;
* [[1-7-11-13-15 dekany]]&lt;br /&gt;
* [[3-5-7-11-13 dekany]]&lt;br /&gt;
* [[3-7-11-13-15 dekany]]&lt;br /&gt;
* [[5-7-11-13-15 dekany]]&lt;br /&gt;
* [[7-9-11-13-15 dekany]] — &#039;&#039;recommended, but extra spicy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Related to [[regular temperament]] scales ===&lt;br /&gt;
* [[Dekany agni]]&lt;br /&gt;
* [[Dekany apollo]]&lt;br /&gt;
* [[Dekany guanyin]]&lt;br /&gt;
* [[Dekany indra]]&lt;br /&gt;
* [[Dekany jove]]&lt;br /&gt;
* [[Dekany laka]]&lt;br /&gt;
* [[Dekany marvel]]&lt;br /&gt;
* [[Dekany minerva]]&lt;br /&gt;
* [[Dekany pele]]&lt;br /&gt;
* [[Dekany portent]]&lt;br /&gt;
* [[Dekany prodigy]]&lt;br /&gt;
* [[Dekany sensamagic]]&lt;br /&gt;
* [[Dekany spectacle]]&lt;br /&gt;
* [[Dekany zeus]]&lt;br /&gt;
* [[Dekany-cs-marv]]&lt;br /&gt;
* [[Dekanymarvwoo]]&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Deka1029]]&lt;br /&gt;
* [[Deka126]]&lt;br /&gt;
* [[Deka1728]]&lt;br /&gt;
* [[Deka225]]&lt;br /&gt;
* [[Deka2401]]&lt;br /&gt;
* [[Deka245]]&lt;br /&gt;
* [[Deka3136]]&lt;br /&gt;
* [[Deka4375]]&lt;br /&gt;
* [[Deka5120]]&lt;br /&gt;
* [[Deka6144]]&lt;br /&gt;
* [[Deka65625]]&lt;br /&gt;
* [[Deka875]]&lt;br /&gt;
* [[Dekany-cs]]&lt;br /&gt;
&lt;br /&gt;
== Bihexanies (12-tone) ==&lt;br /&gt;
[[Category:12-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Bihexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 7-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-7 by 3/2 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 8/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 10/7 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 12/7 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 9-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-7 by 9/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 9/7 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 9/8 bihexany]]&lt;br /&gt;
* [[1-3-5-9 by 7/5 bihexany]]&lt;br /&gt;
* [[1-3-7-9 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9 by 4/3 bihexany]]&lt;br /&gt;
* [[3-5-7-9 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 11-odd-limit elements ===&lt;br /&gt;
* [[1-3-7-9 by 11/8 bihexany]]&lt;br /&gt;
* [[1-3-7-11 by 18/11 bihexany]]&lt;br /&gt;
* [[1-7-9-11 by 4/3 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-11 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-11 by 5/4 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 13-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-9 by 13/9 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-13 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-13 by 4/3 bihexany]]&lt;br /&gt;
* [[5-9-11-13 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 15-odd-limit elements ===&lt;br /&gt;
&lt;br /&gt;
==== No-7s ====&lt;br /&gt;
* [[1-3-5-13 by 18/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 by 11/8 bihexany]]&lt;br /&gt;
* [[1-3-11-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-13-15 by 18/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-11-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-5-13-15 by 16/9 bihexany]]&lt;br /&gt;
* [[1-9-11-15 by 12/11 bihexany]]&lt;br /&gt;
* [[1-9-13-15 by 8/5 bihexany]]&lt;br /&gt;
* [[1-11-13-15 by 4/3 bihexany]]&lt;br /&gt;
* [[3-5-9-15 by 6/5 bihexany]]&lt;br /&gt;
* [[3-5-9-15 by 10/9 bihexany]]&lt;br /&gt;
* [[5-9-11-15 by 5/4 bihexany]]&lt;br /&gt;
* [[5-9-11-15 by 15/13 bihexany]]&lt;br /&gt;
* [[5-9-13-15 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-11-13-15 by 11/9 bihexany]]&lt;br /&gt;
* [[9-11-13-15 by 3/2 bihexany]]&lt;br /&gt;
* [[9-11-13-15 by 33/26 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== No-11s ====&lt;br /&gt;
* [[1-3-5-7 by 15/14 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7 by 16/15 bihexany]]&lt;br /&gt;
* [[1-3-7-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-7-15 by 9/7 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 by 7/6 bihexany]]&lt;br /&gt;
* [[1-5-7-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-7-9-15 by 4/3 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-15 by 7/5 bihexany]]&lt;br /&gt;
* [[1-7-13-15 by 7/5 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 by 9/5 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 9/8 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 4/3 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 7/5 bihexany]]&lt;br /&gt;
* [[5-7-9-15 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 by 7/4 bihexany]]&lt;br /&gt;
* [[5-7-9-15 by 9/8 bihexany]]&lt;br /&gt;
* [[5-7-13-15 by 9/8 bihexany]]&lt;br /&gt;
* [[5-7-13-15 by 22/13 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== No-13s ====&lt;br /&gt;
* [[3-5-7-15 by 11/7 bihexany]]&lt;br /&gt;
* [[3-7-11-15 by 7/5 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 by 11/9 bihexany]]&lt;br /&gt;
* [[5-7-11-15 by 18/11 bihexany]]&lt;br /&gt;
* [[7-9-11-15 by 3/2 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== No-17s ====&lt;br /&gt;
* [[7-11-13-15 by 7/5 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 17-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-9 by 17/12 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-15 by 17/12 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 17/14 bihexany]]&lt;br /&gt;
* [[3-5-11-13 by 24/17 bihexany]]&lt;br /&gt;
* [[3-11-13-15 by 24/17 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 19-odd-limit elements ===&lt;br /&gt;
* [[1-3-9-17 by 19/16 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-15-19 by 9/8 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 19/14 bihexany]]&lt;br /&gt;
* [[3-5-13-15 by 19/17 bihexany]]&lt;br /&gt;
* [[3-7-9-15 by 19/17 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Higher odd-limit elements ===&lt;br /&gt;
&lt;br /&gt;
==== 21-odd ====&lt;br /&gt;
* [[1-3-5-7 by 21/16 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 40/21 bihexany]]&lt;br /&gt;
* [[3-5-11-15 by 21/11 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 21/13 bihexany]]&lt;br /&gt;
* [[7-9-13-15 by 21/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 23-odd ====&lt;br /&gt;
* [[3-5-7-15 by 23/14 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 25-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 27-odd ====&lt;br /&gt;
* [[1-5-7-15 by 32/27 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 27/14 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-13-15 by 27/26 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 29-odd ====&lt;br /&gt;
* [[5-7-9-15 by 29/18 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 31-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 33-odd ====&lt;br /&gt;
* [[1-5-11-15 by 40/33 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 35-odd ====&lt;br /&gt;
* [[1-3-5-7 by 36/35 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 48/35 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 64/35 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 by 48/35 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 37-odd to 43-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 45-odd ====&lt;br /&gt;
* [[1-3-5-7 by 56/45 bihexany]]&lt;br /&gt;
* [[1-3-5-9 by 64/45 bihexany]]&lt;br /&gt;
* [[1-5-9-15 by 64/45 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 45/28 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 47-odd to 53-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 55-odd ====&lt;br /&gt;
* [[1-9-11-15 by 72/55 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 57-odd to 61-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 63-odd ====&lt;br /&gt;
* [[1-3-5-7 by 80/63 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 65-odd ====&lt;br /&gt;
* [[3-5-11-13 by 96/65 bihexany]] — &#039;&#039;good for metallophone timbres like bells or Gamelan&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 67-odd to 97-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 99-odd ====&lt;br /&gt;
* [[1-7-13-15 by 140/99 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 101-odd to 133-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 135-odd ====&lt;br /&gt;
* [[1-3-9-135 by 57/34 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Bihexanymyna]]&lt;br /&gt;
* [[GW Smith bihexany 14 Feb 2011]]&lt;br /&gt;
&lt;br /&gt;
== Duohexanies (12-tone) ==&lt;br /&gt;
[[Category:12-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Duohexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [[Duohex]]&lt;br /&gt;
* [[Duohexmarvwoo]]&lt;br /&gt;
* [[Duohexmean]]&lt;br /&gt;
* [[Hexanys-valentino]]&lt;br /&gt;
&lt;br /&gt;
== Stellated hexanies (14-tone) ==&lt;br /&gt;
[[Category:14-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Stellated hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s subgroups ===&lt;br /&gt;
* [[1-5-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-13 stellated hexany]]&lt;br /&gt;
* [[1-5-11-13 stellated hexany]]&lt;br /&gt;
* [[1-7-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
* [[1-3-7-9 stellated hexany]]&lt;br /&gt;
* [[1-3-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-11 stellated hexany]]&lt;br /&gt;
* [[1-3-9-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-11 stellated hexany]]&lt;br /&gt;
* [[1-7-9-13 stellated hexany]]&lt;br /&gt;
* [[3-7-9-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-13 stellated hexany]] — &#039;&#039;recommended, but with 2 notes removed - read article&#039;&#039;&lt;br /&gt;
* [[3-7-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-11-13 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-9 stellated hexany]]&lt;br /&gt;
* [[1-3-5-11 stellated hexany]]&lt;br /&gt;
* [[1-3-5-13 stellated hexany]]&lt;br /&gt;
* [[1-3-5-15 stellated hexany]] — &#039;&#039;not recommended for xenharmony, but it&#039;s a good JI version of the &#039;Hungarian minor&#039; scale if one wants that&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 stellated hexany]]&lt;br /&gt;
* [[1-3-11-15 stellated hexany]]&lt;br /&gt;
* [[1-3-13-15 stellated hexany]] — &#039;&#039;recommended but spicy&#039;&#039;&lt;br /&gt;
* [[1-5-9-11 stellated hexany]]&lt;br /&gt;
* [[1-5-9-13 stellated hexany]]&lt;br /&gt;
* [[1-5-9-15 stellated hexany]]&lt;br /&gt;
* [[1-5-11-15 stellated hexany]]&lt;br /&gt;
* [[1-5-13-15 stellated hexany]]&lt;br /&gt;
* [[1-11-13-15 stellated hexany]]  — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-15-45-75 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-9-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-15 stellated hexany]]&lt;br /&gt;
* [[3-5-9-25 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-27 stellated hexany]]&lt;br /&gt;
* [[3-5-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-11-15 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-13-15 stellated hexany]]&lt;br /&gt;
* [[3-9-11-15 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-13-15 stellated hexany]]&lt;br /&gt;
* [[3-9-25-625 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-11-13-15 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-9-11-13 stellated hexany]]&lt;br /&gt;
* [[5-9-11-15 stellated hexany]]&lt;br /&gt;
* [[5-9-13-15 stellated hexany]]&lt;br /&gt;
* [[5-11-13-15 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
* [[1-3-5-7 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 stellated hexany]]&lt;br /&gt;
* [[1-5-7-9 stellated hexany]]&lt;br /&gt;
* [[1-5-7-15 stellated hexany]]&lt;br /&gt;
* [[1-7-9-15 stellated hexany]]&lt;br /&gt;
* [[1-7-13-15 stellated hexany]]&lt;br /&gt;
* [[3-5-7-9 stellated hexany]] — &#039;&#039;recommended with 2 notes removed - read article&#039;&#039;&lt;br /&gt;
* [[3-5-7-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 stellated hexany]]&lt;br /&gt;
* [[3-7-9-15 stellated hexany]] — &#039;&#039;recommended with 2 notes removed - read article&#039;&#039;&lt;br /&gt;
* [[3-7-13-15 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-15-21 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-13 stellated hexany]]&lt;br /&gt;
* [[5-7-9-15 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
* [[1-7-11-15 stellated hexany]]&lt;br /&gt;
* [[3-5-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-11-15 stellated hexany]]&lt;br /&gt;
* [[5-7-9-11 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Stelhex]]&lt;br /&gt;
* [[Stelhex-catakleismic]]&lt;br /&gt;
* [[Stelhex2]]&lt;br /&gt;
* [[Stelhex5]]&lt;br /&gt;
* [[Stellarhex]]&lt;br /&gt;
&lt;br /&gt;
== Pentadekanies (15-tone) ==&lt;br /&gt;
&#039;&#039;Main page: [[Pentadekany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 1.3.n ===&lt;br /&gt;
* [[1-3-5-7-9-11 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-9-13 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7-9-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-11-13 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-11-13 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-11-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-11-13-15 pentadekany]] — &#039;&#039;recommended but only for advanced composers&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-11-13 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-7-11-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.5.n ===&lt;br /&gt;
* [[1-5-7-9-11-13 pentadekany]]&lt;br /&gt;
* [[1-5-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-11-13-15 pentadekany]]&lt;br /&gt;
* [[1-5-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.7.n ===&lt;br /&gt;
* [[1-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.5.n ===&lt;br /&gt;
* [[3-5-7-9-11-13 pentadekany]]&lt;br /&gt;
* [[3-5-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-9-13-15 pentadekany]]&lt;br /&gt;
* [[3-5-7-11-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-11-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 3.7.n ===&lt;br /&gt;
* [[3-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 5.7.n ===&lt;br /&gt;
* [[5-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
== Eikosanies (20-tone) ==&lt;br /&gt;
&#039;&#039;Main page: [[Eikosany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 1.3.n ===&lt;br /&gt;
* [[1-3-5-7-9-11 eikosany]]&lt;br /&gt;
* [[1-3-5-7-9-13 eikosany]]&lt;br /&gt;
* [[1-3-5-7-9-15 eikosany]]&lt;br /&gt;
* [[1-3-5-7-11-13 eikosany]]&lt;br /&gt;
* [[1-3-5-7-11-15 eikosany]]&lt;br /&gt;
* [[1-3-5-7-13-15 eikosany]]&lt;br /&gt;
* [[1-3-5-9-11-13 eikosany]]&lt;br /&gt;
* [[1-3-5-9-11-15 eikosany]]&lt;br /&gt;
* [[1-3-5-9-13-15 eikosany]]&lt;br /&gt;
* [[1-3-5-11-13-15 eikosany]]&lt;br /&gt;
* [[1-3-7-9-11-13 eikosany]]&lt;br /&gt;
* [[1-3-7-9-11-15 eikosany]]&lt;br /&gt;
* [[1-3-7-9-13-15 eikosany]]&lt;br /&gt;
* [[1-3-7-11-13-15 eikosany]]&lt;br /&gt;
* [[1-3-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.5.n ===&lt;br /&gt;
* [[1-5-7-9-11-13 eikosany]]&lt;br /&gt;
* [[1-5-7-9-11-15 eikosany]]&lt;br /&gt;
* [[1-5-7-9-13-15 eikosany]]&lt;br /&gt;
* [[1-5-7-11-13-15 eikosany]]&lt;br /&gt;
* [[1-5-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.7.n ===&lt;br /&gt;
* [[1-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.5.n ===&lt;br /&gt;
* [[3-5-7-9-11-13 eikosany]]&lt;br /&gt;
* [[3-5-7-9-11-15 eikosany]]&lt;br /&gt;
* [[3-5-7-9-13-15 eikosany]]&lt;br /&gt;
* [[3-5-7-11-13-15 eikosany]]&lt;br /&gt;
* [[3-5-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.7.n ===&lt;br /&gt;
* [[3-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 5.7.n ===&lt;br /&gt;
* [[5-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
* [[Eikosanyplusop]]&lt;br /&gt;
&lt;br /&gt;
{{navbox scale gallery}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Combination product sets| ]]&lt;br /&gt;
[[Category:Lists of scales]]&lt;br /&gt;
[[Category:Just intonation scales]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Monthly_Tunings&amp;diff=230513</id>
		<title>Monthly Tunings</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Monthly_Tunings&amp;diff=230513"/>
		<updated>2026-05-18T08:45:16Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* 2026 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{About|the project organized on Facebook|the project organized on Discord|Tuning of the Month Club}}&lt;br /&gt;
[https://www.facebook.com/groups/979055042181607/ The Xenharmonic Alliance Monthly Tunings] group is a semi-private spin-off of the main Xenharmonic Alliance group. The point of the group is to get xenharmonicists to work on the same tuning, and share ideas, discoveries and music in that tuning. Each month, they all vote on the tuning they want to use.&lt;br /&gt;
&lt;br /&gt;
This page is meant to be an archive of the content produced by that group. Feel free to add your own work to the list.&lt;br /&gt;
&lt;br /&gt;
== Leadership and statistics ==&lt;br /&gt;
The group was founded by [[Antonie Beaudet]]. It is administrated by Antonie Beaudet and [[Claudi Meneghin]]. It is moderated by [[Stephen Weigel]].&lt;br /&gt;
&lt;br /&gt;
Meneghin posts the monthly polls where all users are invited to nominate tunings and to vote upon the nominations. Meneghin also keeps the monthly cover photo and other group images updated.&lt;br /&gt;
&lt;br /&gt;
As the time of writing (16 Dec 2024), the group has 473 members. &lt;br /&gt;
&lt;br /&gt;
The group usually sees 10 to 15 posts per month, though occasionally one month is an outlier with dramatically more activity (Sep 2024, 15edo, for example saw 51 posts). Posts are typically a fairly even mixture of original compositions, covers, new theoretical discoveries and reshares to promote the work of artists outside the group.&lt;br /&gt;
&lt;br /&gt;
== 2016 ==&lt;br /&gt;
; February and March - [[Pajara]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3043 Little Prelude &amp;amp;amp; Fugue in Pajara] by [[Claudi Meneghin]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Sensi]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3062 Sensi Tocada] by Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[37edo]]&lt;br /&gt;
* [https://digitalshock.bandcamp.com/track/08-days-i-do-not-know-if-she-is-saying-the-truth I do not know if she is saying the truth] by [[Igor Livramento]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3141 Little Twyelyghte Musicke (37edo) for 2 Cornetts, 2 Sagbutts &amp;amp;amp; Timpani] by Claudi Meneghin&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3133 Canon in F, 37edo] by Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Superpyth]]&lt;br /&gt;
*[https://soundcloud.com/pianodog/highlights-triadic-superpyth-study-in-22-tet Highlights - Triadic Superpyth Study] by [[William Lynch]]&lt;br /&gt;
*[https://soundcloud.com/pianodog/super-chill-22-tet-superpyth12 Super Chill] by William Lynch&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - 17-tone [[17edo|equal]] and [[Well temperament|well]]-temperaments&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/demanding-two-faces-17-edo Demanding Two Faces] by [[Stephen Weigel]] ([https://soundcloud.com/overtoneshock Soundcloud])&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/where-were-you-during-the-apocalypse-17-edo?in=overtoneshock/sets/xenharmonic-microtonal Where were you During the Apocalypse?] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September and October - [[Porcupine]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3202 Little Fugue in Porcupine] by Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[21edo]]&lt;br /&gt;
* [https://soundcloud.com/mbirakite/bueno-pa-gozar-21edo-version &amp;quot;Bueno Pa Gozar&amp;quot;] (by [[Kite Giedraitis]], salsa-esque piece loosely based on Oye Coma Va)&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3229 21edo Chacony, for harpsichord] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/little-fugue-21-edo Iridescent Wenge Fugue] by Stephen Weigel, accepted into [https://www.seamusonline.org/2018-national-conference/ SEAMUS 2018] and [http://eabarndance.com/ EABD 2018]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [http://www.anaphoria.com/hrgm.pdf Fibonacci tuning] (look on page 22 of the doc / 24 of the PDF)&lt;br /&gt;
The Fibonacci sequence is a series of integers that successively add to create the next one in the series, beginning with 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, etc... and thus a Fibonacci horogram shows this sequence in its rings / moments-of-symmetry. The generator for the Fibonacci horogram is 458.35921&amp;lt;u&amp;gt;3&amp;lt;/u&amp;gt;... cents.&lt;br /&gt;
&lt;br /&gt;
== 2017 ==&lt;br /&gt;
; January - [[Bohlen–Pierce]]&lt;br /&gt;
*[https://soundcloud.com/overtoneshock/a-mean-little-voice-bohlen-pierce-or-13ed3?in=overtoneshock/sets/xenharmonic-microtonal A Mean Little Voice] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[26edo]]&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[http://soonlabel.com/xenharmonic/archives/3335 Canon 3-in-1 on a ground ‘The tempest’] by Claudi Meneghin &amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Semaphore_and_Godzilla|Semaphore]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[11edo]]&lt;br /&gt;
* [https://soundcloud.com/xenseas/halve-knot-demo Halve Knot (demo)] by [[Mercury Tree]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[Mavila]]&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/gamelan-genesis-and-birth-9-edo Gamelan, Genesis, and Birth] by Stephen Weigel, played by the [[Beo String Quartet]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3379 Mavila Fugue] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/kosma-jumis-lul Kôsma jumiś lul] by [[Herman Miller]]&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/hunger-wanders-in-an-empty-room-16-edo Hunger Wanders in an Empty Room] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Marvel woo]]&lt;br /&gt;
* [https://soundcloud.com/pianodog/sketches-in-marvel-marvelous-river Marvelous River] by William Lynch&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/cave-of-marvels Cave of Marvels] by Herman Miller&lt;br /&gt;
* [http://chrisvaisvil.com/a-short-composition-in-marvel-woo/ A Short Composition in Marvel Woo] by [[Chris Vaisvil]] ([http://chrisvaisvil.com/ website])&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/hallelujah-cover-marvel-woo?in=overtoneshock/sets/cover-songs Hallelujah in Marvel Woo (cover)] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[20edo]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3434 Chacony &amp;amp;amp; Fugue in 20edo] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/spinning-the-web Spinning the Web] by Herman Miller&lt;br /&gt;
* [http://chrisvaisvil.com/20-edo-ambient-guitar-with-video/ 20edo Ambient Guitar with Video] by Chris Vaisvil&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[https://soundcloud.com/overtoneshock/underwater-spontaniety-20-edo Underwater Spontaniety] (lo-fi ambient) by Stephen Weigel&amp;lt;/span&amp;gt;&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[https://soundcloud.com/overtoneshock/gods-favorite-tuning-20-edo God&#039;s Favorite Tuning] (xen-pop) by Stephen Weigel&amp;lt;/span&amp;gt;&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[https://soundcloud.com/overtoneshock/you-lied-and-im-not-mentioning-your-name-20-edo?in=overtoneshock/sets/xenharmonic-microtonal You Lied, and I&#039;m not Mentioning your Name] (xen-pop) by Stephen Weigel&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[72edo]]&lt;br /&gt;
* [https://soundcloud.com/prent-rodgers/sets/on-fire-1 Modes for Strings #7] by [[Prent Rodgers]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October and November - [[46edo]]&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/curiosity-finds-a-frown-23-edo Curiosity Finds a Frown] by Stephen Weigel (this is in [[23edo]] - 23 is half of 46, so it counts!)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[15edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=SqZg4_OfSnU We Wish You a Merry Christmas and a Happy New Year! (online Christmas card)] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
== 2018 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[18edo]]&lt;br /&gt;
* [https://noahdeanjordan.bandcamp.com/album/the-moon The Moon] by [[Noah Jordan]] &lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/revealing-the-path Revealing the Path] by Herman Miller([https://www.facebook.com/noahjordanmusic/ Facebook]), this was done with acoustic piano&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/de-void-of-re-incarnation-18-edo De-Void of Re-Incarnation] by Stephen Weigel (fixed media)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[10edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=QQ4QP1C-220&amp;amp;feature=youtu.be Diablo] by [[Kewti]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/2391 Padanian Canon in 10edo] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/the-ten-armed-hunter Ten-Armed Hunter] by Herman Miller&lt;br /&gt;
* [http://chrisvaisvil.com/english-theorbo-10-edo-improvisation/ English Theorbo], [http://chrisvaisvil.com/in-wandelwonderland/ in wandelwonderland], [http://chrisvaisvil.com/fantasy-for-piano-tuned-to-10-edo-with-score/ Fantasy for Piano] by Chris Vaisvil&lt;br /&gt;
* [https://www.youtube.com/watch?v=KcKWYD92Yi0 Love is the Catalyst (cover)] by Stephen Weigel&lt;br /&gt;
* [https://soundcloud.com/user-769795842/sets/hymns-of-the-cosmos Hymns of the Cosmos] by KijntheRelar&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - Monarda&lt;br /&gt;
Monarda is a 12-note subset of &amp;quot;[[Tannic]]&amp;quot; temperament, discovered by [[Scott Dakota]], that is rank-three and observes the 17-limit. 17-limit JI is 7-dimensional, and the commas tempered out are: 273/272, 561/560, 441/440, and [[225/224|225/224]]. 7 dimensions - 4 commas = the 3 dimensional tuning. To find temperaments, it&#039;s recommended to use the [http://x31eq.com/temper/pregular.html Regular Temperament Finder], instead of the wiki. Check out the FB Monthly Tunings page for specifics.&lt;br /&gt;
*[https://noahdeanjordan.bandcamp.com/track/ilu ilu] by Noah Jordan&lt;br /&gt;
* [https://archive.org/details/Monarda_Impressions Cam Taylor&#039;s Monarda Impressions] by [[Cam Taylor]]&lt;br /&gt;
* [http://chrisvaisvil.com/tannic-acid-tempering-comparison/ Tannic Acid (comparison)] by Chris Vaisvil&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/nowhere-in-super-particular-sonarda-te Nowhere in Super Particular] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Polaris]]&lt;br /&gt;
*Polaris refers to a 17-note constant structure in 13-limit JI. It can either function as an untempered JI version, or a tempered version, where 352/351 and 364/363 are most often tempered out (144/143 can be tempered out as well).&lt;br /&gt;
* [http://chrisvaisvil.com/polaris-falls-diy-midi-controller-demo-video/ polaris falls] by Chris Vaisvil&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May and June - [[31edo]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3623 Contrapunctus 11 tuned to 31edo] by Claudi Meneghin (original composer J. S. Bach)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July and August - [[13edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[14edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[53edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[2.3.7]] JI&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[13.888edo]]&lt;br /&gt;
&lt;br /&gt;
== 2019 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[15edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[22edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - ~[[11/8]]-[[generator|generated]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[31edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[32edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Triple BP]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August and September - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[31edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[15edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[27edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/nusu-laj-stille-nacht Stille Nacht (cover)]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2020 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[17edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[20edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/ivari-na-taniravi Ivari na taniravi]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - Tunings using [[phi]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April and May - [[Miracle]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[Luna]][25]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[8edf]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[Archytas&#039; Chromatic]] or [[:Category:Al-Farabi|Al-Farabi]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[subgroup|2.11.19]] JI (29-tone [[neji]])&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/javen-slu-lil Javen ślǔ lil]&#039;&#039; - Herman Miller&lt;br /&gt;
** Instrumental: [https://soundcloud.com/morphosyntax-1/javen-slu-lil-instrumental javen-slu-lil-instrumental]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[20edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/drifting Drifting]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[9edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/nine-days-wonder Nine Days’ Wonder]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[46edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/light-at-the-end Light at the End]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2021 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[20c &amp;amp; 21c]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/lost-in-the-maze Lost in the Maze]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[50edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[13.888edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April and May - [[19edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/chameleon-dance Chameleon Dance]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June and July - [[31edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/ignorance-is-strength Ignorance is Strength]&#039;&#039; - Herman Miller&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/vupagvam-meaningless Vüpagvam]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[55edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/road-trip-to-nowhere Road Trip to Nowhere]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[0edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/lost-at-c Lost at C]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October and November - [[Canasta]][31]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/realm-of-possibility Realm of Possibility]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[13edo]]&lt;br /&gt;
&lt;br /&gt;
== 2022 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[Orwell]][22] or [[Orwell]][31]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/a-hidden-world A Hidden World]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February and March - [[22edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/march-of-the-mad-hares March of the Mad Hares]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[72edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May and June - [[41edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[6ed5/4]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[46edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[13.888edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/the-butterflys-dream The Butterfly’s Dream]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[Blackjack]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[23edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/vozu-zwen-ka-zan Vözü źwên ķa źan]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[37edo]]&lt;br /&gt;
&lt;br /&gt;
== 2023 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[37edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/luck-of-the-draw Luck of the Draw]&#039;&#039; - Herman Miller&lt;br /&gt;
** [https://drive.google.com/file/d/1rjyC9fRXKwRqpdsGEj3a3JHeJeWkdVWZ/view?usp=drive_link Official score]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[43edt]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[26edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Golden meantone]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Triple BP]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[Carlos Alpha]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Dwarf17marv]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August and September - [[Tetracot]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[50edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November and December&lt;br /&gt;
&#039;&#039;(Group was on hiatus during these months.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== 2024 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[Negri]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/without-a-clue Without a Clue]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[33edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=scCuGXnj5IY Enchanted Shopping Mall]&#039;&#039; - [[Budjarn Lambeth]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[Sensi]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=qc0CkUKj7t4 Music in Sensi temperament]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Orwell]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=xb1aazfhAQ4 Improvisation in Orwell temperament]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/zurg-tuun-vantu-war-is-peace Zurğ tuun vantu]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Eagle 53]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=KCNS-bRolio Three short pieces in Eagle 53 tuning]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=fFU2cf1fFEM Uccellini - Aria Sopra La Bergamasca, arranged for Oboe, Recorder, Bassoon, tuned into Eagle 53]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=BYvzWG7y-ps Bach - Prelude BWV 999, arranged for Organ, transposed into Em, tuned into EAGLE 53]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/flowing-along Flowing Along]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[19edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=DRPqNK3VpXM Music in 19edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[34edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=X4MwtiRNW_k Atlantis theme from Banjo-Tooie in 34-TET (Microtonal)]&#039;&#039; - [[Chris Kline]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[21edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=8Bt8MLGcbts Four short improvisations in 21edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September and October - [[15edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=7KRum47I0wQ Dungeon theme (and other themes) from the Legend of Zelda in 15-TET (Microtonal)]&#039;&#039; - Chris Kline&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=eSXomnrP7O8 Improvisation in zeta-stretched 15edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[43edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=KsB9T9_6cGk Gamelan-inspired improvisation in 43edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[42edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/puffinwrangler/sets/white-christmas White Christmas (42edo reimagining)]&#039;&#039; - [[Todd Harrop]]&lt;br /&gt;
* &#039;&#039;[https://app.box.com/s/70bwqa09oq84rqehc90j5fttgqjmbxme Circulating and Traversing]&#039;&#039; - [[James Kukula]]&lt;br /&gt;
** [https://interdependentscience.blogspot.com/2024/12/circulating-and-traversing.html Composer’s notes]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=vdjhC9i5KF4 Four Short Experiments in Octave Stretched 42edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://youtube.com/shorts/DH-iGV6r8Xw Microtonal Fugue on an Original Theme (42edo)]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=Wh4GmL5Xw8Q BACH - RICERCAR a 3 from the Musical Offering, tuned into E42]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/through-the-dark Through the Dark]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2025 ==&lt;br /&gt;
&lt;br /&gt;
; January - [[25edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=6VC5FWWMwR4 Improvisation in 25edo (Akebono I scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=ZVsQAZdbvMI Improvisation in 25edo (Antipental Blues scale, glass unison timbre)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=iy5Zwc8vipw Improvisation in 25edo (Antipental Blues scale, platinum inharmonic timbre)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=B6HGVZzUze4 Improvisation in 25edo (Armodue5 scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=EK7O0SxI9dI Improvisation in 25edo (Fennec scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/rabbit-tracks-in-the-snow Rabbit Tracks in the Snow]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[55edo]]&lt;br /&gt;
* &#039;&#039;[https://app.box.com/s/8hq89cb3rqqkrhvkxgvqtppa255kcqrq?fbclid=IwY2xjawISjSlleHRuA2FlbQIxMAABHcl5t8n_C7QUJqdEnwSaWBc5u3BpldmcAjhQQljsQIPl1qJ-zdCr9T8NMw_aem_Ez0m-Ls_ZqI0-c0Ld-28Yg 55edo Melted Syntonic]&#039;&#039; - James Kukula&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=9c5MtrZFNhA Improvisation One in 55edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=ggFGUn1Ya2A Improvisation Two in 55edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://youtube.com/shorts/6AanMQIxKaI?si=YsCJXkSVbLqx5LAo HAPPY BIRTHDAY 55-edo - Canon (55th birthday) · 6-in-1 Canon in 55edo]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=AgsJCTyxqiM A Double Fugue on &amp;quot;We Wish You a Merry Christmas&amp;quot; for String Quartet in 55-equal division of the octave]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/migration Migration]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[56edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=VsBXIvBZY6A 56edo Track (Echidnic16 Scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/vultures Vultures]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - Eagle JI (detempered [[Eagle 53]])&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=D2jrE293Aeo Improvisation in Eagle JI]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=Tmk78SFLstY ARIA SOPRA LA BERGAMASCA, by Uccellini - arranged for Oboe, Recorder, Bassoon, tuned into Eagle JI ]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://audio.com/hstraub/audio/eagleji-2025-04-06-1221 EagleJIN2025-04-06 1221]&#039;&#039; - [[Hans Straub]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Peppermint-24]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=g6e3zYlbsWc Microtonal Jungle-Inspired Track in the &amp;quot;Salt and Pepper Scale&amp;quot;]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=eRzdbzJah20 Mozart&#039;s Gigue KV 574, Arranged for Fortepiano (PEPPERMINT)]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[37edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=_NRZkEw6K1E Improvisation in 37edo (Ultrapyth Temperament)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://alonetone.com/vaisvil/tracks/selling-the-sky-in-37-edo-post-manipulation?fbclid=IwY2xjawLcAgNleHRuA2FlbQIxMABicmlkETFaSk44N25uNTY3SDNsdHJtAR7sCkNHhRijMUr3emWNpIQsMcUO_hUa2Dqkm4gBDGLw8Ut_rBrLxMuCPPd5AA_aem_gYV5k6rVPA1fYZZpesSGAQ Selling the Sky in 37edo Post Manipulation]&#039;&#039; - [[Chris Vaisvil]] ([https://alonetone.com/vaisvil/tracks/selling-the-sky-in-37-edo-post-manipulation.mp3 audio])&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=rxgV0Q1137o Luciférine (Ichicko Aoba) - 37-TET cover]&#039;&#039; - [[Stephen Weigel]] &amp;amp; [[Anna Harkrider]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=_m5u4VviMXw Galantean Drift]&#039;&#039; - &amp;lt;nowiki&amp;gt;XENO*n*&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[70edo]]&lt;br /&gt;
* &#039;&#039;[https://app.box.com/s/i9vvgcplpmksrm8rubz2h3asee2cnr26 piece from Stepping Outside]&#039;&#039; - James Kukula&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=dyEH-pP2dJU Improv in 70edo (Polymicrotonal 10edo+14edo Scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://youtube.com/shorts/HxGZpAvf4ac The Falling Fifth Progression in 70-equal division of the octave, transitioning from Pythagorean (5th = 702.857 ¢ = 41\70) to Neutral (5th = 685.714 ¢ = 40\70), by shrinking a fifth at a time]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[80edo]]&lt;br /&gt;
* &#039;&#039;[https://youtu.be/6N_8QM2UK5I Improvisation in compressed 80edo (435zpi)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* {{w|Frédéric Chopin}}&#039;s [https://www.youtube.com/watch?v=ng1UyvhHcrQ Prelude Op. 28, No. 4 in E minor « Suffocation » (1839), arranged for harpsichord, tuned into 80-edo] – rendered by Claudi Meneghin&lt;br /&gt;
* [https://www.youtube.com/watch?v=TgD7cN8a5D8 Lytel Twyelyghte Musicke (Little Twilight Music), for Brass, Winds, Strings, and Timpani, in 80-equal division of the octave, as the linear temperament generated by its fifth] - Claudi Meneghin&lt;br /&gt;
* Herman Miller created an ltn file for the [[Bidia]] mapping for 80edo on the [[Lumatone]], see: &#039;&#039;[[Lumatone mapping for 80edo#Bidia]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[36edo]]&lt;br /&gt;
* [https://youtu.be/XZKafk-PkPc &#039;&#039;Improvisation in zeta-stretched 36edo (catnip24 scale)&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://m.youtube.com/watch?v=wy3qlby0Yiw &#039;&#039;Prelude from &#039;Suite 36&#039; for Lumatone and piano&#039;&#039;] - [[Juhani Nuorvala]]&lt;br /&gt;
* [https://alonetone.com/vaisvil/tracks/you-are-him &#039;&#039;You Are Him&#039;&#039;] - Chris Vaisvil&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[35edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=ZPXaMTdTSgw &#039;&#039;Lighting the Jack-o&#039;-lanterns&#039;&#039;] ([[Blackwood]][20]) - Budjarn Lambeth&lt;br /&gt;
* [https://youtu.be/1odAmqiQaz0 &#039;&#039;CHOPIN Waltz op 64 #2 arranged for FORTEPIANO and tuned into 35-edo&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://youtu.be/idUG-x8kT3o &#039;&#039;Gesualdo&#039;s Dolcissima mia vita in three comparative tunings after translation to english&#039;&#039;] - Chris Vaisvil (5:05 to 10:05)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[27edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=JrpcIkElKQc &#039;&#039;Will-O-Wisps&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://www.youtube.com/watch?v=ntnFso-3T_I &#039;&#039;CHACONNE IN 27 EDO, FOR BAROQUE CONSORT&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://www.youtube.com/shorts/5vRudUCuyqc &#039;&#039;Joplin&#039;s Maple Leaf Rag arranged in 27edo&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[13edo]]&lt;br /&gt;
* [https://interdependentscience.blogspot.com/2025/12/13edo.html &#039;&#039;13edo steer&#039;&#039;] - James Kukula&lt;br /&gt;
* [https://www.youtube.com/watch?v=CqBmABrTRas &#039;&#039;Ibex&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://youtube.com/shorts/qpn2zlqynfA?si=1nUgZFJ9iG6xTb3X &#039;&#039;Micro-piece in 13edo for Baroque Consort&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/vam-ziv-zu-niv &#039;&#039;Vam ziv zŭ niv&#039;&#039;] - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2026 ==&lt;br /&gt;
&lt;br /&gt;
; January - [[16edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=y7D0ZgCZlEg &#039;&#039;Waking with a Fever Before Sunrise&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://www.youtube.com/shorts/aQqcbIT7tsg &#039;&#039;Micropiece in 16edo for Baroque Consort (Mikrokosmos #21)&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://hansstraub.bandcamp.com/album/nights-in-sixteen &#039;&#039;Nights in Sixteen&#039;&#039;] (full album) - [[Hans Straub]]&lt;br /&gt;
Also in January, [[Stephen Weigel]] created a sheet music transcription for the pre-existing 16edo work:&lt;br /&gt;
* &#039;&#039;[https://youtu.be/Ta1HzwSJmqk Don&#039;t Take Five]&#039;&#039; - [[Woyten]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[Kleismic]] temperament and [[Kleismic family|its extensions]]&lt;br /&gt;
* [https://youtu.be/6Kxq5uxu-c8 &#039;&#039;Improv in CWE Catakleismic11&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/the-edge-of-lunacy &#039;&#039;The Edge of Lunacy&#039;&#039;] - Herman Miller&lt;br /&gt;
* [https://youtu.be/T2RfMrE7J_Q &#039;&#039;15625/15552&#039;&#039;] - [[Nodal Nim]] and [[Phanonium]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March and April - [[Porcupine]] temperament&lt;br /&gt;
* [https://www.dropbox.com/scl/fi/53ggtzge91kcnfbiupy9r/Porcupine_pump_22edo_guitar_decorated.wav?rlkey=2wbz9afh7f428sl1tbxumcfsu&amp;amp;e=1&amp;amp;st=ip7amqlh&amp;amp;dl=0 &#039;&#039;Porcupine pump 22edo guitar, decorated&#039;&#039;] - [[Casey Hale]] ([[22edo]])&lt;br /&gt;
* [https://app.box.com/s/pjn111a5clonwthmls9ly2b5jxzq96ac &#039;&#039;22 pumps 250 over 243&#039;&#039;] - James Kukula (22edo)&lt;br /&gt;
* [https://youtu.be/YDbqf3g88BE &#039;&#039;The Odd Effects of Breathing the Fairy Dust&#039;&#039;] - Budjarn Lambeth ([[59edo]] porcupine[15])&lt;br /&gt;
* [https://m.youtube.com/shorts/w0WLBdOPcaI &#039;&#039;PORCUPINE FUGUE, for BAROQUE TRIO&#039;&#039;] - Claudi Meneghin (a [[well temperament]] of porcupine)&lt;br /&gt;
* [https://youtu.be/Qs_-eEXKFCc?si=xFnOG6wPwh3JZZSU &#039;&#039;Osage Orange&#039;&#039;] - Nodal Nim&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Mint temperaments]] (temperaments that temper out [[36/35]])&lt;br /&gt;
* [https://m.youtube.com/watch?v=oXy_RXrBVWA &#039;&#039;Rain In The Crystal Mirror Caves&#039;&#039;] - Budjarn Lambeth &lt;br /&gt;
* [https://drive.google.com/file/d/1rx15y2mm7qPTUqKvFwSW_1ZqMb6rbPZa/view?fbclid=IwdGRjcAR3sHBleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xNzM4NDc2NDI2NzAzNzAAAR5E9stuuM5OCYAFFfPs9XMPmZ3vAtou1npN2JZflgbD1Tz7ek0WFHNmGI2K-Q_aem_oknuPAaUCjufLu3IxEizFg &#039;&#039;Gorgo piece&#039;&#039;] - Herman Miller&lt;br /&gt;
* [https://drive.google.com/file/d/1OIBJwWi33Trgj-1FJFsJTvperheEv_ms/view?fbclid=IwdGRjcAR3sKRleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xNzM4NDc2NDI2NzAzNzAAAR7m2FKIKzhEQ9DJow4088EyFOWGyFC4VCopA0OGHdgnTdGpTc14YZw7U21uFQ_aem_b1yj90Z97TEgVXZ1PLC38w &#039;&#039;Beep piece&#039;&#039;] - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Microtonal compositions by month]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Projects]]&lt;br /&gt;
[[Category:Listen]]&lt;br /&gt;
[[Category:Facebook]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Monthly_Tunings&amp;diff=230512</id>
		<title>Monthly Tunings</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Monthly_Tunings&amp;diff=230512"/>
		<updated>2026-05-18T08:44:46Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* 2026 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{About|the project organized on Facebook|the project organized on Discord|Tuning of the Month Club}}&lt;br /&gt;
[https://www.facebook.com/groups/979055042181607/ The Xenharmonic Alliance Monthly Tunings] group is a semi-private spin-off of the main Xenharmonic Alliance group. The point of the group is to get xenharmonicists to work on the same tuning, and share ideas, discoveries and music in that tuning. Each month, they all vote on the tuning they want to use.&lt;br /&gt;
&lt;br /&gt;
This page is meant to be an archive of the content produced by that group. Feel free to add your own work to the list.&lt;br /&gt;
&lt;br /&gt;
== Leadership and statistics ==&lt;br /&gt;
The group was founded by [[Antonie Beaudet]]. It is administrated by Antonie Beaudet and [[Claudi Meneghin]]. It is moderated by [[Stephen Weigel]].&lt;br /&gt;
&lt;br /&gt;
Meneghin posts the monthly polls where all users are invited to nominate tunings and to vote upon the nominations. Meneghin also keeps the monthly cover photo and other group images updated.&lt;br /&gt;
&lt;br /&gt;
As the time of writing (16 Dec 2024), the group has 473 members. &lt;br /&gt;
&lt;br /&gt;
The group usually sees 10 to 15 posts per month, though occasionally one month is an outlier with dramatically more activity (Sep 2024, 15edo, for example saw 51 posts). Posts are typically a fairly even mixture of original compositions, covers, new theoretical discoveries and reshares to promote the work of artists outside the group.&lt;br /&gt;
&lt;br /&gt;
== 2016 ==&lt;br /&gt;
; February and March - [[Pajara]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3043 Little Prelude &amp;amp;amp; Fugue in Pajara] by [[Claudi Meneghin]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Sensi]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3062 Sensi Tocada] by Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[37edo]]&lt;br /&gt;
* [https://digitalshock.bandcamp.com/track/08-days-i-do-not-know-if-she-is-saying-the-truth I do not know if she is saying the truth] by [[Igor Livramento]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3141 Little Twyelyghte Musicke (37edo) for 2 Cornetts, 2 Sagbutts &amp;amp;amp; Timpani] by Claudi Meneghin&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3133 Canon in F, 37edo] by Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Superpyth]]&lt;br /&gt;
*[https://soundcloud.com/pianodog/highlights-triadic-superpyth-study-in-22-tet Highlights - Triadic Superpyth Study] by [[William Lynch]]&lt;br /&gt;
*[https://soundcloud.com/pianodog/super-chill-22-tet-superpyth12 Super Chill] by William Lynch&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - 17-tone [[17edo|equal]] and [[Well temperament|well]]-temperaments&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/demanding-two-faces-17-edo Demanding Two Faces] by [[Stephen Weigel]] ([https://soundcloud.com/overtoneshock Soundcloud])&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/where-were-you-during-the-apocalypse-17-edo?in=overtoneshock/sets/xenharmonic-microtonal Where were you During the Apocalypse?] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September and October - [[Porcupine]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3202 Little Fugue in Porcupine] by Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[21edo]]&lt;br /&gt;
* [https://soundcloud.com/mbirakite/bueno-pa-gozar-21edo-version &amp;quot;Bueno Pa Gozar&amp;quot;] (by [[Kite Giedraitis]], salsa-esque piece loosely based on Oye Coma Va)&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3229 21edo Chacony, for harpsichord] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/little-fugue-21-edo Iridescent Wenge Fugue] by Stephen Weigel, accepted into [https://www.seamusonline.org/2018-national-conference/ SEAMUS 2018] and [http://eabarndance.com/ EABD 2018]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [http://www.anaphoria.com/hrgm.pdf Fibonacci tuning] (look on page 22 of the doc / 24 of the PDF)&lt;br /&gt;
The Fibonacci sequence is a series of integers that successively add to create the next one in the series, beginning with 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, etc... and thus a Fibonacci horogram shows this sequence in its rings / moments-of-symmetry. The generator for the Fibonacci horogram is 458.35921&amp;lt;u&amp;gt;3&amp;lt;/u&amp;gt;... cents.&lt;br /&gt;
&lt;br /&gt;
== 2017 ==&lt;br /&gt;
; January - [[Bohlen–Pierce]]&lt;br /&gt;
*[https://soundcloud.com/overtoneshock/a-mean-little-voice-bohlen-pierce-or-13ed3?in=overtoneshock/sets/xenharmonic-microtonal A Mean Little Voice] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[26edo]]&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[http://soonlabel.com/xenharmonic/archives/3335 Canon 3-in-1 on a ground ‘The tempest’] by Claudi Meneghin &amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Semaphore_and_Godzilla|Semaphore]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[11edo]]&lt;br /&gt;
* [https://soundcloud.com/xenseas/halve-knot-demo Halve Knot (demo)] by [[Mercury Tree]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[Mavila]]&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/gamelan-genesis-and-birth-9-edo Gamelan, Genesis, and Birth] by Stephen Weigel, played by the [[Beo String Quartet]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3379 Mavila Fugue] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/kosma-jumis-lul Kôsma jumiś lul] by [[Herman Miller]]&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/hunger-wanders-in-an-empty-room-16-edo Hunger Wanders in an Empty Room] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Marvel woo]]&lt;br /&gt;
* [https://soundcloud.com/pianodog/sketches-in-marvel-marvelous-river Marvelous River] by William Lynch&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/cave-of-marvels Cave of Marvels] by Herman Miller&lt;br /&gt;
* [http://chrisvaisvil.com/a-short-composition-in-marvel-woo/ A Short Composition in Marvel Woo] by [[Chris Vaisvil]] ([http://chrisvaisvil.com/ website])&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/hallelujah-cover-marvel-woo?in=overtoneshock/sets/cover-songs Hallelujah in Marvel Woo (cover)] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[20edo]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3434 Chacony &amp;amp;amp; Fugue in 20edo] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/spinning-the-web Spinning the Web] by Herman Miller&lt;br /&gt;
* [http://chrisvaisvil.com/20-edo-ambient-guitar-with-video/ 20edo Ambient Guitar with Video] by Chris Vaisvil&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[https://soundcloud.com/overtoneshock/underwater-spontaniety-20-edo Underwater Spontaniety] (lo-fi ambient) by Stephen Weigel&amp;lt;/span&amp;gt;&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[https://soundcloud.com/overtoneshock/gods-favorite-tuning-20-edo God&#039;s Favorite Tuning] (xen-pop) by Stephen Weigel&amp;lt;/span&amp;gt;&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[https://soundcloud.com/overtoneshock/you-lied-and-im-not-mentioning-your-name-20-edo?in=overtoneshock/sets/xenharmonic-microtonal You Lied, and I&#039;m not Mentioning your Name] (xen-pop) by Stephen Weigel&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[72edo]]&lt;br /&gt;
* [https://soundcloud.com/prent-rodgers/sets/on-fire-1 Modes for Strings #7] by [[Prent Rodgers]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October and November - [[46edo]]&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/curiosity-finds-a-frown-23-edo Curiosity Finds a Frown] by Stephen Weigel (this is in [[23edo]] - 23 is half of 46, so it counts!)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[15edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=SqZg4_OfSnU We Wish You a Merry Christmas and a Happy New Year! (online Christmas card)] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
== 2018 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[18edo]]&lt;br /&gt;
* [https://noahdeanjordan.bandcamp.com/album/the-moon The Moon] by [[Noah Jordan]] &lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/revealing-the-path Revealing the Path] by Herman Miller([https://www.facebook.com/noahjordanmusic/ Facebook]), this was done with acoustic piano&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/de-void-of-re-incarnation-18-edo De-Void of Re-Incarnation] by Stephen Weigel (fixed media)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[10edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=QQ4QP1C-220&amp;amp;feature=youtu.be Diablo] by [[Kewti]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/2391 Padanian Canon in 10edo] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/the-ten-armed-hunter Ten-Armed Hunter] by Herman Miller&lt;br /&gt;
* [http://chrisvaisvil.com/english-theorbo-10-edo-improvisation/ English Theorbo], [http://chrisvaisvil.com/in-wandelwonderland/ in wandelwonderland], [http://chrisvaisvil.com/fantasy-for-piano-tuned-to-10-edo-with-score/ Fantasy for Piano] by Chris Vaisvil&lt;br /&gt;
* [https://www.youtube.com/watch?v=KcKWYD92Yi0 Love is the Catalyst (cover)] by Stephen Weigel&lt;br /&gt;
* [https://soundcloud.com/user-769795842/sets/hymns-of-the-cosmos Hymns of the Cosmos] by KijntheRelar&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - Monarda&lt;br /&gt;
Monarda is a 12-note subset of &amp;quot;[[Tannic]]&amp;quot; temperament, discovered by [[Scott Dakota]], that is rank-three and observes the 17-limit. 17-limit JI is 7-dimensional, and the commas tempered out are: 273/272, 561/560, 441/440, and [[225/224|225/224]]. 7 dimensions - 4 commas = the 3 dimensional tuning. To find temperaments, it&#039;s recommended to use the [http://x31eq.com/temper/pregular.html Regular Temperament Finder], instead of the wiki. Check out the FB Monthly Tunings page for specifics.&lt;br /&gt;
*[https://noahdeanjordan.bandcamp.com/track/ilu ilu] by Noah Jordan&lt;br /&gt;
* [https://archive.org/details/Monarda_Impressions Cam Taylor&#039;s Monarda Impressions] by [[Cam Taylor]]&lt;br /&gt;
* [http://chrisvaisvil.com/tannic-acid-tempering-comparison/ Tannic Acid (comparison)] by Chris Vaisvil&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/nowhere-in-super-particular-sonarda-te Nowhere in Super Particular] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Polaris]]&lt;br /&gt;
*Polaris refers to a 17-note constant structure in 13-limit JI. It can either function as an untempered JI version, or a tempered version, where 352/351 and 364/363 are most often tempered out (144/143 can be tempered out as well).&lt;br /&gt;
* [http://chrisvaisvil.com/polaris-falls-diy-midi-controller-demo-video/ polaris falls] by Chris Vaisvil&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May and June - [[31edo]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3623 Contrapunctus 11 tuned to 31edo] by Claudi Meneghin (original composer J. S. Bach)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July and August - [[13edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[14edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[53edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[2.3.7]] JI&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[13.888edo]]&lt;br /&gt;
&lt;br /&gt;
== 2019 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[15edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[22edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - ~[[11/8]]-[[generator|generated]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[31edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[32edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Triple BP]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August and September - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[31edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[15edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[27edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/nusu-laj-stille-nacht Stille Nacht (cover)]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2020 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[17edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[20edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/ivari-na-taniravi Ivari na taniravi]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - Tunings using [[phi]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April and May - [[Miracle]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[Luna]][25]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[8edf]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[Archytas&#039; Chromatic]] or [[:Category:Al-Farabi|Al-Farabi]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[subgroup|2.11.19]] JI (29-tone [[neji]])&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/javen-slu-lil Javen ślǔ lil]&#039;&#039; - Herman Miller&lt;br /&gt;
** Instrumental: [https://soundcloud.com/morphosyntax-1/javen-slu-lil-instrumental javen-slu-lil-instrumental]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[20edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/drifting Drifting]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[9edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/nine-days-wonder Nine Days’ Wonder]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[46edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/light-at-the-end Light at the End]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2021 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[20c &amp;amp; 21c]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/lost-in-the-maze Lost in the Maze]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[50edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[13.888edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April and May - [[19edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/chameleon-dance Chameleon Dance]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June and July - [[31edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/ignorance-is-strength Ignorance is Strength]&#039;&#039; - Herman Miller&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/vupagvam-meaningless Vüpagvam]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[55edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/road-trip-to-nowhere Road Trip to Nowhere]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[0edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/lost-at-c Lost at C]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October and November - [[Canasta]][31]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/realm-of-possibility Realm of Possibility]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[13edo]]&lt;br /&gt;
&lt;br /&gt;
== 2022 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[Orwell]][22] or [[Orwell]][31]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/a-hidden-world A Hidden World]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February and March - [[22edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/march-of-the-mad-hares March of the Mad Hares]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[72edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May and June - [[41edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[6ed5/4]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[46edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[13.888edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/the-butterflys-dream The Butterfly’s Dream]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[Blackjack]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[23edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/vozu-zwen-ka-zan Vözü źwên ķa źan]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[37edo]]&lt;br /&gt;
&lt;br /&gt;
== 2023 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[37edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/luck-of-the-draw Luck of the Draw]&#039;&#039; - Herman Miller&lt;br /&gt;
** [https://drive.google.com/file/d/1rjyC9fRXKwRqpdsGEj3a3JHeJeWkdVWZ/view?usp=drive_link Official score]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[43edt]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[26edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Golden meantone]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Triple BP]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[Carlos Alpha]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Dwarf17marv]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August and September - [[Tetracot]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[50edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November and December&lt;br /&gt;
&#039;&#039;(Group was on hiatus during these months.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== 2024 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[Negri]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/without-a-clue Without a Clue]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[33edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=scCuGXnj5IY Enchanted Shopping Mall]&#039;&#039; - [[Budjarn Lambeth]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[Sensi]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=qc0CkUKj7t4 Music in Sensi temperament]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Orwell]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=xb1aazfhAQ4 Improvisation in Orwell temperament]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/zurg-tuun-vantu-war-is-peace Zurğ tuun vantu]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Eagle 53]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=KCNS-bRolio Three short pieces in Eagle 53 tuning]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=fFU2cf1fFEM Uccellini - Aria Sopra La Bergamasca, arranged for Oboe, Recorder, Bassoon, tuned into Eagle 53]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=BYvzWG7y-ps Bach - Prelude BWV 999, arranged for Organ, transposed into Em, tuned into EAGLE 53]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/flowing-along Flowing Along]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[19edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=DRPqNK3VpXM Music in 19edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[34edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=X4MwtiRNW_k Atlantis theme from Banjo-Tooie in 34-TET (Microtonal)]&#039;&#039; - [[Chris Kline]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[21edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=8Bt8MLGcbts Four short improvisations in 21edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September and October - [[15edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=7KRum47I0wQ Dungeon theme (and other themes) from the Legend of Zelda in 15-TET (Microtonal)]&#039;&#039; - Chris Kline&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=eSXomnrP7O8 Improvisation in zeta-stretched 15edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[43edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=KsB9T9_6cGk Gamelan-inspired improvisation in 43edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[42edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/puffinwrangler/sets/white-christmas White Christmas (42edo reimagining)]&#039;&#039; - [[Todd Harrop]]&lt;br /&gt;
* &#039;&#039;[https://app.box.com/s/70bwqa09oq84rqehc90j5fttgqjmbxme Circulating and Traversing]&#039;&#039; - [[James Kukula]]&lt;br /&gt;
** [https://interdependentscience.blogspot.com/2024/12/circulating-and-traversing.html Composer’s notes]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=vdjhC9i5KF4 Four Short Experiments in Octave Stretched 42edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://youtube.com/shorts/DH-iGV6r8Xw Microtonal Fugue on an Original Theme (42edo)]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=Wh4GmL5Xw8Q BACH - RICERCAR a 3 from the Musical Offering, tuned into E42]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/through-the-dark Through the Dark]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2025 ==&lt;br /&gt;
&lt;br /&gt;
; January - [[25edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=6VC5FWWMwR4 Improvisation in 25edo (Akebono I scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=ZVsQAZdbvMI Improvisation in 25edo (Antipental Blues scale, glass unison timbre)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=iy5Zwc8vipw Improvisation in 25edo (Antipental Blues scale, platinum inharmonic timbre)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=B6HGVZzUze4 Improvisation in 25edo (Armodue5 scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=EK7O0SxI9dI Improvisation in 25edo (Fennec scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/rabbit-tracks-in-the-snow Rabbit Tracks in the Snow]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[55edo]]&lt;br /&gt;
* &#039;&#039;[https://app.box.com/s/8hq89cb3rqqkrhvkxgvqtppa255kcqrq?fbclid=IwY2xjawISjSlleHRuA2FlbQIxMAABHcl5t8n_C7QUJqdEnwSaWBc5u3BpldmcAjhQQljsQIPl1qJ-zdCr9T8NMw_aem_Ez0m-Ls_ZqI0-c0Ld-28Yg 55edo Melted Syntonic]&#039;&#039; - James Kukula&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=9c5MtrZFNhA Improvisation One in 55edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=ggFGUn1Ya2A Improvisation Two in 55edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://youtube.com/shorts/6AanMQIxKaI?si=YsCJXkSVbLqx5LAo HAPPY BIRTHDAY 55-edo - Canon (55th birthday) · 6-in-1 Canon in 55edo]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=AgsJCTyxqiM A Double Fugue on &amp;quot;We Wish You a Merry Christmas&amp;quot; for String Quartet in 55-equal division of the octave]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/migration Migration]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[56edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=VsBXIvBZY6A 56edo Track (Echidnic16 Scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/vultures Vultures]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - Eagle JI (detempered [[Eagle 53]])&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=D2jrE293Aeo Improvisation in Eagle JI]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=Tmk78SFLstY ARIA SOPRA LA BERGAMASCA, by Uccellini - arranged for Oboe, Recorder, Bassoon, tuned into Eagle JI ]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://audio.com/hstraub/audio/eagleji-2025-04-06-1221 EagleJIN2025-04-06 1221]&#039;&#039; - [[Hans Straub]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Peppermint-24]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=g6e3zYlbsWc Microtonal Jungle-Inspired Track in the &amp;quot;Salt and Pepper Scale&amp;quot;]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=eRzdbzJah20 Mozart&#039;s Gigue KV 574, Arranged for Fortepiano (PEPPERMINT)]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[37edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=_NRZkEw6K1E Improvisation in 37edo (Ultrapyth Temperament)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://alonetone.com/vaisvil/tracks/selling-the-sky-in-37-edo-post-manipulation?fbclid=IwY2xjawLcAgNleHRuA2FlbQIxMABicmlkETFaSk44N25uNTY3SDNsdHJtAR7sCkNHhRijMUr3emWNpIQsMcUO_hUa2Dqkm4gBDGLw8Ut_rBrLxMuCPPd5AA_aem_gYV5k6rVPA1fYZZpesSGAQ Selling the Sky in 37edo Post Manipulation]&#039;&#039; - [[Chris Vaisvil]] ([https://alonetone.com/vaisvil/tracks/selling-the-sky-in-37-edo-post-manipulation.mp3 audio])&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=rxgV0Q1137o Luciférine (Ichicko Aoba) - 37-TET cover]&#039;&#039; - [[Stephen Weigel]] &amp;amp; [[Anna Harkrider]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=_m5u4VviMXw Galantean Drift]&#039;&#039; - &amp;lt;nowiki&amp;gt;XENO*n*&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[70edo]]&lt;br /&gt;
* &#039;&#039;[https://app.box.com/s/i9vvgcplpmksrm8rubz2h3asee2cnr26 piece from Stepping Outside]&#039;&#039; - James Kukula&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=dyEH-pP2dJU Improv in 70edo (Polymicrotonal 10edo+14edo Scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://youtube.com/shorts/HxGZpAvf4ac The Falling Fifth Progression in 70-equal division of the octave, transitioning from Pythagorean (5th = 702.857 ¢ = 41\70) to Neutral (5th = 685.714 ¢ = 40\70), by shrinking a fifth at a time]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[80edo]]&lt;br /&gt;
* &#039;&#039;[https://youtu.be/6N_8QM2UK5I Improvisation in compressed 80edo (435zpi)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* {{w|Frédéric Chopin}}&#039;s [https://www.youtube.com/watch?v=ng1UyvhHcrQ Prelude Op. 28, No. 4 in E minor « Suffocation » (1839), arranged for harpsichord, tuned into 80-edo] – rendered by Claudi Meneghin&lt;br /&gt;
* [https://www.youtube.com/watch?v=TgD7cN8a5D8 Lytel Twyelyghte Musicke (Little Twilight Music), for Brass, Winds, Strings, and Timpani, in 80-equal division of the octave, as the linear temperament generated by its fifth] - Claudi Meneghin&lt;br /&gt;
* Herman Miller created an ltn file for the [[Bidia]] mapping for 80edo on the [[Lumatone]], see: &#039;&#039;[[Lumatone mapping for 80edo#Bidia]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[36edo]]&lt;br /&gt;
* [https://youtu.be/XZKafk-PkPc &#039;&#039;Improvisation in zeta-stretched 36edo (catnip24 scale)&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://m.youtube.com/watch?v=wy3qlby0Yiw &#039;&#039;Prelude from &#039;Suite 36&#039; for Lumatone and piano&#039;&#039;] - [[Juhani Nuorvala]]&lt;br /&gt;
* [https://alonetone.com/vaisvil/tracks/you-are-him &#039;&#039;You Are Him&#039;&#039;] - Chris Vaisvil&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[35edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=ZPXaMTdTSgw &#039;&#039;Lighting the Jack-o&#039;-lanterns&#039;&#039;] ([[Blackwood]][20]) - Budjarn Lambeth&lt;br /&gt;
* [https://youtu.be/1odAmqiQaz0 &#039;&#039;CHOPIN Waltz op 64 #2 arranged for FORTEPIANO and tuned into 35-edo&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://youtu.be/idUG-x8kT3o &#039;&#039;Gesualdo&#039;s Dolcissima mia vita in three comparative tunings after translation to english&#039;&#039;] - Chris Vaisvil (5:05 to 10:05)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[27edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=JrpcIkElKQc &#039;&#039;Will-O-Wisps&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://www.youtube.com/watch?v=ntnFso-3T_I &#039;&#039;CHACONNE IN 27 EDO, FOR BAROQUE CONSORT&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://www.youtube.com/shorts/5vRudUCuyqc &#039;&#039;Joplin&#039;s Maple Leaf Rag arranged in 27edo&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[13edo]]&lt;br /&gt;
* [https://interdependentscience.blogspot.com/2025/12/13edo.html &#039;&#039;13edo steer&#039;&#039;] - James Kukula&lt;br /&gt;
* [https://www.youtube.com/watch?v=CqBmABrTRas &#039;&#039;Ibex&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://youtube.com/shorts/qpn2zlqynfA?si=1nUgZFJ9iG6xTb3X &#039;&#039;Micro-piece in 13edo for Baroque Consort&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/vam-ziv-zu-niv &#039;&#039;Vam ziv zŭ niv&#039;&#039;] - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2026 ==&lt;br /&gt;
&lt;br /&gt;
; January - [[16edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=y7D0ZgCZlEg &#039;&#039;Waking with a Fever Before Sunrise&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://www.youtube.com/shorts/aQqcbIT7tsg &#039;&#039;Micropiece in 16edo for Baroque Consort (Mikrokosmos #21)&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://hansstraub.bandcamp.com/album/nights-in-sixteen &#039;&#039;Nights in Sixteen&#039;&#039;] (full album) - [[Hans Straub]]&lt;br /&gt;
Also in January, [[Stephen Weigel]] created a sheet music transcription for the pre-existing 16edo work:&lt;br /&gt;
* &#039;&#039;[https://youtu.be/Ta1HzwSJmqk Don&#039;t Take Five]&#039;&#039; - [[Woyten]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[Kleismic]] temperament and [[Kleismic family|its extensions]]&lt;br /&gt;
* [https://youtu.be/6Kxq5uxu-c8 &#039;&#039;Improv in CWE Catakleismic11&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/the-edge-of-lunacy &#039;&#039;The Edge of Lunacy&#039;&#039;] - Herman Miller&lt;br /&gt;
* [https://youtu.be/T2RfMrE7J_Q &#039;&#039;15625/15552&#039;&#039;] - [[Nodal Nim]] and [[Phanonium]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March and April - [[Porcupine]] temperament&lt;br /&gt;
* [https://www.dropbox.com/scl/fi/53ggtzge91kcnfbiupy9r/Porcupine_pump_22edo_guitar_decorated.wav?rlkey=2wbz9afh7f428sl1tbxumcfsu&amp;amp;e=1&amp;amp;st=ip7amqlh&amp;amp;dl=0 &#039;&#039;Porcupine pump 22edo guitar, decorated&#039;&#039;] - [[Casey Hale]] ([[22edo]])&lt;br /&gt;
* [https://app.box.com/s/pjn111a5clonwthmls9ly2b5jxzq96ac &#039;&#039;22 pumps 250 over 243&#039;&#039;] - James Kukula (22edo)&lt;br /&gt;
* [https://youtu.be/YDbqf3g88BE &#039;&#039;The Odd Effects of Breathing the Fairy Dust&#039;&#039;] - Budjarn Lambeth ([[59edo]] porcupine[15])&lt;br /&gt;
* [https://m.youtube.com/shorts/w0WLBdOPcaI &#039;&#039;PORCUPINE FUGUE, for BAROQUE TRIO&#039;&#039;] - Claudi Meneghin (a [[well temperament]] of porcupine)&lt;br /&gt;
* [https://youtu.be/Qs_-eEXKFCc?si=xFnOG6wPwh3JZZSU &#039;&#039;Osage Orange&#039;&#039;] - Nodal Nim&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Mint temperaments]] (temperaments that temper out [[36/35]])&lt;br /&gt;
* [https://m.youtube.com/watch?v=oXy_RXrBVWA &#039;&#039;Rain In The Crystal Mirror Caves&#039;&#039;] - Budjarn Lambeth &lt;br /&gt;
* [https://drive.google.com/file/d/1rx15y2mm7qPTUqKvFwSW_1ZqMb6rbPZa/view?fbclid=IwdGRjcAR3sHBleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xNzM4NDc2NDI2NzAzNzAAAR5E9stuuM5OCYAFFfPs9XMPmZ3vAtou1npN2JZflgbD1Tz7ek0WFHNmGI2K-Q_aem_oknuPAaUCjufLu3IxEizFg &#039;&#039;Gorgo piece&#039;&#039;] - Herman Miller&lt;br /&gt;
* [https://drive.google.com/file/d/1OIBJwWi33Trgj-1FJFsJTvperheEv_ms/view?fbclid=IwdGRjcAR3sKRleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA8xNzM4NDc2NDI2NzAzNzAAAR7m2FKIKzhEQ9DJow4088EyFOWGyFC4VCopA0OGHdgnTdGpTc14YZw7U21uFQ_aem_b1yj90Z97TEgVXZ1PLC38w &#039;&#039;Beep piece&#039;&#039;] -Herman Miller&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Microtonal compositions by month]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Projects]]&lt;br /&gt;
[[Category:Listen]]&lt;br /&gt;
[[Category:Facebook]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Teratoma&amp;diff=230412</id>
		<title>Teratoma</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Teratoma&amp;diff=230412"/>
		<updated>2026-05-16T02:29:13Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Teratoma&amp;#039;&amp;#039;&amp;#039; is a death metal band. Their 2026 album &amp;#039;&amp;#039;SOUNDS OF THE COSMIC MICROTONE&amp;#039;&amp;#039; ([https://m.youtube.com/playlist?list=OLAK5uy_mjF5ebnvsV1EGjidW0rkzZ5coaVgrBJJs YouTube])- which they describe as [https://www.teratomaband.com/exploration-of-the-cosmic-microtone &amp;quot;inspired by the arrangements of Turkish instrumentation&amp;quot;], uses microtonality as its central defining technique.   {{stub}} Category:PeopleCategory:ComposersCategory:Musicians&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Teratoma&#039;&#039;&#039; is a death metal band. Their 2026 album &#039;&#039;SOUNDS OF THE COSMIC MICROTONE&#039;&#039; ([https://m.youtube.com/playlist?list=OLAK5uy_mjF5ebnvsV1EGjidW0rkzZ5coaVgrBJJs YouTube])- which they describe as [https://www.teratomaband.com/exploration-of-the-cosmic-microtone &amp;quot;inspired by the arrangements of Turkish instrumentation&amp;quot;], uses [[microtonality]] as its central defining technique.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{stub}}&lt;br /&gt;
[[Category:People]][[Category:Composers]][[Category:Musicians]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth&amp;diff=230046</id>
		<title>User:BudjarnLambeth</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth&amp;diff=230046"/>
		<updated>2026-05-12T03:48:02Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* AI overview of my work */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;div style=&amp;quot;border: 1px green solid; background-color: #efe; padding: 0.5em 1em; margin-bottom: 1em&amp;quot;&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;Not to be confused with&#039;&#039;&#039; &#039;&#039;[[lambeth chords]]&#039;&#039; nor &#039;&#039;[[1573/1568]] (the lambeth comma)&#039;&#039;. Those are unrelated to me.&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the user page of &#039;&#039;&#039;Budjarn Lambeth&#039;&#039;&#039;, an amateur, hobbyist:&lt;br /&gt;
* wiki contributor&lt;br /&gt;
* [[scalesmith]]&lt;br /&gt;
* music theorist&lt;br /&gt;
* improviser-composer&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
; Personal information&lt;br /&gt;
* Location: New South Wales, Australia&lt;br /&gt;
* Born: 1999&lt;br /&gt;
* Pronouns: he/she&lt;br /&gt;
* Nationality: Bundjalung (Aboriginal) and Australian&lt;br /&gt;
* Contactable at: https://www.facebook.com/budjarnlambeth/ or on my [[User talk:BudjarnLambeth|talk page]]&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Music I made ==&lt;br /&gt;
My original microtonal music is hosted on YouTube:&lt;br /&gt;
* [https://www.youtube.com/playlist?list=PLVHnByvMeRTqRGiICQelMy_tdDVIDKEXn &#039;&#039;&#039;Best pieces (playlist)&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Playlist contents:&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width:100%; text-align:left;&amp;quot;&lt;br /&gt;
! Title !! Date !! Link!! Tuning / Notes &lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Enchanted Shopping Mall&#039;&#039;&#039; || 2024-02 || [https://m.youtube.com/watch?v=scCuGXnj5IY YouTube]|| 33edo, flattertone[7] scale; synthwave&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;The Wound&#039;&#039;&#039; || 2024-11 || [https://m.youtube.com/watch?v=_NepcrTf9ng YouTube]|| Rocket[19]/Deutone[19], 5-tone subset - &#039;cosmic scale&#039;; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;The Odd Effects of Breathing the Fairy Dust&#039;&#039;&#039; || 2026-03 || [https://m.youtube.com/watch?v=YDbqf3g88BE YouTube]|| 59edo, porcupine[15] scale; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Fennec Temple&#039;&#039;&#039; || 2020 || [https://m.youtube.com/watch?v=lIEmJTPkSFQ YouTube]|| 14edo, 7-tone fennec scale; piece for electronic flutes&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;The Bells in the Rain&#039;&#039;&#039; || 2025-05 || [https://m.youtube.com/watch?v=tIwfO1lZWAc YouTube]|| 21edo, pelog-like pentatonic; electronic contemporary classical; using a custom scale for struck metal timbres&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Bubblegum&#039;&#039;&#039; || 2024-12 || [https://m.youtube.com/watch?v=iZI9x2Fto-A YouTube]|| 5edo (approximated within 60afdo); electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Wilderness&#039;&#039;&#039; || 2020 || [https://m.youtube.com/watch?v=L2mkP_y-idc YouTube]|| 22edo, superpyth[6] scale; piece for strings&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Blackened Skies&#039;&#039;&#039; || 2020 || [https://m.youtube.com/watch?v=eWMRJihZbPc YouTube]|| 72edo, modified blues scale; darksynth&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Odd Findings in the Caves&#039;&#039;&#039; || 2025-10 || [https://m.youtube.com/watch?v=aWqdWHSk5J4 YouTube]|| 343edo, lucite[23] scale; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Lighting the Jack-o&#039;-lanterns&#039;&#039;&#039; || 2025-10 || [https://m.youtube.com/watch?v=ZPXaMTdTSgw YouTube]|| 35edo, Blackwood[20] scale; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Will-O-Wisps&#039;&#039;&#039; || 2025-11 || [https://m.youtube.com/watch?v=JrpcIkElKQc YouTube]|| 27edo, will-o-wisp scale; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Grady Olympos Staircase Tuning Chord Progression&#039;&#039;&#039; || 2024-04 || [https://m.youtube.com/watch?v=q1sZkMZVUCE YouTube]|| Darksynth&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Moody Improvisation in Shoal Temperament&#039;&#039;&#039; || 2025-02 || [https://m.youtube.com/watch?v=bwGjN56iMM0 YouTube]|| Shoal temperament; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Ibex&#039;&#039;&#039; || 2025-12 || [https://m.youtube.com/watch?v=CqBmABrTRas YouTube]|| 13edo, 6-tone ibex scale; electronic contemporary classical&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Xenharmonic groups I&#039;m affiliated with ==&lt;br /&gt;
I&#039;m a contributor to:&lt;br /&gt;
* the Xenharmonic Wiki&lt;br /&gt;
** [[Xenharmonic Wiki:WikiProject Just Intonation]]&lt;br /&gt;
* the [[Xenharmonic Alliance]] on both Discord and Facebook&lt;br /&gt;
** the [[Monthly Tunings]] Facebook group&lt;br /&gt;
* the Xenrhythmic Alliance&lt;br /&gt;
** [https://discord.gg/jQRHUWCHKa Xenrhythm Zone] Discord server&lt;br /&gt;
** the [https://xenrhythmic.fandom.com/wiki/The_Xenrhythm_Wikia Xenrhythmic Wiki]&lt;br /&gt;
* the [https://microtonal.miraheze.org/wiki/Main_Page Microtonal Encyclopedia]&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== My favourite microtonal music &amp;amp; composers ==&lt;br /&gt;
&lt;br /&gt;
; Composers&lt;br /&gt;
&#039;&#039;(alphabetical order)&#039;&#039;&lt;br /&gt;
* [[Mike Battaglia]]&lt;br /&gt;
* [[Benyamind]]&lt;br /&gt;
* [[Brendan Byrnes]]&lt;br /&gt;
* [[Tolgahan Çoğulu]]&lt;br /&gt;
* [[Greystar]]&lt;br /&gt;
* [[Maeve Gutierrez]]&lt;br /&gt;
* [[JUMBLE]]&lt;br /&gt;
* [[King Gizzard &amp;amp; the Lizard Wizard]]&lt;br /&gt;
* [[Merct]]&lt;br /&gt;
* [[Sevish]]&lt;br /&gt;
&lt;br /&gt;
; Music&lt;br /&gt;
YouTube playlists curated by me:&lt;br /&gt;
* &#039;&#039;[https://youtube.com/playlist?list=PLVHnByvMeRTrborLUEpRk9Tgbu_r4UnUi Actually good microtonal music&#039;&#039;]&lt;br /&gt;
* &#039;&#039;[https://m.youtube.com/playlist?list=PLVHnByvMeRTpA7ssMn48WemxL4EQmnpdT 1 great track in every EDO from 10edo to 31edo (plus some extra bonus tunings)&#039;&#039;]&lt;br /&gt;
* my Apple Music playlists (mostly not microtonal, but some are): &#039;&#039;[https://music.apple.com/profile/budjarn @budjarn Apple Music playlists].&#039;&#039;&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==My music theory work==&lt;br /&gt;
I have written some of my own amateur music theory research which I publish to this wiki.&lt;br /&gt;
&lt;br /&gt;
===AI overview of my work===&lt;br /&gt;
&#039;&#039;&#039;I don&#039;t and won&#039;t ever use AI for contributions to actual wiki pages&#039;&#039;&#039;, I&#039;m &#039;&#039;&#039;only ever using it to summarize my own user page&#039;&#039;&#039; (this page). &lt;br /&gt;
&lt;br /&gt;
Also, I did &#039;&#039;&#039;not&#039;&#039;&#039; ask the AI to scrape the wiki, I used my own local copies of my pages from my computer to ask the AI about.&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Structural beating|Structural beating]] ====&lt;br /&gt;
Lambeth hypothesized this property for equal-step tunings where the &#039;&#039;&#039;[[period]]&#039;&#039;&#039; of the scale &#039;&#039;&#039;differs&#039;&#039;&#039; from the interval of &#039;&#039;&#039;psychoacoustic [[equivalence]]&#039;&#039;&#039; (usually the octave, 2/1).&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Effect:&#039;&#039;&#039; Because the scale repeats at an interval different from the ear&#039;s point of equivalence, the scale creates a macro-scale &amp;quot;beating&amp;quot; or phasing effect as it ascends or descends.&lt;br /&gt;
* &#039;&#039;&#039;Goal:&#039;&#039;&#039; This is considered a desirable property that makes a periodic scale feel less repetitive, offering shifting colors and shapes (&amp;quot;something from nothing&amp;quot;).&lt;br /&gt;
* &#039;&#039;&#039;Examples:&#039;&#039;&#039; Equal divisions of sevenths (e.g., ed7/4) or ninths (ed16/9) if the equivalence is the octave.&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Polytriadic|Polytriadicism]] ====&lt;br /&gt;
Lambeth&#039;s polytriadic method involves tuning an ensemble (of 2 or more instruments/groups) so that each is tuned to a different &#039;&#039;&#039;triad&#039;&#039;&#039; or subset of a larger overarching scale.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Application:&#039;&#039;&#039; It allows composers to approach complex temperaments (like those without consonant small MOS scales) or large [[just intonation]] sets by breaking them down into simpler, manageable triadic parts.&lt;br /&gt;
* &#039;&#039;&#039;Function:&#039;&#039;&#039; It can be used to &amp;quot;flag&amp;quot; different rhythmic elements harmonically or to create complex, interweaving voice lines that generate consonance from the aggregate of the instruments.&lt;br /&gt;
* &#039;&#039;&#039;Example:&#039;&#039;&#039; &#039;&#039;&#039;[[Shoal17|Shoal[17]]]&#039;&#039;&#039;, a 17-tone MOS scale in the Shoal temperament (a 2.3.13.23 subgroup detemper of 17edo), is cited as a prime candidate for this approach.&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Equalizer subgroup|Equalizer subgroups]] ====&lt;br /&gt;
Lambeth&#039;s equalizer subgroup method involves tuning to a [[just intonation subgroup]] designed to balance specific types of harmonics to achieve a specific aesthetic.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Criteria:&#039;&#039;&#039;&lt;br /&gt;
** &#039;&#039;&#039;Structural Harmonics (2, 3, 4, 5):&#039;&#039;&#039; 2 or 3 present. They provide stability and &amp;quot;tonal gravity.&amp;quot;&lt;br /&gt;
** &#039;&#039;&#039;Assertive Harmonics (5–12):&#039;&#039;&#039; &#039;&#039;&#039;None&#039;&#039;&#039; present. These are excluded because they have &amp;quot;strong personalities&amp;quot; that define the scale&#039;s flavor too rigidly.&lt;br /&gt;
** &#039;&#039;&#039;Ethereal Harmonics (13+):&#039;&#039;&#039; At least 3 present. These provide subtle, background influence.&lt;br /&gt;
* &#039;&#039;&#039;Goal:&#039;&#039;&#039; To allow subtle &amp;quot;ethereal&amp;quot; harmonics to shine by removing the &amp;quot;assertive&amp;quot; middle harmonics, akin to using an EQ to cut mids and boost highs/lows.&lt;br /&gt;
* &#039;&#039;&#039;Examples:&#039;&#039;&#039; Subgroups like (2.3.5.13.17.19) used in Lambeth&#039;s Fifigeist temperament.&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Substitute harmonic|Substitute harmonics]] ====&lt;br /&gt;
Lambeth&#039;s substitute harmonic method involves replacing a simple, lower harmonic with a complex, higher harmonic that closely approximates it, thereby &amp;quot;fudging&amp;quot; the tuning into a different subgroup.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Sharp Substitutes:&#039;&#039;&#039; Replacing a harmonic with a slightly sharper higher harmonic. Lambeth names these temperaments after weapons or with &amp;quot;com&amp;quot;-ending names (e.g., &#039;&#039;&#039;Daggerminished&#039;&#039;&#039;, &#039;&#039;&#039;Pajaraxe&#039;&#039;&#039;, &#039;&#039;&#039;Dotcom&#039;&#039;&#039;, &#039;&#039;&#039;Sitcom&#039;&#039;&#039;, &#039;&#039;&#039;Romcom&#039;&#039;&#039;).&lt;br /&gt;
* &#039;&#039;&#039;Flat Substitutes:&#039;&#039;&#039; Replacing with a flatter harmonic. Naming convention involves flat regions (e.g., &#039;&#039;&#039;Sahara&#039;&#039;&#039;).&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Quasipelog theory|Quasipelog theory]] ====&lt;br /&gt;
Lambeth&#039;s quasipelog theory is a framework for approaching &#039;&#039;&#039;[[16edo]]&#039;&#039;&#039; (and other EDOs supporting the &#039;&#039;&#039;2.3.5.11 [[mavila]] temperament&#039;&#039;&#039;, like {{EDOs|EDOS 23, 30, 37, and 39}}). It is inspired by Indonesian [[Gamelan]] theory, the [[Armodue]] school, and [[Erv Wilson]]&#039;s [[MOS]] scales.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Concept:&#039;&#039;&#039; It focuses on specific scales that mimic the feel of Pelog scales but within a 16-tone equal temperament context.&lt;br /&gt;
* &#039;&#039;&#039;Scales:&#039;&#039;&#039; The theory defines four essential scales derived from Mavila MOS modes:&lt;br /&gt;
** &#039;&#039;&#039;Quasipelog Minor:&#039;&#039;&#039; Mode &#039;&#039;ssLsL&#039;&#039; of mavila[5].&lt;br /&gt;
** &#039;&#039;&#039;Quasipelog Major:&#039;&#039;&#039; Mode &#039;&#039;LssLs&#039;&#039; of mavila[5].&lt;br /&gt;
** &#039;&#039;&#039;Quasipelog Heptatonic:&#039;&#039;&#039; Mode &#039;&#039;ssLssLs&#039;&#039; of mavila[7].&lt;br /&gt;
** &#039;&#039;&#039;Quasipelog Chromatic:&#039;&#039;&#039; A mavila[16] MOS scale (7 fifths up, 8 down).&lt;br /&gt;
* &#039;&#039;&#039;Timbre:&#039;&#039;&#039; A key part of the theory is the avoidance of harmonic timbres. Lambeth recommends &amp;quot;inharmonic&amp;quot; sounds such as metallophones, bells, or &amp;quot;thin/reedy&amp;quot; waveforms (like sine or woodwinds) to complement the tuning.&lt;br /&gt;
&lt;br /&gt;
==== Scalesmithing work ====&lt;br /&gt;
Lambeth has constructed numerous original scales and temperaments.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;[[User:BudjarnLambeth/Batch 89 temperaments|Batch 89 Temperaments]]:&#039;&#039;&#039; A set of temperaments first documented in 2023, honoring the characters from &#039;&#039;Guardians of the Galaxy Vol. 3&#039;&#039;. Each tempers 4 harmonics: the 2nd, the 89th (representing shared trauma), and two others derived from the character&#039;s name via A1Z26 cipher.&lt;br /&gt;
** &#039;&#039;&#039;Floor:&#039;&#039;&#039; 2.3.11.89 (Neutral related).&lt;br /&gt;
** &#039;&#039;&#039;Teefs:&#039;&#039;&#039; 2.5.11.89 (Bug related).&lt;br /&gt;
** &#039;&#039;&#039;Rocket:&#039;&#039;&#039; 2.9+.9-.89 (Lu/Deutone related).&lt;br /&gt;
* &#039;&#039;&#039;Ed255/128 and Ed257/128:&#039;&#039;&#039; These are &amp;quot;Equal Divisions of Reduced Harmonics.&amp;quot;&lt;br /&gt;
** &#039;&#039;&#039;[[User:BudjarnLambeth/Ed255/128|Ed255/128]]:&#039;&#039;&#039; Divides the interval 255/128 (slightly flatter than an octave). Useful for correcting EDOs where consonances are too sharp (e.g., used as an alternative to 5edo).&lt;br /&gt;
** &#039;&#039;&#039;[[BudjarnLambeth/Ed257/128|Ed257/128]]:&#039;&#039;&#039; Divides the interval 257/128 (slightly sharper than an octave). Useful for correcting EDOs where consonances are too flat (e.g., alternative to 7edo).&lt;br /&gt;
* &#039;&#039;&#039;[[User:BudjarnLambeth/Antipental blues|Antipental Blues]] scale:&#039;&#039;&#039; A 6-tone scale subset of the [[Dwarf17marv]] scale. It mimics the melodic shape of the minor blues scale but uses exotic 2.3.7.11 intervals (7/6, 11/8, 7/4) instead of the standard 5-limit intervals.&lt;br /&gt;
* &#039;&#039;&#039;[[User:BudjarnLambeth/Moon dust|Moon Dust]] scale:&#039;&#039;&#039; A 16-tone just intonation scale with a period of 16/1 (four octaves). It features dynamic step sizes and a mix of familiar 3-limit harmonies with xenharmonic 19-limit (no-5, no-13) intervals.&lt;br /&gt;
* &#039;&#039;&#039;[[Firedance]] scale:&#039;&#039;&#039; A 5-tone subset of zeta-stretched 15edo (47zpi). It was designed by ear, starting from 5edo and adjusting steps by degrees of 15edo.&lt;br /&gt;
&lt;br /&gt;
==== Tuning recommendations ====&lt;br /&gt;
Lambeth recommends the following tunings for Western musicians exploring world music traditions:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;For Gamelan scales (Pelog/Slendro):&#039;&#039;&#039; He recommends specific EDOs that approximate these scales well. His personal favorite is &#039;&#039;&#039;44edo&#039;&#039;&#039;. Other good approximations include 21, 23, 35, 39, 40, 42, 54, and 60edo.&lt;br /&gt;
** More detailed version: [[User:BudjarnLambeth/Edo approximations of gamelan scales]]&lt;br /&gt;
* &#039;&#039;&#039;For Japanese scales:&#039;&#039;&#039; He prefers &#039;&#039;&#039;Meantone&#039;&#039;&#039; temperaments in &#039;&#039;&#039;55edo&#039;&#039;&#039;, &#039;&#039;&#039;98edo&#039;&#039;&#039;, or &#039;&#039;&#039;43edo&#039;&#039;&#039; (approx. 1/5-comma meantone). He generally dislikes 5-limit JI or Pythagorean tunings for these scales, finding the &amp;quot;wolf&amp;quot; intervals objectionable.&lt;br /&gt;
** More detailed version: [[User:BudjarnLambeth/Some tunings for Japanese scales]]&lt;br /&gt;
&lt;br /&gt;
==== Original music ====&lt;br /&gt;
Since late 2023, Budjarn Lambeth has cultivated a prolific hobbyist career as a microtonal composer, turning his YouTube channel into a public laboratory for xenharmonic experimentation. Utilizing a specialized toolkit—including Scale Workshop, ThumbJam, GeoShred, AudioKit Synth One and Audacity—Lambeth explores the mathematical &amp;quot;cracks between the keys&amp;quot; of standard tuning. His work is defined by a process-driven curiosity and an open-source spirit, frequently offering his compositions as &amp;quot;free to use&amp;quot; while providing educational links to tuning theory. His output is remarkably diverse, spanning everything from 19EDO (Equal Division of the Octave) to complex just intonation and obscure temperaments like Orwell and Sensi.&lt;br /&gt;
&lt;br /&gt;
The artistic trajectory of Lambeth’s career reached a significant milestone in August 2024 with &amp;quot;Four Improvisations in 21-Tone Equal Temperament,&amp;quot; which remains his flagship work with over 1,700 views and a perfect 100% like ratio. This success signaled a shift from purely technical tuning demonstrations to more atmospheric and narrative-driven compositions. Earlier highlights, such as the surreal &amp;quot;Enchanted Shopping Mall&amp;quot; (33EDO) and the playful &amp;quot;Bubblegum,&amp;quot; demonstrated his ability to make alien scales feel emotionally accessible.&lt;br /&gt;
&lt;br /&gt;
By 2025 and 2026, Lambeth’s work matured into more cinematic and evocative territory, evidenced by titles like &amp;quot;The Odd Effects of Breathing the Fairy Dust&amp;quot; (59EDO) and &amp;quot;Rain in the Crystal Mirror Caves.&amp;quot; While some of his more radical experiments—such as those in smaller, more dissonant edos like 15edo and 16edo—have occasionally polarized his listeners, he maintains a dedicated niche audience that values his unique blend of rigorous music theory and poetic sensibility.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Wiki contributions==&lt;br /&gt;
&lt;br /&gt;
===Improvements to the broader wiki===&lt;br /&gt;
====Significant page creations====&lt;br /&gt;
* Authored the [[survey of efficient temperaments by subgroup]] to help people navigate quickly to their favourite temperament pages&lt;br /&gt;
* Authored the [[Gallery of arithmetic pitch sequences]] &amp;amp; [[Gallery of combination product sets]] pages to help people find musical [[scale]]s&lt;br /&gt;
* Authored the pages about [[equipentatonic]] and [[equiheptatonic]] scales&lt;br /&gt;
* Created the [[Xenharmonic Wiki:Cross-platform dialogue]] page to aid collaboration between editors who are mostly active on Facebook and those who are mostly active on Discord&lt;br /&gt;
* Authored pages answering the [[FAQ]] questions:&lt;br /&gt;
** “[[What are this wiki&#039;s strengths and weaknesses?]] (How does it compare to other resources?)”&lt;br /&gt;
** “[[I&#039;m a new editor, what is everything I can do to help?]]”&lt;br /&gt;
** “[[Systematic comma names explained|How do I decode those strange looking comma names?]]”&lt;br /&gt;
* Authored dozens of wanted pages about [[:Category:Composers|composers]]&lt;br /&gt;
* Authored several extensive [[:Category:Lists of scales|lists of scales]]&lt;br /&gt;
&lt;br /&gt;
====Bulk page improvements====&lt;br /&gt;
* Added dozens of sources and inline citations to the [[historical temperaments]] page&lt;br /&gt;
* Added infobox, intro, intervals, modes, subheadings &amp;amp; todo categories to dozens of previously close-to-empty [[MOS scale]] pages&lt;br /&gt;
* Added intro, intervals table and harmonics table to several hundred [[equal-step tuning]] pages (which used to just be blank pages with a single infobox)&lt;br /&gt;
* Added [[Template:Temp gallery]] to all &#039;[[User:BudjarnLambeth/Prominent temperament gallery pages|very highly prominent temperament gallery pages]]&#039;&lt;br /&gt;
* Added [[Template:Temp gallery]] to all &#039;[[User:BudjarnLambeth/Prominent temperament gallery pages|highly prominent temperament gallery pages]]&#039;&lt;br /&gt;
* Added [[Template:Temp gallery]] to all &#039;[[User:BudjarnLambeth/Prominent temperament gallery pages|moderately prominent temperament gallery pages]]&#039;&lt;br /&gt;
* Added [[Template:Temp gallery]] to all &#039;[[User:BudjarnLambeth/Prominent temperament gallery pages|less prominent temperament]] families and clans&#039;&lt;br /&gt;
* Constructed the 5-, 6-, 7-, 8-, 9-, 10-, 11- and 12-period tables on the [[map of rank-2 temperaments]]&lt;br /&gt;
* Heavily added to the 2-, 3- and 4-period tables on the [[map of rank-2 temperaments]]&lt;br /&gt;
* Merged “useful tools” &amp;amp; “software” into [[Software|one unified page]]&lt;br /&gt;
* Created circle diagrams for dozens of [[hexany]] pages using [[Nick Vuci]]&#039;s circle diagram maker&lt;br /&gt;
&lt;br /&gt;
====Structural wiki improvements====&lt;br /&gt;
* Added categories &amp;amp; formatting tags to several hundred [[:Category:Pages with Scala files|pages with Scala files]]&lt;br /&gt;
* Added links around the wiki to over 150 previously [[Special:LonelyPages|orphaned pages]], bringing the number down from above 250 to below 70 (as of 4 Dec 2024)&lt;br /&gt;
* Created [[Template:Navbox Lumatone]] with very extensive help from [[User:ArrowHead294]]&lt;br /&gt;
** With ArrowHead294’s extensive help, incorporated the template into over 50 pages for [[:Category:Lumatone mappings]]&lt;br /&gt;
* Ran a survey of editors, created the [[Xenharmonic Wiki:Optional guidelines for interval page todo categories]] (XW:IntTodo) from the results, and ensured all interval pages were categorized in line with XW:IntTodo&lt;br /&gt;
&lt;br /&gt;
===== (list and table creations) =====&lt;br /&gt;
Constructed:&lt;br /&gt;
* [[List of taxicab-2 intervals]]&lt;br /&gt;
* [[User:BudjarnLambeth/Table of n-comma meantone generators]]&lt;br /&gt;
* [[Harmonic entropy of just intervals]]&lt;br /&gt;
* [[Table of zeta-stretched edos]]&lt;br /&gt;
&lt;br /&gt;
===== (comma documentation and organisation) =====&lt;br /&gt;
* Added all missing commas from “[[:Category:Large commas]]” to the table on the page “[[Large commas]]”&lt;br /&gt;
* Added all missing commas from “[[:Category:Medium commas]]” to the table on the page “[[Medium commas]]”&lt;br /&gt;
* Added all missing commas from “[[:Category:Small commas]]” to the table on the page “[[Small comma]]”&lt;br /&gt;
* Added all missing commas from “[[:Category:Unnoticeable commas]]” to the table on the page “[[Unnoticeable commas]]”&lt;br /&gt;
* Constructed “[[:Category:Commas by name]]” and its many subcategories&lt;br /&gt;
* Categorised all 5, 7, 11, 13, 17, 19, 23 and &amp;gt;23 limit large commas into ’Commas by name’ subcategories&lt;br /&gt;
* Categorised all 5, 7, 11, 13, 17, 19, 23 and &amp;gt;23 limit medium commas into ’Commas by name’ subcategories&lt;br /&gt;
* Categorised all 5, 7, 11, 13, 17, 19, 23 and &amp;gt;23 limit small commas into ’Commas by name’ subcategories&lt;br /&gt;
* Categorised all 5, 7, 11, 13, 17, 19, 23 and &amp;gt;23 limit unnoticeable commas into ’Commas by name’ subcategories&lt;br /&gt;
* Conducted the [[User:BudjarnLambeth/Survey of named and unnamed commas]]&lt;br /&gt;
&lt;br /&gt;
==== Name changes I was involved in ====&lt;br /&gt;
===== (correcting confusing names) =====&lt;br /&gt;
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “septimal temperament”. When I discovered the name, I disliked it because of its potential for confusion with other uses of the term “septimal”. I decided I wanted to change it. Many people on [[Discord]], the Wiki Workgroup on [[XA Facebook]], and the wiki talk page agreed. I coined the new name “&#039;&#039;&#039;[[7th-octave temperaments#Austinpowers|austinpowers temperament]]&#039;&#039;&#039;” which has now replaced it.&lt;br /&gt;
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “decades temperament”. Some people on the XA Discord said that they disliked it due to its convoluted etymology. I coined the new name “&#039;&#039;&#039;[[gamelstearn|gamelstearn temperament]]&#039;&#039;&#039;” based on its two defining commas. After a few days, not many people commented or reacted to the proposal, but all were in favour and none were against, so the name &amp;quot;gamelstearn&amp;quot; was adopted.&lt;br /&gt;
* There used to be two temperaments named “semidim temperament”. To resolve the confusion, after discussion on the XA Discord, myself and [[Lériendil]] came up with new names for each of the two temperaments. Lériendil coined “[[ammon|ammon temperament]]” for the first, and I coined “&#039;&#039;&#039;[[octonion|octonion temperament]]&#039;&#039;&#039;” for the second.&lt;br /&gt;
* There was an old comma that pre-dated my participation in the wiki. Its old, original name was “the erogluisma”. Its original namer posted on [[Discord]] that he no longer liked it, and would like someone to please rename it. I coined the new name “&#039;&#039;&#039;[[1682/1681|the shaftesburisma]]&#039;&#039;&#039;” which has now replaced it.&lt;br /&gt;
* Someone else described a new comma and named it “the shikanokonokonokokoshitantanma”. This name was kept, but it was too long for some use cases, so I invented an alternate short version - “&#039;&#039;&#039;[[nokotan|the nokotan]]&#039;&#039;&#039;” - for use cases where a shorter name is needed.&lt;br /&gt;
* The comma “68630377364883 / 68630356164608” was too long to be referred to by its number alone, it needed a name instead. So I named it “&#039;&#039;&#039;[[zudilisma|the zudilisma]]&#039;&#039;&#039;”.&lt;br /&gt;
&lt;br /&gt;
===== (correcting divisive or hurtful names) =====&lt;br /&gt;
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “catcall temperament”. When I discovered the name, I disliked it because it was demeaning to women. I decided I wanted to change it. Many people on [[Discord]] and on the wiki talk page agreed. I coined the new name “&#039;&#039;&#039;[[catnip|catnip temperament]]&#039;&#039;&#039;” which has now replaced it. &lt;br /&gt;
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “catamite temperament”. When I discovered the name, I disliked it because it referenced a historical practice that often involved child abuse. I decided I wanted to change it. I suggested the change on the talk page where it received no replies, and the Discord where it received few reactions but those it did receive were in favour. I coined the new name “&#039;&#039;&#039;[[Amity family#Stalagmite|stalagmite temperament]]&#039;&#039;&#039;” which has now replaced it. &lt;br /&gt;
* There was an old comma that pre-dated my participation in the wiki. Its old, original name was “the Buddhisma”. There was nothing wrong with that name in and of itself, the problem is that it was explicitly stated to be named after the anti-Muslim group the 969 Movement, and the comma number was 969/968. I thought this was inappropriate, so I proposed a few replacement names on [[Discord]]. Of the names I coined “&#039;&#039;&#039;[[969/968|the kingfisher comma]]&#039;&#039;&#039;” was the clear favourite, so I renamed the comma to the kingfisher comma.&lt;br /&gt;
&lt;br /&gt;
==== Full list of contributions ====&lt;br /&gt;
* [[Special:Contributions/BudjarnLambeth]]&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Pages I wrote about my own discoveries===&lt;br /&gt;
====Invented approaches to constructing tunings ====&lt;br /&gt;
These are the same category of thing as “equal temperaments”.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Procedural approaches&#039;&#039;:&lt;br /&gt;
* [[Basal subgroup]]s&lt;br /&gt;
* [[Half-prime subgroup|Half-basis, third-basis, quarter-basis, etc. subgroups]]&lt;br /&gt;
* [[Equalizer subgroup]]s&lt;br /&gt;
* [[Sin(x) tuning#Generalizations|Function(x) tuning]]s&lt;br /&gt;
* [[Polytriadic]] tunings&lt;br /&gt;
* [[User:BudjarnLambeth/Quasipelog theory|Quasipelog theory]]&lt;br /&gt;
* [[Substitute harmonic]]s&lt;br /&gt;
* [[Tritavesque]] intervals&lt;br /&gt;
* [[Sin(x) tuning#Generalizations|Waveform(x) tuning]]s&lt;br /&gt;
* [[Ed255/128|Equal divisions of 255/128]]&lt;br /&gt;
* [[Ed257/128|Equal divisions of 257/128]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Sculptural approaches&#039;&#039;:&lt;br /&gt;
* [[Breuddwyd scale]]s&lt;br /&gt;
* [[Breuddwyd scale|Sonhar tuning]]s&lt;br /&gt;
* [[Sooty fox scale]]s&lt;br /&gt;
* [[Breuddwyd scale|Wijzerplaat scale⁠]]s&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#farab scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#gene scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#hekt scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#jot scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#méride scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#tina scales]]&lt;br /&gt;
&lt;br /&gt;
====Invented approaches to classifying tunings ====&lt;br /&gt;
These are the same category of thing as “pentatonic scales”.&lt;br /&gt;
* [[the Riemann zeta function and tuning#Non-record edos|Indecisive EDOs]]&lt;br /&gt;
* [[the Riemann zeta function and tuning#Non-record edos|Local zeta peak EDOs]]&lt;br /&gt;
* [[the Riemann zeta function and tuning#Non-record edos|Local zeta valley EDOs]]&lt;br /&gt;
* [[the Riemann zeta function and tuning#&#039;&#039;k&#039;&#039;-ary peak EDOs|Parker EDOs]]&lt;br /&gt;
* [[Human EDO size categorization]] (HUECAT)&lt;br /&gt;
* [[Metascale]]s&lt;br /&gt;
* [[Runoff]] scales&lt;br /&gt;
* [[Structural beating]]&lt;br /&gt;
&lt;br /&gt;
====Invented tunings (scales)====&lt;br /&gt;
These are the same category of thing as “the chromatic scale”.&lt;br /&gt;
&lt;br /&gt;
===== (named after theory properties) =====&lt;br /&gt;
* The [[User:BudjarnLambeth/Antechinus|antechinus]] scale&lt;br /&gt;
* The [[breuddwyd inverse]] scale&lt;br /&gt;
* The [[breuddwyd6|breuddwyd-6]] scale&lt;br /&gt;
* The [[35edo#Scales|fourfourths]] scale&lt;br /&gt;
* The [[Maeve Gutierrez#Gutierrez-Lambeth otonal neutral hexatonic|Gutierrez-Lambeth otonal neutral hexatonic]] scale&lt;br /&gt;
* The [[38edo#Scales|hemisettled11]] scale&lt;br /&gt;
* The [[38edo#Scales|hemisettled16]] scale&lt;br /&gt;
* The [[27edo#Scales|hypersakura]] scale&lt;br /&gt;
* The [[8afdo#Scales|ionosphere]] scale&lt;br /&gt;
* The [[30edo#Scales|iron filing]] scale&lt;br /&gt;
* The [[9edf#Scales|molten pelog]] scale&lt;br /&gt;
* The [[9edf#Scales|molten slendro]] scale&lt;br /&gt;
* The [[38edo#Scales|nineteenplus]] scale&lt;br /&gt;
* The [[oclock]] scale&lt;br /&gt;
* The [[37edo#Scales|opalised ammonite]] scale&lt;br /&gt;
* The [[47edo#Scales|quasi-equiheptatonic minor pentatonic]] scale&lt;br /&gt;
* The [[35edo#Scales|secund chance]] scale&lt;br /&gt;
* The [[Shoal17#Scales|shoal17 over-9 tetrad]]&lt;br /&gt;
* The [[38edo#Scales|tame bison]] scale&lt;br /&gt;
* The [[38edo#Scales|tame possum]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Trippy warped hirajoshi scale|trippy warped hirajoshi scale]] (&#039;&#039;credit shared with [[Moonshine The Yellow Toaster]]&#039;&#039;)&lt;br /&gt;
* The [[35edo#Scales|undecimal quasi-equipentatonic]] scale&lt;br /&gt;
* The [[35edo#Scales|undecimal minor hexatonic]] scale&lt;br /&gt;
* The [[35edo#Scales|undecimal Mixolydian]] scale&lt;br /&gt;
* The [[breuddwyd inverse|vinyl braid]] scale&lt;br /&gt;
* The [[38edo#Scales|well-tempered 19-in-38]] scale&lt;br /&gt;
* The [[Maeve Gutierrez#Will-o-wisps&#039; scale|will-o-wisps&#039;]] scale&lt;br /&gt;
* The [[26ed5#13ed5plus|13ed5plus]] scale&lt;br /&gt;
* The [[antipental blues]] scale &#039;&#039;and its expansions&#039;&#039;:&lt;br /&gt;
** The [[35edo#Scales|antipental blues maj 6th]] scale&lt;br /&gt;
** The [[35edo#Scales|antipental blues neutral 7th]] scale&lt;br /&gt;
** The [[35edo#Scales|antipental blues maj 7th]] scale&lt;br /&gt;
** The [[35edo#Scales|antipental blues harmonic]] scale&lt;br /&gt;
* &#039;&#039;(subsets of [[blackwood]][20]):&#039;&#039;&lt;br /&gt;
** The [[35edo#Scales|blackwood neutral nonatonic]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood pseudo-Akebono neutral]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood pseudo-Akebono supermajor]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood pseudo-Hirajoshi]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood pseudo-pelog]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood-tempered 5afdo]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood undecimal harmonic]] scale&lt;br /&gt;
* &#039;&#039;(expansions of [[Maeve Gutierrez#Gutierrez sunbreak scale|Gutierrez&#039;s sunbreak scale]]):&#039;&#039;&lt;br /&gt;
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|chromaticized sunbreak]] scale&lt;br /&gt;
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|mirrored sunbreak]] scale&lt;br /&gt;
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|negative harmony sunbreak]] scale&lt;br /&gt;
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|fractalized sunbreak]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Volcanic glass|volcanic glass]] scale&lt;br /&gt;
* All the scales listed at: [[User:BudjarnLambeth/Quasipelog theory]]&lt;br /&gt;
&lt;br /&gt;
===== (named after subjective feeling) =====&lt;br /&gt;
* The [[Shoal17#Scales|algal bloom]] scale&lt;br /&gt;
* The [[25edo#Scales|amulet]] scale&lt;br /&gt;
* The [[anisopteran scale]]&lt;br /&gt;
* The [[14afdo#Scales|apex]] scale&lt;br /&gt;
* The [[30edo#Scales|bathypelagic]] scale&lt;br /&gt;
* The [[blackened skies]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|bubblegum]] scale&lt;br /&gt;
* The [[67edo#Scales|bustling docks]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|candycorn]] scale&lt;br /&gt;
* The [[16afdo#Scales|canopy]] scale&lt;br /&gt;
* The [[30edo#Scales|carousel]] scale&lt;br /&gt;
* The [[67edo#Scales|cavernous]] scale&lt;br /&gt;
* The [[35edo#Scales|clear pond]] scale&lt;br /&gt;
* The [[9edf#Scales|cloudscape]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|cola]] scale&lt;br /&gt;
* The [[9edf#Scales|corrugated]] scale&lt;br /&gt;
* The [[32afdo#Scales|cosmic]] scale&lt;br /&gt;
* The [[dalmatian scale]]&lt;br /&gt;
** The Dante, Da Vinci, Dawkins, Deepak, Deja Vu, Delgado, Dolly, Dylan, Fergus &amp;amp; Hansel [[101afdo#Scales|scales]]&lt;br /&gt;
* The [[30edo#Scales|dewdrops]] scale&lt;br /&gt;
* The [[Shoal17#Scales|diffractive scale]]&lt;br /&gt;
* The [[Shoal17#Scales|diffractive tetrad]]&lt;br /&gt;
* The [[27edo#Scales|direct sunlight]] scale&lt;br /&gt;
* The [[Shoal17#Scales|driftwood]] scale&lt;br /&gt;
* The [[30edo#Scales|dusty]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Hall of mirrors#Enrichment scale|enrichment]] scale&lt;br /&gt;
* The [[Peppermint-24#Salt and pepper scale and its subsets|evacuated planet]] scale&lt;br /&gt;
* The [[firedance]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|fishcrackers]] scale&lt;br /&gt;
* The [[67edo#Scales|formicarium]] scale&lt;br /&gt;
* The [[5- to 10-tone scales in 60edo|fossa tetratonic]] scale&lt;br /&gt;
* The [[5- to 10-tone scales in 60edo|fossa pentatonic]] scale&lt;br /&gt;
* The [[56edo#Scales|frankincense]] scale&lt;br /&gt;
* The [[26edo#Scales|free range]] scales&lt;br /&gt;
* The [[goldfish]] scale&lt;br /&gt;
* The [[91edo#Scales|greyed skies]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Hall of mirrors|hall-of-mirrors]] scale&lt;br /&gt;
* The [[13edo#Scales|ibex]] scale&lt;br /&gt;
* The [[Peppermint-24#Ketchup and mustard scale and its subsets|ketchup and mustard]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|lemonade]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|liquorice]] scale&lt;br /&gt;
* The [[9edf#Scales|livewire]] scale&lt;br /&gt;
* The [[lost spirit]] scale&lt;br /&gt;
* The [[magnetosphere scale]]&lt;br /&gt;
* The [[16afdo#Scales|mechanical]] scale&lt;br /&gt;
* The [[8afdo#Scales|metamorphic]] scale&lt;br /&gt;
* The [[35edo#Scales|meta-monsoon]] scale&lt;br /&gt;
** The [[5- to 10-tone scales in 47zpi|monsoon]] scale&lt;br /&gt;
** The [[35edo#Scales|monsoon major]] scale&lt;br /&gt;
** The [[35edo#Scales|monsoon otonal]] scale&lt;br /&gt;
* The [[16afdo#Scales|moonbeam]] scale&lt;br /&gt;
* The [[moon dust]] scale&lt;br /&gt;
* The [[30edo#Scales|nightdrive]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Over the Hedge|Over the Hedge]] scale&lt;br /&gt;
** The H.ammy, H.eather, O.zzie, R.J, S.tella, T.iger &amp;amp; V.erne [[User:BudjarnLambeth/Over the Hedge|scales]]&lt;br /&gt;
* The [[29edo#Scales|palace]] scale&lt;br /&gt;
* The [[30edo#Scales|pelagic]] scale&lt;br /&gt;
* The [[Peppermint-24#Salt_and_pepper_scale_and_its_subsets|pepperbass]] scale&lt;br /&gt;
* The [[9edf#Scales|purgatory]] scale&lt;br /&gt;
* The [[9edf#Scales|pylon]] scale&lt;br /&gt;
* The [[9edf#Scales|quest]] scale&lt;br /&gt;
* The [[Shoal17#Scales|refractive scale]]&lt;br /&gt;
* The [[Shoal17#Scales|refractive tetrad]]&lt;br /&gt;
* The [[5- to 10-tone scales in 47zpi|rockpool]] scale&lt;br /&gt;
* The [[47edo#Scales|sabertooth]] scales&lt;br /&gt;
* The [[Peppermint-24#Salt and pepper scale and its subsets|salt and pepper]] scale&lt;br /&gt;
* The [[63edo#Scales|sandcastle]] scale&lt;br /&gt;
* The [[breuddwyd6|snow braid]] scale&lt;br /&gt;
* The [[9edf#Scales|snowcone]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|sourgummy]] scale&lt;br /&gt;
* The [[spectral blues]] scale&lt;br /&gt;
* The [[9edf#Scales|swan]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|trailmix]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|tropicalpunch]] scale&lt;br /&gt;
* The [[Batch 89 temperaments#Example inflected MOS scale: UFO scale|UFO scale]]&lt;br /&gt;
* The [[8afdo#Scales|ultraviolet]] scale&lt;br /&gt;
* The [[8afdo#Scales|undercurrent]] scale&lt;br /&gt;
* The [[67edo#Scales|understory]] scale&lt;br /&gt;
* The [[8afdo#Scales|upwelling]] scale&lt;br /&gt;
* The [[16afdo#Scales|volcanic]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|whitechocolate]] scale&lt;br /&gt;
* The [[125edo#Scales|meta-tropolis]] scale &#039;&#039;and its subsets&#039;&#039;:&lt;br /&gt;
** The [[125edo#Scales|city-at-dawn]] scale&lt;br /&gt;
** The [[125edo#Scales|city-at-midday]] scale&lt;br /&gt;
** The [[125edo#Scales|city-at-dusk]] scale&lt;br /&gt;
** The [[125edo#Scales|city-at-midnight]] scale&lt;br /&gt;
** The [[125edo#Scales|port-at-dawn]] scale&lt;br /&gt;
** The [[125edo#Scales|port-at-midday]] scale&lt;br /&gt;
** The [[125edo#Scales|port-at-dusk]] scale&lt;br /&gt;
** The [[125edo#Scales|port-at-midnight]] scale&lt;br /&gt;
&lt;br /&gt;
=====([[polymicrotonal]])=====&lt;br /&gt;
* The [[20edo#Modes|8-tone 4&amp;amp;5edo scale]]&lt;br /&gt;
* The [[28edo#Scales|10-tone 4&amp;amp;7edo scale]]&lt;br /&gt;
* The [[30edo#Scales|10-tone 5&amp;amp;6edo scale]]&lt;br /&gt;
* The [[36edo#Scales|12-tone 4&amp;amp;9edo scale]]&lt;br /&gt;
* The [[40edo#Scales|12-tone 4&amp;amp;10edo scale]]&lt;br /&gt;
* The [[40edo#Scales|12-tone 5&amp;amp;8edo scale]]&lt;br /&gt;
* The [[45edo#Scales|12-tone 5&amp;amp;9edo scale]]&lt;br /&gt;
* The [[80edo#Scales|12-tone 5&amp;amp;16edo scale]]&lt;br /&gt;
* The [[42edo#Scales|12-tone 6&amp;amp;7edo scale]]&lt;br /&gt;
* The [[24edo scales#Dodecatonic|12-tone 6&amp;amp;8edo scale]]&lt;br /&gt;
* The [[30edo#Scales|12-tone 6&amp;amp;10edo scale]]&lt;br /&gt;
* The [[30edo#Scales|12-tone 6&amp;amp;15edo scale]]&lt;br /&gt;
* The [[80edo#Scales|12-tone 8&amp;amp;10edo scale]]&lt;br /&gt;
* The [[80edo#Scales|12-tone 8&amp;amp;20edo scale]]&lt;br /&gt;
* The [[36edo#Scales|12-tone 9&amp;amp;12edo scale]]&lt;br /&gt;
* The [[30edo#Scales|12-tone 10&amp;amp;15edo scale]]&lt;br /&gt;
* The [[36edo#Scales|12-tone 12&amp;amp;18edo scale]]&lt;br /&gt;
* The [[45edo#Scales|13-tone 5&amp;amp;9edo scale]]&lt;br /&gt;
* The [[30edo#Scales|14-tone 6&amp;amp;10edo scale]]&lt;br /&gt;
* The [[80edo#Scales|14-tone 8&amp;amp;10edo scale]]&lt;br /&gt;
* The [[80edo#Scales|14-tone 8&amp;amp;20edo scale]]&lt;br /&gt;
* The [[80edo#Scales|16-tone 5&amp;amp;16edo scale]]&lt;br /&gt;
* The [[30edo#Scales|12-tone 6&amp;amp;15edo scale]]&lt;br /&gt;
* The [[36edo#Scales|18-tone 9&amp;amp;12edo scale]]&lt;br /&gt;
* The [[36edo#Scales|18-tone 12&amp;amp;18edo scale]]&lt;br /&gt;
* The [[35edo#Scales|20-tone blackwood&amp;amp;greenwood]] scale&lt;br /&gt;
* The [[30edo#Scales|20-tone 10&amp;amp;15edo scale]]&lt;br /&gt;
* The [[35edo#Scales|24-tone blackwood&amp;amp;greenwood]] scale&lt;br /&gt;
&lt;br /&gt;
=====([[arithmetic pitch sequence]])=====&lt;br /&gt;
* [[1ed148.5c|APS148.5¢]]&lt;br /&gt;
* [[1ed237.8c|APS237.8¢]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of farabs|APS3.21farab]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of hekts|APS7hekt]]&lt;br /&gt;
* [[1ed28.5c|APS715jot]]&lt;br /&gt;
* [[1ed28.7c|APS720jot]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of mérides|APS4/5méride]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of mérides|APS5/8méride]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of mérides|APS7/12méride]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of tinas|APS70tina]]&lt;br /&gt;
* The [[Gallery of arithmetic pitch sequences#APS of tinas|Argentina]] scale&lt;br /&gt;
&lt;br /&gt;
====Invented tunings (regular temperaments)====&lt;br /&gt;
These are the same category of thing as “quarter-comma meantone temperament”.&lt;br /&gt;
* [[7921/7776|Attic]] temperament&lt;br /&gt;
* [[979/972|Basement]] temperament&lt;br /&gt;
* [[Subgroup temperaments#Blacktetra|Blacktetra]] temperament&lt;br /&gt;
* [[1000/979|Canine]] temperament&lt;br /&gt;
* [[Substitute harmonic#Daggerminished|Daggerminished]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Dotcom]] temperament&lt;br /&gt;
* [[Vavoom family|Doubloon]] temperaments&lt;br /&gt;
* [[Meantone family#Dreamtone|Dreamtone]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Ectophotia]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Fifigeist]] temperament&lt;br /&gt;
* [[Batch 89 temperaments#Floor|Floor]] temperament&lt;br /&gt;
* [[No-twos subgroup temperaments#Fomalhaut|Fomalhaut]] temperament&lt;br /&gt;
* [[Subgroup temperaments#Fourwar|Fourwar]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Glycome]] temperament&lt;br /&gt;
* [[No-sevens subgroup temperaments#Hypnotone|Hypnotone]] temperament&lt;br /&gt;
* [[8000/7921|Incisor]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Income]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Intercom]] temperament&lt;br /&gt;
* [[Vavoom family|Kaboom]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Lieerie]] temperament&lt;br /&gt;
* [[Lightyear comma|Lightyear]] temperament&lt;br /&gt;
* [[2883/2848|Lilac]] temperament&lt;br /&gt;
* [[8277/8192|Lilly pilly]] temperament&lt;br /&gt;
* [[7936/7921|Lily]] temperament&lt;br /&gt;
* [[No-fives subgroup temperaments#Lipsett|Lipsett]] temperament&lt;br /&gt;
* [[Batch 89 temperaments#Lylla|Lylla]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Minicom]] temperament&lt;br /&gt;
* [[Molar comma|Molar]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Newcome]] temperament&lt;br /&gt;
* [[Nimona]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Outcome]] temperament&lt;br /&gt;
* [[729/712|Oxidizer]] temperament&lt;br /&gt;
* [[Substitute harmonic#Pajaraxe|Pajaraxe]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Phantadecimal]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Phantasrutal]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Poltercompton]] temperament&lt;br /&gt;
* [[Batch 89 temperaments#Rocket|Rocket]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Romcom]] temperament&lt;br /&gt;
* [[Substitute harmonic#Sahara|Sahara]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Satcom]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Semihaunt]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Shadecimal]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Shrutarnatural]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Sitcom]] temperament&lt;br /&gt;
* [[Subgroup temperaments#Sixscared|Sixscared]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Spectrephore]] temperament&lt;br /&gt;
* [[89/88|Tailwind]] temperament&lt;br /&gt;
* [[Batch 89 temperaments#Teefs|Teefs]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Telecom]] temperament&lt;br /&gt;
* [[Subgroup temperaments#Tetramagic|Tetramagic]] temperament&lt;br /&gt;
* [[Vavoom family#Vacuum|Vacuum]] temperament&lt;br /&gt;
* [[Vavoom family#Void|Void]] temperament&lt;br /&gt;
* [[Vavoom family#Vortex|Vortex]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Werecatler]] temperament&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== (To-do) ===&lt;br /&gt;
Things I [[Wikifuture|plan to do]] on the wiki in the near future. Feel free to go ahead and do these any of these things first if you’re interested in doing so. I feel overwhelmed by the sheer amount of things I want to do and am very happy for any help I receive getting through it all :)&lt;br /&gt;
&lt;br /&gt;
==== WikiProject Just Intonation ====&lt;br /&gt;
* Recruit more members (especially an expert on [[Harry Partch]], an expert on [[Erv Wilson]], or an expert on [[primodality]]).&lt;br /&gt;
* Examine the names of all Scala file pages and rename those with confusing or ambiguous names.&lt;br /&gt;
* Find all examples of multiple similar Scala file pages (eg &amp;quot;exampletone10&amp;quot;, &amp;quot;exampletone15&amp;quot;, &amp;quot;exampletone_major&amp;quot;) and merge them into scale galleries.&lt;br /&gt;
* Record improvisations using JI scales that have no music examples, and post those as examples on the relevant scale pages.&lt;br /&gt;
&lt;br /&gt;
==== Structural wiki improvements ====&lt;br /&gt;
* Fix the issues found in the [[User:BudjarnLambeth/Map of linear temperaments page health survey]]&lt;br /&gt;
* Improve scales sections of pages:{{EDOs|&lt;br /&gt;
** 21edo&lt;br /&gt;
** 26edo&lt;br /&gt;
** 32edo&lt;br /&gt;
** 33edo&lt;br /&gt;
** 34edo&lt;br /&gt;
** 37edo&lt;br /&gt;
** 39edo&lt;br /&gt;
** 40edo&lt;br /&gt;
** 46edo&lt;br /&gt;
** 53edo}}&lt;br /&gt;
* Add “[[:Category:Temperaments]]” to all temperament [[special:ListRedirects|redirects]]&lt;br /&gt;
&lt;br /&gt;
==== Construct diagrams or lists ====&lt;br /&gt;
* Add every temperament from the 3 Middle Path table pages and every temperament from [[Survey of efficient temperaments by subgroup]] to the tables on [[Map of linear temperaments]] and [[Map of rank-2 temperaments]]&lt;br /&gt;
* For every temperament on the page [[Survey of efficient temperaments by subgroup]], generate a [[Scala]] file of whichever of its MOS scales is closest to (2 x its [[graham complexity]]). List all the Scala files in a wiki page along the lines of “Scala files for efficient subgroup temperaments” or something like that and link it from the Survey page&lt;br /&gt;
* Make all the wanted tables listed in [[:Category:Todo:add rank 2 temperaments table]]&lt;br /&gt;
* Make manual, curated tables of [[interval]]s for:&amp;lt;small&amp;gt;&lt;br /&gt;
** [[8ed5/4]] to 9ed5/4&lt;br /&gt;
** [[4ed4/3]] to 8ed4/3&lt;br /&gt;
** [[4ed5/3]] to 6ed5/3&lt;br /&gt;
** [[11ed5/3]]&lt;br /&gt;
** [[5ed7/4]] to 12ed7/4&lt;br /&gt;
** [[5ed9/5]] to 7ed9/5&lt;br /&gt;
** [[11ed9/4]]&lt;br /&gt;
** [[5ed7/3]]&lt;br /&gt;
** [[8ed7/3]]&lt;br /&gt;
** [[5ed5/2]] to 6ed5/2&lt;br /&gt;
** [[8ed5/2]]&lt;br /&gt;
** [[12edt]]&lt;br /&gt;
** [[3ed4]] to 6ed4&lt;br /&gt;
** [[8ed4]] to 15ed4&lt;br /&gt;
** [[3ed5]] to 5ed5&lt;br /&gt;
** [[4ed6]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Improve pages I made ====&lt;br /&gt;
* On my page [[5- to 10-tone scales in 60edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
* On my page [[5- to 10-tone scales in 72edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
* On my page [[5- to 10-tone scales in 84edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
* On my page [[5- to 10-tone scales in 91edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
* On my page [[5- to 10-tone scales in 96edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
&lt;br /&gt;
==== Explore, discover, document ====&lt;br /&gt;
* Find nice 5 to 7-tone subsets of [[Shaka10]], [[Starling12]], [[Thrush12]] and document them under a “subsets” heading on those scales’ pages&lt;br /&gt;
* Find more unique scales in [[Catnip]][36] in [[60edo]] that can’t be replicated in [[Compton]][36] and document them on [[5- to 10-tone scales in 60edo]]&lt;br /&gt;
* Find 4 to 7-tone subsets for every 9, 10, 11, 12, 13, 14, 15, 16, 17, 18 or 19-tone scale page&lt;br /&gt;
&lt;br /&gt;
==== Approximate x in y ====&lt;br /&gt;
* Approximate the following scales in modes 34 to 101 of the harmonic series and document the results in “[[5- to 10-tone scales from the modes of the harmonic series]]”:&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
Tobago6&lt;br /&gt;
101.53846&lt;br /&gt;
350.76923&lt;br /&gt;
600.&lt;br /&gt;
701.53846&lt;br /&gt;
950.76923&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Zeus1&lt;br /&gt;
157.57576&lt;br /&gt;
387.87879&lt;br /&gt;
545.45455&lt;br /&gt;
703.03030&lt;br /&gt;
1042.42424&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront5&lt;br /&gt;
227.82&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
972.18&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Ionian Pent.&lt;br /&gt;
455.64&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
1169.55&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Minor Harmonic Pent.&lt;br /&gt;
258.27&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
1169.55&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Mixolydian Pent.&lt;br /&gt;
455.64&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
972.18&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Adrift Pent.&lt;br /&gt;
197.37&lt;br /&gt;
258.27&lt;br /&gt;
683.46&lt;br /&gt;
713.91&lt;br /&gt;
1200.&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
* Approximate the following scales in modes 102 to 200 of the harmonic series and document the results in “[[5- to 10-tone scales from the modes of the harmonic series]]”:&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
5edo&lt;br /&gt;
1\5&lt;br /&gt;
2\5&lt;br /&gt;
3\5&lt;br /&gt;
4\5&lt;br /&gt;
5\5&lt;br /&gt;
&lt;br /&gt;
6edo&lt;br /&gt;
1\6&lt;br /&gt;
2\6&lt;br /&gt;
3\6&lt;br /&gt;
4\6&lt;br /&gt;
5\6&lt;br /&gt;
6\6&lt;br /&gt;
&lt;br /&gt;
7edo&lt;br /&gt;
1\7&lt;br /&gt;
2\7&lt;br /&gt;
3\7&lt;br /&gt;
4\7&lt;br /&gt;
5\7&lt;br /&gt;
6\7&lt;br /&gt;
&lt;br /&gt;
Slendric6&lt;br /&gt;
233.68421&lt;br /&gt;
467.36842&lt;br /&gt;
701.05263&lt;br /&gt;
934.73684&lt;br /&gt;
966.31579&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Tobago6&lt;br /&gt;
101.53846&lt;br /&gt;
350.76923&lt;br /&gt;
600.&lt;br /&gt;
701.53846&lt;br /&gt;
950.76923&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Zeus1&lt;br /&gt;
157.57576&lt;br /&gt;
387.87879&lt;br /&gt;
545.45455&lt;br /&gt;
703.03030&lt;br /&gt;
1042.42424&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront5&lt;br /&gt;
227.82&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
972.18&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Ionian Pent.&lt;br /&gt;
455.64&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
1169.55&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Minor Harmonic Pent.&lt;br /&gt;
258.27&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
1169.55&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Mixolydian Pent.&lt;br /&gt;
455.64&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
972.18&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Adrift Pent.&lt;br /&gt;
197.37&lt;br /&gt;
258.27&lt;br /&gt;
683.46&lt;br /&gt;
713.91&lt;br /&gt;
1200.&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
* Approximate the following scales in BOTH prime modes 75-100 of the harmonic series AND sqfr semiprm modes 75-100 and document the results in “[[5- to 10-tone scales from the modes of the harmonic series]]”:&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
Antipental Blues&lt;br /&gt;
7/6&lt;br /&gt;
4/3&lt;br /&gt;
11/8&lt;br /&gt;
3/2&lt;br /&gt;
7/4&lt;br /&gt;
2/1&lt;br /&gt;
&lt;br /&gt;
Evened Minor Hexatonic&lt;br /&gt;
187.500&lt;br /&gt;
312.500&lt;br /&gt;
500.000&lt;br /&gt;
700.000&lt;br /&gt;
987.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Evened Phrygian Dominant Hexatonic&lt;br /&gt;
112.500&lt;br /&gt;
387.500&lt;br /&gt;
500.000&lt;br /&gt;
712.500&lt;br /&gt;
987.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Flattened Blues Aeolian Pentatonic&lt;br /&gt;
287.500&lt;br /&gt;
487.500&lt;br /&gt;
687.500&lt;br /&gt;
787.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Flattened Blues Minor Maj7&lt;br /&gt;
287.500&lt;br /&gt;
500.000&lt;br /&gt;
600.000&lt;br /&gt;
700.000&lt;br /&gt;
1100.000&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Roughened Blues Dorian Pentatonic&lt;br /&gt;
300.000&lt;br /&gt;
700.000&lt;br /&gt;
912.500&lt;br /&gt;
987.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Blues Aeolian Pentatonic&lt;br /&gt;
312.500&lt;br /&gt;
712.500&lt;br /&gt;
800.000&lt;br /&gt;
1000.000&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Blues Dorian Hexatonic&lt;br /&gt;
312.500&lt;br /&gt;
512.500&lt;br /&gt;
712.500&lt;br /&gt;
900.000&lt;br /&gt;
1012.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Blues Harmonic Septatonic&lt;br /&gt;
312.500&lt;br /&gt;
512.500&lt;br /&gt;
612.500&lt;br /&gt;
712.500&lt;br /&gt;
812.500&lt;br /&gt;
1112.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Dorian Harmonic&lt;br /&gt;
212.500&lt;br /&gt;
312.500&lt;br /&gt;
612.500&lt;br /&gt;
712.500&lt;br /&gt;
912.500&lt;br /&gt;
1012.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Hirajoshi&lt;br /&gt;
200.000&lt;br /&gt;
312.500&lt;br /&gt;
700.000&lt;br /&gt;
812.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Kokin-Joshi&lt;br /&gt;
200.000&lt;br /&gt;
312.500&lt;br /&gt;
700.000&lt;br /&gt;
900.000&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Minor Pentatonic&lt;br /&gt;
312.500&lt;br /&gt;
500.000&lt;br /&gt;
700.000&lt;br /&gt;
1012.500&lt;br /&gt;
1200.000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Xenharmonify 12edo scales ====&lt;br /&gt;
Approximate [[12edo]] subsets with these tunings, test them by noodling, and list all good-sounding ones in a big page:&lt;br /&gt;
* [[August]] in EDOs: ................. {{EDOs|21, 33, 45, 58, 69}}&lt;br /&gt;
* [[Augene]] in EDOs: ................. {{EDOs|15, 27, 39, 66}}&lt;br /&gt;
* [[Bidia]] in EDOs: ................. {{EDOs|56, 68, 80}}&lt;br /&gt;
* [[Diaschismic]] in EDOs: ................. {{EDOs|46, 58, 104}}&lt;br /&gt;
* [[Dimcomp]] in EDOs: ................. {{EDOs|44, 48, 56, 60, 68, 72}}&lt;br /&gt;
* [[Diminished]] in EDOs: ................. {{EDOs|20, 28, 32, 44}}&lt;br /&gt;
* [[Grackle]] in EDOs: ................. {{EDOs|53, 65, 77, 89}}&lt;br /&gt;
* [[Helenus]]/[[Photia]] in EDOs: ................. {{EDOs|41, 53, 65, 118}}&lt;br /&gt;
* [[Hexe]] in EDOs: ................. {{EDOs|30, 42}}&lt;br /&gt;
* [[Injera]] in EDOs: ................. {{EDOs|14, 26, 38, 40, 90, 102}}&lt;br /&gt;
* [[Misty]] in EDOs: ................. {{EDOs|39, 51, 63, 75, 87, 99}}&lt;br /&gt;
* [[Nickel]] in EDOs: ................. {{EDOs|16, 21, 28}}&lt;br /&gt;
* [[Pajara]] in EDOs: ................. {{EDOs|22, 34, 56}}&lt;br /&gt;
* [[Pajarous]] in EDOs: ................. {{EDOs|22, 32, 54, 76, 120}}&lt;br /&gt;
* [[Passion]] in EDOs: ................. {{EDOs|25, 37, 49, 61, 73, 110}}&lt;br /&gt;
* [[Ripple]] in EDOs: ................. {{EDOs|71, 83, 95, 107, 119}}&lt;br /&gt;
* [[Semimeantone]] in EDOs: ................. {{EDOs|38, 50, 62}}&lt;br /&gt;
* [[Srutal]]/[[Srutal archagall]] in EDOs: ................. {{EDOs|22, 34, 46, 80, 114, 126}}&lt;br /&gt;
* [[Wronecki]] in EDOs: ................. {{EDOs|66, 78, 90, 102, 114, 126}}&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Random stuff I&#039;d like to share ==&lt;br /&gt;
&lt;br /&gt;
===Reference lists and technical resources===&lt;br /&gt;
&lt;br /&gt;
====List of equal divisions including novelties====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/List of equal divisions including novelties]]&lt;br /&gt;
&lt;br /&gt;
====Tunings for each subgroup====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Tunings for each subgroup]]&lt;br /&gt;
&lt;br /&gt;
====12edo interpreted as a 2.3.5.17.19 subgroup temperament====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/12edo as a 2.3.5.17.19 tuning]]&lt;br /&gt;
&lt;br /&gt;
====Stats and surveys about the wiki====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Survey of 100 random wiki pages]]&lt;br /&gt;
* [[User:BudjarnLambeth/Survey of todo categories]]&lt;br /&gt;
* [[User:BudjarnLambeth/Survey of named and unnamed commas]]&lt;br /&gt;
* [[Tuning regulars]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Scale recommendations===&lt;br /&gt;
&lt;br /&gt;
====Neji scales I found while tinkering in Scale Workshop====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Neji scales I found while tinkering in Scale Workshop]]&lt;br /&gt;
&lt;br /&gt;
====Approximations of gamelan scales in edos up to 60 (in my opinion)====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Edo approximations of gamelan scales]]&lt;br /&gt;
&lt;br /&gt;
====Some good tunings of Japanese scales (in my opinion)====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Some tunings for Japanese scales]]&lt;br /&gt;
&lt;br /&gt;
====My favourite hexanies using at least one odd greater than 15====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/My favourite hexanies using at least one odd greater than 15]]&lt;br /&gt;
&lt;br /&gt;
====Eagle JI subsets====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Eagle JI subsets]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Community projects I started===&lt;br /&gt;
&lt;br /&gt;
====Gallery of xenharmonic word painting (you can contribute!)====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Gallery of xenharmonic word painting]]&lt;br /&gt;
&lt;br /&gt;
====The 13 levels of xenharmony (you can contribute!)====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/13 levels of xenharmony]]&lt;br /&gt;
&lt;br /&gt;
====WikiProject Just Intonation (you can contribute!) ====&lt;br /&gt;
&lt;br /&gt;
* [[Xenharmonic Wiki:WikiProject Just Intonation]]&lt;br /&gt;
&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Personal===&lt;br /&gt;
&lt;br /&gt;
====Hot takes====&lt;br /&gt;
&#039;&#039;&#039;Everything in this section is opinion, not facts!&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Do not give any of it too much weight.&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Silliness:&#039;&#039;&#039; We should take ourselves less seriously: we should have more fun, we should be more silly 🎉&lt;br /&gt;
* &#039;&#039;&#039;Arbitrary numbers:&#039;&#039;&#039; It’s fine to explore the 2.3.5.101 [[subgroup]] if you want to. It doesn’t matter that it’s less [[concordant]] than 2.3.5.7. Explore it anyway and see what happens. Do some stuff with [[:Category:Novelties|arbitrary numbers]] that don’t make logical sense and just see what comes of it. That’s where the fun is! (Though do keep a “2.3” or “3.5” in there just to smooth over the gnarliest edges, heehee.)&lt;br /&gt;
* &#039;&#039;&#039;Importance of common names:&#039;&#039;&#039; I would prefer to use a temperament [[Temperament naming|named]] something fun like “waterslide” or “jinglebells” even if it has lots of error, over one named something dry and bland like “countertrihexakleismatic” even if it’s super [[damage|accurate]] and [[badness|technically better]] - a bland name can kill a temperament’s appeal, a fun name can create appeal out of nothing.&lt;br /&gt;
* &#039;&#039;&#039;My opinion on which intervals matter in a tuning system/the criteria for a good general-purpose tuning:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/The intervals I see as important]]&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;My opinion on zeta peak indexes:&#039;&#039;&#039; My view on to what degree [[zeta peak index]]es are useful or not.&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/My opinion on zeta peak indexes]]&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Misrepresentation of traditions:&#039;&#039;&#039; A cheeky little opinion piece I wrote criticising the negative and celebrating the positive ways Western tuning theory has borrowed from the world’s traditions:&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/Cultural appropriation-o-meter]]&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Comma naming debate brainstorm:&#039;&#039;&#039; A futile attempt I made to try to begin resolving one of the big behind the scenes debates among wiki editors:&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/Brainstorming mostly bad ideas to solve the comma naming debate]]&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Rating my wiki contributions&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/Rating my wiki contributions]]&lt;br /&gt;
&lt;br /&gt;
====What I look for in a good xenharmonic piece====&lt;br /&gt;
&lt;br /&gt;
The tuning sounds consonant, all the combinations of intervals you used sound within the same range of consonant-ness as all the combinations available in 12edo. There are more dissonant and less dissonant sections, but none that sound more dissonant than the maximum limit of dissonance I&#039;m willing to tolerate (ie, the maximum amount of dissonance achievable with 12edo). All that is a long winded way of saying nothing sounds &amp;quot;out of tune&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
The timbre also sounds good. Despite being midi instruments, the samples used and whatever effects were applied to them (reverb, volume levels, etc.) all come together well into something that is more than the sum of its parts. The timbre works well with the tuning to create a kind of pleasant, warm glow.&lt;br /&gt;
&lt;br /&gt;
The piece has enough dynamic range, sense of harmonic movement, and interaction between melody lines to hold my interest, to not sound bland, but instead sound captivating.&lt;br /&gt;
&lt;br /&gt;
==== A commentary on my experiences of using different tunings ====&lt;br /&gt;
The scales I&#039;ve made my best music with are:&lt;br /&gt;
* 13edo (6-tone subset)&lt;br /&gt;
* 14edo (7-tone subset)&lt;br /&gt;
* Deutone[19] (5-tone subset for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* 21edo (pelog-like 5-tone subset for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* 22edo (Superpyth[6] - I know it&#039;s not a MOS - for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* Lucite[23] aka well tempered 23edo (pelog-like 5-tone subset for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* 27edo (this JI scale approximated into 27edo: 7/6, 4/3, 3/2, 9/5, 2/1, 13/6, 7/3, 8/3, 3/1, 17/5, 19/5, 4/1 (period))&lt;br /&gt;
* 33edo (Flattertone[7] for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* 43edo (Han-Kumoi scale, a subset of Meantone[7], for melody, Meantone[19] for embellishment)&lt;br /&gt;
* 72edo (7-tone quasi-blues scales for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
&lt;br /&gt;
Whether or not this was a fluke or there was something special about these scales, I&#039;m not sure. Most of the music I make is for the XA Monthly Tunings group (because it motivates me to create for whatever reason), so most tunings I&#039;ve tried so far, I&#039;ve only spent a single month with. So when something turns out good, it&#039;s hard to tell if it&#039;s because the tuning has some characteristic that works for me, or if it&#039;s because I just had a good month.&lt;br /&gt;
&lt;br /&gt;
But whatever the reason, it just so happens that those tracks I made that did turn out good, used these tunings.&lt;br /&gt;
&lt;br /&gt;
So I guess in general for me, I like using 5- to 7-tone subsets of larger 10- to 45-tone tunings, roughly.&lt;br /&gt;
&lt;br /&gt;
====Fun: Ratios as planets====&lt;br /&gt;
&lt;br /&gt;
The ratios of the octave as celestial bodies of the solar system:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;[[2/1]], the sun&#039;&#039;&#039;, defining the overall structure of the entire octave.&lt;br /&gt;
* &#039;&#039;&#039;[[3/2]], Jupiter&#039;&#039;&#039;, the biggest pull aside from the sun itself. Marks out a rough middle of the solar system.&lt;br /&gt;
* &#039;&#039;&#039;[[4/3]], Saturn&#039;&#039;&#039;, a kind of echo of Jupiter. Vast and mighty in its own right, similar to Jupiter, but colder and subtler.&lt;br /&gt;
* &#039;&#039;&#039;[[5/3]], Uranus&#039;&#039;&#039;, has a strong enough pull to be one of the big guys, but markedly smaller than Jupiter and Saturn. Has a gentle appearance.&lt;br /&gt;
* &#039;&#039;&#039;[[5/4]], Neptune&#039;&#039;&#039;, the last of the giant planets, with their huge gravitational pull. Has an energetic, lively surface with the fastest winds in the solar system. Defines the boundary of the Kuiper Belt (like the boundary of major and minor tonality).&lt;br /&gt;
* &#039;&#039;&#039;[[6/5]], Earth&#039;&#039;&#039;, a small planet that punches above its weight. It manages to hold an unreasonably large moon, given the small gravitational influence it has. It even developed life and sent probes to explore the other planets. It has far more influence than it seems like it should.&lt;br /&gt;
* &#039;&#039;&#039;[[7/4]], Venus&#039;&#039;&#039;, a kind of parallel version of Earth. Its diameter and gravitational pull are almost identical to Earth, but its character is completely different. Home to a completely different temperature, chemical composition and volcanic system.&lt;br /&gt;
* &#039;&#039;&#039;[[7/5]], Mars&#039;&#039;&#039;, appears barren and frozen upon first glance, but looking closer reveals a rich and storied history, and potential wonders and microcosms hidden in its underground caves.&lt;br /&gt;
* &#039;&#039;&#039;[[8/5]], Mercury&#039;&#039;&#039;. Caught in a region of the solar system so wild that much of its mass has been stripped away by the solar wind while it was still forming. Still, it holds firm, a foothold in difficult territory.&lt;br /&gt;
* &#039;&#039;&#039;[[7/6]], the moon&#039;&#039;&#039;. Caught in Earth’s orbit, it’s difficult to view separately from the Earth’s influence. If the Earth wasn’t there, it’d be a whole planet in its own right.&lt;br /&gt;
* &#039;&#039;&#039;[[9/5]], Ceres&#039;&#039;&#039;. It doesn’t pull much weight on its own, but in the context of the wider solar system, it demarcates an important in-between point for the other planets. If you want to travel between the different planets, Ceres makes the journey much more pleasant.&lt;br /&gt;
* &#039;&#039;&#039;[[11/8]], Pluto&#039;&#039;&#039;, often dismissed outright due to having such a tiny gravitational pull. But it is a whole other type of ‘planet’, the first of a whole new family. When approached on its own terms, it opens up a larger, more diverse solar system than we ever knew existed.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Useful links for my own convenience ==&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;big&amp;gt;[[User:BudjarnLambeth/Sandbox]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[User:BudjarnLambeth/Sandbox2]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[Gallery of just intervals]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[Harmonic entropy of just intervals]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[User:Userminusone/Constructing a comma list using the Averiant]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[User:Ganaram inukshuk/Catalog of MOS Scales]]&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth/Volcanic_glass&amp;diff=230044</id>
		<title>User:BudjarnLambeth/Volcanic glass</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth/Volcanic_glass&amp;diff=230044"/>
		<updated>2026-05-12T01:35:46Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Music */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Editable user page|Feel free to add anything but don&#039;t remove anything unless it&#039;s factually incorrect}}&lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;&#039;volcanic glass scale&#039;&#039;&#039; is a 10-tone, 4/1-repeating scale and a subset of the [[darkstone]][7] scale. It was constructed by [[Budjarn Lambeth]] in May 2026.&lt;br /&gt;
&lt;br /&gt;
It could probably be used in other [[magic family]] temperaments too, though darkstone&#039;s flat fifth (the result of tempering [[36/35]]) does give it a particularly distinct sound.&lt;br /&gt;
&lt;br /&gt;
Lambeth recommends [[19edo]], [[35edo]] or [[38edo]] if one wants an equal tempered version of the volcanic glass scale.&lt;br /&gt;
&lt;br /&gt;
== Intervals ==&lt;br /&gt;
&#039;&#039;[[WE]] tuning, intervals given as [[cents]].&#039;&#039;&lt;br /&gt;
* 377.31&lt;br /&gt;
* 684.82&lt;br /&gt;
* 824.43&lt;br /&gt;
* 1201.74&lt;br /&gt;
* 1509.25&lt;br /&gt;
* 1579.06&lt;br /&gt;
* 1886.57&lt;br /&gt;
* 1956.37&lt;br /&gt;
* 2333.68&lt;br /&gt;
* 2403.49&lt;br /&gt;
&lt;br /&gt;
== Scale Workshop link ==&lt;br /&gt;
* [https://scaleworkshop.plainsound.org/scale/2eywDp-ty]&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
Music: [https://www.youtube.com/watch?v=oXy_RXrBVWA &#039;&#039;Rain in the crystal mirror caves&#039;&#039;] - [[Budjarn Lambeth]] (2026)&lt;br /&gt;
[[Category:10-tone scales]][[Category:Tempered scales]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth/Volcanic_glass&amp;diff=230043</id>
		<title>User:BudjarnLambeth/Volcanic glass</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth/Volcanic_glass&amp;diff=230043"/>
		<updated>2026-05-12T01:35:32Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Editable user page|Feel free to add anything but don&#039;t remove anything unless it&#039;s factually incorrect}}&lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;&#039;volcanic glass scale&#039;&#039;&#039; is a 10-tone, 4/1-repeating scale and a subset of the [[darkstone]][7] scale. It was constructed by [[Budjarn Lambeth]] in May 2026.&lt;br /&gt;
&lt;br /&gt;
It could probably be used in other [[magic family]] temperaments too, though darkstone&#039;s flat fifth (the result of tempering [[36/35]]) does give it a particularly distinct sound.&lt;br /&gt;
&lt;br /&gt;
Lambeth recommends [[19edo]], [[35edo]] or [[38edo]] if one wants an equal tempered version of the volcanic glass scale.&lt;br /&gt;
&lt;br /&gt;
== Intervals ==&lt;br /&gt;
&#039;&#039;[[WE]] tuning, intervals given as [[cents]].&#039;&#039;&lt;br /&gt;
* 377.31&lt;br /&gt;
* 684.82&lt;br /&gt;
* 824.43&lt;br /&gt;
* 1201.74&lt;br /&gt;
* 1509.25&lt;br /&gt;
* 1579.06&lt;br /&gt;
* 1886.57&lt;br /&gt;
* 1956.37&lt;br /&gt;
* 2333.68&lt;br /&gt;
* 2403.49&lt;br /&gt;
&lt;br /&gt;
== Scale Workshop link ==&lt;br /&gt;
* [https://scaleworkshop.plainsound.org/scale/2eywDp-ty]&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
Music: [https://www.youtube.com/watch?v=oXy_RXrBVWA &lt;br /&gt;
&#039;&#039;Rain in the crystal mirror caves&#039;&#039;] - [[Budjarn Lambeth]] (2026)&lt;br /&gt;
[[Category:10-tone scales]][[Category:Tempered scales]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Magic_family&amp;diff=230042</id>
		<title>Magic family</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Magic_family&amp;diff=230042"/>
		<updated>2026-05-12T01:34:33Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Darkstone */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{interwiki&lt;br /&gt;
| de = Magische Temperaturen&lt;br /&gt;
| en = Magic family&lt;br /&gt;
| es = &lt;br /&gt;
| ja = &lt;br /&gt;
}}&lt;br /&gt;
{{Technical data page}}&lt;br /&gt;
The &#039;&#039;&#039;magic family&#039;&#039;&#039; of temperaments tempers out [[3125/3072]], the small diesis or magic comma. The septimal version of magic is locally optimal, for some searches, in the [[9-odd-limit]]. Magic has a slightly higher complexity than [[meantone]] but it is closer to just intonation. It is the simplest rank-2 temperament that tunes every [[9-odd-limit]] interval better than is possible in [[12edo]]. The most prominent deficiency is that it lacks [[Rothenberg propriety|proper]] or nearly-proper [[mos scale]]s in the 5- to 10-note region. Properties may depend on tuning and extension.&lt;br /&gt;
&lt;br /&gt;
== Magic ==&lt;br /&gt;
{{Main| Magic }}&lt;br /&gt;
&lt;br /&gt;
The [[generator]] of magic is a major third, and to get to the interval class of fifths requires five of these. In fact, (5/4)&amp;lt;sup&amp;gt;5&amp;lt;/sup&amp;gt; = 3 × 3125/3072. [[41edo|13\41]] is a highly recommendable generator, though [[60edo|19\60]], the [[optimal patent val]] generator, also makes a lot of sense, and using [[19edo]] or [[22edo]] is always possible.&lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 3125/3072&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 | 0 5 1 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~5/4&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.2449{{c}}, ~5/4 = 380.4527{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.245 +0.309 -3.371 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~5/4 = 380.2194{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.858 -6.094 }}&lt;br /&gt;
&lt;br /&gt;
[[Minimax tuning]]: &lt;br /&gt;
* [[5-odd-limit]]: ~5/4 = {{monzo| 0 1/5 0 }}&lt;br /&gt;
: [[eigenmonzo basis|unchanged-interval (eigenmonzo) basis]]: 2.3&lt;br /&gt;
&lt;br /&gt;
[[Tuning ranges]]: &lt;br /&gt;
* 5-odd-limit [[diamond monotone]]: ~5/4 = [360.000, 400.000] (3\10 to 1\3)&lt;br /&gt;
* 5-odd-limit [[diamond tradeoff]]: ~5/4 = [378.910, 386.314] (1/4-comma to untempered)&lt;br /&gt;
&lt;br /&gt;
[[Algebraic generator]]: Terzbirat, the positive root of 9&#039;&#039;x&#039;&#039;&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt; - 8&#039;&#039;x&#039;&#039; - 4 = (4 + 2√13)/9; approximately 380.3175 [[cent]]s.&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 3, 13b, 16, 19, 41, 60, 221cc, 281cc }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 0.919&lt;br /&gt;
&lt;br /&gt;
=== Overview to extensions ===&lt;br /&gt;
Apart from magic, we also consider other extensions. The second comma of the [[Normal lists #Normal interval list|normal comma list]] defines which 7-limit family member we are looking at. [[875/864]], the keemic comma, gives septimal magic, and [[525/512]], Avicenna&#039;s enharmonic diesis, gives his annoying brother muggles. Both use the major third as a generator, as well as low-accuracy extensions including darkstone and brightstone. &lt;br /&gt;
&lt;br /&gt;
Weak extensions considered below are hocum, trismegistus, quadrimage, quinmage and warlock. Discussed elsewhere are&lt;br /&gt;
* &#039;&#039;[[Astrology]]&#039;&#039; → [[Jubilismic clan #Astrology|Jubilismic clan]]&lt;br /&gt;
* &#039;&#039;[[Spell]]&#039;&#039; → [[Hemimean clan #Spell|Hemimean clan]]&lt;br /&gt;
&lt;br /&gt;
== Septimal magic ==&lt;br /&gt;
{{Main| Magic }}&lt;br /&gt;
&lt;br /&gt;
Septimal magic tempers out not only 3125/3072 and 875/864, but also [[225/224]], [[245/243]], and [[10976/10935]]. [[41edo]] is a good magic tuning, and 19- or 22-note mosses are possible scales. Five major thirds approximate 3/1. Twelve major thirds, less an octave, approximate 7/1.&lt;br /&gt;
&lt;br /&gt;
This temperament, with its accurate fifths, works well with [[9-odd-limit]] harmony. It is more accurate than [[meantone]] and simpler than [[garibaldi]]. It is a little tricky to work with because its fifths are a relatively complex interval and it does not naturally work with scales of around seven notes to the octave. &lt;br /&gt;
&lt;br /&gt;
225/224 is the [[marvel family|marvel]] comma. Because the augmented triad is the simplest triad in magic temperaments, it is especially significant in magic temperament. 245/243, the [[sensamagic family|sensamagic]] comma, leads to another essentially tempered 9-odd-limit triad with two thirds approximating 9/7 and the other 6/5. It also divides the approximate 3/2 into two steps of 7/6 and one of 10/9. &lt;br /&gt;
&lt;br /&gt;
By adding [[100/99]] and [[105/104]] to the list of commas, magic can be extended to the 11-limit and 13-limit. 11-limit magic allows for a tritone substitution where the extended 5-limit tuning of a dominant seventh with a 9/5 above the root shares its tritone with an 8:10:11:12:16 chord rooted on the seventh of the original chord. For this, [[104edo]] provides an excellent tuning, as it does also for the rank-3 temperaments tempering out 100/99 with 225/224, 245/243 or 875/864. Septimage (see below) is also an excellent 11-limit magic tuning. For the 13-limit, 41edo makes for a recommendable tuning. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 225/224, 245/243&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 -1 | 0 5 1 12 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~5/4&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.0786{{c}}, ~5/4 = 380.6939{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.079 +1.514 -3.463 -1.578 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~5/4 = 380.4576{{c}}&lt;br /&gt;
: error map: {{val| 0.000 +0.333 -5.856 -3.335 }}&lt;br /&gt;
&lt;br /&gt;
[[Minimax tuning]]: &lt;br /&gt;
* 7- and [[9-odd-limit]]: ~5/4 = {{monzo| 0 1/5 0 0 }}&lt;br /&gt;
: [[eigenmonzo basis|unchanged-interval (eigenmonzo) basis]]: 2.3&lt;br /&gt;
&lt;br /&gt;
[[Tuning ranges]]: &lt;br /&gt;
* 7- and 9-odd-limit [[diamond monotone]]: ~5/4 = [378.947, 381.818] (6\19 to 7\22)&lt;br /&gt;
* 7- and 9-odd-limit [[diamond tradeoff]]: ~5/4 = [378.910, 386.314] (1/4-comma to untempered)&lt;br /&gt;
&lt;br /&gt;
[[Algebraic generator]]: Tirzbirat or Septimage, the real root of 5&#039;&#039;x&#039;&#039;&amp;lt;sup&amp;gt;5&amp;lt;/sup&amp;gt; + 4&#039;&#039;x&#039;&#039; - 20, 380.7604 cents.&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 19, 41, 142cd, 183cd, 224ccd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 0.479&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 225/224, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 | 0 5 1 12 -8 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.1372{{c}}, ~5/4 = 380.7399{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.7008{{c}}&lt;br /&gt;
&lt;br /&gt;
Minimax tuning: &lt;br /&gt;
* 11-odd-limit: ~5/4 = {{monzo| 1/3 1/9 0 0 -1/18 }}&lt;br /&gt;
: unchanged-interval (eigenmonzo) basis: 2.11/9&lt;br /&gt;
&lt;br /&gt;
Tuning ranges: &lt;br /&gt;
* 11-odd-limit diamond monotone: ~5/4 = [378.947, 381.818] (6\19 to 7\22)&lt;br /&gt;
* 11-odd-limit diamond tradeoff: ~5/4 = [378.910, 386.314] (1/4-comma to untempered)&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22, 41, 104 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.673&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
A notable [[patent val]] tuning beyond the [[optimal patent val]] of 41edo is [[19edo|19]] + [[41edo|41]] = [[60edo]].&lt;br /&gt;
&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 144/143, 196/195&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 | 0 5 1 12 -8 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.0331{{c}}, ~5/4 = 380.4377{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.4284{{c}}&lt;br /&gt;
&lt;br /&gt;
Tuning ranges: &lt;br /&gt;
* 13- and 15-odd-limit diamond monotone: ~5/4 = [378.947, 381.818] (6\19 to 7\22)&lt;br /&gt;
* 13- and 15-odd-limit diamond tradeoff: ~5/4 = [378.617, 386.314]&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22f, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.889&lt;br /&gt;
&lt;br /&gt;
===== Magical =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 120/119, 144/143, 154/153&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 6 | 0 5 1 12 -8 18 -6 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.3584{{c}}, ~5/4 = 380.4006{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.5896{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22f, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.05&lt;br /&gt;
&lt;br /&gt;
====== Magicus ======&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 120/119, 133/132, 144/143, 154/153&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 6 9 | 0 5 1 12 -8 18 -6 -15 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.7173{{c}}, ~5/4 = 380.3808{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.4680{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.27&lt;br /&gt;
&lt;br /&gt;
====== Magica ======&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 120/119, 144/143, 154/153, 171/169&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 6 -4 | 0 5 1 12 -8 18 -6 26 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.3670{{c}}, ~5/4 = 380.4681{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.6541{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22fh, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.21&lt;br /&gt;
&lt;br /&gt;
===== Magia =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 144/143, 170/169, 196/195&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 -7 | 0 5 1 12 -8 18 35 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.1727{{c}}, ~5/4 = 380.2982{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.2483{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19g, 41, 60 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.34&lt;br /&gt;
&lt;br /&gt;
====== 19-limit ======&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 144/143, 170/169, 171/169, 196/195&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 -7 -4 | 0 5 1 12 -8 18 35 26 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.2179{{c}}, ~5/4 = 380.3942{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.3314{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19gh, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.44&lt;br /&gt;
&lt;br /&gt;
===== Evening =====&lt;br /&gt;
Evening is a remarkable subgroup temperament of {{nowrap| 19 &amp;amp; 22f }} with prime harmonics of 29 and 31. &lt;br /&gt;
&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.29.31&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 144/143, 145/144, 155/154, 196/195&lt;br /&gt;
&lt;br /&gt;
Subgroup-val mapping: {{mapping| 1 0 2 -1 6 -2 2 4 | 0 5 1 12 -8 18 9 3 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.2802{{c}}, ~5/4 = 380.5053{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.4258{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22f, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.807&lt;br /&gt;
&lt;br /&gt;
==== Sorcery ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 65/64, 78/77, 91/90, 100/99&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 4 | 0 5 1 12 -8 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.2397{{c}}, ~5/4 = 380.8698{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.5080{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22, 41f }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.07&lt;br /&gt;
&lt;br /&gt;
==== Necromancy ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 225/224, 245/243, 275/273&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 11 | 0 5 1 12 -8 -23 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.9675{{c}}, ~5/4 = 380.7770{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.7874{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19f, 22, 41, 63, 104 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.04&lt;br /&gt;
&lt;br /&gt;
===== 17-limit =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 120/119, 154/153, 225/224, 273/272&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 11 6 | 0 5 1 12 -8 -23 -6 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.6176{{c}}, ~5/4 = 380.7053{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.8280{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19f, 22, 41, 63 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.12&lt;br /&gt;
&lt;br /&gt;
==== Soothsaying ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 225/224, 245/243, 1352/1331&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 12 15 | 0 5 1 12 -8 -12 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~55/39 = 600.2918{{c}}, ~5/4 = 380.6928{{c}}&lt;br /&gt;
* CWE: ~55/39 = 600.0000{{c}}, ~5/4 = 380.5121{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 60, 82 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 2.29&lt;br /&gt;
&lt;br /&gt;
===== 17-limit =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 221/220, 225/224, 245/243, 273/272&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 12 15 5 | 0 5 1 12 -8 -12 5 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~17/12 = 600.2918{{c}}, ~5/4 = 380.6927{{c}}&lt;br /&gt;
* CWE: ~17/12 = 600.0000{{c}}, ~5/4 = 380.5135{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 60, 82 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.82&lt;br /&gt;
&lt;br /&gt;
===== 19-limit =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 133/132, 221/220, 225/224, 245/243, 273/272&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 12 15 5 18 | 0 5 1 12 -8 -12 5 -15 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~17/12 = 600.3301{{c}}, ~5/4 = 380.6797{{c}}&lt;br /&gt;
* CWE: ~17/12 = 600.0000{{c}}, ~5/4 = 380.4704{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 60, 82 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.90&lt;br /&gt;
&lt;br /&gt;
=== Telepathy ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 55/54, 99/98, 176/175&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -1 | 0 5 1 12 14 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.7724{{c}}, ~5/4 = 381.2641{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 381.0913{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 22, 41e, 63e }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.896&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 55/54, 65/64, 91/90, 99/98&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -1 4 | 0 5 1 12 14 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1202.5634{{c}}, ~5/4 = 381.3348{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.6886{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 22, 41ef }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.05&lt;br /&gt;
&lt;br /&gt;
==== Intuition ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 55/54, 66/65, 99/98, 105/104&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -1 -2 | 0 5 1 12 14 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.3172{{c}}, ~5/4 = 380.9004{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.5942{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 22f }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.08&lt;br /&gt;
&lt;br /&gt;
=== Horcrux ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 56/55, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 | 0 5 1 12 11 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.4670{{c}}, ~5/4 = 379.7895{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 379.6889{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3de, 16d, 19 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.30&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 56/55, 78/77, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 -2 | 0 5 1 12 11 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.2953{{c}}, ~5/4 = 379.8842{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 379.8165{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3def, 16dff, 19 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.32&lt;br /&gt;
&lt;br /&gt;
===== 17-limit =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 56/55, 78/77, 85/84, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 -2 0 | 0 5 1 12 11 18 16 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.2484{{c}}, ~5/4 = 380.2053{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.1482{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3defg, 16dffgg, 19g }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.43&lt;br /&gt;
&lt;br /&gt;
===== Horcruxic =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 35/34, 45/44, 52/51, 56/55, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 -2 0 | 0 5 1 12 11 18 13 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.5457{{c}}, ~5/4 = 379.4681{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 379.5713{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3defg, 16dff, 19 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.51&lt;br /&gt;
&lt;br /&gt;
==== Glamour ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 56/55, 65/64, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 4 | 0 5 1 12 11 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1202.2187{{c}}, ~5/4 = 379.8171{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 379.2709{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3de, 16d, 19 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.38&lt;br /&gt;
&lt;br /&gt;
=== Witchcraft ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 225/224, 245/243, 441/440&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -7 | 0 5 1 12 33 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.2634{{c}}, ~5/4 = 380.6321{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.2849{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 41, 60e, 101cd, 243ccdde }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.02&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 196/195, 245/243, 275/273&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -7 -2 | 0 5 1 12 33 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.0424{{c}}, ~5/4 = 380.5193{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.2349{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 41, 60e, 101cd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.973&lt;br /&gt;
&lt;br /&gt;
==== 17-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 154/153, 170/169, 196/195, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -7 -2 -7 | 0 5 1 12 33 18 35 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.1638{{c}}, ~5/4 = 380.4827{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.1599{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19eg, 41, 60e, 101cd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.06&lt;br /&gt;
&lt;br /&gt;
=== Divination ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 121/120, 225/224, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 5 | 0 5 1 12 3 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~99/70 = 600.8306{{c}}, ~5/4 = 380.7598{{c}}&lt;br /&gt;
* CWE: ~99/70 = 600.0000{{c}}, ~5/4 = 380.3800{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 38d, 60e, 142cdee, 202ccddeee }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.19&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 121/120, 196/195, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 5 -4 | 0 5 1 12 3 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~99/70 = 600.9624{{c}}, ~5/4 = 380.5297{{c}}&lt;br /&gt;
* CWE: ~99/70 = 600.0000{{c}}, ~5/4 = 380.0614{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22f, 38df, 60e }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.43&lt;br /&gt;
&lt;br /&gt;
==== 17-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 121/120, 154/153, 196/195, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 5 -4 5 | 0 5 1 12 3 18 5 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~17/12 = 600.8921{{c}}, ~5/4 = 380.5094{{c}}&lt;br /&gt;
* CWE: ~17/12 = 600.0000{{c}}, ~5/4 = 380.0672{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22f, 38df, 60e }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.21&lt;br /&gt;
&lt;br /&gt;
=== Hocus ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 225/224, 243/242, 245/242&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 -13 -13 | 0 10 2 24 25 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.0749{{c}}, ~11/7 = 790.7980{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/7 = 790.1429{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 38d, 41, 120cd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.27&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 196/195, 243/242, 245/242&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 -13 -13 -20 | 0 10 2 24 25 36 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.2830{{c}}, ~11/7 = 790.8409{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/7 = 790.0516{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 38df, 41, 79d, 120cd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.25&lt;br /&gt;
&lt;br /&gt;
==== 17-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 154/153, 196/195, 243/242, 245/242&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 -13 -13 -20 -15 | 0 10 2 24 25 36 29 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.1557{{c}}, ~11/7 = 790.7157{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/7 = 790.0057{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 38df, 41, 79d }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.30&lt;br /&gt;
&lt;br /&gt;
==== 19-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 154/153, 196/195, 243/242, 245/242&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 -13 -13 -20 -3 | 0 10 2 24 25 36 29 11 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.3558{{c}}, ~11/7 = 790.8266{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/7 = 789.9880{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 38df, 41, 79dh }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.23&lt;br /&gt;
&lt;br /&gt;
== Muggles ==&lt;br /&gt;
{{Main| Muggles }}&lt;br /&gt;
&lt;br /&gt;
Aside from 3125/3072 and 525/512 muggles also tempers out [[126/125]] and 1323/1280. A good muggles tuning is [[19edo]], in which tuning it is the same thing as magic. Muggles works better for small scales than magic in the sense that 7- or 10-note mosses are reasonable choices, as while the flatter generator compromises the accuracy of the 5-limit intervals, it grants simpler access to some higher-limit ones, and makes the small steps larger and more melodically effective. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 126/125, 525/512&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 5 | 0 5 1 -7 }}&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1203.9554{{c}}, ~5/4 = 379.7269{{c}}&lt;br /&gt;
: [[error map]]: {{val| +3.955 -3.321 +1.324 -7.137 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~5/4 = 378.5328{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -9.291 -7.781 -18.555 }}&lt;br /&gt;
&lt;br /&gt;
[[Tuning ranges]]: &lt;br /&gt;
* [[7-odd-limit]] [[diamond monotone]]: ~5/4 = [375.000, 378.947] (5\16 to 6\19)&lt;br /&gt;
* [[9-odd-limit]] diamond monotone: ~5/4 = 378.947 (6\19)&lt;br /&gt;
* 7- and 9-odd-limit [[diamond tradeoff]]: ~5/4 = [375.882, 386.314]&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 16, 19, 73bcd, 92bcdd, 111bcddd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 1.42&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 126/125, 385/384&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 5 0 | 0 5 1 -7 11 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1203.0804{{c}}, ~5/4 = 378.6936{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 377.8174{{c}}&lt;br /&gt;
&lt;br /&gt;
Tuning ranges: &lt;br /&gt;
* 11-odd-limit diamond monotone: ~5/4 = 378.947 (6\19)&lt;br /&gt;
* 11-odd-limit diamond tradeoff: ~5/4 = [347.408, 386.314]&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 19, 35, 54bd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.59&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 65/64, 78/77, 126/125&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 5 0 4 | 0 5 1 -7 11 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1203.4291{{c}}, ~5/4 = 378.7321{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 377.7336{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 19, 35f, 54bdf }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.26&lt;br /&gt;
&lt;br /&gt;
=== Muggloid ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 33/32, 126/125, 176/175&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 5 5 | 0 5 1 -7 -5 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1205.6044{{c}}, ~5/4 = 379.5966{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 377.8142{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3, 16, 19e, 35ee, 54bdeee }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.55&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 33/32, 65/64, 105/104, 126/125&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 5 5 4 | 0 5 1 -7 -5 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1205.4897{{c}}, ~5/4 = 379.5667{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 377.8118{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3, 16, 19e, 35eef }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.19&lt;br /&gt;
&lt;br /&gt;
== Brightstone ==&lt;br /&gt;
Brightstone tempers out 64/63 and may be described as {{nowrap| 22 &amp;amp; 25 }}. 22edo itself is a good tuning, in which case it is identical to magic. Brightstone can be extended to the 11- and 13-limit in a similar way to muggles. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 64/63, 3125/3024&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 6 | 0 5 1 -10 }}&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1198.1701{{c}}, ~5/4 = 381.3741{{c}}&lt;br /&gt;
: error map: {{val| -1.830 +4.915 -8.599 +6.454 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~5/4 = 381.9562{{c}}&lt;br /&gt;
: error map: {{val| 0.000 +7.826 -4.358 +11.613 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 3, 19d, 22 }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.23&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 55/54, 64/63, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 6 -1 | 0 5 1 -10 14 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1198.5372{{c}}, ~5/4 = 381.7556{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 382.1943{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 69b }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.85&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 40/39, 55/54, 64/63, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 6 6 4 | 0 5 1 -10 14 -4 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1197.2300{{c}}, ~5/4 = 381.6164{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 382.4690{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22f, 47bff }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.99&lt;br /&gt;
&lt;br /&gt;
== Darkstone ==&lt;br /&gt;
Darkstone (16 &amp;amp; 19d) is a low-accuracy temperament which tempers out 36/35 and 1875/1792. It makes the major third and the fifth even flatter than those of muggles. &lt;br /&gt;
&lt;br /&gt;
This temperament is known as &#039;&#039;witch&#039;&#039; in [http://www.tonalsoft.com/enc/m/magic.aspx Tonalsoft Encyclopedia]. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 36/35, 1875/1792&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 0 | 0 5 1 9 }}&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.7458{{c}}, ~5/4 = 377.2996{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.746 -15.457 -5.523 +26.870 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.000{{c}}, ~5/4 = 376.9630{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -17.140 -9.351 +23.841 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 3d, …, 13b, 16 }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.13&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 36/35, 45/44, 363/343&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 0 0 | 0 5 1 9 11 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.7428{{c}}, ~5/4 = 377.3134{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 376.9735{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3de, 13be, 16 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.55&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 27/26, 36/35, 45/44, 363/343&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 0 0 -1 | 0 5 1 9 11 15 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.7428{{c}}, ~5/4 = 377.3134{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 376.4221{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3def, 13beff, 16 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.58&lt;br /&gt;
&lt;br /&gt;
Scales: [[User:BudjarnLambeth/Volcanic glass]]&lt;br /&gt;
&lt;br /&gt;
Music: [https://www.youtube.com/watch?v=oXy_RXrBVWA &#039;&#039;Rain in the crystal mirror caves&#039;&#039;] - [[Budjarn Lambeth]] (2026)&lt;br /&gt;
&lt;br /&gt;
== Hocum ==&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 3125/3072, 4000/3969&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -5 1 14 | 0 10 2 -17 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~63/40&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1200.8375{{c}}, ~63/40 = 790.7032{{c}}&lt;br /&gt;
: [[error map]]: {{val| +0.838 +0.890 -4.070 +0.944 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~63/40 = 790.1542{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.413 -6.005 -1.447 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 3, 38, 41, 161c }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.71&lt;br /&gt;
&lt;br /&gt;
== Trismegistus ==&lt;br /&gt;
{{Main| Mabilic and trismegistus }}&lt;br /&gt;
{{See also| No-threes subgroup temperaments #Mabilic }}&lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 1029/1024, 3125/3072&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -5 1 5 | 0 15 3 -5 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~168/125&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.0799{{c}}, ~168/125 = 527.1841{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.080 +0.408 -3.681 +0.653 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~168/125 = 526.7349{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.932 -6.109 -2.500 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 16, 25, 41, 139c, 180c, 221cc, 262ccd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.49&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 385/384, 441/440, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 5 -4 | 0 15 3 -5 17 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.8404{{c}}, ~15/11 = 527.0289{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~15/11 = 526.6826{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 25e, 41, 98c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.51&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 144/143, 275/273, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 5 -4 -2 | 0 15 3 -5 17 13 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.4759{{c}}, ~15/11 = 526.8502{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~15/11 = 526.6548{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 25e, 41, 98c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.37&lt;br /&gt;
&lt;br /&gt;
=== 2.3.5.7.11.13.19 subgroup ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 144/143, 441/440, 210/209, 625/616&lt;br /&gt;
&lt;br /&gt;
Subgroup-val mapping: {{mapping| 1 -5 1 5 -4 -2 6 | 0 15 3 -5 17 13 -4 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings:&lt;br /&gt;
* WE: ~2 = 1200.5832{{c}}, ~15/11 = 526.8804{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~15/11 = 526.6368{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 25e, 41, 98c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.26&lt;br /&gt;
&lt;br /&gt;
== Quadrimage ==&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 2401/2400, 3125/3072&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -15 -1 -3 | 0 20 4 7 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~25/14&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.2708{{c}}, ~25/14 = 996.0669{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.271 +0.322 -3.317 -0.170 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~25/14 = 995.0515{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.926 -6.108 -3.466 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 6, …, 35, 41, 158cd, 199ccd, 240ccd, 281ccd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 3.22&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 245/242, 385/384, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -15 -1 -3 -4 | 0 20 4 7 9 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.6716{{c}}, ~25/14 = 995.6009{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~25/14 = 995.0633{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 6, 35, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 2.04&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 144/143, 245/242, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -15 -1 -3 -22 | 0 20 4 7 9 31 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.6276{{c}}, ~25/14 = 995.4920{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~25/14 = 994.9901{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 6f, 35f, 41, 117c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.82&lt;br /&gt;
&lt;br /&gt;
== Quinmage ==&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 3125/3072, 16875/16807&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -10 0 -6 | 0 25 5 19 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~48/35&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.3334{{c}}, ~48/35 = 556.6311{{c}}&lt;br /&gt;
: error map: {{val| +1.333 +0.489 -3.158 -0.835 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~48/35 = 556.0504{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.695 -6.062 -3.868 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 13b, 28b, 41, 177bcd, 218bccdd, 259bccdd, 300cccdd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 4.92&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 385/384, 625/616, 2401/2376&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -10 0 -6 3 | 0 25 5 19 1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.4252{{c}}, ~11/8 = 556.2831{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/8 = 556.0951{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 13b, 28b, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 3.36&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 196/195, 364/363, 385/384, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -10 0 -6 3 0 | 0 25 5 19 1 8 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.8239{{c}}, ~11/8 = 556.0389{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/8 = 556.1171{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 13b, 28b, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 2.80&lt;br /&gt;
&lt;br /&gt;
== Warlock ==&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 3125/3072, 16807/16384&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 5 0 10 14 | 0 5 1 0 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~8/7, ~5/4&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~8/7 = 240.3877{{c}}, ~5/4 = 380.4267{{c}} (~256/245 = 100.3488{{c}})&lt;br /&gt;
: error map: {{val| +1.939 +0.178 -2.010 -3.398 }}&lt;br /&gt;
* [[CWE]]: ~8/7 = 240.0000{{c}}, ~5/4 = 379.9965{{c}} (~256/245 = 100.0035{{c}})&lt;br /&gt;
: error map: {{val| 0.000 -1.972 -6.317 -8.826 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 25, 35, 60 }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 7.27&lt;br /&gt;
&lt;br /&gt;
[[Category:Temperament families]]&lt;br /&gt;
[[Category:Magic family| ]] &amp;lt;!-- main article --&amp;gt;&lt;br /&gt;
[[Category:Magic| ]] &amp;lt;!-- key article --&amp;gt;&lt;br /&gt;
[[Category:Rank 2]]&lt;br /&gt;
[[Category:Listen]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Magic_family&amp;diff=230041</id>
		<title>Magic family</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Magic_family&amp;diff=230041"/>
		<updated>2026-05-12T01:34:18Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Darkstone */ add music&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{interwiki&lt;br /&gt;
| de = Magische Temperaturen&lt;br /&gt;
| en = Magic family&lt;br /&gt;
| es = &lt;br /&gt;
| ja = &lt;br /&gt;
}}&lt;br /&gt;
{{Technical data page}}&lt;br /&gt;
The &#039;&#039;&#039;magic family&#039;&#039;&#039; of temperaments tempers out [[3125/3072]], the small diesis or magic comma. The septimal version of magic is locally optimal, for some searches, in the [[9-odd-limit]]. Magic has a slightly higher complexity than [[meantone]] but it is closer to just intonation. It is the simplest rank-2 temperament that tunes every [[9-odd-limit]] interval better than is possible in [[12edo]]. The most prominent deficiency is that it lacks [[Rothenberg propriety|proper]] or nearly-proper [[mos scale]]s in the 5- to 10-note region. Properties may depend on tuning and extension.&lt;br /&gt;
&lt;br /&gt;
== Magic ==&lt;br /&gt;
{{Main| Magic }}&lt;br /&gt;
&lt;br /&gt;
The [[generator]] of magic is a major third, and to get to the interval class of fifths requires five of these. In fact, (5/4)&amp;lt;sup&amp;gt;5&amp;lt;/sup&amp;gt; = 3 × 3125/3072. [[41edo|13\41]] is a highly recommendable generator, though [[60edo|19\60]], the [[optimal patent val]] generator, also makes a lot of sense, and using [[19edo]] or [[22edo]] is always possible.&lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 3125/3072&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 | 0 5 1 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~5/4&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.2449{{c}}, ~5/4 = 380.4527{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.245 +0.309 -3.371 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~5/4 = 380.2194{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.858 -6.094 }}&lt;br /&gt;
&lt;br /&gt;
[[Minimax tuning]]: &lt;br /&gt;
* [[5-odd-limit]]: ~5/4 = {{monzo| 0 1/5 0 }}&lt;br /&gt;
: [[eigenmonzo basis|unchanged-interval (eigenmonzo) basis]]: 2.3&lt;br /&gt;
&lt;br /&gt;
[[Tuning ranges]]: &lt;br /&gt;
* 5-odd-limit [[diamond monotone]]: ~5/4 = [360.000, 400.000] (3\10 to 1\3)&lt;br /&gt;
* 5-odd-limit [[diamond tradeoff]]: ~5/4 = [378.910, 386.314] (1/4-comma to untempered)&lt;br /&gt;
&lt;br /&gt;
[[Algebraic generator]]: Terzbirat, the positive root of 9&#039;&#039;x&#039;&#039;&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt; - 8&#039;&#039;x&#039;&#039; - 4 = (4 + 2√13)/9; approximately 380.3175 [[cent]]s.&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 3, 13b, 16, 19, 41, 60, 221cc, 281cc }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 0.919&lt;br /&gt;
&lt;br /&gt;
=== Overview to extensions ===&lt;br /&gt;
Apart from magic, we also consider other extensions. The second comma of the [[Normal lists #Normal interval list|normal comma list]] defines which 7-limit family member we are looking at. [[875/864]], the keemic comma, gives septimal magic, and [[525/512]], Avicenna&#039;s enharmonic diesis, gives his annoying brother muggles. Both use the major third as a generator, as well as low-accuracy extensions including darkstone and brightstone. &lt;br /&gt;
&lt;br /&gt;
Weak extensions considered below are hocum, trismegistus, quadrimage, quinmage and warlock. Discussed elsewhere are&lt;br /&gt;
* &#039;&#039;[[Astrology]]&#039;&#039; → [[Jubilismic clan #Astrology|Jubilismic clan]]&lt;br /&gt;
* &#039;&#039;[[Spell]]&#039;&#039; → [[Hemimean clan #Spell|Hemimean clan]]&lt;br /&gt;
&lt;br /&gt;
== Septimal magic ==&lt;br /&gt;
{{Main| Magic }}&lt;br /&gt;
&lt;br /&gt;
Septimal magic tempers out not only 3125/3072 and 875/864, but also [[225/224]], [[245/243]], and [[10976/10935]]. [[41edo]] is a good magic tuning, and 19- or 22-note mosses are possible scales. Five major thirds approximate 3/1. Twelve major thirds, less an octave, approximate 7/1.&lt;br /&gt;
&lt;br /&gt;
This temperament, with its accurate fifths, works well with [[9-odd-limit]] harmony. It is more accurate than [[meantone]] and simpler than [[garibaldi]]. It is a little tricky to work with because its fifths are a relatively complex interval and it does not naturally work with scales of around seven notes to the octave. &lt;br /&gt;
&lt;br /&gt;
225/224 is the [[marvel family|marvel]] comma. Because the augmented triad is the simplest triad in magic temperaments, it is especially significant in magic temperament. 245/243, the [[sensamagic family|sensamagic]] comma, leads to another essentially tempered 9-odd-limit triad with two thirds approximating 9/7 and the other 6/5. It also divides the approximate 3/2 into two steps of 7/6 and one of 10/9. &lt;br /&gt;
&lt;br /&gt;
By adding [[100/99]] and [[105/104]] to the list of commas, magic can be extended to the 11-limit and 13-limit. 11-limit magic allows for a tritone substitution where the extended 5-limit tuning of a dominant seventh with a 9/5 above the root shares its tritone with an 8:10:11:12:16 chord rooted on the seventh of the original chord. For this, [[104edo]] provides an excellent tuning, as it does also for the rank-3 temperaments tempering out 100/99 with 225/224, 245/243 or 875/864. Septimage (see below) is also an excellent 11-limit magic tuning. For the 13-limit, 41edo makes for a recommendable tuning. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 225/224, 245/243&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 -1 | 0 5 1 12 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~5/4&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.0786{{c}}, ~5/4 = 380.6939{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.079 +1.514 -3.463 -1.578 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~5/4 = 380.4576{{c}}&lt;br /&gt;
: error map: {{val| 0.000 +0.333 -5.856 -3.335 }}&lt;br /&gt;
&lt;br /&gt;
[[Minimax tuning]]: &lt;br /&gt;
* 7- and [[9-odd-limit]]: ~5/4 = {{monzo| 0 1/5 0 0 }}&lt;br /&gt;
: [[eigenmonzo basis|unchanged-interval (eigenmonzo) basis]]: 2.3&lt;br /&gt;
&lt;br /&gt;
[[Tuning ranges]]: &lt;br /&gt;
* 7- and 9-odd-limit [[diamond monotone]]: ~5/4 = [378.947, 381.818] (6\19 to 7\22)&lt;br /&gt;
* 7- and 9-odd-limit [[diamond tradeoff]]: ~5/4 = [378.910, 386.314] (1/4-comma to untempered)&lt;br /&gt;
&lt;br /&gt;
[[Algebraic generator]]: Tirzbirat or Septimage, the real root of 5&#039;&#039;x&#039;&#039;&amp;lt;sup&amp;gt;5&amp;lt;/sup&amp;gt; + 4&#039;&#039;x&#039;&#039; - 20, 380.7604 cents.&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 19, 41, 142cd, 183cd, 224ccd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 0.479&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 225/224, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 | 0 5 1 12 -8 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.1372{{c}}, ~5/4 = 380.7399{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.7008{{c}}&lt;br /&gt;
&lt;br /&gt;
Minimax tuning: &lt;br /&gt;
* 11-odd-limit: ~5/4 = {{monzo| 1/3 1/9 0 0 -1/18 }}&lt;br /&gt;
: unchanged-interval (eigenmonzo) basis: 2.11/9&lt;br /&gt;
&lt;br /&gt;
Tuning ranges: &lt;br /&gt;
* 11-odd-limit diamond monotone: ~5/4 = [378.947, 381.818] (6\19 to 7\22)&lt;br /&gt;
* 11-odd-limit diamond tradeoff: ~5/4 = [378.910, 386.314] (1/4-comma to untempered)&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22, 41, 104 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.673&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
A notable [[patent val]] tuning beyond the [[optimal patent val]] of 41edo is [[19edo|19]] + [[41edo|41]] = [[60edo]].&lt;br /&gt;
&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 144/143, 196/195&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 | 0 5 1 12 -8 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.0331{{c}}, ~5/4 = 380.4377{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.4284{{c}}&lt;br /&gt;
&lt;br /&gt;
Tuning ranges: &lt;br /&gt;
* 13- and 15-odd-limit diamond monotone: ~5/4 = [378.947, 381.818] (6\19 to 7\22)&lt;br /&gt;
* 13- and 15-odd-limit diamond tradeoff: ~5/4 = [378.617, 386.314]&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22f, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.889&lt;br /&gt;
&lt;br /&gt;
===== Magical =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 120/119, 144/143, 154/153&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 6 | 0 5 1 12 -8 18 -6 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.3584{{c}}, ~5/4 = 380.4006{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.5896{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22f, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.05&lt;br /&gt;
&lt;br /&gt;
====== Magicus ======&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 120/119, 133/132, 144/143, 154/153&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 6 9 | 0 5 1 12 -8 18 -6 -15 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.7173{{c}}, ~5/4 = 380.3808{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.4680{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.27&lt;br /&gt;
&lt;br /&gt;
====== Magica ======&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 120/119, 144/143, 154/153, 171/169&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 6 -4 | 0 5 1 12 -8 18 -6 26 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.3670{{c}}, ~5/4 = 380.4681{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.6541{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22fh, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.21&lt;br /&gt;
&lt;br /&gt;
===== Magia =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 144/143, 170/169, 196/195&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 -7 | 0 5 1 12 -8 18 35 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.1727{{c}}, ~5/4 = 380.2982{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.2483{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19g, 41, 60 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.34&lt;br /&gt;
&lt;br /&gt;
====== 19-limit ======&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 144/143, 170/169, 171/169, 196/195&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 -7 -4 | 0 5 1 12 -8 18 35 26 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.2179{{c}}, ~5/4 = 380.3942{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.3314{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19gh, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.44&lt;br /&gt;
&lt;br /&gt;
===== Evening =====&lt;br /&gt;
Evening is a remarkable subgroup temperament of {{nowrap| 19 &amp;amp; 22f }} with prime harmonics of 29 and 31. &lt;br /&gt;
&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.29.31&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 144/143, 145/144, 155/154, 196/195&lt;br /&gt;
&lt;br /&gt;
Subgroup-val mapping: {{mapping| 1 0 2 -1 6 -2 2 4 | 0 5 1 12 -8 18 9 3 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.2802{{c}}, ~5/4 = 380.5053{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.4258{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22f, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.807&lt;br /&gt;
&lt;br /&gt;
==== Sorcery ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 65/64, 78/77, 91/90, 100/99&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 4 | 0 5 1 12 -8 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.2397{{c}}, ~5/4 = 380.8698{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.5080{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22, 41f }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.07&lt;br /&gt;
&lt;br /&gt;
==== Necromancy ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 225/224, 245/243, 275/273&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 11 | 0 5 1 12 -8 -23 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.9675{{c}}, ~5/4 = 380.7770{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.7874{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19f, 22, 41, 63, 104 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.04&lt;br /&gt;
&lt;br /&gt;
===== 17-limit =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 120/119, 154/153, 225/224, 273/272&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 11 6 | 0 5 1 12 -8 -23 -6 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.6176{{c}}, ~5/4 = 380.7053{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.8280{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19f, 22, 41, 63 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.12&lt;br /&gt;
&lt;br /&gt;
==== Soothsaying ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 225/224, 245/243, 1352/1331&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 12 15 | 0 5 1 12 -8 -12 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~55/39 = 600.2918{{c}}, ~5/4 = 380.6928{{c}}&lt;br /&gt;
* CWE: ~55/39 = 600.0000{{c}}, ~5/4 = 380.5121{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 60, 82 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 2.29&lt;br /&gt;
&lt;br /&gt;
===== 17-limit =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 221/220, 225/224, 245/243, 273/272&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 12 15 5 | 0 5 1 12 -8 -12 5 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~17/12 = 600.2918{{c}}, ~5/4 = 380.6927{{c}}&lt;br /&gt;
* CWE: ~17/12 = 600.0000{{c}}, ~5/4 = 380.5135{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 60, 82 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.82&lt;br /&gt;
&lt;br /&gt;
===== 19-limit =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 133/132, 221/220, 225/224, 245/243, 273/272&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 12 15 5 18 | 0 5 1 12 -8 -12 5 -15 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~17/12 = 600.3301{{c}}, ~5/4 = 380.6797{{c}}&lt;br /&gt;
* CWE: ~17/12 = 600.0000{{c}}, ~5/4 = 380.4704{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 60, 82 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.90&lt;br /&gt;
&lt;br /&gt;
=== Telepathy ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 55/54, 99/98, 176/175&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -1 | 0 5 1 12 14 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.7724{{c}}, ~5/4 = 381.2641{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 381.0913{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 22, 41e, 63e }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.896&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 55/54, 65/64, 91/90, 99/98&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -1 4 | 0 5 1 12 14 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1202.5634{{c}}, ~5/4 = 381.3348{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.6886{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 22, 41ef }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.05&lt;br /&gt;
&lt;br /&gt;
==== Intuition ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 55/54, 66/65, 99/98, 105/104&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -1 -2 | 0 5 1 12 14 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.3172{{c}}, ~5/4 = 380.9004{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.5942{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 22f }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.08&lt;br /&gt;
&lt;br /&gt;
=== Horcrux ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 56/55, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 | 0 5 1 12 11 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.4670{{c}}, ~5/4 = 379.7895{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 379.6889{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3de, 16d, 19 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.30&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 56/55, 78/77, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 -2 | 0 5 1 12 11 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.2953{{c}}, ~5/4 = 379.8842{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 379.8165{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3def, 16dff, 19 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.32&lt;br /&gt;
&lt;br /&gt;
===== 17-limit =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 56/55, 78/77, 85/84, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 -2 0 | 0 5 1 12 11 18 16 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.2484{{c}}, ~5/4 = 380.2053{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.1482{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3defg, 16dffgg, 19g }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.43&lt;br /&gt;
&lt;br /&gt;
===== Horcruxic =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 35/34, 45/44, 52/51, 56/55, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 -2 0 | 0 5 1 12 11 18 13 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.5457{{c}}, ~5/4 = 379.4681{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 379.5713{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3defg, 16dff, 19 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.51&lt;br /&gt;
&lt;br /&gt;
==== Glamour ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 56/55, 65/64, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 4 | 0 5 1 12 11 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1202.2187{{c}}, ~5/4 = 379.8171{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 379.2709{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3de, 16d, 19 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.38&lt;br /&gt;
&lt;br /&gt;
=== Witchcraft ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 225/224, 245/243, 441/440&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -7 | 0 5 1 12 33 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.2634{{c}}, ~5/4 = 380.6321{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.2849{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 41, 60e, 101cd, 243ccdde }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.02&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 196/195, 245/243, 275/273&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -7 -2 | 0 5 1 12 33 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.0424{{c}}, ~5/4 = 380.5193{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.2349{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 41, 60e, 101cd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.973&lt;br /&gt;
&lt;br /&gt;
==== 17-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 154/153, 170/169, 196/195, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -7 -2 -7 | 0 5 1 12 33 18 35 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.1638{{c}}, ~5/4 = 380.4827{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.1599{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19eg, 41, 60e, 101cd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.06&lt;br /&gt;
&lt;br /&gt;
=== Divination ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 121/120, 225/224, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 5 | 0 5 1 12 3 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~99/70 = 600.8306{{c}}, ~5/4 = 380.7598{{c}}&lt;br /&gt;
* CWE: ~99/70 = 600.0000{{c}}, ~5/4 = 380.3800{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 38d, 60e, 142cdee, 202ccddeee }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.19&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 121/120, 196/195, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 5 -4 | 0 5 1 12 3 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~99/70 = 600.9624{{c}}, ~5/4 = 380.5297{{c}}&lt;br /&gt;
* CWE: ~99/70 = 600.0000{{c}}, ~5/4 = 380.0614{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22f, 38df, 60e }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.43&lt;br /&gt;
&lt;br /&gt;
==== 17-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 121/120, 154/153, 196/195, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 5 -4 5 | 0 5 1 12 3 18 5 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~17/12 = 600.8921{{c}}, ~5/4 = 380.5094{{c}}&lt;br /&gt;
* CWE: ~17/12 = 600.0000{{c}}, ~5/4 = 380.0672{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22f, 38df, 60e }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.21&lt;br /&gt;
&lt;br /&gt;
=== Hocus ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 225/224, 243/242, 245/242&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 -13 -13 | 0 10 2 24 25 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.0749{{c}}, ~11/7 = 790.7980{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/7 = 790.1429{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 38d, 41, 120cd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.27&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 196/195, 243/242, 245/242&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 -13 -13 -20 | 0 10 2 24 25 36 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.2830{{c}}, ~11/7 = 790.8409{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/7 = 790.0516{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 38df, 41, 79d, 120cd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.25&lt;br /&gt;
&lt;br /&gt;
==== 17-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 154/153, 196/195, 243/242, 245/242&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 -13 -13 -20 -15 | 0 10 2 24 25 36 29 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.1557{{c}}, ~11/7 = 790.7157{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/7 = 790.0057{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 38df, 41, 79d }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.30&lt;br /&gt;
&lt;br /&gt;
==== 19-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 154/153, 196/195, 243/242, 245/242&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 -13 -13 -20 -3 | 0 10 2 24 25 36 29 11 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.3558{{c}}, ~11/7 = 790.8266{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/7 = 789.9880{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 38df, 41, 79dh }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.23&lt;br /&gt;
&lt;br /&gt;
== Muggles ==&lt;br /&gt;
{{Main| Muggles }}&lt;br /&gt;
&lt;br /&gt;
Aside from 3125/3072 and 525/512 muggles also tempers out [[126/125]] and 1323/1280. A good muggles tuning is [[19edo]], in which tuning it is the same thing as magic. Muggles works better for small scales than magic in the sense that 7- or 10-note mosses are reasonable choices, as while the flatter generator compromises the accuracy of the 5-limit intervals, it grants simpler access to some higher-limit ones, and makes the small steps larger and more melodically effective. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 126/125, 525/512&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 5 | 0 5 1 -7 }}&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1203.9554{{c}}, ~5/4 = 379.7269{{c}}&lt;br /&gt;
: [[error map]]: {{val| +3.955 -3.321 +1.324 -7.137 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~5/4 = 378.5328{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -9.291 -7.781 -18.555 }}&lt;br /&gt;
&lt;br /&gt;
[[Tuning ranges]]: &lt;br /&gt;
* [[7-odd-limit]] [[diamond monotone]]: ~5/4 = [375.000, 378.947] (5\16 to 6\19)&lt;br /&gt;
* [[9-odd-limit]] diamond monotone: ~5/4 = 378.947 (6\19)&lt;br /&gt;
* 7- and 9-odd-limit [[diamond tradeoff]]: ~5/4 = [375.882, 386.314]&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 16, 19, 73bcd, 92bcdd, 111bcddd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 1.42&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 126/125, 385/384&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 5 0 | 0 5 1 -7 11 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1203.0804{{c}}, ~5/4 = 378.6936{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 377.8174{{c}}&lt;br /&gt;
&lt;br /&gt;
Tuning ranges: &lt;br /&gt;
* 11-odd-limit diamond monotone: ~5/4 = 378.947 (6\19)&lt;br /&gt;
* 11-odd-limit diamond tradeoff: ~5/4 = [347.408, 386.314]&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 19, 35, 54bd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.59&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 65/64, 78/77, 126/125&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 5 0 4 | 0 5 1 -7 11 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1203.4291{{c}}, ~5/4 = 378.7321{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 377.7336{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 19, 35f, 54bdf }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.26&lt;br /&gt;
&lt;br /&gt;
=== Muggloid ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 33/32, 126/125, 176/175&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 5 5 | 0 5 1 -7 -5 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1205.6044{{c}}, ~5/4 = 379.5966{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 377.8142{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3, 16, 19e, 35ee, 54bdeee }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.55&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 33/32, 65/64, 105/104, 126/125&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 5 5 4 | 0 5 1 -7 -5 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1205.4897{{c}}, ~5/4 = 379.5667{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 377.8118{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3, 16, 19e, 35eef }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.19&lt;br /&gt;
&lt;br /&gt;
== Brightstone ==&lt;br /&gt;
Brightstone tempers out 64/63 and may be described as {{nowrap| 22 &amp;amp; 25 }}. 22edo itself is a good tuning, in which case it is identical to magic. Brightstone can be extended to the 11- and 13-limit in a similar way to muggles. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 64/63, 3125/3024&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 6 | 0 5 1 -10 }}&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1198.1701{{c}}, ~5/4 = 381.3741{{c}}&lt;br /&gt;
: error map: {{val| -1.830 +4.915 -8.599 +6.454 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~5/4 = 381.9562{{c}}&lt;br /&gt;
: error map: {{val| 0.000 +7.826 -4.358 +11.613 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 3, 19d, 22 }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.23&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 55/54, 64/63, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 6 -1 | 0 5 1 -10 14 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1198.5372{{c}}, ~5/4 = 381.7556{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 382.1943{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 69b }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.85&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 40/39, 55/54, 64/63, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 6 6 4 | 0 5 1 -10 14 -4 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1197.2300{{c}}, ~5/4 = 381.6164{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 382.4690{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22f, 47bff }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.99&lt;br /&gt;
&lt;br /&gt;
== Darkstone ==&lt;br /&gt;
Darkstone (16 &amp;amp; 19d) is a low-accuracy temperament which tempers out 36/35 and 1875/1792. It makes the major third and the fifth even flatter than those of muggles. &lt;br /&gt;
&lt;br /&gt;
This temperament is known as &#039;&#039;witch&#039;&#039; in [http://www.tonalsoft.com/enc/m/magic.aspx Tonalsoft Encyclopedia]. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 36/35, 1875/1792&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 0 | 0 5 1 9 }}&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.7458{{c}}, ~5/4 = 377.2996{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.746 -15.457 -5.523 +26.870 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.000{{c}}, ~5/4 = 376.9630{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -17.140 -9.351 +23.841 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 3d, …, 13b, 16 }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.13&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 36/35, 45/44, 363/343&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 0 0 | 0 5 1 9 11 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.7428{{c}}, ~5/4 = 377.3134{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 376.9735{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3de, 13be, 16 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.55&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 27/26, 36/35, 45/44, 363/343&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 0 0 -1 | 0 5 1 9 11 15 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.7428{{c}}, ~5/4 = 377.3134{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 376.4221{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3def, 13beff, 16 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.58&lt;br /&gt;
&lt;br /&gt;
Scales: [[User:BudjarnLambeth/Volcanic glass]]&lt;br /&gt;
&lt;br /&gt;
Music: [https://www.youtube.com/watch?v=oXy_RXrBVWA &lt;br /&gt;
&#039;&#039;Rain in the crystal mirror caves&#039;&#039;] - [[Budjarn Lambeth]] (2026)&lt;br /&gt;
&lt;br /&gt;
== Hocum ==&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 3125/3072, 4000/3969&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -5 1 14 | 0 10 2 -17 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~63/40&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1200.8375{{c}}, ~63/40 = 790.7032{{c}}&lt;br /&gt;
: [[error map]]: {{val| +0.838 +0.890 -4.070 +0.944 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~63/40 = 790.1542{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.413 -6.005 -1.447 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 3, 38, 41, 161c }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.71&lt;br /&gt;
&lt;br /&gt;
== Trismegistus ==&lt;br /&gt;
{{Main| Mabilic and trismegistus }}&lt;br /&gt;
{{See also| No-threes subgroup temperaments #Mabilic }}&lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 1029/1024, 3125/3072&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -5 1 5 | 0 15 3 -5 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~168/125&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.0799{{c}}, ~168/125 = 527.1841{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.080 +0.408 -3.681 +0.653 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~168/125 = 526.7349{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.932 -6.109 -2.500 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 16, 25, 41, 139c, 180c, 221cc, 262ccd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.49&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 385/384, 441/440, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 5 -4 | 0 15 3 -5 17 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.8404{{c}}, ~15/11 = 527.0289{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~15/11 = 526.6826{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 25e, 41, 98c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.51&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 144/143, 275/273, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 5 -4 -2 | 0 15 3 -5 17 13 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.4759{{c}}, ~15/11 = 526.8502{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~15/11 = 526.6548{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 25e, 41, 98c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.37&lt;br /&gt;
&lt;br /&gt;
=== 2.3.5.7.11.13.19 subgroup ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 144/143, 441/440, 210/209, 625/616&lt;br /&gt;
&lt;br /&gt;
Subgroup-val mapping: {{mapping| 1 -5 1 5 -4 -2 6 | 0 15 3 -5 17 13 -4 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings:&lt;br /&gt;
* WE: ~2 = 1200.5832{{c}}, ~15/11 = 526.8804{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~15/11 = 526.6368{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 25e, 41, 98c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.26&lt;br /&gt;
&lt;br /&gt;
== Quadrimage ==&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 2401/2400, 3125/3072&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -15 -1 -3 | 0 20 4 7 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~25/14&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.2708{{c}}, ~25/14 = 996.0669{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.271 +0.322 -3.317 -0.170 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~25/14 = 995.0515{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.926 -6.108 -3.466 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 6, …, 35, 41, 158cd, 199ccd, 240ccd, 281ccd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 3.22&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 245/242, 385/384, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -15 -1 -3 -4 | 0 20 4 7 9 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.6716{{c}}, ~25/14 = 995.6009{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~25/14 = 995.0633{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 6, 35, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 2.04&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 144/143, 245/242, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -15 -1 -3 -22 | 0 20 4 7 9 31 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.6276{{c}}, ~25/14 = 995.4920{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~25/14 = 994.9901{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 6f, 35f, 41, 117c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.82&lt;br /&gt;
&lt;br /&gt;
== Quinmage ==&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 3125/3072, 16875/16807&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -10 0 -6 | 0 25 5 19 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~48/35&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.3334{{c}}, ~48/35 = 556.6311{{c}}&lt;br /&gt;
: error map: {{val| +1.333 +0.489 -3.158 -0.835 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~48/35 = 556.0504{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.695 -6.062 -3.868 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 13b, 28b, 41, 177bcd, 218bccdd, 259bccdd, 300cccdd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 4.92&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 385/384, 625/616, 2401/2376&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -10 0 -6 3 | 0 25 5 19 1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.4252{{c}}, ~11/8 = 556.2831{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/8 = 556.0951{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 13b, 28b, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 3.36&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 196/195, 364/363, 385/384, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -10 0 -6 3 0 | 0 25 5 19 1 8 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.8239{{c}}, ~11/8 = 556.0389{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/8 = 556.1171{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 13b, 28b, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 2.80&lt;br /&gt;
&lt;br /&gt;
== Warlock ==&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 3125/3072, 16807/16384&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 5 0 10 14 | 0 5 1 0 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~8/7, ~5/4&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~8/7 = 240.3877{{c}}, ~5/4 = 380.4267{{c}} (~256/245 = 100.3488{{c}})&lt;br /&gt;
: error map: {{val| +1.939 +0.178 -2.010 -3.398 }}&lt;br /&gt;
* [[CWE]]: ~8/7 = 240.0000{{c}}, ~5/4 = 379.9965{{c}} (~256/245 = 100.0035{{c}})&lt;br /&gt;
: error map: {{val| 0.000 -1.972 -6.317 -8.826 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 25, 35, 60 }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 7.27&lt;br /&gt;
&lt;br /&gt;
[[Category:Temperament families]]&lt;br /&gt;
[[Category:Magic family| ]] &amp;lt;!-- main article --&amp;gt;&lt;br /&gt;
[[Category:Magic| ]] &amp;lt;!-- key article --&amp;gt;&lt;br /&gt;
[[Category:Rank 2]]&lt;br /&gt;
[[Category:Listen]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Gallery_of_combination_product_sets&amp;diff=230003</id>
		<title>Gallery of combination product sets</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Gallery_of_combination_product_sets&amp;diff=230003"/>
		<updated>2026-05-11T09:39:31Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Stellated hexanies (14-tone) */ update based on new pages&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a gallery of [[combination product set]] (CPS) scales, as well as subsets of, mergers of, or modifications of such scales.&lt;br /&gt;
&lt;br /&gt;
There are infinite possible CPS scales, so this list can never be complete. If you find a CPS scale that you like, please document it here so that people can make music with it.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
See also [[:Category:Combination product sets]], which may include scales that have yet to be added to this list.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Italicised text following an em-dash beside a listed scale is a description by a wiki contributor of the subjective mood they personally feel when listening to the scale.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Pentanies (5-tone) ==&lt;br /&gt;
[[Category:5-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Pentany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [[4 from 1-3-5-7-11 pentany]] — &#039;&#039;sturdy, earthy&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-29-37 pentany]] — &#039;&#039;like anticipating the sunrise&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-29-41 pentany]] — &#039;&#039;ethereal, enchanting&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-31-41 pentany]] — &#039;&#039;sorrowful, warm&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-31-43 pentany]] — &#039;&#039;alert, tense&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Hexanies (6-tone) ==&lt;br /&gt;
[[Category:6-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s [[subgroup]]s ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-5-7-11 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-7-13 hexany]] — &#039;&#039;spicier whole tone scale&#039;&#039;&lt;br /&gt;
* [[1-7-11-13 hexany]] — &#039;&#039;extra [[xenharmonic]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-11-13 hexany]] — &#039;&#039;melodically effective, contains a diminished chord&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-7-9 hexany]] — &#039;&#039;a [[detempering]] of the [[archy]] scale&#039;&#039;&lt;br /&gt;
* [[1-3-7-11 hexany]] — &#039;&#039;symmetrical shape; 2 strong tonal centres&#039;&#039;&lt;br /&gt;
* [[1-3-7-13 hexany]] — &#039;&#039;extra xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-7-21 hexany]] — &#039;&#039;a [[detempering]] of the [[semaphore]] scale&#039;&#039;&lt;br /&gt;
* [[1-3-9-11 hexany]] — &#039;&#039;an even mix of xenharmonic and familiar&#039;&#039;&lt;br /&gt;
* [[1-3-9-13 hexany]] — &#039;&#039;an even mix of xenmelodic and familiar&#039;&#039;&lt;br /&gt;
* [[1-3-9-17 hexany]] — &#039;&#039;whole tone scale-like structure, but new unfamiliar melodies and harmonies&#039;&#039;&lt;br /&gt;
* [[1-3-11-13 hexany]] — &#039;&#039;sounds surprisingly un-xenharmonic&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 1 3 21 29.png|1-3-21-29 hexany]] — &#039;&#039;fierce, groovy, dark&#039;&#039;&lt;br /&gt;
* [[1-3-21-49 hexany]] — &#039;&#039;a [[detempering]] of the [[slendric]] scale&#039;&#039;&lt;br /&gt;
* [[1-7-9-11 hexany]] — &#039;&#039;warped xenharmonic whole tone scale&#039;&#039;&lt;br /&gt;
* [[1-7-9-13 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-7-9-11 hexany]] — &#039;&#039;fresh [[11-limit]] JI version of the augmented scale&#039;&#039;&lt;br /&gt;
* [[3-7-9-13 hexany]] — &#039;&#039;effective both at melody and harmony&#039;&#039;&lt;br /&gt;
* [[3-7-11-13 hexany]] — &#039;&#039;very lopsided, very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-9-11-13 hexany]] — &#039;&#039;lopsided but with lots of useful consonances&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 3 9 19 31.png|3-9-19-31 hexany]] — &#039;&#039;sparkly, pretty&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-11-13 hexany]] — &#039;&#039;neat step pattern useful for melody and harmony, no [[5-limit]] intervals - forces xenharmony&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-9 hexany]] — &#039;&#039;difficult due to [[wolf interval|wolf fifth]] - better as a basis for building larger scales&#039;&#039;&lt;br /&gt;
* [[1-3-5-11 hexany]] — &#039;&#039;stable chord roots + very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-5-13 hexany]] — &#039;&#039;stable chord roots + very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-5-15 hexany]] — &#039;&#039;difficult to use&#039;&#039;&lt;br /&gt;
* [[1-3-5-45 hexany]] — &#039;&#039;very useful foundation for adding xenharmonic notes on top off; can play all &#039;&#039;Zelda&#039;&#039;&#039;s ocarina melodies&#039;&#039;&lt;br /&gt;
* [[1-3-5-81 hexany]] — &#039;&#039;built around subtle pitch shifts&#039;&#039;&lt;br /&gt;
* [[1-3-5-121 hexany]] — &#039;&#039;built-in beating effect that could be interesting&#039;&#039;&lt;br /&gt;
* [[1-3-9-135 hexany]] — &#039;&#039;near identical to [[1-3-9-17 hexany]]&#039;&#039;&lt;br /&gt;
* [[1-3-11-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-3-13-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-9-11 hexany]] — &#039;&#039;very lopsided and very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-5-9-13 hexany]] — &#039;&#039;easy to build [[bihexany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-9-15 hexany]] — &#039;&#039;easy to build [[dekany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-11-13 hexany]] — &#039;&#039;an [[omniconsonant scale]]&#039;&#039;&lt;br /&gt;
* [[1-5-11-15 hexany]] — &#039;&#039;easy to build [[bihexany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-13-15 hexany]] — &#039;&#039;big variety of consonances useful for emotionally expressive music&#039;&#039;&lt;br /&gt;
* [[1-9-11-15 hexany]] — &#039;&#039;very melodically effective; all the chords will be unfamiliar&#039;&#039;&lt;br /&gt;
* [[1-9-11-13 hexany]] — &#039;&#039;better to remove one note and use as a [[pentatonic]] scale instead&#039;&#039;&lt;br /&gt;
* [[1-9-13-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-11-13-15 hexany]] — &#039;&#039;very melodically effective; all the chords will be unfamiliar&#039;&#039;&lt;br /&gt;
* [[1-15-45-75 hexany]] — &#039;&#039;a [[detempering]] of the blues scale with sweet simple [[just intonation]] harmonies that blend well&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-9-11 hexany]] — &#039;&#039;very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-5-9-13 hexany]] — &#039;&#039;very useful both for melody and harmony; contains good [[barbados]] intervals&#039;&#039;&lt;br /&gt;
* [[3-5-9-15 hexany]] — &#039;&#039;too similar to [[12edo]] to be interesting&#039;&#039;&lt;br /&gt;
* [[3-5-9-25 hexany]] — &#039;&#039;easy to build a [[bihexany]] or [[stellated hexany]] with&#039;&#039;&lt;br /&gt;
* [[3-5-9-27 hexany]] — &#039;&#039;useful as a teaching tool, but not for making real music&#039;&#039;&lt;br /&gt;
* [[3-5-11-13 hexany]] — &#039;&#039;unwieldy but xenharmonically interesting&#039;&#039;&lt;br /&gt;
* [[3-5-11-15 hexany]] — &#039;&#039;both xenharmonic yet also highly accessible - recommended for beginner microtonalists&#039;&#039;&lt;br /&gt;
* [[3-5-13-15 hexany]] — &#039;&#039;both xenharmonic yet also highly accessible - recommended for beginner microtonalists&#039;&#039;&lt;br /&gt;
* [[3-5-15-19 hexany]] — &#039;&#039;useful for ear training; contains a [[wolf interval|wolf fifth]]&#039;&#039;&lt;br /&gt;
* [[3-5-15-27 hexany]] — &#039;&#039;a worse version of the normal major scale&#039;&#039;&lt;br /&gt;
* [[3-9-11-15 hexany]] — &#039;&#039;unfamiliar notes&#039;&#039;&lt;br /&gt;
* [[3-9-13-15 hexany]] — &#039;&#039;very xenharmonic melodies; easy to learn the notes and intervals - especially audibly distinct from one another&#039;&#039;&lt;br /&gt;
* [[3-11-13-15 hexany]] — &#039;&#039;unwieldy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-9-11-13 hexany]] — &#039;&#039;useful for building melodies; an even mix of familiar and xenharmonic&#039;&#039;&lt;br /&gt;
* [[5-9-11-15 hexany]] — &#039;&#039;a [[detempering]] of the [[porcupine]] scale; nice melodies&#039;&#039;&lt;br /&gt;
* [[5-9-13-15 hexany]] — &#039;&#039;melodically interesting but harmonically unrewarding&#039;&#039;&lt;br /&gt;
* [[5-11-13-15 hexany]] — &#039;&#039;highly recommended; an even mix of familiar and xenharmonic&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 9.n ====&lt;br /&gt;
* [[9-11-13-15 hexany]] — &#039;&#039;better used as a [[pentatonic]] scale by removing 1 note&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-7 hexany]] — &#039;&#039;cold, hazy&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-7-9 hexany]] — &#039;&#039;whole tone scale-like but with a [[quarter tone]], making it very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-7-9-15 hexany]] — &#039;&#039;lopsided but useful for making [[bihexany]]s&#039;&#039;&lt;br /&gt;
* [[1-7-13-15 hexany]] — &#039;&#039;useful for making [[bihexany]] versions of [[10edo]], which would be a type of [[neji]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-7-9 hexany]] — &#039;&#039;useful for melody and harmony&#039;&#039;&lt;br /&gt;
* [[3-5-7-13 hexany]] — &#039;&#039;useful for building [[dekany]]s&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 hexany]] — &#039;&#039;the optimal configuration for maximising the number and variety of simple harmonies available in a hexatonic scale; strong melodically also&#039;&#039;&lt;br /&gt;
* [[3-5-15-21 hexany]] — &#039;&#039;solidly rooted and consonant&#039;&#039;&lt;br /&gt;
* [[3-7-9-15 hexany]] — &#039;&#039;big variety of chords available, both familiar and xenharmonic ones&#039;&#039;&lt;br /&gt;
* [[3-7-13-15 hexany]] — &#039;&#039;related to the [[negri]] scale; useful for building [[bihexany]]s or [[dekany]]s&#039;&#039;&lt;br /&gt;
* [[3-9-15-21 hexany]] — &#039;&#039;very similar to the [[1-3-5-7 hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-9-13 hexany]] — &#039;&#039;very xenharmonic; easy to expand to a [[bihexany]] or [[dekany]]&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 hexany]] — &#039;&#039;potential for good compositions; a [[detempering]] of the [[starling]] scale&#039;&#039;&lt;br /&gt;
* [[5-7-13-15 hexany]] — &#039;&#039;both harmonically and melodically strong, and useful for [[bihexany]]s&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-13-15 hexany]] — &#039;&#039;useful for building [[bihexany]]s or [[dekany]]s out of&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 9.n ====&lt;br /&gt;
* [[9-25-49-81 hexany]] — &#039;&#039;a diminished tetrad with built-in beating effects&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-7-11-15 hexany]] — &#039;&#039;a little unwieldy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-7-11 hexany]] — &#039;&#039;very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-7-9-55 hexany]] — &#039;&#039;creates interesting complex beating when played in the bass or sub bass range&#039;&#039;&lt;br /&gt;
* [[3-7-11-15 hexany]] — &#039;&#039;xenharmonic but also with sweet major thirds&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-9-11 hexany]] — &#039;&#039;a [[neji]] of [[6edo]] with an [[primodality|over-35 semiprime]] feel&#039;&#039;&lt;br /&gt;
* [[5-7-9-33 hexany]] — &#039;&#039;though the small steps are mathematically distinct from one another, they don&#039;t sound audibly distinct&#039;&#039;&lt;br /&gt;
* [[5-7-11-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-11-15 hexany]] — &#039;&#039;useful for building [[bihexany]]s&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 7 11 17 45 cents.png|7-11-17-45 hexany]] — &#039;&#039;dark, supernatural, metallic&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 27.n ====&lt;br /&gt;
* [[:File:Hexany 27 35 47 59 cents.png|27-35-47-59 hexany]] — &#039;&#039;like melting rainbow ice cream in the sun&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-17s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-11-13-15 hexany]] — &#039;&#039;useful for writing melody - expanding into a [[bihexany]] makes it more useful still&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Hexany 1029]]&lt;br /&gt;
* [[Hexany 126]]&lt;br /&gt;
* [[Hexany 225]]&lt;br /&gt;
* [[Hexany 2401]]&lt;br /&gt;
* [[Hexany 245]]&lt;br /&gt;
* [[Hexany 3136]]&lt;br /&gt;
* [[Hexany 4375]]&lt;br /&gt;
* [[Hexany 5120]]&lt;br /&gt;
* [[Hexany 6144]]&lt;br /&gt;
* [[Hexany 65625]]&lt;br /&gt;
* [[Hexany 875]]&lt;br /&gt;
* [[User:BudjarnLambeth/My favourite hexanies using at least one odd greater than 15]]&lt;br /&gt;
&lt;br /&gt;
== Dekanies (10-tone) ==&lt;br /&gt;
[[Category:10-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Dekany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s subgroups ===&lt;br /&gt;
* [[1-5-7-11-13 dekany]]&lt;br /&gt;
* [[5-7-9-11-13 dekany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
* [[1-3-7-9-11 dekany]]&lt;br /&gt;
* [[1-3-7-11-13 dekany]]&lt;br /&gt;
* [[1-3-9-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-29 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-11-13 dekany]] — &#039;&#039;highly unusual but not necessarily bad&#039;&#039;&lt;br /&gt;
* [[3-7-9-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
* [[1-3-5-9-11 dekany]]&lt;br /&gt;
* [[1-3-5-9-13 dekany]]&lt;br /&gt;
* [[1-3-5-9-81 dekany]]&lt;br /&gt;
* [[1-3-5-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-13-15 dekany]]&lt;br /&gt;
* [[1-3-11-13-15 dekany]]&lt;br /&gt;
* [[1-5-9-11-13 dekany]]&lt;br /&gt;
* [[1-5-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-9-11-13-15 dekany]]&lt;br /&gt;
* [[3-5-9-11-13 dekany]]&lt;br /&gt;
* [[3-5-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-9-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
* [[1-3-5-7-9 dekany]]&lt;br /&gt;
* [[1-3-5-7-13 dekany]]&lt;br /&gt;
* [[1-3-5-7-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-9-15 dekany]]&lt;br /&gt;
* [[1-3-7-9-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-15 dekany]]&lt;br /&gt;
* [[1-3-7-13-15 dekany]]&lt;br /&gt;
* [[1-5-7-9-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9-15 dekany]]&lt;br /&gt;
* [[1-5-7-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-13-15 dekany]]&lt;br /&gt;
* [[3-5-7-9-13 dekany]]&lt;br /&gt;
* [[3-5-7-9-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-13-15 dekany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
* [[1-3-5-7-11 dekany]]&lt;br /&gt;
* [[1-3-7-11-15 dekany]]&lt;br /&gt;
* [[1-5-7-9-11 dekany]]&lt;br /&gt;
* [[1-5-7-11-15 dekany]] — &#039;&#039;recommended but extra spicy&#039;&#039;&lt;br /&gt;
* [[1-7-9-11-15 dekany]]&lt;br /&gt;
* [[3-5-7-9-11 dekany]]&lt;br /&gt;
* [[3-5-7-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-11-15 dekany]]&lt;br /&gt;
* [[5-7-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-17s subgroups ===&lt;br /&gt;
* [[1-7-11-13-15 dekany]]&lt;br /&gt;
* [[3-5-7-11-13 dekany]]&lt;br /&gt;
* [[3-7-11-13-15 dekany]]&lt;br /&gt;
* [[5-7-11-13-15 dekany]]&lt;br /&gt;
* [[7-9-11-13-15 dekany]] — &#039;&#039;recommended, but extra spicy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Related to [[regular temperament]] scales ===&lt;br /&gt;
* [[Dekany agni]]&lt;br /&gt;
* [[Dekany apollo]]&lt;br /&gt;
* [[Dekany guanyin]]&lt;br /&gt;
* [[Dekany indra]]&lt;br /&gt;
* [[Dekany jove]]&lt;br /&gt;
* [[Dekany laka]]&lt;br /&gt;
* [[Dekany marvel]]&lt;br /&gt;
* [[Dekany minerva]]&lt;br /&gt;
* [[Dekany pele]]&lt;br /&gt;
* [[Dekany portent]]&lt;br /&gt;
* [[Dekany prodigy]]&lt;br /&gt;
* [[Dekany sensamagic]]&lt;br /&gt;
* [[Dekany spectacle]]&lt;br /&gt;
* [[Dekany zeus]]&lt;br /&gt;
* [[Dekany-cs-marv]]&lt;br /&gt;
* [[Dekanymarvwoo]]&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Deka1029]]&lt;br /&gt;
* [[Deka126]]&lt;br /&gt;
* [[Deka1728]]&lt;br /&gt;
* [[Deka225]]&lt;br /&gt;
* [[Deka2401]]&lt;br /&gt;
* [[Deka245]]&lt;br /&gt;
* [[Deka3136]]&lt;br /&gt;
* [[Deka4375]]&lt;br /&gt;
* [[Deka5120]]&lt;br /&gt;
* [[Deka6144]]&lt;br /&gt;
* [[Deka65625]]&lt;br /&gt;
* [[Deka875]]&lt;br /&gt;
* [[Dekany-cs]]&lt;br /&gt;
&lt;br /&gt;
== Bihexanies (12-tone) ==&lt;br /&gt;
[[Category:12-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Bihexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 7-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-7 by 3/2 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 8/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 10/7 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 12/7 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 9-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-7 by 9/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 9/7 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 9/8 bihexany]]&lt;br /&gt;
* [[1-3-5-9 by 7/5 bihexany]]&lt;br /&gt;
* [[1-3-7-9 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9 by 4/3 bihexany]]&lt;br /&gt;
* [[3-5-7-9 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 11-odd-limit elements ===&lt;br /&gt;
* [[1-3-7-9 by 11/8 bihexany]]&lt;br /&gt;
* [[1-3-7-11 by 18/11 bihexany]]&lt;br /&gt;
* [[1-7-9-11 by 4/3 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-11 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-11 by 5/4 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 13-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-9 by 13/9 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-13 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-13 by 4/3 bihexany]]&lt;br /&gt;
* [[5-9-11-13 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 15-odd-limit elements ===&lt;br /&gt;
&lt;br /&gt;
==== No-7s ====&lt;br /&gt;
* [[1-3-5-13 by 18/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 by 11/8 bihexany]]&lt;br /&gt;
* [[1-3-11-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-13-15 by 18/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-11-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-5-13-15 by 16/9 bihexany]]&lt;br /&gt;
* [[1-9-11-15 by 12/11 bihexany]]&lt;br /&gt;
* [[1-9-13-15 by 8/5 bihexany]]&lt;br /&gt;
* [[1-11-13-15 by 4/3 bihexany]]&lt;br /&gt;
* [[3-5-9-15 by 6/5 bihexany]]&lt;br /&gt;
* [[3-5-9-15 by 10/9 bihexany]]&lt;br /&gt;
* [[5-9-11-15 by 5/4 bihexany]]&lt;br /&gt;
* [[5-9-11-15 by 15/13 bihexany]]&lt;br /&gt;
* [[5-9-13-15 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-11-13-15 by 11/9 bihexany]]&lt;br /&gt;
* [[9-11-13-15 by 3/2 bihexany]]&lt;br /&gt;
* [[9-11-13-15 by 33/26 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== No-11s ====&lt;br /&gt;
* [[1-3-5-7 by 15/14 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7 by 16/15 bihexany]]&lt;br /&gt;
* [[1-3-7-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-7-15 by 9/7 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 by 7/6 bihexany]]&lt;br /&gt;
* [[1-5-7-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-7-9-15 by 4/3 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-15 by 7/5 bihexany]]&lt;br /&gt;
* [[1-7-13-15 by 7/5 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 by 9/5 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 9/8 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 4/3 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 7/5 bihexany]]&lt;br /&gt;
* [[5-7-9-15 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 by 7/4 bihexany]]&lt;br /&gt;
* [[5-7-9-15 by 9/8 bihexany]]&lt;br /&gt;
* [[5-7-13-15 by 9/8 bihexany]]&lt;br /&gt;
* [[5-7-13-15 by 22/13 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== No-13s ====&lt;br /&gt;
* [[3-5-7-15 by 11/7 bihexany]]&lt;br /&gt;
* [[3-7-11-15 by 7/5 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 by 11/9 bihexany]]&lt;br /&gt;
* [[5-7-11-15 by 18/11 bihexany]]&lt;br /&gt;
* [[7-9-11-15 by 3/2 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== No-17s ====&lt;br /&gt;
* [[7-11-13-15 by 7/5 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 17-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-9 by 17/12 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-15 by 17/12 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 17/14 bihexany]]&lt;br /&gt;
* [[3-5-11-13 by 24/17 bihexany]]&lt;br /&gt;
* [[3-11-13-15 by 24/17 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 19-odd-limit elements ===&lt;br /&gt;
* [[1-3-9-17 by 19/16 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-15-19 by 9/8 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 19/14 bihexany]]&lt;br /&gt;
* [[3-5-13-15 by 19/17 bihexany]]&lt;br /&gt;
* [[3-7-9-15 by 19/17 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Higher odd-limit elements ===&lt;br /&gt;
&lt;br /&gt;
==== 21-odd ====&lt;br /&gt;
* [[1-3-5-7 by 21/16 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 40/21 bihexany]]&lt;br /&gt;
* [[3-5-11-15 by 21/11 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 21/13 bihexany]]&lt;br /&gt;
* [[7-9-13-15 by 21/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 23-odd ====&lt;br /&gt;
* [[3-5-7-15 by 23/14 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 25-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 27-odd ====&lt;br /&gt;
* [[1-5-7-15 by 32/27 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 27/14 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-13-15 by 27/26 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 29-odd ====&lt;br /&gt;
* [[5-7-9-15 by 29/18 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 31-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 33-odd ====&lt;br /&gt;
* [[1-5-11-15 by 40/33 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 35-odd ====&lt;br /&gt;
* [[1-3-5-7 by 36/35 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 48/35 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 64/35 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 by 48/35 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 37-odd to 43-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 45-odd ====&lt;br /&gt;
* [[1-3-5-7 by 56/45 bihexany]]&lt;br /&gt;
* [[1-3-5-9 by 64/45 bihexany]]&lt;br /&gt;
* [[1-5-9-15 by 64/45 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 45/28 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 47-odd to 53-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 55-odd ====&lt;br /&gt;
* [[1-9-11-15 by 72/55 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 57-odd to 61-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 63-odd ====&lt;br /&gt;
* [[1-3-5-7 by 80/63 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 65-odd ====&lt;br /&gt;
* [[3-5-11-13 by 96/65 bihexany]] — &#039;&#039;good for metallophone timbres like bells or Gamelan&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 67-odd to 97-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 99-odd ====&lt;br /&gt;
* [[1-7-13-15 by 140/99 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 101-odd to 133-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 135-odd ====&lt;br /&gt;
* [[1-3-9-135 by 57/34 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Bihexanymyna]]&lt;br /&gt;
* [[GW Smith bihexany 14 Feb 2011]]&lt;br /&gt;
&lt;br /&gt;
== Duohexanies (12-tone) ==&lt;br /&gt;
[[Category:12-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Duohexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [[Duohex]]&lt;br /&gt;
* [[Duohexmarvwoo]]&lt;br /&gt;
* [[Duohexmean]]&lt;br /&gt;
* [[Hexanys-valentino]]&lt;br /&gt;
&lt;br /&gt;
== Stellated hexanies (14-tone) ==&lt;br /&gt;
[[Category:14-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Stellated hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s subgroups ===&lt;br /&gt;
* [[1-5-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-13 stellated hexany]]&lt;br /&gt;
* [[1-5-11-13 stellated hexany]]&lt;br /&gt;
* [[1-7-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
* [[1-3-7-9 stellated hexany]]&lt;br /&gt;
* [[1-3-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-11 stellated hexany]]&lt;br /&gt;
* [[1-3-9-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-11 stellated hexany]]&lt;br /&gt;
* [[1-7-9-13 stellated hexany]]&lt;br /&gt;
* [[3-7-9-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-13 stellated hexany]] — &#039;&#039;recommended, but with 2 notes removed - read article&#039;&#039;&lt;br /&gt;
* [[3-7-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-11-13 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-9 stellated hexany]]&lt;br /&gt;
* [[1-3-5-11 stellated hexany]]&lt;br /&gt;
* [[1-3-5-13 stellated hexany]]&lt;br /&gt;
* [[1-3-5-15 stellated hexany]] — &#039;&#039;not recommended for xenharmony, but it&#039;s a good JI version of the &#039;Hungarian minor&#039; scale if one wants that&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 stellated hexany]]&lt;br /&gt;
* [[1-3-11-15 stellated hexany]]&lt;br /&gt;
* [[1-3-13-15 stellated hexany]] — &#039;&#039;recommended but spicy&#039;&#039;&lt;br /&gt;
* [[1-5-9-11 stellated hexany]]&lt;br /&gt;
* [[1-5-9-13 stellated hexany]]&lt;br /&gt;
* [[1-5-9-15 stellated hexany]]&lt;br /&gt;
* [[1-5-11-15 stellated hexany]]&lt;br /&gt;
* [[1-5-13-15 stellated hexany]]&lt;br /&gt;
* [[1-15-45-75 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-9-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-15 stellated hexany]]&lt;br /&gt;
* [[3-5-9-25 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-27 stellated hexany]]&lt;br /&gt;
* [[3-5-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-11-15 stellated hexany]]&lt;br /&gt;
* [[3-5-13-15 stellated hexany]]&lt;br /&gt;
* [[3-9-11-15 stellated hexany]]&lt;br /&gt;
* [[3-9-13-15 stellated hexany]]&lt;br /&gt;
* [[3-9-25-625 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-11-13-15 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-9-11-13 stellated hexany]]&lt;br /&gt;
* [[5-9-11-15 stellated hexany]]&lt;br /&gt;
* [[5-9-13-15 stellated hexany]]&lt;br /&gt;
* [[5-11-13-15 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
* [[1-3-5-7 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 stellated hexany]]&lt;br /&gt;
* [[1-5-7-9 stellated hexany]]&lt;br /&gt;
* [[1-5-7-15 stellated hexany]]&lt;br /&gt;
* [[1-7-9-15 stellated hexany]]&lt;br /&gt;
* [[1-7-13-15 stellated hexany]]&lt;br /&gt;
* [[3-5-7-9 stellated hexany]] — &#039;&#039;recommended with 2 notes removed - read article&#039;&#039;&lt;br /&gt;
* [[3-5-7-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 stellated hexany]]&lt;br /&gt;
* [[3-7-9-15 stellated hexany]]&lt;br /&gt;
* [[3-7-13-15 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-15-21 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-13 stellated hexany]]&lt;br /&gt;
* [[5-7-9-15 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
* [[1-7-11-15 stellated hexany]]&lt;br /&gt;
* [[3-5-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-11-15 stellated hexany]]&lt;br /&gt;
* [[5-7-9-11 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Stelhex]]&lt;br /&gt;
* [[Stelhex-catakleismic]]&lt;br /&gt;
* [[Stelhex2]]&lt;br /&gt;
* [[Stelhex5]]&lt;br /&gt;
* [[Stellarhex]]&lt;br /&gt;
&lt;br /&gt;
== Pentadekanies (15-tone) ==&lt;br /&gt;
&#039;&#039;Main page: [[Pentadekany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 1.3.n ===&lt;br /&gt;
* [[1-3-5-7-9-11 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-9-13 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7-9-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-11-13 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-11-13 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-11-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-11-13-15 pentadekany]] — &#039;&#039;recommended but only for advanced composers&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-11-13 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-7-11-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.5.n ===&lt;br /&gt;
* [[1-5-7-9-11-13 pentadekany]]&lt;br /&gt;
* [[1-5-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-11-13-15 pentadekany]]&lt;br /&gt;
* [[1-5-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.7.n ===&lt;br /&gt;
* [[1-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.5.n ===&lt;br /&gt;
* [[3-5-7-9-11-13 pentadekany]]&lt;br /&gt;
* [[3-5-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-9-13-15 pentadekany]]&lt;br /&gt;
* [[3-5-7-11-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-11-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 3.7.n ===&lt;br /&gt;
* [[3-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 5.7.n ===&lt;br /&gt;
* [[5-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
== Eikosanies (20-tone) ==&lt;br /&gt;
&#039;&#039;Main page: [[Eikosany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 1.3.n ===&lt;br /&gt;
* [[1-3-5-7-9-11 eikosany]]&lt;br /&gt;
* [[1-3-5-7-9-13 eikosany]]&lt;br /&gt;
* [[1-3-5-7-9-15 eikosany]]&lt;br /&gt;
* [[1-3-5-7-11-13 eikosany]]&lt;br /&gt;
* [[1-3-5-7-11-15 eikosany]]&lt;br /&gt;
* [[1-3-5-7-13-15 eikosany]]&lt;br /&gt;
* [[1-3-5-9-11-13 eikosany]]&lt;br /&gt;
* [[1-3-5-9-11-15 eikosany]]&lt;br /&gt;
* [[1-3-5-9-13-15 eikosany]]&lt;br /&gt;
* [[1-3-5-11-13-15 eikosany]]&lt;br /&gt;
* [[1-3-7-9-11-13 eikosany]]&lt;br /&gt;
* [[1-3-7-9-11-15 eikosany]]&lt;br /&gt;
* [[1-3-7-9-13-15 eikosany]]&lt;br /&gt;
* [[1-3-7-11-13-15 eikosany]]&lt;br /&gt;
* [[1-3-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.5.n ===&lt;br /&gt;
* [[1-5-7-9-11-13 eikosany]]&lt;br /&gt;
* [[1-5-7-9-11-15 eikosany]]&lt;br /&gt;
* [[1-5-7-9-13-15 eikosany]]&lt;br /&gt;
* [[1-5-7-11-13-15 eikosany]]&lt;br /&gt;
* [[1-5-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.7.n ===&lt;br /&gt;
* [[1-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.5.n ===&lt;br /&gt;
* [[3-5-7-9-11-13 eikosany]]&lt;br /&gt;
* [[3-5-7-9-11-15 eikosany]]&lt;br /&gt;
* [[3-5-7-9-13-15 eikosany]]&lt;br /&gt;
* [[3-5-7-11-13-15 eikosany]]&lt;br /&gt;
* [[3-5-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.7.n ===&lt;br /&gt;
* [[3-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 5.7.n ===&lt;br /&gt;
* [[5-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
* [[Eikosanyplusop]]&lt;br /&gt;
&lt;br /&gt;
{{navbox scale gallery}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Combination product sets| ]]&lt;br /&gt;
[[Category:Lists of scales]]&lt;br /&gt;
[[Category:Just intonation scales]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Magic_family&amp;diff=229808</id>
		<title>Magic family</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Magic_family&amp;diff=229808"/>
		<updated>2026-05-07T03:54:57Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Darkstone */ add scale&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{interwiki&lt;br /&gt;
| de = Magische Temperaturen&lt;br /&gt;
| en = Magic family&lt;br /&gt;
| es = &lt;br /&gt;
| ja = &lt;br /&gt;
}}&lt;br /&gt;
{{Technical data page}}&lt;br /&gt;
The &#039;&#039;&#039;magic family&#039;&#039;&#039; of temperaments tempers out [[3125/3072]], the small diesis or magic comma. The septimal version of magic is locally optimal, for some searches, in the [[9-odd-limit]]. Magic has a slightly higher complexity than [[meantone]] but it is closer to just intonation. It is the simplest rank-2 temperament that tunes every [[9-odd-limit]] interval better than is possible in [[12edo]]. The most prominent deficiency is that it lacks [[Rothenberg propriety|proper]] or nearly-proper [[mos scale]]s in the 5- to 10-note region. Properties may depend on tuning and extension.&lt;br /&gt;
&lt;br /&gt;
== Magic ==&lt;br /&gt;
{{Main| Magic }}&lt;br /&gt;
&lt;br /&gt;
The [[generator]] of magic is a major third, and to get to the interval class of fifths requires five of these. In fact, (5/4)&amp;lt;sup&amp;gt;5&amp;lt;/sup&amp;gt; = 3 × 3125/3072. [[41edo|13\41]] is a highly recommendable generator, though [[60edo|19\60]], the [[optimal patent val]] generator, also makes a lot of sense, and using [[19edo]] or [[22edo]] is always possible.&lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 3125/3072&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 | 0 5 1 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~5/4&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.2449{{c}}, ~5/4 = 380.4527{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.245 +0.309 -3.371 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~5/4 = 380.2194{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.858 -6.094 }}&lt;br /&gt;
&lt;br /&gt;
[[Minimax tuning]]: &lt;br /&gt;
* [[5-odd-limit]]: ~5/4 = {{monzo| 0 1/5 0 }}&lt;br /&gt;
: [[eigenmonzo basis|unchanged-interval (eigenmonzo) basis]]: 2.3&lt;br /&gt;
&lt;br /&gt;
[[Tuning ranges]]: &lt;br /&gt;
* 5-odd-limit [[diamond monotone]]: ~5/4 = [360.000, 400.000] (3\10 to 1\3)&lt;br /&gt;
* 5-odd-limit [[diamond tradeoff]]: ~5/4 = [378.910, 386.314] (1/4-comma to untempered)&lt;br /&gt;
&lt;br /&gt;
[[Algebraic generator]]: Terzbirat, the positive root of 9&#039;&#039;x&#039;&#039;&amp;lt;sup&amp;gt;2&amp;lt;/sup&amp;gt; - 8&#039;&#039;x&#039;&#039; - 4 = (4 + 2√13)/9; approximately 380.3175 [[cent]]s.&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 3, 13b, 16, 19, 41, 60, 221cc, 281cc }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 0.919&lt;br /&gt;
&lt;br /&gt;
=== Overview to extensions ===&lt;br /&gt;
Apart from magic, we also consider other extensions. The second comma of the [[Normal lists #Normal interval list|normal comma list]] defines which 7-limit family member we are looking at. [[875/864]], the keemic comma, gives septimal magic, and [[525/512]], Avicenna&#039;s enharmonic diesis, gives his annoying brother muggles. Both use the major third as a generator, as well as low-accuracy extensions including darkstone and brightstone. &lt;br /&gt;
&lt;br /&gt;
Weak extensions considered below are hocum, trismegistus, quadrimage, quinmage and warlock. Discussed elsewhere are&lt;br /&gt;
* &#039;&#039;[[Astrology]]&#039;&#039; → [[Jubilismic clan #Astrology|Jubilismic clan]]&lt;br /&gt;
* &#039;&#039;[[Spell]]&#039;&#039; → [[Hemimean clan #Spell|Hemimean clan]]&lt;br /&gt;
&lt;br /&gt;
== Septimal magic ==&lt;br /&gt;
{{Main| Magic }}&lt;br /&gt;
&lt;br /&gt;
Septimal magic tempers out not only 3125/3072 and 875/864, but also [[225/224]], [[245/243]], and [[10976/10935]]. [[41edo]] is a good magic tuning, and 19- or 22-note mosses are possible scales. Five major thirds approximate 3/1. Twelve major thirds, less an octave, approximate 7/1.&lt;br /&gt;
&lt;br /&gt;
This temperament, with its accurate fifths, works well with [[9-odd-limit]] harmony. It is more accurate than [[meantone]] and simpler than [[garibaldi]]. It is a little tricky to work with because its fifths are a relatively complex interval and it does not naturally work with scales of around seven notes to the octave. &lt;br /&gt;
&lt;br /&gt;
225/224 is the [[marvel family|marvel]] comma. Because the augmented triad is the simplest triad in magic temperaments, it is especially significant in magic temperament. 245/243, the [[sensamagic family|sensamagic]] comma, leads to another essentially tempered 9-odd-limit triad with two thirds approximating 9/7 and the other 6/5. It also divides the approximate 3/2 into two steps of 7/6 and one of 10/9. &lt;br /&gt;
&lt;br /&gt;
By adding [[100/99]] and [[105/104]] to the list of commas, magic can be extended to the 11-limit and 13-limit. 11-limit magic allows for a tritone substitution where the extended 5-limit tuning of a dominant seventh with a 9/5 above the root shares its tritone with an 8:10:11:12:16 chord rooted on the seventh of the original chord. For this, [[104edo]] provides an excellent tuning, as it does also for the rank-3 temperaments tempering out 100/99 with 225/224, 245/243 or 875/864. Septimage (see below) is also an excellent 11-limit magic tuning. For the 13-limit, 41edo makes for a recommendable tuning. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 225/224, 245/243&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 -1 | 0 5 1 12 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~5/4&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.0786{{c}}, ~5/4 = 380.6939{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.079 +1.514 -3.463 -1.578 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~5/4 = 380.4576{{c}}&lt;br /&gt;
: error map: {{val| 0.000 +0.333 -5.856 -3.335 }}&lt;br /&gt;
&lt;br /&gt;
[[Minimax tuning]]: &lt;br /&gt;
* 7- and [[9-odd-limit]]: ~5/4 = {{monzo| 0 1/5 0 0 }}&lt;br /&gt;
: [[eigenmonzo basis|unchanged-interval (eigenmonzo) basis]]: 2.3&lt;br /&gt;
&lt;br /&gt;
[[Tuning ranges]]: &lt;br /&gt;
* 7- and 9-odd-limit [[diamond monotone]]: ~5/4 = [378.947, 381.818] (6\19 to 7\22)&lt;br /&gt;
* 7- and 9-odd-limit [[diamond tradeoff]]: ~5/4 = [378.910, 386.314] (1/4-comma to untempered)&lt;br /&gt;
&lt;br /&gt;
[[Algebraic generator]]: Tirzbirat or Septimage, the real root of 5&#039;&#039;x&#039;&#039;&amp;lt;sup&amp;gt;5&amp;lt;/sup&amp;gt; + 4&#039;&#039;x&#039;&#039; - 20, 380.7604 cents.&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 19, 41, 142cd, 183cd, 224ccd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 0.479&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 225/224, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 | 0 5 1 12 -8 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.1372{{c}}, ~5/4 = 380.7399{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.7008{{c}}&lt;br /&gt;
&lt;br /&gt;
Minimax tuning: &lt;br /&gt;
* 11-odd-limit: ~5/4 = {{monzo| 1/3 1/9 0 0 -1/18 }}&lt;br /&gt;
: unchanged-interval (eigenmonzo) basis: 2.11/9&lt;br /&gt;
&lt;br /&gt;
Tuning ranges: &lt;br /&gt;
* 11-odd-limit diamond monotone: ~5/4 = [378.947, 381.818] (6\19 to 7\22)&lt;br /&gt;
* 11-odd-limit diamond tradeoff: ~5/4 = [378.910, 386.314] (1/4-comma to untempered)&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22, 41, 104 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.673&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
A notable [[patent val]] tuning beyond the [[optimal patent val]] of 41edo is [[19edo|19]] + [[41edo|41]] = [[60edo]].&lt;br /&gt;
&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 144/143, 196/195&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 | 0 5 1 12 -8 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.0331{{c}}, ~5/4 = 380.4377{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.4284{{c}}&lt;br /&gt;
&lt;br /&gt;
Tuning ranges: &lt;br /&gt;
* 13- and 15-odd-limit diamond monotone: ~5/4 = [378.947, 381.818] (6\19 to 7\22)&lt;br /&gt;
* 13- and 15-odd-limit diamond tradeoff: ~5/4 = [378.617, 386.314]&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22f, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.889&lt;br /&gt;
&lt;br /&gt;
===== Magical =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 120/119, 144/143, 154/153&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 6 | 0 5 1 12 -8 18 -6 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.3584{{c}}, ~5/4 = 380.4006{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.5896{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22f, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.05&lt;br /&gt;
&lt;br /&gt;
====== Magicus ======&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 120/119, 133/132, 144/143, 154/153&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 6 9 | 0 5 1 12 -8 18 -6 -15 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.7173{{c}}, ~5/4 = 380.3808{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.4680{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.27&lt;br /&gt;
&lt;br /&gt;
====== Magica ======&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 120/119, 144/143, 154/153, 171/169&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 6 -4 | 0 5 1 12 -8 18 -6 26 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.3670{{c}}, ~5/4 = 380.4681{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.6541{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22fh, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.21&lt;br /&gt;
&lt;br /&gt;
===== Magia =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 144/143, 170/169, 196/195&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 -7 | 0 5 1 12 -8 18 35 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.1727{{c}}, ~5/4 = 380.2982{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.2483{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19g, 41, 60 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.34&lt;br /&gt;
&lt;br /&gt;
====== 19-limit ======&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 144/143, 170/169, 171/169, 196/195&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 -2 -7 -4 | 0 5 1 12 -8 18 35 26 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.2179{{c}}, ~5/4 = 380.3942{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.3314{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19gh, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.44&lt;br /&gt;
&lt;br /&gt;
===== Evening =====&lt;br /&gt;
Evening is a remarkable subgroup temperament of {{nowrap| 19 &amp;amp; 22f }} with prime harmonics of 29 and 31. &lt;br /&gt;
&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.29.31&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 105/104, 144/143, 145/144, 155/154, 196/195&lt;br /&gt;
&lt;br /&gt;
Subgroup-val mapping: {{mapping| 1 0 2 -1 6 -2 2 4 | 0 5 1 12 -8 18 9 3 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.2802{{c}}, ~5/4 = 380.5053{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.4258{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22f, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.807&lt;br /&gt;
&lt;br /&gt;
==== Sorcery ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 65/64, 78/77, 91/90, 100/99&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 4 | 0 5 1 12 -8 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.2397{{c}}, ~5/4 = 380.8698{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.5080{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19, 22, 41f }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.07&lt;br /&gt;
&lt;br /&gt;
==== Necromancy ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 225/224, 245/243, 275/273&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 11 | 0 5 1 12 -8 -23 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.9675{{c}}, ~5/4 = 380.7770{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.7874{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19f, 22, 41, 63, 104 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.04&lt;br /&gt;
&lt;br /&gt;
===== 17-limit =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 120/119, 154/153, 225/224, 273/272&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 6 11 6 | 0 5 1 12 -8 -23 -6 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.6176{{c}}, ~5/4 = 380.7053{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.8280{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19f, 22, 41, 63 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.12&lt;br /&gt;
&lt;br /&gt;
==== Soothsaying ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 225/224, 245/243, 1352/1331&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 12 15 | 0 5 1 12 -8 -12 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~55/39 = 600.2918{{c}}, ~5/4 = 380.6928{{c}}&lt;br /&gt;
* CWE: ~55/39 = 600.0000{{c}}, ~5/4 = 380.5121{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 60, 82 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 2.29&lt;br /&gt;
&lt;br /&gt;
===== 17-limit =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 221/220, 225/224, 245/243, 273/272&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 12 15 5 | 0 5 1 12 -8 -12 5 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~17/12 = 600.2918{{c}}, ~5/4 = 380.6927{{c}}&lt;br /&gt;
* CWE: ~17/12 = 600.0000{{c}}, ~5/4 = 380.5135{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 60, 82 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.82&lt;br /&gt;
&lt;br /&gt;
===== 19-limit =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 100/99, 133/132, 221/220, 225/224, 245/243, 273/272&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 12 15 5 18 | 0 5 1 12 -8 -12 5 -15 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~17/12 = 600.3301{{c}}, ~5/4 = 380.6797{{c}}&lt;br /&gt;
* CWE: ~17/12 = 600.0000{{c}}, ~5/4 = 380.4704{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 60, 82 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.90&lt;br /&gt;
&lt;br /&gt;
=== Telepathy ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 55/54, 99/98, 176/175&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -1 | 0 5 1 12 14 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.7724{{c}}, ~5/4 = 381.2641{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 381.0913{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 22, 41e, 63e }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.896&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 55/54, 65/64, 91/90, 99/98&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -1 4 | 0 5 1 12 14 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1202.5634{{c}}, ~5/4 = 381.3348{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.6886{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 22, 41ef }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.05&lt;br /&gt;
&lt;br /&gt;
==== Intuition ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 55/54, 66/65, 99/98, 105/104&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -1 -2 | 0 5 1 12 14 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.3172{{c}}, ~5/4 = 380.9004{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.5942{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 22f }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.08&lt;br /&gt;
&lt;br /&gt;
=== Horcrux ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 56/55, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 | 0 5 1 12 11 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.4670{{c}}, ~5/4 = 379.7895{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 379.6889{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3de, 16d, 19 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.30&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 56/55, 78/77, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 -2 | 0 5 1 12 11 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.2953{{c}}, ~5/4 = 379.8842{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 379.8165{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3def, 16dff, 19 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.32&lt;br /&gt;
&lt;br /&gt;
===== 17-limit =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 56/55, 78/77, 85/84, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 -2 0 | 0 5 1 12 11 18 16 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.2484{{c}}, ~5/4 = 380.2053{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.1482{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3defg, 16dffgg, 19g }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.43&lt;br /&gt;
&lt;br /&gt;
===== Horcruxic =====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 35/34, 45/44, 52/51, 56/55, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 -2 0 | 0 5 1 12 11 18 13 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.5457{{c}}, ~5/4 = 379.4681{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 379.5713{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3defg, 16dff, 19 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.51&lt;br /&gt;
&lt;br /&gt;
==== Glamour ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 56/55, 65/64, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 0 4 | 0 5 1 12 11 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1202.2187{{c}}, ~5/4 = 379.8171{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 379.2709{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3de, 16d, 19 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.38&lt;br /&gt;
&lt;br /&gt;
=== Witchcraft ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 225/224, 245/243, 441/440&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -7 | 0 5 1 12 33 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.2634{{c}}, ~5/4 = 380.6321{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.2849{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 41, 60e, 101cd, 243ccdde }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.02&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 196/195, 245/243, 275/273&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -7 -2 | 0 5 1 12 33 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.0424{{c}}, ~5/4 = 380.5193{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.2349{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19e, 41, 60e, 101cd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.973&lt;br /&gt;
&lt;br /&gt;
==== 17-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 154/153, 170/169, 196/195, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 -1 -7 -2 -7 | 0 5 1 12 33 18 35 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.1638{{c}}, ~5/4 = 380.4827{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 380.1599{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 19eg, 41, 60e, 101cd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.06&lt;br /&gt;
&lt;br /&gt;
=== Divination ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 121/120, 225/224, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 5 | 0 5 1 12 3 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~99/70 = 600.8306{{c}}, ~5/4 = 380.7598{{c}}&lt;br /&gt;
* CWE: ~99/70 = 600.0000{{c}}, ~5/4 = 380.3800{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 38d, 60e, 142cdee, 202ccddeee }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.19&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 121/120, 196/195, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 5 -4 | 0 5 1 12 3 18 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~99/70 = 600.9624{{c}}, ~5/4 = 380.5297{{c}}&lt;br /&gt;
* CWE: ~99/70 = 600.0000{{c}}, ~5/4 = 380.0614{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22f, 38df, 60e }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.43&lt;br /&gt;
&lt;br /&gt;
==== 17-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 121/120, 154/153, 196/195, 245/243&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 2 0 4 -2 5 -4 5 | 0 5 1 12 3 18 5 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~17/12 = 600.8921{{c}}, ~5/4 = 380.5094{{c}}&lt;br /&gt;
* CWE: ~17/12 = 600.0000{{c}}, ~5/4 = 380.0672{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22f, 38df, 60e }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.21&lt;br /&gt;
&lt;br /&gt;
=== Hocus ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 225/224, 243/242, 245/242&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 -13 -13 | 0 10 2 24 25 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.0749{{c}}, ~11/7 = 790.7980{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/7 = 790.1429{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 38d, 41, 120cd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.27&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 196/195, 243/242, 245/242&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 -13 -13 -20 | 0 10 2 24 25 36 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.2830{{c}}, ~11/7 = 790.8409{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/7 = 790.0516{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 38df, 41, 79d, 120cd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.25&lt;br /&gt;
&lt;br /&gt;
==== 17-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 154/153, 196/195, 243/242, 245/242&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 -13 -13 -20 -15 | 0 10 2 24 25 36 29 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.1557{{c}}, ~11/7 = 790.7157{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/7 = 790.0057{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 38df, 41, 79d }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.30&lt;br /&gt;
&lt;br /&gt;
==== 19-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 154/153, 196/195, 243/242, 245/242&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 -13 -13 -20 -3 | 0 10 2 24 25 36 29 11 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.3558{{c}}, ~11/7 = 790.8266{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/7 = 789.9880{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 38df, 41, 79dh }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.23&lt;br /&gt;
&lt;br /&gt;
== Muggles ==&lt;br /&gt;
{{Main| Muggles }}&lt;br /&gt;
&lt;br /&gt;
Aside from 3125/3072 and 525/512 muggles also tempers out [[126/125]] and 1323/1280. A good muggles tuning is [[19edo]], in which tuning it is the same thing as magic. Muggles works better for small scales than magic in the sense that 7- or 10-note mosses are reasonable choices, as while the flatter generator compromises the accuracy of the 5-limit intervals, it grants simpler access to some higher-limit ones, and makes the small steps larger and more melodically effective. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 126/125, 525/512&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 5 | 0 5 1 -7 }}&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1203.9554{{c}}, ~5/4 = 379.7269{{c}}&lt;br /&gt;
: [[error map]]: {{val| +3.955 -3.321 +1.324 -7.137 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~5/4 = 378.5328{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -9.291 -7.781 -18.555 }}&lt;br /&gt;
&lt;br /&gt;
[[Tuning ranges]]: &lt;br /&gt;
* [[7-odd-limit]] [[diamond monotone]]: ~5/4 = [375.000, 378.947] (5\16 to 6\19)&lt;br /&gt;
* [[9-odd-limit]] diamond monotone: ~5/4 = 378.947 (6\19)&lt;br /&gt;
* 7- and 9-odd-limit [[diamond tradeoff]]: ~5/4 = [375.882, 386.314]&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 16, 19, 73bcd, 92bcdd, 111bcddd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 1.42&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 126/125, 385/384&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 5 0 | 0 5 1 -7 11 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1203.0804{{c}}, ~5/4 = 378.6936{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 377.8174{{c}}&lt;br /&gt;
&lt;br /&gt;
Tuning ranges: &lt;br /&gt;
* 11-odd-limit diamond monotone: ~5/4 = 378.947 (6\19)&lt;br /&gt;
* 11-odd-limit diamond tradeoff: ~5/4 = [347.408, 386.314]&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 19, 35, 54bd }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.59&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 45/44, 65/64, 78/77, 126/125&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 5 0 4 | 0 5 1 -7 11 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1203.4291{{c}}, ~5/4 = 378.7321{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 377.7336{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 19, 35f, 54bdf }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.26&lt;br /&gt;
&lt;br /&gt;
=== Muggloid ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 33/32, 126/125, 176/175&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 5 5 | 0 5 1 -7 -5 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1205.6044{{c}}, ~5/4 = 379.5966{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 377.8142{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3, 16, 19e, 35ee, 54bdeee }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.55&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 33/32, 65/64, 105/104, 126/125&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 5 5 4 | 0 5 1 -7 -5 -1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1205.4897{{c}}, ~5/4 = 379.5667{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 377.8118{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3, 16, 19e, 35eef }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.19&lt;br /&gt;
&lt;br /&gt;
== Brightstone ==&lt;br /&gt;
Brightstone tempers out 64/63 and may be described as {{nowrap| 22 &amp;amp; 25 }}. 22edo itself is a good tuning, in which case it is identical to magic. Brightstone can be extended to the 11- and 13-limit in a similar way to muggles. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 64/63, 3125/3024&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 6 | 0 5 1 -10 }}&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1198.1701{{c}}, ~5/4 = 381.3741{{c}}&lt;br /&gt;
: error map: {{val| -1.830 +4.915 -8.599 +6.454 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~5/4 = 381.9562{{c}}&lt;br /&gt;
: error map: {{val| 0.000 +7.826 -4.358 +11.613 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 3, 19d, 22 }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.23&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 55/54, 64/63, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 6 -1 | 0 5 1 -10 14 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1198.5372{{c}}, ~5/4 = 381.7556{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 382.1943{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22, 69b }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.85&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 40/39, 55/54, 64/63, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 6 6 4 | 0 5 1 -10 14 -4 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1197.2300{{c}}, ~5/4 = 381.6164{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 382.4690{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 22f, 47bff }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.99&lt;br /&gt;
&lt;br /&gt;
== Darkstone ==&lt;br /&gt;
Darkstone (16 &amp;amp; 19d) is a low-accuracy temperament which tempers out 36/35 and 1875/1792. It makes the major third and the fifth even flatter than those of muggles. &lt;br /&gt;
&lt;br /&gt;
This temperament is known as &#039;&#039;witch&#039;&#039; in [http://www.tonalsoft.com/enc/m/magic.aspx Tonalsoft Encyclopedia]. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 36/35, 1875/1792&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 2 0 | 0 5 1 9 }}&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.7458{{c}}, ~5/4 = 377.2996{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.746 -15.457 -5.523 +26.870 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.000{{c}}, ~5/4 = 376.9630{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -17.140 -9.351 +23.841 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 3d, …, 13b, 16 }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.13&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 36/35, 45/44, 363/343&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 0 0 | 0 5 1 9 11 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.7428{{c}}, ~5/4 = 377.3134{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 376.9735{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3de, 13be, 16 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.55&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 27/26, 36/35, 45/44, 363/343&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 0 2 0 0 -1 | 0 5 1 9 11 15 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1201.7428{{c}}, ~5/4 = 377.3134{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/4 = 376.4221{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 3def, 13beff, 16 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.58&lt;br /&gt;
&lt;br /&gt;
Scales: [[User:BudjarnLambeth/Volcanic glass]]&lt;br /&gt;
&lt;br /&gt;
== Hocum ==&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 3125/3072, 4000/3969&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -5 1 14 | 0 10 2 -17 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~63/40&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1200.8375{{c}}, ~63/40 = 790.7032{{c}}&lt;br /&gt;
: [[error map]]: {{val| +0.838 +0.890 -4.070 +0.944 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~63/40 = 790.1542{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.413 -6.005 -1.447 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 3, 38, 41, 161c }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.71&lt;br /&gt;
&lt;br /&gt;
== Trismegistus ==&lt;br /&gt;
{{Main| Mabilic and trismegistus }}&lt;br /&gt;
{{See also| No-threes subgroup temperaments #Mabilic }}&lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 1029/1024, 3125/3072&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -5 1 5 | 0 15 3 -5 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~168/125&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.0799{{c}}, ~168/125 = 527.1841{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.080 +0.408 -3.681 +0.653 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~168/125 = 526.7349{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.932 -6.109 -2.500 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 16, 25, 41, 139c, 180c, 221cc, 262ccd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.49&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 385/384, 441/440, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 5 -4 | 0 15 3 -5 17 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.8404{{c}}, ~15/11 = 527.0289{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~15/11 = 526.6826{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 25e, 41, 98c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.51&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 144/143, 275/273, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -5 1 5 -4 -2 | 0 15 3 -5 17 13 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.4759{{c}}, ~15/11 = 526.8502{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~15/11 = 526.6548{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 25e, 41, 98c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.37&lt;br /&gt;
&lt;br /&gt;
=== 2.3.5.7.11.13.19 subgroup ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 144/143, 441/440, 210/209, 625/616&lt;br /&gt;
&lt;br /&gt;
Subgroup-val mapping: {{mapping| 1 -5 1 5 -4 -2 6 | 0 15 3 -5 17 13 -4 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings:&lt;br /&gt;
* WE: ~2 = 1200.5832{{c}}, ~15/11 = 526.8804{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~15/11 = 526.6368{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 25e, 41, 98c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.26&lt;br /&gt;
&lt;br /&gt;
== Quadrimage ==&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 2401/2400, 3125/3072&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -15 -1 -3 | 0 20 4 7 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~25/14&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.2708{{c}}, ~25/14 = 996.0669{{c}}&lt;br /&gt;
: [[error map]]: {{val| +1.271 +0.322 -3.317 -0.170 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~25/14 = 995.0515{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.926 -6.108 -3.466 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 6, …, 35, 41, 158cd, 199ccd, 240ccd, 281ccd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 3.22&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 245/242, 385/384, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -15 -1 -3 -4 | 0 20 4 7 9 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.6716{{c}}, ~25/14 = 995.6009{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~25/14 = 995.0633{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 6, 35, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 2.04&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 105/104, 144/143, 245/242, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -15 -1 -3 -22 | 0 20 4 7 9 31 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.6276{{c}}, ~25/14 = 995.4920{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~25/14 = 994.9901{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 6f, 35f, 41, 117c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.82&lt;br /&gt;
&lt;br /&gt;
== Quinmage ==&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 3125/3072, 16875/16807&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -10 0 -6 | 0 25 5 19 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~2, ~48/35&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1201.3334{{c}}, ~48/35 = 556.6311{{c}}&lt;br /&gt;
: error map: {{val| +1.333 +0.489 -3.158 -0.835 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~48/35 = 556.0504{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -0.695 -6.062 -3.868 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 13b, 28b, 41, 177bcd, 218bccdd, 259bccdd, 300cccdd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 4.92&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 385/384, 625/616, 2401/2376&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -10 0 -6 3 | 0 25 5 19 1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1200.4252{{c}}, ~11/8 = 556.2831{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/8 = 556.0951{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 13b, 28b, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 3.36&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 196/195, 364/363, 385/384, 625/616&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -10 0 -6 3 0 | 0 25 5 19 1 8 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.8239{{c}}, ~11/8 = 556.0389{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~11/8 = 556.1171{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 13b, 28b, 41 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 2.80&lt;br /&gt;
&lt;br /&gt;
== Warlock ==&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 3125/3072, 16807/16384&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 5 0 10 14 | 0 5 1 0 }}&lt;br /&gt;
&lt;br /&gt;
: mapping generators: ~8/7, ~5/4&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~8/7 = 240.3877{{c}}, ~5/4 = 380.4267{{c}} (~256/245 = 100.3488{{c}})&lt;br /&gt;
: error map: {{val| +1.939 +0.178 -2.010 -3.398 }}&lt;br /&gt;
* [[CWE]]: ~8/7 = 240.0000{{c}}, ~5/4 = 379.9965{{c}} (~256/245 = 100.0035{{c}})&lt;br /&gt;
: error map: {{val| 0.000 -1.972 -6.317 -8.826 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 25, 35, 60 }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 7.27&lt;br /&gt;
&lt;br /&gt;
[[Category:Temperament families]]&lt;br /&gt;
[[Category:Magic family| ]] &amp;lt;!-- main article --&amp;gt;&lt;br /&gt;
[[Category:Magic| ]] &amp;lt;!-- key article --&amp;gt;&lt;br /&gt;
[[Category:Rank 2]]&lt;br /&gt;
[[Category:Listen]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth&amp;diff=229807</id>
		<title>User:BudjarnLambeth</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth&amp;diff=229807"/>
		<updated>2026-05-07T03:54:11Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* (named after theory properties) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;div style=&amp;quot;border: 1px green solid; background-color: #efe; padding: 0.5em 1em; margin-bottom: 1em&amp;quot;&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;Not to be confused with&#039;&#039;&#039; &#039;&#039;[[lambeth chords]]&#039;&#039; nor &#039;&#039;[[1573/1568]] (the lambeth comma)&#039;&#039;. Those are unrelated to me.&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the user page of &#039;&#039;&#039;Budjarn Lambeth&#039;&#039;&#039;, an amateur, hobbyist:&lt;br /&gt;
* wiki contributor&lt;br /&gt;
* [[scalesmith]]&lt;br /&gt;
* music theorist&lt;br /&gt;
* improviser-composer&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
; Personal information&lt;br /&gt;
* Location: New South Wales, Australia&lt;br /&gt;
* Born: 1999&lt;br /&gt;
* Pronouns: he/she&lt;br /&gt;
* Nationality: Bundjalung (Aboriginal) and Australian&lt;br /&gt;
* Contactable at: https://www.facebook.com/budjarnlambeth/ or on my [[User talk:BudjarnLambeth|talk page]]&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Music I made ==&lt;br /&gt;
My original microtonal music is hosted on YouTube:&lt;br /&gt;
* [https://www.youtube.com/playlist?list=PLVHnByvMeRTqRGiICQelMy_tdDVIDKEXn &#039;&#039;&#039;Best pieces (playlist)&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Playlist contents:&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width:100%; text-align:left;&amp;quot;&lt;br /&gt;
! Title !! Date !! Link!! Tuning / Notes &lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Enchanted Shopping Mall&#039;&#039;&#039; || 2024-02 || [https://m.youtube.com/watch?v=scCuGXnj5IY YouTube]|| 33edo, flattertone[7] scale; synthwave&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;The Wound&#039;&#039;&#039; || 2024-11 || [https://m.youtube.com/watch?v=_NepcrTf9ng YouTube]|| Rocket[19]/Deutone[19], 5-tone subset - &#039;cosmic scale&#039;; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;The Odd Effects of Breathing the Fairy Dust&#039;&#039;&#039; || 2026-03 || [https://m.youtube.com/watch?v=YDbqf3g88BE YouTube]|| 59edo, porcupine[15] scale; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Fennec Temple&#039;&#039;&#039; || 2020 || [https://m.youtube.com/watch?v=lIEmJTPkSFQ YouTube]|| 14edo, 7-tone fennec scale; piece for electronic flutes&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;The Bells in the Rain&#039;&#039;&#039; || 2025-05 || [https://m.youtube.com/watch?v=tIwfO1lZWAc YouTube]|| 21edo, pelog-like pentatonic; electronic contemporary classical; using a custom scale for struck metal timbres&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Bubblegum&#039;&#039;&#039; || 2024-12 || [https://m.youtube.com/watch?v=iZI9x2Fto-A YouTube]|| 5edo (approximated within 60afdo); electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Wilderness&#039;&#039;&#039; || 2020 || [https://m.youtube.com/watch?v=L2mkP_y-idc YouTube]|| 22edo, superpyth[6] scale; piece for strings&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Blackened Skies&#039;&#039;&#039; || 2020 || [https://m.youtube.com/watch?v=eWMRJihZbPc YouTube]|| 72edo, modified blues scale; darksynth&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Odd Findings in the Caves&#039;&#039;&#039; || 2025-10 || [https://m.youtube.com/watch?v=aWqdWHSk5J4 YouTube]|| 343edo, lucite[23] scale; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Lighting the Jack-o&#039;-lanterns&#039;&#039;&#039; || 2025-10 || [https://m.youtube.com/watch?v=ZPXaMTdTSgw YouTube]|| 35edo, Blackwood[20] scale; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Will-O-Wisps&#039;&#039;&#039; || 2025-11 || [https://m.youtube.com/watch?v=JrpcIkElKQc YouTube]|| 27edo, will-o-wisp scale; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Grady Olympos Staircase Tuning Chord Progression&#039;&#039;&#039; || 2024-04 || [https://m.youtube.com/watch?v=q1sZkMZVUCE YouTube]|| Darksynth&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Moody Improvisation in Shoal Temperament&#039;&#039;&#039; || 2025-02 || [https://m.youtube.com/watch?v=bwGjN56iMM0 YouTube]|| Shoal temperament; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Ibex&#039;&#039;&#039; || 2025-12 || [https://m.youtube.com/watch?v=CqBmABrTRas YouTube]|| 13edo, 6-tone ibex scale; electronic contemporary classical&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Xenharmonic groups I&#039;m affiliated with ==&lt;br /&gt;
I&#039;m a contributor to:&lt;br /&gt;
* the Xenharmonic Wiki&lt;br /&gt;
** [[Xenharmonic Wiki:WikiProject Just Intonation]]&lt;br /&gt;
* the [[Xenharmonic Alliance]] on both Discord and Facebook&lt;br /&gt;
** the [[Monthly Tunings]] Facebook group&lt;br /&gt;
* the Xenrhythmic Alliance&lt;br /&gt;
** [https://discord.gg/jQRHUWCHKa Xenrhythm Zone] Discord server&lt;br /&gt;
** the [https://xenrhythmic.fandom.com/wiki/The_Xenrhythm_Wikia Xenrhythmic Wiki]&lt;br /&gt;
* the [https://microtonal.miraheze.org/wiki/Main_Page Microtonal Encyclopedia]&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== My favourite microtonal music &amp;amp; composers ==&lt;br /&gt;
&lt;br /&gt;
; Composers&lt;br /&gt;
&#039;&#039;(alphabetical order)&#039;&#039;&lt;br /&gt;
* [[Mike Battaglia]]&lt;br /&gt;
* [[Benyamind]]&lt;br /&gt;
* [[Brendan Byrnes]]&lt;br /&gt;
* [[Tolgahan Çoğulu]]&lt;br /&gt;
* [[Greystar]]&lt;br /&gt;
* [[Maeve Gutierrez]]&lt;br /&gt;
* [[JUMBLE]]&lt;br /&gt;
* [[King Gizzard &amp;amp; the Lizard Wizard]]&lt;br /&gt;
* [[Merct]]&lt;br /&gt;
* [[Sevish]]&lt;br /&gt;
&lt;br /&gt;
; Music&lt;br /&gt;
YouTube playlists curated by me:&lt;br /&gt;
* &#039;&#039;[https://youtube.com/playlist?list=PLVHnByvMeRTrborLUEpRk9Tgbu_r4UnUi Actually good microtonal music&#039;&#039;]&lt;br /&gt;
* &#039;&#039;[https://m.youtube.com/playlist?list=PLVHnByvMeRTpA7ssMn48WemxL4EQmnpdT 1 great track in every EDO from 10edo to 31edo (plus some extra bonus tunings)&#039;&#039;]&lt;br /&gt;
* my Apple Music playlists (mostly not microtonal, but some are): &#039;&#039;[https://music.apple.com/profile/budjarn @budjarn Apple Music playlists].&#039;&#039;&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==My music theory work==&lt;br /&gt;
I have written some of my own amateur music theory research which I publish to this wiki.&lt;br /&gt;
&lt;br /&gt;
===AI overview of my work===&lt;br /&gt;
&#039;&#039;&#039;I don&#039;t and won&#039;t ever use AI for contributions to actual wiki pages&#039;&#039;&#039;, I&#039;m &#039;&#039;&#039;only ever using it to summarize my own user page&#039;&#039;&#039; (this page). &lt;br /&gt;
&lt;br /&gt;
Also, I did &#039;&#039;&#039;not&#039;&#039;&#039; ask the AI to scrape the wiki, I used my own local copies of my pages from my computer to ask the AI about.&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Structural beating|Structural beating]] ====&lt;br /&gt;
Lambeth hypothesized this property for equal-step tunings where the &#039;&#039;&#039;[[period]]&#039;&#039;&#039; of the scale &#039;&#039;&#039;differs&#039;&#039;&#039; from the interval of &#039;&#039;&#039;psychoacoustic [[equivalence]]&#039;&#039;&#039; (usually the octave, 2/1).&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Effect:&#039;&#039;&#039; Because the scale repeats at an interval different from the ear&#039;s point of equivalence, the scale creates a macro-scale &amp;quot;beating&amp;quot; or phasing effect as it ascends or descends.&lt;br /&gt;
* &#039;&#039;&#039;Goal:&#039;&#039;&#039; This is considered a desirable property that makes a periodic scale feel less repetitive, offering shifting colors and shapes (&amp;quot;something from nothing&amp;quot;).&lt;br /&gt;
* &#039;&#039;&#039;Examples:&#039;&#039;&#039; Equal divisions of sevenths (e.g., ed7/4) or ninths (ed16/9) if the equivalence is the octave.&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Polytriadic|Polytriadicism]] ====&lt;br /&gt;
Lambeth&#039;s polytriadic method involves tuning an ensemble (of 2 or more instruments/groups) so that each is tuned to a different &#039;&#039;&#039;triad&#039;&#039;&#039; or subset of a larger overarching scale.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Application:&#039;&#039;&#039; It allows composers to approach complex temperaments (like those without consonant small MOS scales) or large [[just intonation]] sets by breaking them down into simpler, manageable triadic parts.&lt;br /&gt;
* &#039;&#039;&#039;Function:&#039;&#039;&#039; It can be used to &amp;quot;flag&amp;quot; different rhythmic elements harmonically or to create complex, interweaving voice lines that generate consonance from the aggregate of the instruments.&lt;br /&gt;
* &#039;&#039;&#039;Example:&#039;&#039;&#039; &#039;&#039;&#039;[[Shoal17|Shoal[17]]]&#039;&#039;&#039;, a 17-tone MOS scale in the Shoal temperament (a 2.3.13.23 subgroup detemper of 17edo), is cited as a prime candidate for this approach.&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Equalizer subgroup|Equalizer subgroups]] ====&lt;br /&gt;
Lambeth&#039;s equalizer subgroup method involves tuning to a [[just intonation subgroup]] designed to balance specific types of harmonics to achieve a specific aesthetic.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Criteria:&#039;&#039;&#039;&lt;br /&gt;
** &#039;&#039;&#039;Structural Harmonics (2, 3, 4, 5):&#039;&#039;&#039; 2 or 3 present. They provide stability and &amp;quot;tonal gravity.&amp;quot;&lt;br /&gt;
** &#039;&#039;&#039;Assertive Harmonics (5–12):&#039;&#039;&#039; &#039;&#039;&#039;None&#039;&#039;&#039; present. These are excluded because they have &amp;quot;strong personalities&amp;quot; that define the scale&#039;s flavor too rigidly.&lt;br /&gt;
** &#039;&#039;&#039;Ethereal Harmonics (13+):&#039;&#039;&#039; At least 3 present. These provide subtle, background influence.&lt;br /&gt;
* &#039;&#039;&#039;Goal:&#039;&#039;&#039; To allow subtle &amp;quot;ethereal&amp;quot; harmonics to shine by removing the &amp;quot;assertive&amp;quot; middle harmonics, akin to using an EQ to cut mids and boost highs/lows.&lt;br /&gt;
* &#039;&#039;&#039;Examples:&#039;&#039;&#039; Subgroups like (2.3.5.13.17.19) used in Lambeth&#039;s Fifigeist temperament.&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Substitute harmonic|Substitute harmonics]] ====&lt;br /&gt;
Lambeth&#039;s substitute harmonic method involves replacing a simple, lower harmonic with a complex, higher harmonic that closely approximates it, thereby &amp;quot;fudging&amp;quot; the tuning into a different subgroup.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Sharp Substitutes:&#039;&#039;&#039; Replacing a harmonic with a slightly sharper higher harmonic. Lambeth names these temperaments after weapons or with &amp;quot;com&amp;quot;-ending names (e.g., &#039;&#039;&#039;Daggerminished&#039;&#039;&#039;, &#039;&#039;&#039;Pajaraxe&#039;&#039;&#039;, &#039;&#039;&#039;Dotcom&#039;&#039;&#039;, &#039;&#039;&#039;Sitcom&#039;&#039;&#039;, &#039;&#039;&#039;Romcom&#039;&#039;&#039;).&lt;br /&gt;
* &#039;&#039;&#039;Flat Substitutes:&#039;&#039;&#039; Replacing with a flatter harmonic. Naming convention involves flat regions (e.g., &#039;&#039;&#039;Sahara&#039;&#039;&#039;).&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Quasipelog theory|Quasipelog theory]] ====&lt;br /&gt;
Lambeth&#039;s quasipelog theory is a framework for approaching &#039;&#039;&#039;[[16edo]]&#039;&#039;&#039; (and other EDOs supporting the &#039;&#039;&#039;2.3.5.11 [[mavila]] temperament&#039;&#039;&#039;, like {{EDOs|EDOS 23, 30, 37, and 39}}). It is inspired by Indonesian [[Gamelan]] theory, the [[Armodue]] school, and [[Erv Wilson]]&#039;s [[MOS]] scales.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Concept:&#039;&#039;&#039; It focuses on specific scales that mimic the feel of Pelog scales but within a 16-tone equal temperament context.&lt;br /&gt;
* &#039;&#039;&#039;Scales:&#039;&#039;&#039; The theory defines four essential scales derived from Mavila MOS modes:&lt;br /&gt;
** &#039;&#039;&#039;Quasipelog Minor:&#039;&#039;&#039; Mode &#039;&#039;ssLsL&#039;&#039; of mavila[5].&lt;br /&gt;
** &#039;&#039;&#039;Quasipelog Major:&#039;&#039;&#039; Mode &#039;&#039;LssLs&#039;&#039; of mavila[5].&lt;br /&gt;
** &#039;&#039;&#039;Quasipelog Heptatonic:&#039;&#039;&#039; Mode &#039;&#039;ssLssLs&#039;&#039; of mavila[7].&lt;br /&gt;
** &#039;&#039;&#039;Quasipelog Chromatic:&#039;&#039;&#039; A mavila[16] MOS scale (7 fifths up, 8 down).&lt;br /&gt;
* &#039;&#039;&#039;Timbre:&#039;&#039;&#039; A key part of the theory is the avoidance of harmonic timbres. Lambeth recommends &amp;quot;inharmonic&amp;quot; sounds such as metallophones, bells, or &amp;quot;thin/reedy&amp;quot; waveforms (like sine or woodwinds) to complement the tuning.&lt;br /&gt;
&lt;br /&gt;
==== Scalesmithing work ====&lt;br /&gt;
Lambeth has constructed numerous original scales and temperaments.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;[[User:BudjarnLambeth/Batch 89 temperaments|Batch 89 Temperaments]]:&#039;&#039;&#039; A set of temperaments first documented in 2023, honoring the characters from &#039;&#039;Guardians of the Galaxy Vol. 3&#039;&#039;. Each tempers 4 harmonics: the 2nd, the 89th (representing shared trauma), and two others derived from the character&#039;s name via A1Z26 cipher.&lt;br /&gt;
** &#039;&#039;&#039;Floor:&#039;&#039;&#039; 2.3.11.89 (Neutral related).&lt;br /&gt;
** &#039;&#039;&#039;Teefs:&#039;&#039;&#039; 2.5.11.89 (Bug related).&lt;br /&gt;
** &#039;&#039;&#039;Rocket:&#039;&#039;&#039; 2.9+.9-.89 (Lu/Deutone related).&lt;br /&gt;
* &#039;&#039;&#039;Ed255/128 and Ed257/128:&#039;&#039;&#039; These are &amp;quot;Equal Divisions of Reduced Harmonics.&amp;quot;&lt;br /&gt;
** &#039;&#039;&#039;[[User:BudjarnLambeth/Ed255/128|Ed255/128]]:&#039;&#039;&#039; Divides the interval 255/128 (slightly flatter than an octave). Useful for correcting EDOs where consonances are too sharp (e.g., used as an alternative to 5edo).&lt;br /&gt;
** &#039;&#039;&#039;[[BudjarnLambeth/Ed257/128|Ed257/128]]:&#039;&#039;&#039; Divides the interval 257/128 (slightly sharper than an octave). Useful for correcting EDOs where consonances are too flat (e.g., alternative to 7edo).&lt;br /&gt;
* &#039;&#039;&#039;[[User:BudjarnLambeth/Antipental blues|Antipental Blues]] scale:&#039;&#039;&#039; A 6-tone scale subset of the [[Dwarf17marv]] scale. It mimics the melodic shape of the minor blues scale but uses exotic 2.3.7.11 intervals (7/6, 11/8, 7/4) instead of the standard 5-limit intervals.&lt;br /&gt;
* &#039;&#039;&#039;[[User:BudjarnLambeth/Moon dust|Moon Dust]] scale:&#039;&#039;&#039; A 16-tone just intonation scale with a period of 16/1 (four octaves). It features dynamic step sizes and a mix of familiar 3-limit harmonies with xenharmonic 19-limit (no-5, no-13) intervals.&lt;br /&gt;
* &#039;&#039;&#039;[[Firedance]] scale:&#039;&#039;&#039; A 5-tone subset of zeta-stretched 15edo (47zpi). It was designed by ear, starting from 5edo and adjusting steps by degrees of 15edo.&lt;br /&gt;
&lt;br /&gt;
==== Tuning recommendations ====&lt;br /&gt;
Lambeth recommends the following tunings for Western musicians exploring world music traditions:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;For Gamelan scales (Pelog/Slendro):&#039;&#039;&#039; He recommends specific EDOs that approximate these scales well. His personal favorite is &#039;&#039;&#039;44edo&#039;&#039;&#039;. Other good approximations include 21, 23, 35, 39, 40, 42, 54, and 60edo.&lt;br /&gt;
** More detailed version: [[User:BudjarnLambeth/Edo approximations of gamelan scales]]&lt;br /&gt;
* &#039;&#039;&#039;For Japanese scales:&#039;&#039;&#039; He prefers &#039;&#039;&#039;Meantone&#039;&#039;&#039; temperaments in &#039;&#039;&#039;55edo&#039;&#039;&#039;, &#039;&#039;&#039;98edo&#039;&#039;&#039;, or &#039;&#039;&#039;43edo&#039;&#039;&#039; (approx. 1/5-comma meantone). He generally dislikes 5-limit JI or Pythagorean tunings for these scales, finding the &amp;quot;wolf&amp;quot; intervals objectionable.&lt;br /&gt;
** More detailed version: [[User:BudjarnLambeth/Some tunings for Japanese scales]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Wiki contributions==&lt;br /&gt;
&lt;br /&gt;
===Improvements to the broader wiki===&lt;br /&gt;
====Significant page creations====&lt;br /&gt;
* Authored the [[survey of efficient temperaments by subgroup]] to help people navigate quickly to their favourite temperament pages&lt;br /&gt;
* Authored the [[Gallery of arithmetic pitch sequences]] &amp;amp; [[Gallery of combination product sets]] pages to help people find musical [[scale]]s&lt;br /&gt;
* Authored the pages about [[equipentatonic]] and [[equiheptatonic]] scales&lt;br /&gt;
* Created the [[Xenharmonic Wiki:Cross-platform dialogue]] page to aid collaboration between editors who are mostly active on Facebook and those who are mostly active on Discord&lt;br /&gt;
* Authored pages answering the [[FAQ]] questions:&lt;br /&gt;
** “[[What are this wiki&#039;s strengths and weaknesses?]] (How does it compare to other resources?)”&lt;br /&gt;
** “[[I&#039;m a new editor, what is everything I can do to help?]]”&lt;br /&gt;
** “[[Systematic comma names explained|How do I decode those strange looking comma names?]]”&lt;br /&gt;
* Authored dozens of wanted pages about [[:Category:Composers|composers]]&lt;br /&gt;
* Authored several extensive [[:Category:Lists of scales|lists of scales]]&lt;br /&gt;
&lt;br /&gt;
====Bulk page improvements====&lt;br /&gt;
* Added dozens of sources and inline citations to the [[historical temperaments]] page&lt;br /&gt;
* Added infobox, intro, intervals, modes, subheadings &amp;amp; todo categories to dozens of previously close-to-empty [[MOS scale]] pages&lt;br /&gt;
* Added intro, intervals table and harmonics table to several hundred [[equal-step tuning]] pages (which used to just be blank pages with a single infobox)&lt;br /&gt;
* Added [[Template:Temp gallery]] to all &#039;[[User:BudjarnLambeth/Prominent temperament gallery pages|very highly prominent temperament gallery pages]]&#039;&lt;br /&gt;
* Added [[Template:Temp gallery]] to all &#039;[[User:BudjarnLambeth/Prominent temperament gallery pages|highly prominent temperament gallery pages]]&#039;&lt;br /&gt;
* Added [[Template:Temp gallery]] to all &#039;[[User:BudjarnLambeth/Prominent temperament gallery pages|moderately prominent temperament gallery pages]]&#039;&lt;br /&gt;
* Added [[Template:Temp gallery]] to all &#039;[[User:BudjarnLambeth/Prominent temperament gallery pages|less prominent temperament]] families and clans&#039;&lt;br /&gt;
* Constructed the 5-, 6-, 7-, 8-, 9-, 10-, 11- and 12-period tables on the [[map of rank-2 temperaments]]&lt;br /&gt;
* Heavily added to the 2-, 3- and 4-period tables on the [[map of rank-2 temperaments]]&lt;br /&gt;
* Merged “useful tools” &amp;amp; “software” into [[Software|one unified page]]&lt;br /&gt;
* Created circle diagrams for dozens of [[hexany]] pages using [[Nick Vuci]]&#039;s circle diagram maker&lt;br /&gt;
&lt;br /&gt;
====Structural wiki improvements====&lt;br /&gt;
* Added categories &amp;amp; formatting tags to several hundred [[:Category:Pages with Scala files|pages with Scala files]]&lt;br /&gt;
* Added links around the wiki to over 150 previously [[Special:LonelyPages|orphaned pages]], bringing the number down from above 250 to below 70 (as of 4 Dec 2024)&lt;br /&gt;
* Created [[Template:Navbox Lumatone]] with very extensive help from [[User:ArrowHead294]]&lt;br /&gt;
** With ArrowHead294’s extensive help, incorporated the template into over 50 pages for [[:Category:Lumatone mappings]]&lt;br /&gt;
* Ran a survey of editors, created the [[Xenharmonic Wiki:Optional guidelines for interval page todo categories]] (XW:IntTodo) from the results, and ensured all interval pages were categorized in line with XW:IntTodo&lt;br /&gt;
&lt;br /&gt;
===== (list and table creations) =====&lt;br /&gt;
Constructed:&lt;br /&gt;
* [[List of taxicab-2 intervals]]&lt;br /&gt;
* [[User:BudjarnLambeth/Table of n-comma meantone generators]]&lt;br /&gt;
* [[Harmonic entropy of just intervals]]&lt;br /&gt;
* [[Table of zeta-stretched edos]]&lt;br /&gt;
&lt;br /&gt;
===== (comma documentation and organisation) =====&lt;br /&gt;
* Added all missing commas from “[[:Category:Large commas]]” to the table on the page “[[Large commas]]”&lt;br /&gt;
* Added all missing commas from “[[:Category:Medium commas]]” to the table on the page “[[Medium commas]]”&lt;br /&gt;
* Added all missing commas from “[[:Category:Small commas]]” to the table on the page “[[Small comma]]”&lt;br /&gt;
* Added all missing commas from “[[:Category:Unnoticeable commas]]” to the table on the page “[[Unnoticeable commas]]”&lt;br /&gt;
* Constructed “[[:Category:Commas by name]]” and its many subcategories&lt;br /&gt;
* Categorised all 5, 7, 11, 13, 17, 19, 23 and &amp;gt;23 limit large commas into ’Commas by name’ subcategories&lt;br /&gt;
* Categorised all 5, 7, 11, 13, 17, 19, 23 and &amp;gt;23 limit medium commas into ’Commas by name’ subcategories&lt;br /&gt;
* Categorised all 5, 7, 11, 13, 17, 19, 23 and &amp;gt;23 limit small commas into ’Commas by name’ subcategories&lt;br /&gt;
* Categorised all 5, 7, 11, 13, 17, 19, 23 and &amp;gt;23 limit unnoticeable commas into ’Commas by name’ subcategories&lt;br /&gt;
* Conducted the [[User:BudjarnLambeth/Survey of named and unnamed commas]]&lt;br /&gt;
&lt;br /&gt;
==== Name changes I was involved in ====&lt;br /&gt;
===== (correcting confusing names) =====&lt;br /&gt;
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “septimal temperament”. When I discovered the name, I disliked it because of its potential for confusion with other uses of the term “septimal”. I decided I wanted to change it. Many people on [[Discord]], the Wiki Workgroup on [[XA Facebook]], and the wiki talk page agreed. I coined the new name “&#039;&#039;&#039;[[7th-octave temperaments#Austinpowers|austinpowers temperament]]&#039;&#039;&#039;” which has now replaced it.&lt;br /&gt;
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “decades temperament”. Some people on the XA Discord said that they disliked it due to its convoluted etymology. I coined the new name “&#039;&#039;&#039;[[gamelstearn|gamelstearn temperament]]&#039;&#039;&#039;” based on its two defining commas. After a few days, not many people commented or reacted to the proposal, but all were in favour and none were against, so the name &amp;quot;gamelstearn&amp;quot; was adopted.&lt;br /&gt;
* There used to be two temperaments named “semidim temperament”. To resolve the confusion, after discussion on the XA Discord, myself and [[Lériendil]] came up with new names for each of the two temperaments. Lériendil coined “[[ammon|ammon temperament]]” for the first, and I coined “&#039;&#039;&#039;[[octonion|octonion temperament]]&#039;&#039;&#039;” for the second.&lt;br /&gt;
* There was an old comma that pre-dated my participation in the wiki. Its old, original name was “the erogluisma”. Its original namer posted on [[Discord]] that he no longer liked it, and would like someone to please rename it. I coined the new name “&#039;&#039;&#039;[[1682/1681|the shaftesburisma]]&#039;&#039;&#039;” which has now replaced it.&lt;br /&gt;
* Someone else described a new comma and named it “the shikanokonokonokokoshitantanma”. This name was kept, but it was too long for some use cases, so I invented an alternate short version - “&#039;&#039;&#039;[[nokotan|the nokotan]]&#039;&#039;&#039;” - for use cases where a shorter name is needed.&lt;br /&gt;
* The comma “68630377364883 / 68630356164608” was too long to be referred to by its number alone, it needed a name instead. So I named it “&#039;&#039;&#039;[[zudilisma|the zudilisma]]&#039;&#039;&#039;”.&lt;br /&gt;
&lt;br /&gt;
===== (correcting divisive or hurtful names) =====&lt;br /&gt;
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “catcall temperament”. When I discovered the name, I disliked it because it was demeaning to women. I decided I wanted to change it. Many people on [[Discord]] and on the wiki talk page agreed. I coined the new name “&#039;&#039;&#039;[[catnip|catnip temperament]]&#039;&#039;&#039;” which has now replaced it. &lt;br /&gt;
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “catamite temperament”. When I discovered the name, I disliked it because it referenced a historical practice that often involved child abuse. I decided I wanted to change it. I suggested the change on the talk page where it received no replies, and the Discord where it received few reactions but those it did receive were in favour. I coined the new name “&#039;&#039;&#039;[[Amity family#Stalagmite|stalagmite temperament]]&#039;&#039;&#039;” which has now replaced it. &lt;br /&gt;
* There was an old comma that pre-dated my participation in the wiki. Its old, original name was “the Buddhisma”. There was nothing wrong with that name in and of itself, the problem is that it was explicitly stated to be named after the anti-Muslim group the 969 Movement, and the comma number was 969/968. I thought this was inappropriate, so I proposed a few replacement names on [[Discord]]. Of the names I coined “&#039;&#039;&#039;[[969/968|the kingfisher comma]]&#039;&#039;&#039;” was the clear favourite, so I renamed the comma to the kingfisher comma.&lt;br /&gt;
&lt;br /&gt;
==== Full list of contributions ====&lt;br /&gt;
* [[Special:Contributions/BudjarnLambeth]]&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Pages I wrote about my own discoveries===&lt;br /&gt;
====Invented approaches to constructing tunings ====&lt;br /&gt;
These are the same category of thing as “equal temperaments”.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Procedural approaches&#039;&#039;:&lt;br /&gt;
* [[Basal subgroup]]s&lt;br /&gt;
* [[Half-prime subgroup|Half-basis, third-basis, quarter-basis, etc. subgroups]]&lt;br /&gt;
* [[Equalizer subgroup]]s&lt;br /&gt;
* [[Sin(x) tuning#Generalizations|Function(x) tuning]]s&lt;br /&gt;
* [[Polytriadic]] tunings&lt;br /&gt;
* [[User:BudjarnLambeth/Quasipelog theory|Quasipelog theory]]&lt;br /&gt;
* [[Substitute harmonic]]s&lt;br /&gt;
* [[Tritavesque]] intervals&lt;br /&gt;
* [[Sin(x) tuning#Generalizations|Waveform(x) tuning]]s&lt;br /&gt;
* [[Ed255/128|Equal divisions of 255/128]]&lt;br /&gt;
* [[Ed257/128|Equal divisions of 257/128]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Sculptural approaches&#039;&#039;:&lt;br /&gt;
* [[Breuddwyd scale]]s&lt;br /&gt;
* [[Breuddwyd scale|Sonhar tuning]]s&lt;br /&gt;
* [[Sooty fox scale]]s&lt;br /&gt;
* [[Breuddwyd scale|Wijzerplaat scale⁠]]s&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#farab scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#gene scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#hekt scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#jot scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#méride scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#tina scales]]&lt;br /&gt;
&lt;br /&gt;
====Invented approaches to classifying tunings ====&lt;br /&gt;
These are the same category of thing as “pentatonic scales”.&lt;br /&gt;
* [[the Riemann zeta function and tuning#Non-record edos|Indecisive EDOs]]&lt;br /&gt;
* [[the Riemann zeta function and tuning#Non-record edos|Local zeta peak EDOs]]&lt;br /&gt;
* [[the Riemann zeta function and tuning#Non-record edos|Local zeta valley EDOs]]&lt;br /&gt;
* [[the Riemann zeta function and tuning#&#039;&#039;k&#039;&#039;-ary peak EDOs|Parker EDOs]]&lt;br /&gt;
* [[Human EDO size categorization]] (HUECAT)&lt;br /&gt;
* [[Metascale]]s&lt;br /&gt;
* [[Runoff]] scales&lt;br /&gt;
* [[Structural beating]]&lt;br /&gt;
&lt;br /&gt;
====Invented tunings (scales)====&lt;br /&gt;
These are the same category of thing as “the chromatic scale”.&lt;br /&gt;
&lt;br /&gt;
===== (named after theory properties) =====&lt;br /&gt;
* The [[User:BudjarnLambeth/Antechinus|antechinus]] scale&lt;br /&gt;
* The [[breuddwyd inverse]] scale&lt;br /&gt;
* The [[breuddwyd6|breuddwyd-6]] scale&lt;br /&gt;
* The [[35edo#Scales|fourfourths]] scale&lt;br /&gt;
* The [[Maeve Gutierrez#Gutierrez-Lambeth otonal neutral hexatonic|Gutierrez-Lambeth otonal neutral hexatonic]] scale&lt;br /&gt;
* The [[38edo#Scales|hemisettled11]] scale&lt;br /&gt;
* The [[38edo#Scales|hemisettled16]] scale&lt;br /&gt;
* The [[27edo#Scales|hypersakura]] scale&lt;br /&gt;
* The [[8afdo#Scales|ionosphere]] scale&lt;br /&gt;
* The [[30edo#Scales|iron filing]] scale&lt;br /&gt;
* The [[9edf#Scales|molten pelog]] scale&lt;br /&gt;
* The [[9edf#Scales|molten slendro]] scale&lt;br /&gt;
* The [[38edo#Scales|nineteenplus]] scale&lt;br /&gt;
* The [[oclock]] scale&lt;br /&gt;
* The [[37edo#Scales|opalised ammonite]] scale&lt;br /&gt;
* The [[47edo#Scales|quasi-equiheptatonic minor pentatonic]] scale&lt;br /&gt;
* The [[35edo#Scales|secund chance]] scale&lt;br /&gt;
* The [[Shoal17#Scales|shoal17 over-9 tetrad]]&lt;br /&gt;
* The [[38edo#Scales|tame bison]] scale&lt;br /&gt;
* The [[38edo#Scales|tame possum]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Trippy warped hirajoshi scale|trippy warped hirajoshi scale]] (&#039;&#039;credit shared with [[Moonshine The Yellow Toaster]]&#039;&#039;)&lt;br /&gt;
* The [[35edo#Scales|undecimal quasi-equipentatonic]] scale&lt;br /&gt;
* The [[35edo#Scales|undecimal minor hexatonic]] scale&lt;br /&gt;
* The [[35edo#Scales|undecimal Mixolydian]] scale&lt;br /&gt;
* The [[breuddwyd inverse|vinyl braid]] scale&lt;br /&gt;
* The [[38edo#Scales|well-tempered 19-in-38]] scale&lt;br /&gt;
* The [[Maeve Gutierrez#Will-o-wisps&#039; scale|will-o-wisps&#039;]] scale&lt;br /&gt;
* The [[26ed5#13ed5plus|13ed5plus]] scale&lt;br /&gt;
* The [[antipental blues]] scale &#039;&#039;and its expansions&#039;&#039;:&lt;br /&gt;
** The [[35edo#Scales|antipental blues maj 6th]] scale&lt;br /&gt;
** The [[35edo#Scales|antipental blues neutral 7th]] scale&lt;br /&gt;
** The [[35edo#Scales|antipental blues maj 7th]] scale&lt;br /&gt;
** The [[35edo#Scales|antipental blues harmonic]] scale&lt;br /&gt;
* &#039;&#039;(subsets of [[blackwood]][20]):&#039;&#039;&lt;br /&gt;
** The [[35edo#Scales|blackwood neutral nonatonic]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood pseudo-Akebono neutral]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood pseudo-Akebono supermajor]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood pseudo-Hirajoshi]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood pseudo-pelog]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood-tempered 5afdo]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood undecimal harmonic]] scale&lt;br /&gt;
* &#039;&#039;(expansions of [[Maeve Gutierrez#Gutierrez sunbreak scale|Gutierrez&#039;s sunbreak scale]]):&#039;&#039;&lt;br /&gt;
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|chromaticized sunbreak]] scale&lt;br /&gt;
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|mirrored sunbreak]] scale&lt;br /&gt;
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|negative harmony sunbreak]] scale&lt;br /&gt;
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|fractalized sunbreak]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Volcanic glass|volcanic glass]] scale&lt;br /&gt;
* All the scales listed at: [[User:BudjarnLambeth/Quasipelog theory]]&lt;br /&gt;
&lt;br /&gt;
===== (named after subjective feeling) =====&lt;br /&gt;
* The [[Shoal17#Scales|algal bloom]] scale&lt;br /&gt;
* The [[25edo#Scales|amulet]] scale&lt;br /&gt;
* The [[anisopteran scale]]&lt;br /&gt;
* The [[14afdo#Scales|apex]] scale&lt;br /&gt;
* The [[30edo#Scales|bathypelagic]] scale&lt;br /&gt;
* The [[blackened skies]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|bubblegum]] scale&lt;br /&gt;
* The [[67edo#Scales|bustling docks]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|candycorn]] scale&lt;br /&gt;
* The [[16afdo#Scales|canopy]] scale&lt;br /&gt;
* The [[30edo#Scales|carousel]] scale&lt;br /&gt;
* The [[67edo#Scales|cavernous]] scale&lt;br /&gt;
* The [[35edo#Scales|clear pond]] scale&lt;br /&gt;
* The [[9edf#Scales|cloudscape]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|cola]] scale&lt;br /&gt;
* The [[9edf#Scales|corrugated]] scale&lt;br /&gt;
* The [[32afdo#Scales|cosmic]] scale&lt;br /&gt;
* The [[dalmatian scale]]&lt;br /&gt;
** The Dante, Da Vinci, Dawkins, Deepak, Deja Vu, Delgado, Dolly, Dylan, Fergus &amp;amp; Hansel [[101afdo#Scales|scales]]&lt;br /&gt;
* The [[30edo#Scales|dewdrops]] scale&lt;br /&gt;
* The [[Shoal17#Scales|diffractive scale]]&lt;br /&gt;
* The [[Shoal17#Scales|diffractive tetrad]]&lt;br /&gt;
* The [[27edo#Scales|direct sunlight]] scale&lt;br /&gt;
* The [[Shoal17#Scales|driftwood]] scale&lt;br /&gt;
* The [[30edo#Scales|dusty]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Hall of mirrors#Enrichment scale|enrichment]] scale&lt;br /&gt;
* The [[Peppermint-24#Salt and pepper scale and its subsets|evacuated planet]] scale&lt;br /&gt;
* The [[firedance]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|fishcrackers]] scale&lt;br /&gt;
* The [[67edo#Scales|formicarium]] scale&lt;br /&gt;
* The [[5- to 10-tone scales in 60edo|fossa tetratonic]] scale&lt;br /&gt;
* The [[5- to 10-tone scales in 60edo|fossa pentatonic]] scale&lt;br /&gt;
* The [[56edo#Scales|frankincense]] scale&lt;br /&gt;
* The [[26edo#Scales|free range]] scales&lt;br /&gt;
* The [[goldfish]] scale&lt;br /&gt;
* The [[91edo#Scales|greyed skies]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Hall of mirrors|hall-of-mirrors]] scale&lt;br /&gt;
* The [[13edo#Scales|ibex]] scale&lt;br /&gt;
* The [[Peppermint-24#Ketchup and mustard scale and its subsets|ketchup and mustard]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|lemonade]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|liquorice]] scale&lt;br /&gt;
* The [[9edf#Scales|livewire]] scale&lt;br /&gt;
* The [[lost spirit]] scale&lt;br /&gt;
* The [[magnetosphere scale]]&lt;br /&gt;
* The [[16afdo#Scales|mechanical]] scale&lt;br /&gt;
* The [[8afdo#Scales|metamorphic]] scale&lt;br /&gt;
* The [[35edo#Scales|meta-monsoon]] scale&lt;br /&gt;
** The [[5- to 10-tone scales in 47zpi|monsoon]] scale&lt;br /&gt;
** The [[35edo#Scales|monsoon major]] scale&lt;br /&gt;
** The [[35edo#Scales|monsoon otonal]] scale&lt;br /&gt;
* The [[16afdo#Scales|moonbeam]] scale&lt;br /&gt;
* The [[moon dust]] scale&lt;br /&gt;
* The [[30edo#Scales|nightdrive]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Over the Hedge|Over the Hedge]] scale&lt;br /&gt;
** The H.ammy, H.eather, O.zzie, R.J, S.tella, T.iger &amp;amp; V.erne [[User:BudjarnLambeth/Over the Hedge|scales]]&lt;br /&gt;
* The [[29edo#Scales|palace]] scale&lt;br /&gt;
* The [[30edo#Scales|pelagic]] scale&lt;br /&gt;
* The [[Peppermint-24#Salt_and_pepper_scale_and_its_subsets|pepperbass]] scale&lt;br /&gt;
* The [[9edf#Scales|purgatory]] scale&lt;br /&gt;
* The [[9edf#Scales|pylon]] scale&lt;br /&gt;
* The [[9edf#Scales|quest]] scale&lt;br /&gt;
* The [[Shoal17#Scales|refractive scale]]&lt;br /&gt;
* The [[Shoal17#Scales|refractive tetrad]]&lt;br /&gt;
* The [[5- to 10-tone scales in 47zpi|rockpool]] scale&lt;br /&gt;
* The [[47edo#Scales|sabertooth]] scales&lt;br /&gt;
* The [[Peppermint-24#Salt and pepper scale and its subsets|salt and pepper]] scale&lt;br /&gt;
* The [[63edo#Scales|sandcastle]] scale&lt;br /&gt;
* The [[breuddwyd6|snow braid]] scale&lt;br /&gt;
* The [[9edf#Scales|snowcone]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|sourgummy]] scale&lt;br /&gt;
* The [[spectral blues]] scale&lt;br /&gt;
* The [[9edf#Scales|swan]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|trailmix]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|tropicalpunch]] scale&lt;br /&gt;
* The [[Batch 89 temperaments#Example inflected MOS scale: UFO scale|UFO scale]]&lt;br /&gt;
* The [[8afdo#Scales|ultraviolet]] scale&lt;br /&gt;
* The [[8afdo#Scales|undercurrent]] scale&lt;br /&gt;
* The [[67edo#Scales|understory]] scale&lt;br /&gt;
* The [[8afdo#Scales|upwelling]] scale&lt;br /&gt;
* The [[16afdo#Scales|volcanic]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|whitechocolate]] scale&lt;br /&gt;
* The [[125edo#Scales|meta-tropolis]] scale &#039;&#039;and its subsets&#039;&#039;:&lt;br /&gt;
** The [[125edo#Scales|city-at-dawn]] scale&lt;br /&gt;
** The [[125edo#Scales|city-at-midday]] scale&lt;br /&gt;
** The [[125edo#Scales|city-at-dusk]] scale&lt;br /&gt;
** The [[125edo#Scales|city-at-midnight]] scale&lt;br /&gt;
** The [[125edo#Scales|port-at-dawn]] scale&lt;br /&gt;
** The [[125edo#Scales|port-at-midday]] scale&lt;br /&gt;
** The [[125edo#Scales|port-at-dusk]] scale&lt;br /&gt;
** The [[125edo#Scales|port-at-midnight]] scale&lt;br /&gt;
&lt;br /&gt;
=====([[polymicrotonal]])=====&lt;br /&gt;
* The [[20edo#Modes|8-tone 4&amp;amp;5edo scale]]&lt;br /&gt;
* The [[28edo#Scales|10-tone 4&amp;amp;7edo scale]]&lt;br /&gt;
* The [[30edo#Scales|10-tone 5&amp;amp;6edo scale]]&lt;br /&gt;
* The [[36edo#Scales|12-tone 4&amp;amp;9edo scale]]&lt;br /&gt;
* The [[40edo#Scales|12-tone 4&amp;amp;10edo scale]]&lt;br /&gt;
* The [[40edo#Scales|12-tone 5&amp;amp;8edo scale]]&lt;br /&gt;
* The [[45edo#Scales|12-tone 5&amp;amp;9edo scale]]&lt;br /&gt;
* The [[80edo#Scales|12-tone 5&amp;amp;16edo scale]]&lt;br /&gt;
* The [[42edo#Scales|12-tone 6&amp;amp;7edo scale]]&lt;br /&gt;
* The [[24edo scales#Dodecatonic|12-tone 6&amp;amp;8edo scale]]&lt;br /&gt;
* The [[30edo#Scales|12-tone 6&amp;amp;10edo scale]]&lt;br /&gt;
* The [[30edo#Scales|12-tone 6&amp;amp;15edo scale]]&lt;br /&gt;
* The [[80edo#Scales|12-tone 8&amp;amp;10edo scale]]&lt;br /&gt;
* The [[80edo#Scales|12-tone 8&amp;amp;20edo scale]]&lt;br /&gt;
* The [[36edo#Scales|12-tone 9&amp;amp;12edo scale]]&lt;br /&gt;
* The [[30edo#Scales|12-tone 10&amp;amp;15edo scale]]&lt;br /&gt;
* The [[36edo#Scales|12-tone 12&amp;amp;18edo scale]]&lt;br /&gt;
* The [[45edo#Scales|13-tone 5&amp;amp;9edo scale]]&lt;br /&gt;
* The [[30edo#Scales|14-tone 6&amp;amp;10edo scale]]&lt;br /&gt;
* The [[80edo#Scales|14-tone 8&amp;amp;10edo scale]]&lt;br /&gt;
* The [[80edo#Scales|14-tone 8&amp;amp;20edo scale]]&lt;br /&gt;
* The [[80edo#Scales|16-tone 5&amp;amp;16edo scale]]&lt;br /&gt;
* The [[30edo#Scales|12-tone 6&amp;amp;15edo scale]]&lt;br /&gt;
* The [[36edo#Scales|18-tone 9&amp;amp;12edo scale]]&lt;br /&gt;
* The [[36edo#Scales|18-tone 12&amp;amp;18edo scale]]&lt;br /&gt;
* The [[35edo#Scales|20-tone blackwood&amp;amp;greenwood]] scale&lt;br /&gt;
* The [[30edo#Scales|20-tone 10&amp;amp;15edo scale]]&lt;br /&gt;
* The [[35edo#Scales|24-tone blackwood&amp;amp;greenwood]] scale&lt;br /&gt;
&lt;br /&gt;
=====([[arithmetic pitch sequence]])=====&lt;br /&gt;
* [[1ed148.5c|APS148.5¢]]&lt;br /&gt;
* [[1ed237.8c|APS237.8¢]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of farabs|APS3.21farab]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of hekts|APS7hekt]]&lt;br /&gt;
* [[1ed28.5c|APS715jot]]&lt;br /&gt;
* [[1ed28.7c|APS720jot]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of mérides|APS4/5méride]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of mérides|APS5/8méride]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of mérides|APS7/12méride]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of tinas|APS70tina]]&lt;br /&gt;
* The [[Gallery of arithmetic pitch sequences#APS of tinas|Argentina]] scale&lt;br /&gt;
&lt;br /&gt;
====Invented tunings (regular temperaments)====&lt;br /&gt;
These are the same category of thing as “quarter-comma meantone temperament”.&lt;br /&gt;
* [[7921/7776|Attic]] temperament&lt;br /&gt;
* [[979/972|Basement]] temperament&lt;br /&gt;
* [[Subgroup temperaments#Blacktetra|Blacktetra]] temperament&lt;br /&gt;
* [[1000/979|Canine]] temperament&lt;br /&gt;
* [[Substitute harmonic#Daggerminished|Daggerminished]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Dotcom]] temperament&lt;br /&gt;
* [[Vavoom family|Doubloon]] temperaments&lt;br /&gt;
* [[Meantone family#Dreamtone|Dreamtone]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Ectophotia]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Fifigeist]] temperament&lt;br /&gt;
* [[Batch 89 temperaments#Floor|Floor]] temperament&lt;br /&gt;
* [[No-twos subgroup temperaments#Fomalhaut|Fomalhaut]] temperament&lt;br /&gt;
* [[Subgroup temperaments#Fourwar|Fourwar]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Glycome]] temperament&lt;br /&gt;
* [[No-sevens subgroup temperaments#Hypnotone|Hypnotone]] temperament&lt;br /&gt;
* [[8000/7921|Incisor]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Income]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Intercom]] temperament&lt;br /&gt;
* [[Vavoom family|Kaboom]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Lieerie]] temperament&lt;br /&gt;
* [[Lightyear comma|Lightyear]] temperament&lt;br /&gt;
* [[2883/2848|Lilac]] temperament&lt;br /&gt;
* [[8277/8192|Lilly pilly]] temperament&lt;br /&gt;
* [[7936/7921|Lily]] temperament&lt;br /&gt;
* [[No-fives subgroup temperaments#Lipsett|Lipsett]] temperament&lt;br /&gt;
* [[Batch 89 temperaments#Lylla|Lylla]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Minicom]] temperament&lt;br /&gt;
* [[Molar comma|Molar]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Newcome]] temperament&lt;br /&gt;
* [[Nimona]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Outcome]] temperament&lt;br /&gt;
* [[729/712|Oxidizer]] temperament&lt;br /&gt;
* [[Substitute harmonic#Pajaraxe|Pajaraxe]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Phantadecimal]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Phantasrutal]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Poltercompton]] temperament&lt;br /&gt;
* [[Batch 89 temperaments#Rocket|Rocket]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Romcom]] temperament&lt;br /&gt;
* [[Substitute harmonic#Sahara|Sahara]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Satcom]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Semihaunt]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Shadecimal]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Shrutarnatural]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Sitcom]] temperament&lt;br /&gt;
* [[Subgroup temperaments#Sixscared|Sixscared]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Spectrephore]] temperament&lt;br /&gt;
* [[89/88|Tailwind]] temperament&lt;br /&gt;
* [[Batch 89 temperaments#Teefs|Teefs]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Telecom]] temperament&lt;br /&gt;
* [[Subgroup temperaments#Tetramagic|Tetramagic]] temperament&lt;br /&gt;
* [[Vavoom family#Vacuum|Vacuum]] temperament&lt;br /&gt;
* [[Vavoom family#Void|Void]] temperament&lt;br /&gt;
* [[Vavoom family#Vortex|Vortex]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Werecatler]] temperament&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== (To-do) ===&lt;br /&gt;
Things I [[Wikifuture|plan to do]] on the wiki in the near future. Feel free to go ahead and do these any of these things first if you’re interested in doing so. I feel overwhelmed by the sheer amount of things I want to do and am very happy for any help I receive getting through it all :)&lt;br /&gt;
&lt;br /&gt;
==== WikiProject Just Intonation ====&lt;br /&gt;
* Recruit more members (especially an expert on [[Harry Partch]], an expert on [[Erv Wilson]], or an expert on [[primodality]]).&lt;br /&gt;
* Examine the names of all Scala file pages and rename those with confusing or ambiguous names.&lt;br /&gt;
* Find all examples of multiple similar Scala file pages (eg &amp;quot;exampletone10&amp;quot;, &amp;quot;exampletone15&amp;quot;, &amp;quot;exampletone_major&amp;quot;) and merge them into scale galleries.&lt;br /&gt;
* Record improvisations using JI scales that have no music examples, and post those as examples on the relevant scale pages.&lt;br /&gt;
&lt;br /&gt;
==== Structural wiki improvements ====&lt;br /&gt;
* Fix the issues found in the [[User:BudjarnLambeth/Map of linear temperaments page health survey]]&lt;br /&gt;
* Improve scales sections of pages:{{EDOs|&lt;br /&gt;
** 21edo&lt;br /&gt;
** 26edo&lt;br /&gt;
** 32edo&lt;br /&gt;
** 33edo&lt;br /&gt;
** 34edo&lt;br /&gt;
** 37edo&lt;br /&gt;
** 39edo&lt;br /&gt;
** 40edo&lt;br /&gt;
** 46edo&lt;br /&gt;
** 53edo}}&lt;br /&gt;
* Add “[[:Category:Temperaments]]” to all temperament [[special:ListRedirects|redirects]]&lt;br /&gt;
&lt;br /&gt;
==== Construct diagrams or lists ====&lt;br /&gt;
* Add every temperament from the 3 Middle Path table pages and every temperament from [[Survey of efficient temperaments by subgroup]] to the tables on [[Map of linear temperaments]] and [[Map of rank-2 temperaments]]&lt;br /&gt;
* For every temperament on the page [[Survey of efficient temperaments by subgroup]], generate a [[Scala]] file of whichever of its MOS scales is closest to (2 x its [[graham complexity]]). List all the Scala files in a wiki page along the lines of “Scala files for efficient subgroup temperaments” or something like that and link it from the Survey page&lt;br /&gt;
* Make all the wanted tables listed in [[:Category:Todo:add rank 2 temperaments table]]&lt;br /&gt;
* Make manual, curated tables of [[interval]]s for:&amp;lt;small&amp;gt;&lt;br /&gt;
** [[8ed5/4]] to 9ed5/4&lt;br /&gt;
** [[4ed4/3]] to 8ed4/3&lt;br /&gt;
** [[4ed5/3]] to 6ed5/3&lt;br /&gt;
** [[11ed5/3]]&lt;br /&gt;
** [[5ed7/4]] to 12ed7/4&lt;br /&gt;
** [[5ed9/5]] to 7ed9/5&lt;br /&gt;
** [[11ed9/4]]&lt;br /&gt;
** [[5ed7/3]]&lt;br /&gt;
** [[8ed7/3]]&lt;br /&gt;
** [[5ed5/2]] to 6ed5/2&lt;br /&gt;
** [[8ed5/2]]&lt;br /&gt;
** [[12edt]]&lt;br /&gt;
** [[3ed4]] to 6ed4&lt;br /&gt;
** [[8ed4]] to 15ed4&lt;br /&gt;
** [[3ed5]] to 5ed5&lt;br /&gt;
** [[4ed6]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Improve pages I made ====&lt;br /&gt;
* On my page [[5- to 10-tone scales in 60edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
* On my page [[5- to 10-tone scales in 72edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
* On my page [[5- to 10-tone scales in 84edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
* On my page [[5- to 10-tone scales in 91edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
* On my page [[5- to 10-tone scales in 96edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
&lt;br /&gt;
==== Explore, discover, document ====&lt;br /&gt;
* Find nice 5 to 7-tone subsets of [[Shaka10]], [[Starling12]], [[Thrush12]] and document them under a “subsets” heading on those scales’ pages&lt;br /&gt;
* Find more unique scales in [[Catnip]][36] in [[60edo]] that can’t be replicated in [[Compton]][36] and document them on [[5- to 10-tone scales in 60edo]]&lt;br /&gt;
* Find 4 to 7-tone subsets for every 9, 10, 11, 12, 13, 14, 15, 16, 17, 18 or 19-tone scale page&lt;br /&gt;
&lt;br /&gt;
==== Approximate x in y ====&lt;br /&gt;
* Approximate the following scales in modes 34 to 101 of the harmonic series and document the results in “[[5- to 10-tone scales from the modes of the harmonic series]]”:&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
Tobago6&lt;br /&gt;
101.53846&lt;br /&gt;
350.76923&lt;br /&gt;
600.&lt;br /&gt;
701.53846&lt;br /&gt;
950.76923&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Zeus1&lt;br /&gt;
157.57576&lt;br /&gt;
387.87879&lt;br /&gt;
545.45455&lt;br /&gt;
703.03030&lt;br /&gt;
1042.42424&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront5&lt;br /&gt;
227.82&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
972.18&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Ionian Pent.&lt;br /&gt;
455.64&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
1169.55&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Minor Harmonic Pent.&lt;br /&gt;
258.27&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
1169.55&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Mixolydian Pent.&lt;br /&gt;
455.64&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
972.18&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Adrift Pent.&lt;br /&gt;
197.37&lt;br /&gt;
258.27&lt;br /&gt;
683.46&lt;br /&gt;
713.91&lt;br /&gt;
1200.&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
* Approximate the following scales in modes 102 to 200 of the harmonic series and document the results in “[[5- to 10-tone scales from the modes of the harmonic series]]”:&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
5edo&lt;br /&gt;
1\5&lt;br /&gt;
2\5&lt;br /&gt;
3\5&lt;br /&gt;
4\5&lt;br /&gt;
5\5&lt;br /&gt;
&lt;br /&gt;
6edo&lt;br /&gt;
1\6&lt;br /&gt;
2\6&lt;br /&gt;
3\6&lt;br /&gt;
4\6&lt;br /&gt;
5\6&lt;br /&gt;
6\6&lt;br /&gt;
&lt;br /&gt;
7edo&lt;br /&gt;
1\7&lt;br /&gt;
2\7&lt;br /&gt;
3\7&lt;br /&gt;
4\7&lt;br /&gt;
5\7&lt;br /&gt;
6\7&lt;br /&gt;
&lt;br /&gt;
Slendric6&lt;br /&gt;
233.68421&lt;br /&gt;
467.36842&lt;br /&gt;
701.05263&lt;br /&gt;
934.73684&lt;br /&gt;
966.31579&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Tobago6&lt;br /&gt;
101.53846&lt;br /&gt;
350.76923&lt;br /&gt;
600.&lt;br /&gt;
701.53846&lt;br /&gt;
950.76923&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Zeus1&lt;br /&gt;
157.57576&lt;br /&gt;
387.87879&lt;br /&gt;
545.45455&lt;br /&gt;
703.03030&lt;br /&gt;
1042.42424&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront5&lt;br /&gt;
227.82&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
972.18&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Ionian Pent.&lt;br /&gt;
455.64&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
1169.55&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Minor Harmonic Pent.&lt;br /&gt;
258.27&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
1169.55&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Mixolydian Pent.&lt;br /&gt;
455.64&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
972.18&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Adrift Pent.&lt;br /&gt;
197.37&lt;br /&gt;
258.27&lt;br /&gt;
683.46&lt;br /&gt;
713.91&lt;br /&gt;
1200.&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
* Approximate the following scales in BOTH prime modes 75-100 of the harmonic series AND sqfr semiprm modes 75-100 and document the results in “[[5- to 10-tone scales from the modes of the harmonic series]]”:&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
Antipental Blues&lt;br /&gt;
7/6&lt;br /&gt;
4/3&lt;br /&gt;
11/8&lt;br /&gt;
3/2&lt;br /&gt;
7/4&lt;br /&gt;
2/1&lt;br /&gt;
&lt;br /&gt;
Evened Minor Hexatonic&lt;br /&gt;
187.500&lt;br /&gt;
312.500&lt;br /&gt;
500.000&lt;br /&gt;
700.000&lt;br /&gt;
987.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Evened Phrygian Dominant Hexatonic&lt;br /&gt;
112.500&lt;br /&gt;
387.500&lt;br /&gt;
500.000&lt;br /&gt;
712.500&lt;br /&gt;
987.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Flattened Blues Aeolian Pentatonic&lt;br /&gt;
287.500&lt;br /&gt;
487.500&lt;br /&gt;
687.500&lt;br /&gt;
787.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Flattened Blues Minor Maj7&lt;br /&gt;
287.500&lt;br /&gt;
500.000&lt;br /&gt;
600.000&lt;br /&gt;
700.000&lt;br /&gt;
1100.000&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Roughened Blues Dorian Pentatonic&lt;br /&gt;
300.000&lt;br /&gt;
700.000&lt;br /&gt;
912.500&lt;br /&gt;
987.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Blues Aeolian Pentatonic&lt;br /&gt;
312.500&lt;br /&gt;
712.500&lt;br /&gt;
800.000&lt;br /&gt;
1000.000&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Blues Dorian Hexatonic&lt;br /&gt;
312.500&lt;br /&gt;
512.500&lt;br /&gt;
712.500&lt;br /&gt;
900.000&lt;br /&gt;
1012.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Blues Harmonic Septatonic&lt;br /&gt;
312.500&lt;br /&gt;
512.500&lt;br /&gt;
612.500&lt;br /&gt;
712.500&lt;br /&gt;
812.500&lt;br /&gt;
1112.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Dorian Harmonic&lt;br /&gt;
212.500&lt;br /&gt;
312.500&lt;br /&gt;
612.500&lt;br /&gt;
712.500&lt;br /&gt;
912.500&lt;br /&gt;
1012.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Hirajoshi&lt;br /&gt;
200.000&lt;br /&gt;
312.500&lt;br /&gt;
700.000&lt;br /&gt;
812.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Kokin-Joshi&lt;br /&gt;
200.000&lt;br /&gt;
312.500&lt;br /&gt;
700.000&lt;br /&gt;
900.000&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Minor Pentatonic&lt;br /&gt;
312.500&lt;br /&gt;
500.000&lt;br /&gt;
700.000&lt;br /&gt;
1012.500&lt;br /&gt;
1200.000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Xenharmonify 12edo scales ====&lt;br /&gt;
Approximate [[12edo]] subsets with these tunings, test them by noodling, and list all good-sounding ones in a big page:&lt;br /&gt;
* [[August]] in EDOs: ................. {{EDOs|21, 33, 45, 58, 69}}&lt;br /&gt;
* [[Augene]] in EDOs: ................. {{EDOs|15, 27, 39, 66}}&lt;br /&gt;
* [[Bidia]] in EDOs: ................. {{EDOs|56, 68, 80}}&lt;br /&gt;
* [[Diaschismic]] in EDOs: ................. {{EDOs|46, 58, 104}}&lt;br /&gt;
* [[Dimcomp]] in EDOs: ................. {{EDOs|44, 48, 56, 60, 68, 72}}&lt;br /&gt;
* [[Diminished]] in EDOs: ................. {{EDOs|20, 28, 32, 44}}&lt;br /&gt;
* [[Grackle]] in EDOs: ................. {{EDOs|53, 65, 77, 89}}&lt;br /&gt;
* [[Helenus]]/[[Photia]] in EDOs: ................. {{EDOs|41, 53, 65, 118}}&lt;br /&gt;
* [[Hexe]] in EDOs: ................. {{EDOs|30, 42}}&lt;br /&gt;
* [[Injera]] in EDOs: ................. {{EDOs|14, 26, 38, 40, 90, 102}}&lt;br /&gt;
* [[Misty]] in EDOs: ................. {{EDOs|39, 51, 63, 75, 87, 99}}&lt;br /&gt;
* [[Nickel]] in EDOs: ................. {{EDOs|16, 21, 28}}&lt;br /&gt;
* [[Pajara]] in EDOs: ................. {{EDOs|22, 34, 56}}&lt;br /&gt;
* [[Pajarous]] in EDOs: ................. {{EDOs|22, 32, 54, 76, 120}}&lt;br /&gt;
* [[Passion]] in EDOs: ................. {{EDOs|25, 37, 49, 61, 73, 110}}&lt;br /&gt;
* [[Ripple]] in EDOs: ................. {{EDOs|71, 83, 95, 107, 119}}&lt;br /&gt;
* [[Semimeantone]] in EDOs: ................. {{EDOs|38, 50, 62}}&lt;br /&gt;
* [[Srutal]]/[[Srutal archagall]] in EDOs: ................. {{EDOs|22, 34, 46, 80, 114, 126}}&lt;br /&gt;
* [[Wronecki]] in EDOs: ................. {{EDOs|66, 78, 90, 102, 114, 126}}&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Random stuff I&#039;d like to share ==&lt;br /&gt;
&lt;br /&gt;
===Reference lists and technical resources===&lt;br /&gt;
&lt;br /&gt;
====List of equal divisions including novelties====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/List of equal divisions including novelties]]&lt;br /&gt;
&lt;br /&gt;
====Tunings for each subgroup====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Tunings for each subgroup]]&lt;br /&gt;
&lt;br /&gt;
====12edo interpreted as a 2.3.5.17.19 subgroup temperament====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/12edo as a 2.3.5.17.19 tuning]]&lt;br /&gt;
&lt;br /&gt;
====Stats and surveys about the wiki====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Survey of 100 random wiki pages]]&lt;br /&gt;
* [[User:BudjarnLambeth/Survey of todo categories]]&lt;br /&gt;
* [[User:BudjarnLambeth/Survey of named and unnamed commas]]&lt;br /&gt;
* [[Tuning regulars]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Scale recommendations===&lt;br /&gt;
&lt;br /&gt;
====Neji scales I found while tinkering in Scale Workshop====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Neji scales I found while tinkering in Scale Workshop]]&lt;br /&gt;
&lt;br /&gt;
====Approximations of gamelan scales in edos up to 60 (in my opinion)====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Edo approximations of gamelan scales]]&lt;br /&gt;
&lt;br /&gt;
====Some good tunings of Japanese scales (in my opinion)====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Some tunings for Japanese scales]]&lt;br /&gt;
&lt;br /&gt;
====My favourite hexanies using at least one odd greater than 15====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/My favourite hexanies using at least one odd greater than 15]]&lt;br /&gt;
&lt;br /&gt;
====Eagle JI subsets====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Eagle JI subsets]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Community projects I started===&lt;br /&gt;
&lt;br /&gt;
====Gallery of xenharmonic word painting (you can contribute!)====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Gallery of xenharmonic word painting]]&lt;br /&gt;
&lt;br /&gt;
====The 13 levels of xenharmony (you can contribute!)====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/13 levels of xenharmony]]&lt;br /&gt;
&lt;br /&gt;
====WikiProject Just Intonation (you can contribute!) ====&lt;br /&gt;
&lt;br /&gt;
* [[Xenharmonic Wiki:WikiProject Just Intonation]]&lt;br /&gt;
&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Personal===&lt;br /&gt;
&lt;br /&gt;
====Hot takes====&lt;br /&gt;
&#039;&#039;&#039;Everything in this section is opinion, not facts!&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Do not give any of it too much weight.&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Silliness:&#039;&#039;&#039; We should take ourselves less seriously: we should have more fun, we should be more silly 🎉&lt;br /&gt;
* &#039;&#039;&#039;Arbitrary numbers:&#039;&#039;&#039; It’s fine to explore the 2.3.5.101 [[subgroup]] if you want to. It doesn’t matter that it’s less [[concordant]] than 2.3.5.7. Explore it anyway and see what happens. Do some stuff with [[:Category:Novelties|arbitrary numbers]] that don’t make logical sense and just see what comes of it. That’s where the fun is! (Though do keep a “2.3” or “3.5” in there just to smooth over the gnarliest edges, heehee.)&lt;br /&gt;
* &#039;&#039;&#039;Importance of common names:&#039;&#039;&#039; I would prefer to use a temperament [[Temperament naming|named]] something fun like “waterslide” or “jinglebells” even if it has lots of error, over one named something dry and bland like “countertrihexakleismatic” even if it’s super [[damage|accurate]] and [[badness|technically better]] - a bland name can kill a temperament’s appeal, a fun name can create appeal out of nothing.&lt;br /&gt;
* &#039;&#039;&#039;My opinion on which intervals matter in a tuning system/the criteria for a good general-purpose tuning:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/The intervals I see as important]]&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;My opinion on zeta peak indexes:&#039;&#039;&#039; My view on to what degree [[zeta peak index]]es are useful or not.&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/My opinion on zeta peak indexes]]&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Misrepresentation of traditions:&#039;&#039;&#039; A cheeky little opinion piece I wrote criticising the negative and celebrating the positive ways Western tuning theory has borrowed from the world’s traditions:&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/Cultural appropriation-o-meter]]&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Comma naming debate brainstorm:&#039;&#039;&#039; A futile attempt I made to try to begin resolving one of the big behind the scenes debates among wiki editors:&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/Brainstorming mostly bad ideas to solve the comma naming debate]]&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Rating my wiki contributions&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/Rating my wiki contributions]]&lt;br /&gt;
&lt;br /&gt;
====What I look for in a good xenharmonic piece====&lt;br /&gt;
&lt;br /&gt;
The tuning sounds consonant, all the combinations of intervals you used sound within the same range of consonant-ness as all the combinations available in 12edo. There are more dissonant and less dissonant sections, but none that sound more dissonant than the maximum limit of dissonance I&#039;m willing to tolerate (ie, the maximum amount of dissonance achievable with 12edo). All that is a long winded way of saying nothing sounds &amp;quot;out of tune&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
The timbre also sounds good. Despite being midi instruments, the samples used and whatever effects were applied to them (reverb, volume levels, etc.) all come together well into something that is more than the sum of its parts. The timbre works well with the tuning to create a kind of pleasant, warm glow.&lt;br /&gt;
&lt;br /&gt;
The piece has enough dynamic range, sense of harmonic movement, and interaction between melody lines to hold my interest, to not sound bland, but instead sound captivating.&lt;br /&gt;
&lt;br /&gt;
==== A commentary on my experiences of using different tunings ====&lt;br /&gt;
The scales I&#039;ve made my best music with are:&lt;br /&gt;
* 13edo (6-tone subset)&lt;br /&gt;
* 14edo (7-tone subset)&lt;br /&gt;
* Deutone[19] (5-tone subset for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* 21edo (pelog-like 5-tone subset for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* 22edo (Superpyth[6] - I know it&#039;s not a MOS - for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* Lucite[23] aka well tempered 23edo (pelog-like 5-tone subset for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* 27edo (this JI scale approximated into 27edo: 7/6, 4/3, 3/2, 9/5, 2/1, 13/6, 7/3, 8/3, 3/1, 17/5, 19/5, 4/1 (period))&lt;br /&gt;
* 33edo (Flattertone[7] for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* 43edo (Han-Kumoi scale, a subset of Meantone[7], for melody, Meantone[19] for embellishment)&lt;br /&gt;
* 72edo (7-tone quasi-blues scales for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
&lt;br /&gt;
Whether or not this was a fluke or there was something special about these scales, I&#039;m not sure. Most of the music I make is for the XA Monthly Tunings group (because it motivates me to create for whatever reason), so most tunings I&#039;ve tried so far, I&#039;ve only spent a single month with. So when something turns out good, it&#039;s hard to tell if it&#039;s because the tuning has some characteristic that works for me, or if it&#039;s because I just had a good month.&lt;br /&gt;
&lt;br /&gt;
But whatever the reason, it just so happens that those tracks I made that did turn out good, used these tunings.&lt;br /&gt;
&lt;br /&gt;
So I guess in general for me, I like using 5- to 7-tone subsets of larger 10- to 45-tone tunings, roughly.&lt;br /&gt;
&lt;br /&gt;
====Fun: Ratios as planets====&lt;br /&gt;
&lt;br /&gt;
The ratios of the octave as celestial bodies of the solar system:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;[[2/1]], the sun&#039;&#039;&#039;, defining the overall structure of the entire octave.&lt;br /&gt;
* &#039;&#039;&#039;[[3/2]], Jupiter&#039;&#039;&#039;, the biggest pull aside from the sun itself. Marks out a rough middle of the solar system.&lt;br /&gt;
* &#039;&#039;&#039;[[4/3]], Saturn&#039;&#039;&#039;, a kind of echo of Jupiter. Vast and mighty in its own right, similar to Jupiter, but colder and subtler.&lt;br /&gt;
* &#039;&#039;&#039;[[5/3]], Uranus&#039;&#039;&#039;, has a strong enough pull to be one of the big guys, but markedly smaller than Jupiter and Saturn. Has a gentle appearance.&lt;br /&gt;
* &#039;&#039;&#039;[[5/4]], Neptune&#039;&#039;&#039;, the last of the giant planets, with their huge gravitational pull. Has an energetic, lively surface with the fastest winds in the solar system. Defines the boundary of the Kuiper Belt (like the boundary of major and minor tonality).&lt;br /&gt;
* &#039;&#039;&#039;[[6/5]], Earth&#039;&#039;&#039;, a small planet that punches above its weight. It manages to hold an unreasonably large moon, given the small gravitational influence it has. It even developed life and sent probes to explore the other planets. It has far more influence than it seems like it should.&lt;br /&gt;
* &#039;&#039;&#039;[[7/4]], Venus&#039;&#039;&#039;, a kind of parallel version of Earth. Its diameter and gravitational pull are almost identical to Earth, but its character is completely different. Home to a completely different temperature, chemical composition and volcanic system.&lt;br /&gt;
* &#039;&#039;&#039;[[7/5]], Mars&#039;&#039;&#039;, appears barren and frozen upon first glance, but looking closer reveals a rich and storied history, and potential wonders and microcosms hidden in its underground caves.&lt;br /&gt;
* &#039;&#039;&#039;[[8/5]], Mercury&#039;&#039;&#039;. Caught in a region of the solar system so wild that much of its mass has been stripped away by the solar wind while it was still forming. Still, it holds firm, a foothold in difficult territory.&lt;br /&gt;
* &#039;&#039;&#039;[[7/6]], the moon&#039;&#039;&#039;. Caught in Earth’s orbit, it’s difficult to view separately from the Earth’s influence. If the Earth wasn’t there, it’d be a whole planet in its own right.&lt;br /&gt;
* &#039;&#039;&#039;[[9/5]], Ceres&#039;&#039;&#039;. It doesn’t pull much weight on its own, but in the context of the wider solar system, it demarcates an important in-between point for the other planets. If you want to travel between the different planets, Ceres makes the journey much more pleasant.&lt;br /&gt;
* &#039;&#039;&#039;[[11/8]], Pluto&#039;&#039;&#039;, often dismissed outright due to having such a tiny gravitational pull. But it is a whole other type of ‘planet’, the first of a whole new family. When approached on its own terms, it opens up a larger, more diverse solar system than we ever knew existed.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Useful links for my own convenience ==&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;big&amp;gt;[[User:BudjarnLambeth/Sandbox]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[User:BudjarnLambeth/Sandbox2]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[Gallery of just intervals]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[Harmonic entropy of just intervals]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[User:Userminusone/Constructing a comma list using the Averiant]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[User:Ganaram inukshuk/Catalog of MOS Scales]]&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth/Volcanic_glass&amp;diff=229806</id>
		<title>User:BudjarnLambeth/Volcanic glass</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth/Volcanic_glass&amp;diff=229806"/>
		<updated>2026-05-07T03:52:56Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Editable user page|Feel free to add anything but don&#039;t remove anything unless it&#039;s factually incorrect}}&lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;&#039;volcanic glass scale&#039;&#039;&#039; is a 10-tone, 4/1-repeating scale and a subset of the [[darkstone]][7] scale. It was constructed by [[Budjarn Lambeth]] in May 2026.&lt;br /&gt;
&lt;br /&gt;
It could probably be used in other [[magic family]] temperaments too, though darkstone&#039;s flat fifth (the result of tempering [[36/35]]) does give it a particularly distinct sound.&lt;br /&gt;
&lt;br /&gt;
Lambeth recommends [[19edo]], [[35edo]] or [[38edo]] if one wants an equal tempered version of the volcanic glass scale.&lt;br /&gt;
&lt;br /&gt;
== Intervals ==&lt;br /&gt;
&#039;&#039;[[WE]] tuning, intervals given as [[cents]].&#039;&#039;&lt;br /&gt;
* 377.31&lt;br /&gt;
* 684.82&lt;br /&gt;
* 824.43&lt;br /&gt;
* 1201.74&lt;br /&gt;
* 1509.25&lt;br /&gt;
* 1579.06&lt;br /&gt;
* 1886.57&lt;br /&gt;
* 1956.37&lt;br /&gt;
* 2333.68&lt;br /&gt;
* 2403.49&lt;br /&gt;
&lt;br /&gt;
[[Category:10-tone scales]][[Category:Tempered scales]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth/Volcanic_glass&amp;diff=229805</id>
		<title>User:BudjarnLambeth/Volcanic glass</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth/Volcanic_glass&amp;diff=229805"/>
		<updated>2026-05-07T03:22:15Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Editable user page|Feel free to add anything but don&#039;t remove anything unless it&#039;s factually incorrect}}&lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;&#039;volcanic glass scale&#039;&#039;&#039; is a 10-tone, 4/1-repeating scale and a subset of the [[darkstone]][7] scale. It was constructed by [[Budjarn Lambeth]] in May 2026.&lt;br /&gt;
&lt;br /&gt;
It could probably be used in other [[magic family]] temperaments too, though darkstone&#039;s flat fifth (the result of tempering [[36/35]] does give it a particularly distinct sound.&lt;br /&gt;
&lt;br /&gt;
Lambeth recommends [[19edo]], [[35edo]] or [[38edo]] if one wants an equal tempered version of the volcanic glass scale.&lt;br /&gt;
&lt;br /&gt;
== Intervals ==&lt;br /&gt;
&#039;&#039;[[WE]] tuning, intervals given as [[cents]].&#039;&#039;&lt;br /&gt;
* 377.31&lt;br /&gt;
* 684.82&lt;br /&gt;
* 824.43&lt;br /&gt;
* 1201.74&lt;br /&gt;
* 1509.25&lt;br /&gt;
* 1579.06&lt;br /&gt;
* 1886.57&lt;br /&gt;
* 1956.37&lt;br /&gt;
* 2333.68&lt;br /&gt;
* 2403.49&lt;br /&gt;
&lt;br /&gt;
[[Category:10-tone scales]][[Category:Tempered scales]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth/Volcanic_glass&amp;diff=229804</id>
		<title>User:BudjarnLambeth/Volcanic glass</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth/Volcanic_glass&amp;diff=229804"/>
		<updated>2026-05-07T03:03:16Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Editable user page|Feel free to add anything but don&#039;t remove anything unless it&#039;s factually incorrect}}&lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;&#039;volcanic glass scale&#039;&#039;&#039; is a 10-tone, 4/1-repeating scale and a subset of the [[darkstone]][7] scale. It was constructed by [[Budjarn Lambeth]] in May 2026.&lt;br /&gt;
&lt;br /&gt;
It could probably be used in other [[magic family]] temperaments too, though darkstone&#039;s flat fifth (the result of tempering [[36/35]] does give it a particularly distinct sound.&lt;br /&gt;
&lt;br /&gt;
== Intervals ==&lt;br /&gt;
&#039;&#039;[[WE]] tuning, intervals given as [[cents]].&#039;&#039;&lt;br /&gt;
* 377.31&lt;br /&gt;
* 684.82&lt;br /&gt;
* 824.43&lt;br /&gt;
* 1201.74&lt;br /&gt;
* 1509.25&lt;br /&gt;
* 1579.06&lt;br /&gt;
* 1886.57&lt;br /&gt;
* 1956.37&lt;br /&gt;
* 2333.68&lt;br /&gt;
* 2403.49&lt;br /&gt;
&lt;br /&gt;
[[Category:10-tone scales]][[Category:Tempered scales]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth/Volcanic_glass&amp;diff=229803</id>
		<title>User:BudjarnLambeth/Volcanic glass</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth/Volcanic_glass&amp;diff=229803"/>
		<updated>2026-05-07T03:02:06Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: Created page with &amp;quot;{{Editable user page|Feel free to add anything but don&amp;#039;t remove anything unless it&amp;#039;s factually incorrect}}  The &amp;#039;&amp;#039;&amp;#039;volcanic glass scale&amp;#039;&amp;#039;&amp;#039; is a 10-tone, 4/1-repeating scale and a subset of the darkstone[7] scale. It was constructed by Budjarn Lambeth in May 2026.  == Intervals == &amp;#039;&amp;#039;WE tuning, intervals given as cents.&amp;#039;&amp;#039; * 377.31 * 684.82 * 824.43 * 1201.74 * 1509.25 * 1579.06 * 1886.57 * 1956.37 * 2333.68 * 2403.49  Category:10-tone scalesCategory:T...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Editable user page|Feel free to add anything but don&#039;t remove anything unless it&#039;s factually incorrect}}&lt;br /&gt;
&lt;br /&gt;
The &#039;&#039;&#039;volcanic glass scale&#039;&#039;&#039; is a 10-tone, 4/1-repeating scale and a subset of the [[darkstone]][7] scale. It was constructed by [[Budjarn Lambeth]] in May 2026.&lt;br /&gt;
&lt;br /&gt;
== Intervals ==&lt;br /&gt;
&#039;&#039;[[WE]] tuning, intervals given as [[cents]].&#039;&#039;&lt;br /&gt;
* 377.31&lt;br /&gt;
* 684.82&lt;br /&gt;
* 824.43&lt;br /&gt;
* 1201.74&lt;br /&gt;
* 1509.25&lt;br /&gt;
* 1579.06&lt;br /&gt;
* 1886.57&lt;br /&gt;
* 1956.37&lt;br /&gt;
* 2333.68&lt;br /&gt;
* 2403.49&lt;br /&gt;
&lt;br /&gt;
[[Category:10-tone scales]][[Category:Tempered scales]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Mint_temperaments&amp;diff=229751</id>
		<title>Mint temperaments</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Mint_temperaments&amp;diff=229751"/>
		<updated>2026-05-06T12:46:02Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Technical data page}}&lt;br /&gt;
This is a collection of low [[complexity]], high [[error]], [[regular temperament|temperaments]] which [[temper out]] the septimal quarter-tone, [[36/35]]. 36 is [[Wikipedia: Square triangular number|both]] a [http://mathworld.wolfram.com/SquareNumber.html square] and a [[triangular number]], and this helps make 36/35 a septimal interval of considerable significance. These temperaments equate [[6/5]] with [[7/6]], [[5/4]] with [[9/7]], and [[7/4]] with [[9/5]], so minor and major thirds and sixths are intervals of 5 and 7 at the same time. &lt;br /&gt;
&lt;br /&gt;
Temperaments discussed elsewhere include&lt;br /&gt;
* [[Father]] (+16/15) → [[Father family #Septimal father|Father family]]&lt;br /&gt;
* [[Dominant (temperament)|Dominant]] (+64/63) → [[Meantone family #Dominant|Meantone family]]&lt;br /&gt;
* &#039;&#039;[[Armodue (temperament)|Armodue]]&#039;&#039; (+135/128) → [[Mavila family #Armodue|Mavila family]]&lt;br /&gt;
* &#039;&#039;[[Dicot]]&#039;&#039; (+25/24) → [[Dicot family|Dicot family]]&lt;br /&gt;
* [[Beep]] (+21/20) → [[Bug family #Beep|Bug family]]&lt;br /&gt;
* &#039;&#039;[[August]]&#039;&#039; (+128/125) → [[Augmented family #August|Augmented family]]&lt;br /&gt;
* &#039;&#039;[[Gorgo]]&#039;&#039; (+1029/1024) → [[Gamelismic clan #Gorgo|Gamelismic clan]]&lt;br /&gt;
* &#039;&#039;[[Hystrix]]&#039;&#039; (+160/147) → [[Porcupine family #Hystrix|Porcupine family]]&lt;br /&gt;
* [[Diminished (temperament)|Diminished]] (+50/49) → [[Diminished family #Septimal diminished|Diminished family]]&lt;br /&gt;
* &#039;&#039;[[Smate]]&#039;&#039; (+2048/1875) → [[Smate family #Septimal smate|Smate family]]&lt;br /&gt;
* &#039;&#039;[[Darkstone]]&#039;&#039; (+1875/1792) → [[Magic family #Darkstone|Magic family]]&lt;br /&gt;
* &#039;&#039;[[Rip]]&#039;&#039; (+2560/2401) → [[Ripple family #Rip|Ripple family]]&lt;br /&gt;
* &#039;&#039;[[Whitewood]]&#039;&#039; (+2187/2048) → [[Whitewood family #Septimal whitewood|Whitewood family]]&lt;br /&gt;
&lt;br /&gt;
== Penta ==&lt;br /&gt;
: &#039;&#039;For the 5-limit version, see [[Syntonic–diatonic equivalence continuum #University]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 28/25, 36/35&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 1 2 2 | 0 3 2 4 }}&lt;br /&gt;
: mapping generators: ~2, ~7/6&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1186.8093{{c}}, ~7/6 = 237.3390{{c}}&lt;br /&gt;
: [[error map]]: {{val| -13.191 -3.129 +61.983 -45.851 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~7/6 = 231.845{{c}}&lt;br /&gt;
: error map: {{val| 0.000 +6.291 +85.850 -24.498 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 1bd, …, 4bcd, 5 }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 1.19&lt;br /&gt;
&lt;br /&gt;
== Progression ==&lt;br /&gt;
{{Distinguish| Progress }}&lt;br /&gt;
: &#039;&#039;For the 5-limit version, see [[Miscellaneous 5-limit temperaments #Lafayette]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Named by [[Gene Ward Smith]] in 2011&amp;lt;ref&amp;gt;[https://yahootuninggroupsultimatebackup.github.io/tuning-math/topicId_18891.html Yahoo! Tuning Group | &#039;&#039;Progression temperament&#039;&#039;]&amp;lt;/ref&amp;gt;, progression can be described as the {{nowrap| 8d &amp;amp; 9 }} temperament. It has a generator that is a somewhat flat neutral second, three make [[5/4]], five make [[3/2]], and seven make [[7/4]], with a [[ploidacot]] signature of pentacot. [[17edo]] is an obvious tuning for it. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 36/35, 392/375&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 1 2 2 | 0 5 3 7 }}&lt;br /&gt;
: mapping generators: ~2, ~15/14&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1193.9544{{c}}, ~15/14 = 140.2169{{c}}&lt;br /&gt;
: [[error map]]: {{val| -6.046 -6.916 +22.246 +0.601 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.000{{c}}, ~15/14 = 139.8991{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -2.460 +33.384 +10.468 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 8d, 9, 17c }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 1.22&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 36/35, 56/55, 77/75&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 1 2 2 3 | 0 5 3 7 4 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1194.7089{{c}}, ~12/11 = 140.1262{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~12/11 = 139.8776{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 8d, 9, 17c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.861&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 26/25, 36/35, 56/55, 66/65&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 1 2 2 3 3 | 0 5 3 7 4 6 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1195.3694{{c}}, ~13/12 = 140.2080{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~13/12 = 139.9749{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 8d, 9, 17c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.750&lt;br /&gt;
&lt;br /&gt;
=== 17-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 26/25, 36/35, 51/50, 56/55, 66/65&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 1 2 2 3 3 4 | 0 5 3 7 4 6 1 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1193.8350{{c}}, ~13/12 = 140.6779{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~13/12 = 140.5885{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 8d, 9, 17cg }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 0.853&lt;br /&gt;
&lt;br /&gt;
=== 19-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17.19&lt;br /&gt;
&lt;br /&gt;
Comma list: 26/25, 36/35, 51/50, 56/55, 57/55, 66/65&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 1 2 2 3 3 4 4 | 0 5 3 7 4 6 1 2 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1196.1446{{c}}, ~13/12 = 140.0276{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~13/12 = 140.0301{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 8d, 9, 17cg }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.02&lt;br /&gt;
&lt;br /&gt;
== Subklei ==&lt;br /&gt;
: &#039;&#039;For the 5-limit version, see [[Miscellaneous 5-limit temperaments #Delorean]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Subklei is likely named for its flatter minor third generator than [[kleismic]]. It tempers out [[1029/1000]] as well as [[2401/2400]] and can be described as {{nowrap| 17c &amp;amp; 21 }}. Its [[ploidacot]] is delta-hexacot. Note that in the data below, the generator is the [[5/3]][[~]][[12/7]] major sixth, so that six generators minus four octaves give the [[3/2|perfect fifth]]. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 36/35, 1029/1000&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -3 -3 -1 | 0 6 7 5 }}&lt;br /&gt;
: mapping generators: ~2, ~5/3&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1197.5285{{c}}, ~5/3 = 915.8950{{c}}&lt;br /&gt;
: [[error map]]: {{val| -2.471 -11.171 +18.366 +3.121 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~5/3 = 915.4228{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -9.418 +21.646 +8.288 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 4, 13cd, 17c, 21, 38c }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 1.55&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 36/35, 77/75, 352/343&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -3 -3 -1 -8 | 0 6 7 5 15 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1196.3345{{c}}, ~5/3 = 913.9469{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/3 = 916.2970{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 4e, …, 13cdee, 17c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.48&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 26/25, 36/35, 66/65, 352/343 &lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 3 4 4 7 7 | 0 6 7 5 15 14 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1196.0784{{c}}, ~5/3 = 914.1466{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/3 = 916.6712{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 4ef, …, 13cdeef, 17c }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.34&lt;br /&gt;
&lt;br /&gt;
=== Subkla ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 36/35, 56/55, 1029/1000&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -3 -3 -1 5 | 0 6 7 5 -2 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1196.3809{{c}}, ~5/3 = 913.4153{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/3 = 915.8804{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 4, 13cd, 17c, 38ce }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.56&lt;br /&gt;
&lt;br /&gt;
==== 13-limit ====&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 36/35, 56/55, 66/65, 640/637&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -3 -3 -1 5 6 | 0 6 7 5 -2 -3 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1196.5477{{c}}, ~5/3 = 913.4822{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~5/3 = 915.9416{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 4, 17c, 38ce }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.52&lt;br /&gt;
&lt;br /&gt;
== Naian ==&lt;br /&gt;
: &#039;&#039;For the 5-limit version, see [[Miscellaneous 5-limit temperaments #Naian]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Named by [[Xenllium]] in 2026, naian may be described as {{nowrap| 8d &amp;amp; 21 }} with a [[ploidacot]] signature of epsilon-enneacot. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 36/35, 9604/9375 &lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 -4 -2 -4 | 0 9 7 11 }}&lt;br /&gt;
: mapping generators: ~2, ~75/49&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1195.8807{{c}}, ~75/49 = 741.8522{{c}}&lt;br /&gt;
: [[error map]]: {{val| -4.119 -8.808 +14.890 +8.026 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~75/49 = 743.9885{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -6.059 +21.606 +15.047 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 8d, 21, 29cd }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.89&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 36/35, 56/55, 2541/2500 &lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -4 -2 -4 1 | 0 9 7 11 4 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1194.3937{{c}}, ~75/49 = 741.2117{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~75/49 = 744.2018{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 8d, 21, 29cde }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.95&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 36/35, 56/55, 66/65, 507/500 &lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -4 -2 -4 1 0 | 0 9 7 11 4 6 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1193.8564{{c}}, ~20/13 = 740.9635{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~20/13 = 744.2703{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 8d, 21, 29cdef }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.55&lt;br /&gt;
&lt;br /&gt;
=== 17-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13.17&lt;br /&gt;
&lt;br /&gt;
Comma list: 36/35, 51/50, 56/55, 66/65, 170/169 &lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 -4 -2 -4 1 0 1 | 0 9 7 11 4 6 5 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1194.2330{{c}}, ~20/13 = 741.1242{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~20/13 = 744.2679{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 8d, 21, 29cdef }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.43&lt;br /&gt;
&lt;br /&gt;
== Slurpee ==&lt;br /&gt;
: &#039;&#039;For the 5-limit version, see [[Miscellaneous 5-limit temperaments #Slurpee]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Slurpee may be described as the {{nowrap| 16 &amp;amp; 17c }} temperament. It has a generator that is a somewhat flat semitone of [[~]][[21/20]], three make [[8/7]], seven make [[4/3]], and eleven make [[8/5]], with a [[ploidacot]] signature of omega-heptacot. &lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 36/35, 51200/50421&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 2 3 3 | 0 -7 -11 -3 }}&lt;br /&gt;
: mapping generators: ~2, ~21/20&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s: &lt;br /&gt;
* [[WE]]: ~2 = 1197.9281{{c}}, ~21/20 = 72.1780{{c}}&lt;br /&gt;
: [[error map]]: {{val| -2.072 -11.345 +13.512 +8.424 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~21/20 = 72.4941{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -9.414 +16.251 +13.692 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 16, 17c, 33 }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 2.91&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 36/35, 121/120, 352/343 &lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 2 3 3 4 | 0 -7 -11 -3 -9 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1198.4220{{c}}, ~21/20 = 72.2015{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~21/20 = 72.4470{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 17c, 33 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.67&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 36/35, 66/65, 143/140, 352/343&lt;br /&gt;
&lt;br /&gt;
Mapping: {{mapping| 1 2 3 3 4 4 | 0 -7 -11 -3 -9 -5 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings: &lt;br /&gt;
* WE: ~2 = 1199.0238{{c}}, ~21/20 = 72.3506{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~21/20 = 72.4956{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 16, 17c, 33 }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 1.37&lt;br /&gt;
&lt;br /&gt;
== Shallowtone ==&lt;br /&gt;
{{Main| Shallowtone }}&lt;br /&gt;
: &#039;&#039;For the 5-limit version, see [[Syntonic–chromatic equivalence continuum #Shallowtone (5-limit)]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Subgroup]]: 2.3.5.7&lt;br /&gt;
&lt;br /&gt;
[[Comma list]]: 36/35, 295245/262144&lt;br /&gt;
&lt;br /&gt;
{{Mapping|legend=1| 1 0 18 -16 | 0 1 -10 12 }}&lt;br /&gt;
: mapping generators: ~2, ~3&lt;br /&gt;
&lt;br /&gt;
[[Optimal tuning]]s:&lt;br /&gt;
* [[WE]]: ~2 = 1202.4397{{c}}, ~3/2 = 682.6219{{c}}&lt;br /&gt;
: [[error map]]: {{val| +2.440 -16.893 +6.986 +12.877 }}&lt;br /&gt;
* [[CWE]]: ~2 = 1200.0000{{c}}, ~3/2 = 681.2447{{c}}&lt;br /&gt;
: error map: {{val| 0.000 -20.710 +1.239 +6.110 }}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=1| 7, 30b, 37b }}&lt;br /&gt;
&lt;br /&gt;
[[Badness]] (Sintel): 7.79&lt;br /&gt;
&lt;br /&gt;
=== 11-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11&lt;br /&gt;
&lt;br /&gt;
Comma list: 36/35, 45/44, 72171/65536&lt;br /&gt;
&lt;br /&gt;
Mapping: {{Mapping| 1 0 18 -16 16 | 0 1 -10 12 -8 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings:&lt;br /&gt;
* WE: ~2 = 1202.0285{{c}}, ~3/2 = 682.4922{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~3/2 = 681.3267{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 7, 30b, 37b }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 4.29&lt;br /&gt;
&lt;br /&gt;
=== 13-limit ===&lt;br /&gt;
Subgroup: 2.3.5.7.11.13&lt;br /&gt;
&lt;br /&gt;
Comma list: 27/26, 36/35, 45/44, 16731/16384&lt;br /&gt;
&lt;br /&gt;
Mapping: {{Mapping| 1 0 18 -16 16 -1 | 0 1 -10 12 -8 3 }}&lt;br /&gt;
&lt;br /&gt;
Optimal tunings:&lt;br /&gt;
* WE: ~2 = 1201.4928{{c}}, ~3/2 = 682.1188{{c}}&lt;br /&gt;
* CWE: ~2 = 1200.0000{{c}}, ~3/2 = 681.2669{{c}}&lt;br /&gt;
&lt;br /&gt;
{{Optimal ET sequence|legend=0| 7, 30b, 37b }}&lt;br /&gt;
&lt;br /&gt;
Badness (Sintel): 3.19&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
[[Category:Temperament collections]]&lt;br /&gt;
[[Category:Mint temperaments| ]] &amp;lt;!-- main article --&amp;gt;&lt;br /&gt;
[[Category:Rank 2]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Monthly_Tunings&amp;diff=229750</id>
		<title>Monthly Tunings</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Monthly_Tunings&amp;diff=229750"/>
		<updated>2026-05-06T12:10:26Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* 2026 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{About|the project organized on Facebook|the project organized on Discord|Tuning of the Month Club}}&lt;br /&gt;
[https://www.facebook.com/groups/979055042181607/ The Xenharmonic Alliance Monthly Tunings] group is a semi-private spin-off of the main Xenharmonic Alliance group. The point of the group is to get xenharmonicists to work on the same tuning, and share ideas, discoveries and music in that tuning. Each month, they all vote on the tuning they want to use.&lt;br /&gt;
&lt;br /&gt;
This page is meant to be an archive of the content produced by that group. Feel free to add your own work to the list.&lt;br /&gt;
&lt;br /&gt;
== Leadership and statistics ==&lt;br /&gt;
The group was founded by [[Antonie Beaudet]]. It is administrated by Antonie Beaudet and [[Claudi Meneghin]]. It is moderated by [[Stephen Weigel]].&lt;br /&gt;
&lt;br /&gt;
Meneghin posts the monthly polls where all users are invited to nominate tunings and to vote upon the nominations. Meneghin also keeps the monthly cover photo and other group images updated.&lt;br /&gt;
&lt;br /&gt;
As the time of writing (16 Dec 2024), the group has 473 members. &lt;br /&gt;
&lt;br /&gt;
The group usually sees 10 to 15 posts per month, though occasionally one month is an outlier with dramatically more activity (Sep 2024, 15edo, for example saw 51 posts). Posts are typically a fairly even mixture of original compositions, covers, new theoretical discoveries and reshares to promote the work of artists outside the group.&lt;br /&gt;
&lt;br /&gt;
== 2016 ==&lt;br /&gt;
; February and March - [[Pajara]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3043 Little Prelude &amp;amp;amp; Fugue in Pajara] by [[Claudi Meneghin]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Sensi]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3062 Sensi Tocada] by Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[37edo]]&lt;br /&gt;
* [https://digitalshock.bandcamp.com/track/08-days-i-do-not-know-if-she-is-saying-the-truth I do not know if she is saying the truth] by [[Igor Livramento]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3141 Little Twyelyghte Musicke (37edo) for 2 Cornetts, 2 Sagbutts &amp;amp;amp; Timpani] by Claudi Meneghin&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3133 Canon in F, 37edo] by Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Superpyth]]&lt;br /&gt;
*[https://soundcloud.com/pianodog/highlights-triadic-superpyth-study-in-22-tet Highlights - Triadic Superpyth Study] by [[William Lynch]]&lt;br /&gt;
*[https://soundcloud.com/pianodog/super-chill-22-tet-superpyth12 Super Chill] by William Lynch&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - 17-tone [[17edo|equal]] and [[Well temperament|well]]-temperaments&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/demanding-two-faces-17-edo Demanding Two Faces] by [[Stephen Weigel]] ([https://soundcloud.com/overtoneshock Soundcloud])&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/where-were-you-during-the-apocalypse-17-edo?in=overtoneshock/sets/xenharmonic-microtonal Where were you During the Apocalypse?] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September and October - [[Porcupine]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3202 Little Fugue in Porcupine] by Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[21edo]]&lt;br /&gt;
* [https://soundcloud.com/mbirakite/bueno-pa-gozar-21edo-version &amp;quot;Bueno Pa Gozar&amp;quot;] (by [[Kite Giedraitis]], salsa-esque piece loosely based on Oye Coma Va)&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3229 21edo Chacony, for harpsichord] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/little-fugue-21-edo Iridescent Wenge Fugue] by Stephen Weigel, accepted into [https://www.seamusonline.org/2018-national-conference/ SEAMUS 2018] and [http://eabarndance.com/ EABD 2018]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [http://www.anaphoria.com/hrgm.pdf Fibonacci tuning] (look on page 22 of the doc / 24 of the PDF)&lt;br /&gt;
The Fibonacci sequence is a series of integers that successively add to create the next one in the series, beginning with 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, etc... and thus a Fibonacci horogram shows this sequence in its rings / moments-of-symmetry. The generator for the Fibonacci horogram is 458.35921&amp;lt;u&amp;gt;3&amp;lt;/u&amp;gt;... cents.&lt;br /&gt;
&lt;br /&gt;
== 2017 ==&lt;br /&gt;
; January - [[Bohlen–Pierce]]&lt;br /&gt;
*[https://soundcloud.com/overtoneshock/a-mean-little-voice-bohlen-pierce-or-13ed3?in=overtoneshock/sets/xenharmonic-microtonal A Mean Little Voice] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[26edo]]&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[http://soonlabel.com/xenharmonic/archives/3335 Canon 3-in-1 on a ground ‘The tempest’] by Claudi Meneghin &amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Semaphore_and_Godzilla|Semaphore]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[11edo]]&lt;br /&gt;
* [https://soundcloud.com/xenseas/halve-knot-demo Halve Knot (demo)] by [[Mercury Tree]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[Mavila]]&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/gamelan-genesis-and-birth-9-edo Gamelan, Genesis, and Birth] by Stephen Weigel, played by the [[Beo String Quartet]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3379 Mavila Fugue] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/kosma-jumis-lul Kôsma jumiś lul] by [[Herman Miller]]&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/hunger-wanders-in-an-empty-room-16-edo Hunger Wanders in an Empty Room] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Marvel woo]]&lt;br /&gt;
* [https://soundcloud.com/pianodog/sketches-in-marvel-marvelous-river Marvelous River] by William Lynch&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/cave-of-marvels Cave of Marvels] by Herman Miller&lt;br /&gt;
* [http://chrisvaisvil.com/a-short-composition-in-marvel-woo/ A Short Composition in Marvel Woo] by [[Chris Vaisvil]] ([http://chrisvaisvil.com/ website])&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/hallelujah-cover-marvel-woo?in=overtoneshock/sets/cover-songs Hallelujah in Marvel Woo (cover)] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[20edo]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3434 Chacony &amp;amp;amp; Fugue in 20edo] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/spinning-the-web Spinning the Web] by Herman Miller&lt;br /&gt;
* [http://chrisvaisvil.com/20-edo-ambient-guitar-with-video/ 20edo Ambient Guitar with Video] by Chris Vaisvil&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[https://soundcloud.com/overtoneshock/underwater-spontaniety-20-edo Underwater Spontaniety] (lo-fi ambient) by Stephen Weigel&amp;lt;/span&amp;gt;&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[https://soundcloud.com/overtoneshock/gods-favorite-tuning-20-edo God&#039;s Favorite Tuning] (xen-pop) by Stephen Weigel&amp;lt;/span&amp;gt;&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[https://soundcloud.com/overtoneshock/you-lied-and-im-not-mentioning-your-name-20-edo?in=overtoneshock/sets/xenharmonic-microtonal You Lied, and I&#039;m not Mentioning your Name] (xen-pop) by Stephen Weigel&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[72edo]]&lt;br /&gt;
* [https://soundcloud.com/prent-rodgers/sets/on-fire-1 Modes for Strings #7] by [[Prent Rodgers]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October and November - [[46edo]]&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/curiosity-finds-a-frown-23-edo Curiosity Finds a Frown] by Stephen Weigel (this is in [[23edo]] - 23 is half of 46, so it counts!)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[15edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=SqZg4_OfSnU We Wish You a Merry Christmas and a Happy New Year! (online Christmas card)] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
== 2018 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[18edo]]&lt;br /&gt;
* [https://noahdeanjordan.bandcamp.com/album/the-moon The Moon] by [[Noah Jordan]] &lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/revealing-the-path Revealing the Path] by Herman Miller([https://www.facebook.com/noahjordanmusic/ Facebook]), this was done with acoustic piano&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/de-void-of-re-incarnation-18-edo De-Void of Re-Incarnation] by Stephen Weigel (fixed media)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[10edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=QQ4QP1C-220&amp;amp;feature=youtu.be Diablo] by [[Kewti]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/2391 Padanian Canon in 10edo] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/the-ten-armed-hunter Ten-Armed Hunter] by Herman Miller&lt;br /&gt;
* [http://chrisvaisvil.com/english-theorbo-10-edo-improvisation/ English Theorbo], [http://chrisvaisvil.com/in-wandelwonderland/ in wandelwonderland], [http://chrisvaisvil.com/fantasy-for-piano-tuned-to-10-edo-with-score/ Fantasy for Piano] by Chris Vaisvil&lt;br /&gt;
* [https://www.youtube.com/watch?v=KcKWYD92Yi0 Love is the Catalyst (cover)] by Stephen Weigel&lt;br /&gt;
* [https://soundcloud.com/user-769795842/sets/hymns-of-the-cosmos Hymns of the Cosmos] by KijntheRelar&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - Monarda&lt;br /&gt;
Monarda is a 12-note subset of &amp;quot;[[Tannic]]&amp;quot; temperament, discovered by [[Scott Dakota]], that is rank-three and observes the 17-limit. 17-limit JI is 7-dimensional, and the commas tempered out are: 273/272, 561/560, 441/440, and [[225/224|225/224]]. 7 dimensions - 4 commas = the 3 dimensional tuning. To find temperaments, it&#039;s recommended to use the [http://x31eq.com/temper/pregular.html Regular Temperament Finder], instead of the wiki. Check out the FB Monthly Tunings page for specifics.&lt;br /&gt;
*[https://noahdeanjordan.bandcamp.com/track/ilu ilu] by Noah Jordan&lt;br /&gt;
* [https://archive.org/details/Monarda_Impressions Cam Taylor&#039;s Monarda Impressions] by [[Cam Taylor]]&lt;br /&gt;
* [http://chrisvaisvil.com/tannic-acid-tempering-comparison/ Tannic Acid (comparison)] by Chris Vaisvil&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/nowhere-in-super-particular-sonarda-te Nowhere in Super Particular] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Polaris]]&lt;br /&gt;
*Polaris refers to a 17-note constant structure in 13-limit JI. It can either function as an untempered JI version, or a tempered version, where 352/351 and 364/363 are most often tempered out (144/143 can be tempered out as well).&lt;br /&gt;
* [http://chrisvaisvil.com/polaris-falls-diy-midi-controller-demo-video/ polaris falls] by Chris Vaisvil&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May and June - [[31edo]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3623 Contrapunctus 11 tuned to 31edo] by Claudi Meneghin (original composer J. S. Bach)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July and August - [[13edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[14edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[53edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[2.3.7]] JI&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[13.888edo]]&lt;br /&gt;
&lt;br /&gt;
== 2019 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[15edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[22edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - ~[[11/8]]-[[generator|generated]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[31edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[32edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Triple BP]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August and September - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[31edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[15edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[27edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/nusu-laj-stille-nacht Stille Nacht (cover)]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2020 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[17edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[20edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/ivari-na-taniravi Ivari na taniravi]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - Tunings using [[phi]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April and May - [[Miracle]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[Luna]][25]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[8edf]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[Archytas&#039; Chromatic]] or [[:Category:Al-Farabi|Al-Farabi]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[subgroup|2.11.19]] JI (29-tone [[neji]])&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/javen-slu-lil Javen ślǔ lil]&#039;&#039; - Herman Miller&lt;br /&gt;
** Instrumental: [https://soundcloud.com/morphosyntax-1/javen-slu-lil-instrumental javen-slu-lil-instrumental]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[20edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/drifting Drifting]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[9edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/nine-days-wonder Nine Days’ Wonder]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[46edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/light-at-the-end Light at the End]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2021 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[20c &amp;amp; 21c]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/lost-in-the-maze Lost in the Maze]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[50edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[13.888edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April and May - [[19edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/chameleon-dance Chameleon Dance]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June and July - [[31edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/ignorance-is-strength Ignorance is Strength]&#039;&#039; - Herman Miller&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/vupagvam-meaningless Vüpagvam]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[55edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/road-trip-to-nowhere Road Trip to Nowhere]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[0edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/lost-at-c Lost at C]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October and November - [[Canasta]][31]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/realm-of-possibility Realm of Possibility]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[13edo]]&lt;br /&gt;
&lt;br /&gt;
== 2022 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[Orwell]][22] or [[Orwell]][31]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/a-hidden-world A Hidden World]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February and March - [[22edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/march-of-the-mad-hares March of the Mad Hares]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[72edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May and June - [[41edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[6ed5/4]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[46edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[13.888edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/the-butterflys-dream The Butterfly’s Dream]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[Blackjack]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[23edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/vozu-zwen-ka-zan Vözü źwên ķa źan]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[37edo]]&lt;br /&gt;
&lt;br /&gt;
== 2023 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[37edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/luck-of-the-draw Luck of the Draw]&#039;&#039; - Herman Miller&lt;br /&gt;
** [https://drive.google.com/file/d/1rjyC9fRXKwRqpdsGEj3a3JHeJeWkdVWZ/view?usp=drive_link Official score]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[43edt]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[26edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Golden meantone]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Triple BP]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[Carlos Alpha]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Dwarf17marv]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August and September - [[Tetracot]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[50edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November and December&lt;br /&gt;
&#039;&#039;(Group was on hiatus during these months.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== 2024 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[Negri]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/without-a-clue Without a Clue]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[33edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=scCuGXnj5IY Enchanted Shopping Mall]&#039;&#039; - [[Budjarn Lambeth]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[Sensi]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=qc0CkUKj7t4 Music in Sensi temperament]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Orwell]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=xb1aazfhAQ4 Improvisation in Orwell temperament]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/zurg-tuun-vantu-war-is-peace Zurğ tuun vantu]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Eagle 53]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=KCNS-bRolio Three short pieces in Eagle 53 tuning]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=fFU2cf1fFEM Uccellini - Aria Sopra La Bergamasca, arranged for Oboe, Recorder, Bassoon, tuned into Eagle 53]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=BYvzWG7y-ps Bach - Prelude BWV 999, arranged for Organ, transposed into Em, tuned into EAGLE 53]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/flowing-along Flowing Along]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[19edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=DRPqNK3VpXM Music in 19edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[34edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=X4MwtiRNW_k Atlantis theme from Banjo-Tooie in 34-TET (Microtonal)]&#039;&#039; - [[Chris Kline]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[21edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=8Bt8MLGcbts Four short improvisations in 21edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September and October - [[15edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=7KRum47I0wQ Dungeon theme (and other themes) from the Legend of Zelda in 15-TET (Microtonal)]&#039;&#039; - Chris Kline&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=eSXomnrP7O8 Improvisation in zeta-stretched 15edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[43edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=KsB9T9_6cGk Gamelan-inspired improvisation in 43edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[42edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/puffinwrangler/sets/white-christmas White Christmas (42edo reimagining)]&#039;&#039; - [[Todd Harrop]]&lt;br /&gt;
* &#039;&#039;[https://app.box.com/s/70bwqa09oq84rqehc90j5fttgqjmbxme Circulating and Traversing]&#039;&#039; - [[James Kukula]]&lt;br /&gt;
** [https://interdependentscience.blogspot.com/2024/12/circulating-and-traversing.html Composer’s notes]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=vdjhC9i5KF4 Four Short Experiments in Octave Stretched 42edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://youtube.com/shorts/DH-iGV6r8Xw Microtonal Fugue on an Original Theme (42edo)]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=Wh4GmL5Xw8Q BACH - RICERCAR a 3 from the Musical Offering, tuned into E42]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/through-the-dark Through the Dark]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2025 ==&lt;br /&gt;
&lt;br /&gt;
; January - [[25edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=6VC5FWWMwR4 Improvisation in 25edo (Akebono I scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=ZVsQAZdbvMI Improvisation in 25edo (Antipental Blues scale, glass unison timbre)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=iy5Zwc8vipw Improvisation in 25edo (Antipental Blues scale, platinum inharmonic timbre)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=B6HGVZzUze4 Improvisation in 25edo (Armodue5 scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=EK7O0SxI9dI Improvisation in 25edo (Fennec scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/rabbit-tracks-in-the-snow Rabbit Tracks in the Snow]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[55edo]]&lt;br /&gt;
* &#039;&#039;[https://app.box.com/s/8hq89cb3rqqkrhvkxgvqtppa255kcqrq?fbclid=IwY2xjawISjSlleHRuA2FlbQIxMAABHcl5t8n_C7QUJqdEnwSaWBc5u3BpldmcAjhQQljsQIPl1qJ-zdCr9T8NMw_aem_Ez0m-Ls_ZqI0-c0Ld-28Yg 55edo Melted Syntonic]&#039;&#039; - James Kukula&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=9c5MtrZFNhA Improvisation One in 55edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=ggFGUn1Ya2A Improvisation Two in 55edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://youtube.com/shorts/6AanMQIxKaI?si=YsCJXkSVbLqx5LAo HAPPY BIRTHDAY 55-edo - Canon (55th birthday) · 6-in-1 Canon in 55edo]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=AgsJCTyxqiM A Double Fugue on &amp;quot;We Wish You a Merry Christmas&amp;quot; for String Quartet in 55-equal division of the octave]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/migration Migration]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[56edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=VsBXIvBZY6A 56edo Track (Echidnic16 Scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/vultures Vultures]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - Eagle JI (detempered [[Eagle 53]])&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=D2jrE293Aeo Improvisation in Eagle JI]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=Tmk78SFLstY ARIA SOPRA LA BERGAMASCA, by Uccellini - arranged for Oboe, Recorder, Bassoon, tuned into Eagle JI ]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://audio.com/hstraub/audio/eagleji-2025-04-06-1221 EagleJIN2025-04-06 1221]&#039;&#039; - [[Hans Straub]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Peppermint-24]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=g6e3zYlbsWc Microtonal Jungle-Inspired Track in the &amp;quot;Salt and Pepper Scale&amp;quot;]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=eRzdbzJah20 Mozart&#039;s Gigue KV 574, Arranged for Fortepiano (PEPPERMINT)]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[37edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=_NRZkEw6K1E Improvisation in 37edo (Ultrapyth Temperament)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://alonetone.com/vaisvil/tracks/selling-the-sky-in-37-edo-post-manipulation?fbclid=IwY2xjawLcAgNleHRuA2FlbQIxMABicmlkETFaSk44N25uNTY3SDNsdHJtAR7sCkNHhRijMUr3emWNpIQsMcUO_hUa2Dqkm4gBDGLw8Ut_rBrLxMuCPPd5AA_aem_gYV5k6rVPA1fYZZpesSGAQ Selling the Sky in 37edo Post Manipulation]&#039;&#039; - [[Chris Vaisvil]] ([https://alonetone.com/vaisvil/tracks/selling-the-sky-in-37-edo-post-manipulation.mp3 audio])&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=rxgV0Q1137o Luciférine (Ichicko Aoba) - 37-TET cover]&#039;&#039; - [[Stephen Weigel]] &amp;amp; [[Anna Harkrider]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=_m5u4VviMXw Galantean Drift]&#039;&#039; - &amp;lt;nowiki&amp;gt;XENO*n*&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[70edo]]&lt;br /&gt;
* &#039;&#039;[https://app.box.com/s/i9vvgcplpmksrm8rubz2h3asee2cnr26 piece from Stepping Outside]&#039;&#039; - James Kukula&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=dyEH-pP2dJU Improv in 70edo (Polymicrotonal 10edo+14edo Scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://youtube.com/shorts/HxGZpAvf4ac The Falling Fifth Progression in 70-equal division of the octave, transitioning from Pythagorean (5th = 702.857 ¢ = 41\70) to Neutral (5th = 685.714 ¢ = 40\70), by shrinking a fifth at a time]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[80edo]]&lt;br /&gt;
* &#039;&#039;[https://youtu.be/6N_8QM2UK5I Improvisation in compressed 80edo (435zpi)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* {{w|Frédéric Chopin}}&#039;s [https://www.youtube.com/watch?v=ng1UyvhHcrQ Prelude Op. 28, No. 4 in E minor « Suffocation » (1839), arranged for harpsichord, tuned into 80-edo] – rendered by Claudi Meneghin&lt;br /&gt;
* [https://www.youtube.com/watch?v=TgD7cN8a5D8 Lytel Twyelyghte Musicke (Little Twilight Music), for Brass, Winds, Strings, and Timpani, in 80-equal division of the octave, as the linear temperament generated by its fifth] - Claudi Meneghin&lt;br /&gt;
* Herman Miller created an ltn file for the [[Bidia]] mapping for 80edo on the [[Lumatone]], see: &#039;&#039;[[Lumatone mapping for 80edo#Bidia]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[36edo]]&lt;br /&gt;
* [https://youtu.be/XZKafk-PkPc &#039;&#039;Improvisation in zeta-stretched 36edo (catnip24 scale)&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://m.youtube.com/watch?v=wy3qlby0Yiw &#039;&#039;Prelude from &#039;Suite 36&#039; for Lumatone and piano&#039;&#039;] - [[Juhani Nuorvala]]&lt;br /&gt;
* [https://alonetone.com/vaisvil/tracks/you-are-him &#039;&#039;You Are Him&#039;&#039;] - Chris Vaisvil&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[35edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=ZPXaMTdTSgw &#039;&#039;Lighting the Jack-o&#039;-lanterns&#039;&#039;] ([[Blackwood]][20]) - Budjarn Lambeth&lt;br /&gt;
* [https://youtu.be/1odAmqiQaz0 &#039;&#039;CHOPIN Waltz op 64 #2 arranged for FORTEPIANO and tuned into 35-edo&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://youtu.be/idUG-x8kT3o &#039;&#039;Gesualdo&#039;s Dolcissima mia vita in three comparative tunings after translation to english&#039;&#039;] - Chris Vaisvil (5:05 to 10:05)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[27edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=JrpcIkElKQc &#039;&#039;Will-O-Wisps&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://www.youtube.com/watch?v=ntnFso-3T_I &#039;&#039;CHACONNE IN 27 EDO, FOR BAROQUE CONSORT&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://www.youtube.com/shorts/5vRudUCuyqc &#039;&#039;Joplin&#039;s Maple Leaf Rag arranged in 27edo&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[13edo]]&lt;br /&gt;
* [https://interdependentscience.blogspot.com/2025/12/13edo.html &#039;&#039;13edo steer&#039;&#039;] - James Kukula&lt;br /&gt;
* [https://www.youtube.com/watch?v=CqBmABrTRas &#039;&#039;Ibex&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://youtube.com/shorts/qpn2zlqynfA?si=1nUgZFJ9iG6xTb3X &#039;&#039;Micro-piece in 13edo for Baroque Consort&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/vam-ziv-zu-niv &#039;&#039;Vam ziv zŭ niv&#039;&#039;] - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2026 ==&lt;br /&gt;
&lt;br /&gt;
; January - [[16edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=y7D0ZgCZlEg &#039;&#039;Waking with a Fever Before Sunrise&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://www.youtube.com/shorts/aQqcbIT7tsg &#039;&#039;Micropiece in 16edo for Baroque Consort (Mikrokosmos #21)&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://hansstraub.bandcamp.com/album/nights-in-sixteen &#039;&#039;Nights in Sixteen&#039;&#039;] (full album) - [[Hans Straub]]&lt;br /&gt;
Also in January, [[Stephen Weigel]] created a sheet music transcription for the pre-existing 16edo work:&lt;br /&gt;
* &#039;&#039;[https://youtu.be/Ta1HzwSJmqk Don&#039;t Take Five]&#039;&#039; - [[Woyten]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[Kleismic]] temperament and [[Kleismic family|its extensions]]&lt;br /&gt;
* [https://youtu.be/6Kxq5uxu-c8 &#039;&#039;Improv in CWE Catakleismic11&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/the-edge-of-lunacy &#039;&#039;The Edge of Lunacy&#039;&#039;] - Herman Miller&lt;br /&gt;
* [https://youtu.be/T2RfMrE7J_Q &#039;&#039;15625/15552&#039;&#039;] - [[Nodal Nim]] and [[Phanonium]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March and April - [[Porcupine]] temperament&lt;br /&gt;
* [https://www.dropbox.com/scl/fi/53ggtzge91kcnfbiupy9r/Porcupine_pump_22edo_guitar_decorated.wav?rlkey=2wbz9afh7f428sl1tbxumcfsu&amp;amp;e=1&amp;amp;st=ip7amqlh&amp;amp;dl=0 &#039;&#039;Porcupine pump 22edo guitar, decorated&#039;&#039;] - [[Casey Hale]] ([[22edo]])&lt;br /&gt;
* [https://app.box.com/s/pjn111a5clonwthmls9ly2b5jxzq96ac &#039;&#039;22 pumps 250 over 243&#039;&#039;] - James Kukula (22edo)&lt;br /&gt;
* [https://youtu.be/YDbqf3g88BE &#039;&#039;The Odd Effects of Breathing the Fairy Dust&#039;&#039;] - Budjarn Lambeth ([[59edo]] porcupine[15])&lt;br /&gt;
* [https://m.youtube.com/shorts/w0WLBdOPcaI &#039;&#039;PORCUPINE FUGUE, for BAROQUE TRIO&#039;&#039;] - Claudi Meneghin (a [[well temperament]] of porcupine)&lt;br /&gt;
* [https://youtu.be/Qs_-eEXKFCc?si=xFnOG6wPwh3JZZSU &#039;&#039;Osage Orange&#039;&#039;] - Nodal Nim&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Mint temperaments]] (temperaments that temper out [[36/35]])&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Microtonal compositions by month]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Projects]]&lt;br /&gt;
[[Category:Listen]]&lt;br /&gt;
[[Category:Facebook]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Monthly_Tunings&amp;diff=229749</id>
		<title>Monthly Tunings</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Monthly_Tunings&amp;diff=229749"/>
		<updated>2026-05-06T12:09:53Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* 2026 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{About|the project organized on Facebook|the project organized on Discord|Tuning of the Month Club}}&lt;br /&gt;
[https://www.facebook.com/groups/979055042181607/ The Xenharmonic Alliance Monthly Tunings] group is a semi-private spin-off of the main Xenharmonic Alliance group. The point of the group is to get xenharmonicists to work on the same tuning, and share ideas, discoveries and music in that tuning. Each month, they all vote on the tuning they want to use.&lt;br /&gt;
&lt;br /&gt;
This page is meant to be an archive of the content produced by that group. Feel free to add your own work to the list.&lt;br /&gt;
&lt;br /&gt;
== Leadership and statistics ==&lt;br /&gt;
The group was founded by [[Antonie Beaudet]]. It is administrated by Antonie Beaudet and [[Claudi Meneghin]]. It is moderated by [[Stephen Weigel]].&lt;br /&gt;
&lt;br /&gt;
Meneghin posts the monthly polls where all users are invited to nominate tunings and to vote upon the nominations. Meneghin also keeps the monthly cover photo and other group images updated.&lt;br /&gt;
&lt;br /&gt;
As the time of writing (16 Dec 2024), the group has 473 members. &lt;br /&gt;
&lt;br /&gt;
The group usually sees 10 to 15 posts per month, though occasionally one month is an outlier with dramatically more activity (Sep 2024, 15edo, for example saw 51 posts). Posts are typically a fairly even mixture of original compositions, covers, new theoretical discoveries and reshares to promote the work of artists outside the group.&lt;br /&gt;
&lt;br /&gt;
== 2016 ==&lt;br /&gt;
; February and March - [[Pajara]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3043 Little Prelude &amp;amp;amp; Fugue in Pajara] by [[Claudi Meneghin]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Sensi]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3062 Sensi Tocada] by Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[37edo]]&lt;br /&gt;
* [https://digitalshock.bandcamp.com/track/08-days-i-do-not-know-if-she-is-saying-the-truth I do not know if she is saying the truth] by [[Igor Livramento]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3141 Little Twyelyghte Musicke (37edo) for 2 Cornetts, 2 Sagbutts &amp;amp;amp; Timpani] by Claudi Meneghin&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3133 Canon in F, 37edo] by Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Superpyth]]&lt;br /&gt;
*[https://soundcloud.com/pianodog/highlights-triadic-superpyth-study-in-22-tet Highlights - Triadic Superpyth Study] by [[William Lynch]]&lt;br /&gt;
*[https://soundcloud.com/pianodog/super-chill-22-tet-superpyth12 Super Chill] by William Lynch&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - 17-tone [[17edo|equal]] and [[Well temperament|well]]-temperaments&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/demanding-two-faces-17-edo Demanding Two Faces] by [[Stephen Weigel]] ([https://soundcloud.com/overtoneshock Soundcloud])&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/where-were-you-during-the-apocalypse-17-edo?in=overtoneshock/sets/xenharmonic-microtonal Where were you During the Apocalypse?] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September and October - [[Porcupine]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3202 Little Fugue in Porcupine] by Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[21edo]]&lt;br /&gt;
* [https://soundcloud.com/mbirakite/bueno-pa-gozar-21edo-version &amp;quot;Bueno Pa Gozar&amp;quot;] (by [[Kite Giedraitis]], salsa-esque piece loosely based on Oye Coma Va)&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3229 21edo Chacony, for harpsichord] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/little-fugue-21-edo Iridescent Wenge Fugue] by Stephen Weigel, accepted into [https://www.seamusonline.org/2018-national-conference/ SEAMUS 2018] and [http://eabarndance.com/ EABD 2018]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [http://www.anaphoria.com/hrgm.pdf Fibonacci tuning] (look on page 22 of the doc / 24 of the PDF)&lt;br /&gt;
The Fibonacci sequence is a series of integers that successively add to create the next one in the series, beginning with 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, etc... and thus a Fibonacci horogram shows this sequence in its rings / moments-of-symmetry. The generator for the Fibonacci horogram is 458.35921&amp;lt;u&amp;gt;3&amp;lt;/u&amp;gt;... cents.&lt;br /&gt;
&lt;br /&gt;
== 2017 ==&lt;br /&gt;
; January - [[Bohlen–Pierce]]&lt;br /&gt;
*[https://soundcloud.com/overtoneshock/a-mean-little-voice-bohlen-pierce-or-13ed3?in=overtoneshock/sets/xenharmonic-microtonal A Mean Little Voice] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[26edo]]&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[http://soonlabel.com/xenharmonic/archives/3335 Canon 3-in-1 on a ground ‘The tempest’] by Claudi Meneghin &amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Semaphore_and_Godzilla|Semaphore]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[11edo]]&lt;br /&gt;
* [https://soundcloud.com/xenseas/halve-knot-demo Halve Knot (demo)] by [[Mercury Tree]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[Mavila]]&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/gamelan-genesis-and-birth-9-edo Gamelan, Genesis, and Birth] by Stephen Weigel, played by the [[Beo String Quartet]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3379 Mavila Fugue] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/kosma-jumis-lul Kôsma jumiś lul] by [[Herman Miller]]&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/hunger-wanders-in-an-empty-room-16-edo Hunger Wanders in an Empty Room] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Marvel woo]]&lt;br /&gt;
* [https://soundcloud.com/pianodog/sketches-in-marvel-marvelous-river Marvelous River] by William Lynch&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/cave-of-marvels Cave of Marvels] by Herman Miller&lt;br /&gt;
* [http://chrisvaisvil.com/a-short-composition-in-marvel-woo/ A Short Composition in Marvel Woo] by [[Chris Vaisvil]] ([http://chrisvaisvil.com/ website])&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/hallelujah-cover-marvel-woo?in=overtoneshock/sets/cover-songs Hallelujah in Marvel Woo (cover)] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[20edo]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3434 Chacony &amp;amp;amp; Fugue in 20edo] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/spinning-the-web Spinning the Web] by Herman Miller&lt;br /&gt;
* [http://chrisvaisvil.com/20-edo-ambient-guitar-with-video/ 20edo Ambient Guitar with Video] by Chris Vaisvil&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[https://soundcloud.com/overtoneshock/underwater-spontaniety-20-edo Underwater Spontaniety] (lo-fi ambient) by Stephen Weigel&amp;lt;/span&amp;gt;&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[https://soundcloud.com/overtoneshock/gods-favorite-tuning-20-edo God&#039;s Favorite Tuning] (xen-pop) by Stephen Weigel&amp;lt;/span&amp;gt;&lt;br /&gt;
* &amp;lt;span style=&amp;quot;background-color: #ffffff;&amp;quot;&amp;gt;[https://soundcloud.com/overtoneshock/you-lied-and-im-not-mentioning-your-name-20-edo?in=overtoneshock/sets/xenharmonic-microtonal You Lied, and I&#039;m not Mentioning your Name] (xen-pop) by Stephen Weigel&amp;lt;/span&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[72edo]]&lt;br /&gt;
* [https://soundcloud.com/prent-rodgers/sets/on-fire-1 Modes for Strings #7] by [[Prent Rodgers]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October and November - [[46edo]]&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/curiosity-finds-a-frown-23-edo Curiosity Finds a Frown] by Stephen Weigel (this is in [[23edo]] - 23 is half of 46, so it counts!)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[15edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=SqZg4_OfSnU We Wish You a Merry Christmas and a Happy New Year! (online Christmas card)] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
== 2018 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[18edo]]&lt;br /&gt;
* [https://noahdeanjordan.bandcamp.com/album/the-moon The Moon] by [[Noah Jordan]] &lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/revealing-the-path Revealing the Path] by Herman Miller([https://www.facebook.com/noahjordanmusic/ Facebook]), this was done with acoustic piano&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/de-void-of-re-incarnation-18-edo De-Void of Re-Incarnation] by Stephen Weigel (fixed media)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[10edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=QQ4QP1C-220&amp;amp;feature=youtu.be Diablo] by [[Kewti]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/2391 Padanian Canon in 10edo] by Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/the-ten-armed-hunter Ten-Armed Hunter] by Herman Miller&lt;br /&gt;
* [http://chrisvaisvil.com/english-theorbo-10-edo-improvisation/ English Theorbo], [http://chrisvaisvil.com/in-wandelwonderland/ in wandelwonderland], [http://chrisvaisvil.com/fantasy-for-piano-tuned-to-10-edo-with-score/ Fantasy for Piano] by Chris Vaisvil&lt;br /&gt;
* [https://www.youtube.com/watch?v=KcKWYD92Yi0 Love is the Catalyst (cover)] by Stephen Weigel&lt;br /&gt;
* [https://soundcloud.com/user-769795842/sets/hymns-of-the-cosmos Hymns of the Cosmos] by KijntheRelar&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - Monarda&lt;br /&gt;
Monarda is a 12-note subset of &amp;quot;[[Tannic]]&amp;quot; temperament, discovered by [[Scott Dakota]], that is rank-three and observes the 17-limit. 17-limit JI is 7-dimensional, and the commas tempered out are: 273/272, 561/560, 441/440, and [[225/224|225/224]]. 7 dimensions - 4 commas = the 3 dimensional tuning. To find temperaments, it&#039;s recommended to use the [http://x31eq.com/temper/pregular.html Regular Temperament Finder], instead of the wiki. Check out the FB Monthly Tunings page for specifics.&lt;br /&gt;
*[https://noahdeanjordan.bandcamp.com/track/ilu ilu] by Noah Jordan&lt;br /&gt;
* [https://archive.org/details/Monarda_Impressions Cam Taylor&#039;s Monarda Impressions] by [[Cam Taylor]]&lt;br /&gt;
* [http://chrisvaisvil.com/tannic-acid-tempering-comparison/ Tannic Acid (comparison)] by Chris Vaisvil&lt;br /&gt;
* [https://soundcloud.com/overtoneshock/nowhere-in-super-particular-sonarda-te Nowhere in Super Particular] by Stephen Weigel&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Polaris]]&lt;br /&gt;
*Polaris refers to a 17-note constant structure in 13-limit JI. It can either function as an untempered JI version, or a tempered version, where 352/351 and 364/363 are most often tempered out (144/143 can be tempered out as well).&lt;br /&gt;
* [http://chrisvaisvil.com/polaris-falls-diy-midi-controller-demo-video/ polaris falls] by Chris Vaisvil&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May and June - [[31edo]]&lt;br /&gt;
* [http://soonlabel.com/xenharmonic/archives/3623 Contrapunctus 11 tuned to 31edo] by Claudi Meneghin (original composer J. S. Bach)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July and August - [[13edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[14edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[53edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[2.3.7]] JI&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[13.888edo]]&lt;br /&gt;
&lt;br /&gt;
== 2019 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[15edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[22edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - ~[[11/8]]-[[generator|generated]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[31edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[32edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Triple BP]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August and September - [[19edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[31edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[15edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[27edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/nusu-laj-stille-nacht Stille Nacht (cover)]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2020 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[17edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[20edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/ivari-na-taniravi Ivari na taniravi]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - Tunings using [[phi]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April and May - [[Miracle]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[Luna]][25]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[8edf]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[Archytas&#039; Chromatic]] or [[:Category:Al-Farabi|Al-Farabi]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[subgroup|2.11.19]] JI (29-tone [[neji]])&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/javen-slu-lil Javen ślǔ lil]&#039;&#039; - Herman Miller&lt;br /&gt;
** Instrumental: [https://soundcloud.com/morphosyntax-1/javen-slu-lil-instrumental javen-slu-lil-instrumental]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[20edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/drifting Drifting]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[9edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/nine-days-wonder Nine Days’ Wonder]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[46edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/light-at-the-end Light at the End]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2021 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[20c &amp;amp; 21c]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/lost-in-the-maze Lost in the Maze]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[50edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[13.888edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April and May - [[19edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/chameleon-dance Chameleon Dance]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June and July - [[31edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/ignorance-is-strength Ignorance is Strength]&#039;&#039; - Herman Miller&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/vupagvam-meaningless Vüpagvam]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[55edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/road-trip-to-nowhere Road Trip to Nowhere]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[0edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/lost-at-c Lost at C]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October and November - [[Canasta]][31]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/realm-of-possibility Realm of Possibility]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[13edo]]&lt;br /&gt;
&lt;br /&gt;
== 2022 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[Orwell]][22] or [[Orwell]][31]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/a-hidden-world A Hidden World]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February and March - [[22edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/march-of-the-mad-hares March of the Mad Hares]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[72edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May and June - [[41edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[6ed5/4]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[46edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[13.888edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/the-butterflys-dream The Butterfly’s Dream]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[Blackjack]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[23edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/vozu-zwen-ka-zan Vözü źwên ķa źan]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[37edo]]&lt;br /&gt;
&lt;br /&gt;
== 2023 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[37edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/luck-of-the-draw Luck of the Draw]&#039;&#039; - Herman Miller&lt;br /&gt;
** [https://drive.google.com/file/d/1rjyC9fRXKwRqpdsGEj3a3JHeJeWkdVWZ/view?usp=drive_link Official score]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[43edt]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[26edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Golden meantone]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Triple BP]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[Carlos Alpha]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[Dwarf17marv]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August and September - [[Tetracot]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[50edo]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November and December&lt;br /&gt;
&#039;&#039;(Group was on hiatus during these months.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== 2024 ==&lt;br /&gt;
{{todo|inline=1|add examples}}&lt;br /&gt;
&lt;br /&gt;
; January - [[Negri]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/without-a-clue Without a Clue]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[33edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=scCuGXnj5IY Enchanted Shopping Mall]&#039;&#039; - [[Budjarn Lambeth]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[Sensi]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=qc0CkUKj7t4 Music in Sensi temperament]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - [[Orwell]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=xb1aazfhAQ4 Improvisation in Orwell temperament]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/zurg-tuun-vantu-war-is-peace Zurğ tuun vantu]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Eagle 53]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=KCNS-bRolio Three short pieces in Eagle 53 tuning]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=fFU2cf1fFEM Uccellini - Aria Sopra La Bergamasca, arranged for Oboe, Recorder, Bassoon, tuned into Eagle 53]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=BYvzWG7y-ps Bach - Prelude BWV 999, arranged for Organ, transposed into Em, tuned into EAGLE 53]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/flowing-along Flowing Along]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[19edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=DRPqNK3VpXM Music in 19edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[34edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=X4MwtiRNW_k Atlantis theme from Banjo-Tooie in 34-TET (Microtonal)]&#039;&#039; - [[Chris Kline]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[21edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=8Bt8MLGcbts Four short improvisations in 21edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September and October - [[15edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=7KRum47I0wQ Dungeon theme (and other themes) from the Legend of Zelda in 15-TET (Microtonal)]&#039;&#039; - Chris Kline&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=eSXomnrP7O8 Improvisation in zeta-stretched 15edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[43edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=KsB9T9_6cGk Gamelan-inspired improvisation in 43edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[42edo]]&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/puffinwrangler/sets/white-christmas White Christmas (42edo reimagining)]&#039;&#039; - [[Todd Harrop]]&lt;br /&gt;
* &#039;&#039;[https://app.box.com/s/70bwqa09oq84rqehc90j5fttgqjmbxme Circulating and Traversing]&#039;&#039; - [[James Kukula]]&lt;br /&gt;
** [https://interdependentscience.blogspot.com/2024/12/circulating-and-traversing.html Composer’s notes]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=vdjhC9i5KF4 Four Short Experiments in Octave Stretched 42edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://youtube.com/shorts/DH-iGV6r8Xw Microtonal Fugue on an Original Theme (42edo)]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=Wh4GmL5Xw8Q BACH - RICERCAR a 3 from the Musical Offering, tuned into E42]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/through-the-dark Through the Dark]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2025 ==&lt;br /&gt;
&lt;br /&gt;
; January - [[25edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=6VC5FWWMwR4 Improvisation in 25edo (Akebono I scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=ZVsQAZdbvMI Improvisation in 25edo (Antipental Blues scale, glass unison timbre)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=iy5Zwc8vipw Improvisation in 25edo (Antipental Blues scale, platinum inharmonic timbre)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=B6HGVZzUze4 Improvisation in 25edo (Armodue5 scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=EK7O0SxI9dI Improvisation in 25edo (Fennec scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/rabbit-tracks-in-the-snow Rabbit Tracks in the Snow]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[55edo]]&lt;br /&gt;
* &#039;&#039;[https://app.box.com/s/8hq89cb3rqqkrhvkxgvqtppa255kcqrq?fbclid=IwY2xjawISjSlleHRuA2FlbQIxMAABHcl5t8n_C7QUJqdEnwSaWBc5u3BpldmcAjhQQljsQIPl1qJ-zdCr9T8NMw_aem_Ez0m-Ls_ZqI0-c0Ld-28Yg 55edo Melted Syntonic]&#039;&#039; - James Kukula&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=9c5MtrZFNhA Improvisation One in 55edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=ggFGUn1Ya2A Improvisation Two in 55edo]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://youtube.com/shorts/6AanMQIxKaI?si=YsCJXkSVbLqx5LAo HAPPY BIRTHDAY 55-edo - Canon (55th birthday) · 6-in-1 Canon in 55edo]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=AgsJCTyxqiM A Double Fugue on &amp;quot;We Wish You a Merry Christmas&amp;quot; for String Quartet in 55-equal division of the octave]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/migration Migration]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March - [[56edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=VsBXIvBZY6A 56edo Track (Echidnic16 Scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://soundcloud.com/morphosyntax-1/vultures Vultures]&#039;&#039; - Herman Miller&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; April - Eagle JI (detempered [[Eagle 53]])&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=D2jrE293Aeo Improvisation in Eagle JI]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=Tmk78SFLstY ARIA SOPRA LA BERGAMASCA, by Uccellini - arranged for Oboe, Recorder, Bassoon, tuned into Eagle JI ]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
* &#039;&#039;[https://audio.com/hstraub/audio/eagleji-2025-04-06-1221 EagleJIN2025-04-06 1221]&#039;&#039; - [[Hans Straub]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - [[Peppermint-24]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=g6e3zYlbsWc Microtonal Jungle-Inspired Track in the &amp;quot;Salt and Pepper Scale&amp;quot;]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=eRzdbzJah20 Mozart&#039;s Gigue KV 574, Arranged for Fortepiano (PEPPERMINT)]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; June - [[37edo]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=_NRZkEw6K1E Improvisation in 37edo (Ultrapyth Temperament)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://alonetone.com/vaisvil/tracks/selling-the-sky-in-37-edo-post-manipulation?fbclid=IwY2xjawLcAgNleHRuA2FlbQIxMABicmlkETFaSk44N25uNTY3SDNsdHJtAR7sCkNHhRijMUr3emWNpIQsMcUO_hUa2Dqkm4gBDGLw8Ut_rBrLxMuCPPd5AA_aem_gYV5k6rVPA1fYZZpesSGAQ Selling the Sky in 37edo Post Manipulation]&#039;&#039; - [[Chris Vaisvil]] ([https://alonetone.com/vaisvil/tracks/selling-the-sky-in-37-edo-post-manipulation.mp3 audio])&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=rxgV0Q1137o Luciférine (Ichicko Aoba) - 37-TET cover]&#039;&#039; - [[Stephen Weigel]] &amp;amp; [[Anna Harkrider]]&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=_m5u4VviMXw Galantean Drift]&#039;&#039; - &amp;lt;nowiki&amp;gt;XENO*n*&amp;lt;/nowiki&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; July - [[70edo]]&lt;br /&gt;
* &#039;&#039;[https://app.box.com/s/i9vvgcplpmksrm8rubz2h3asee2cnr26 piece from Stepping Outside]&#039;&#039; - James Kukula&lt;br /&gt;
* &#039;&#039;[https://www.youtube.com/watch?v=dyEH-pP2dJU Improv in 70edo (Polymicrotonal 10edo+14edo Scale)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* &#039;&#039;[https://youtube.com/shorts/HxGZpAvf4ac The Falling Fifth Progression in 70-equal division of the octave, transitioning from Pythagorean (5th = 702.857 ¢ = 41\70) to Neutral (5th = 685.714 ¢ = 40\70), by shrinking a fifth at a time]&#039;&#039; - Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; August - [[80edo]]&lt;br /&gt;
* &#039;&#039;[https://youtu.be/6N_8QM2UK5I Improvisation in compressed 80edo (435zpi)]&#039;&#039; - Budjarn Lambeth&lt;br /&gt;
* {{w|Frédéric Chopin}}&#039;s [https://www.youtube.com/watch?v=ng1UyvhHcrQ Prelude Op. 28, No. 4 in E minor « Suffocation » (1839), arranged for harpsichord, tuned into 80-edo] – rendered by Claudi Meneghin&lt;br /&gt;
* [https://www.youtube.com/watch?v=TgD7cN8a5D8 Lytel Twyelyghte Musicke (Little Twilight Music), for Brass, Winds, Strings, and Timpani, in 80-equal division of the octave, as the linear temperament generated by its fifth] - Claudi Meneghin&lt;br /&gt;
* Herman Miller created an ltn file for the [[Bidia]] mapping for 80edo on the [[Lumatone]], see: &#039;&#039;[[Lumatone mapping for 80edo#Bidia]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; September - [[36edo]]&lt;br /&gt;
* [https://youtu.be/XZKafk-PkPc &#039;&#039;Improvisation in zeta-stretched 36edo (catnip24 scale)&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://m.youtube.com/watch?v=wy3qlby0Yiw &#039;&#039;Prelude from &#039;Suite 36&#039; for Lumatone and piano&#039;&#039;] - [[Juhani Nuorvala]]&lt;br /&gt;
* [https://alonetone.com/vaisvil/tracks/you-are-him &#039;&#039;You Are Him&#039;&#039;] - Chris Vaisvil&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; October - [[35edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=ZPXaMTdTSgw &#039;&#039;Lighting the Jack-o&#039;-lanterns&#039;&#039;] ([[Blackwood]][20]) - Budjarn Lambeth&lt;br /&gt;
* [https://youtu.be/1odAmqiQaz0 &#039;&#039;CHOPIN Waltz op 64 #2 arranged for FORTEPIANO and tuned into 35-edo&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://youtu.be/idUG-x8kT3o &#039;&#039;Gesualdo&#039;s Dolcissima mia vita in three comparative tunings after translation to english&#039;&#039;] - Chris Vaisvil (5:05 to 10:05)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; November - [[27edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=JrpcIkElKQc &#039;&#039;Will-O-Wisps&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://www.youtube.com/watch?v=ntnFso-3T_I &#039;&#039;CHACONNE IN 27 EDO, FOR BAROQUE CONSORT&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://www.youtube.com/shorts/5vRudUCuyqc &#039;&#039;Joplin&#039;s Maple Leaf Rag arranged in 27edo&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; December - [[13edo]]&lt;br /&gt;
* [https://interdependentscience.blogspot.com/2025/12/13edo.html &#039;&#039;13edo steer&#039;&#039;] - James Kukula&lt;br /&gt;
* [https://www.youtube.com/watch?v=CqBmABrTRas &#039;&#039;Ibex&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://youtube.com/shorts/qpn2zlqynfA?si=1nUgZFJ9iG6xTb3X &#039;&#039;Micro-piece in 13edo for Baroque Consort&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/vam-ziv-zu-niv &#039;&#039;Vam ziv zŭ niv&#039;&#039;] - Herman Miller&lt;br /&gt;
&lt;br /&gt;
== 2026 ==&lt;br /&gt;
&lt;br /&gt;
; January - [[16edo]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=y7D0ZgCZlEg &#039;&#039;Waking with a Fever Before Sunrise&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://www.youtube.com/shorts/aQqcbIT7tsg &#039;&#039;Micropiece in 16edo for Baroque Consort (Mikrokosmos #21)&#039;&#039;] - Claudi Meneghin&lt;br /&gt;
* [https://hansstraub.bandcamp.com/album/nights-in-sixteen &#039;&#039;Nights in Sixteen&#039;&#039;] (full album) - [[Hans Straub]]&lt;br /&gt;
Also in January, [[Stephen Weigel]] created a sheet music transcription for the pre-existing 16edo work:&lt;br /&gt;
* &#039;&#039;[https://youtu.be/Ta1HzwSJmqk Don&#039;t Take Five]&#039;&#039; - [[Woyten]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; February - [[Kleismic]] temperament and [[Kleismic family|its extensions]]&lt;br /&gt;
* [https://youtu.be/6Kxq5uxu-c8 &#039;&#039;Improv in CWE Catakleismic11&#039;&#039;] - Budjarn Lambeth&lt;br /&gt;
* [https://soundcloud.com/morphosyntax-1/the-edge-of-lunacy &#039;&#039;The Edge of Lunacy&#039;&#039;] - Herman Miller&lt;br /&gt;
* [https://youtu.be/T2RfMrE7J_Q &#039;&#039;15625/15552&#039;&#039;] - [[Nodal Nim]] and [[Phanonium]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; March and April - [[Porcupine]] temperament&lt;br /&gt;
* [https://www.dropbox.com/scl/fi/53ggtzge91kcnfbiupy9r/Porcupine_pump_22edo_guitar_decorated.wav?rlkey=2wbz9afh7f428sl1tbxumcfsu&amp;amp;e=1&amp;amp;st=ip7amqlh&amp;amp;dl=0 &#039;&#039;Porcupine pump 22edo guitar, decorated&#039;&#039;] - [[Casey Hale]] ([[22edo]])&lt;br /&gt;
* [https://app.box.com/s/pjn111a5clonwthmls9ly2b5jxzq96ac &#039;&#039;22 pumps 250 over 243&#039;&#039;] - James Kukula (22edo)&lt;br /&gt;
* [https://youtu.be/YDbqf3g88BE &#039;&#039;The Odd Effects of Breathing the Fairy Dust&#039;&#039;] - Budjarn Lambeth ([[59edo]] porcupine[15])&lt;br /&gt;
* [https://m.youtube.com/shorts/w0WLBdOPcaI &#039;&#039;PORCUPINE FUGUE, for BAROQUE TRIO&#039;&#039;] - Claudi Meneghin (a [[well temperament]] of porcupine)&lt;br /&gt;
* [https://youtu.be/Qs_-eEXKFCc?si=xFnOG6wPwh3JZZSU &#039;&#039;Osage Orange&#039;&#039;] - Nodal Nim&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
; May - temperaments that temper out [[36/35]]&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Microtonal compositions by month]]&lt;br /&gt;
&lt;br /&gt;
[[Category:Projects]]&lt;br /&gt;
[[Category:Listen]]&lt;br /&gt;
[[Category:Facebook]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Category:Lists_of_scales&amp;diff=229748</id>
		<title>Category:Lists of scales</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Category:Lists_of_scales&amp;diff=229748"/>
		<updated>2026-05-06T12:06:19Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{catrel|Scales by size}}&lt;br /&gt;
{{catrel|Scales by family}}&lt;br /&gt;
{{catrel|Modes}}&lt;br /&gt;
&lt;br /&gt;
== Featured lists ==&lt;br /&gt;
{{Navbox&lt;br /&gt;
| name = Navbox scale gallery&lt;br /&gt;
| Title = Scale galleries&lt;br /&gt;
| Is Collapsible = true&lt;br /&gt;
| Header 1 = JI scales&lt;br /&gt;
| Data 1 = [[Gallery of 12-tone just intonation scales|12-tone JI]] • [[Gallery of combination product sets|Combination product set]] • [[Gallery of CS Scales|Constant structure]] • [[Harry Partch related scales|Harry Partch-related]] • [[Maximal harmony epimorphic scales|Maximal harmony epimorphic]] • [[Gallery of MOS transversals|MOS transversal]] • [[Gallery of nonoctave scales#Just|Non-octave JI]] • [[Gallery of wakalixes|Wakalix]] • [[Gallery of Z-polygon transversals|Z-polygon transversal]] • [[Gallery of Other Just Intonation Scales|Other JI]]&amp;lt;br /&amp;gt;&#039;&#039;&#039;Full list: [[:Category:Just intonation scales]]&#039;&#039;&#039;&lt;br /&gt;
| Header 2 = Tempered scales&lt;br /&gt;
| Data 2 = [[Hendecatonic MOS|11-tone MOS]] • [[Gallery of 12-tone tempered scales|12-tone tempered]] • [[Chromatic pairs|Chromatic pair]] • [[Clippers|Clipper]] • [[Erose–McClain double mode|Double mode]] • [[List of essentially tempered scales|Essentially tempered]] • [[Fantasy detempers|Fantasy detemper]] • [[Marvel woo|Marvel woo]] • [[Meantone]] • [[Minimum-ambiguity DE scales|Min ambiguity]] • [[MOS cradle]] • [[Modes of Negri-9|Negri-9]] • [[Neutral third scales|Neutral third]] • [[Gallery of nonoctave scales#Tempered|Non-octave tempered]] • [[scalesmith|Scalesmith systematic]] • [[List of ternary scales|Ternary]] • [[Gallery of other tempered scales|Other tempered]]&amp;lt;br /&amp;gt;&#039;&#039;&#039;Full list: [[:Category:Tempered scales]]&#039;&#039;&#039;&lt;br /&gt;
| Header 3 = Scales in [[EDO]]s&lt;br /&gt;
| Data 3 = [[10edo#scales|in 10edo]] • [[11edo modes|11]] • [[13edo scales|13]] • [[14edo#scales|14]] • [[15edo#Scales|15]] • [[16edo#Scales|16]] • [[17edo#Scales|17]] • [[18edo#Scales|18]] • [[19edo modes|19]] • [[20edo#Modes|20]]  • [[21edo#Scales|21]] • [[22edo modes|22]] • [[23edo#Scales|23]] • [[24edo scales|24]] • [[25edo#Scales|25]] • [[26edo#Scales|26]] • [[27edo#Scales|27]] • [[28edo#Scales|28]] • [[29edo#Scales|29]] • [[30edo#Scales|30]] • [[31edo modes|31]] • [[33edo#Scales|33]] • [[34edo#Scales|34]] • [[35edo#Scales|35]] • [[36edo#Scales|36]] • [[37edo#Scales|37]] • [[38edo#Scales|38]] • [[40edo#Scales|40]] • [[41edo modes|41]] • [[42edo#Scales|42]] • [[43edo#Scales|43]] • [[46edo#Scales|46]] • [[49edo#Scales|49]] • [[53edo#Scales|53]] • [[72edo#Scales|72]] • [[80edo#Scales|80]]&lt;br /&gt;
| Footer Row = {{center|&#039;&#039;All other scale gallery pages are included in [[:Category:Lists of scales]]&#039;&#039;}}&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
== Lists on other sites ==&lt;br /&gt;
* [https://github.com/narenratan/scale-library Narenratan&#039;s GitHub scale library]&lt;br /&gt;
* [https://www.huygens-fokker.org/microtonality/scales.html Scala scale archive]&lt;br /&gt;
* [https://github.com/surge-synthesizer/surge/tree/main/resources/data/tuning_library Surge Synthesizer tuning library]&lt;br /&gt;
* [https://tuning.ableton.com/ Ableton tuning library]&lt;br /&gt;
&lt;br /&gt;
[[Category:Lists|Scales]]&lt;br /&gt;
[[Category:Scales|*]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Template:Navbox_scale_gallery&amp;diff=229747</id>
		<title>Template:Navbox scale gallery</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Template:Navbox_scale_gallery&amp;diff=229747"/>
		<updated>2026-05-06T12:05:46Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: most of these temper an EDO to a higher rank temperament&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;includeonly&amp;gt;&amp;lt;br /&amp;gt;{{Navbox&lt;br /&gt;
| name = Navbox scale gallery&lt;br /&gt;
| Title = Scale galleries&lt;br /&gt;
| Is Collapsible = true&lt;br /&gt;
| Header 1 = JI scales&lt;br /&gt;
| Data 1 = [[Gallery of 12-tone just intonation scales|12-tone JI]] • [[Gallery of combination product sets|Combination product set]] • [[Gallery of CS Scales|Constant structure]] • [[Harry Partch related scales|Harry Partch-related]] • [[Maximal harmony epimorphic scales|Maximal harmony epimorphic]] • [[Gallery of MOS transversals|MOS transversal]] • [[Gallery of nonoctave scales#Just|Non-octave JI]] • [[Gallery of wakalixes|Wakalix]] • [[Gallery of Z-polygon transversals|Z-polygon transversal]] • [[Gallery of Other Just Intonation Scales|Other JI]]&amp;lt;br /&amp;gt;&#039;&#039;&#039;Full list: [[:Category:Just intonation scales]]&#039;&#039;&#039;&lt;br /&gt;
| Header 2 = Tempered scales&lt;br /&gt;
| Data 2 = [[Hendecatonic MOS|11-tone MOS]] • [[Gallery of 12-tone tempered scales|12-tone tempered]] • [[Chromatic pairs|Chromatic pair]] • [[Clippers|Clipper]] • [[Erose–McClain double mode|Double mode]] • [[List of essentially tempered scales|Essentially tempered]] • [[Fantasy detempers|Fantasy detemper]] • [[Marvel woo|Marvel woo]] • [[Meantone]] • [[Minimum-ambiguity DE scales|Min ambiguity]] • [[MOS cradle]] • [[Modes of Negri-9|Negri-9]] • [[Neutral third scales|Neutral third]] • [[Gallery of nonoctave scales#Tempered|Non-octave tempered]] • [[scalesmith|Scalesmith systematic]] • [[List of ternary scales|Ternary]] • [[Gallery of other tempered scales|Other tempered]]&amp;lt;br /&amp;gt;&#039;&#039;&#039;Full list: [[:Category:Tempered scales]]&#039;&#039;&#039;&lt;br /&gt;
| Header 3 = Scales in [[EDO]]s&lt;br /&gt;
| Data 3 = [[10edo#scales|in 10edo]] • [[11edo modes|11]] • [[13edo scales|13]] • [[14edo#scales|14]] • [[15edo#Scales|15]] • [[16edo#Scales|16]] • [[17edo#Scales|17]] • [[18edo#Scales|18]] • [[19edo modes|19]] • [[20edo#Modes|20]]  • [[21edo#Scales|21]] • [[22edo modes|22]] • [[23edo#Scales|23]] • [[24edo scales|24]] • [[25edo#Scales|25]] • [[26edo#Scales|26]] • [[27edo#Scales|27]] • [[28edo#Scales|28]] • [[29edo#Scales|29]] • [[30edo#Scales|30]] • [[31edo modes|31]] • [[33edo#Scales|33]] • [[34edo#Scales|34]] • [[35edo#Scales|35]] • [[36edo#Scales|36]] • [[37edo#Scales|37]] • [[38edo#Scales|38]] • [[40edo#Scales|40]] • [[41edo modes|41]] • [[42edo#Scales|42]] • [[43edo#Scales|43]] • [[46edo#Scales|46]] • [[49edo#Scales|49]] • [[53edo#Scales|53]] • [[72edo#Scales|72]] • [[80edo#Scales|80]]&lt;br /&gt;
| Footer Row = {{center|&#039;&#039;All other scale gallery pages are included in [[:Category:Lists of scales]]&#039;&#039;}}&lt;br /&gt;
}}{{#ifeq: {{lc: {{ARTICLEROOTPAGENAME}}}}|template:navbox scale gallery||[[Category:Lists of scales]]}}&amp;lt;/includeonly&amp;gt;&amp;lt;noinclude&amp;gt;&lt;br /&gt;
{{documentation}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Navboxes]]&lt;br /&gt;
&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User_talk:MisterShafXen&amp;diff=229684</id>
		<title>User talk:MisterShafXen</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User_talk:MisterShafXen&amp;diff=229684"/>
		<updated>2026-05-05T13:31:11Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Notice */ replied&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Creating new edo pages ==&lt;br /&gt;
Please remember to add a link in the &#039;&#039;EDO&#039;&#039; page when you create new edo pages. I see you&#039;ve created a couple of empty edo pages. You have anything coming up to the edos you created pages for? [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 13:22, 14 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
: MisterShafXen, thank you for your efforts to improve the wiki. &lt;br /&gt;
&lt;br /&gt;
: If you have been creating pages from the “wanted pages” list, it may be best to stop doing that, and to instead work on adding more content to the already-existing pages in [[:Category:Stubs]].&lt;br /&gt;
&lt;br /&gt;
: I have recently added a little blurb to [[Xenharmonic Wiki:Conventions]] explaining why “wanted pages” can be misleading and what other things to do instead.&lt;br /&gt;
&lt;br /&gt;
: I want to reiterate that I am thankful for your efforts and appreciative that you are here. I’m just trying to help you put your enthusiasm and good will to the best use.&lt;br /&gt;
&lt;br /&gt;
: Kind regards,&lt;br /&gt;
&lt;br /&gt;
: --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 23:31, 14 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
Budjarn has a great point. So far you&#039;ve created a bunch of edo pages with only infoboxes. We all wonder what you have to say about those tunings, but if you don&#039;t have anything to say yet, I&#039;d like to ask you to do us a favor to stop creating new pages for now cuz we don&#039;t have many volunteers to fill them with real contents. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 18:14, 16 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
Any chance we&#039;ll have a talk? [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 19:25, 17 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
Sure!  [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 16:54, 7 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== To create an infobox ==&lt;br /&gt;
To create an infobox with the visual editor, find &#039;&#039;insert&#039;&#039; on the same line as the &#039;&#039;save changes&#039;&#039; button. Click &#039;&#039;insert&#039;&#039; → &#039;&#039;template&#039;&#039;. Enter &amp;lt;code&amp;gt;Infobox Interval&amp;lt;/code&amp;gt; in the text box (if it&#039;s an interval page), and click &#039;&#039;insert&#039;&#039;. To create an infobox in the source editor, simply enter &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;{{Infobox Interval}}&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;. You may use the &#039;&#039;SandBox&#039;&#039; page to experiment with editing. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 17:00, 15 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
: It doesn’t show me the insert thing, I don’t know why. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 13:14, 16 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
:: [[File:HowToInfoboxInterval.jpeg|500px|thumb|left]]&lt;br /&gt;
:: Here are screenshots of the process in the visual editor. &lt;br /&gt;
:: Click on the image to zoom in.&lt;br /&gt;
:: As Flora said, to experiment with editing, please use the page [[SandBox]].&lt;br /&gt;
:: --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 03:44, 17 January 2025 (UTC)&lt;br /&gt;
{{clear}}&lt;br /&gt;
&lt;br /&gt;
Now I understand… I am using mobile. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 12:45, 23 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Uploading pictures ==&lt;br /&gt;
You pictures aren&#039;t properly rotated, and it&#039;s generally not great to have to click a link to see it. Why not typing them down in plain text? [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 14:23, 17 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
I’ve tried putting it in plain text. Someone else suggested putting pictures instead. I can’t seem to rotate it properly, it’s so annoying. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 14:41, 17 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Notice ==&lt;br /&gt;
I received many complaints about your conduct on this wiki. Your contributions have been considered unhelpful due to a massive lack of context. We asked you to provide context to your notation to various edos like what purpose they served and what method was used. There&#039;s still no answers. I think in general you can do us a favor by using your user namespace (pages of the form &amp;lt;code&amp;gt;User:MisterShafXen/[Title]&amp;lt;/code&amp;gt;) more. The main namespace isn&#039;t where you put your idiosyncratic stuff without explanation. More specifically we ask you to&lt;br /&gt;
* not create new equal tuning pages and interval pages until you have some substantial human-made contents (not machine-generated contents) to add. &lt;br /&gt;
* not upload handwritten pictures. &lt;br /&gt;
** get some digital formatting tools. &lt;br /&gt;
* keep your notation solutions to your user space. &lt;br /&gt;
&lt;br /&gt;
Finally, if you add links, pls add them in the proper section. Don&#039;t just carelessly put it in the intro. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 20:50, 1 February 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Sure! I’m still learning…&lt;br /&gt;
I will be putting in my reasoning for my notation in the next few days. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 18:47, 3 February 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Notice regarding temperament pages ==&lt;br /&gt;
The established practice on the wiki is to not create pages for individual temperaments before their technical data is recorded on a family page, and in general to not create pages for individual temperaments without there being cause for a greater exploration of a temperament than is available on a family page like [[Escapade family]]. In the case of your page, Sharpquart (which has since been deleted because the temperament interpretation come up with for that generator already exists, as [[Keemic temperaments #Chromo|Chromo]]), you did not provide this sort of exploration. You displayed a fundamental misunderstanding of what a temperament is (by declaring a generator of &amp;quot;exactly 53.5 cents&amp;quot;), as it is explicit that temperaments are not the same thing as scale structures. If you wanted to record on the wiki a scale family generated using that generator, it would be better served in the form of a Scala file like many pages on the wiki are.&lt;br /&gt;
&lt;br /&gt;
You are not obligated to understand the mathematical concepts presented on the wiki, but only &#039;&#039;if you are not to claim any one of the ideas you place on the wiki&#039;&#039; to be an instance of such a concept. You &#039;&#039;are&#039;&#039; obligated to explain what xenharmonic interest, however niche, your ideas might possess, or to express them in a way where it seems plausible that they have such interest. I understand that you may think of the wiki as being created by people doing much the same thing you are, and the preponderance of often unhelpful temperaments doesn&#039;t help to dispel such notions. However, even if the people who wrote up most of the contents of the temperament family pages &#039;&#039;were&#039;&#039; like you in mind (and I don&#039;t believe they were, the quality of their contributions notwithstanding), the current wiki holds itself to a higher standard than it once had, and all you would be doing is adding to, rather than ameliorating, the wiki&#039;s problem.&lt;br /&gt;
&lt;br /&gt;
Some people believe that you should receive a temporary block on the wiki; I will not act on that on my own initiative. Therefore, consider this a warning. --[[User:Lériendil|Lériendil]] ([[User talk:Lériendil|talk]]) 16:15, 25 March 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
To add on to Leriendil’s message: There is probably no material needing to be added on the wiki which can be added by someone without significant knowledge of xenharmonic theory (i.e. comparable to or beyond what the wiki catalogues) or significant knowledge of performance practice. [[User:Hkm|hkm]] ([[User talk:Hkm|talk]]) 19:15, 25 March 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Ok, thanks for the warning. Please note that I consider myself to be an adventurous beginner on this wiki. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 12:54, 4 April 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Formatting ==&lt;br /&gt;
Pls take some time to learn basic wiki formatting at Help: Editing. Don&#039;t burden others to finish up what you leave out like [https://en.xen.wiki/index.php?title=Music_in_14edo&amp;amp;curid=17182&amp;amp;diff=189609&amp;amp;oldid=173465 this]. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 14:45, 2 April 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thanks for telling me where to find the formatting guide! [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 12:52, 4 April 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Interval page formatting ==&lt;br /&gt;
Pls use Template: Monzo to type monzos. Pls put Template: Infobox interval at the top of each interval page. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 11:35, 19 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Ok, I&#039;ll try that!&lt;br /&gt;
&lt;br /&gt;
== Notability ==&lt;br /&gt;
&lt;br /&gt;
You&#039;ve created a few pages which are not considered notable enough for the wiki. You might want to read the [[notability guidelines]]. Specifically, you created pages about very complex intervals (with high [[prime limit]] or large numerator/denominator) that are also large enough (more than one cent at that complexity) that they aren&#039;t useful for tempering out. It&#039;s true that there are more complex intervals documented on the wiki, like [[393216/390625]], but these intervals are notable because tempering them out leads to useful structures with a somewhat small [[prime limit]]; in the notability guidelines, we would consider them notable by community content, theoretical value, or practical application.&lt;br /&gt;
&lt;br /&gt;
You&#039;ve also created at least one page for an equal division of an interval other than the octave. These pages could be fine as long as there is interesting theory behind those divisions--perhaps they represent [[just intonation]] very accurately, or they are used in non-Western musical cultures. The page you created, [[8ed6]] happened to have a neat relation to the [[wuerschmidt]] temperament, so there was some interesting theory behind that division. As a result, the page was marked as [[niche]] rather than being deleted. But this was something of a lucky outcome for you--if there was no connection to wuerschmidt, the page might have been deleted due to not fitting the notability guidelines.&lt;br /&gt;
&lt;br /&gt;
I see that you&#039;ve joined the XA Discord--if you&#039;re wondering whether a page you&#039;re considering creating meets notability guidelines, feel free to ask in the #wiki channel. You can also create any page you want on your userspace. --[[User:Hkm|hkm]] ([[User talk:Hkm|talk]]) 20:27, 20 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thanks for making me aware. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 22:09, 20 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
: I want to clarify that the following is not really true:&lt;br /&gt;
:: You can also create any page you want on your userspace. &lt;br /&gt;
: While the guidelines are not as strictly enforced on userspace pages, they are still part of this wiki and should contain useful information.&lt;br /&gt;
: Creating many pages in your userspace which do not follow the notability guidelines can be perceived as spam. &lt;br /&gt;
: – [[User:Sintel|Sintel🎏]] ([[User_talk:Sintel|talk]]) 18:10, 31 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thanks for the clarification.&lt;br /&gt;
[[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 18:56, 31 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Duplicate pages ==&lt;br /&gt;
&lt;br /&gt;
Hi MisterShafXen,&lt;br /&gt;
&lt;br /&gt;
I noticed you create pages such as [[User:MisterShafXen/8edo]], which are essentially reduced versions of their equivalent from the main namespace, such as [[8edo]]. I know you say you like to develop your own theory, but if you&#039;re going to just duplicate information without any added value, it is likely that the admins will delete the pages without asking upfront. I thought I&#039;d point it out in case you didn&#039;t notice, either.&lt;br /&gt;
&lt;br /&gt;
The Xen Wiki is already a mess as it is already, and while user pages don&#039;t interfere as much in most viewers&#039; experience, it nonetheless adds noise to the whole. If you want to experiment with templates, or browse the &amp;quot;stats&amp;quot; of various tunings, I suggest you create a userspace sandbox (i.e. [[User:MisterShafXen/Sandbox]]) and make use of the &amp;quot;preview&amp;quot; feature, if you use the source editor, to display the page without needing to save it, if you don&#039;t need to keep it on the long term (e.g. if it&#039;s a tuning system you regularly use to make music). Although the website can probably handle hundreds of additional pages without any technical issue, it&#039;s more of a problem for the admins (like me), because that means additional maintenance work, and with already over 20,000 pages, it&#039;s difficult to keep everything tidy and it is extremely time-consuming.&lt;br /&gt;
&lt;br /&gt;
If you continue to create numerous pages that admins are going to delete afterwards anyway, you might receive an official warning from admins. The userspace has more freedom than the main namespace, but it&#039;s not free-for-all either. Thank you for your consideration. --[[User:Fredg999|Fredg999]] ([[User talk:Fredg999|talk]]) 17:52, 1 August 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thank you for your suggestion! I will definitely take it into consideration. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 18:14, 1 August 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Notice ==&lt;br /&gt;
Plz stop creating articles with only machine-generated contents. Consider this a formal warning. —[[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 18:57, 2 May 2026 (UTC)&lt;br /&gt;
&lt;br /&gt;
Hello Flora, &lt;br /&gt;
I very much appreciate that you have been gracious enough to give me a formal warning against creating articles with only machine-generated content. However, I do have an objection. The majority of the articles I have recently created using only templates have been either articles on specific MOS scales and articles listing all MOSes in given EDOs. At the very least, the latter articles that were already on the wiki did not appear to have any humanly written content. In addition to this, a good few existing articles on specific MOS scales have at most 1-2 lines of humanly written content. As such, I saw it fit to create these kinds of articles using only templates.&lt;br /&gt;
I would like to reiterate that I very much appreciate the severity of this warning, and I will do my best to add original content when creating articles.&lt;br /&gt;
[[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 19:39, 2 May 2026 (UTC)&lt;br /&gt;
&lt;br /&gt;
: Hello MisterShafXen, those pre-existing pages with only machine-generated content were made years ago, before the [[Xenharmonic Wiki:Notability guidelines]] were created. (I even made many of them.) Those pages would not be made today. Many of them should probably be deleted but the moderators have more important things to do than go through old pages one by one deciding what to delete. If you want to contribute to MOS pages, then rather than making new empty MOS pages, it would be more helpful to write some text for those already-existing pages. That would be much appreciated. --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 02:04, 5 May 2026 (UTC)&lt;br /&gt;
&lt;br /&gt;
Hello Budjarn, thanks a lot for bringing that to my attention :)&lt;br /&gt;
&lt;br /&gt;
I will do my best to start adding actual human content to those empty pages.&lt;br /&gt;
&lt;br /&gt;
Best,&lt;br /&gt;
[[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 09:40, 5 May 2026 (UTC)&lt;br /&gt;
&lt;br /&gt;
: Thank you MisterShafXen, that&#039;s awesome to hear :) I look forward to seeing your writing --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 13:31, 5 May 2026 (UTC)&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User_talk:MisterShafXen&amp;diff=229683</id>
		<title>User talk:MisterShafXen</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User_talk:MisterShafXen&amp;diff=229683"/>
		<updated>2026-05-05T13:30:12Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Notice */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Creating new edo pages ==&lt;br /&gt;
Please remember to add a link in the &#039;&#039;EDO&#039;&#039; page when you create new edo pages. I see you&#039;ve created a couple of empty edo pages. You have anything coming up to the edos you created pages for? [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 13:22, 14 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
: MisterShafXen, thank you for your efforts to improve the wiki. &lt;br /&gt;
&lt;br /&gt;
: If you have been creating pages from the “wanted pages” list, it may be best to stop doing that, and to instead work on adding more content to the already-existing pages in [[:Category:Stubs]].&lt;br /&gt;
&lt;br /&gt;
: I have recently added a little blurb to [[Xenharmonic Wiki:Conventions]] explaining why “wanted pages” can be misleading and what other things to do instead.&lt;br /&gt;
&lt;br /&gt;
: I want to reiterate that I am thankful for your efforts and appreciative that you are here. I’m just trying to help you put your enthusiasm and good will to the best use.&lt;br /&gt;
&lt;br /&gt;
: Kind regards,&lt;br /&gt;
&lt;br /&gt;
: --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 23:31, 14 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
Budjarn has a great point. So far you&#039;ve created a bunch of edo pages with only infoboxes. We all wonder what you have to say about those tunings, but if you don&#039;t have anything to say yet, I&#039;d like to ask you to do us a favor to stop creating new pages for now cuz we don&#039;t have many volunteers to fill them with real contents. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 18:14, 16 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
Any chance we&#039;ll have a talk? [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 19:25, 17 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
Sure!  [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 16:54, 7 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== To create an infobox ==&lt;br /&gt;
To create an infobox with the visual editor, find &#039;&#039;insert&#039;&#039; on the same line as the &#039;&#039;save changes&#039;&#039; button. Click &#039;&#039;insert&#039;&#039; → &#039;&#039;template&#039;&#039;. Enter &amp;lt;code&amp;gt;Infobox Interval&amp;lt;/code&amp;gt; in the text box (if it&#039;s an interval page), and click &#039;&#039;insert&#039;&#039;. To create an infobox in the source editor, simply enter &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;{{Infobox Interval}}&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;. You may use the &#039;&#039;SandBox&#039;&#039; page to experiment with editing. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 17:00, 15 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
: It doesn’t show me the insert thing, I don’t know why. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 13:14, 16 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
:: [[File:HowToInfoboxInterval.jpeg|500px|thumb|left]]&lt;br /&gt;
:: Here are screenshots of the process in the visual editor. &lt;br /&gt;
:: Click on the image to zoom in.&lt;br /&gt;
:: As Flora said, to experiment with editing, please use the page [[SandBox]].&lt;br /&gt;
:: --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 03:44, 17 January 2025 (UTC)&lt;br /&gt;
{{clear}}&lt;br /&gt;
&lt;br /&gt;
Now I understand… I am using mobile. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 12:45, 23 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Uploading pictures ==&lt;br /&gt;
You pictures aren&#039;t properly rotated, and it&#039;s generally not great to have to click a link to see it. Why not typing them down in plain text? [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 14:23, 17 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
I’ve tried putting it in plain text. Someone else suggested putting pictures instead. I can’t seem to rotate it properly, it’s so annoying. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 14:41, 17 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Notice ==&lt;br /&gt;
I received many complaints about your conduct on this wiki. Your contributions have been considered unhelpful due to a massive lack of context. We asked you to provide context to your notation to various edos like what purpose they served and what method was used. There&#039;s still no answers. I think in general you can do us a favor by using your user namespace (pages of the form &amp;lt;code&amp;gt;User:MisterShafXen/[Title]&amp;lt;/code&amp;gt;) more. The main namespace isn&#039;t where you put your idiosyncratic stuff without explanation. More specifically we ask you to&lt;br /&gt;
* not create new equal tuning pages and interval pages until you have some substantial human-made contents (not machine-generated contents) to add. &lt;br /&gt;
* not upload handwritten pictures. &lt;br /&gt;
** get some digital formatting tools. &lt;br /&gt;
* keep your notation solutions to your user space. &lt;br /&gt;
&lt;br /&gt;
Finally, if you add links, pls add them in the proper section. Don&#039;t just carelessly put it in the intro. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 20:50, 1 February 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Sure! I’m still learning…&lt;br /&gt;
I will be putting in my reasoning for my notation in the next few days. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 18:47, 3 February 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Notice regarding temperament pages ==&lt;br /&gt;
The established practice on the wiki is to not create pages for individual temperaments before their technical data is recorded on a family page, and in general to not create pages for individual temperaments without there being cause for a greater exploration of a temperament than is available on a family page like [[Escapade family]]. In the case of your page, Sharpquart (which has since been deleted because the temperament interpretation come up with for that generator already exists, as [[Keemic temperaments #Chromo|Chromo]]), you did not provide this sort of exploration. You displayed a fundamental misunderstanding of what a temperament is (by declaring a generator of &amp;quot;exactly 53.5 cents&amp;quot;), as it is explicit that temperaments are not the same thing as scale structures. If you wanted to record on the wiki a scale family generated using that generator, it would be better served in the form of a Scala file like many pages on the wiki are.&lt;br /&gt;
&lt;br /&gt;
You are not obligated to understand the mathematical concepts presented on the wiki, but only &#039;&#039;if you are not to claim any one of the ideas you place on the wiki&#039;&#039; to be an instance of such a concept. You &#039;&#039;are&#039;&#039; obligated to explain what xenharmonic interest, however niche, your ideas might possess, or to express them in a way where it seems plausible that they have such interest. I understand that you may think of the wiki as being created by people doing much the same thing you are, and the preponderance of often unhelpful temperaments doesn&#039;t help to dispel such notions. However, even if the people who wrote up most of the contents of the temperament family pages &#039;&#039;were&#039;&#039; like you in mind (and I don&#039;t believe they were, the quality of their contributions notwithstanding), the current wiki holds itself to a higher standard than it once had, and all you would be doing is adding to, rather than ameliorating, the wiki&#039;s problem.&lt;br /&gt;
&lt;br /&gt;
Some people believe that you should receive a temporary block on the wiki; I will not act on that on my own initiative. Therefore, consider this a warning. --[[User:Lériendil|Lériendil]] ([[User talk:Lériendil|talk]]) 16:15, 25 March 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
To add on to Leriendil’s message: There is probably no material needing to be added on the wiki which can be added by someone without significant knowledge of xenharmonic theory (i.e. comparable to or beyond what the wiki catalogues) or significant knowledge of performance practice. [[User:Hkm|hkm]] ([[User talk:Hkm|talk]]) 19:15, 25 March 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Ok, thanks for the warning. Please note that I consider myself to be an adventurous beginner on this wiki. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 12:54, 4 April 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Formatting ==&lt;br /&gt;
Pls take some time to learn basic wiki formatting at Help: Editing. Don&#039;t burden others to finish up what you leave out like [https://en.xen.wiki/index.php?title=Music_in_14edo&amp;amp;curid=17182&amp;amp;diff=189609&amp;amp;oldid=173465 this]. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 14:45, 2 April 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thanks for telling me where to find the formatting guide! [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 12:52, 4 April 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Interval page formatting ==&lt;br /&gt;
Pls use Template: Monzo to type monzos. Pls put Template: Infobox interval at the top of each interval page. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 11:35, 19 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Ok, I&#039;ll try that!&lt;br /&gt;
&lt;br /&gt;
== Notability ==&lt;br /&gt;
&lt;br /&gt;
You&#039;ve created a few pages which are not considered notable enough for the wiki. You might want to read the [[notability guidelines]]. Specifically, you created pages about very complex intervals (with high [[prime limit]] or large numerator/denominator) that are also large enough (more than one cent at that complexity) that they aren&#039;t useful for tempering out. It&#039;s true that there are more complex intervals documented on the wiki, like [[393216/390625]], but these intervals are notable because tempering them out leads to useful structures with a somewhat small [[prime limit]]; in the notability guidelines, we would consider them notable by community content, theoretical value, or practical application.&lt;br /&gt;
&lt;br /&gt;
You&#039;ve also created at least one page for an equal division of an interval other than the octave. These pages could be fine as long as there is interesting theory behind those divisions--perhaps they represent [[just intonation]] very accurately, or they are used in non-Western musical cultures. The page you created, [[8ed6]] happened to have a neat relation to the [[wuerschmidt]] temperament, so there was some interesting theory behind that division. As a result, the page was marked as [[niche]] rather than being deleted. But this was something of a lucky outcome for you--if there was no connection to wuerschmidt, the page might have been deleted due to not fitting the notability guidelines.&lt;br /&gt;
&lt;br /&gt;
I see that you&#039;ve joined the XA Discord--if you&#039;re wondering whether a page you&#039;re considering creating meets notability guidelines, feel free to ask in the #wiki channel. You can also create any page you want on your userspace. --[[User:Hkm|hkm]] ([[User talk:Hkm|talk]]) 20:27, 20 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thanks for making me aware. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 22:09, 20 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
: I want to clarify that the following is not really true:&lt;br /&gt;
:: You can also create any page you want on your userspace. &lt;br /&gt;
: While the guidelines are not as strictly enforced on userspace pages, they are still part of this wiki and should contain useful information.&lt;br /&gt;
: Creating many pages in your userspace which do not follow the notability guidelines can be perceived as spam. &lt;br /&gt;
: – [[User:Sintel|Sintel🎏]] ([[User_talk:Sintel|talk]]) 18:10, 31 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thanks for the clarification.&lt;br /&gt;
[[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 18:56, 31 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Duplicate pages ==&lt;br /&gt;
&lt;br /&gt;
Hi MisterShafXen,&lt;br /&gt;
&lt;br /&gt;
I noticed you create pages such as [[User:MisterShafXen/8edo]], which are essentially reduced versions of their equivalent from the main namespace, such as [[8edo]]. I know you say you like to develop your own theory, but if you&#039;re going to just duplicate information without any added value, it is likely that the admins will delete the pages without asking upfront. I thought I&#039;d point it out in case you didn&#039;t notice, either.&lt;br /&gt;
&lt;br /&gt;
The Xen Wiki is already a mess as it is already, and while user pages don&#039;t interfere as much in most viewers&#039; experience, it nonetheless adds noise to the whole. If you want to experiment with templates, or browse the &amp;quot;stats&amp;quot; of various tunings, I suggest you create a userspace sandbox (i.e. [[User:MisterShafXen/Sandbox]]) and make use of the &amp;quot;preview&amp;quot; feature, if you use the source editor, to display the page without needing to save it, if you don&#039;t need to keep it on the long term (e.g. if it&#039;s a tuning system you regularly use to make music). Although the website can probably handle hundreds of additional pages without any technical issue, it&#039;s more of a problem for the admins (like me), because that means additional maintenance work, and with already over 20,000 pages, it&#039;s difficult to keep everything tidy and it is extremely time-consuming.&lt;br /&gt;
&lt;br /&gt;
If you continue to create numerous pages that admins are going to delete afterwards anyway, you might receive an official warning from admins. The userspace has more freedom than the main namespace, but it&#039;s not free-for-all either. Thank you for your consideration. --[[User:Fredg999|Fredg999]] ([[User talk:Fredg999|talk]]) 17:52, 1 August 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thank you for your suggestion! I will definitely take it into consideration. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 18:14, 1 August 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Notice ==&lt;br /&gt;
Plz stop creating articles with only machine-generated contents. Consider this a formal warning. —[[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 18:57, 2 May 2026 (UTC)&lt;br /&gt;
&lt;br /&gt;
Hello Flora, &lt;br /&gt;
I very much appreciate that you have been gracious enough to give me a formal warning against creating articles with only machine-generated content. However, I do have an objection. The majority of the articles I have recently created using only templates have been either articles on specific MOS scales and articles listing all MOSes in given EDOs. At the very least, the latter articles that were already on the wiki did not appear to have any humanly written content. In addition to this, a good few existing articles on specific MOS scales have at most 1-2 lines of humanly written content. As such, I saw it fit to create these kinds of articles using only templates.&lt;br /&gt;
I would like to reiterate that I very much appreciate the severity of this warning, and I will do my best to add original content when creating articles.&lt;br /&gt;
[[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 19:39, 2 May 2026 (UTC)&lt;br /&gt;
&lt;br /&gt;
: Hello MisterShafXen, those pre-existing pages with only machine-generated content were made years ago, before the [[Xenharmonic Wiki:Notability guidelines]] were created. (I even made many of them.) Those pages would not be made today. Many of them should probably be deleted but the moderators have more important things to do than go through old pages one by one deciding what to delete. If you want to contribute to MOS pages, then rather than making new empty MOS pages, it would be more helpful to write some text for those already-existing pages. That would be much appreciated. --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 02:04, 5 May 2026 (UTC)&lt;br /&gt;
&lt;br /&gt;
Hello Budjarn, thanks a lot for bringing that to my attention :)&lt;br /&gt;
&lt;br /&gt;
I will do my best to start adding actual human content to those empty pages.&lt;br /&gt;
&lt;br /&gt;
Best,&lt;br /&gt;
[[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 09:40, 5 May 2026 (UTC)&lt;br /&gt;
&lt;br /&gt;
: Thank you MisterShafXen, that&#039;s awesome to hear :) I look forward to seeing your writing --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 13:30, 5 May 2026 (UTC)&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth/WIP_XA_scales_page&amp;diff=229682</id>
		<title>User:BudjarnLambeth/WIP XA scales page</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth/WIP_XA_scales_page&amp;diff=229682"/>
		<updated>2026-05-05T13:22:05Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* 1madjack1&amp;#039;s &amp;#039;random stuff go&amp;#039; scale */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;small&amp;gt;&amp;lt; [[Gallery of other just intonation scales]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt; [[Gallery of other tempered scales]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{Editable user page}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This page documents scales which were first described by users of the [[Xenharmonic Alliance]] Discord.&lt;br /&gt;
&lt;br /&gt;
== A17Forkybest303 35edo shower detemper ==&lt;br /&gt;
&amp;quot;[[35edo]] [[Detempering|detemper]] using some weird idea i thought in the shower. its kind of a compromise between what i did with 23L 12s, 27L 8s and 79L 19s &amp;lt;7/1&amp;gt; [[MOS scale|mosses]] i did. this is just 35L 7s with the small steps coalesced to their average.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
MOS {LLLLLsLLLLLsLLLLLsLLLLLsLLLLLsLLLLLsLLLLLs;L=1.0174049140626118r;s=1.0128266737669138r}&lt;br /&gt;
40.94029613010783r¢&lt;br /&gt;
81.810288275117&lt;br /&gt;
111.683049326269&lt;br /&gt;
141.555810377421&lt;br /&gt;
171.428571428572&lt;br /&gt;
212.36886755868008r¢&lt;br /&gt;
253.238859703689&lt;br /&gt;
283.11162075484&lt;br /&gt;
312.984381805992&lt;br /&gt;
342.857142857144&lt;br /&gt;
383.79743898725155r¢&lt;br /&gt;
424.667431132261&lt;br /&gt;
454.540192183413&lt;br /&gt;
484.412953234564&lt;br /&gt;
514.285714285716&lt;br /&gt;
555.2260104158239r¢&lt;br /&gt;
596.096002560832&lt;br /&gt;
625.968763611984&lt;br /&gt;
655.841524663136&lt;br /&gt;
685.714285714288&lt;br /&gt;
726.654581844396r¢&lt;br /&gt;
767.524573989404&lt;br /&gt;
797.397335040556&lt;br /&gt;
827.270096091708&lt;br /&gt;
857.14285714286&lt;br /&gt;
898.083153272968r¢&lt;br /&gt;
938.953145417976&lt;br /&gt;
968.825906469128&lt;br /&gt;
998.69866752028&lt;br /&gt;
1028.571428571432&lt;br /&gt;
1080.508955795393&lt;br /&gt;
1110.381716846545&lt;br /&gt;
1140.254477897697&lt;br /&gt;
1170.127238948849&lt;br /&gt;
1200.000000000000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bergkirsty Nordic scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;! Just tuning D A E 11-lim tritone.scl&lt;br /&gt;
! Created using Scale Workshop 3.1.0&lt;br /&gt;
!&lt;br /&gt;
! https://sw3.lumipakkanen.com/scale/AluMjUVjA&lt;br /&gt;
!&lt;br /&gt;
Just tuning D (A, E) 11-lim tritone&lt;br /&gt;
 12&lt;br /&gt;
!&lt;br /&gt;
 16/15 ! F silver&lt;br /&gt;
 10/9 ! F# blue&lt;br /&gt;
 6/5 ! G blue&lt;br /&gt;
 5/4 ! G# silver&lt;br /&gt;
 4/3 ! A red&lt;br /&gt;
 11/8 ! B♭ blue&lt;br /&gt;
 3/2 ! B red&lt;br /&gt;
 8/5 ! C silver&lt;br /&gt;
 5/3 ! C# blue&lt;br /&gt;
 16/9 ! D red&lt;br /&gt;
 48/25 ! E♭ silver&lt;br /&gt;
 2/1 ! E red&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Domin Zutsz-11 scale ==&lt;br /&gt;
The Zutsz-11 scale is a 10-tone [[2.3.7.11 subgroup|2.3.7.11]] just intonation scale. It was first described by [[Domin]] in July 2024 and then indpendently described again by [[Finky]] in December 2025.&lt;br /&gt;
&lt;br /&gt;
=== Music ===&lt;br /&gt;
* [https://youtu.be/Hr4WtKdvs_4 &#039;Zutsz&#039;] - [[Domin]] (2024)&lt;br /&gt;
* [https://www.youtube.com/watch?v=ux94Vn2q7uA &#039;Jam on Domin&#039;s Zutsz-11 Scale&#039;] - [[Nick Vuci]] (2024)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
33/32&lt;br /&gt;
7/6&lt;br /&gt;
77/64&lt;br /&gt;
21/16&lt;br /&gt;
11/8&lt;br /&gt;
3/2&lt;br /&gt;
77/48&lt;br /&gt;
7/4&lt;br /&gt;
11/6&lt;br /&gt;
2/1&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== 12-tone piano tunings recommended by DeltaQuartz (10L 2s diaschismic[12] &amp;amp; 3L 9s augmented[12]) ==&lt;br /&gt;
While not &#039;&#039;discovered&#039;&#039; by DeltaQuartz per se, the case they make for these is worth documenting.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&amp;quot;I just stumbled upon some pretty awesome 12-tone piano temperaments that feel like analogues to [[meantone]] but for sharp fifth tunings. One of them is for [[diaschismic]] tunings like {{EDOs|22edo, 34edo, 46edo,}} etc. with a 600c [[period]], giving sweet 5/4 thirds in 8 keys (the same as meantone), a pretty cozy way to explore their [[5-limit]] when these are often tunings that have bizarre layouts otherwise, and tritone sub-able in every key! The other is for [[augmented]] tunings like {{EDOs|15edo, 27edo, 39edo,}} etc. with a 400c period, giving every key the same major third and 6 keys an easy access harmonic 7th as their minor 7th.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;34edo scale: https://scaleworkshop.plainsound.org/scale/-LxdqOHRh&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;39edo scale: https://scaleworkshop.plainsound.org/scale/-LxZNj2Ub&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;For MOS-minded folks, the first scale is [[10L 2s]], the second is [[3L 9s]].&amp;quot;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== FilterNashi majorminth scales ==&lt;br /&gt;
{{Wikipedia|Hirajōshi scale}}&lt;br /&gt;
&amp;quot;i found a scale tempered 352/351 suspiciously similar to Hirajoshi which is&lt;br /&gt;
* 9/8&lt;br /&gt;
* 11/9&lt;br /&gt;
* 3/2&lt;br /&gt;
* 13/8&lt;br /&gt;
* 2/1&lt;br /&gt;
and 352/351 tempered.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
it&#039;s a better approximation than 1-9/8-6/5-3/2-8/5-2/1 known as Hirajoshi Just in the preset scale of [[Scale Workshop]].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
i found a 6-note scale first and its subset of retrovert is suspiciously similar to Hirajoshi - the scale itself is:&lt;br /&gt;
* 1-12/11-32/27-4/3-18/11-16/9-2, 352/351 tempered.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
so the scale i found was quite interesting because its a seven-note scale with every interval within [[13-odd-limit]] ([[Rank-3|rank3]])&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
five-note scale found in [[352/351#Temperaments|majorminth]] (tempered 352/351 in the 2.3.11.13 subgroup TE tuning):&lt;br /&gt;
* 205.931&lt;br /&gt;
* 345.590&lt;br /&gt;
* 702.798&lt;br /&gt;
* 842.456&lt;br /&gt;
* 1199.664&amp;quot;&lt;br /&gt;
&lt;br /&gt;
=== Seven-note versions ===&lt;br /&gt;
&amp;quot;these two scales are called [[paranice]], due to sharing the same pattern with [[nicetone]].&lt;br /&gt;
* [https://scaleworkshop.plainsound.org/scale/RruKXVr-R Scale Workshop link 1]&lt;br /&gt;
* [https://scaleworkshop.plainsound.org/scale/Rruj0WZvc Scale Workshop link 2]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
== finky6319&#039;s fun jazzy pentatonic scale ==&lt;br /&gt;
* Intervals: 7/6 21/16 11/8 7/4 2/1&lt;br /&gt;
* [[Scale Workshop]] link: https://scaleworkshop.plainsound.org/scale/ZhwE7mmId&lt;br /&gt;
* Properties: Subset of [[16afdo]]&lt;br /&gt;
&lt;br /&gt;
== Maeve Gutierrez ==&lt;br /&gt;
&#039;&#039;see [[Maeve Gutierrez]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== MrTheKing 11:13:16:17:19:22 scale ==&lt;br /&gt;
A simple 19-limit pentatonic subset of mode 11 of the harmonic series ([[11afdo]]) described by [[mrtheking]] in December 2025.&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
13/11&lt;br /&gt;
16/11&lt;br /&gt;
17/11&lt;br /&gt;
19/11&lt;br /&gt;
22/11&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 12-tone no-5s 11-limit scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;33/32&lt;br /&gt;
9/8&lt;br /&gt;
7/6&lt;br /&gt;
77/64&lt;br /&gt;
21/16&lt;br /&gt;
11/8&lt;br /&gt;
3/2&lt;br /&gt;
14/9&lt;br /&gt;
77/48&lt;br /&gt;
7/4&lt;br /&gt;
11/6&lt;br /&gt;
2/1&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 19-tone 2.3.7.17.19 scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;57/56&lt;br /&gt;
19/18&lt;br /&gt;
68/63&lt;br /&gt;
8/7&lt;br /&gt;
19/16&lt;br /&gt;
17/14&lt;br /&gt;
9/7&lt;br /&gt;
4/3&lt;br /&gt;
19/14&lt;br /&gt;
17/12&lt;br /&gt;
3/2&lt;br /&gt;
171/112&lt;br /&gt;
19/12&lt;br /&gt;
34/21&lt;br /&gt;
12/7&lt;br /&gt;
16/9&lt;br /&gt;
38/21&lt;br /&gt;
17/9&lt;br /&gt;
2/1&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 41fg detemper ==&lt;br /&gt;
&amp;quot;41fg [[detemper]] with 2 copies of harmonic series mode 16 ([[16afdo]]).&amp;quot; &#039;&#039;(See [[warts]], [[41edo]].)&#039;&#039;&lt;br /&gt;
&amp;lt;pre&amp;gt;49/48&lt;br /&gt;
33/32&lt;br /&gt;
17/16&lt;br /&gt;
69/64&lt;br /&gt;
35/32&lt;br /&gt;
285/256&lt;br /&gt;
9/8&lt;br /&gt;
55/48&lt;br /&gt;
75/64&lt;br /&gt;
19/16&lt;br /&gt;
39/32&lt;br /&gt;
315/256&lt;br /&gt;
5/4&lt;br /&gt;
81/64&lt;br /&gt;
31/24&lt;br /&gt;
21/16&lt;br /&gt;
171/128&lt;br /&gt;
87/64&lt;br /&gt;
11/8&lt;br /&gt;
45/32&lt;br /&gt;
23/16&lt;br /&gt;
93/64&lt;br /&gt;
95/64&lt;br /&gt;
3/2&lt;br /&gt;
49/32&lt;br /&gt;
25/16&lt;br /&gt;
51/32&lt;br /&gt;
13/8&lt;br /&gt;
105/64&lt;br /&gt;
5/3&lt;br /&gt;
27/16&lt;br /&gt;
55/32&lt;br /&gt;
7/4&lt;br /&gt;
57/32&lt;br /&gt;
29/16&lt;br /&gt;
11/6&lt;br /&gt;
15/8&lt;br /&gt;
23/12&lt;br /&gt;
31/16&lt;br /&gt;
63/32&lt;br /&gt;
2&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Xencoder over-23 primodal Hirajoshi ==&lt;br /&gt;
&#039;&#039;(See [[primodality]], {{W|Hirajōshi scale}}.)&#039;&#039;&lt;br /&gt;
* 51/46&lt;br /&gt;
* 28/23&lt;br /&gt;
* 34/23&lt;br /&gt;
* 73/46&lt;br /&gt;
* 2/1&lt;br /&gt;
&lt;br /&gt;
== Zhea Erose primodal Lydians ==&lt;br /&gt;
&#039;&#039;Described by [[Zhea Erose]]. Recommended by [[Xencoder]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
7b Lydian Heptad &lt;br /&gt;
- 14:16:18:20:21:24:27:(28)&lt;br /&gt;
 - (+2+2+2+1+3+3+1), 2:3:4 concordance frame &lt;br /&gt;
&lt;br /&gt;
11b Lydian Heptad&lt;br /&gt;
- 22:25:28:31:33:37:42:(44)&lt;br /&gt;
 - (+3+3+3+2+4+5+2), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
2e Lydian Heptad&lt;br /&gt;
- 32:36:40:45:48:54:60:(64)&lt;br /&gt;
  - (+4+4+5+3+6+6+4), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
17b Lydian Heptad&lt;br /&gt;
- 34:38:43:48:51:57:64:(68)&lt;br /&gt;
  - (+4+5+5+3+6+7+4), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
19b Lydian Heptad&lt;br /&gt;
- 38:43:48:54:57:64:72:(76)&lt;br /&gt;
  - (+5+5+6+3+7+8+4), 2:3:4 concordance frame&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
YAML&lt;br /&gt;
some tridecimal scales in a few mos pre-images&lt;br /&gt;
&lt;br /&gt;
5L2s:&lt;br /&gt;
lydian and lydian modmos&lt;br /&gt;
    26:29:33:37:39:44:49 tridecimal lydian&lt;br /&gt;
    26:28:33:37:39:44:49 tridecimal lydian b2&lt;br /&gt;
    26:31:33:37:39:44:49 tridecimal lydian #2&lt;br /&gt;
    26:32:33:37:39:44:49 tridecimal lydian hyper^2&lt;br /&gt;
    26:29:33:37:41:44:49 tridecimal lydian #5&lt;br /&gt;
&lt;br /&gt;
ionian&lt;br /&gt;
&lt;br /&gt;
    26:29:33:35:39:44:49 tridecimal ionian&lt;br /&gt;
    26:28:33:35:39:44:49 tridecimal ionian b2&lt;br /&gt;
&lt;br /&gt;
mixolydian&lt;br /&gt;
&lt;br /&gt;
    26:29:33:35:39:44:46 tridecimal mixolydian&lt;br /&gt;
    26:29:33:35:39:41:46 tridecimal mixolydian b6&lt;br /&gt;
&lt;br /&gt;
dorian&lt;br /&gt;
&lt;br /&gt;
    26:29:31:35:39:44:46 tridecimal dorian&lt;br /&gt;
    26:28:31:35:39:44:46 tridecimal dorian b2&lt;br /&gt;
&lt;br /&gt;
aeolian&lt;br /&gt;
&lt;br /&gt;
    26:29:31:35:39:41:46 tridecimal aeolian&lt;br /&gt;
&lt;br /&gt;
6L1s:&lt;br /&gt;
ryonian&lt;br /&gt;
        26:29:32:35:39:43:48 tridecimal ryonian&lt;br /&gt;
&lt;br /&gt;
mixoryonian&lt;br /&gt;
        26:29:32:35:39:43:46 tridecimal mixoryonian&lt;br /&gt;
&lt;br /&gt;
azurian&lt;br /&gt;
        26:29:32:35:39:42:46 tridecimal azurian&lt;br /&gt;
&lt;br /&gt;
locrial&lt;br /&gt;
        26:29:32:35:38:42:46 tridecimal locrial&lt;br /&gt;
&lt;br /&gt;
ionial&lt;br /&gt;
        26:29:32:34:38:42:46 tridecimal ionial&lt;br /&gt;
&lt;br /&gt;
duradian&lt;br /&gt;
       26:29:31:34:38:42:46 tridecimal duradian&lt;br /&gt;
&lt;br /&gt;
phyradian&lt;br /&gt;
       26:28:31:34:38:42:46 tridecimal phyradian&lt;br /&gt;
&lt;br /&gt;
5L3s:&lt;br /&gt;
dylathian&lt;br /&gt;
       26:29:33:34:38:43:44:49 tridecimal dylathian&lt;br /&gt;
&lt;br /&gt;
3L2s:&lt;br /&gt;
      26:29:33:39:44 tridecimal maj pentatonic&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== z4wr autocoltraninatorathingamajig scales ==&lt;br /&gt;
;autocoltraninatorathingamajig minor&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/eiwMlcYFN&lt;br /&gt;
;autocoltraninatorathingamajig major&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/eiwEda8OT&lt;br /&gt;
&lt;br /&gt;
== z4wr-Cutting detempered blues scale ==&lt;br /&gt;
&amp;quot;blues scale detemper attempt in 11-limit based on [https://emusicology.org/article/id/4566/ blues scale analysis by court b cutting]&amp;quot;&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/newCtO1iy&lt;br /&gt;
&lt;br /&gt;
== 1madjack1&#039;s &#039;the block&#039; and &#039;the tesseract&#039;==&lt;br /&gt;
&#039;&#039;see [[The block and the tesseract]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== 1madjack1&#039;s &#039;random stuff go&#039; scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
53.273&lt;br /&gt;
119.443&lt;br /&gt;
347.408&lt;br /&gt;
720.000&lt;br /&gt;
773.273&lt;br /&gt;
839.443&lt;br /&gt;
1067.408&lt;br /&gt;
1200.000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
1madjack1 originally used a different word than &#039;stuff&#039;. Nonetheless the scale they created (in April 2026) is of musical interest, approximating a bunch of [[13-limit]] intervals within 20 [[cents]] in its various rotations:&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! &lt;br /&gt;
!0&lt;br /&gt;
!1&lt;br /&gt;
!2&lt;br /&gt;
!3&lt;br /&gt;
!4&lt;br /&gt;
!5&lt;br /&gt;
!6&lt;br /&gt;
!7&lt;br /&gt;
!(8)&lt;br /&gt;
|-&lt;br /&gt;
!1/1&lt;br /&gt;
|1/1&lt;br /&gt;
|~32/31&lt;br /&gt;
|~14/13&lt;br /&gt;
|~11/9&lt;br /&gt;
|~3/2&lt;br /&gt;
|~11/7&lt;br /&gt;
|~13/8&lt;br /&gt;
|~11/6&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~32/31&lt;br /&gt;
|1/1&lt;br /&gt;
|~26/25&lt;br /&gt;
|~13/11&lt;br /&gt;
|~22/15&lt;br /&gt;
|~3/2&lt;br /&gt;
|~11/7&lt;br /&gt;
|~9/5&lt;br /&gt;
|~31/16&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~14/13&lt;br /&gt;
|1/1&lt;br /&gt;
|~8/7&lt;br /&gt;
|~7/5&lt;br /&gt;
|~16/11&lt;br /&gt;
|~3/2&lt;br /&gt;
|~19/11&lt;br /&gt;
|~13/7&lt;br /&gt;
|~25/13&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~11/9&lt;br /&gt;
|1/1&lt;br /&gt;
|~5/4&lt;br /&gt;
|~9/7&lt;br /&gt;
|~4/3&lt;br /&gt;
|~3/2&lt;br /&gt;
|~13/8&lt;br /&gt;
|~27/16&lt;br /&gt;
|~7/4&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~3/2&lt;br /&gt;
|1/1&lt;br /&gt;
|~32/31&lt;br /&gt;
|~14/13&lt;br /&gt;
|~11/9&lt;br /&gt;
|~4/3&lt;br /&gt;
|~15/11&lt;br /&gt;
|~7/5&lt;br /&gt;
|~8/5&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~11/7&lt;br /&gt;
|1/1&lt;br /&gt;
|~26/25&lt;br /&gt;
|~13/11&lt;br /&gt;
|~9/7&lt;br /&gt;
|~4/3&lt;br /&gt;
|~11/8&lt;br /&gt;
|~11/7&lt;br /&gt;
|~31/16&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~13/8&lt;br /&gt;
|1/1&lt;br /&gt;
|~8/7&lt;br /&gt;
|~16/13&lt;br /&gt;
|~14/11&lt;br /&gt;
|~4/3&lt;br /&gt;
|~3/2&lt;br /&gt;
|~13/7&lt;br /&gt;
|~25/13&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~11/6&lt;br /&gt;
|1/1&lt;br /&gt;
|~13/12&lt;br /&gt;
|~9/8&lt;br /&gt;
|~7/6&lt;br /&gt;
|~4/3&lt;br /&gt;
|~13/8&lt;br /&gt;
|~27/16&lt;br /&gt;
|~7/4&lt;br /&gt;
|2/1&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Budjarn Lambeth recommends [[20edo]], [[72afdo]], or [[85afdo]] (17x5 semi-[[primodality]]) as a tuning for this scale. He recommends the following, vaguely [[pelog]]-like subset for writing melodies:&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
119.443&lt;br /&gt;
347.408&lt;br /&gt;
720.000&lt;br /&gt;
839.443&lt;br /&gt;
1200.000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{navbox scale gallery}}&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth/WIP_XA_scales_page&amp;diff=229681</id>
		<title>User:BudjarnLambeth/WIP XA scales page</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth/WIP_XA_scales_page&amp;diff=229681"/>
		<updated>2026-05-05T13:19:58Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* 1madjack1&amp;#039;s &amp;#039;random stuff go&amp;#039; scale */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;small&amp;gt;&amp;lt; [[Gallery of other just intonation scales]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt; [[Gallery of other tempered scales]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{Editable user page}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This page documents scales which were first described by users of the [[Xenharmonic Alliance]] Discord.&lt;br /&gt;
&lt;br /&gt;
== A17Forkybest303 35edo shower detemper ==&lt;br /&gt;
&amp;quot;[[35edo]] [[Detempering|detemper]] using some weird idea i thought in the shower. its kind of a compromise between what i did with 23L 12s, 27L 8s and 79L 19s &amp;lt;7/1&amp;gt; [[MOS scale|mosses]] i did. this is just 35L 7s with the small steps coalesced to their average.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
MOS {LLLLLsLLLLLsLLLLLsLLLLLsLLLLLsLLLLLsLLLLLs;L=1.0174049140626118r;s=1.0128266737669138r}&lt;br /&gt;
40.94029613010783r¢&lt;br /&gt;
81.810288275117&lt;br /&gt;
111.683049326269&lt;br /&gt;
141.555810377421&lt;br /&gt;
171.428571428572&lt;br /&gt;
212.36886755868008r¢&lt;br /&gt;
253.238859703689&lt;br /&gt;
283.11162075484&lt;br /&gt;
312.984381805992&lt;br /&gt;
342.857142857144&lt;br /&gt;
383.79743898725155r¢&lt;br /&gt;
424.667431132261&lt;br /&gt;
454.540192183413&lt;br /&gt;
484.412953234564&lt;br /&gt;
514.285714285716&lt;br /&gt;
555.2260104158239r¢&lt;br /&gt;
596.096002560832&lt;br /&gt;
625.968763611984&lt;br /&gt;
655.841524663136&lt;br /&gt;
685.714285714288&lt;br /&gt;
726.654581844396r¢&lt;br /&gt;
767.524573989404&lt;br /&gt;
797.397335040556&lt;br /&gt;
827.270096091708&lt;br /&gt;
857.14285714286&lt;br /&gt;
898.083153272968r¢&lt;br /&gt;
938.953145417976&lt;br /&gt;
968.825906469128&lt;br /&gt;
998.69866752028&lt;br /&gt;
1028.571428571432&lt;br /&gt;
1080.508955795393&lt;br /&gt;
1110.381716846545&lt;br /&gt;
1140.254477897697&lt;br /&gt;
1170.127238948849&lt;br /&gt;
1200.000000000000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bergkirsty Nordic scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;! Just tuning D A E 11-lim tritone.scl&lt;br /&gt;
! Created using Scale Workshop 3.1.0&lt;br /&gt;
!&lt;br /&gt;
! https://sw3.lumipakkanen.com/scale/AluMjUVjA&lt;br /&gt;
!&lt;br /&gt;
Just tuning D (A, E) 11-lim tritone&lt;br /&gt;
 12&lt;br /&gt;
!&lt;br /&gt;
 16/15 ! F silver&lt;br /&gt;
 10/9 ! F# blue&lt;br /&gt;
 6/5 ! G blue&lt;br /&gt;
 5/4 ! G# silver&lt;br /&gt;
 4/3 ! A red&lt;br /&gt;
 11/8 ! B♭ blue&lt;br /&gt;
 3/2 ! B red&lt;br /&gt;
 8/5 ! C silver&lt;br /&gt;
 5/3 ! C# blue&lt;br /&gt;
 16/9 ! D red&lt;br /&gt;
 48/25 ! E♭ silver&lt;br /&gt;
 2/1 ! E red&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Domin Zutsz-11 scale ==&lt;br /&gt;
The Zutsz-11 scale is a 10-tone [[2.3.7.11 subgroup|2.3.7.11]] just intonation scale. It was first described by [[Domin]] in July 2024 and then indpendently described again by [[Finky]] in December 2025.&lt;br /&gt;
&lt;br /&gt;
=== Music ===&lt;br /&gt;
* [https://youtu.be/Hr4WtKdvs_4 &#039;Zutsz&#039;] - [[Domin]] (2024)&lt;br /&gt;
* [https://www.youtube.com/watch?v=ux94Vn2q7uA &#039;Jam on Domin&#039;s Zutsz-11 Scale&#039;] - [[Nick Vuci]] (2024)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
33/32&lt;br /&gt;
7/6&lt;br /&gt;
77/64&lt;br /&gt;
21/16&lt;br /&gt;
11/8&lt;br /&gt;
3/2&lt;br /&gt;
77/48&lt;br /&gt;
7/4&lt;br /&gt;
11/6&lt;br /&gt;
2/1&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== 12-tone piano tunings recommended by DeltaQuartz (10L 2s diaschismic[12] &amp;amp; 3L 9s augmented[12]) ==&lt;br /&gt;
While not &#039;&#039;discovered&#039;&#039; by DeltaQuartz per se, the case they make for these is worth documenting.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&amp;quot;I just stumbled upon some pretty awesome 12-tone piano temperaments that feel like analogues to [[meantone]] but for sharp fifth tunings. One of them is for [[diaschismic]] tunings like {{EDOs|22edo, 34edo, 46edo,}} etc. with a 600c [[period]], giving sweet 5/4 thirds in 8 keys (the same as meantone), a pretty cozy way to explore their [[5-limit]] when these are often tunings that have bizarre layouts otherwise, and tritone sub-able in every key! The other is for [[augmented]] tunings like {{EDOs|15edo, 27edo, 39edo,}} etc. with a 400c period, giving every key the same major third and 6 keys an easy access harmonic 7th as their minor 7th.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;34edo scale: https://scaleworkshop.plainsound.org/scale/-LxdqOHRh&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;39edo scale: https://scaleworkshop.plainsound.org/scale/-LxZNj2Ub&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;For MOS-minded folks, the first scale is [[10L 2s]], the second is [[3L 9s]].&amp;quot;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== FilterNashi majorminth scales ==&lt;br /&gt;
{{Wikipedia|Hirajōshi scale}}&lt;br /&gt;
&amp;quot;i found a scale tempered 352/351 suspiciously similar to Hirajoshi which is&lt;br /&gt;
* 9/8&lt;br /&gt;
* 11/9&lt;br /&gt;
* 3/2&lt;br /&gt;
* 13/8&lt;br /&gt;
* 2/1&lt;br /&gt;
and 352/351 tempered.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
it&#039;s a better approximation than 1-9/8-6/5-3/2-8/5-2/1 known as Hirajoshi Just in the preset scale of [[Scale Workshop]].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
i found a 6-note scale first and its subset of retrovert is suspiciously similar to Hirajoshi - the scale itself is:&lt;br /&gt;
* 1-12/11-32/27-4/3-18/11-16/9-2, 352/351 tempered.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
so the scale i found was quite interesting because its a seven-note scale with every interval within [[13-odd-limit]] ([[Rank-3|rank3]])&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
five-note scale found in [[352/351#Temperaments|majorminth]] (tempered 352/351 in the 2.3.11.13 subgroup TE tuning):&lt;br /&gt;
* 205.931&lt;br /&gt;
* 345.590&lt;br /&gt;
* 702.798&lt;br /&gt;
* 842.456&lt;br /&gt;
* 1199.664&amp;quot;&lt;br /&gt;
&lt;br /&gt;
=== Seven-note versions ===&lt;br /&gt;
&amp;quot;these two scales are called [[paranice]], due to sharing the same pattern with [[nicetone]].&lt;br /&gt;
* [https://scaleworkshop.plainsound.org/scale/RruKXVr-R Scale Workshop link 1]&lt;br /&gt;
* [https://scaleworkshop.plainsound.org/scale/Rruj0WZvc Scale Workshop link 2]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
== finky6319&#039;s fun jazzy pentatonic scale ==&lt;br /&gt;
* Intervals: 7/6 21/16 11/8 7/4 2/1&lt;br /&gt;
* [[Scale Workshop]] link: https://scaleworkshop.plainsound.org/scale/ZhwE7mmId&lt;br /&gt;
* Properties: Subset of [[16afdo]]&lt;br /&gt;
&lt;br /&gt;
== Maeve Gutierrez ==&lt;br /&gt;
&#039;&#039;see [[Maeve Gutierrez]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== MrTheKing 11:13:16:17:19:22 scale ==&lt;br /&gt;
A simple 19-limit pentatonic subset of mode 11 of the harmonic series ([[11afdo]]) described by [[mrtheking]] in December 2025.&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
13/11&lt;br /&gt;
16/11&lt;br /&gt;
17/11&lt;br /&gt;
19/11&lt;br /&gt;
22/11&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 12-tone no-5s 11-limit scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;33/32&lt;br /&gt;
9/8&lt;br /&gt;
7/6&lt;br /&gt;
77/64&lt;br /&gt;
21/16&lt;br /&gt;
11/8&lt;br /&gt;
3/2&lt;br /&gt;
14/9&lt;br /&gt;
77/48&lt;br /&gt;
7/4&lt;br /&gt;
11/6&lt;br /&gt;
2/1&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 19-tone 2.3.7.17.19 scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;57/56&lt;br /&gt;
19/18&lt;br /&gt;
68/63&lt;br /&gt;
8/7&lt;br /&gt;
19/16&lt;br /&gt;
17/14&lt;br /&gt;
9/7&lt;br /&gt;
4/3&lt;br /&gt;
19/14&lt;br /&gt;
17/12&lt;br /&gt;
3/2&lt;br /&gt;
171/112&lt;br /&gt;
19/12&lt;br /&gt;
34/21&lt;br /&gt;
12/7&lt;br /&gt;
16/9&lt;br /&gt;
38/21&lt;br /&gt;
17/9&lt;br /&gt;
2/1&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 41fg detemper ==&lt;br /&gt;
&amp;quot;41fg [[detemper]] with 2 copies of harmonic series mode 16 ([[16afdo]]).&amp;quot; &#039;&#039;(See [[warts]], [[41edo]].)&#039;&#039;&lt;br /&gt;
&amp;lt;pre&amp;gt;49/48&lt;br /&gt;
33/32&lt;br /&gt;
17/16&lt;br /&gt;
69/64&lt;br /&gt;
35/32&lt;br /&gt;
285/256&lt;br /&gt;
9/8&lt;br /&gt;
55/48&lt;br /&gt;
75/64&lt;br /&gt;
19/16&lt;br /&gt;
39/32&lt;br /&gt;
315/256&lt;br /&gt;
5/4&lt;br /&gt;
81/64&lt;br /&gt;
31/24&lt;br /&gt;
21/16&lt;br /&gt;
171/128&lt;br /&gt;
87/64&lt;br /&gt;
11/8&lt;br /&gt;
45/32&lt;br /&gt;
23/16&lt;br /&gt;
93/64&lt;br /&gt;
95/64&lt;br /&gt;
3/2&lt;br /&gt;
49/32&lt;br /&gt;
25/16&lt;br /&gt;
51/32&lt;br /&gt;
13/8&lt;br /&gt;
105/64&lt;br /&gt;
5/3&lt;br /&gt;
27/16&lt;br /&gt;
55/32&lt;br /&gt;
7/4&lt;br /&gt;
57/32&lt;br /&gt;
29/16&lt;br /&gt;
11/6&lt;br /&gt;
15/8&lt;br /&gt;
23/12&lt;br /&gt;
31/16&lt;br /&gt;
63/32&lt;br /&gt;
2&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Xencoder over-23 primodal Hirajoshi ==&lt;br /&gt;
&#039;&#039;(See [[primodality]], {{W|Hirajōshi scale}}.)&#039;&#039;&lt;br /&gt;
* 51/46&lt;br /&gt;
* 28/23&lt;br /&gt;
* 34/23&lt;br /&gt;
* 73/46&lt;br /&gt;
* 2/1&lt;br /&gt;
&lt;br /&gt;
== Zhea Erose primodal Lydians ==&lt;br /&gt;
&#039;&#039;Described by [[Zhea Erose]]. Recommended by [[Xencoder]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
7b Lydian Heptad &lt;br /&gt;
- 14:16:18:20:21:24:27:(28)&lt;br /&gt;
 - (+2+2+2+1+3+3+1), 2:3:4 concordance frame &lt;br /&gt;
&lt;br /&gt;
11b Lydian Heptad&lt;br /&gt;
- 22:25:28:31:33:37:42:(44)&lt;br /&gt;
 - (+3+3+3+2+4+5+2), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
2e Lydian Heptad&lt;br /&gt;
- 32:36:40:45:48:54:60:(64)&lt;br /&gt;
  - (+4+4+5+3+6+6+4), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
17b Lydian Heptad&lt;br /&gt;
- 34:38:43:48:51:57:64:(68)&lt;br /&gt;
  - (+4+5+5+3+6+7+4), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
19b Lydian Heptad&lt;br /&gt;
- 38:43:48:54:57:64:72:(76)&lt;br /&gt;
  - (+5+5+6+3+7+8+4), 2:3:4 concordance frame&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
YAML&lt;br /&gt;
some tridecimal scales in a few mos pre-images&lt;br /&gt;
&lt;br /&gt;
5L2s:&lt;br /&gt;
lydian and lydian modmos&lt;br /&gt;
    26:29:33:37:39:44:49 tridecimal lydian&lt;br /&gt;
    26:28:33:37:39:44:49 tridecimal lydian b2&lt;br /&gt;
    26:31:33:37:39:44:49 tridecimal lydian #2&lt;br /&gt;
    26:32:33:37:39:44:49 tridecimal lydian hyper^2&lt;br /&gt;
    26:29:33:37:41:44:49 tridecimal lydian #5&lt;br /&gt;
&lt;br /&gt;
ionian&lt;br /&gt;
&lt;br /&gt;
    26:29:33:35:39:44:49 tridecimal ionian&lt;br /&gt;
    26:28:33:35:39:44:49 tridecimal ionian b2&lt;br /&gt;
&lt;br /&gt;
mixolydian&lt;br /&gt;
&lt;br /&gt;
    26:29:33:35:39:44:46 tridecimal mixolydian&lt;br /&gt;
    26:29:33:35:39:41:46 tridecimal mixolydian b6&lt;br /&gt;
&lt;br /&gt;
dorian&lt;br /&gt;
&lt;br /&gt;
    26:29:31:35:39:44:46 tridecimal dorian&lt;br /&gt;
    26:28:31:35:39:44:46 tridecimal dorian b2&lt;br /&gt;
&lt;br /&gt;
aeolian&lt;br /&gt;
&lt;br /&gt;
    26:29:31:35:39:41:46 tridecimal aeolian&lt;br /&gt;
&lt;br /&gt;
6L1s:&lt;br /&gt;
ryonian&lt;br /&gt;
        26:29:32:35:39:43:48 tridecimal ryonian&lt;br /&gt;
&lt;br /&gt;
mixoryonian&lt;br /&gt;
        26:29:32:35:39:43:46 tridecimal mixoryonian&lt;br /&gt;
&lt;br /&gt;
azurian&lt;br /&gt;
        26:29:32:35:39:42:46 tridecimal azurian&lt;br /&gt;
&lt;br /&gt;
locrial&lt;br /&gt;
        26:29:32:35:38:42:46 tridecimal locrial&lt;br /&gt;
&lt;br /&gt;
ionial&lt;br /&gt;
        26:29:32:34:38:42:46 tridecimal ionial&lt;br /&gt;
&lt;br /&gt;
duradian&lt;br /&gt;
       26:29:31:34:38:42:46 tridecimal duradian&lt;br /&gt;
&lt;br /&gt;
phyradian&lt;br /&gt;
       26:28:31:34:38:42:46 tridecimal phyradian&lt;br /&gt;
&lt;br /&gt;
5L3s:&lt;br /&gt;
dylathian&lt;br /&gt;
       26:29:33:34:38:43:44:49 tridecimal dylathian&lt;br /&gt;
&lt;br /&gt;
3L2s:&lt;br /&gt;
      26:29:33:39:44 tridecimal maj pentatonic&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== z4wr autocoltraninatorathingamajig scales ==&lt;br /&gt;
;autocoltraninatorathingamajig minor&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/eiwMlcYFN&lt;br /&gt;
;autocoltraninatorathingamajig major&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/eiwEda8OT&lt;br /&gt;
&lt;br /&gt;
== z4wr-Cutting detempered blues scale ==&lt;br /&gt;
&amp;quot;blues scale detemper attempt in 11-limit based on [https://emusicology.org/article/id/4566/ blues scale analysis by court b cutting]&amp;quot;&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/newCtO1iy&lt;br /&gt;
&lt;br /&gt;
== 1madjack1&#039;s &#039;the block&#039; and &#039;the tesseract&#039;==&lt;br /&gt;
&#039;&#039;see [[The block and the tesseract]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== 1madjack1&#039;s &#039;random stuff go&#039; scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
53.273&lt;br /&gt;
119.443&lt;br /&gt;
347.408&lt;br /&gt;
720.000&lt;br /&gt;
773.273&lt;br /&gt;
839.443&lt;br /&gt;
1067.408&lt;br /&gt;
1200.000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
1madjack1 originally used a different word than &#039;stuff&#039;. Nonetheless the scale they created (in April 2026) is of musical interest, approximating a bunch of [[13-limit]] intervals within 20 [[cents]] in its various rotations:&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! &lt;br /&gt;
!0&lt;br /&gt;
!1&lt;br /&gt;
!2&lt;br /&gt;
!3&lt;br /&gt;
!4&lt;br /&gt;
!5&lt;br /&gt;
!6&lt;br /&gt;
!7&lt;br /&gt;
!(8)&lt;br /&gt;
|-&lt;br /&gt;
!1/1&lt;br /&gt;
|1/1&lt;br /&gt;
|~32/31&lt;br /&gt;
|~14/13&lt;br /&gt;
|~11/9&lt;br /&gt;
|~3/2&lt;br /&gt;
|~11/7&lt;br /&gt;
|~13/8&lt;br /&gt;
|~11/6&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~32/31&lt;br /&gt;
|1/1&lt;br /&gt;
|~26/25&lt;br /&gt;
|~13/11&lt;br /&gt;
|~22/15&lt;br /&gt;
|~3/2&lt;br /&gt;
|~11/7&lt;br /&gt;
|~9/5&lt;br /&gt;
|~31/16&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~14/13&lt;br /&gt;
|1/1&lt;br /&gt;
|~8/7&lt;br /&gt;
|~7/5&lt;br /&gt;
|~16/11&lt;br /&gt;
|~3/2&lt;br /&gt;
|~19/11&lt;br /&gt;
|~13/7&lt;br /&gt;
|~25/13&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~11/9&lt;br /&gt;
|1/1&lt;br /&gt;
|~5/4&lt;br /&gt;
|~9/7&lt;br /&gt;
|~4/3&lt;br /&gt;
|~3/2&lt;br /&gt;
|~13/8&lt;br /&gt;
|~27/16&lt;br /&gt;
|~7/4&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~3/2&lt;br /&gt;
|1/1&lt;br /&gt;
|~32/31&lt;br /&gt;
|~14/13&lt;br /&gt;
|~11/9&lt;br /&gt;
|~4/3&lt;br /&gt;
|~15/11&lt;br /&gt;
|~7/5&lt;br /&gt;
|~8/5&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~11/7&lt;br /&gt;
|1/1&lt;br /&gt;
|~26/25&lt;br /&gt;
|~13/11&lt;br /&gt;
|~9/7&lt;br /&gt;
|~4/3&lt;br /&gt;
|~11/8&lt;br /&gt;
|~11/7&lt;br /&gt;
|~31/16&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~13/8&lt;br /&gt;
|1/1&lt;br /&gt;
|~8/7&lt;br /&gt;
|~16/13&lt;br /&gt;
|~14/11&lt;br /&gt;
|~4/3&lt;br /&gt;
|~3/2&lt;br /&gt;
|~13/7&lt;br /&gt;
|~25/13&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~11/6&lt;br /&gt;
|1/1&lt;br /&gt;
|~13/12&lt;br /&gt;
|~9/8&lt;br /&gt;
|~7/6&lt;br /&gt;
|~4/3&lt;br /&gt;
|~13/8&lt;br /&gt;
|~27/16&lt;br /&gt;
|~7/4&lt;br /&gt;
|2/1&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Budjarn Lambeth recommends [[20edo]], [[72afdo]], or [[85afdo]] (17x5 semi-[[primodality]]) as a tuning for this scale.&lt;br /&gt;
&lt;br /&gt;
{{navbox scale gallery}}&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth/WIP_XA_scales_page&amp;diff=229680</id>
		<title>User:BudjarnLambeth/WIP XA scales page</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth/WIP_XA_scales_page&amp;diff=229680"/>
		<updated>2026-05-05T13:19:10Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* 1madjack1&amp;#039;s &amp;#039;random stuff go&amp;#039; scale */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;small&amp;gt;&amp;lt; [[Gallery of other just intonation scales]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt; [[Gallery of other tempered scales]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{Editable user page}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This page documents scales which were first described by users of the [[Xenharmonic Alliance]] Discord.&lt;br /&gt;
&lt;br /&gt;
== A17Forkybest303 35edo shower detemper ==&lt;br /&gt;
&amp;quot;[[35edo]] [[Detempering|detemper]] using some weird idea i thought in the shower. its kind of a compromise between what i did with 23L 12s, 27L 8s and 79L 19s &amp;lt;7/1&amp;gt; [[MOS scale|mosses]] i did. this is just 35L 7s with the small steps coalesced to their average.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
MOS {LLLLLsLLLLLsLLLLLsLLLLLsLLLLLsLLLLLsLLLLLs;L=1.0174049140626118r;s=1.0128266737669138r}&lt;br /&gt;
40.94029613010783r¢&lt;br /&gt;
81.810288275117&lt;br /&gt;
111.683049326269&lt;br /&gt;
141.555810377421&lt;br /&gt;
171.428571428572&lt;br /&gt;
212.36886755868008r¢&lt;br /&gt;
253.238859703689&lt;br /&gt;
283.11162075484&lt;br /&gt;
312.984381805992&lt;br /&gt;
342.857142857144&lt;br /&gt;
383.79743898725155r¢&lt;br /&gt;
424.667431132261&lt;br /&gt;
454.540192183413&lt;br /&gt;
484.412953234564&lt;br /&gt;
514.285714285716&lt;br /&gt;
555.2260104158239r¢&lt;br /&gt;
596.096002560832&lt;br /&gt;
625.968763611984&lt;br /&gt;
655.841524663136&lt;br /&gt;
685.714285714288&lt;br /&gt;
726.654581844396r¢&lt;br /&gt;
767.524573989404&lt;br /&gt;
797.397335040556&lt;br /&gt;
827.270096091708&lt;br /&gt;
857.14285714286&lt;br /&gt;
898.083153272968r¢&lt;br /&gt;
938.953145417976&lt;br /&gt;
968.825906469128&lt;br /&gt;
998.69866752028&lt;br /&gt;
1028.571428571432&lt;br /&gt;
1080.508955795393&lt;br /&gt;
1110.381716846545&lt;br /&gt;
1140.254477897697&lt;br /&gt;
1170.127238948849&lt;br /&gt;
1200.000000000000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bergkirsty Nordic scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;! Just tuning D A E 11-lim tritone.scl&lt;br /&gt;
! Created using Scale Workshop 3.1.0&lt;br /&gt;
!&lt;br /&gt;
! https://sw3.lumipakkanen.com/scale/AluMjUVjA&lt;br /&gt;
!&lt;br /&gt;
Just tuning D (A, E) 11-lim tritone&lt;br /&gt;
 12&lt;br /&gt;
!&lt;br /&gt;
 16/15 ! F silver&lt;br /&gt;
 10/9 ! F# blue&lt;br /&gt;
 6/5 ! G blue&lt;br /&gt;
 5/4 ! G# silver&lt;br /&gt;
 4/3 ! A red&lt;br /&gt;
 11/8 ! B♭ blue&lt;br /&gt;
 3/2 ! B red&lt;br /&gt;
 8/5 ! C silver&lt;br /&gt;
 5/3 ! C# blue&lt;br /&gt;
 16/9 ! D red&lt;br /&gt;
 48/25 ! E♭ silver&lt;br /&gt;
 2/1 ! E red&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Domin Zutsz-11 scale ==&lt;br /&gt;
The Zutsz-11 scale is a 10-tone [[2.3.7.11 subgroup|2.3.7.11]] just intonation scale. It was first described by [[Domin]] in July 2024 and then indpendently described again by [[Finky]] in December 2025.&lt;br /&gt;
&lt;br /&gt;
=== Music ===&lt;br /&gt;
* [https://youtu.be/Hr4WtKdvs_4 &#039;Zutsz&#039;] - [[Domin]] (2024)&lt;br /&gt;
* [https://www.youtube.com/watch?v=ux94Vn2q7uA &#039;Jam on Domin&#039;s Zutsz-11 Scale&#039;] - [[Nick Vuci]] (2024)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
33/32&lt;br /&gt;
7/6&lt;br /&gt;
77/64&lt;br /&gt;
21/16&lt;br /&gt;
11/8&lt;br /&gt;
3/2&lt;br /&gt;
77/48&lt;br /&gt;
7/4&lt;br /&gt;
11/6&lt;br /&gt;
2/1&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== 12-tone piano tunings recommended by DeltaQuartz (10L 2s diaschismic[12] &amp;amp; 3L 9s augmented[12]) ==&lt;br /&gt;
While not &#039;&#039;discovered&#039;&#039; by DeltaQuartz per se, the case they make for these is worth documenting.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&amp;quot;I just stumbled upon some pretty awesome 12-tone piano temperaments that feel like analogues to [[meantone]] but for sharp fifth tunings. One of them is for [[diaschismic]] tunings like {{EDOs|22edo, 34edo, 46edo,}} etc. with a 600c [[period]], giving sweet 5/4 thirds in 8 keys (the same as meantone), a pretty cozy way to explore their [[5-limit]] when these are often tunings that have bizarre layouts otherwise, and tritone sub-able in every key! The other is for [[augmented]] tunings like {{EDOs|15edo, 27edo, 39edo,}} etc. with a 400c period, giving every key the same major third and 6 keys an easy access harmonic 7th as their minor 7th.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;34edo scale: https://scaleworkshop.plainsound.org/scale/-LxdqOHRh&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;39edo scale: https://scaleworkshop.plainsound.org/scale/-LxZNj2Ub&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;For MOS-minded folks, the first scale is [[10L 2s]], the second is [[3L 9s]].&amp;quot;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== FilterNashi majorminth scales ==&lt;br /&gt;
{{Wikipedia|Hirajōshi scale}}&lt;br /&gt;
&amp;quot;i found a scale tempered 352/351 suspiciously similar to Hirajoshi which is&lt;br /&gt;
* 9/8&lt;br /&gt;
* 11/9&lt;br /&gt;
* 3/2&lt;br /&gt;
* 13/8&lt;br /&gt;
* 2/1&lt;br /&gt;
and 352/351 tempered.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
it&#039;s a better approximation than 1-9/8-6/5-3/2-8/5-2/1 known as Hirajoshi Just in the preset scale of [[Scale Workshop]].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
i found a 6-note scale first and its subset of retrovert is suspiciously similar to Hirajoshi - the scale itself is:&lt;br /&gt;
* 1-12/11-32/27-4/3-18/11-16/9-2, 352/351 tempered.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
so the scale i found was quite interesting because its a seven-note scale with every interval within [[13-odd-limit]] ([[Rank-3|rank3]])&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
five-note scale found in [[352/351#Temperaments|majorminth]] (tempered 352/351 in the 2.3.11.13 subgroup TE tuning):&lt;br /&gt;
* 205.931&lt;br /&gt;
* 345.590&lt;br /&gt;
* 702.798&lt;br /&gt;
* 842.456&lt;br /&gt;
* 1199.664&amp;quot;&lt;br /&gt;
&lt;br /&gt;
=== Seven-note versions ===&lt;br /&gt;
&amp;quot;these two scales are called [[paranice]], due to sharing the same pattern with [[nicetone]].&lt;br /&gt;
* [https://scaleworkshop.plainsound.org/scale/RruKXVr-R Scale Workshop link 1]&lt;br /&gt;
* [https://scaleworkshop.plainsound.org/scale/Rruj0WZvc Scale Workshop link 2]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
== finky6319&#039;s fun jazzy pentatonic scale ==&lt;br /&gt;
* Intervals: 7/6 21/16 11/8 7/4 2/1&lt;br /&gt;
* [[Scale Workshop]] link: https://scaleworkshop.plainsound.org/scale/ZhwE7mmId&lt;br /&gt;
* Properties: Subset of [[16afdo]]&lt;br /&gt;
&lt;br /&gt;
== Maeve Gutierrez ==&lt;br /&gt;
&#039;&#039;see [[Maeve Gutierrez]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== MrTheKing 11:13:16:17:19:22 scale ==&lt;br /&gt;
A simple 19-limit pentatonic subset of mode 11 of the harmonic series ([[11afdo]]) described by [[mrtheking]] in December 2025.&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
13/11&lt;br /&gt;
16/11&lt;br /&gt;
17/11&lt;br /&gt;
19/11&lt;br /&gt;
22/11&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 12-tone no-5s 11-limit scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;33/32&lt;br /&gt;
9/8&lt;br /&gt;
7/6&lt;br /&gt;
77/64&lt;br /&gt;
21/16&lt;br /&gt;
11/8&lt;br /&gt;
3/2&lt;br /&gt;
14/9&lt;br /&gt;
77/48&lt;br /&gt;
7/4&lt;br /&gt;
11/6&lt;br /&gt;
2/1&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 19-tone 2.3.7.17.19 scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;57/56&lt;br /&gt;
19/18&lt;br /&gt;
68/63&lt;br /&gt;
8/7&lt;br /&gt;
19/16&lt;br /&gt;
17/14&lt;br /&gt;
9/7&lt;br /&gt;
4/3&lt;br /&gt;
19/14&lt;br /&gt;
17/12&lt;br /&gt;
3/2&lt;br /&gt;
171/112&lt;br /&gt;
19/12&lt;br /&gt;
34/21&lt;br /&gt;
12/7&lt;br /&gt;
16/9&lt;br /&gt;
38/21&lt;br /&gt;
17/9&lt;br /&gt;
2/1&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 41fg detemper ==&lt;br /&gt;
&amp;quot;41fg [[detemper]] with 2 copies of harmonic series mode 16 ([[16afdo]]).&amp;quot; &#039;&#039;(See [[warts]], [[41edo]].)&#039;&#039;&lt;br /&gt;
&amp;lt;pre&amp;gt;49/48&lt;br /&gt;
33/32&lt;br /&gt;
17/16&lt;br /&gt;
69/64&lt;br /&gt;
35/32&lt;br /&gt;
285/256&lt;br /&gt;
9/8&lt;br /&gt;
55/48&lt;br /&gt;
75/64&lt;br /&gt;
19/16&lt;br /&gt;
39/32&lt;br /&gt;
315/256&lt;br /&gt;
5/4&lt;br /&gt;
81/64&lt;br /&gt;
31/24&lt;br /&gt;
21/16&lt;br /&gt;
171/128&lt;br /&gt;
87/64&lt;br /&gt;
11/8&lt;br /&gt;
45/32&lt;br /&gt;
23/16&lt;br /&gt;
93/64&lt;br /&gt;
95/64&lt;br /&gt;
3/2&lt;br /&gt;
49/32&lt;br /&gt;
25/16&lt;br /&gt;
51/32&lt;br /&gt;
13/8&lt;br /&gt;
105/64&lt;br /&gt;
5/3&lt;br /&gt;
27/16&lt;br /&gt;
55/32&lt;br /&gt;
7/4&lt;br /&gt;
57/32&lt;br /&gt;
29/16&lt;br /&gt;
11/6&lt;br /&gt;
15/8&lt;br /&gt;
23/12&lt;br /&gt;
31/16&lt;br /&gt;
63/32&lt;br /&gt;
2&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Xencoder over-23 primodal Hirajoshi ==&lt;br /&gt;
&#039;&#039;(See [[primodality]], {{W|Hirajōshi scale}}.)&#039;&#039;&lt;br /&gt;
* 51/46&lt;br /&gt;
* 28/23&lt;br /&gt;
* 34/23&lt;br /&gt;
* 73/46&lt;br /&gt;
* 2/1&lt;br /&gt;
&lt;br /&gt;
== Zhea Erose primodal Lydians ==&lt;br /&gt;
&#039;&#039;Described by [[Zhea Erose]]. Recommended by [[Xencoder]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
7b Lydian Heptad &lt;br /&gt;
- 14:16:18:20:21:24:27:(28)&lt;br /&gt;
 - (+2+2+2+1+3+3+1), 2:3:4 concordance frame &lt;br /&gt;
&lt;br /&gt;
11b Lydian Heptad&lt;br /&gt;
- 22:25:28:31:33:37:42:(44)&lt;br /&gt;
 - (+3+3+3+2+4+5+2), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
2e Lydian Heptad&lt;br /&gt;
- 32:36:40:45:48:54:60:(64)&lt;br /&gt;
  - (+4+4+5+3+6+6+4), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
17b Lydian Heptad&lt;br /&gt;
- 34:38:43:48:51:57:64:(68)&lt;br /&gt;
  - (+4+5+5+3+6+7+4), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
19b Lydian Heptad&lt;br /&gt;
- 38:43:48:54:57:64:72:(76)&lt;br /&gt;
  - (+5+5+6+3+7+8+4), 2:3:4 concordance frame&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
YAML&lt;br /&gt;
some tridecimal scales in a few mos pre-images&lt;br /&gt;
&lt;br /&gt;
5L2s:&lt;br /&gt;
lydian and lydian modmos&lt;br /&gt;
    26:29:33:37:39:44:49 tridecimal lydian&lt;br /&gt;
    26:28:33:37:39:44:49 tridecimal lydian b2&lt;br /&gt;
    26:31:33:37:39:44:49 tridecimal lydian #2&lt;br /&gt;
    26:32:33:37:39:44:49 tridecimal lydian hyper^2&lt;br /&gt;
    26:29:33:37:41:44:49 tridecimal lydian #5&lt;br /&gt;
&lt;br /&gt;
ionian&lt;br /&gt;
&lt;br /&gt;
    26:29:33:35:39:44:49 tridecimal ionian&lt;br /&gt;
    26:28:33:35:39:44:49 tridecimal ionian b2&lt;br /&gt;
&lt;br /&gt;
mixolydian&lt;br /&gt;
&lt;br /&gt;
    26:29:33:35:39:44:46 tridecimal mixolydian&lt;br /&gt;
    26:29:33:35:39:41:46 tridecimal mixolydian b6&lt;br /&gt;
&lt;br /&gt;
dorian&lt;br /&gt;
&lt;br /&gt;
    26:29:31:35:39:44:46 tridecimal dorian&lt;br /&gt;
    26:28:31:35:39:44:46 tridecimal dorian b2&lt;br /&gt;
&lt;br /&gt;
aeolian&lt;br /&gt;
&lt;br /&gt;
    26:29:31:35:39:41:46 tridecimal aeolian&lt;br /&gt;
&lt;br /&gt;
6L1s:&lt;br /&gt;
ryonian&lt;br /&gt;
        26:29:32:35:39:43:48 tridecimal ryonian&lt;br /&gt;
&lt;br /&gt;
mixoryonian&lt;br /&gt;
        26:29:32:35:39:43:46 tridecimal mixoryonian&lt;br /&gt;
&lt;br /&gt;
azurian&lt;br /&gt;
        26:29:32:35:39:42:46 tridecimal azurian&lt;br /&gt;
&lt;br /&gt;
locrial&lt;br /&gt;
        26:29:32:35:38:42:46 tridecimal locrial&lt;br /&gt;
&lt;br /&gt;
ionial&lt;br /&gt;
        26:29:32:34:38:42:46 tridecimal ionial&lt;br /&gt;
&lt;br /&gt;
duradian&lt;br /&gt;
       26:29:31:34:38:42:46 tridecimal duradian&lt;br /&gt;
&lt;br /&gt;
phyradian&lt;br /&gt;
       26:28:31:34:38:42:46 tridecimal phyradian&lt;br /&gt;
&lt;br /&gt;
5L3s:&lt;br /&gt;
dylathian&lt;br /&gt;
       26:29:33:34:38:43:44:49 tridecimal dylathian&lt;br /&gt;
&lt;br /&gt;
3L2s:&lt;br /&gt;
      26:29:33:39:44 tridecimal maj pentatonic&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== z4wr autocoltraninatorathingamajig scales ==&lt;br /&gt;
;autocoltraninatorathingamajig minor&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/eiwMlcYFN&lt;br /&gt;
;autocoltraninatorathingamajig major&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/eiwEda8OT&lt;br /&gt;
&lt;br /&gt;
== z4wr-Cutting detempered blues scale ==&lt;br /&gt;
&amp;quot;blues scale detemper attempt in 11-limit based on [https://emusicology.org/article/id/4566/ blues scale analysis by court b cutting]&amp;quot;&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/newCtO1iy&lt;br /&gt;
&lt;br /&gt;
== 1madjack1&#039;s &#039;the block&#039; and &#039;the tesseract&#039;==&lt;br /&gt;
&#039;&#039;see [[The block and the tesseract]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== 1madjack1&#039;s &#039;random stuff go&#039; scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
53.273&lt;br /&gt;
119.443&lt;br /&gt;
347.408&lt;br /&gt;
720.000&lt;br /&gt;
773.273&lt;br /&gt;
839.443&lt;br /&gt;
1067.408&lt;br /&gt;
1200.000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
1madjack1 originally used a different word than &#039;stuff&#039;. Nonetheless the scale they created (in April 2026) is of musical interest, approximating a bunch of [[13-limit]] intervals in its various rotations:&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! &lt;br /&gt;
!0&lt;br /&gt;
!1&lt;br /&gt;
!2&lt;br /&gt;
!3&lt;br /&gt;
!4&lt;br /&gt;
!5&lt;br /&gt;
!6&lt;br /&gt;
!7&lt;br /&gt;
!(8)&lt;br /&gt;
|-&lt;br /&gt;
!1/1&lt;br /&gt;
|1/1&lt;br /&gt;
|~32/31&lt;br /&gt;
|~14/13&lt;br /&gt;
|~11/9&lt;br /&gt;
|~3/2&lt;br /&gt;
|~11/7&lt;br /&gt;
|~13/8&lt;br /&gt;
|~11/6&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~32/31&lt;br /&gt;
|1/1&lt;br /&gt;
|~26/25&lt;br /&gt;
|~13/11&lt;br /&gt;
|~22/15&lt;br /&gt;
|~3/2&lt;br /&gt;
|~11/7&lt;br /&gt;
|~9/5&lt;br /&gt;
|~31/16&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~14/13&lt;br /&gt;
|1/1&lt;br /&gt;
|~8/7&lt;br /&gt;
|~7/5&lt;br /&gt;
|~16/11&lt;br /&gt;
|~3/2&lt;br /&gt;
|~19/11&lt;br /&gt;
|~13/7&lt;br /&gt;
|~25/13&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~11/9&lt;br /&gt;
|1/1&lt;br /&gt;
|~5/4&lt;br /&gt;
|~9/7&lt;br /&gt;
|~4/3&lt;br /&gt;
|~3/2&lt;br /&gt;
|~13/8&lt;br /&gt;
|~27/16&lt;br /&gt;
|~7/4&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~3/2&lt;br /&gt;
|1/1&lt;br /&gt;
|~32/31&lt;br /&gt;
|~14/13&lt;br /&gt;
|~11/9&lt;br /&gt;
|~4/3&lt;br /&gt;
|~15/11&lt;br /&gt;
|~7/5&lt;br /&gt;
|~8/5&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~11/7&lt;br /&gt;
|1/1&lt;br /&gt;
|~26/25&lt;br /&gt;
|~13/11&lt;br /&gt;
|~9/7&lt;br /&gt;
|~4/3&lt;br /&gt;
|~11/8&lt;br /&gt;
|~11/7&lt;br /&gt;
|~31/16&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~13/8&lt;br /&gt;
|1/1&lt;br /&gt;
|~8/7&lt;br /&gt;
|~16/13&lt;br /&gt;
|~14/11&lt;br /&gt;
|~4/3&lt;br /&gt;
|~3/2&lt;br /&gt;
|~13/7&lt;br /&gt;
|~25/13&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~11/6&lt;br /&gt;
|1/1&lt;br /&gt;
|~13/12&lt;br /&gt;
|~9/8&lt;br /&gt;
|~7/6&lt;br /&gt;
|~4/3&lt;br /&gt;
|~13/8&lt;br /&gt;
|~27/16&lt;br /&gt;
|~7/4&lt;br /&gt;
|2/1&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Budjarn Lambeth recommends [[20edo]], [[72afdo]], or [[85afdo]] (17x5 semi-[[primodality]]) as a tuning for this scale.&lt;br /&gt;
&lt;br /&gt;
{{navbox scale gallery}}&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth/WIP_XA_scales_page&amp;diff=229679</id>
		<title>User:BudjarnLambeth/WIP XA scales page</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth/WIP_XA_scales_page&amp;diff=229679"/>
		<updated>2026-05-05T13:18:56Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* 1madjack1&amp;#039;s &amp;#039;random stuff go&amp;#039; scale */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;small&amp;gt;&amp;lt; [[Gallery of other just intonation scales]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt; [[Gallery of other tempered scales]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{Editable user page}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This page documents scales which were first described by users of the [[Xenharmonic Alliance]] Discord.&lt;br /&gt;
&lt;br /&gt;
== A17Forkybest303 35edo shower detemper ==&lt;br /&gt;
&amp;quot;[[35edo]] [[Detempering|detemper]] using some weird idea i thought in the shower. its kind of a compromise between what i did with 23L 12s, 27L 8s and 79L 19s &amp;lt;7/1&amp;gt; [[MOS scale|mosses]] i did. this is just 35L 7s with the small steps coalesced to their average.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
MOS {LLLLLsLLLLLsLLLLLsLLLLLsLLLLLsLLLLLsLLLLLs;L=1.0174049140626118r;s=1.0128266737669138r}&lt;br /&gt;
40.94029613010783r¢&lt;br /&gt;
81.810288275117&lt;br /&gt;
111.683049326269&lt;br /&gt;
141.555810377421&lt;br /&gt;
171.428571428572&lt;br /&gt;
212.36886755868008r¢&lt;br /&gt;
253.238859703689&lt;br /&gt;
283.11162075484&lt;br /&gt;
312.984381805992&lt;br /&gt;
342.857142857144&lt;br /&gt;
383.79743898725155r¢&lt;br /&gt;
424.667431132261&lt;br /&gt;
454.540192183413&lt;br /&gt;
484.412953234564&lt;br /&gt;
514.285714285716&lt;br /&gt;
555.2260104158239r¢&lt;br /&gt;
596.096002560832&lt;br /&gt;
625.968763611984&lt;br /&gt;
655.841524663136&lt;br /&gt;
685.714285714288&lt;br /&gt;
726.654581844396r¢&lt;br /&gt;
767.524573989404&lt;br /&gt;
797.397335040556&lt;br /&gt;
827.270096091708&lt;br /&gt;
857.14285714286&lt;br /&gt;
898.083153272968r¢&lt;br /&gt;
938.953145417976&lt;br /&gt;
968.825906469128&lt;br /&gt;
998.69866752028&lt;br /&gt;
1028.571428571432&lt;br /&gt;
1080.508955795393&lt;br /&gt;
1110.381716846545&lt;br /&gt;
1140.254477897697&lt;br /&gt;
1170.127238948849&lt;br /&gt;
1200.000000000000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bergkirsty Nordic scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;! Just tuning D A E 11-lim tritone.scl&lt;br /&gt;
! Created using Scale Workshop 3.1.0&lt;br /&gt;
!&lt;br /&gt;
! https://sw3.lumipakkanen.com/scale/AluMjUVjA&lt;br /&gt;
!&lt;br /&gt;
Just tuning D (A, E) 11-lim tritone&lt;br /&gt;
 12&lt;br /&gt;
!&lt;br /&gt;
 16/15 ! F silver&lt;br /&gt;
 10/9 ! F# blue&lt;br /&gt;
 6/5 ! G blue&lt;br /&gt;
 5/4 ! G# silver&lt;br /&gt;
 4/3 ! A red&lt;br /&gt;
 11/8 ! B♭ blue&lt;br /&gt;
 3/2 ! B red&lt;br /&gt;
 8/5 ! C silver&lt;br /&gt;
 5/3 ! C# blue&lt;br /&gt;
 16/9 ! D red&lt;br /&gt;
 48/25 ! E♭ silver&lt;br /&gt;
 2/1 ! E red&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Domin Zutsz-11 scale ==&lt;br /&gt;
The Zutsz-11 scale is a 10-tone [[2.3.7.11 subgroup|2.3.7.11]] just intonation scale. It was first described by [[Domin]] in July 2024 and then indpendently described again by [[Finky]] in December 2025.&lt;br /&gt;
&lt;br /&gt;
=== Music ===&lt;br /&gt;
* [https://youtu.be/Hr4WtKdvs_4 &#039;Zutsz&#039;] - [[Domin]] (2024)&lt;br /&gt;
* [https://www.youtube.com/watch?v=ux94Vn2q7uA &#039;Jam on Domin&#039;s Zutsz-11 Scale&#039;] - [[Nick Vuci]] (2024)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
33/32&lt;br /&gt;
7/6&lt;br /&gt;
77/64&lt;br /&gt;
21/16&lt;br /&gt;
11/8&lt;br /&gt;
3/2&lt;br /&gt;
77/48&lt;br /&gt;
7/4&lt;br /&gt;
11/6&lt;br /&gt;
2/1&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== 12-tone piano tunings recommended by DeltaQuartz (10L 2s diaschismic[12] &amp;amp; 3L 9s augmented[12]) ==&lt;br /&gt;
While not &#039;&#039;discovered&#039;&#039; by DeltaQuartz per se, the case they make for these is worth documenting.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&amp;quot;I just stumbled upon some pretty awesome 12-tone piano temperaments that feel like analogues to [[meantone]] but for sharp fifth tunings. One of them is for [[diaschismic]] tunings like {{EDOs|22edo, 34edo, 46edo,}} etc. with a 600c [[period]], giving sweet 5/4 thirds in 8 keys (the same as meantone), a pretty cozy way to explore their [[5-limit]] when these are often tunings that have bizarre layouts otherwise, and tritone sub-able in every key! The other is for [[augmented]] tunings like {{EDOs|15edo, 27edo, 39edo,}} etc. with a 400c period, giving every key the same major third and 6 keys an easy access harmonic 7th as their minor 7th.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;34edo scale: https://scaleworkshop.plainsound.org/scale/-LxdqOHRh&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;39edo scale: https://scaleworkshop.plainsound.org/scale/-LxZNj2Ub&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;For MOS-minded folks, the first scale is [[10L 2s]], the second is [[3L 9s]].&amp;quot;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== FilterNashi majorminth scales ==&lt;br /&gt;
{{Wikipedia|Hirajōshi scale}}&lt;br /&gt;
&amp;quot;i found a scale tempered 352/351 suspiciously similar to Hirajoshi which is&lt;br /&gt;
* 9/8&lt;br /&gt;
* 11/9&lt;br /&gt;
* 3/2&lt;br /&gt;
* 13/8&lt;br /&gt;
* 2/1&lt;br /&gt;
and 352/351 tempered.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
it&#039;s a better approximation than 1-9/8-6/5-3/2-8/5-2/1 known as Hirajoshi Just in the preset scale of [[Scale Workshop]].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
i found a 6-note scale first and its subset of retrovert is suspiciously similar to Hirajoshi - the scale itself is:&lt;br /&gt;
* 1-12/11-32/27-4/3-18/11-16/9-2, 352/351 tempered.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
so the scale i found was quite interesting because its a seven-note scale with every interval within [[13-odd-limit]] ([[Rank-3|rank3]])&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
five-note scale found in [[352/351#Temperaments|majorminth]] (tempered 352/351 in the 2.3.11.13 subgroup TE tuning):&lt;br /&gt;
* 205.931&lt;br /&gt;
* 345.590&lt;br /&gt;
* 702.798&lt;br /&gt;
* 842.456&lt;br /&gt;
* 1199.664&amp;quot;&lt;br /&gt;
&lt;br /&gt;
=== Seven-note versions ===&lt;br /&gt;
&amp;quot;these two scales are called [[paranice]], due to sharing the same pattern with [[nicetone]].&lt;br /&gt;
* [https://scaleworkshop.plainsound.org/scale/RruKXVr-R Scale Workshop link 1]&lt;br /&gt;
* [https://scaleworkshop.plainsound.org/scale/Rruj0WZvc Scale Workshop link 2]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
== finky6319&#039;s fun jazzy pentatonic scale ==&lt;br /&gt;
* Intervals: 7/6 21/16 11/8 7/4 2/1&lt;br /&gt;
* [[Scale Workshop]] link: https://scaleworkshop.plainsound.org/scale/ZhwE7mmId&lt;br /&gt;
* Properties: Subset of [[16afdo]]&lt;br /&gt;
&lt;br /&gt;
== Maeve Gutierrez ==&lt;br /&gt;
&#039;&#039;see [[Maeve Gutierrez]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== MrTheKing 11:13:16:17:19:22 scale ==&lt;br /&gt;
A simple 19-limit pentatonic subset of mode 11 of the harmonic series ([[11afdo]]) described by [[mrtheking]] in December 2025.&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
13/11&lt;br /&gt;
16/11&lt;br /&gt;
17/11&lt;br /&gt;
19/11&lt;br /&gt;
22/11&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 12-tone no-5s 11-limit scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;33/32&lt;br /&gt;
9/8&lt;br /&gt;
7/6&lt;br /&gt;
77/64&lt;br /&gt;
21/16&lt;br /&gt;
11/8&lt;br /&gt;
3/2&lt;br /&gt;
14/9&lt;br /&gt;
77/48&lt;br /&gt;
7/4&lt;br /&gt;
11/6&lt;br /&gt;
2/1&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 19-tone 2.3.7.17.19 scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;57/56&lt;br /&gt;
19/18&lt;br /&gt;
68/63&lt;br /&gt;
8/7&lt;br /&gt;
19/16&lt;br /&gt;
17/14&lt;br /&gt;
9/7&lt;br /&gt;
4/3&lt;br /&gt;
19/14&lt;br /&gt;
17/12&lt;br /&gt;
3/2&lt;br /&gt;
171/112&lt;br /&gt;
19/12&lt;br /&gt;
34/21&lt;br /&gt;
12/7&lt;br /&gt;
16/9&lt;br /&gt;
38/21&lt;br /&gt;
17/9&lt;br /&gt;
2/1&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 41fg detemper ==&lt;br /&gt;
&amp;quot;41fg [[detemper]] with 2 copies of harmonic series mode 16 ([[16afdo]]).&amp;quot; &#039;&#039;(See [[warts]], [[41edo]].)&#039;&#039;&lt;br /&gt;
&amp;lt;pre&amp;gt;49/48&lt;br /&gt;
33/32&lt;br /&gt;
17/16&lt;br /&gt;
69/64&lt;br /&gt;
35/32&lt;br /&gt;
285/256&lt;br /&gt;
9/8&lt;br /&gt;
55/48&lt;br /&gt;
75/64&lt;br /&gt;
19/16&lt;br /&gt;
39/32&lt;br /&gt;
315/256&lt;br /&gt;
5/4&lt;br /&gt;
81/64&lt;br /&gt;
31/24&lt;br /&gt;
21/16&lt;br /&gt;
171/128&lt;br /&gt;
87/64&lt;br /&gt;
11/8&lt;br /&gt;
45/32&lt;br /&gt;
23/16&lt;br /&gt;
93/64&lt;br /&gt;
95/64&lt;br /&gt;
3/2&lt;br /&gt;
49/32&lt;br /&gt;
25/16&lt;br /&gt;
51/32&lt;br /&gt;
13/8&lt;br /&gt;
105/64&lt;br /&gt;
5/3&lt;br /&gt;
27/16&lt;br /&gt;
55/32&lt;br /&gt;
7/4&lt;br /&gt;
57/32&lt;br /&gt;
29/16&lt;br /&gt;
11/6&lt;br /&gt;
15/8&lt;br /&gt;
23/12&lt;br /&gt;
31/16&lt;br /&gt;
63/32&lt;br /&gt;
2&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Xencoder over-23 primodal Hirajoshi ==&lt;br /&gt;
&#039;&#039;(See [[primodality]], {{W|Hirajōshi scale}}.)&#039;&#039;&lt;br /&gt;
* 51/46&lt;br /&gt;
* 28/23&lt;br /&gt;
* 34/23&lt;br /&gt;
* 73/46&lt;br /&gt;
* 2/1&lt;br /&gt;
&lt;br /&gt;
== Zhea Erose primodal Lydians ==&lt;br /&gt;
&#039;&#039;Described by [[Zhea Erose]]. Recommended by [[Xencoder]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
7b Lydian Heptad &lt;br /&gt;
- 14:16:18:20:21:24:27:(28)&lt;br /&gt;
 - (+2+2+2+1+3+3+1), 2:3:4 concordance frame &lt;br /&gt;
&lt;br /&gt;
11b Lydian Heptad&lt;br /&gt;
- 22:25:28:31:33:37:42:(44)&lt;br /&gt;
 - (+3+3+3+2+4+5+2), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
2e Lydian Heptad&lt;br /&gt;
- 32:36:40:45:48:54:60:(64)&lt;br /&gt;
  - (+4+4+5+3+6+6+4), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
17b Lydian Heptad&lt;br /&gt;
- 34:38:43:48:51:57:64:(68)&lt;br /&gt;
  - (+4+5+5+3+6+7+4), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
19b Lydian Heptad&lt;br /&gt;
- 38:43:48:54:57:64:72:(76)&lt;br /&gt;
  - (+5+5+6+3+7+8+4), 2:3:4 concordance frame&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
YAML&lt;br /&gt;
some tridecimal scales in a few mos pre-images&lt;br /&gt;
&lt;br /&gt;
5L2s:&lt;br /&gt;
lydian and lydian modmos&lt;br /&gt;
    26:29:33:37:39:44:49 tridecimal lydian&lt;br /&gt;
    26:28:33:37:39:44:49 tridecimal lydian b2&lt;br /&gt;
    26:31:33:37:39:44:49 tridecimal lydian #2&lt;br /&gt;
    26:32:33:37:39:44:49 tridecimal lydian hyper^2&lt;br /&gt;
    26:29:33:37:41:44:49 tridecimal lydian #5&lt;br /&gt;
&lt;br /&gt;
ionian&lt;br /&gt;
&lt;br /&gt;
    26:29:33:35:39:44:49 tridecimal ionian&lt;br /&gt;
    26:28:33:35:39:44:49 tridecimal ionian b2&lt;br /&gt;
&lt;br /&gt;
mixolydian&lt;br /&gt;
&lt;br /&gt;
    26:29:33:35:39:44:46 tridecimal mixolydian&lt;br /&gt;
    26:29:33:35:39:41:46 tridecimal mixolydian b6&lt;br /&gt;
&lt;br /&gt;
dorian&lt;br /&gt;
&lt;br /&gt;
    26:29:31:35:39:44:46 tridecimal dorian&lt;br /&gt;
    26:28:31:35:39:44:46 tridecimal dorian b2&lt;br /&gt;
&lt;br /&gt;
aeolian&lt;br /&gt;
&lt;br /&gt;
    26:29:31:35:39:41:46 tridecimal aeolian&lt;br /&gt;
&lt;br /&gt;
6L1s:&lt;br /&gt;
ryonian&lt;br /&gt;
        26:29:32:35:39:43:48 tridecimal ryonian&lt;br /&gt;
&lt;br /&gt;
mixoryonian&lt;br /&gt;
        26:29:32:35:39:43:46 tridecimal mixoryonian&lt;br /&gt;
&lt;br /&gt;
azurian&lt;br /&gt;
        26:29:32:35:39:42:46 tridecimal azurian&lt;br /&gt;
&lt;br /&gt;
locrial&lt;br /&gt;
        26:29:32:35:38:42:46 tridecimal locrial&lt;br /&gt;
&lt;br /&gt;
ionial&lt;br /&gt;
        26:29:32:34:38:42:46 tridecimal ionial&lt;br /&gt;
&lt;br /&gt;
duradian&lt;br /&gt;
       26:29:31:34:38:42:46 tridecimal duradian&lt;br /&gt;
&lt;br /&gt;
phyradian&lt;br /&gt;
       26:28:31:34:38:42:46 tridecimal phyradian&lt;br /&gt;
&lt;br /&gt;
5L3s:&lt;br /&gt;
dylathian&lt;br /&gt;
       26:29:33:34:38:43:44:49 tridecimal dylathian&lt;br /&gt;
&lt;br /&gt;
3L2s:&lt;br /&gt;
      26:29:33:39:44 tridecimal maj pentatonic&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== z4wr autocoltraninatorathingamajig scales ==&lt;br /&gt;
;autocoltraninatorathingamajig minor&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/eiwMlcYFN&lt;br /&gt;
;autocoltraninatorathingamajig major&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/eiwEda8OT&lt;br /&gt;
&lt;br /&gt;
== z4wr-Cutting detempered blues scale ==&lt;br /&gt;
&amp;quot;blues scale detemper attempt in 11-limit based on [https://emusicology.org/article/id/4566/ blues scale analysis by court b cutting]&amp;quot;&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/newCtO1iy&lt;br /&gt;
&lt;br /&gt;
== 1madjack1&#039;s &#039;the block&#039; and &#039;the tesseract&#039;==&lt;br /&gt;
&#039;&#039;see [[The block and the tesseract]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== 1madjack1&#039;s &#039;random stuff go&#039; scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
53.273&lt;br /&gt;
119.443&lt;br /&gt;
347.408&lt;br /&gt;
720.000&lt;br /&gt;
773.273&lt;br /&gt;
839.443&lt;br /&gt;
1067.408&lt;br /&gt;
1200.000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
1madjack1 originally used a different word than &#039;stuff&#039;. Nonetheless the scale they created (in April 2026) is of musical interest, approximating a bunch of [[13-limit]] intervals in its various rotations:&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
!0&lt;br /&gt;
!1&lt;br /&gt;
!2&lt;br /&gt;
!3&lt;br /&gt;
!4&lt;br /&gt;
!5&lt;br /&gt;
!6&lt;br /&gt;
!7&lt;br /&gt;
!(8)&lt;br /&gt;
|-&lt;br /&gt;
!1/1&lt;br /&gt;
|1/1&lt;br /&gt;
|~32/31&lt;br /&gt;
|~14/13&lt;br /&gt;
|~11/9&lt;br /&gt;
|~3/2&lt;br /&gt;
|~11/7&lt;br /&gt;
|~13/8&lt;br /&gt;
|~11/6&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~32/31&lt;br /&gt;
|1/1&lt;br /&gt;
|~26/25&lt;br /&gt;
|~13/11&lt;br /&gt;
|~22/15&lt;br /&gt;
|~3/2&lt;br /&gt;
|~11/7&lt;br /&gt;
|~9/5&lt;br /&gt;
|~31/16&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~14/13&lt;br /&gt;
|1/1&lt;br /&gt;
|~8/7&lt;br /&gt;
|~7/5&lt;br /&gt;
|~16/11&lt;br /&gt;
|~3/2&lt;br /&gt;
|~19/11&lt;br /&gt;
|~13/7&lt;br /&gt;
|~25/13&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~11/9&lt;br /&gt;
|1/1&lt;br /&gt;
|~5/4&lt;br /&gt;
|~9/7&lt;br /&gt;
|~4/3&lt;br /&gt;
|~3/2&lt;br /&gt;
|~13/8&lt;br /&gt;
|~27/16&lt;br /&gt;
|~7/4&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~3/2&lt;br /&gt;
|1/1&lt;br /&gt;
|~32/31&lt;br /&gt;
|~14/13&lt;br /&gt;
|~11/9&lt;br /&gt;
|~4/3&lt;br /&gt;
|~15/11&lt;br /&gt;
|~7/5&lt;br /&gt;
|~8/5&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~11/7&lt;br /&gt;
|1/1&lt;br /&gt;
|~26/25&lt;br /&gt;
|~13/11&lt;br /&gt;
|~9/7&lt;br /&gt;
|~4/3&lt;br /&gt;
|~11/8&lt;br /&gt;
|~11/7&lt;br /&gt;
|~31/16&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~13/8&lt;br /&gt;
|1/1&lt;br /&gt;
|~8/7&lt;br /&gt;
|~16/13&lt;br /&gt;
|~14/11&lt;br /&gt;
|~4/3&lt;br /&gt;
|~3/2&lt;br /&gt;
|~13/7&lt;br /&gt;
|~25/13&lt;br /&gt;
|2/1&lt;br /&gt;
|-&lt;br /&gt;
!~11/6&lt;br /&gt;
|1/1&lt;br /&gt;
|~13/12&lt;br /&gt;
|~9/8&lt;br /&gt;
|~7/6&lt;br /&gt;
|~4/3&lt;br /&gt;
|~13/8&lt;br /&gt;
|~27/16&lt;br /&gt;
|~7/4&lt;br /&gt;
|2/1&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Budjarn Lambeth recommends [[20edo]], [[72afdo]], or [[85afdo]] (17x5 semi-[[primodality]]) as a tuning for this scale.&lt;br /&gt;
&lt;br /&gt;
{{navbox scale gallery}}&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth/WIP_XA_scales_page&amp;diff=229678</id>
		<title>User:BudjarnLambeth/WIP XA scales page</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth/WIP_XA_scales_page&amp;diff=229678"/>
		<updated>2026-05-05T13:16:14Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* 1madjack1&amp;#039;s &amp;#039;the block&amp;#039; and &amp;#039;the tesseract&amp;#039; */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;small&amp;gt;&amp;lt; [[Gallery of other just intonation scales]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt; [[Gallery of other tempered scales]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{Editable user page}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
This page documents scales which were first described by users of the [[Xenharmonic Alliance]] Discord.&lt;br /&gt;
&lt;br /&gt;
== A17Forkybest303 35edo shower detemper ==&lt;br /&gt;
&amp;quot;[[35edo]] [[Detempering|detemper]] using some weird idea i thought in the shower. its kind of a compromise between what i did with 23L 12s, 27L 8s and 79L 19s &amp;lt;7/1&amp;gt; [[MOS scale|mosses]] i did. this is just 35L 7s with the small steps coalesced to their average.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
MOS {LLLLLsLLLLLsLLLLLsLLLLLsLLLLLsLLLLLsLLLLLs;L=1.0174049140626118r;s=1.0128266737669138r}&lt;br /&gt;
40.94029613010783r¢&lt;br /&gt;
81.810288275117&lt;br /&gt;
111.683049326269&lt;br /&gt;
141.555810377421&lt;br /&gt;
171.428571428572&lt;br /&gt;
212.36886755868008r¢&lt;br /&gt;
253.238859703689&lt;br /&gt;
283.11162075484&lt;br /&gt;
312.984381805992&lt;br /&gt;
342.857142857144&lt;br /&gt;
383.79743898725155r¢&lt;br /&gt;
424.667431132261&lt;br /&gt;
454.540192183413&lt;br /&gt;
484.412953234564&lt;br /&gt;
514.285714285716&lt;br /&gt;
555.2260104158239r¢&lt;br /&gt;
596.096002560832&lt;br /&gt;
625.968763611984&lt;br /&gt;
655.841524663136&lt;br /&gt;
685.714285714288&lt;br /&gt;
726.654581844396r¢&lt;br /&gt;
767.524573989404&lt;br /&gt;
797.397335040556&lt;br /&gt;
827.270096091708&lt;br /&gt;
857.14285714286&lt;br /&gt;
898.083153272968r¢&lt;br /&gt;
938.953145417976&lt;br /&gt;
968.825906469128&lt;br /&gt;
998.69866752028&lt;br /&gt;
1028.571428571432&lt;br /&gt;
1080.508955795393&lt;br /&gt;
1110.381716846545&lt;br /&gt;
1140.254477897697&lt;br /&gt;
1170.127238948849&lt;br /&gt;
1200.000000000000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Bergkirsty Nordic scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;! Just tuning D A E 11-lim tritone.scl&lt;br /&gt;
! Created using Scale Workshop 3.1.0&lt;br /&gt;
!&lt;br /&gt;
! https://sw3.lumipakkanen.com/scale/AluMjUVjA&lt;br /&gt;
!&lt;br /&gt;
Just tuning D (A, E) 11-lim tritone&lt;br /&gt;
 12&lt;br /&gt;
!&lt;br /&gt;
 16/15 ! F silver&lt;br /&gt;
 10/9 ! F# blue&lt;br /&gt;
 6/5 ! G blue&lt;br /&gt;
 5/4 ! G# silver&lt;br /&gt;
 4/3 ! A red&lt;br /&gt;
 11/8 ! B♭ blue&lt;br /&gt;
 3/2 ! B red&lt;br /&gt;
 8/5 ! C silver&lt;br /&gt;
 5/3 ! C# blue&lt;br /&gt;
 16/9 ! D red&lt;br /&gt;
 48/25 ! E♭ silver&lt;br /&gt;
 2/1 ! E red&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Domin Zutsz-11 scale ==&lt;br /&gt;
The Zutsz-11 scale is a 10-tone [[2.3.7.11 subgroup|2.3.7.11]] just intonation scale. It was first described by [[Domin]] in July 2024 and then indpendently described again by [[Finky]] in December 2025.&lt;br /&gt;
&lt;br /&gt;
=== Music ===&lt;br /&gt;
* [https://youtu.be/Hr4WtKdvs_4 &#039;Zutsz&#039;] - [[Domin]] (2024)&lt;br /&gt;
* [https://www.youtube.com/watch?v=ux94Vn2q7uA &#039;Jam on Domin&#039;s Zutsz-11 Scale&#039;] - [[Nick Vuci]] (2024)&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
33/32&lt;br /&gt;
7/6&lt;br /&gt;
77/64&lt;br /&gt;
21/16&lt;br /&gt;
11/8&lt;br /&gt;
3/2&lt;br /&gt;
77/48&lt;br /&gt;
7/4&lt;br /&gt;
11/6&lt;br /&gt;
2/1&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== 12-tone piano tunings recommended by DeltaQuartz (10L 2s diaschismic[12] &amp;amp; 3L 9s augmented[12]) ==&lt;br /&gt;
While not &#039;&#039;discovered&#039;&#039; by DeltaQuartz per se, the case they make for these is worth documenting.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&amp;quot;I just stumbled upon some pretty awesome 12-tone piano temperaments that feel like analogues to [[meantone]] but for sharp fifth tunings. One of them is for [[diaschismic]] tunings like {{EDOs|22edo, 34edo, 46edo,}} etc. with a 600c [[period]], giving sweet 5/4 thirds in 8 keys (the same as meantone), a pretty cozy way to explore their [[5-limit]] when these are often tunings that have bizarre layouts otherwise, and tritone sub-able in every key! The other is for [[augmented]] tunings like {{EDOs|15edo, 27edo, 39edo,}} etc. with a 400c period, giving every key the same major third and 6 keys an easy access harmonic 7th as their minor 7th.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;34edo scale: https://scaleworkshop.plainsound.org/scale/-LxdqOHRh&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;39edo scale: https://scaleworkshop.plainsound.org/scale/-LxZNj2Ub&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;For MOS-minded folks, the first scale is [[10L 2s]], the second is [[3L 9s]].&amp;quot;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== FilterNashi majorminth scales ==&lt;br /&gt;
{{Wikipedia|Hirajōshi scale}}&lt;br /&gt;
&amp;quot;i found a scale tempered 352/351 suspiciously similar to Hirajoshi which is&lt;br /&gt;
* 9/8&lt;br /&gt;
* 11/9&lt;br /&gt;
* 3/2&lt;br /&gt;
* 13/8&lt;br /&gt;
* 2/1&lt;br /&gt;
and 352/351 tempered.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
it&#039;s a better approximation than 1-9/8-6/5-3/2-8/5-2/1 known as Hirajoshi Just in the preset scale of [[Scale Workshop]].&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
i found a 6-note scale first and its subset of retrovert is suspiciously similar to Hirajoshi - the scale itself is:&lt;br /&gt;
* 1-12/11-32/27-4/3-18/11-16/9-2, 352/351 tempered.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
so the scale i found was quite interesting because its a seven-note scale with every interval within [[13-odd-limit]] ([[Rank-3|rank3]])&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
five-note scale found in [[352/351#Temperaments|majorminth]] (tempered 352/351 in the 2.3.11.13 subgroup TE tuning):&lt;br /&gt;
* 205.931&lt;br /&gt;
* 345.590&lt;br /&gt;
* 702.798&lt;br /&gt;
* 842.456&lt;br /&gt;
* 1199.664&amp;quot;&lt;br /&gt;
&lt;br /&gt;
=== Seven-note versions ===&lt;br /&gt;
&amp;quot;these two scales are called [[paranice]], due to sharing the same pattern with [[nicetone]].&lt;br /&gt;
* [https://scaleworkshop.plainsound.org/scale/RruKXVr-R Scale Workshop link 1]&lt;br /&gt;
* [https://scaleworkshop.plainsound.org/scale/Rruj0WZvc Scale Workshop link 2]&amp;quot;&lt;br /&gt;
&lt;br /&gt;
== finky6319&#039;s fun jazzy pentatonic scale ==&lt;br /&gt;
* Intervals: 7/6 21/16 11/8 7/4 2/1&lt;br /&gt;
* [[Scale Workshop]] link: https://scaleworkshop.plainsound.org/scale/ZhwE7mmId&lt;br /&gt;
* Properties: Subset of [[16afdo]]&lt;br /&gt;
&lt;br /&gt;
== Maeve Gutierrez ==&lt;br /&gt;
&#039;&#039;see [[Maeve Gutierrez]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== MrTheKing 11:13:16:17:19:22 scale ==&lt;br /&gt;
A simple 19-limit pentatonic subset of mode 11 of the harmonic series ([[11afdo]]) described by [[mrtheking]] in December 2025.&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
13/11&lt;br /&gt;
16/11&lt;br /&gt;
17/11&lt;br /&gt;
19/11&lt;br /&gt;
22/11&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 12-tone no-5s 11-limit scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;33/32&lt;br /&gt;
9/8&lt;br /&gt;
7/6&lt;br /&gt;
77/64&lt;br /&gt;
21/16&lt;br /&gt;
11/8&lt;br /&gt;
3/2&lt;br /&gt;
14/9&lt;br /&gt;
77/48&lt;br /&gt;
7/4&lt;br /&gt;
11/6&lt;br /&gt;
2/1&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 19-tone 2.3.7.17.19 scale ==&lt;br /&gt;
&amp;lt;pre&amp;gt;57/56&lt;br /&gt;
19/18&lt;br /&gt;
68/63&lt;br /&gt;
8/7&lt;br /&gt;
19/16&lt;br /&gt;
17/14&lt;br /&gt;
9/7&lt;br /&gt;
4/3&lt;br /&gt;
19/14&lt;br /&gt;
17/12&lt;br /&gt;
3/2&lt;br /&gt;
171/112&lt;br /&gt;
19/12&lt;br /&gt;
34/21&lt;br /&gt;
12/7&lt;br /&gt;
16/9&lt;br /&gt;
38/21&lt;br /&gt;
17/9&lt;br /&gt;
2/1&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Tristanbay 41fg detemper ==&lt;br /&gt;
&amp;quot;41fg [[detemper]] with 2 copies of harmonic series mode 16 ([[16afdo]]).&amp;quot; &#039;&#039;(See [[warts]], [[41edo]].)&#039;&#039;&lt;br /&gt;
&amp;lt;pre&amp;gt;49/48&lt;br /&gt;
33/32&lt;br /&gt;
17/16&lt;br /&gt;
69/64&lt;br /&gt;
35/32&lt;br /&gt;
285/256&lt;br /&gt;
9/8&lt;br /&gt;
55/48&lt;br /&gt;
75/64&lt;br /&gt;
19/16&lt;br /&gt;
39/32&lt;br /&gt;
315/256&lt;br /&gt;
5/4&lt;br /&gt;
81/64&lt;br /&gt;
31/24&lt;br /&gt;
21/16&lt;br /&gt;
171/128&lt;br /&gt;
87/64&lt;br /&gt;
11/8&lt;br /&gt;
45/32&lt;br /&gt;
23/16&lt;br /&gt;
93/64&lt;br /&gt;
95/64&lt;br /&gt;
3/2&lt;br /&gt;
49/32&lt;br /&gt;
25/16&lt;br /&gt;
51/32&lt;br /&gt;
13/8&lt;br /&gt;
105/64&lt;br /&gt;
5/3&lt;br /&gt;
27/16&lt;br /&gt;
55/32&lt;br /&gt;
7/4&lt;br /&gt;
57/32&lt;br /&gt;
29/16&lt;br /&gt;
11/6&lt;br /&gt;
15/8&lt;br /&gt;
23/12&lt;br /&gt;
31/16&lt;br /&gt;
63/32&lt;br /&gt;
2&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Xencoder over-23 primodal Hirajoshi ==&lt;br /&gt;
&#039;&#039;(See [[primodality]], {{W|Hirajōshi scale}}.)&#039;&#039;&lt;br /&gt;
* 51/46&lt;br /&gt;
* 28/23&lt;br /&gt;
* 34/23&lt;br /&gt;
* 73/46&lt;br /&gt;
* 2/1&lt;br /&gt;
&lt;br /&gt;
== Zhea Erose primodal Lydians ==&lt;br /&gt;
&#039;&#039;Described by [[Zhea Erose]]. Recommended by [[Xencoder]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
7b Lydian Heptad &lt;br /&gt;
- 14:16:18:20:21:24:27:(28)&lt;br /&gt;
 - (+2+2+2+1+3+3+1), 2:3:4 concordance frame &lt;br /&gt;
&lt;br /&gt;
11b Lydian Heptad&lt;br /&gt;
- 22:25:28:31:33:37:42:(44)&lt;br /&gt;
 - (+3+3+3+2+4+5+2), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
2e Lydian Heptad&lt;br /&gt;
- 32:36:40:45:48:54:60:(64)&lt;br /&gt;
  - (+4+4+5+3+6+6+4), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
17b Lydian Heptad&lt;br /&gt;
- 34:38:43:48:51:57:64:(68)&lt;br /&gt;
  - (+4+5+5+3+6+7+4), 2:3:4 concordance frame&lt;br /&gt;
&lt;br /&gt;
19b Lydian Heptad&lt;br /&gt;
- 38:43:48:54:57:64:72:(76)&lt;br /&gt;
  - (+5+5+6+3+7+8+4), 2:3:4 concordance frame&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
YAML&lt;br /&gt;
some tridecimal scales in a few mos pre-images&lt;br /&gt;
&lt;br /&gt;
5L2s:&lt;br /&gt;
lydian and lydian modmos&lt;br /&gt;
    26:29:33:37:39:44:49 tridecimal lydian&lt;br /&gt;
    26:28:33:37:39:44:49 tridecimal lydian b2&lt;br /&gt;
    26:31:33:37:39:44:49 tridecimal lydian #2&lt;br /&gt;
    26:32:33:37:39:44:49 tridecimal lydian hyper^2&lt;br /&gt;
    26:29:33:37:41:44:49 tridecimal lydian #5&lt;br /&gt;
&lt;br /&gt;
ionian&lt;br /&gt;
&lt;br /&gt;
    26:29:33:35:39:44:49 tridecimal ionian&lt;br /&gt;
    26:28:33:35:39:44:49 tridecimal ionian b2&lt;br /&gt;
&lt;br /&gt;
mixolydian&lt;br /&gt;
&lt;br /&gt;
    26:29:33:35:39:44:46 tridecimal mixolydian&lt;br /&gt;
    26:29:33:35:39:41:46 tridecimal mixolydian b6&lt;br /&gt;
&lt;br /&gt;
dorian&lt;br /&gt;
&lt;br /&gt;
    26:29:31:35:39:44:46 tridecimal dorian&lt;br /&gt;
    26:28:31:35:39:44:46 tridecimal dorian b2&lt;br /&gt;
&lt;br /&gt;
aeolian&lt;br /&gt;
&lt;br /&gt;
    26:29:31:35:39:41:46 tridecimal aeolian&lt;br /&gt;
&lt;br /&gt;
6L1s:&lt;br /&gt;
ryonian&lt;br /&gt;
        26:29:32:35:39:43:48 tridecimal ryonian&lt;br /&gt;
&lt;br /&gt;
mixoryonian&lt;br /&gt;
        26:29:32:35:39:43:46 tridecimal mixoryonian&lt;br /&gt;
&lt;br /&gt;
azurian&lt;br /&gt;
        26:29:32:35:39:42:46 tridecimal azurian&lt;br /&gt;
&lt;br /&gt;
locrial&lt;br /&gt;
        26:29:32:35:38:42:46 tridecimal locrial&lt;br /&gt;
&lt;br /&gt;
ionial&lt;br /&gt;
        26:29:32:34:38:42:46 tridecimal ionial&lt;br /&gt;
&lt;br /&gt;
duradian&lt;br /&gt;
       26:29:31:34:38:42:46 tridecimal duradian&lt;br /&gt;
&lt;br /&gt;
phyradian&lt;br /&gt;
       26:28:31:34:38:42:46 tridecimal phyradian&lt;br /&gt;
&lt;br /&gt;
5L3s:&lt;br /&gt;
dylathian&lt;br /&gt;
       26:29:33:34:38:43:44:49 tridecimal dylathian&lt;br /&gt;
&lt;br /&gt;
3L2s:&lt;br /&gt;
      26:29:33:39:44 tridecimal maj pentatonic&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== z4wr autocoltraninatorathingamajig scales ==&lt;br /&gt;
;autocoltraninatorathingamajig minor&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/eiwMlcYFN&lt;br /&gt;
;autocoltraninatorathingamajig major&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/eiwEda8OT&lt;br /&gt;
&lt;br /&gt;
== z4wr-Cutting detempered blues scale ==&lt;br /&gt;
&amp;quot;blues scale detemper attempt in 11-limit based on [https://emusicology.org/article/id/4566/ blues scale analysis by court b cutting]&amp;quot;&lt;br /&gt;
* https://scaleworkshop.plainsound.org/scale/newCtO1iy&lt;br /&gt;
&lt;br /&gt;
== 1madjack1&#039;s &#039;the block&#039; and &#039;the tesseract&#039;==&lt;br /&gt;
&#039;&#039;see [[The block and the tesseract]].&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== 1madjack1&#039;s &#039;random stuff go&#039; scale ==&lt;br /&gt;
1madjack1 originally used a different word than &#039;stuff&#039;. Nonetheless the scale they created (in April 2026) is of musical interest, approximating a bunch of [[13-limit]] intervals.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
53.273&lt;br /&gt;
119.443&lt;br /&gt;
347.408&lt;br /&gt;
720.000&lt;br /&gt;
773.273&lt;br /&gt;
839.443&lt;br /&gt;
1067.408&lt;br /&gt;
1200.000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{navbox scale gallery}}&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Gallery_of_combination_product_sets&amp;diff=229677</id>
		<title>Gallery of combination product sets</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Gallery_of_combination_product_sets&amp;diff=229677"/>
		<updated>2026-05-05T13:11:22Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* In no-7s subgroups */ add comment on newly documented stell hex&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a gallery of [[combination product set]] (CPS) scales, as well as subsets of, mergers of, or modifications of such scales.&lt;br /&gt;
&lt;br /&gt;
There are infinite possible CPS scales, so this list can never be complete. If you find a CPS scale that you like, please document it here so that people can make music with it.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
See also [[:Category:Combination product sets]], which may include scales that have yet to be added to this list.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Italicised text following an em-dash beside a listed scale is a description by a wiki contributor of the subjective mood they personally feel when listening to the scale.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Pentanies (5-tone) ==&lt;br /&gt;
[[Category:5-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Pentany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [[4 from 1-3-5-7-11 pentany]] — &#039;&#039;sturdy, earthy&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-29-37 pentany]] — &#039;&#039;like anticipating the sunrise&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-29-41 pentany]] — &#039;&#039;ethereal, enchanting&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-31-41 pentany]] — &#039;&#039;sorrowful, warm&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-31-43 pentany]] — &#039;&#039;alert, tense&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Hexanies (6-tone) ==&lt;br /&gt;
[[Category:6-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s [[subgroup]]s ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-5-7-11 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-7-13 hexany]] — &#039;&#039;spicier whole tone scale&#039;&#039;&lt;br /&gt;
* [[1-7-11-13 hexany]] — &#039;&#039;extra [[xenharmonic]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-11-13 hexany]] — &#039;&#039;melodically effective, contains a diminished chord&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-7-9 hexany]] — &#039;&#039;a [[detempering]] of the [[archy]] scale&#039;&#039;&lt;br /&gt;
* [[1-3-7-11 hexany]] — &#039;&#039;symmetrical shape; 2 strong tonal centres&#039;&#039;&lt;br /&gt;
* [[1-3-7-13 hexany]] — &#039;&#039;extra xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-7-21 hexany]] — &#039;&#039;a [[detempering]] of the [[semaphore]] scale&#039;&#039;&lt;br /&gt;
* [[1-3-9-11 hexany]] — &#039;&#039;an even mix of xenharmonic and familiar&#039;&#039;&lt;br /&gt;
* [[1-3-9-13 hexany]] — &#039;&#039;an even mix of xenmelodic and familiar&#039;&#039;&lt;br /&gt;
* [[1-3-9-17 hexany]] — &#039;&#039;whole tone scale-like structure, but new unfamiliar melodies and harmonies&#039;&#039;&lt;br /&gt;
* [[1-3-11-13 hexany]] — &#039;&#039;sounds surprisingly un-xenharmonic&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 1 3 21 29.png|1-3-21-29 hexany]] — &#039;&#039;fierce, groovy, dark&#039;&#039;&lt;br /&gt;
* [[1-3-21-49 hexany]] — &#039;&#039;a [[detempering]] of the [[slendric]] scale&#039;&#039;&lt;br /&gt;
* [[1-7-9-11 hexany]] — &#039;&#039;warped xenharmonic whole tone scale&#039;&#039;&lt;br /&gt;
* [[1-7-9-13 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-7-9-11 hexany]] — &#039;&#039;fresh [[11-limit]] JI version of the augmented scale&#039;&#039;&lt;br /&gt;
* [[3-7-9-13 hexany]] — &#039;&#039;effective both at melody and harmony&#039;&#039;&lt;br /&gt;
* [[3-7-11-13 hexany]] — &#039;&#039;very lopsided, very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-9-11-13 hexany]] — &#039;&#039;lopsided but with lots of useful consonances&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 3 9 19 31.png|3-9-19-31 hexany]] — &#039;&#039;sparkly, pretty&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-11-13 hexany]] — &#039;&#039;neat step pattern useful for melody and harmony, no [[5-limit]] intervals - forces xenharmony&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-9 hexany]] — &#039;&#039;difficult due to [[wolf interval|wolf fifth]] - better as a basis for building larger scales&#039;&#039;&lt;br /&gt;
* [[1-3-5-11 hexany]] — &#039;&#039;stable chord roots + very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-5-13 hexany]] — &#039;&#039;stable chord roots + very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-5-15 hexany]] — &#039;&#039;difficult to use&#039;&#039;&lt;br /&gt;
* [[1-3-5-45 hexany]] — &#039;&#039;very useful foundation for adding xenharmonic notes on top off; can play all &#039;&#039;Zelda&#039;&#039;&#039;s ocarina melodies&#039;&#039;&lt;br /&gt;
* [[1-3-5-81 hexany]] — &#039;&#039;built around subtle pitch shifts&#039;&#039;&lt;br /&gt;
* [[1-3-5-121 hexany]] — &#039;&#039;built-in beating effect that could be interesting&#039;&#039;&lt;br /&gt;
* [[1-3-9-135 hexany]] — &#039;&#039;near identical to [[1-3-9-17 hexany]]&#039;&#039;&lt;br /&gt;
* [[1-3-11-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-3-13-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-9-11 hexany]] — &#039;&#039;very lopsided and very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-5-9-13 hexany]] — &#039;&#039;easy to build [[bihexany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-9-15 hexany]] — &#039;&#039;easy to build [[dekany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-11-13 hexany]] — &#039;&#039;an [[omniconsonant scale]]&#039;&#039;&lt;br /&gt;
* [[1-5-11-15 hexany]] — &#039;&#039;easy to build [[bihexany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-13-15 hexany]] — &#039;&#039;big variety of consonances useful for emotionally expressive music&#039;&#039;&lt;br /&gt;
* [[1-9-11-15 hexany]] — &#039;&#039;very melodically effective; all the chords will be unfamiliar&#039;&#039;&lt;br /&gt;
* [[1-9-11-13 hexany]] — &#039;&#039;better to remove one note and use as a [[pentatonic]] scale instead&#039;&#039;&lt;br /&gt;
* [[1-9-13-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-11-13-15 hexany]] — &#039;&#039;very melodically effective; all the chords will be unfamiliar&#039;&#039;&lt;br /&gt;
* [[1-15-45-75 hexany]] — &#039;&#039;a [[detempering]] of the blues scale with sweet simple [[just intonation]] harmonies that blend well&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-9-11 hexany]] — &#039;&#039;very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-5-9-13 hexany]] — &#039;&#039;very useful both for melody and harmony; contains good [[barbados]] intervals&#039;&#039;&lt;br /&gt;
* [[3-5-9-15 hexany]] — &#039;&#039;too similar to [[12edo]] to be interesting&#039;&#039;&lt;br /&gt;
* [[3-5-9-25 hexany]] — &#039;&#039;easy to build a [[bihexany]] or [[stellated hexany]] with&#039;&#039;&lt;br /&gt;
* [[3-5-9-27 hexany]] — &#039;&#039;useful as a teaching tool, but not for making real music&#039;&#039;&lt;br /&gt;
* [[3-5-11-13 hexany]] — &#039;&#039;unwieldy but xenharmonically interesting&#039;&#039;&lt;br /&gt;
* [[3-5-11-15 hexany]] — &#039;&#039;both xenharmonic yet also highly accessible - recommended for beginner microtonalists&#039;&#039;&lt;br /&gt;
* [[3-5-13-15 hexany]] — &#039;&#039;both xenharmonic yet also highly accessible - recommended for beginner microtonalists&#039;&#039;&lt;br /&gt;
* [[3-5-15-19 hexany]] — &#039;&#039;useful for ear training; contains a [[wolf interval|wolf fifth]]&#039;&#039;&lt;br /&gt;
* [[3-5-15-27 hexany]] — &#039;&#039;a worse version of the normal major scale&#039;&#039;&lt;br /&gt;
* [[3-9-11-15 hexany]] — &#039;&#039;unfamiliar notes&#039;&#039;&lt;br /&gt;
* [[3-9-13-15 hexany]] — &#039;&#039;very xenharmonic melodies; easy to learn the notes and intervals - especially audibly distinct from one another&#039;&#039;&lt;br /&gt;
* [[3-11-13-15 hexany]] — &#039;&#039;unwieldy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-9-11-13 hexany]] — &#039;&#039;useful for building melodies; an even mix of familiar and xenharmonic&#039;&#039;&lt;br /&gt;
* [[5-9-11-15 hexany]] — &#039;&#039;a [[detempering]] of the [[porcupine]] scale; nice melodies&#039;&#039;&lt;br /&gt;
* [[5-9-13-15 hexany]] — &#039;&#039;melodically interesting but harmonically unrewarding&#039;&#039;&lt;br /&gt;
* [[5-11-13-15 hexany]] — &#039;&#039;highly recommended; an even mix of familiar and xenharmonic&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 9.n ====&lt;br /&gt;
* [[9-11-13-15 hexany]] — &#039;&#039;better used as a [[pentatonic]] scale by removing 1 note&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-7 hexany]] — &#039;&#039;cold, hazy&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-7-9 hexany]] — &#039;&#039;whole tone scale-like but with a [[quarter tone]], making it very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-7-9-15 hexany]] — &#039;&#039;lopsided but useful for making [[bihexany]]s&#039;&#039;&lt;br /&gt;
* [[1-7-13-15 hexany]] — &#039;&#039;useful for making [[bihexany]] versions of [[10edo]], which would be a type of [[neji]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-7-9 hexany]] — &#039;&#039;useful for melody and harmony&#039;&#039;&lt;br /&gt;
* [[3-5-7-13 hexany]] — &#039;&#039;useful for building [[dekany]]s&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 hexany]] — &#039;&#039;the optimal configuration for maximising the number and variety of simple harmonies available in a hexatonic scale; strong melodically also&#039;&#039;&lt;br /&gt;
* [[3-5-15-21 hexany]] — &#039;&#039;solidly rooted and consonant&#039;&#039;&lt;br /&gt;
* [[3-7-9-15 hexany]] — &#039;&#039;big variety of chords available, both familiar and xenharmonic ones&#039;&#039;&lt;br /&gt;
* [[3-7-13-15 hexany]] — &#039;&#039;related to the [[negri]] scale; useful for building [[bihexany]]s or [[dekany]]s&#039;&#039;&lt;br /&gt;
* [[3-9-15-21 hexany]] — &#039;&#039;very similar to the [[1-3-5-7 hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-9-13 hexany]] — &#039;&#039;very xenharmonic; easy to expand to a [[bihexany]] or [[dekany]]&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 hexany]] — &#039;&#039;potential for good compositions; a [[detempering]] of the [[starling]] scale&#039;&#039;&lt;br /&gt;
* [[5-7-13-15 hexany]] — &#039;&#039;both harmonically and melodically strong, and useful for [[bihexany]]s&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-13-15 hexany]] — &#039;&#039;useful for building [[bihexany]]s or [[dekany]]s out of&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 9.n ====&lt;br /&gt;
* [[9-25-49-81 hexany]] — &#039;&#039;a diminished tetrad with built-in beating effects&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-7-11-15 hexany]] — &#039;&#039;a little unwieldy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-7-11 hexany]] — &#039;&#039;very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-7-9-55 hexany]] — &#039;&#039;creates interesting complex beating when played in the bass or sub bass range&#039;&#039;&lt;br /&gt;
* [[3-7-11-15 hexany]] — &#039;&#039;xenharmonic but also with sweet major thirds&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-9-11 hexany]] — &#039;&#039;a [[neji]] of [[6edo]] with an [[primodality|over-35 semiprime]] feel&#039;&#039;&lt;br /&gt;
* [[5-7-9-33 hexany]] — &#039;&#039;though the small steps are mathematically distinct from one another, they don&#039;t sound audibly distinct&#039;&#039;&lt;br /&gt;
* [[5-7-11-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-11-15 hexany]] — &#039;&#039;useful for building [[bihexany]]s&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 7 11 17 45 cents.png|7-11-17-45 hexany]] — &#039;&#039;dark, supernatural, metallic&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 27.n ====&lt;br /&gt;
* [[:File:Hexany 27 35 47 59 cents.png|27-35-47-59 hexany]] — &#039;&#039;like melting rainbow ice cream in the sun&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-17s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-11-13-15 hexany]] — &#039;&#039;useful for writing melody - expanding into a [[bihexany]] makes it more useful still&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Hexany 1029]]&lt;br /&gt;
* [[Hexany 126]]&lt;br /&gt;
* [[Hexany 225]]&lt;br /&gt;
* [[Hexany 2401]]&lt;br /&gt;
* [[Hexany 245]]&lt;br /&gt;
* [[Hexany 3136]]&lt;br /&gt;
* [[Hexany 4375]]&lt;br /&gt;
* [[Hexany 5120]]&lt;br /&gt;
* [[Hexany 6144]]&lt;br /&gt;
* [[Hexany 65625]]&lt;br /&gt;
* [[Hexany 875]]&lt;br /&gt;
* [[User:BudjarnLambeth/My favourite hexanies using at least one odd greater than 15]]&lt;br /&gt;
&lt;br /&gt;
== Dekanies (10-tone) ==&lt;br /&gt;
[[Category:10-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Dekany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s subgroups ===&lt;br /&gt;
* [[1-5-7-11-13 dekany]]&lt;br /&gt;
* [[5-7-9-11-13 dekany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
* [[1-3-7-9-11 dekany]]&lt;br /&gt;
* [[1-3-7-11-13 dekany]]&lt;br /&gt;
* [[1-3-9-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-29 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-11-13 dekany]] — &#039;&#039;highly unusual but not necessarily bad&#039;&#039;&lt;br /&gt;
* [[3-7-9-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
* [[1-3-5-9-11 dekany]]&lt;br /&gt;
* [[1-3-5-9-13 dekany]]&lt;br /&gt;
* [[1-3-5-9-81 dekany]]&lt;br /&gt;
* [[1-3-5-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-13-15 dekany]]&lt;br /&gt;
* [[1-3-11-13-15 dekany]]&lt;br /&gt;
* [[1-5-9-11-13 dekany]]&lt;br /&gt;
* [[1-5-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-9-11-13-15 dekany]]&lt;br /&gt;
* [[3-5-9-11-13 dekany]]&lt;br /&gt;
* [[3-5-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-9-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
* [[1-3-5-7-9 dekany]]&lt;br /&gt;
* [[1-3-5-7-13 dekany]]&lt;br /&gt;
* [[1-3-5-7-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-9-15 dekany]]&lt;br /&gt;
* [[1-3-7-9-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-15 dekany]]&lt;br /&gt;
* [[1-3-7-13-15 dekany]]&lt;br /&gt;
* [[1-5-7-9-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9-15 dekany]]&lt;br /&gt;
* [[1-5-7-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-13-15 dekany]]&lt;br /&gt;
* [[3-5-7-9-13 dekany]]&lt;br /&gt;
* [[3-5-7-9-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-13-15 dekany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
* [[1-3-5-7-11 dekany]]&lt;br /&gt;
* [[1-3-7-11-15 dekany]]&lt;br /&gt;
* [[1-5-7-9-11 dekany]]&lt;br /&gt;
* [[1-5-7-11-15 dekany]] — &#039;&#039;recommended but extra spicy&#039;&#039;&lt;br /&gt;
* [[1-7-9-11-15 dekany]]&lt;br /&gt;
* [[3-5-7-9-11 dekany]]&lt;br /&gt;
* [[3-5-7-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-11-15 dekany]]&lt;br /&gt;
* [[5-7-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-17s subgroups ===&lt;br /&gt;
* [[1-7-11-13-15 dekany]]&lt;br /&gt;
* [[3-5-7-11-13 dekany]]&lt;br /&gt;
* [[3-7-11-13-15 dekany]]&lt;br /&gt;
* [[5-7-11-13-15 dekany]]&lt;br /&gt;
* [[7-9-11-13-15 dekany]] — &#039;&#039;recommended, but extra spicy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Related to [[regular temperament]] scales ===&lt;br /&gt;
* [[Dekany agni]]&lt;br /&gt;
* [[Dekany apollo]]&lt;br /&gt;
* [[Dekany guanyin]]&lt;br /&gt;
* [[Dekany indra]]&lt;br /&gt;
* [[Dekany jove]]&lt;br /&gt;
* [[Dekany laka]]&lt;br /&gt;
* [[Dekany marvel]]&lt;br /&gt;
* [[Dekany minerva]]&lt;br /&gt;
* [[Dekany pele]]&lt;br /&gt;
* [[Dekany portent]]&lt;br /&gt;
* [[Dekany prodigy]]&lt;br /&gt;
* [[Dekany sensamagic]]&lt;br /&gt;
* [[Dekany spectacle]]&lt;br /&gt;
* [[Dekany zeus]]&lt;br /&gt;
* [[Dekany-cs-marv]]&lt;br /&gt;
* [[Dekanymarvwoo]]&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Deka1029]]&lt;br /&gt;
* [[Deka126]]&lt;br /&gt;
* [[Deka1728]]&lt;br /&gt;
* [[Deka225]]&lt;br /&gt;
* [[Deka2401]]&lt;br /&gt;
* [[Deka245]]&lt;br /&gt;
* [[Deka3136]]&lt;br /&gt;
* [[Deka4375]]&lt;br /&gt;
* [[Deka5120]]&lt;br /&gt;
* [[Deka6144]]&lt;br /&gt;
* [[Deka65625]]&lt;br /&gt;
* [[Deka875]]&lt;br /&gt;
* [[Dekany-cs]]&lt;br /&gt;
&lt;br /&gt;
== Bihexanies (12-tone) ==&lt;br /&gt;
[[Category:12-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Bihexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 7-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-7 by 3/2 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 8/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 10/7 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 12/7 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 9-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-7 by 9/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 9/7 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 9/8 bihexany]]&lt;br /&gt;
* [[1-3-5-9 by 7/5 bihexany]]&lt;br /&gt;
* [[1-3-7-9 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9 by 4/3 bihexany]]&lt;br /&gt;
* [[3-5-7-9 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 11-odd-limit elements ===&lt;br /&gt;
* [[1-3-7-9 by 11/8 bihexany]]&lt;br /&gt;
* [[1-3-7-11 by 18/11 bihexany]]&lt;br /&gt;
* [[1-7-9-11 by 4/3 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-11 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-11 by 5/4 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 13-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-9 by 13/9 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-13 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-13 by 4/3 bihexany]]&lt;br /&gt;
* [[5-9-11-13 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 15-odd-limit elements ===&lt;br /&gt;
&lt;br /&gt;
==== No-7s ====&lt;br /&gt;
* [[1-3-5-13 by 18/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 by 11/8 bihexany]]&lt;br /&gt;
* [[1-3-11-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-13-15 by 18/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-11-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-5-13-15 by 16/9 bihexany]]&lt;br /&gt;
* [[1-9-11-15 by 12/11 bihexany]]&lt;br /&gt;
* [[1-9-13-15 by 8/5 bihexany]]&lt;br /&gt;
* [[1-11-13-15 by 4/3 bihexany]]&lt;br /&gt;
* [[3-5-9-15 by 6/5 bihexany]]&lt;br /&gt;
* [[3-5-9-15 by 10/9 bihexany]]&lt;br /&gt;
* [[5-9-11-15 by 5/4 bihexany]]&lt;br /&gt;
* [[5-9-11-15 by 15/13 bihexany]]&lt;br /&gt;
* [[5-9-13-15 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-11-13-15 by 11/9 bihexany]]&lt;br /&gt;
* [[9-11-13-15 by 3/2 bihexany]]&lt;br /&gt;
* [[9-11-13-15 by 33/26 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== No-11s ====&lt;br /&gt;
* [[1-3-5-7 by 15/14 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7 by 16/15 bihexany]]&lt;br /&gt;
* [[1-3-7-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-7-15 by 9/7 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 by 7/6 bihexany]]&lt;br /&gt;
* [[1-5-7-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-7-9-15 by 4/3 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-15 by 7/5 bihexany]]&lt;br /&gt;
* [[1-7-13-15 by 7/5 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 by 9/5 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 9/8 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 4/3 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 7/5 bihexany]]&lt;br /&gt;
* [[5-7-9-15 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 by 7/4 bihexany]]&lt;br /&gt;
* [[5-7-9-15 by 9/8 bihexany]]&lt;br /&gt;
* [[5-7-13-15 by 9/8 bihexany]]&lt;br /&gt;
* [[5-7-13-15 by 22/13 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== No-13s ====&lt;br /&gt;
* [[3-5-7-15 by 11/7 bihexany]]&lt;br /&gt;
* [[3-7-11-15 by 7/5 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 by 11/9 bihexany]]&lt;br /&gt;
* [[5-7-11-15 by 18/11 bihexany]]&lt;br /&gt;
* [[7-9-11-15 by 3/2 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== No-17s ====&lt;br /&gt;
* [[7-11-13-15 by 7/5 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 17-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-9 by 17/12 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-15 by 17/12 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 17/14 bihexany]]&lt;br /&gt;
* [[3-5-11-13 by 24/17 bihexany]]&lt;br /&gt;
* [[3-11-13-15 by 24/17 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 19-odd-limit elements ===&lt;br /&gt;
* [[1-3-9-17 by 19/16 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-15-19 by 9/8 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 19/14 bihexany]]&lt;br /&gt;
* [[3-5-13-15 by 19/17 bihexany]]&lt;br /&gt;
* [[3-7-9-15 by 19/17 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Higher odd-limit elements ===&lt;br /&gt;
&lt;br /&gt;
==== 21-odd ====&lt;br /&gt;
* [[1-3-5-7 by 21/16 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 40/21 bihexany]]&lt;br /&gt;
* [[3-5-11-15 by 21/11 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 21/13 bihexany]]&lt;br /&gt;
* [[7-9-13-15 by 21/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 23-odd ====&lt;br /&gt;
* [[3-5-7-15 by 23/14 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 25-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 27-odd ====&lt;br /&gt;
* [[1-5-7-15 by 32/27 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 27/14 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-13-15 by 27/26 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 29-odd ====&lt;br /&gt;
* [[5-7-9-15 by 29/18 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 31-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 33-odd ====&lt;br /&gt;
* [[1-5-11-15 by 40/33 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 35-odd ====&lt;br /&gt;
* [[1-3-5-7 by 36/35 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 48/35 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 64/35 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 by 48/35 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 37-odd to 43-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 45-odd ====&lt;br /&gt;
* [[1-3-5-7 by 56/45 bihexany]]&lt;br /&gt;
* [[1-3-5-9 by 64/45 bihexany]]&lt;br /&gt;
* [[1-5-9-15 by 64/45 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 45/28 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 47-odd to 53-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 55-odd ====&lt;br /&gt;
* [[1-9-11-15 by 72/55 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 57-odd to 61-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 63-odd ====&lt;br /&gt;
* [[1-3-5-7 by 80/63 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 65-odd ====&lt;br /&gt;
* [[3-5-11-13 by 96/65 bihexany]] — &#039;&#039;good for metallophone timbres like bells or Gamelan&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 67-odd to 97-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 99-odd ====&lt;br /&gt;
* [[1-7-13-15 by 140/99 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 101-odd to 133-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 135-odd ====&lt;br /&gt;
* [[1-3-9-135 by 57/34 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Bihexanymyna]]&lt;br /&gt;
* [[GW Smith bihexany 14 Feb 2011]]&lt;br /&gt;
&lt;br /&gt;
== Duohexanies (12-tone) ==&lt;br /&gt;
[[Category:12-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Duohexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [[Duohex]]&lt;br /&gt;
* [[Duohexmarvwoo]]&lt;br /&gt;
* [[Duohexmean]]&lt;br /&gt;
* [[Hexanys-valentino]]&lt;br /&gt;
&lt;br /&gt;
== Stellated hexanies (14-tone) ==&lt;br /&gt;
[[Category:14-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Stellated hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s subgroups ===&lt;br /&gt;
* [[1-5-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-13 stellated hexany]]&lt;br /&gt;
* [[1-5-11-13 stellated hexany]]&lt;br /&gt;
* [[1-7-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
* [[1-3-7-9 stellated hexany]]&lt;br /&gt;
* [[1-3-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-11 stellated hexany]]&lt;br /&gt;
* [[1-3-9-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-11 stellated hexany]]&lt;br /&gt;
* [[1-7-9-13 stellated hexany]]&lt;br /&gt;
* [[3-7-9-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-13 stellated hexany]] — &#039;&#039;recommended, but with 2 notes removed - read article&#039;&#039;&lt;br /&gt;
* [[3-7-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-11-13 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-9 stellated hexany]]&lt;br /&gt;
* [[1-3-5-11 stellated hexany]]&lt;br /&gt;
* [[1-3-5-13 stellated hexany]]&lt;br /&gt;
* [[1-3-5-15 stellated hexany]] — &#039;&#039;not recommended for xenharmony, but it&#039;s a good JI version of the &#039;Hungarian minor&#039; scale if one wants that&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 stellated hexany]]&lt;br /&gt;
* [[1-3-11-15 stellated hexany]]&lt;br /&gt;
* [[1-3-13-15 stellated hexany]]&lt;br /&gt;
* [[1-5-9-11 stellated hexany]]&lt;br /&gt;
* [[1-5-9-13 stellated hexany]]&lt;br /&gt;
* [[1-5-9-15 stellated hexany]]&lt;br /&gt;
* [[1-5-11-15 stellated hexany]]&lt;br /&gt;
* [[1-5-13-15 stellated hexany]]&lt;br /&gt;
* [[1-15-45-75 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-9-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-15 stellated hexany]]&lt;br /&gt;
* [[3-5-9-25 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-27 stellated hexany]]&lt;br /&gt;
* [[3-5-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-11-15 stellated hexany]]&lt;br /&gt;
* [[3-5-13-15 stellated hexany]]&lt;br /&gt;
* [[3-9-11-15 stellated hexany]]&lt;br /&gt;
* [[3-9-13-15 stellated hexany]]&lt;br /&gt;
* [[3-9-25-625 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-11-13-15 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-9-11-13 stellated hexany]]&lt;br /&gt;
* [[5-9-11-15 stellated hexany]]&lt;br /&gt;
* [[5-9-13-15 stellated hexany]]&lt;br /&gt;
* [[5-11-13-15 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
* [[1-3-5-7 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 stellated hexany]]&lt;br /&gt;
* [[1-5-7-9 stellated hexany]]&lt;br /&gt;
* [[1-5-7-15 stellated hexany]]&lt;br /&gt;
* [[1-7-9-15 stellated hexany]]&lt;br /&gt;
* [[1-7-13-15 stellated hexany]]&lt;br /&gt;
* [[3-5-7-9 stellated hexany]] — &#039;&#039;recommended with 2 notes removed - read article&#039;&#039;&lt;br /&gt;
* [[3-5-7-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 stellated hexany]]&lt;br /&gt;
* [[3-7-9-15 stellated hexany]]&lt;br /&gt;
* [[3-7-13-15 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-15-21 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-13 stellated hexany]]&lt;br /&gt;
* [[5-7-9-15 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
* [[1-7-11-15 stellated hexany]]&lt;br /&gt;
* [[3-5-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-11-15 stellated hexany]]&lt;br /&gt;
* [[5-7-9-11 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Stelhex]]&lt;br /&gt;
* [[Stelhex-catakleismic]]&lt;br /&gt;
* [[Stelhex2]]&lt;br /&gt;
* [[Stelhex5]]&lt;br /&gt;
* [[Stellarhex]]&lt;br /&gt;
&lt;br /&gt;
== Pentadekanies (15-tone) ==&lt;br /&gt;
&#039;&#039;Main page: [[Pentadekany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 1.3.n ===&lt;br /&gt;
* [[1-3-5-7-9-11 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-9-13 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7-9-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-11-13 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-11-13 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-11-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-11-13-15 pentadekany]] — &#039;&#039;recommended but only for advanced composers&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-11-13 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-7-11-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.5.n ===&lt;br /&gt;
* [[1-5-7-9-11-13 pentadekany]]&lt;br /&gt;
* [[1-5-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-11-13-15 pentadekany]]&lt;br /&gt;
* [[1-5-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.7.n ===&lt;br /&gt;
* [[1-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.5.n ===&lt;br /&gt;
* [[3-5-7-9-11-13 pentadekany]]&lt;br /&gt;
* [[3-5-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-9-13-15 pentadekany]]&lt;br /&gt;
* [[3-5-7-11-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-11-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 3.7.n ===&lt;br /&gt;
* [[3-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 5.7.n ===&lt;br /&gt;
* [[5-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
== Eikosanies (20-tone) ==&lt;br /&gt;
&#039;&#039;Main page: [[Eikosany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 1.3.n ===&lt;br /&gt;
* [[1-3-5-7-9-11 eikosany]]&lt;br /&gt;
* [[1-3-5-7-9-13 eikosany]]&lt;br /&gt;
* [[1-3-5-7-9-15 eikosany]]&lt;br /&gt;
* [[1-3-5-7-11-13 eikosany]]&lt;br /&gt;
* [[1-3-5-7-11-15 eikosany]]&lt;br /&gt;
* [[1-3-5-7-13-15 eikosany]]&lt;br /&gt;
* [[1-3-5-9-11-13 eikosany]]&lt;br /&gt;
* [[1-3-5-9-11-15 eikosany]]&lt;br /&gt;
* [[1-3-5-9-13-15 eikosany]]&lt;br /&gt;
* [[1-3-5-11-13-15 eikosany]]&lt;br /&gt;
* [[1-3-7-9-11-13 eikosany]]&lt;br /&gt;
* [[1-3-7-9-11-15 eikosany]]&lt;br /&gt;
* [[1-3-7-9-13-15 eikosany]]&lt;br /&gt;
* [[1-3-7-11-13-15 eikosany]]&lt;br /&gt;
* [[1-3-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.5.n ===&lt;br /&gt;
* [[1-5-7-9-11-13 eikosany]]&lt;br /&gt;
* [[1-5-7-9-11-15 eikosany]]&lt;br /&gt;
* [[1-5-7-9-13-15 eikosany]]&lt;br /&gt;
* [[1-5-7-11-13-15 eikosany]]&lt;br /&gt;
* [[1-5-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.7.n ===&lt;br /&gt;
* [[1-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.5.n ===&lt;br /&gt;
* [[3-5-7-9-11-13 eikosany]]&lt;br /&gt;
* [[3-5-7-9-11-15 eikosany]]&lt;br /&gt;
* [[3-5-7-9-13-15 eikosany]]&lt;br /&gt;
* [[3-5-7-11-13-15 eikosany]]&lt;br /&gt;
* [[3-5-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.7.n ===&lt;br /&gt;
* [[3-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 5.7.n ===&lt;br /&gt;
* [[5-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
* [[Eikosanyplusop]]&lt;br /&gt;
&lt;br /&gt;
{{navbox scale gallery}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Combination product sets| ]]&lt;br /&gt;
[[Category:Lists of scales]]&lt;br /&gt;
[[Category:Just intonation scales]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Maeve_Gutierrez&amp;diff=229670</id>
		<title>Maeve Gutierrez</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Maeve_Gutierrez&amp;diff=229670"/>
		<updated>2026-05-05T04:50:24Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Generator sequence 200, 171.429 (2/1 period) with pure 7/4 added */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Maeve Gutierrez&#039;&#039;&#039; is a producer of [[microtonal]] hyperpop, ambient and other experimental electronic music. In her music, she has explored [[27edo]], [[31edo]], [[36edo]] and various [[just intonation]] scales among other tunings. She is also a music theorist who extensively uses [[Scale Workshop]].&lt;br /&gt;
&lt;br /&gt;
== Discography and socials ==&lt;br /&gt;
* [https://www.instagram.com/m43v3.wav/ Maeve Gutierrez on Instagram]&lt;br /&gt;
* [https://music.apple.com/sa/artist/maeve-gutierrez/1754562060 Maeve Gutierrez on Apple Music]&lt;br /&gt;
* [https://open.spotify.com/artist/2Db6qdVgx5XP4BHsFndAtA Maeve Gutierrez on Spotify]&lt;br /&gt;
&lt;br /&gt;
== Invented scales and chords (named) ==&lt;br /&gt;
&#039;&#039;&#039;septimal subphrygian d4 d5&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;subminor-coloured scales often use subminor 3rds, 6ths, and 7ths. i realized through experimentation that flattening the 2nds, 4ths, and 5ths by a similar amount that the minor 3rd, 6th, and 7th are flattened creates really pretty scales!! i have made a few submajor, subminor, and subdorian scales using this method, but this septimal scale is my favourite so far:&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[21/20]] subminor 2nd (84.467 cents)&amp;lt;/small&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[7/6]] subminor 2nd (266.871 cents)&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[21/16]] sub 4th (470.781 cents)&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[28/19]] sub 5th/🐺(671.313 cents)&amp;lt;/small&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[14/9]] subminor 6th (764.916 cents)&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[7/4]] subminor/harmonic 7th (968.826)&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[2/1]] octave (1200c)&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lavender hexatonic scale&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;i designed this scale to have a soft, dreamlike sound! it is very xenharmonic, but not very dissonant. it is used in my song &amp;quot;lavender&amp;quot;.&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[12/11]] neutral 2nd (150.637 cents)&lt;br /&gt;
&lt;br /&gt;
[[7/6]] subminor 3rd (266.871 cents)&lt;br /&gt;
&lt;br /&gt;
[[21/16]] sub4th (470.781 cents)&lt;br /&gt;
&lt;br /&gt;
[[105/64]] neutral 6th (857.09 cents)&lt;br /&gt;
&lt;br /&gt;
[[44/25]] subminor 7th (978.691 cents)&lt;br /&gt;
&lt;br /&gt;
[[2/1]] octave/unison&lt;br /&gt;
&lt;br /&gt;
=== 6ed7/3&#039;&#039;+&#039;&#039;7edo scale ===&lt;br /&gt;
{{main|6ed7/3#6ed7/3+7edo scale}}&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez Moonglade scale ===&lt;br /&gt;
In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the 24-tone scale she used in her pieces &#039;moonglade&#039; and &amp;quot;la helada&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
This was the post:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;i would like to share a custom scale i made (&amp;amp; used in my song &amp;quot;moonglade&amp;quot; which is on all distrokid-supported streaming platforms, in the ep &amp;quot;luna&amp;quot; by maeve gutierrez (me)). i focused mainly on shimmery intervals/textures like [[wolf interval|wolf tones]] and [[comma]]s, but also included some pure/[[JI]] consonances &amp;amp; there is also plenty of dissonance/tension available&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;alot of the intervals also exist &#039;&#039;between&#039;&#039; intervals: flat whole tone is a -14 comma lower than the whole tone, the harmonic major chord triad (+0,+386,+969) has a natural +583 tritone between the 3rd and 7th, etc!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;obviously if anyone wants 2 use it u can!! i dont own the intervals!!! its a fun scale to play with for harmony/thick chords&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;(moonglade is a very old word that means the moonlight shining on oceans, lakes etc)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==== Intervals ====&lt;br /&gt;
This is the scale in [[cent]]s: &lt;br /&gt;
* 14.&lt;br /&gt;
* 88.&lt;br /&gt;
* 187.&lt;br /&gt;
* 201.&lt;br /&gt;
* 289.&lt;br /&gt;
* 311.&lt;br /&gt;
* 386.&lt;br /&gt;
* 498.&lt;br /&gt;
* 520.&lt;br /&gt;
* 583.&lt;br /&gt;
* 680.&lt;br /&gt;
* 702.&lt;br /&gt;
* 716.&lt;br /&gt;
* 787.&lt;br /&gt;
* 867.&lt;br /&gt;
* 884.&lt;br /&gt;
* 969.&lt;br /&gt;
* 991.&lt;br /&gt;
* 1013.&lt;br /&gt;
* 1066.&lt;br /&gt;
* 1076.&lt;br /&gt;
* 1102.&lt;br /&gt;
* 1178.&lt;br /&gt;
* 1200.&lt;br /&gt;
&lt;br /&gt;
==== Theory ====&lt;br /&gt;
Edos that approximate the Moonglade scale especially well for their size include:&lt;br /&gt;
* {{EDOs|64, 72, 78, 80, 84, 90, 107, 120, 144, 162, 186, 258, 270...}}&lt;br /&gt;
&lt;br /&gt;
[[Detempering]] in [[23-limit]] just intonation:&lt;br /&gt;
* 121/120 — 20/19 — 10/9 — 9/8 — 13/11 — 6/5 — 5/4 — 4/3 — 23/17 — 7/5 — 40/27 — 3/2 — 50/33 — 11/7 — 33/20 — 5/3 — 7/4 — 23/13 — 9/5 — 224/121 — 13/7 — 17/9 — 65/33 — 2/1&lt;br /&gt;
* (identical to original scale within 5{{c}})&lt;br /&gt;
&lt;br /&gt;
When tempered to [[72edo]], the step pattern for the Moonglade scale is:&lt;br /&gt;
* 1 4 6 1 5 2 4 7 1 4 6 1 1 4 5 1 5 1 2 3 1 1 5 1&lt;br /&gt;
* (identical to original scale within 8{{c}})&lt;br /&gt;
&lt;br /&gt;
When tempered to [[270edo]], the step pattern for the Moonglade scale is:&lt;br /&gt;
* 3 17 22 3 20 5 17 25 5 14 22 5 3 16 18 4 19 5 5 12 2 6 17 5&lt;br /&gt;
* (identical to original scale within 1{{c}})&lt;br /&gt;
[[Category:24-tone scales]]&lt;br /&gt;
[[Category:Tempered scales]]&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez sunbreak scale ===&lt;br /&gt;
This is a JI chord which can also be used as a [[pentatonic]] scale. Gutierrez first described it on the [[Xenharmonic Alliance]] Discord server in October 2025, where she described it as a &amp;quot;very bright minor, like the sun coming out after a storm&amp;quot;. Its intervals are:&lt;br /&gt;
* 20/17&lt;br /&gt;
* 25/17&lt;br /&gt;
* 11/7&lt;br /&gt;
* 16/9&lt;br /&gt;
* 2/1&lt;br /&gt;
It is a [[17-limit]] scale.&lt;br /&gt;
&lt;br /&gt;
Budjarn Lambeth then noted that, if used as a scale, it works very well with many of the aperiodic timbres in [[Scale Workshop]] (jegogan, jublag, ugal, gender, bronze, steel, silver and platinum). He described it as sounding like &amp;quot;a coral reef full of sea shells and whimsical little sea creatures&amp;quot; and provided this [https://scaleworkshop.plainsound.org/scale/PJt1wZJDl Scale Workshop preset] for it.&lt;br /&gt;
&lt;br /&gt;
According to Lambeth, sunbreak also sounds good tuned to [[34edo]] or [[95edo]] when using these kinds of timbres.&lt;br /&gt;
[[Category:5-tone scales]]&lt;br /&gt;
[[Category:Just intonation scales]]&lt;br /&gt;
&lt;br /&gt;
==== &#039;&#039;Lambeth&#039;s variants&#039;&#039; ====&lt;br /&gt;
{{Idiosyncratic terms}}&lt;br /&gt;
Later in October 2025, [[Budjarn Lambeth]] created these variants of the sunbreak scale.&lt;br /&gt;
&lt;br /&gt;
; Negative harmony sunbreak&lt;br /&gt;
* (5-tone)&lt;br /&gt;
* 9/8 — 14/11 — 34/25 — 17/10 — 2/1&lt;br /&gt;
&lt;br /&gt;
; Mirrored sunbreak&lt;br /&gt;
Negative harmony sunbreak + original sunbreak.&lt;br /&gt;
* (9-tone)&lt;br /&gt;
* 9/8 — 20/17 — 14/11 — 34/25 — 25/17 — 11/7 — 17/10 — 16/9 — 2/1&lt;br /&gt;
&lt;br /&gt;
; Chromaticized sunbreak&lt;br /&gt;
Mirrored sunbreak + 3 intervals found between the intervals of original sunbreak.&lt;br /&gt;
* (12-tone)&lt;br /&gt;
* 187/175 - 9/8 — 20/17 — 14/11 — 34/25 — 25/17 — 280/187 - 11/7 — 17/10 — 16/9 — 350/187 - 2/1&lt;br /&gt;
&lt;br /&gt;
; Fractalized sunbreak&lt;br /&gt;
Every [[mode]] (rotation) of original sunbreak, overlayed onto one scale.&lt;br /&gt;
* (21-tone)&lt;br /&gt;
* 187/175 — 9/8 — 112/99 — 20/17 — 272/225 — 5/4 — 14/11 — 45/34 — 187/140 — 34/25 — 25/17 — 280/187 — 68/45 — 11/7 — 8/5 — 225/136 — 17/10 — 99/56 — 16/9 — 350/187 — 2/1&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez wisp scale ===&lt;br /&gt;
This 8-tone scale was described by Gutierrez in October 2025, on the [[Xenharmonic Alliance]] Discord server. In [[cents]], its intervals are:&lt;br /&gt;
* 266.87&lt;br /&gt;
* 484.92&lt;br /&gt;
* 669.28&lt;br /&gt;
* 936.15&lt;br /&gt;
* 1154.20&lt;br /&gt;
* 1338.56&lt;br /&gt;
* 1466.87&lt;br /&gt;
* 1698.05&lt;br /&gt;
&lt;br /&gt;
Gutierrez recommends using the wisp scale with custom [[timbre]]s, where some instruments have a &#039;stretched harmonic series&#039; of partials stretched such that 2/1 becomes 7/3, and other instruments with partials stretched such that 2/1 becomes 8/3. This is an example of xentimbre.&lt;br /&gt;
&lt;br /&gt;
==== Construction ====&lt;br /&gt;
&lt;br /&gt;
If you start with the [[JI]] chord:&lt;br /&gt;
* 1/1 — 5/4 — 3/2 — 7/4&lt;br /&gt;
Then compress it logarithmically such that 5/4 becomes 7/6, you get the [[delta-rational]] chord:&lt;br /&gt;
* 0¢ — 266.9¢ — 484.9¢ — 669.3¢&lt;br /&gt;
&lt;br /&gt;
If you stack a second copy of the same chord on top of itself you get the scale:&lt;br /&gt;
* 266.87&lt;br /&gt;
* 484.92&lt;br /&gt;
* 669.28&lt;br /&gt;
* 936.15&lt;br /&gt;
* 1154.20&lt;br /&gt;
* 1338.56&lt;br /&gt;
&lt;br /&gt;
Then you can add a 7/3 and 8/3 to the end and you get Gutierrez&#039;s scale.&lt;br /&gt;
&lt;br /&gt;
==== Theory ====&lt;br /&gt;
The wisp scale closely approximates the JI chord&lt;br /&gt;
* 42:49:56:62:72:82:91:98:112&lt;br /&gt;
Which occurs above the tonic in [[42afdo]], the second octave of the over-7-and-3 semiprime mode in [[primodality]] theory - it also occurs (somewhere in the scale) in all [[afdo]]s above 42.&lt;br /&gt;
&lt;br /&gt;
JI intervals approximated by the wisp scale:&lt;br /&gt;
* 266.87 (7/6)&lt;br /&gt;
* 484.92 (4/3)&lt;br /&gt;
* 669.28&lt;br /&gt;
* 936.15 (12/7)&lt;br /&gt;
* 1154.20&lt;br /&gt;
* 1338.56 (13/6)&lt;br /&gt;
* 1466.87 (7/3)&lt;br /&gt;
* 1698.05 (8/3)&lt;br /&gt;
&lt;br /&gt;
EDOs that approximate the wisp scale better than any smaller EDO include:&lt;br /&gt;
{{EDOs|27, 45, 49, 50, 72, 77, 104, 181...}}&lt;br /&gt;
&lt;br /&gt;
As absolute steps of 27edo it is:&lt;br /&gt;
* 6\27, 11\27, 15\27, 21\27, 26\27, 30\27, 33\27, 38\27&lt;br /&gt;
38\27 being a [[period]] after which the scale repeats.&lt;br /&gt;
[[Category:8-tone scales]]&lt;br /&gt;
[[Category:Tempered scales]]&lt;br /&gt;
[[Category:Nonoctave]]&lt;br /&gt;
&lt;br /&gt;
==== Gutierrez doubled wisp scale ====&lt;br /&gt;
In December 2025, Gutierrez made this variant of the wisp scale by duplicating the chord made from the first 4 notes of the wisp scale, offset by 30 cents, until it fills the octave. She described it as &#039;adding shimmers and some more familiar intervals&#039; and having a &amp;quot;very mysterious sound&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;30.000&lt;br /&gt;
266.871&lt;br /&gt;
296.871&lt;br /&gt;
484.920&lt;br /&gt;
514.920&lt;br /&gt;
669.278&lt;br /&gt;
699.278&lt;br /&gt;
936.149&lt;br /&gt;
966.149&lt;br /&gt;
1200.000&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Will-o-wisps&#039; scale ====&lt;br /&gt;
A variant of the wisp scale created by [[Budjarn Lambeth]]. It repeats at the double octave ([[4/1]]).&lt;br /&gt;
&lt;br /&gt;
It is a [[JI]] scale as follows:&lt;br /&gt;
*7/6, 4/3, 3/2, 9/5, 2/1, 13/6, 7/3, 8/3, 3/1, 17/5, 19/5, 4/1&lt;br /&gt;
This is a no-11s [[19-limit]] scale.&lt;br /&gt;
&lt;br /&gt;
It can be approximated into [[27edo]]. As absolute steps of 27edo it is:&lt;br /&gt;
* 6\27, 11\27, 16\27, 23\27, 27\27, 30\27, 33\27, 38\27, 43\27, 48\27, 52\27, 54\27&lt;br /&gt;
54\27 being a [[period]] after which the scale repeats.&lt;br /&gt;
&lt;br /&gt;
; Music&lt;br /&gt;
[https://www.youtube.com/watch?v=JrpcIkElKQc &#039;&#039;Will-O-Wisps&#039;&#039;] - Budjarn Lambeth (2025)&lt;br /&gt;
&lt;br /&gt;
== Invented scales and chords (unnamed) ==&lt;br /&gt;
{{Idiosyncratic terms|Names of scales made up by [[Budjarn Lambeth]] for the purpose of documentation; if Gutierrez names the scales at some point, Gutierrez&#039;s names should be used instead.}}&lt;br /&gt;
&lt;br /&gt;
=== Generator sequence 7/6, 9/8, 8/7 (4/1 period, 10-tone) ===&lt;br /&gt;
Gutierrez described this scale in December 2025: &amp;quot;the 2 octaves have similar notes (with the semiflat 4 or 11 existing in both) so it can be fun to play the same melody in both octaves for a shimmery sound which works well with bell-like timbres, but the second octave also allows chord extentions like subminor maj9 or susd4maj13&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
7/6         267c     sin3&lt;br /&gt;
21/16     471c     semiflat4&lt;br /&gt;
3/2         702c     perfect 5&lt;br /&gt;
7/4         969c     harm7&lt;br /&gt;
63/32    1173c   suboctave&lt;br /&gt;
9/4         1404c   maj9              &lt;br /&gt;
21/8       1671c   semiflat 11   &lt;br /&gt;
189/64  1875c   🐺 tritave      &lt;br /&gt;
27/8       2106c   maj13    &lt;br /&gt;
4/1         2400c   octave&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Generator sequence 11/6, 13/8 (2/1 period, 10-tone) ===&lt;br /&gt;
&#039;&#039;(Described December 2025.)&#039;&#039;&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
224939/221184&lt;br /&gt;
20449/18432&lt;br /&gt;
4599777611/4076863488&lt;br /&gt;
418161601/339738624&lt;br /&gt;
1573/1152&lt;br /&gt;
143/96&lt;br /&gt;
32166277/21233664&lt;br /&gt;
2924207/1769472&lt;br /&gt;
11/6&lt;br /&gt;
2/1&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Generator sequence 200, 171.429 (2/1 period) with pure 7/4 added ===&lt;br /&gt;
Gutierrez described this scale in April 2026:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
200.000&lt;br /&gt;
371.429&lt;br /&gt;
571.429&lt;br /&gt;
742.858&lt;br /&gt;
942.858&lt;br /&gt;
968.892&lt;br /&gt;
1114.287&lt;br /&gt;
1200.000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[https://scaleworkshop.plainsound.org/scale/d4y1I100G (Scale Workshop url)]&lt;br /&gt;
&lt;br /&gt;
Budjarn Lambeth tested this scale in all [[afdo]]s and [[edo]]s up to 100, and he believes it sounds best in: [[72afdo]], [[84afdo]], [[52edo]], [[67edo]] and [[84edo]].&lt;br /&gt;
&lt;br /&gt;
==== Gutierrez-Lambeth otonal neutral hexatonic ====&lt;br /&gt;
[[Budjarn Lambeth]] made a variant of Maeve&#039;s scale by taking a 6-tone subset and then moving individual intervals around by a [[chroma]] until he could &#039;play the melody he was hearing in his head&#039;:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
371.429&lt;br /&gt;
571.429&lt;br /&gt;
685.718&lt;br /&gt;
857.148&lt;br /&gt;
968.892&lt;br /&gt;
1200.000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Budjarn Lambeth tested this scale in all [[afdo]]s and [[edo]]s up to 100, and he believes it sounds best in: &#039;&#039;&#039;[[25afdo]]&#039;&#039;&#039;, [[72afdo]], [[84afdo]], [[52edo]], [[67edo]] and [[84edo]].&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;31/25&lt;br /&gt;
35/25&lt;br /&gt;
37/25&lt;br /&gt;
41/25&lt;br /&gt;
44/25&lt;br /&gt;
50/25&lt;br /&gt;
&lt;br /&gt;
89/72&lt;br /&gt;
100/72&lt;br /&gt;
107/72&lt;br /&gt;
118/72&lt;br /&gt;
126/72&lt;br /&gt;
144/72&lt;br /&gt;
&lt;br /&gt;
104/84&lt;br /&gt;
117/84&lt;br /&gt;
125/84&lt;br /&gt;
138/84&lt;br /&gt;
147/84&lt;br /&gt;
168/84&lt;br /&gt;
&lt;br /&gt;
16\52&lt;br /&gt;
25\52&lt;br /&gt;
30\52&lt;br /&gt;
37\52&lt;br /&gt;
42\52&lt;br /&gt;
52\52&lt;br /&gt;
&lt;br /&gt;
21\67&lt;br /&gt;
32\67&lt;br /&gt;
38\67&lt;br /&gt;
48\67&lt;br /&gt;
54\67&lt;br /&gt;
67\67&lt;br /&gt;
&lt;br /&gt;
26\84&lt;br /&gt;
40\84&lt;br /&gt;
48\84&lt;br /&gt;
60\84&lt;br /&gt;
68\84&lt;br /&gt;
84\84&lt;br /&gt;
&lt;br /&gt;
27\88&lt;br /&gt;
42\88&lt;br /&gt;
50\88&lt;br /&gt;
63\88&lt;br /&gt;
71\88&lt;br /&gt;
88\88&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez 7/6s-and-4/3s scale ===&lt;br /&gt;
In a public post on the [[Xenharmonic Alliance]] Discord server, in October 2025, Gutierrez described the 8-tone JI scale:&lt;br /&gt;
* 28/27 — 7/6 — 4/3 — 112/81 — 14/9 — 392/243 — 16/9 — 2/1&lt;br /&gt;
It is a [[7-limit]] scale.&lt;br /&gt;
&lt;br /&gt;
She recommended tempering it to [[36edo]], where it has step pattern:&lt;br /&gt;
* 2 6 7 2 6 2 5 6&lt;br /&gt;
&lt;br /&gt;
It contains within it a 2-tone, [[4/3]]-[[period|repeating]] scale which Gutierrez recommends using as either a JI chord or as a scale in its own right.:&lt;br /&gt;
* 7/6 — 4/3&lt;br /&gt;
&lt;br /&gt;
EDOs that approximate the 7/6s-and-4/3s scale well for their size include:&lt;br /&gt;
* {{EDOs|36, 41, 58, 72, 77, 94, 99, 113, 135...}}&lt;br /&gt;
&lt;br /&gt;
EDOs that approximate it better than any smaller EDO include:&lt;br /&gt;
* {{EDOs|36, 58, 77, 94, 135...}}&lt;br /&gt;
&lt;br /&gt;
It is closely approximated in [[54afdo|54]][[afdo]], by the JI chord:&lt;br /&gt;
* 54:56:63:72:75:84:87:96:108&lt;br /&gt;
[[Category:8-tone scales]]&lt;br /&gt;
[[Category:Just intonation scales]]&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez 11/1-period heptachord ===&lt;br /&gt;
In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the following [[nonoctave]], 7-tone [[just intonation]] chord:&lt;br /&gt;
* 11/9 — 19/7 — 3/1 — 19/4 — 7/1 — 9/1 — 11/1&lt;br /&gt;
It is a [[19-limit]] chord.&lt;br /&gt;
&lt;br /&gt;
[[Budjarn Lambeth]] was inspired by this chord to create the [[moon dust]] scale, in which Gutierrez&#039;s chord and subsets thereof is the most foundational consonance.&lt;br /&gt;
&lt;br /&gt;
[[EDO]]s that approximate the chord well for their size include:&lt;br /&gt;
* {{EDOs|31, 41, 48, 72, 89, 104...}}&lt;br /&gt;
&lt;br /&gt;
[[EDT]]s that approximate the chord better than any smaller EDT include:&lt;br /&gt;
* {{EDTs|22, 34, 43, 65, 88, 110...}}&lt;br /&gt;
[[65edt]] also includes the [[Bohlen-Pierce scale]] allowing this chord to be used above any degree of that scale.&lt;br /&gt;
&lt;br /&gt;
The chord is closely approximated in [[63afdo|63]][[afdo]], as the JI chord:&lt;br /&gt;
* 63:77:171:189:299:441:567:693&lt;br /&gt;
[[Category:7-tone scales]]&lt;br /&gt;
[[Category:Just intonation scales]]&lt;br /&gt;
[[Category:Nonoctave]]&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez Dec 2025 6-tone 12afdo subset ===&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
13/12&lt;br /&gt;
7/6&lt;br /&gt;
4/3&lt;br /&gt;
3/2&lt;br /&gt;
10/6&lt;br /&gt;
7/4&lt;br /&gt;
2/1&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez double primodal scales ===&lt;br /&gt;
These are to [[primodal]] scales what [[bihexany]]s are to [[hexany]]s (two copies of the scale offset by some [[just]] interval).&lt;br /&gt;
&lt;br /&gt;
==== 17 Feb 2026 ====&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
a fun subminor double primodal scale (6th mode of harmonics 7-14, scale duplicated at 78/77 comma around 22 cents)&lt;br /&gt;
&lt;br /&gt;
fraction       ~cents       name               &lt;br /&gt;
&lt;br /&gt;
1/1(2/1)       0 (1200)   unison/octave&lt;br /&gt;
78/77           22              comma          &lt;br /&gt;
&lt;br /&gt;
13/12           139            small neu2&lt;br /&gt;
169/154      161             big neu2&lt;br /&gt;
&lt;br /&gt;
7/6                267            sin7&lt;br /&gt;
13/11           289            min3&lt;br /&gt;
&lt;br /&gt;
4/3                498            perf4&lt;br /&gt;
104/77         520            super4&lt;br /&gt;
&lt;br /&gt;
3/2                702            perf5&lt;br /&gt;
117/77         724            semiaug 5&lt;br /&gt;
&lt;br /&gt;
5/3                884            small maj6&lt;br /&gt;
130/77         907             big maj6&lt;br /&gt;
&lt;br /&gt;
11/6             1049           neu7&lt;br /&gt;
13/7             1072           submaj7&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== 19 Feb 2026 ====&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
a fun subminor double primodal scale (6th mode of harmonics 7-14, scale duplicated at 78/77 comma around 22 cents)&lt;br /&gt;
&lt;br /&gt;
fraction       ~cents       name               &lt;br /&gt;
&lt;br /&gt;
1/1(2/1)       0 (1200)   unison/octave&lt;br /&gt;
78/77           22              comma          &lt;br /&gt;
&lt;br /&gt;
13/12           139            small neu2&lt;br /&gt;
169/154      161             big neu2&lt;br /&gt;
&lt;br /&gt;
7/6                267            sin7&lt;br /&gt;
13/11           289            min3&lt;br /&gt;
&lt;br /&gt;
4/3                498            perf4&lt;br /&gt;
104/77         520            super4&lt;br /&gt;
&lt;br /&gt;
3/2                702            perf5&lt;br /&gt;
117/77         724            semiaug 5&lt;br /&gt;
&lt;br /&gt;
5/3                884            small maj6&lt;br /&gt;
130/77         907             big maj6&lt;br /&gt;
&lt;br /&gt;
11/6             1049           neu7&lt;br /&gt;
13/7             1072           submaj7&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez-Lambeth quasi-subharmonic pentatonic ===&lt;br /&gt;
In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the 4-tone JI chord 7/6 - 40/27 - 11/5 - 7/2.&lt;br /&gt;
&lt;br /&gt;
In a reply, [[Budjarn Lambeth]] noted that the shape of the step pattern looked like the [[subharmonic series]], and adding a 6/1 would preserve this shape.&lt;br /&gt;
&lt;br /&gt;
Gutierrez thought the 6/1 was a good addition and resolved to use this scale/chord in a future piece.&lt;br /&gt;
&lt;br /&gt;
Its intervals are:&lt;br /&gt;
* 7/6&lt;br /&gt;
* 40/27&lt;br /&gt;
* 11/5&lt;br /&gt;
* 7/2&lt;br /&gt;
* 6/1&lt;br /&gt;
&lt;br /&gt;
It is an [[11-limit]] scale.&lt;br /&gt;
&lt;br /&gt;
[[Ed6]]s with especially good approximations of this scale for their size are: &lt;br /&gt;
* {{EDs|equave=6|23, 36, 46, 59, 69, 70, 72, 73, 79, 82, 96, 104, 113, 114, 127, 137, 150...}}&lt;br /&gt;
&lt;br /&gt;
[[Edo]]s with especially good approximations of this scale for their size are: &lt;br /&gt;
* {{EDOs|37, 58, 67, 72, 94, 108, 109, 118, 125, 166, 176, 212, 224, 270...}}&lt;br /&gt;
&lt;br /&gt;
It is closely approximated in [[60afdo]], by the JI chord:&lt;br /&gt;
* 60:70:89:132:210:360&lt;br /&gt;
[[Category:5-tone scales]]&lt;br /&gt;
[[Category:Just intonation scales]]&lt;br /&gt;
[[Category:Nonoctave]]&lt;br /&gt;
&lt;br /&gt;
==== &#039;&#039;Octave-reduced variant&#039;&#039; ====&lt;br /&gt;
This works well in the same edos the regular scale does. You can choose to keep or leave the 3/2 (reduced 6/1):&lt;br /&gt;
* 11/10&lt;br /&gt;
* 7/6&lt;br /&gt;
* 40/27&lt;br /&gt;
* 3/2 (optional)&lt;br /&gt;
* 7/4&lt;br /&gt;
* 2/1&lt;br /&gt;
&lt;br /&gt;
When tempered to [[37edo]], the step pattern for the reduced scale is:&lt;br /&gt;
* 5 3 13 9 7&lt;br /&gt;
* (identical to original scale within 7.5{{c}})&lt;br /&gt;
&lt;br /&gt;
When tempered to [[58edo]], the step pattern for the reduced scale is:&lt;br /&gt;
* 8 5 20 14 11&lt;br /&gt;
* (identical to original scale within 4{{c}})&lt;br /&gt;
&lt;br /&gt;
When tempered to [[67edo]], the step pattern for the reduced scale is:&lt;br /&gt;
* 9 6 23 16 13&lt;br /&gt;
* (identical to original scale within 4{{c}})&lt;br /&gt;
&lt;br /&gt;
When tempered to [[72edo]], the step pattern for the reduced scale is:&lt;br /&gt;
* 10 6 25 17 14&lt;br /&gt;
* (identical to original scale within 3{{c}})&lt;br /&gt;
&lt;br /&gt;
When tempered to [[270edo]], the step pattern for the reduced scale is:&lt;br /&gt;
* 37 23 93 65 52&lt;br /&gt;
* (identical to original scale within 0.6{{c}})&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez slendric plural-octave scale ===&lt;br /&gt;
Gutierrez described this scale in December 2025: &amp;quot;using a period of 7/4 on slendric generator sequence gives you alot of near-octaves so each octave is a different mode of the same scale&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;8/7&lt;br /&gt;
21/16&lt;br /&gt;
3/2&lt;br /&gt;
12/7&lt;br /&gt;
7/4 (period)&lt;br /&gt;
2/1&lt;br /&gt;
147/64&lt;br /&gt;
21/8&lt;br /&gt;
3/1&lt;br /&gt;
49/16&lt;br /&gt;
7/2&lt;br /&gt;
1029/256&lt;br /&gt;
147/32&lt;br /&gt;
21/4&lt;br /&gt;
343/64&lt;br /&gt;
49/8&lt;br /&gt;
7203/1024&lt;br /&gt;
1029/128&lt;br /&gt;
147/16&lt;br /&gt;
2401/256&lt;br /&gt;
343/32&lt;br /&gt;
50421/4096&lt;br /&gt;
7203/512&lt;br /&gt;
1029/64&lt;br /&gt;
16807/1024 (5 periods)&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Other discoveries ==&lt;br /&gt;
; October 2025&lt;br /&gt;
Gutierrez was the first to explore [[13ed8/3]] as a possible tuning, describing its uses on the [[Xenharmonic Alliance]] Discord server.&lt;br /&gt;
&lt;br /&gt;
== Scale recommendations ==&lt;br /&gt;
If a composer likes Gutierrez&#039;s original scales, they may also like scales by other theorists which Gutierrez has recommended using. These are some examples of those:&lt;br /&gt;
&lt;br /&gt;
; [[Cloudtone]][10] in [[45edo]]&lt;br /&gt;
If you take two copies of [[5edo]] and offset them from each other by 27{{c}}, you get a scale almost exactly the same (within 0.34{{c}}) as the cloudtone[10] [[MOS scale]] in 45edo. This scale is good for [[dual-fifth]] usage.&lt;br /&gt;
* Step pattern: 8 1 8 1 8 1 8 1 8 1 ([[5L 5s]])&lt;br /&gt;
&lt;br /&gt;
; [[Decimetra]][20] in [[90edo]]&lt;br /&gt;
If you take two copies of [[10edo]] and offset them from each other by 27{{c}}, you get a scale almost exactly the same (within 0.34{{c}}) as the decimetra[20] [[MOS scale]] in 90edo.&lt;br /&gt;
* Step pattern: 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 ([[10L 10s]])&lt;br /&gt;
&lt;br /&gt;
; [[31edo modes|Superlydian b7 d6]] in [[31edo]]&lt;br /&gt;
Gutierrez: &amp;quot;F# [[31edo]] superlydian b7 d6 (5 7 3 3 4 4 5) has a very bright sound &amp;amp; has a good mix of [[consonance]] &amp;amp; [[dissonance]]... could also work in 24edo.&amp;quot;&lt;br /&gt;
* Step pattern: 5 7 3 3 4 4 5&lt;br /&gt;
&lt;br /&gt;
; [[Superpyth]][5] in [[27edo]]&lt;br /&gt;
If you take all the intervals of [[3ed7/3]] up to its sharp [[tritave]] and octave-reduce them, you get a scale almost exactly the same (within 0.25{{c}}) as the superpyth[5] [[MOS scale]] in 27edo. This scale sounds somewhere in between [[12edo]] pentatonic and [[5edo]] equipentatonic.&lt;br /&gt;
* Step pattern: 6 5 6 5 5 ([[2L 3s]])&lt;br /&gt;
&lt;br /&gt;
{{Navbox scale gallery}}&lt;br /&gt;
&lt;br /&gt;
[[Category:People]]&lt;br /&gt;
[[Category:Composers]]&lt;br /&gt;
[[Category:Theorists]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User:BudjarnLambeth&amp;diff=229669</id>
		<title>User:BudjarnLambeth</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User:BudjarnLambeth&amp;diff=229669"/>
		<updated>2026-05-05T04:41:03Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* (named after theory properties) */ add 1&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;lt;div style=&amp;quot;border: 1px green solid; background-color: #efe; padding: 0.5em 1em; margin-bottom: 1em&amp;quot;&amp;gt;&lt;br /&gt;
&#039;&#039;&#039;Not to be confused with&#039;&#039;&#039; &#039;&#039;[[lambeth chords]]&#039;&#039; nor &#039;&#039;[[1573/1568]] (the lambeth comma)&#039;&#039;. Those are unrelated to me.&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This is the user page of &#039;&#039;&#039;Budjarn Lambeth&#039;&#039;&#039;, an amateur, hobbyist:&lt;br /&gt;
* wiki contributor&lt;br /&gt;
* [[scalesmith]]&lt;br /&gt;
* music theorist&lt;br /&gt;
* improviser-composer&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
; Personal information&lt;br /&gt;
* Location: New South Wales, Australia&lt;br /&gt;
* Born: 1999&lt;br /&gt;
* Pronouns: he/she&lt;br /&gt;
* Nationality: Bundjalung (Aboriginal) and Australian&lt;br /&gt;
* Contactable at: https://www.facebook.com/budjarnlambeth/ or on my [[User talk:BudjarnLambeth|talk page]]&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Music I made ==&lt;br /&gt;
My original microtonal music is hosted on YouTube:&lt;br /&gt;
* [https://www.youtube.com/playlist?list=PLVHnByvMeRTqRGiICQelMy_tdDVIDKEXn &#039;&#039;&#039;Best pieces (playlist)&#039;&#039;&#039;]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Playlist contents:&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width:100%; text-align:left;&amp;quot;&lt;br /&gt;
! Title !! Date !! Link!! Tuning / Notes &lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Enchanted Shopping Mall&#039;&#039;&#039; || 2024-02 || [https://m.youtube.com/watch?v=scCuGXnj5IY YouTube]|| 33edo, flattertone[7] scale; synthwave&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;The Wound&#039;&#039;&#039; || 2024-11 || [https://m.youtube.com/watch?v=_NepcrTf9ng YouTube]|| Rocket[19]/Deutone[19], 5-tone subset - &#039;cosmic scale&#039;; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;The Odd Effects of Breathing the Fairy Dust&#039;&#039;&#039; || 2026-03 || [https://m.youtube.com/watch?v=YDbqf3g88BE YouTube]|| 59edo, porcupine[15] scale; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Fennec Temple&#039;&#039;&#039; || 2020 || [https://m.youtube.com/watch?v=lIEmJTPkSFQ YouTube]|| 14edo, 7-tone fennec scale; piece for electronic flutes&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;The Bells in the Rain&#039;&#039;&#039; || 2025-05 || [https://m.youtube.com/watch?v=tIwfO1lZWAc YouTube]|| 21edo, pelog-like pentatonic; electronic contemporary classical; using a custom scale for struck metal timbres&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Bubblegum&#039;&#039;&#039; || 2024-12 || [https://m.youtube.com/watch?v=iZI9x2Fto-A YouTube]|| 5edo (approximated within 60afdo); electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Wilderness&#039;&#039;&#039; || 2020 || [https://m.youtube.com/watch?v=L2mkP_y-idc YouTube]|| 22edo, superpyth[6] scale; piece for strings&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Blackened Skies&#039;&#039;&#039; || 2020 || [https://m.youtube.com/watch?v=eWMRJihZbPc YouTube]|| 72edo, modified blues scale; darksynth&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Odd Findings in the Caves&#039;&#039;&#039; || 2025-10 || [https://m.youtube.com/watch?v=aWqdWHSk5J4 YouTube]|| 343edo, lucite[23] scale; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Lighting the Jack-o&#039;-lanterns&#039;&#039;&#039; || 2025-10 || [https://m.youtube.com/watch?v=ZPXaMTdTSgw YouTube]|| 35edo, Blackwood[20] scale; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Will-O-Wisps&#039;&#039;&#039; || 2025-11 || [https://m.youtube.com/watch?v=JrpcIkElKQc YouTube]|| 27edo, will-o-wisp scale; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Grady Olympos Staircase Tuning Chord Progression&#039;&#039;&#039; || 2024-04 || [https://m.youtube.com/watch?v=q1sZkMZVUCE YouTube]|| Darksynth&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Moody Improvisation in Shoal Temperament&#039;&#039;&#039; || 2025-02 || [https://m.youtube.com/watch?v=bwGjN56iMM0 YouTube]|| Shoal temperament; electronic contemporary classical&lt;br /&gt;
|-&lt;br /&gt;
| &#039;&#039;&#039;Ibex&#039;&#039;&#039; || 2025-12 || [https://m.youtube.com/watch?v=CqBmABrTRas YouTube]|| 13edo, 6-tone ibex scale; electronic contemporary classical&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Xenharmonic groups I&#039;m affiliated with ==&lt;br /&gt;
I&#039;m a contributor to:&lt;br /&gt;
* the Xenharmonic Wiki&lt;br /&gt;
** [[Xenharmonic Wiki:WikiProject Just Intonation]]&lt;br /&gt;
* the [[Xenharmonic Alliance]] on both Discord and Facebook&lt;br /&gt;
** the [[Monthly Tunings]] Facebook group&lt;br /&gt;
* the Xenrhythmic Alliance&lt;br /&gt;
** [https://discord.gg/jQRHUWCHKa Xenrhythm Zone] Discord server&lt;br /&gt;
** the [https://xenrhythmic.fandom.com/wiki/The_Xenrhythm_Wikia Xenrhythmic Wiki]&lt;br /&gt;
* the [https://microtonal.miraheze.org/wiki/Main_Page Microtonal Encyclopedia]&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== My favourite microtonal music &amp;amp; composers ==&lt;br /&gt;
&lt;br /&gt;
; Composers&lt;br /&gt;
&#039;&#039;(alphabetical order)&#039;&#039;&lt;br /&gt;
* [[Mike Battaglia]]&lt;br /&gt;
* [[Benyamind]]&lt;br /&gt;
* [[Brendan Byrnes]]&lt;br /&gt;
* [[Tolgahan Çoğulu]]&lt;br /&gt;
* [[Greystar]]&lt;br /&gt;
* [[Maeve Gutierrez]]&lt;br /&gt;
* [[JUMBLE]]&lt;br /&gt;
* [[King Gizzard &amp;amp; the Lizard Wizard]]&lt;br /&gt;
* [[Merct]]&lt;br /&gt;
* [[Sevish]]&lt;br /&gt;
&lt;br /&gt;
; Music&lt;br /&gt;
YouTube playlists curated by me:&lt;br /&gt;
* &#039;&#039;[https://youtube.com/playlist?list=PLVHnByvMeRTrborLUEpRk9Tgbu_r4UnUi Actually good microtonal music&#039;&#039;]&lt;br /&gt;
* &#039;&#039;[https://m.youtube.com/playlist?list=PLVHnByvMeRTpA7ssMn48WemxL4EQmnpdT 1 great track in every EDO from 10edo to 31edo (plus some extra bonus tunings)&#039;&#039;]&lt;br /&gt;
* my Apple Music playlists (mostly not microtonal, but some are): &#039;&#039;[https://music.apple.com/profile/budjarn @budjarn Apple Music playlists].&#039;&#039;&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==My music theory work==&lt;br /&gt;
I have written some of my own amateur music theory research which I publish to this wiki.&lt;br /&gt;
&lt;br /&gt;
===AI overview of my work===&lt;br /&gt;
&#039;&#039;&#039;I don&#039;t and won&#039;t ever use AI for contributions to actual wiki pages&#039;&#039;&#039;, I&#039;m &#039;&#039;&#039;only ever using it to summarize my own user page&#039;&#039;&#039; (this page). &lt;br /&gt;
&lt;br /&gt;
Also, I did &#039;&#039;&#039;not&#039;&#039;&#039; ask the AI to scrape the wiki, I used my own local copies of my pages from my computer to ask the AI about.&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Structural beating|Structural beating]] ====&lt;br /&gt;
Lambeth hypothesized this property for equal-step tunings where the &#039;&#039;&#039;[[period]]&#039;&#039;&#039; of the scale &#039;&#039;&#039;differs&#039;&#039;&#039; from the interval of &#039;&#039;&#039;psychoacoustic [[equivalence]]&#039;&#039;&#039; (usually the octave, 2/1).&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Effect:&#039;&#039;&#039; Because the scale repeats at an interval different from the ear&#039;s point of equivalence, the scale creates a macro-scale &amp;quot;beating&amp;quot; or phasing effect as it ascends or descends.&lt;br /&gt;
* &#039;&#039;&#039;Goal:&#039;&#039;&#039; This is considered a desirable property that makes a periodic scale feel less repetitive, offering shifting colors and shapes (&amp;quot;something from nothing&amp;quot;).&lt;br /&gt;
* &#039;&#039;&#039;Examples:&#039;&#039;&#039; Equal divisions of sevenths (e.g., ed7/4) or ninths (ed16/9) if the equivalence is the octave.&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Polytriadic|Polytriadicism]] ====&lt;br /&gt;
Lambeth&#039;s polytriadic method involves tuning an ensemble (of 2 or more instruments/groups) so that each is tuned to a different &#039;&#039;&#039;triad&#039;&#039;&#039; or subset of a larger overarching scale.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Application:&#039;&#039;&#039; It allows composers to approach complex temperaments (like those without consonant small MOS scales) or large [[just intonation]] sets by breaking them down into simpler, manageable triadic parts.&lt;br /&gt;
* &#039;&#039;&#039;Function:&#039;&#039;&#039; It can be used to &amp;quot;flag&amp;quot; different rhythmic elements harmonically or to create complex, interweaving voice lines that generate consonance from the aggregate of the instruments.&lt;br /&gt;
* &#039;&#039;&#039;Example:&#039;&#039;&#039; &#039;&#039;&#039;[[Shoal17|Shoal[17]]]&#039;&#039;&#039;, a 17-tone MOS scale in the Shoal temperament (a 2.3.13.23 subgroup detemper of 17edo), is cited as a prime candidate for this approach.&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Equalizer subgroup|Equalizer subgroups]] ====&lt;br /&gt;
Lambeth&#039;s equalizer subgroup method involves tuning to a [[just intonation subgroup]] designed to balance specific types of harmonics to achieve a specific aesthetic.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Criteria:&#039;&#039;&#039;&lt;br /&gt;
** &#039;&#039;&#039;Structural Harmonics (2, 3, 4, 5):&#039;&#039;&#039; 2 or 3 present. They provide stability and &amp;quot;tonal gravity.&amp;quot;&lt;br /&gt;
** &#039;&#039;&#039;Assertive Harmonics (5–12):&#039;&#039;&#039; &#039;&#039;&#039;None&#039;&#039;&#039; present. These are excluded because they have &amp;quot;strong personalities&amp;quot; that define the scale&#039;s flavor too rigidly.&lt;br /&gt;
** &#039;&#039;&#039;Ethereal Harmonics (13+):&#039;&#039;&#039; At least 3 present. These provide subtle, background influence.&lt;br /&gt;
* &#039;&#039;&#039;Goal:&#039;&#039;&#039; To allow subtle &amp;quot;ethereal&amp;quot; harmonics to shine by removing the &amp;quot;assertive&amp;quot; middle harmonics, akin to using an EQ to cut mids and boost highs/lows.&lt;br /&gt;
* &#039;&#039;&#039;Examples:&#039;&#039;&#039; Subgroups like (2.3.5.13.17.19) used in Lambeth&#039;s Fifigeist temperament.&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Substitute harmonic|Substitute harmonics]] ====&lt;br /&gt;
Lambeth&#039;s substitute harmonic method involves replacing a simple, lower harmonic with a complex, higher harmonic that closely approximates it, thereby &amp;quot;fudging&amp;quot; the tuning into a different subgroup.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Sharp Substitutes:&#039;&#039;&#039; Replacing a harmonic with a slightly sharper higher harmonic. Lambeth names these temperaments after weapons or with &amp;quot;com&amp;quot;-ending names (e.g., &#039;&#039;&#039;Daggerminished&#039;&#039;&#039;, &#039;&#039;&#039;Pajaraxe&#039;&#039;&#039;, &#039;&#039;&#039;Dotcom&#039;&#039;&#039;, &#039;&#039;&#039;Sitcom&#039;&#039;&#039;, &#039;&#039;&#039;Romcom&#039;&#039;&#039;).&lt;br /&gt;
* &#039;&#039;&#039;Flat Substitutes:&#039;&#039;&#039; Replacing with a flatter harmonic. Naming convention involves flat regions (e.g., &#039;&#039;&#039;Sahara&#039;&#039;&#039;).&lt;br /&gt;
&lt;br /&gt;
==== [[User:BudjarnLambeth/Quasipelog theory|Quasipelog theory]] ====&lt;br /&gt;
Lambeth&#039;s quasipelog theory is a framework for approaching &#039;&#039;&#039;[[16edo]]&#039;&#039;&#039; (and other EDOs supporting the &#039;&#039;&#039;2.3.5.11 [[mavila]] temperament&#039;&#039;&#039;, like {{EDOs|EDOS 23, 30, 37, and 39}}). It is inspired by Indonesian [[Gamelan]] theory, the [[Armodue]] school, and [[Erv Wilson]]&#039;s [[MOS]] scales.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Concept:&#039;&#039;&#039; It focuses on specific scales that mimic the feel of Pelog scales but within a 16-tone equal temperament context.&lt;br /&gt;
* &#039;&#039;&#039;Scales:&#039;&#039;&#039; The theory defines four essential scales derived from Mavila MOS modes:&lt;br /&gt;
** &#039;&#039;&#039;Quasipelog Minor:&#039;&#039;&#039; Mode &#039;&#039;ssLsL&#039;&#039; of mavila[5].&lt;br /&gt;
** &#039;&#039;&#039;Quasipelog Major:&#039;&#039;&#039; Mode &#039;&#039;LssLs&#039;&#039; of mavila[5].&lt;br /&gt;
** &#039;&#039;&#039;Quasipelog Heptatonic:&#039;&#039;&#039; Mode &#039;&#039;ssLssLs&#039;&#039; of mavila[7].&lt;br /&gt;
** &#039;&#039;&#039;Quasipelog Chromatic:&#039;&#039;&#039; A mavila[16] MOS scale (7 fifths up, 8 down).&lt;br /&gt;
* &#039;&#039;&#039;Timbre:&#039;&#039;&#039; A key part of the theory is the avoidance of harmonic timbres. Lambeth recommends &amp;quot;inharmonic&amp;quot; sounds such as metallophones, bells, or &amp;quot;thin/reedy&amp;quot; waveforms (like sine or woodwinds) to complement the tuning.&lt;br /&gt;
&lt;br /&gt;
==== Scalesmithing work ====&lt;br /&gt;
Lambeth has constructed numerous original scales and temperaments.&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;[[User:BudjarnLambeth/Batch 89 temperaments|Batch 89 Temperaments]]:&#039;&#039;&#039; A set of temperaments first documented in 2023, honoring the characters from &#039;&#039;Guardians of the Galaxy Vol. 3&#039;&#039;. Each tempers 4 harmonics: the 2nd, the 89th (representing shared trauma), and two others derived from the character&#039;s name via A1Z26 cipher.&lt;br /&gt;
** &#039;&#039;&#039;Floor:&#039;&#039;&#039; 2.3.11.89 (Neutral related).&lt;br /&gt;
** &#039;&#039;&#039;Teefs:&#039;&#039;&#039; 2.5.11.89 (Bug related).&lt;br /&gt;
** &#039;&#039;&#039;Rocket:&#039;&#039;&#039; 2.9+.9-.89 (Lu/Deutone related).&lt;br /&gt;
* &#039;&#039;&#039;Ed255/128 and Ed257/128:&#039;&#039;&#039; These are &amp;quot;Equal Divisions of Reduced Harmonics.&amp;quot;&lt;br /&gt;
** &#039;&#039;&#039;[[User:BudjarnLambeth/Ed255/128|Ed255/128]]:&#039;&#039;&#039; Divides the interval 255/128 (slightly flatter than an octave). Useful for correcting EDOs where consonances are too sharp (e.g., used as an alternative to 5edo).&lt;br /&gt;
** &#039;&#039;&#039;[[BudjarnLambeth/Ed257/128|Ed257/128]]:&#039;&#039;&#039; Divides the interval 257/128 (slightly sharper than an octave). Useful for correcting EDOs where consonances are too flat (e.g., alternative to 7edo).&lt;br /&gt;
* &#039;&#039;&#039;[[User:BudjarnLambeth/Antipental blues|Antipental Blues]] scale:&#039;&#039;&#039; A 6-tone scale subset of the [[Dwarf17marv]] scale. It mimics the melodic shape of the minor blues scale but uses exotic 2.3.7.11 intervals (7/6, 11/8, 7/4) instead of the standard 5-limit intervals.&lt;br /&gt;
* &#039;&#039;&#039;[[User:BudjarnLambeth/Moon dust|Moon Dust]] scale:&#039;&#039;&#039; A 16-tone just intonation scale with a period of 16/1 (four octaves). It features dynamic step sizes and a mix of familiar 3-limit harmonies with xenharmonic 19-limit (no-5, no-13) intervals.&lt;br /&gt;
* &#039;&#039;&#039;[[Firedance]] scale:&#039;&#039;&#039; A 5-tone subset of zeta-stretched 15edo (47zpi). It was designed by ear, starting from 5edo and adjusting steps by degrees of 15edo.&lt;br /&gt;
&lt;br /&gt;
==== Tuning recommendations ====&lt;br /&gt;
Lambeth recommends the following tunings for Western musicians exploring world music traditions:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;For Gamelan scales (Pelog/Slendro):&#039;&#039;&#039; He recommends specific EDOs that approximate these scales well. His personal favorite is &#039;&#039;&#039;44edo&#039;&#039;&#039;. Other good approximations include 21, 23, 35, 39, 40, 42, 54, and 60edo.&lt;br /&gt;
** More detailed version: [[User:BudjarnLambeth/Edo approximations of gamelan scales]]&lt;br /&gt;
* &#039;&#039;&#039;For Japanese scales:&#039;&#039;&#039; He prefers &#039;&#039;&#039;Meantone&#039;&#039;&#039; temperaments in &#039;&#039;&#039;55edo&#039;&#039;&#039;, &#039;&#039;&#039;98edo&#039;&#039;&#039;, or &#039;&#039;&#039;43edo&#039;&#039;&#039; (approx. 1/5-comma meantone). He generally dislikes 5-limit JI or Pythagorean tunings for these scales, finding the &amp;quot;wolf&amp;quot; intervals objectionable.&lt;br /&gt;
** More detailed version: [[User:BudjarnLambeth/Some tunings for Japanese scales]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Wiki contributions==&lt;br /&gt;
&lt;br /&gt;
===Improvements to the broader wiki===&lt;br /&gt;
====Significant page creations====&lt;br /&gt;
* Authored the [[survey of efficient temperaments by subgroup]] to help people navigate quickly to their favourite temperament pages&lt;br /&gt;
* Authored the [[Gallery of arithmetic pitch sequences]] &amp;amp; [[Gallery of combination product sets]] pages to help people find musical [[scale]]s&lt;br /&gt;
* Authored the pages about [[equipentatonic]] and [[equiheptatonic]] scales&lt;br /&gt;
* Created the [[Xenharmonic Wiki:Cross-platform dialogue]] page to aid collaboration between editors who are mostly active on Facebook and those who are mostly active on Discord&lt;br /&gt;
* Authored pages answering the [[FAQ]] questions:&lt;br /&gt;
** “[[What are this wiki&#039;s strengths and weaknesses?]] (How does it compare to other resources?)”&lt;br /&gt;
** “[[I&#039;m a new editor, what is everything I can do to help?]]”&lt;br /&gt;
** “[[Systematic comma names explained|How do I decode those strange looking comma names?]]”&lt;br /&gt;
* Authored dozens of wanted pages about [[:Category:Composers|composers]]&lt;br /&gt;
* Authored several extensive [[:Category:Lists of scales|lists of scales]]&lt;br /&gt;
&lt;br /&gt;
====Bulk page improvements====&lt;br /&gt;
* Added dozens of sources and inline citations to the [[historical temperaments]] page&lt;br /&gt;
* Added infobox, intro, intervals, modes, subheadings &amp;amp; todo categories to dozens of previously close-to-empty [[MOS scale]] pages&lt;br /&gt;
* Added intro, intervals table and harmonics table to several hundred [[equal-step tuning]] pages (which used to just be blank pages with a single infobox)&lt;br /&gt;
* Added [[Template:Temp gallery]] to all &#039;[[User:BudjarnLambeth/Prominent temperament gallery pages|very highly prominent temperament gallery pages]]&#039;&lt;br /&gt;
* Added [[Template:Temp gallery]] to all &#039;[[User:BudjarnLambeth/Prominent temperament gallery pages|highly prominent temperament gallery pages]]&#039;&lt;br /&gt;
* Added [[Template:Temp gallery]] to all &#039;[[User:BudjarnLambeth/Prominent temperament gallery pages|moderately prominent temperament gallery pages]]&#039;&lt;br /&gt;
* Added [[Template:Temp gallery]] to all &#039;[[User:BudjarnLambeth/Prominent temperament gallery pages|less prominent temperament]] families and clans&#039;&lt;br /&gt;
* Constructed the 5-, 6-, 7-, 8-, 9-, 10-, 11- and 12-period tables on the [[map of rank-2 temperaments]]&lt;br /&gt;
* Heavily added to the 2-, 3- and 4-period tables on the [[map of rank-2 temperaments]]&lt;br /&gt;
* Merged “useful tools” &amp;amp; “software” into [[Software|one unified page]]&lt;br /&gt;
* Created circle diagrams for dozens of [[hexany]] pages using [[Nick Vuci]]&#039;s circle diagram maker&lt;br /&gt;
&lt;br /&gt;
====Structural wiki improvements====&lt;br /&gt;
* Added categories &amp;amp; formatting tags to several hundred [[:Category:Pages with Scala files|pages with Scala files]]&lt;br /&gt;
* Added links around the wiki to over 150 previously [[Special:LonelyPages|orphaned pages]], bringing the number down from above 250 to below 70 (as of 4 Dec 2024)&lt;br /&gt;
* Created [[Template:Navbox Lumatone]] with very extensive help from [[User:ArrowHead294]]&lt;br /&gt;
** With ArrowHead294’s extensive help, incorporated the template into over 50 pages for [[:Category:Lumatone mappings]]&lt;br /&gt;
* Ran a survey of editors, created the [[Xenharmonic Wiki:Optional guidelines for interval page todo categories]] (XW:IntTodo) from the results, and ensured all interval pages were categorized in line with XW:IntTodo&lt;br /&gt;
&lt;br /&gt;
===== (list and table creations) =====&lt;br /&gt;
Constructed:&lt;br /&gt;
* [[List of taxicab-2 intervals]]&lt;br /&gt;
* [[User:BudjarnLambeth/Table of n-comma meantone generators]]&lt;br /&gt;
* [[Harmonic entropy of just intervals]]&lt;br /&gt;
* [[Table of zeta-stretched edos]]&lt;br /&gt;
&lt;br /&gt;
===== (comma documentation and organisation) =====&lt;br /&gt;
* Added all missing commas from “[[:Category:Large commas]]” to the table on the page “[[Large commas]]”&lt;br /&gt;
* Added all missing commas from “[[:Category:Medium commas]]” to the table on the page “[[Medium commas]]”&lt;br /&gt;
* Added all missing commas from “[[:Category:Small commas]]” to the table on the page “[[Small comma]]”&lt;br /&gt;
* Added all missing commas from “[[:Category:Unnoticeable commas]]” to the table on the page “[[Unnoticeable commas]]”&lt;br /&gt;
* Constructed “[[:Category:Commas by name]]” and its many subcategories&lt;br /&gt;
* Categorised all 5, 7, 11, 13, 17, 19, 23 and &amp;gt;23 limit large commas into ’Commas by name’ subcategories&lt;br /&gt;
* Categorised all 5, 7, 11, 13, 17, 19, 23 and &amp;gt;23 limit medium commas into ’Commas by name’ subcategories&lt;br /&gt;
* Categorised all 5, 7, 11, 13, 17, 19, 23 and &amp;gt;23 limit small commas into ’Commas by name’ subcategories&lt;br /&gt;
* Categorised all 5, 7, 11, 13, 17, 19, 23 and &amp;gt;23 limit unnoticeable commas into ’Commas by name’ subcategories&lt;br /&gt;
* Conducted the [[User:BudjarnLambeth/Survey of named and unnamed commas]]&lt;br /&gt;
&lt;br /&gt;
==== Name changes I was involved in ====&lt;br /&gt;
===== (correcting confusing names) =====&lt;br /&gt;
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “septimal temperament”. When I discovered the name, I disliked it because of its potential for confusion with other uses of the term “septimal”. I decided I wanted to change it. Many people on [[Discord]], the Wiki Workgroup on [[XA Facebook]], and the wiki talk page agreed. I coined the new name “&#039;&#039;&#039;[[7th-octave temperaments#Austinpowers|austinpowers temperament]]&#039;&#039;&#039;” which has now replaced it.&lt;br /&gt;
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “decades temperament”. Some people on the XA Discord said that they disliked it due to its convoluted etymology. I coined the new name “&#039;&#039;&#039;[[gamelstearn|gamelstearn temperament]]&#039;&#039;&#039;” based on its two defining commas. After a few days, not many people commented or reacted to the proposal, but all were in favour and none were against, so the name &amp;quot;gamelstearn&amp;quot; was adopted.&lt;br /&gt;
* There used to be two temperaments named “semidim temperament”. To resolve the confusion, after discussion on the XA Discord, myself and [[Lériendil]] came up with new names for each of the two temperaments. Lériendil coined “[[ammon|ammon temperament]]” for the first, and I coined “&#039;&#039;&#039;[[octonion|octonion temperament]]&#039;&#039;&#039;” for the second.&lt;br /&gt;
* There was an old comma that pre-dated my participation in the wiki. Its old, original name was “the erogluisma”. Its original namer posted on [[Discord]] that he no longer liked it, and would like someone to please rename it. I coined the new name “&#039;&#039;&#039;[[1682/1681|the shaftesburisma]]&#039;&#039;&#039;” which has now replaced it.&lt;br /&gt;
* Someone else described a new comma and named it “the shikanokonokonokokoshitantanma”. This name was kept, but it was too long for some use cases, so I invented an alternate short version - “&#039;&#039;&#039;[[nokotan|the nokotan]]&#039;&#039;&#039;” - for use cases where a shorter name is needed.&lt;br /&gt;
* The comma “68630377364883 / 68630356164608” was too long to be referred to by its number alone, it needed a name instead. So I named it “&#039;&#039;&#039;[[zudilisma|the zudilisma]]&#039;&#039;&#039;”.&lt;br /&gt;
&lt;br /&gt;
===== (correcting divisive or hurtful names) =====&lt;br /&gt;
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “catcall temperament”. When I discovered the name, I disliked it because it was demeaning to women. I decided I wanted to change it. Many people on [[Discord]] and on the wiki talk page agreed. I coined the new name “&#039;&#039;&#039;[[catnip|catnip temperament]]&#039;&#039;&#039;” which has now replaced it. &lt;br /&gt;
* There was an old temperament that pre-dated my participation in the wiki. Its old, original name was “catamite temperament”. When I discovered the name, I disliked it because it referenced a historical practice that often involved child abuse. I decided I wanted to change it. I suggested the change on the talk page where it received no replies, and the Discord where it received few reactions but those it did receive were in favour. I coined the new name “&#039;&#039;&#039;[[Amity family#Stalagmite|stalagmite temperament]]&#039;&#039;&#039;” which has now replaced it. &lt;br /&gt;
* There was an old comma that pre-dated my participation in the wiki. Its old, original name was “the Buddhisma”. There was nothing wrong with that name in and of itself, the problem is that it was explicitly stated to be named after the anti-Muslim group the 969 Movement, and the comma number was 969/968. I thought this was inappropriate, so I proposed a few replacement names on [[Discord]]. Of the names I coined “&#039;&#039;&#039;[[969/968|the kingfisher comma]]&#039;&#039;&#039;” was the clear favourite, so I renamed the comma to the kingfisher comma.&lt;br /&gt;
&lt;br /&gt;
==== Full list of contributions ====&lt;br /&gt;
* [[Special:Contributions/BudjarnLambeth]]&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Pages I wrote about my own discoveries===&lt;br /&gt;
====Invented approaches to constructing tunings ====&lt;br /&gt;
These are the same category of thing as “equal temperaments”.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Procedural approaches&#039;&#039;:&lt;br /&gt;
* [[Basal subgroup]]s&lt;br /&gt;
* [[Half-prime subgroup|Half-basis, third-basis, quarter-basis, etc. subgroups]]&lt;br /&gt;
* [[Equalizer subgroup]]s&lt;br /&gt;
* [[Sin(x) tuning#Generalizations|Function(x) tuning]]s&lt;br /&gt;
* [[Polytriadic]] tunings&lt;br /&gt;
* [[User:BudjarnLambeth/Quasipelog theory|Quasipelog theory]]&lt;br /&gt;
* [[Substitute harmonic]]s&lt;br /&gt;
* [[Tritavesque]] intervals&lt;br /&gt;
* [[Sin(x) tuning#Generalizations|Waveform(x) tuning]]s&lt;br /&gt;
* [[Ed255/128|Equal divisions of 255/128]]&lt;br /&gt;
* [[Ed257/128|Equal divisions of 257/128]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Sculptural approaches&#039;&#039;:&lt;br /&gt;
* [[Breuddwyd scale]]s&lt;br /&gt;
* [[Breuddwyd scale|Sonhar tuning]]s&lt;br /&gt;
* [[Sooty fox scale]]s&lt;br /&gt;
* [[Breuddwyd scale|Wijzerplaat scale⁠]]s&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#farab scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#gene scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#hekt scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#jot scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#méride scales]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences|APS#tina scales]]&lt;br /&gt;
&lt;br /&gt;
====Invented approaches to classifying tunings ====&lt;br /&gt;
These are the same category of thing as “pentatonic scales”.&lt;br /&gt;
* [[the Riemann zeta function and tuning#Non-record edos|Indecisive EDOs]]&lt;br /&gt;
* [[the Riemann zeta function and tuning#Non-record edos|Local zeta peak EDOs]]&lt;br /&gt;
* [[the Riemann zeta function and tuning#Non-record edos|Local zeta valley EDOs]]&lt;br /&gt;
* [[the Riemann zeta function and tuning#&#039;&#039;k&#039;&#039;-ary peak EDOs|Parker EDOs]]&lt;br /&gt;
* [[Human EDO size categorization]] (HUECAT)&lt;br /&gt;
* [[Metascale]]s&lt;br /&gt;
* [[Runoff]] scales&lt;br /&gt;
* [[Structural beating]]&lt;br /&gt;
&lt;br /&gt;
====Invented tunings (scales)====&lt;br /&gt;
These are the same category of thing as “the chromatic scale”.&lt;br /&gt;
&lt;br /&gt;
===== (named after theory properties) =====&lt;br /&gt;
* The [[User:BudjarnLambeth/Antechinus|antechinus]] scale&lt;br /&gt;
* The [[breuddwyd inverse]] scale&lt;br /&gt;
* The [[breuddwyd6|breuddwyd-6]] scale&lt;br /&gt;
* The [[35edo#Scales|fourfourths]] scale&lt;br /&gt;
* The [[Maeve Gutierrez#Gutierrez-Lambeth otonal neutral hexatonic|Gutierrez-Lambeth otonal neutral hexatonic]] scale&lt;br /&gt;
* The [[38edo#Scales|hemisettled11]] scale&lt;br /&gt;
* The [[38edo#Scales|hemisettled16]] scale&lt;br /&gt;
* The [[27edo#Scales|hypersakura]] scale&lt;br /&gt;
* The [[8afdo#Scales|ionosphere]] scale&lt;br /&gt;
* The [[30edo#Scales|iron filing]] scale&lt;br /&gt;
* The [[9edf#Scales|molten pelog]] scale&lt;br /&gt;
* The [[9edf#Scales|molten slendro]] scale&lt;br /&gt;
* The [[38edo#Scales|nineteenplus]] scale&lt;br /&gt;
* The [[oclock]] scale&lt;br /&gt;
* The [[37edo#Scales|opalised ammonite]] scale&lt;br /&gt;
* The [[47edo#Scales|quasi-equiheptatonic minor pentatonic]] scale&lt;br /&gt;
* The [[35edo#Scales|secund chance]] scale&lt;br /&gt;
* The [[Shoal17#Scales|shoal17 over-9 tetrad]]&lt;br /&gt;
* The [[38edo#Scales|tame bison]] scale&lt;br /&gt;
* The [[38edo#Scales|tame possum]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Trippy warped hirajoshi scale|trippy warped hirajoshi scale]] (&#039;&#039;credit shared with [[Moonshine The Yellow Toaster]]&#039;&#039;)&lt;br /&gt;
* The [[35edo#Scales|undecimal quasi-equipentatonic]] scale&lt;br /&gt;
* The [[35edo#Scales|undecimal minor hexatonic]] scale&lt;br /&gt;
* The [[35edo#Scales|undecimal Mixolydian]] scale&lt;br /&gt;
* The [[breuddwyd inverse|vinyl braid]] scale&lt;br /&gt;
* The [[38edo#Scales|well-tempered 19-in-38]] scale&lt;br /&gt;
* The [[Maeve Gutierrez#Will-o-wisps&#039; scale|will-o-wisps&#039;]] scale&lt;br /&gt;
* The [[26ed5#13ed5plus|13ed5plus]] scale&lt;br /&gt;
* The [[antipental blues]] scale &#039;&#039;and its expansions&#039;&#039;:&lt;br /&gt;
** The [[35edo#Scales|antipental blues maj 6th]] scale&lt;br /&gt;
** The [[35edo#Scales|antipental blues neutral 7th]] scale&lt;br /&gt;
** The [[35edo#Scales|antipental blues maj 7th]] scale&lt;br /&gt;
** The [[35edo#Scales|antipental blues harmonic]] scale&lt;br /&gt;
* &#039;&#039;(subsets of [[blackwood]][20]):&#039;&#039;&lt;br /&gt;
** The [[35edo#Scales|blackwood neutral nonatonic]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood pseudo-Akebono neutral]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood pseudo-Akebono supermajor]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood pseudo-Hirajoshi]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood pseudo-pelog]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood-tempered 5afdo]] scale&lt;br /&gt;
** The [[35edo#Scales|blackwood undecimal harmonic]] scale&lt;br /&gt;
* &#039;&#039;(expansions of [[Maeve Gutierrez#Gutierrez sunbreak scale|Gutierrez&#039;s sunbreak scale]]):&#039;&#039;&lt;br /&gt;
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|chromaticized sunbreak]] scale&lt;br /&gt;
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|mirrored sunbreak]] scale&lt;br /&gt;
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|negative harmony sunbreak]] scale&lt;br /&gt;
** The [[Maeve Gutierrez#Gutierrez sunbreak scale|fractalized sunbreak]] scale&lt;br /&gt;
* All the scales listed at: [[User:BudjarnLambeth/Quasipelog theory]]&lt;br /&gt;
&lt;br /&gt;
===== (named after subjective feeling) =====&lt;br /&gt;
* The [[Shoal17#Scales|algal bloom]] scale&lt;br /&gt;
* The [[25edo#Scales|amulet]] scale&lt;br /&gt;
* The [[anisopteran scale]]&lt;br /&gt;
* The [[14afdo#Scales|apex]] scale&lt;br /&gt;
* The [[30edo#Scales|bathypelagic]] scale&lt;br /&gt;
* The [[blackened skies]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|bubblegum]] scale&lt;br /&gt;
* The [[67edo#Scales|bustling docks]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|candycorn]] scale&lt;br /&gt;
* The [[16afdo#Scales|canopy]] scale&lt;br /&gt;
* The [[30edo#Scales|carousel]] scale&lt;br /&gt;
* The [[67edo#Scales|cavernous]] scale&lt;br /&gt;
* The [[35edo#Scales|clear pond]] scale&lt;br /&gt;
* The [[9edf#Scales|cloudscape]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|cola]] scale&lt;br /&gt;
* The [[9edf#Scales|corrugated]] scale&lt;br /&gt;
* The [[32afdo#Scales|cosmic]] scale&lt;br /&gt;
* The [[dalmatian scale]]&lt;br /&gt;
** The Dante, Da Vinci, Dawkins, Deepak, Deja Vu, Delgado, Dolly, Dylan, Fergus &amp;amp; Hansel [[101afdo#Scales|scales]]&lt;br /&gt;
* The [[30edo#Scales|dewdrops]] scale&lt;br /&gt;
* The [[Shoal17#Scales|diffractive scale]]&lt;br /&gt;
* The [[Shoal17#Scales|diffractive tetrad]]&lt;br /&gt;
* The [[27edo#Scales|direct sunlight]] scale&lt;br /&gt;
* The [[Shoal17#Scales|driftwood]] scale&lt;br /&gt;
* The [[30edo#Scales|dusty]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Hall of mirrors#Enrichment scale|enrichment]] scale&lt;br /&gt;
* The [[Peppermint-24#Salt and pepper scale and its subsets|evacuated planet]] scale&lt;br /&gt;
* The [[firedance]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|fishcrackers]] scale&lt;br /&gt;
* The [[67edo#Scales|formicarium]] scale&lt;br /&gt;
* The [[5- to 10-tone scales in 60edo|fossa tetratonic]] scale&lt;br /&gt;
* The [[5- to 10-tone scales in 60edo|fossa pentatonic]] scale&lt;br /&gt;
* The [[56edo#Scales|frankincense]] scale&lt;br /&gt;
* The [[26edo#Scales|free range]] scales&lt;br /&gt;
* The [[goldfish]] scale&lt;br /&gt;
* The [[91edo#Scales|greyed skies]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Hall of mirrors|hall-of-mirrors]] scale&lt;br /&gt;
* The [[13edo#Scales|ibex]] scale&lt;br /&gt;
* The [[Peppermint-24#Ketchup and mustard scale and its subsets|ketchup and mustard]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|lemonade]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|liquorice]] scale&lt;br /&gt;
* The [[9edf#Scales|livewire]] scale&lt;br /&gt;
* The [[lost spirit]] scale&lt;br /&gt;
* The [[magnetosphere scale]]&lt;br /&gt;
* The [[16afdo#Scales|mechanical]] scale&lt;br /&gt;
* The [[8afdo#Scales|metamorphic]] scale&lt;br /&gt;
* The [[35edo#Scales|meta-monsoon]] scale&lt;br /&gt;
** The [[5- to 10-tone scales in 47zpi|monsoon]] scale&lt;br /&gt;
** The [[35edo#Scales|monsoon major]] scale&lt;br /&gt;
** The [[35edo#Scales|monsoon otonal]] scale&lt;br /&gt;
* The [[16afdo#Scales|moonbeam]] scale&lt;br /&gt;
* The [[moon dust]] scale&lt;br /&gt;
* The [[30edo#Scales|nightdrive]] scale&lt;br /&gt;
* The [[User:BudjarnLambeth/Over the Hedge|Over the Hedge]] scale&lt;br /&gt;
** The H.ammy, H.eather, O.zzie, R.J, S.tella, T.iger &amp;amp; V.erne [[User:BudjarnLambeth/Over the Hedge|scales]]&lt;br /&gt;
* The [[29edo#Scales|palace]] scale&lt;br /&gt;
* The [[30edo#Scales|pelagic]] scale&lt;br /&gt;
* The [[Peppermint-24#Salt_and_pepper_scale_and_its_subsets|pepperbass]] scale&lt;br /&gt;
* The [[9edf#Scales|purgatory]] scale&lt;br /&gt;
* The [[9edf#Scales|pylon]] scale&lt;br /&gt;
* The [[9edf#Scales|quest]] scale&lt;br /&gt;
* The [[Shoal17#Scales|refractive scale]]&lt;br /&gt;
* The [[Shoal17#Scales|refractive tetrad]]&lt;br /&gt;
* The [[5- to 10-tone scales in 47zpi|rockpool]] scale&lt;br /&gt;
* The [[47edo#Scales|sabertooth]] scales&lt;br /&gt;
* The [[Peppermint-24#Salt and pepper scale and its subsets|salt and pepper]] scale&lt;br /&gt;
* The [[63edo#Scales|sandcastle]] scale&lt;br /&gt;
* The [[breuddwyd6|snow braid]] scale&lt;br /&gt;
* The [[9edf#Scales|snowcone]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|sourgummy]] scale&lt;br /&gt;
* The [[spectral blues]] scale&lt;br /&gt;
* The [[9edf#Scales|swan]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|trailmix]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|tropicalpunch]] scale&lt;br /&gt;
* The [[Batch 89 temperaments#Example inflected MOS scale: UFO scale|UFO scale]]&lt;br /&gt;
* The [[8afdo#Scales|ultraviolet]] scale&lt;br /&gt;
* The [[8afdo#Scales|undercurrent]] scale&lt;br /&gt;
* The [[67edo#Scales|understory]] scale&lt;br /&gt;
* The [[8afdo#Scales|upwelling]] scale&lt;br /&gt;
* The [[16afdo#Scales|volcanic]] scale&lt;br /&gt;
* The [[5- to 10-tone scales from the modes of the harmonic series#Macrotonal NEJI edos|whitechocolate]] scale&lt;br /&gt;
* The [[125edo#Scales|meta-tropolis]] scale &#039;&#039;and its subsets&#039;&#039;:&lt;br /&gt;
** The [[125edo#Scales|city-at-dawn]] scale&lt;br /&gt;
** The [[125edo#Scales|city-at-midday]] scale&lt;br /&gt;
** The [[125edo#Scales|city-at-dusk]] scale&lt;br /&gt;
** The [[125edo#Scales|city-at-midnight]] scale&lt;br /&gt;
** The [[125edo#Scales|port-at-dawn]] scale&lt;br /&gt;
** The [[125edo#Scales|port-at-midday]] scale&lt;br /&gt;
** The [[125edo#Scales|port-at-dusk]] scale&lt;br /&gt;
** The [[125edo#Scales|port-at-midnight]] scale&lt;br /&gt;
&lt;br /&gt;
=====([[polymicrotonal]])=====&lt;br /&gt;
* The [[20edo#Modes|8-tone 4&amp;amp;5edo scale]]&lt;br /&gt;
* The [[28edo#Scales|10-tone 4&amp;amp;7edo scale]]&lt;br /&gt;
* The [[30edo#Scales|10-tone 5&amp;amp;6edo scale]]&lt;br /&gt;
* The [[36edo#Scales|12-tone 4&amp;amp;9edo scale]]&lt;br /&gt;
* The [[40edo#Scales|12-tone 4&amp;amp;10edo scale]]&lt;br /&gt;
* The [[40edo#Scales|12-tone 5&amp;amp;8edo scale]]&lt;br /&gt;
* The [[45edo#Scales|12-tone 5&amp;amp;9edo scale]]&lt;br /&gt;
* The [[80edo#Scales|12-tone 5&amp;amp;16edo scale]]&lt;br /&gt;
* The [[42edo#Scales|12-tone 6&amp;amp;7edo scale]]&lt;br /&gt;
* The [[24edo scales#Dodecatonic|12-tone 6&amp;amp;8edo scale]]&lt;br /&gt;
* The [[30edo#Scales|12-tone 6&amp;amp;10edo scale]]&lt;br /&gt;
* The [[30edo#Scales|12-tone 6&amp;amp;15edo scale]]&lt;br /&gt;
* The [[80edo#Scales|12-tone 8&amp;amp;10edo scale]]&lt;br /&gt;
* The [[80edo#Scales|12-tone 8&amp;amp;20edo scale]]&lt;br /&gt;
* The [[36edo#Scales|12-tone 9&amp;amp;12edo scale]]&lt;br /&gt;
* The [[30edo#Scales|12-tone 10&amp;amp;15edo scale]]&lt;br /&gt;
* The [[36edo#Scales|12-tone 12&amp;amp;18edo scale]]&lt;br /&gt;
* The [[45edo#Scales|13-tone 5&amp;amp;9edo scale]]&lt;br /&gt;
* The [[30edo#Scales|14-tone 6&amp;amp;10edo scale]]&lt;br /&gt;
* The [[80edo#Scales|14-tone 8&amp;amp;10edo scale]]&lt;br /&gt;
* The [[80edo#Scales|14-tone 8&amp;amp;20edo scale]]&lt;br /&gt;
* The [[80edo#Scales|16-tone 5&amp;amp;16edo scale]]&lt;br /&gt;
* The [[30edo#Scales|12-tone 6&amp;amp;15edo scale]]&lt;br /&gt;
* The [[36edo#Scales|18-tone 9&amp;amp;12edo scale]]&lt;br /&gt;
* The [[36edo#Scales|18-tone 12&amp;amp;18edo scale]]&lt;br /&gt;
* The [[35edo#Scales|20-tone blackwood&amp;amp;greenwood]] scale&lt;br /&gt;
* The [[30edo#Scales|20-tone 10&amp;amp;15edo scale]]&lt;br /&gt;
* The [[35edo#Scales|24-tone blackwood&amp;amp;greenwood]] scale&lt;br /&gt;
&lt;br /&gt;
=====([[arithmetic pitch sequence]])=====&lt;br /&gt;
* [[1ed148.5c|APS148.5¢]]&lt;br /&gt;
* [[1ed237.8c|APS237.8¢]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of farabs|APS3.21farab]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of hekts|APS7hekt]]&lt;br /&gt;
* [[1ed28.5c|APS715jot]]&lt;br /&gt;
* [[1ed28.7c|APS720jot]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of mérides|APS4/5méride]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of mérides|APS5/8méride]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of mérides|APS7/12méride]]&lt;br /&gt;
* [[Gallery of arithmetic pitch sequences#APS of tinas|APS70tina]]&lt;br /&gt;
* The [[Gallery of arithmetic pitch sequences#APS of tinas|Argentina]] scale&lt;br /&gt;
&lt;br /&gt;
====Invented tunings (regular temperaments)====&lt;br /&gt;
These are the same category of thing as “quarter-comma meantone temperament”.&lt;br /&gt;
* [[7921/7776|Attic]] temperament&lt;br /&gt;
* [[979/972|Basement]] temperament&lt;br /&gt;
* [[Subgroup temperaments#Blacktetra|Blacktetra]] temperament&lt;br /&gt;
* [[1000/979|Canine]] temperament&lt;br /&gt;
* [[Substitute harmonic#Daggerminished|Daggerminished]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Dotcom]] temperament&lt;br /&gt;
* [[Vavoom family|Doubloon]] temperaments&lt;br /&gt;
* [[Meantone family#Dreamtone|Dreamtone]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Ectophotia]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Fifigeist]] temperament&lt;br /&gt;
* [[Batch 89 temperaments#Floor|Floor]] temperament&lt;br /&gt;
* [[No-twos subgroup temperaments#Fomalhaut|Fomalhaut]] temperament&lt;br /&gt;
* [[Subgroup temperaments#Fourwar|Fourwar]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Glycome]] temperament&lt;br /&gt;
* [[No-sevens subgroup temperaments#Hypnotone|Hypnotone]] temperament&lt;br /&gt;
* [[8000/7921|Incisor]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Income]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Intercom]] temperament&lt;br /&gt;
* [[Vavoom family|Kaboom]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Lieerie]] temperament&lt;br /&gt;
* [[Lightyear comma|Lightyear]] temperament&lt;br /&gt;
* [[2883/2848|Lilac]] temperament&lt;br /&gt;
* [[8277/8192|Lilly pilly]] temperament&lt;br /&gt;
* [[7936/7921|Lily]] temperament&lt;br /&gt;
* [[No-fives subgroup temperaments#Lipsett|Lipsett]] temperament&lt;br /&gt;
* [[Batch 89 temperaments#Lylla|Lylla]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Minicom]] temperament&lt;br /&gt;
* [[Molar comma|Molar]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Newcome]] temperament&lt;br /&gt;
* [[Nimona]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Outcome]] temperament&lt;br /&gt;
* [[729/712|Oxidizer]] temperament&lt;br /&gt;
* [[Substitute harmonic#Pajaraxe|Pajaraxe]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Phantadecimal]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Phantasrutal]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Poltercompton]] temperament&lt;br /&gt;
* [[Batch 89 temperaments#Rocket|Rocket]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Romcom]] temperament&lt;br /&gt;
* [[Substitute harmonic#Sahara|Sahara]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Satcom]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Semihaunt]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Shadecimal]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Shrutarnatural]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Sitcom]] temperament&lt;br /&gt;
* [[Subgroup temperaments#Sixscared|Sixscared]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Spectrephore]] temperament&lt;br /&gt;
* [[89/88|Tailwind]] temperament&lt;br /&gt;
* [[Batch 89 temperaments#Teefs|Teefs]] temperament&lt;br /&gt;
* [[Substitute harmonic#Narrowed compton|Telecom]] temperament&lt;br /&gt;
* [[Subgroup temperaments#Tetramagic|Tetramagic]] temperament&lt;br /&gt;
* [[Vavoom family#Vacuum|Vacuum]] temperament&lt;br /&gt;
* [[Vavoom family#Void|Void]] temperament&lt;br /&gt;
* [[Vavoom family#Vortex|Vortex]] temperament&lt;br /&gt;
* [[Equalizer subgroup|Werecatler]] temperament&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== (To-do) ===&lt;br /&gt;
Things I [[Wikifuture|plan to do]] on the wiki in the near future. Feel free to go ahead and do these any of these things first if you’re interested in doing so. I feel overwhelmed by the sheer amount of things I want to do and am very happy for any help I receive getting through it all :)&lt;br /&gt;
&lt;br /&gt;
==== WikiProject Just Intonation ====&lt;br /&gt;
* Recruit more members (especially an expert on [[Harry Partch]], an expert on [[Erv Wilson]], or an expert on [[primodality]]).&lt;br /&gt;
* Examine the names of all Scala file pages and rename those with confusing or ambiguous names.&lt;br /&gt;
* Find all examples of multiple similar Scala file pages (eg &amp;quot;exampletone10&amp;quot;, &amp;quot;exampletone15&amp;quot;, &amp;quot;exampletone_major&amp;quot;) and merge them into scale galleries.&lt;br /&gt;
* Record improvisations using JI scales that have no music examples, and post those as examples on the relevant scale pages.&lt;br /&gt;
&lt;br /&gt;
==== Structural wiki improvements ====&lt;br /&gt;
* Fix the issues found in the [[User:BudjarnLambeth/Map of linear temperaments page health survey]]&lt;br /&gt;
* Improve scales sections of pages:{{EDOs|&lt;br /&gt;
** 21edo&lt;br /&gt;
** 26edo&lt;br /&gt;
** 32edo&lt;br /&gt;
** 33edo&lt;br /&gt;
** 34edo&lt;br /&gt;
** 37edo&lt;br /&gt;
** 39edo&lt;br /&gt;
** 40edo&lt;br /&gt;
** 46edo&lt;br /&gt;
** 53edo}}&lt;br /&gt;
* Add “[[:Category:Temperaments]]” to all temperament [[special:ListRedirects|redirects]]&lt;br /&gt;
&lt;br /&gt;
==== Construct diagrams or lists ====&lt;br /&gt;
* Add every temperament from the 3 Middle Path table pages and every temperament from [[Survey of efficient temperaments by subgroup]] to the tables on [[Map of linear temperaments]] and [[Map of rank-2 temperaments]]&lt;br /&gt;
* For every temperament on the page [[Survey of efficient temperaments by subgroup]], generate a [[Scala]] file of whichever of its MOS scales is closest to (2 x its [[graham complexity]]). List all the Scala files in a wiki page along the lines of “Scala files for efficient subgroup temperaments” or something like that and link it from the Survey page&lt;br /&gt;
* Make all the wanted tables listed in [[:Category:Todo:add rank 2 temperaments table]]&lt;br /&gt;
* Make manual, curated tables of [[interval]]s for:&amp;lt;small&amp;gt;&lt;br /&gt;
** [[8ed5/4]] to 9ed5/4&lt;br /&gt;
** [[4ed4/3]] to 8ed4/3&lt;br /&gt;
** [[4ed5/3]] to 6ed5/3&lt;br /&gt;
** [[11ed5/3]]&lt;br /&gt;
** [[5ed7/4]] to 12ed7/4&lt;br /&gt;
** [[5ed9/5]] to 7ed9/5&lt;br /&gt;
** [[11ed9/4]]&lt;br /&gt;
** [[5ed7/3]]&lt;br /&gt;
** [[8ed7/3]]&lt;br /&gt;
** [[5ed5/2]] to 6ed5/2&lt;br /&gt;
** [[8ed5/2]]&lt;br /&gt;
** [[12edt]]&lt;br /&gt;
** [[3ed4]] to 6ed4&lt;br /&gt;
** [[8ed4]] to 15ed4&lt;br /&gt;
** [[3ed5]] to 5ed5&lt;br /&gt;
** [[4ed6]]&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Improve pages I made ====&lt;br /&gt;
* On my page [[5- to 10-tone scales in 60edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
* On my page [[5- to 10-tone scales in 72edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
* On my page [[5- to 10-tone scales in 84edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
* On my page [[5- to 10-tone scales in 91edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
* On my page [[5- to 10-tone scales in 96edo]], change the scales to be in the more compact format that is used on edo pages instead of a ‘Scala-like’ format&lt;br /&gt;
&lt;br /&gt;
==== Explore, discover, document ====&lt;br /&gt;
* Find nice 5 to 7-tone subsets of [[Shaka10]], [[Starling12]], [[Thrush12]] and document them under a “subsets” heading on those scales’ pages&lt;br /&gt;
* Find more unique scales in [[Catnip]][36] in [[60edo]] that can’t be replicated in [[Compton]][36] and document them on [[5- to 10-tone scales in 60edo]]&lt;br /&gt;
* Find 4 to 7-tone subsets for every 9, 10, 11, 12, 13, 14, 15, 16, 17, 18 or 19-tone scale page&lt;br /&gt;
&lt;br /&gt;
==== Approximate x in y ====&lt;br /&gt;
* Approximate the following scales in modes 34 to 101 of the harmonic series and document the results in “[[5- to 10-tone scales from the modes of the harmonic series]]”:&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
Tobago6&lt;br /&gt;
101.53846&lt;br /&gt;
350.76923&lt;br /&gt;
600.&lt;br /&gt;
701.53846&lt;br /&gt;
950.76923&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Zeus1&lt;br /&gt;
157.57576&lt;br /&gt;
387.87879&lt;br /&gt;
545.45455&lt;br /&gt;
703.03030&lt;br /&gt;
1042.42424&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront5&lt;br /&gt;
227.82&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
972.18&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Ionian Pent.&lt;br /&gt;
455.64&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
1169.55&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Minor Harmonic Pent.&lt;br /&gt;
258.27&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
1169.55&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Mixolydian Pent.&lt;br /&gt;
455.64&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
972.18&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Adrift Pent.&lt;br /&gt;
197.37&lt;br /&gt;
258.27&lt;br /&gt;
683.46&lt;br /&gt;
713.91&lt;br /&gt;
1200.&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
* Approximate the following scales in modes 102 to 200 of the harmonic series and document the results in “[[5- to 10-tone scales from the modes of the harmonic series]]”:&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
5edo&lt;br /&gt;
1\5&lt;br /&gt;
2\5&lt;br /&gt;
3\5&lt;br /&gt;
4\5&lt;br /&gt;
5\5&lt;br /&gt;
&lt;br /&gt;
6edo&lt;br /&gt;
1\6&lt;br /&gt;
2\6&lt;br /&gt;
3\6&lt;br /&gt;
4\6&lt;br /&gt;
5\6&lt;br /&gt;
6\6&lt;br /&gt;
&lt;br /&gt;
7edo&lt;br /&gt;
1\7&lt;br /&gt;
2\7&lt;br /&gt;
3\7&lt;br /&gt;
4\7&lt;br /&gt;
5\7&lt;br /&gt;
6\7&lt;br /&gt;
&lt;br /&gt;
Slendric6&lt;br /&gt;
233.68421&lt;br /&gt;
467.36842&lt;br /&gt;
701.05263&lt;br /&gt;
934.73684&lt;br /&gt;
966.31579&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Tobago6&lt;br /&gt;
101.53846&lt;br /&gt;
350.76923&lt;br /&gt;
600.&lt;br /&gt;
701.53846&lt;br /&gt;
950.76923&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Zeus1&lt;br /&gt;
157.57576&lt;br /&gt;
387.87879&lt;br /&gt;
545.45455&lt;br /&gt;
703.03030&lt;br /&gt;
1042.42424&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront5&lt;br /&gt;
227.82&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
972.18&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Ionian Pent.&lt;br /&gt;
455.64&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
1169.55&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Minor Harmonic Pent.&lt;br /&gt;
258.27&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
1169.55&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Mixolydian Pent.&lt;br /&gt;
455.64&lt;br /&gt;
486.09&lt;br /&gt;
713.91&lt;br /&gt;
972.18&lt;br /&gt;
1200.&lt;br /&gt;
&lt;br /&gt;
Oceanfront Adrift Pent.&lt;br /&gt;
197.37&lt;br /&gt;
258.27&lt;br /&gt;
683.46&lt;br /&gt;
713.91&lt;br /&gt;
1200.&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
* Approximate the following scales in BOTH prime modes 75-100 of the harmonic series AND sqfr semiprm modes 75-100 and document the results in “[[5- to 10-tone scales from the modes of the harmonic series]]”:&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
Antipental Blues&lt;br /&gt;
7/6&lt;br /&gt;
4/3&lt;br /&gt;
11/8&lt;br /&gt;
3/2&lt;br /&gt;
7/4&lt;br /&gt;
2/1&lt;br /&gt;
&lt;br /&gt;
Evened Minor Hexatonic&lt;br /&gt;
187.500&lt;br /&gt;
312.500&lt;br /&gt;
500.000&lt;br /&gt;
700.000&lt;br /&gt;
987.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Evened Phrygian Dominant Hexatonic&lt;br /&gt;
112.500&lt;br /&gt;
387.500&lt;br /&gt;
500.000&lt;br /&gt;
712.500&lt;br /&gt;
987.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Flattened Blues Aeolian Pentatonic&lt;br /&gt;
287.500&lt;br /&gt;
487.500&lt;br /&gt;
687.500&lt;br /&gt;
787.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Flattened Blues Minor Maj7&lt;br /&gt;
287.500&lt;br /&gt;
500.000&lt;br /&gt;
600.000&lt;br /&gt;
700.000&lt;br /&gt;
1100.000&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Roughened Blues Dorian Pentatonic&lt;br /&gt;
300.000&lt;br /&gt;
700.000&lt;br /&gt;
912.500&lt;br /&gt;
987.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Blues Aeolian Pentatonic&lt;br /&gt;
312.500&lt;br /&gt;
712.500&lt;br /&gt;
800.000&lt;br /&gt;
1000.000&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Blues Dorian Hexatonic&lt;br /&gt;
312.500&lt;br /&gt;
512.500&lt;br /&gt;
712.500&lt;br /&gt;
900.000&lt;br /&gt;
1012.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Blues Harmonic Septatonic&lt;br /&gt;
312.500&lt;br /&gt;
512.500&lt;br /&gt;
612.500&lt;br /&gt;
712.500&lt;br /&gt;
812.500&lt;br /&gt;
1112.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Dorian Harmonic&lt;br /&gt;
212.500&lt;br /&gt;
312.500&lt;br /&gt;
612.500&lt;br /&gt;
712.500&lt;br /&gt;
912.500&lt;br /&gt;
1012.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Hirajoshi&lt;br /&gt;
200.000&lt;br /&gt;
312.500&lt;br /&gt;
700.000&lt;br /&gt;
812.500&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Kokin-Joshi&lt;br /&gt;
200.000&lt;br /&gt;
312.500&lt;br /&gt;
700.000&lt;br /&gt;
900.000&lt;br /&gt;
1200.000&lt;br /&gt;
&lt;br /&gt;
Sharpened Minor Pentatonic&lt;br /&gt;
312.500&lt;br /&gt;
500.000&lt;br /&gt;
700.000&lt;br /&gt;
1012.500&lt;br /&gt;
1200.000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Xenharmonify 12edo scales ====&lt;br /&gt;
Approximate [[12edo]] subsets with these tunings, test them by noodling, and list all good-sounding ones in a big page:&lt;br /&gt;
* [[August]] in EDOs: ................. {{EDOs|21, 33, 45, 58, 69}}&lt;br /&gt;
* [[Augene]] in EDOs: ................. {{EDOs|15, 27, 39, 66}}&lt;br /&gt;
* [[Bidia]] in EDOs: ................. {{EDOs|56, 68, 80}}&lt;br /&gt;
* [[Diaschismic]] in EDOs: ................. {{EDOs|46, 58, 104}}&lt;br /&gt;
* [[Dimcomp]] in EDOs: ................. {{EDOs|44, 48, 56, 60, 68, 72}}&lt;br /&gt;
* [[Diminished]] in EDOs: ................. {{EDOs|20, 28, 32, 44}}&lt;br /&gt;
* [[Grackle]] in EDOs: ................. {{EDOs|53, 65, 77, 89}}&lt;br /&gt;
* [[Helenus]]/[[Photia]] in EDOs: ................. {{EDOs|41, 53, 65, 118}}&lt;br /&gt;
* [[Hexe]] in EDOs: ................. {{EDOs|30, 42}}&lt;br /&gt;
* [[Injera]] in EDOs: ................. {{EDOs|14, 26, 38, 40, 90, 102}}&lt;br /&gt;
* [[Misty]] in EDOs: ................. {{EDOs|39, 51, 63, 75, 87, 99}}&lt;br /&gt;
* [[Nickel]] in EDOs: ................. {{EDOs|16, 21, 28}}&lt;br /&gt;
* [[Pajara]] in EDOs: ................. {{EDOs|22, 34, 56}}&lt;br /&gt;
* [[Pajarous]] in EDOs: ................. {{EDOs|22, 32, 54, 76, 120}}&lt;br /&gt;
* [[Passion]] in EDOs: ................. {{EDOs|25, 37, 49, 61, 73, 110}}&lt;br /&gt;
* [[Ripple]] in EDOs: ................. {{EDOs|71, 83, 95, 107, 119}}&lt;br /&gt;
* [[Semimeantone]] in EDOs: ................. {{EDOs|38, 50, 62}}&lt;br /&gt;
* [[Srutal]]/[[Srutal archagall]] in EDOs: ................. {{EDOs|22, 34, 46, 80, 114, 126}}&lt;br /&gt;
* [[Wronecki]] in EDOs: ................. {{EDOs|66, 78, 90, 102, 114, 126}}&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Random stuff I&#039;d like to share ==&lt;br /&gt;
&lt;br /&gt;
===Reference lists and technical resources===&lt;br /&gt;
&lt;br /&gt;
====List of equal divisions including novelties====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/List of equal divisions including novelties]]&lt;br /&gt;
&lt;br /&gt;
====Tunings for each subgroup====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Tunings for each subgroup]]&lt;br /&gt;
&lt;br /&gt;
====12edo interpreted as a 2.3.5.17.19 subgroup temperament====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/12edo as a 2.3.5.17.19 tuning]]&lt;br /&gt;
&lt;br /&gt;
====Stats and surveys about the wiki====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Survey of 100 random wiki pages]]&lt;br /&gt;
* [[User:BudjarnLambeth/Survey of todo categories]]&lt;br /&gt;
* [[User:BudjarnLambeth/Survey of named and unnamed commas]]&lt;br /&gt;
* [[Tuning regulars]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Scale recommendations===&lt;br /&gt;
&lt;br /&gt;
====Neji scales I found while tinkering in Scale Workshop====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Neji scales I found while tinkering in Scale Workshop]]&lt;br /&gt;
&lt;br /&gt;
====Approximations of gamelan scales in edos up to 60 (in my opinion)====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Edo approximations of gamelan scales]]&lt;br /&gt;
&lt;br /&gt;
====Some good tunings of Japanese scales (in my opinion)====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Some tunings for Japanese scales]]&lt;br /&gt;
&lt;br /&gt;
====My favourite hexanies using at least one odd greater than 15====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/My favourite hexanies using at least one odd greater than 15]]&lt;br /&gt;
&lt;br /&gt;
====Eagle JI subsets====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Eagle JI subsets]]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Community projects I started===&lt;br /&gt;
&lt;br /&gt;
====Gallery of xenharmonic word painting (you can contribute!)====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/Gallery of xenharmonic word painting]]&lt;br /&gt;
&lt;br /&gt;
====The 13 levels of xenharmony (you can contribute!)====&lt;br /&gt;
&lt;br /&gt;
* [[User:BudjarnLambeth/13 levels of xenharmony]]&lt;br /&gt;
&lt;br /&gt;
====WikiProject Just Intonation (you can contribute!) ====&lt;br /&gt;
&lt;br /&gt;
* [[Xenharmonic Wiki:WikiProject Just Intonation]]&lt;br /&gt;
&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===Personal===&lt;br /&gt;
&lt;br /&gt;
====Hot takes====&lt;br /&gt;
&#039;&#039;&#039;Everything in this section is opinion, not facts!&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Do not give any of it too much weight.&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Silliness:&#039;&#039;&#039; We should take ourselves less seriously: we should have more fun, we should be more silly 🎉&lt;br /&gt;
* &#039;&#039;&#039;Arbitrary numbers:&#039;&#039;&#039; It’s fine to explore the 2.3.5.101 [[subgroup]] if you want to. It doesn’t matter that it’s less [[concordant]] than 2.3.5.7. Explore it anyway and see what happens. Do some stuff with [[:Category:Novelties|arbitrary numbers]] that don’t make logical sense and just see what comes of it. That’s where the fun is! (Though do keep a “2.3” or “3.5” in there just to smooth over the gnarliest edges, heehee.)&lt;br /&gt;
* &#039;&#039;&#039;Importance of common names:&#039;&#039;&#039; I would prefer to use a temperament [[Temperament naming|named]] something fun like “waterslide” or “jinglebells” even if it has lots of error, over one named something dry and bland like “countertrihexakleismatic” even if it’s super [[damage|accurate]] and [[badness|technically better]] - a bland name can kill a temperament’s appeal, a fun name can create appeal out of nothing.&lt;br /&gt;
* &#039;&#039;&#039;My opinion on which intervals matter in a tuning system/the criteria for a good general-purpose tuning:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/The intervals I see as important]]&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;My opinion on zeta peak indexes:&#039;&#039;&#039; My view on to what degree [[zeta peak index]]es are useful or not.&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/My opinion on zeta peak indexes]]&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Misrepresentation of traditions:&#039;&#039;&#039; A cheeky little opinion piece I wrote criticising the negative and celebrating the positive ways Western tuning theory has borrowed from the world’s traditions:&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/Cultural appropriation-o-meter]]&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Comma naming debate brainstorm:&#039;&#039;&#039; A futile attempt I made to try to begin resolving one of the big behind the scenes debates among wiki editors:&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/Brainstorming mostly bad ideas to solve the comma naming debate]]&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Rating my wiki contributions&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
::: [[User:BudjarnLambeth/Rating my wiki contributions]]&lt;br /&gt;
&lt;br /&gt;
====What I look for in a good xenharmonic piece====&lt;br /&gt;
&lt;br /&gt;
The tuning sounds consonant, all the combinations of intervals you used sound within the same range of consonant-ness as all the combinations available in 12edo. There are more dissonant and less dissonant sections, but none that sound more dissonant than the maximum limit of dissonance I&#039;m willing to tolerate (ie, the maximum amount of dissonance achievable with 12edo). All that is a long winded way of saying nothing sounds &amp;quot;out of tune&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
The timbre also sounds good. Despite being midi instruments, the samples used and whatever effects were applied to them (reverb, volume levels, etc.) all come together well into something that is more than the sum of its parts. The timbre works well with the tuning to create a kind of pleasant, warm glow.&lt;br /&gt;
&lt;br /&gt;
The piece has enough dynamic range, sense of harmonic movement, and interaction between melody lines to hold my interest, to not sound bland, but instead sound captivating.&lt;br /&gt;
&lt;br /&gt;
==== A commentary on my experiences of using different tunings ====&lt;br /&gt;
The scales I&#039;ve made my best music with are:&lt;br /&gt;
* 13edo (6-tone subset)&lt;br /&gt;
* 14edo (7-tone subset)&lt;br /&gt;
* Deutone[19] (5-tone subset for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* 21edo (pelog-like 5-tone subset for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* 22edo (Superpyth[6] - I know it&#039;s not a MOS - for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* Lucite[23] aka well tempered 23edo (pelog-like 5-tone subset for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* 27edo (this JI scale approximated into 27edo: 7/6, 4/3, 3/2, 9/5, 2/1, 13/6, 7/3, 8/3, 3/1, 17/5, 19/5, 4/1 (period))&lt;br /&gt;
* 33edo (Flattertone[7] for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
* 43edo (Han-Kumoi scale, a subset of Meantone[7], for melody, Meantone[19] for embellishment)&lt;br /&gt;
* 72edo (7-tone quasi-blues scales for melody, approximated harmonic series segments for embellishment)&lt;br /&gt;
&lt;br /&gt;
Whether or not this was a fluke or there was something special about these scales, I&#039;m not sure. Most of the music I make is for the XA Monthly Tunings group (because it motivates me to create for whatever reason), so most tunings I&#039;ve tried so far, I&#039;ve only spent a single month with. So when something turns out good, it&#039;s hard to tell if it&#039;s because the tuning has some characteristic that works for me, or if it&#039;s because I just had a good month.&lt;br /&gt;
&lt;br /&gt;
But whatever the reason, it just so happens that those tracks I made that did turn out good, used these tunings.&lt;br /&gt;
&lt;br /&gt;
So I guess in general for me, I like using 5- to 7-tone subsets of larger 10- to 45-tone tunings, roughly.&lt;br /&gt;
&lt;br /&gt;
====Fun: Ratios as planets====&lt;br /&gt;
&lt;br /&gt;
The ratios of the octave as celestial bodies of the solar system:&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;[[2/1]], the sun&#039;&#039;&#039;, defining the overall structure of the entire octave.&lt;br /&gt;
* &#039;&#039;&#039;[[3/2]], Jupiter&#039;&#039;&#039;, the biggest pull aside from the sun itself. Marks out a rough middle of the solar system.&lt;br /&gt;
* &#039;&#039;&#039;[[4/3]], Saturn&#039;&#039;&#039;, a kind of echo of Jupiter. Vast and mighty in its own right, similar to Jupiter, but colder and subtler.&lt;br /&gt;
* &#039;&#039;&#039;[[5/3]], Uranus&#039;&#039;&#039;, has a strong enough pull to be one of the big guys, but markedly smaller than Jupiter and Saturn. Has a gentle appearance.&lt;br /&gt;
* &#039;&#039;&#039;[[5/4]], Neptune&#039;&#039;&#039;, the last of the giant planets, with their huge gravitational pull. Has an energetic, lively surface with the fastest winds in the solar system. Defines the boundary of the Kuiper Belt (like the boundary of major and minor tonality).&lt;br /&gt;
* &#039;&#039;&#039;[[6/5]], Earth&#039;&#039;&#039;, a small planet that punches above its weight. It manages to hold an unreasonably large moon, given the small gravitational influence it has. It even developed life and sent probes to explore the other planets. It has far more influence than it seems like it should.&lt;br /&gt;
* &#039;&#039;&#039;[[7/4]], Venus&#039;&#039;&#039;, a kind of parallel version of Earth. Its diameter and gravitational pull are almost identical to Earth, but its character is completely different. Home to a completely different temperature, chemical composition and volcanic system.&lt;br /&gt;
* &#039;&#039;&#039;[[7/5]], Mars&#039;&#039;&#039;, appears barren and frozen upon first glance, but looking closer reveals a rich and storied history, and potential wonders and microcosms hidden in its underground caves.&lt;br /&gt;
* &#039;&#039;&#039;[[8/5]], Mercury&#039;&#039;&#039;. Caught in a region of the solar system so wild that much of its mass has been stripped away by the solar wind while it was still forming. Still, it holds firm, a foothold in difficult territory.&lt;br /&gt;
* &#039;&#039;&#039;[[7/6]], the moon&#039;&#039;&#039;. Caught in Earth’s orbit, it’s difficult to view separately from the Earth’s influence. If the Earth wasn’t there, it’d be a whole planet in its own right.&lt;br /&gt;
* &#039;&#039;&#039;[[9/5]], Ceres&#039;&#039;&#039;. It doesn’t pull much weight on its own, but in the context of the wider solar system, it demarcates an important in-between point for the other planets. If you want to travel between the different planets, Ceres makes the journey much more pleasant.&lt;br /&gt;
* &#039;&#039;&#039;[[11/8]], Pluto&#039;&#039;&#039;, often dismissed outright due to having such a tiny gravitational pull. But it is a whole other type of ‘planet’, the first of a whole new family. When approached on its own terms, it opens up a larger, more diverse solar system than we ever knew existed.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt; &amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Useful links for my own convenience ==&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;big&amp;gt;[[User:BudjarnLambeth/Sandbox]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[User:BudjarnLambeth/Sandbox2]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[Gallery of just intervals]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[Harmonic entropy of just intervals]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[User:Userminusone/Constructing a comma list using the Averiant]]&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
[[User:Ganaram inukshuk/Catalog of MOS Scales]]&lt;br /&gt;
&amp;lt;/big&amp;gt;&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Maeve_Gutierrez&amp;diff=229668</id>
		<title>Maeve Gutierrez</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Maeve_Gutierrez&amp;diff=229668"/>
		<updated>2026-05-05T04:39:13Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Invented scales and chords (unnamed) */ add 1&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Maeve Gutierrez&#039;&#039;&#039; is a producer of [[microtonal]] hyperpop, ambient and other experimental electronic music. In her music, she has explored [[27edo]], [[31edo]], [[36edo]] and various [[just intonation]] scales among other tunings. She is also a music theorist who extensively uses [[Scale Workshop]].&lt;br /&gt;
&lt;br /&gt;
== Discography and socials ==&lt;br /&gt;
* [https://www.instagram.com/m43v3.wav/ Maeve Gutierrez on Instagram]&lt;br /&gt;
* [https://music.apple.com/sa/artist/maeve-gutierrez/1754562060 Maeve Gutierrez on Apple Music]&lt;br /&gt;
* [https://open.spotify.com/artist/2Db6qdVgx5XP4BHsFndAtA Maeve Gutierrez on Spotify]&lt;br /&gt;
&lt;br /&gt;
== Invented scales and chords (named) ==&lt;br /&gt;
&#039;&#039;&#039;septimal subphrygian d4 d5&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;subminor-coloured scales often use subminor 3rds, 6ths, and 7ths. i realized through experimentation that flattening the 2nds, 4ths, and 5ths by a similar amount that the minor 3rd, 6th, and 7th are flattened creates really pretty scales!! i have made a few submajor, subminor, and subdorian scales using this method, but this septimal scale is my favourite so far:&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[21/20]] subminor 2nd (84.467 cents)&amp;lt;/small&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[7/6]] subminor 2nd (266.871 cents)&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[21/16]] sub 4th (470.781 cents)&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[28/19]] sub 5th/🐺(671.313 cents)&amp;lt;/small&amp;gt; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[14/9]] subminor 6th (764.916 cents)&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[7/4]] subminor/harmonic 7th (968.826)&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;[[2/1]] octave (1200c)&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Lavender hexatonic scale&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;small&amp;gt;i designed this scale to have a soft, dreamlike sound! it is very xenharmonic, but not very dissonant. it is used in my song &amp;quot;lavender&amp;quot;.&amp;lt;/small&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[12/11]] neutral 2nd (150.637 cents)&lt;br /&gt;
&lt;br /&gt;
[[7/6]] subminor 3rd (266.871 cents)&lt;br /&gt;
&lt;br /&gt;
[[21/16]] sub4th (470.781 cents)&lt;br /&gt;
&lt;br /&gt;
[[105/64]] neutral 6th (857.09 cents)&lt;br /&gt;
&lt;br /&gt;
[[44/25]] subminor 7th (978.691 cents)&lt;br /&gt;
&lt;br /&gt;
[[2/1]] octave/unison&lt;br /&gt;
&lt;br /&gt;
=== 6ed7/3&#039;&#039;+&#039;&#039;7edo scale ===&lt;br /&gt;
{{main|6ed7/3#6ed7/3+7edo scale}}&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez Moonglade scale ===&lt;br /&gt;
In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the 24-tone scale she used in her pieces &#039;moonglade&#039; and &amp;quot;la helada&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
This was the post:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;i would like to share a custom scale i made (&amp;amp; used in my song &amp;quot;moonglade&amp;quot; which is on all distrokid-supported streaming platforms, in the ep &amp;quot;luna&amp;quot; by maeve gutierrez (me)). i focused mainly on shimmery intervals/textures like [[wolf interval|wolf tones]] and [[comma]]s, but also included some pure/[[JI]] consonances &amp;amp; there is also plenty of dissonance/tension available&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;alot of the intervals also exist &#039;&#039;between&#039;&#039; intervals: flat whole tone is a -14 comma lower than the whole tone, the harmonic major chord triad (+0,+386,+969) has a natural +583 tritone between the 3rd and 7th, etc!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;obviously if anyone wants 2 use it u can!! i dont own the intervals!!! its a fun scale to play with for harmony/thick chords&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;(moonglade is a very old word that means the moonlight shining on oceans, lakes etc)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==== Intervals ====&lt;br /&gt;
This is the scale in [[cent]]s: &lt;br /&gt;
* 14.&lt;br /&gt;
* 88.&lt;br /&gt;
* 187.&lt;br /&gt;
* 201.&lt;br /&gt;
* 289.&lt;br /&gt;
* 311.&lt;br /&gt;
* 386.&lt;br /&gt;
* 498.&lt;br /&gt;
* 520.&lt;br /&gt;
* 583.&lt;br /&gt;
* 680.&lt;br /&gt;
* 702.&lt;br /&gt;
* 716.&lt;br /&gt;
* 787.&lt;br /&gt;
* 867.&lt;br /&gt;
* 884.&lt;br /&gt;
* 969.&lt;br /&gt;
* 991.&lt;br /&gt;
* 1013.&lt;br /&gt;
* 1066.&lt;br /&gt;
* 1076.&lt;br /&gt;
* 1102.&lt;br /&gt;
* 1178.&lt;br /&gt;
* 1200.&lt;br /&gt;
&lt;br /&gt;
==== Theory ====&lt;br /&gt;
Edos that approximate the Moonglade scale especially well for their size include:&lt;br /&gt;
* {{EDOs|64, 72, 78, 80, 84, 90, 107, 120, 144, 162, 186, 258, 270...}}&lt;br /&gt;
&lt;br /&gt;
[[Detempering]] in [[23-limit]] just intonation:&lt;br /&gt;
* 121/120 — 20/19 — 10/9 — 9/8 — 13/11 — 6/5 — 5/4 — 4/3 — 23/17 — 7/5 — 40/27 — 3/2 — 50/33 — 11/7 — 33/20 — 5/3 — 7/4 — 23/13 — 9/5 — 224/121 — 13/7 — 17/9 — 65/33 — 2/1&lt;br /&gt;
* (identical to original scale within 5{{c}})&lt;br /&gt;
&lt;br /&gt;
When tempered to [[72edo]], the step pattern for the Moonglade scale is:&lt;br /&gt;
* 1 4 6 1 5 2 4 7 1 4 6 1 1 4 5 1 5 1 2 3 1 1 5 1&lt;br /&gt;
* (identical to original scale within 8{{c}})&lt;br /&gt;
&lt;br /&gt;
When tempered to [[270edo]], the step pattern for the Moonglade scale is:&lt;br /&gt;
* 3 17 22 3 20 5 17 25 5 14 22 5 3 16 18 4 19 5 5 12 2 6 17 5&lt;br /&gt;
* (identical to original scale within 1{{c}})&lt;br /&gt;
[[Category:24-tone scales]]&lt;br /&gt;
[[Category:Tempered scales]]&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez sunbreak scale ===&lt;br /&gt;
This is a JI chord which can also be used as a [[pentatonic]] scale. Gutierrez first described it on the [[Xenharmonic Alliance]] Discord server in October 2025, where she described it as a &amp;quot;very bright minor, like the sun coming out after a storm&amp;quot;. Its intervals are:&lt;br /&gt;
* 20/17&lt;br /&gt;
* 25/17&lt;br /&gt;
* 11/7&lt;br /&gt;
* 16/9&lt;br /&gt;
* 2/1&lt;br /&gt;
It is a [[17-limit]] scale.&lt;br /&gt;
&lt;br /&gt;
Budjarn Lambeth then noted that, if used as a scale, it works very well with many of the aperiodic timbres in [[Scale Workshop]] (jegogan, jublag, ugal, gender, bronze, steel, silver and platinum). He described it as sounding like &amp;quot;a coral reef full of sea shells and whimsical little sea creatures&amp;quot; and provided this [https://scaleworkshop.plainsound.org/scale/PJt1wZJDl Scale Workshop preset] for it.&lt;br /&gt;
&lt;br /&gt;
According to Lambeth, sunbreak also sounds good tuned to [[34edo]] or [[95edo]] when using these kinds of timbres.&lt;br /&gt;
[[Category:5-tone scales]]&lt;br /&gt;
[[Category:Just intonation scales]]&lt;br /&gt;
&lt;br /&gt;
==== &#039;&#039;Lambeth&#039;s variants&#039;&#039; ====&lt;br /&gt;
{{Idiosyncratic terms}}&lt;br /&gt;
Later in October 2025, [[Budjarn Lambeth]] created these variants of the sunbreak scale.&lt;br /&gt;
&lt;br /&gt;
; Negative harmony sunbreak&lt;br /&gt;
* (5-tone)&lt;br /&gt;
* 9/8 — 14/11 — 34/25 — 17/10 — 2/1&lt;br /&gt;
&lt;br /&gt;
; Mirrored sunbreak&lt;br /&gt;
Negative harmony sunbreak + original sunbreak.&lt;br /&gt;
* (9-tone)&lt;br /&gt;
* 9/8 — 20/17 — 14/11 — 34/25 — 25/17 — 11/7 — 17/10 — 16/9 — 2/1&lt;br /&gt;
&lt;br /&gt;
; Chromaticized sunbreak&lt;br /&gt;
Mirrored sunbreak + 3 intervals found between the intervals of original sunbreak.&lt;br /&gt;
* (12-tone)&lt;br /&gt;
* 187/175 - 9/8 — 20/17 — 14/11 — 34/25 — 25/17 — 280/187 - 11/7 — 17/10 — 16/9 — 350/187 - 2/1&lt;br /&gt;
&lt;br /&gt;
; Fractalized sunbreak&lt;br /&gt;
Every [[mode]] (rotation) of original sunbreak, overlayed onto one scale.&lt;br /&gt;
* (21-tone)&lt;br /&gt;
* 187/175 — 9/8 — 112/99 — 20/17 — 272/225 — 5/4 — 14/11 — 45/34 — 187/140 — 34/25 — 25/17 — 280/187 — 68/45 — 11/7 — 8/5 — 225/136 — 17/10 — 99/56 — 16/9 — 350/187 — 2/1&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez wisp scale ===&lt;br /&gt;
This 8-tone scale was described by Gutierrez in October 2025, on the [[Xenharmonic Alliance]] Discord server. In [[cents]], its intervals are:&lt;br /&gt;
* 266.87&lt;br /&gt;
* 484.92&lt;br /&gt;
* 669.28&lt;br /&gt;
* 936.15&lt;br /&gt;
* 1154.20&lt;br /&gt;
* 1338.56&lt;br /&gt;
* 1466.87&lt;br /&gt;
* 1698.05&lt;br /&gt;
&lt;br /&gt;
Gutierrez recommends using the wisp scale with custom [[timbre]]s, where some instruments have a &#039;stretched harmonic series&#039; of partials stretched such that 2/1 becomes 7/3, and other instruments with partials stretched such that 2/1 becomes 8/3. This is an example of xentimbre.&lt;br /&gt;
&lt;br /&gt;
==== Construction ====&lt;br /&gt;
&lt;br /&gt;
If you start with the [[JI]] chord:&lt;br /&gt;
* 1/1 — 5/4 — 3/2 — 7/4&lt;br /&gt;
Then compress it logarithmically such that 5/4 becomes 7/6, you get the [[delta-rational]] chord:&lt;br /&gt;
* 0¢ — 266.9¢ — 484.9¢ — 669.3¢&lt;br /&gt;
&lt;br /&gt;
If you stack a second copy of the same chord on top of itself you get the scale:&lt;br /&gt;
* 266.87&lt;br /&gt;
* 484.92&lt;br /&gt;
* 669.28&lt;br /&gt;
* 936.15&lt;br /&gt;
* 1154.20&lt;br /&gt;
* 1338.56&lt;br /&gt;
&lt;br /&gt;
Then you can add a 7/3 and 8/3 to the end and you get Gutierrez&#039;s scale.&lt;br /&gt;
&lt;br /&gt;
==== Theory ====&lt;br /&gt;
The wisp scale closely approximates the JI chord&lt;br /&gt;
* 42:49:56:62:72:82:91:98:112&lt;br /&gt;
Which occurs above the tonic in [[42afdo]], the second octave of the over-7-and-3 semiprime mode in [[primodality]] theory - it also occurs (somewhere in the scale) in all [[afdo]]s above 42.&lt;br /&gt;
&lt;br /&gt;
JI intervals approximated by the wisp scale:&lt;br /&gt;
* 266.87 (7/6)&lt;br /&gt;
* 484.92 (4/3)&lt;br /&gt;
* 669.28&lt;br /&gt;
* 936.15 (12/7)&lt;br /&gt;
* 1154.20&lt;br /&gt;
* 1338.56 (13/6)&lt;br /&gt;
* 1466.87 (7/3)&lt;br /&gt;
* 1698.05 (8/3)&lt;br /&gt;
&lt;br /&gt;
EDOs that approximate the wisp scale better than any smaller EDO include:&lt;br /&gt;
{{EDOs|27, 45, 49, 50, 72, 77, 104, 181...}}&lt;br /&gt;
&lt;br /&gt;
As absolute steps of 27edo it is:&lt;br /&gt;
* 6\27, 11\27, 15\27, 21\27, 26\27, 30\27, 33\27, 38\27&lt;br /&gt;
38\27 being a [[period]] after which the scale repeats.&lt;br /&gt;
[[Category:8-tone scales]]&lt;br /&gt;
[[Category:Tempered scales]]&lt;br /&gt;
[[Category:Nonoctave]]&lt;br /&gt;
&lt;br /&gt;
==== Gutierrez doubled wisp scale ====&lt;br /&gt;
In December 2025, Gutierrez made this variant of the wisp scale by duplicating the chord made from the first 4 notes of the wisp scale, offset by 30 cents, until it fills the octave. She described it as &#039;adding shimmers and some more familiar intervals&#039; and having a &amp;quot;very mysterious sound&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;30.000&lt;br /&gt;
266.871&lt;br /&gt;
296.871&lt;br /&gt;
484.920&lt;br /&gt;
514.920&lt;br /&gt;
669.278&lt;br /&gt;
699.278&lt;br /&gt;
936.149&lt;br /&gt;
966.149&lt;br /&gt;
1200.000&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== Will-o-wisps&#039; scale ====&lt;br /&gt;
A variant of the wisp scale created by [[Budjarn Lambeth]]. It repeats at the double octave ([[4/1]]).&lt;br /&gt;
&lt;br /&gt;
It is a [[JI]] scale as follows:&lt;br /&gt;
*7/6, 4/3, 3/2, 9/5, 2/1, 13/6, 7/3, 8/3, 3/1, 17/5, 19/5, 4/1&lt;br /&gt;
This is a no-11s [[19-limit]] scale.&lt;br /&gt;
&lt;br /&gt;
It can be approximated into [[27edo]]. As absolute steps of 27edo it is:&lt;br /&gt;
* 6\27, 11\27, 16\27, 23\27, 27\27, 30\27, 33\27, 38\27, 43\27, 48\27, 52\27, 54\27&lt;br /&gt;
54\27 being a [[period]] after which the scale repeats.&lt;br /&gt;
&lt;br /&gt;
; Music&lt;br /&gt;
[https://www.youtube.com/watch?v=JrpcIkElKQc &#039;&#039;Will-O-Wisps&#039;&#039;] - Budjarn Lambeth (2025)&lt;br /&gt;
&lt;br /&gt;
== Invented scales and chords (unnamed) ==&lt;br /&gt;
{{Idiosyncratic terms|Names of scales made up by [[Budjarn Lambeth]] for the purpose of documentation; if Gutierrez names the scales at some point, Gutierrez&#039;s names should be used instead.}}&lt;br /&gt;
&lt;br /&gt;
=== Generator sequence 7/6, 9/8, 8/7 (4/1 period, 10-tone) ===&lt;br /&gt;
Gutierrez described this scale in December 2025: &amp;quot;the 2 octaves have similar notes (with the semiflat 4 or 11 existing in both) so it can be fun to play the same melody in both octaves for a shimmery sound which works well with bell-like timbres, but the second octave also allows chord extentions like subminor maj9 or susd4maj13&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
7/6         267c     sin3&lt;br /&gt;
21/16     471c     semiflat4&lt;br /&gt;
3/2         702c     perfect 5&lt;br /&gt;
7/4         969c     harm7&lt;br /&gt;
63/32    1173c   suboctave&lt;br /&gt;
9/4         1404c   maj9              &lt;br /&gt;
21/8       1671c   semiflat 11   &lt;br /&gt;
189/64  1875c   🐺 tritave      &lt;br /&gt;
27/8       2106c   maj13    &lt;br /&gt;
4/1         2400c   octave&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Generator sequence 11/6, 13/8 (2/1 period, 10-tone) ===&lt;br /&gt;
&#039;&#039;(Described December 2025.)&#039;&#039;&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
224939/221184&lt;br /&gt;
20449/18432&lt;br /&gt;
4599777611/4076863488&lt;br /&gt;
418161601/339738624&lt;br /&gt;
1573/1152&lt;br /&gt;
143/96&lt;br /&gt;
32166277/21233664&lt;br /&gt;
2924207/1769472&lt;br /&gt;
11/6&lt;br /&gt;
2/1&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Generator sequence 200, 171.429 (2/1 period) with pure 7/4 added ===&lt;br /&gt;
Gutierrez described this scale in April 2026:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
200.000&lt;br /&gt;
371.429&lt;br /&gt;
571.429&lt;br /&gt;
742.858&lt;br /&gt;
942.858&lt;br /&gt;
968.892&lt;br /&gt;
1114.287&lt;br /&gt;
1200.000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[https://scaleworkshop.plainsound.org/scale/d4y1I100G (Scale Workshop url)]&lt;br /&gt;
&lt;br /&gt;
Budjarn Lambeth tested this scale in all [[afdo]]s and [[edo]]s up to 100, and he believes it sounds best in: [[25afdo]], [[72afdo]], [[84afdo]], [[52edo]], [[67edo]] and [[84edo]].&lt;br /&gt;
&lt;br /&gt;
==== Gutierrez-Lambeth otonal neutral hexatonic ====&lt;br /&gt;
[[Budjarn Lambeth]] made a variant of Maeve&#039;s scale by taking a 6-tone subset and then moving individual intervals around by a [[chroma]] until he could &#039;play the melody he was hearing in his head&#039;:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
371.429&lt;br /&gt;
571.429&lt;br /&gt;
685.718&lt;br /&gt;
857.148&lt;br /&gt;
968.892&lt;br /&gt;
1200.000&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Because the underlying period-generator structure of this scale is near-identical to the original, just chroma shifted, it is also a good fit for: [[25afdo]], [[72afdo]], [[84afdo]], [[52edo]], [[67edo]] and [[84edo]]. Here is how it&#039;s tuned in those tunings:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;31/25&lt;br /&gt;
35/25&lt;br /&gt;
37/25&lt;br /&gt;
41/25&lt;br /&gt;
44/25&lt;br /&gt;
50/25&lt;br /&gt;
&lt;br /&gt;
89/72&lt;br /&gt;
100/72&lt;br /&gt;
107/72&lt;br /&gt;
118/72&lt;br /&gt;
126/72&lt;br /&gt;
144/72&lt;br /&gt;
&lt;br /&gt;
104/84&lt;br /&gt;
117/84&lt;br /&gt;
125/84&lt;br /&gt;
138/84&lt;br /&gt;
147/84&lt;br /&gt;
168/84&lt;br /&gt;
&lt;br /&gt;
16\52&lt;br /&gt;
25\52&lt;br /&gt;
30\52&lt;br /&gt;
37\52&lt;br /&gt;
42\52&lt;br /&gt;
52\52&lt;br /&gt;
&lt;br /&gt;
21\67&lt;br /&gt;
32\67&lt;br /&gt;
38\67&lt;br /&gt;
48\67&lt;br /&gt;
54\67&lt;br /&gt;
67\67&lt;br /&gt;
&lt;br /&gt;
26\84&lt;br /&gt;
40\84&lt;br /&gt;
48\84&lt;br /&gt;
60\84&lt;br /&gt;
68\84&lt;br /&gt;
84\84&lt;br /&gt;
&lt;br /&gt;
27\88&lt;br /&gt;
42\88&lt;br /&gt;
50\88&lt;br /&gt;
63\88&lt;br /&gt;
71\88&lt;br /&gt;
88\88&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez 7/6s-and-4/3s scale ===&lt;br /&gt;
In a public post on the [[Xenharmonic Alliance]] Discord server, in October 2025, Gutierrez described the 8-tone JI scale:&lt;br /&gt;
* 28/27 — 7/6 — 4/3 — 112/81 — 14/9 — 392/243 — 16/9 — 2/1&lt;br /&gt;
It is a [[7-limit]] scale.&lt;br /&gt;
&lt;br /&gt;
She recommended tempering it to [[36edo]], where it has step pattern:&lt;br /&gt;
* 2 6 7 2 6 2 5 6&lt;br /&gt;
&lt;br /&gt;
It contains within it a 2-tone, [[4/3]]-[[period|repeating]] scale which Gutierrez recommends using as either a JI chord or as a scale in its own right.:&lt;br /&gt;
* 7/6 — 4/3&lt;br /&gt;
&lt;br /&gt;
EDOs that approximate the 7/6s-and-4/3s scale well for their size include:&lt;br /&gt;
* {{EDOs|36, 41, 58, 72, 77, 94, 99, 113, 135...}}&lt;br /&gt;
&lt;br /&gt;
EDOs that approximate it better than any smaller EDO include:&lt;br /&gt;
* {{EDOs|36, 58, 77, 94, 135...}}&lt;br /&gt;
&lt;br /&gt;
It is closely approximated in [[54afdo|54]][[afdo]], by the JI chord:&lt;br /&gt;
* 54:56:63:72:75:84:87:96:108&lt;br /&gt;
[[Category:8-tone scales]]&lt;br /&gt;
[[Category:Just intonation scales]]&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez 11/1-period heptachord ===&lt;br /&gt;
In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the following [[nonoctave]], 7-tone [[just intonation]] chord:&lt;br /&gt;
* 11/9 — 19/7 — 3/1 — 19/4 — 7/1 — 9/1 — 11/1&lt;br /&gt;
It is a [[19-limit]] chord.&lt;br /&gt;
&lt;br /&gt;
[[Budjarn Lambeth]] was inspired by this chord to create the [[moon dust]] scale, in which Gutierrez&#039;s chord and subsets thereof is the most foundational consonance.&lt;br /&gt;
&lt;br /&gt;
[[EDO]]s that approximate the chord well for their size include:&lt;br /&gt;
* {{EDOs|31, 41, 48, 72, 89, 104...}}&lt;br /&gt;
&lt;br /&gt;
[[EDT]]s that approximate the chord better than any smaller EDT include:&lt;br /&gt;
* {{EDTs|22, 34, 43, 65, 88, 110...}}&lt;br /&gt;
[[65edt]] also includes the [[Bohlen-Pierce scale]] allowing this chord to be used above any degree of that scale.&lt;br /&gt;
&lt;br /&gt;
The chord is closely approximated in [[63afdo|63]][[afdo]], as the JI chord:&lt;br /&gt;
* 63:77:171:189:299:441:567:693&lt;br /&gt;
[[Category:7-tone scales]]&lt;br /&gt;
[[Category:Just intonation scales]]&lt;br /&gt;
[[Category:Nonoctave]]&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez Dec 2025 6-tone 12afdo subset ===&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
13/12&lt;br /&gt;
7/6&lt;br /&gt;
4/3&lt;br /&gt;
3/2&lt;br /&gt;
10/6&lt;br /&gt;
7/4&lt;br /&gt;
2/1&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez double primodal scales ===&lt;br /&gt;
These are to [[primodal]] scales what [[bihexany]]s are to [[hexany]]s (two copies of the scale offset by some [[just]] interval).&lt;br /&gt;
&lt;br /&gt;
==== 17 Feb 2026 ====&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
a fun subminor double primodal scale (6th mode of harmonics 7-14, scale duplicated at 78/77 comma around 22 cents)&lt;br /&gt;
&lt;br /&gt;
fraction       ~cents       name               &lt;br /&gt;
&lt;br /&gt;
1/1(2/1)       0 (1200)   unison/octave&lt;br /&gt;
78/77           22              comma          &lt;br /&gt;
&lt;br /&gt;
13/12           139            small neu2&lt;br /&gt;
169/154      161             big neu2&lt;br /&gt;
&lt;br /&gt;
7/6                267            sin7&lt;br /&gt;
13/11           289            min3&lt;br /&gt;
&lt;br /&gt;
4/3                498            perf4&lt;br /&gt;
104/77         520            super4&lt;br /&gt;
&lt;br /&gt;
3/2                702            perf5&lt;br /&gt;
117/77         724            semiaug 5&lt;br /&gt;
&lt;br /&gt;
5/3                884            small maj6&lt;br /&gt;
130/77         907             big maj6&lt;br /&gt;
&lt;br /&gt;
11/6             1049           neu7&lt;br /&gt;
13/7             1072           submaj7&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==== 19 Feb 2026 ====&lt;br /&gt;
&amp;lt;pre&amp;gt;&lt;br /&gt;
a fun subminor double primodal scale (6th mode of harmonics 7-14, scale duplicated at 78/77 comma around 22 cents)&lt;br /&gt;
&lt;br /&gt;
fraction       ~cents       name               &lt;br /&gt;
&lt;br /&gt;
1/1(2/1)       0 (1200)   unison/octave&lt;br /&gt;
78/77           22              comma          &lt;br /&gt;
&lt;br /&gt;
13/12           139            small neu2&lt;br /&gt;
169/154      161             big neu2&lt;br /&gt;
&lt;br /&gt;
7/6                267            sin7&lt;br /&gt;
13/11           289            min3&lt;br /&gt;
&lt;br /&gt;
4/3                498            perf4&lt;br /&gt;
104/77         520            super4&lt;br /&gt;
&lt;br /&gt;
3/2                702            perf5&lt;br /&gt;
117/77         724            semiaug 5&lt;br /&gt;
&lt;br /&gt;
5/3                884            small maj6&lt;br /&gt;
130/77         907             big maj6&lt;br /&gt;
&lt;br /&gt;
11/6             1049           neu7&lt;br /&gt;
13/7             1072           submaj7&lt;br /&gt;
&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez-Lambeth quasi-subharmonic pentatonic ===&lt;br /&gt;
In a public post on the [[Xenharmonic Alliance]] Discord server, in September 2025, Gutierrez described the 4-tone JI chord 7/6 - 40/27 - 11/5 - 7/2.&lt;br /&gt;
&lt;br /&gt;
In a reply, [[Budjarn Lambeth]] noted that the shape of the step pattern looked like the [[subharmonic series]], and adding a 6/1 would preserve this shape.&lt;br /&gt;
&lt;br /&gt;
Gutierrez thought the 6/1 was a good addition and resolved to use this scale/chord in a future piece.&lt;br /&gt;
&lt;br /&gt;
Its intervals are:&lt;br /&gt;
* 7/6&lt;br /&gt;
* 40/27&lt;br /&gt;
* 11/5&lt;br /&gt;
* 7/2&lt;br /&gt;
* 6/1&lt;br /&gt;
&lt;br /&gt;
It is an [[11-limit]] scale.&lt;br /&gt;
&lt;br /&gt;
[[Ed6]]s with especially good approximations of this scale for their size are: &lt;br /&gt;
* {{EDs|equave=6|23, 36, 46, 59, 69, 70, 72, 73, 79, 82, 96, 104, 113, 114, 127, 137, 150...}}&lt;br /&gt;
&lt;br /&gt;
[[Edo]]s with especially good approximations of this scale for their size are: &lt;br /&gt;
* {{EDOs|37, 58, 67, 72, 94, 108, 109, 118, 125, 166, 176, 212, 224, 270...}}&lt;br /&gt;
&lt;br /&gt;
It is closely approximated in [[60afdo]], by the JI chord:&lt;br /&gt;
* 60:70:89:132:210:360&lt;br /&gt;
[[Category:5-tone scales]]&lt;br /&gt;
[[Category:Just intonation scales]]&lt;br /&gt;
[[Category:Nonoctave]]&lt;br /&gt;
&lt;br /&gt;
==== &#039;&#039;Octave-reduced variant&#039;&#039; ====&lt;br /&gt;
This works well in the same edos the regular scale does. You can choose to keep or leave the 3/2 (reduced 6/1):&lt;br /&gt;
* 11/10&lt;br /&gt;
* 7/6&lt;br /&gt;
* 40/27&lt;br /&gt;
* 3/2 (optional)&lt;br /&gt;
* 7/4&lt;br /&gt;
* 2/1&lt;br /&gt;
&lt;br /&gt;
When tempered to [[37edo]], the step pattern for the reduced scale is:&lt;br /&gt;
* 5 3 13 9 7&lt;br /&gt;
* (identical to original scale within 7.5{{c}})&lt;br /&gt;
&lt;br /&gt;
When tempered to [[58edo]], the step pattern for the reduced scale is:&lt;br /&gt;
* 8 5 20 14 11&lt;br /&gt;
* (identical to original scale within 4{{c}})&lt;br /&gt;
&lt;br /&gt;
When tempered to [[67edo]], the step pattern for the reduced scale is:&lt;br /&gt;
* 9 6 23 16 13&lt;br /&gt;
* (identical to original scale within 4{{c}})&lt;br /&gt;
&lt;br /&gt;
When tempered to [[72edo]], the step pattern for the reduced scale is:&lt;br /&gt;
* 10 6 25 17 14&lt;br /&gt;
* (identical to original scale within 3{{c}})&lt;br /&gt;
&lt;br /&gt;
When tempered to [[270edo]], the step pattern for the reduced scale is:&lt;br /&gt;
* 37 23 93 65 52&lt;br /&gt;
* (identical to original scale within 0.6{{c}})&lt;br /&gt;
&lt;br /&gt;
=== Gutierrez slendric plural-octave scale ===&lt;br /&gt;
Gutierrez described this scale in December 2025: &amp;quot;using a period of 7/4 on slendric generator sequence gives you alot of near-octaves so each octave is a different mode of the same scale&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;pre&amp;gt;8/7&lt;br /&gt;
21/16&lt;br /&gt;
3/2&lt;br /&gt;
12/7&lt;br /&gt;
7/4 (period)&lt;br /&gt;
2/1&lt;br /&gt;
147/64&lt;br /&gt;
21/8&lt;br /&gt;
3/1&lt;br /&gt;
49/16&lt;br /&gt;
7/2&lt;br /&gt;
1029/256&lt;br /&gt;
147/32&lt;br /&gt;
21/4&lt;br /&gt;
343/64&lt;br /&gt;
49/8&lt;br /&gt;
7203/1024&lt;br /&gt;
1029/128&lt;br /&gt;
147/16&lt;br /&gt;
2401/256&lt;br /&gt;
343/32&lt;br /&gt;
50421/4096&lt;br /&gt;
7203/512&lt;br /&gt;
1029/64&lt;br /&gt;
16807/1024 (5 periods)&amp;lt;/pre&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Other discoveries ==&lt;br /&gt;
; October 2025&lt;br /&gt;
Gutierrez was the first to explore [[13ed8/3]] as a possible tuning, describing its uses on the [[Xenharmonic Alliance]] Discord server.&lt;br /&gt;
&lt;br /&gt;
== Scale recommendations ==&lt;br /&gt;
If a composer likes Gutierrez&#039;s original scales, they may also like scales by other theorists which Gutierrez has recommended using. These are some examples of those:&lt;br /&gt;
&lt;br /&gt;
; [[Cloudtone]][10] in [[45edo]]&lt;br /&gt;
If you take two copies of [[5edo]] and offset them from each other by 27{{c}}, you get a scale almost exactly the same (within 0.34{{c}}) as the cloudtone[10] [[MOS scale]] in 45edo. This scale is good for [[dual-fifth]] usage.&lt;br /&gt;
* Step pattern: 8 1 8 1 8 1 8 1 8 1 ([[5L 5s]])&lt;br /&gt;
&lt;br /&gt;
; [[Decimetra]][20] in [[90edo]]&lt;br /&gt;
If you take two copies of [[10edo]] and offset them from each other by 27{{c}}, you get a scale almost exactly the same (within 0.34{{c}}) as the decimetra[20] [[MOS scale]] in 90edo.&lt;br /&gt;
* Step pattern: 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 7 2 ([[10L 10s]])&lt;br /&gt;
&lt;br /&gt;
; [[31edo modes|Superlydian b7 d6]] in [[31edo]]&lt;br /&gt;
Gutierrez: &amp;quot;F# [[31edo]] superlydian b7 d6 (5 7 3 3 4 4 5) has a very bright sound &amp;amp; has a good mix of [[consonance]] &amp;amp; [[dissonance]]... could also work in 24edo.&amp;quot;&lt;br /&gt;
* Step pattern: 5 7 3 3 4 4 5&lt;br /&gt;
&lt;br /&gt;
; [[Superpyth]][5] in [[27edo]]&lt;br /&gt;
If you take all the intervals of [[3ed7/3]] up to its sharp [[tritave]] and octave-reduce them, you get a scale almost exactly the same (within 0.25{{c}}) as the superpyth[5] [[MOS scale]] in 27edo. This scale sounds somewhere in between [[12edo]] pentatonic and [[5edo]] equipentatonic.&lt;br /&gt;
* Step pattern: 6 5 6 5 5 ([[2L 3s]])&lt;br /&gt;
&lt;br /&gt;
{{Navbox scale gallery}}&lt;br /&gt;
&lt;br /&gt;
[[Category:People]]&lt;br /&gt;
[[Category:Composers]]&lt;br /&gt;
[[Category:Theorists]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=Gallery_of_combination_product_sets&amp;diff=229662</id>
		<title>Gallery of combination product sets</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=Gallery_of_combination_product_sets&amp;diff=229662"/>
		<updated>2026-05-05T02:15:28Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: Cleaned up my messy formatting, checked new stellated hexany pages for whether the author recommends them or not&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;This is a gallery of [[combination product set]] (CPS) scales, as well as subsets of, mergers of, or modifications of such scales.&lt;br /&gt;
&lt;br /&gt;
There are infinite possible CPS scales, so this list can never be complete. If you find a CPS scale that you like, please document it here so that people can make music with it.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
See also [[:Category:Combination product sets]], which may include scales that have yet to be added to this list.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Italicised text following an em-dash beside a listed scale is a description by a wiki contributor of the subjective mood they personally feel when listening to the scale.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Pentanies (5-tone) ==&lt;br /&gt;
[[Category:5-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Pentany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [[4 from 1-3-5-7-11 pentany]] — &#039;&#039;sturdy, earthy&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-29-37 pentany]] — &#039;&#039;like anticipating the sunrise&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-29-41 pentany]] — &#039;&#039;ethereal, enchanting&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-31-41 pentany]] — &#039;&#039;sorrowful, warm&#039;&#039;&lt;br /&gt;
* [[4 from 5-17-23-31-43 pentany]] — &#039;&#039;alert, tense&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
== Hexanies (6-tone) ==&lt;br /&gt;
[[Category:6-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s [[subgroup]]s ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-5-7-11 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-7-13 hexany]] — &#039;&#039;spicier whole tone scale&#039;&#039;&lt;br /&gt;
* [[1-7-11-13 hexany]] — &#039;&#039;extra [[xenharmonic]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-11-13 hexany]] — &#039;&#039;melodically effective, contains a diminished chord&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-7-9 hexany]] — &#039;&#039;a [[detempering]] of the [[archy]] scale&#039;&#039;&lt;br /&gt;
* [[1-3-7-11 hexany]] — &#039;&#039;symmetrical shape; 2 strong tonal centres&#039;&#039;&lt;br /&gt;
* [[1-3-7-13 hexany]] — &#039;&#039;extra xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-7-21 hexany]] — &#039;&#039;a [[detempering]] of the [[semaphore]] scale&#039;&#039;&lt;br /&gt;
* [[1-3-9-11 hexany]] — &#039;&#039;an even mix of xenharmonic and familiar&#039;&#039;&lt;br /&gt;
* [[1-3-9-13 hexany]] — &#039;&#039;an even mix of xenmelodic and familiar&#039;&#039;&lt;br /&gt;
* [[1-3-9-17 hexany]] — &#039;&#039;whole tone scale-like structure, but new unfamiliar melodies and harmonies&#039;&#039;&lt;br /&gt;
* [[1-3-11-13 hexany]] — &#039;&#039;sounds surprisingly un-xenharmonic&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 1 3 21 29.png|1-3-21-29 hexany]] — &#039;&#039;fierce, groovy, dark&#039;&#039;&lt;br /&gt;
* [[1-3-21-49 hexany]] — &#039;&#039;a [[detempering]] of the [[slendric]] scale&#039;&#039;&lt;br /&gt;
* [[1-7-9-11 hexany]] — &#039;&#039;warped xenharmonic whole tone scale&#039;&#039;&lt;br /&gt;
* [[1-7-9-13 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-7-9-11 hexany]] — &#039;&#039;fresh [[11-limit]] JI version of the augmented scale&#039;&#039;&lt;br /&gt;
* [[3-7-9-13 hexany]] — &#039;&#039;effective both at melody and harmony&#039;&#039;&lt;br /&gt;
* [[3-7-11-13 hexany]] — &#039;&#039;very lopsided, very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-9-11-13 hexany]] — &#039;&#039;lopsided but with lots of useful consonances&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 3 9 19 31.png|3-9-19-31 hexany]] — &#039;&#039;sparkly, pretty&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-11-13 hexany]] — &#039;&#039;neat step pattern useful for melody and harmony, no [[5-limit]] intervals - forces xenharmony&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-9 hexany]] — &#039;&#039;difficult due to [[wolf interval|wolf fifth]] - better as a basis for building larger scales&#039;&#039;&lt;br /&gt;
* [[1-3-5-11 hexany]] — &#039;&#039;stable chord roots + very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-5-13 hexany]] — &#039;&#039;stable chord roots + very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-3-5-15 hexany]] — &#039;&#039;difficult to use&#039;&#039;&lt;br /&gt;
* [[1-3-5-45 hexany]] — &#039;&#039;very useful foundation for adding xenharmonic notes on top off; can play all &#039;&#039;Zelda&#039;&#039;&#039;s ocarina melodies&#039;&#039;&lt;br /&gt;
* [[1-3-5-81 hexany]] — &#039;&#039;built around subtle pitch shifts&#039;&#039;&lt;br /&gt;
* [[1-3-5-121 hexany]] — &#039;&#039;built-in beating effect that could be interesting&#039;&#039;&lt;br /&gt;
* [[1-3-9-135 hexany]] — &#039;&#039;near identical to [[1-3-9-17 hexany]]&#039;&#039;&lt;br /&gt;
* [[1-3-11-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-3-13-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-9-11 hexany]] — &#039;&#039;very lopsided and very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-5-9-13 hexany]] — &#039;&#039;easy to build [[bihexany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-9-15 hexany]] — &#039;&#039;easy to build [[dekany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-11-13 hexany]] — &#039;&#039;an [[omniconsonant scale]]&#039;&#039;&lt;br /&gt;
* [[1-5-11-15 hexany]] — &#039;&#039;easy to build [[bihexany]]s with&#039;&#039;&lt;br /&gt;
* [[1-5-13-15 hexany]] — &#039;&#039;big variety of consonances useful for emotionally expressive music&#039;&#039;&lt;br /&gt;
* [[1-9-11-15 hexany]] — &#039;&#039;very melodically effective; all the chords will be unfamiliar&#039;&#039;&lt;br /&gt;
* [[1-9-11-13 hexany]] — &#039;&#039;better to remove one note and use as a [[pentatonic]] scale instead&#039;&#039;&lt;br /&gt;
* [[1-9-13-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-11-13-15 hexany]] — &#039;&#039;very melodically effective; all the chords will be unfamiliar&#039;&#039;&lt;br /&gt;
* [[1-15-45-75 hexany]] — &#039;&#039;a [[detempering]] of the blues scale with sweet simple [[just intonation]] harmonies that blend well&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-9-11 hexany]] — &#039;&#039;very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-5-9-13 hexany]] — &#039;&#039;very useful both for melody and harmony; contains good [[barbados]] intervals&#039;&#039;&lt;br /&gt;
* [[3-5-9-15 hexany]] — &#039;&#039;too similar to [[12edo]] to be interesting&#039;&#039;&lt;br /&gt;
* [[3-5-9-25 hexany]] — &#039;&#039;easy to build a [[bihexany]] or [[stellated hexany]] with&#039;&#039;&lt;br /&gt;
* [[3-5-9-27 hexany]] — &#039;&#039;useful as a teaching tool, but not for making real music&#039;&#039;&lt;br /&gt;
* [[3-5-11-13 hexany]] — &#039;&#039;unwieldy but xenharmonically interesting&#039;&#039;&lt;br /&gt;
* [[3-5-11-15 hexany]] — &#039;&#039;both xenharmonic yet also highly accessible - recommended for beginner microtonalists&#039;&#039;&lt;br /&gt;
* [[3-5-13-15 hexany]] — &#039;&#039;both xenharmonic yet also highly accessible - recommended for beginner microtonalists&#039;&#039;&lt;br /&gt;
* [[3-5-15-19 hexany]] — &#039;&#039;useful for ear training; contains a [[wolf interval|wolf fifth]]&#039;&#039;&lt;br /&gt;
* [[3-5-15-27 hexany]] — &#039;&#039;a worse version of the normal major scale&#039;&#039;&lt;br /&gt;
* [[3-9-11-15 hexany]] — &#039;&#039;unfamiliar notes&#039;&#039;&lt;br /&gt;
* [[3-9-13-15 hexany]] — &#039;&#039;very xenharmonic melodies; easy to learn the notes and intervals - especially audibly distinct from one another&#039;&#039;&lt;br /&gt;
* [[3-11-13-15 hexany]] — &#039;&#039;unwieldy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-9-11-13 hexany]] — &#039;&#039;useful for building melodies; an even mix of familiar and xenharmonic&#039;&#039;&lt;br /&gt;
* [[5-9-11-15 hexany]] — &#039;&#039;a [[detempering]] of the [[porcupine]] scale; nice melodies&#039;&#039;&lt;br /&gt;
* [[5-9-13-15 hexany]] — &#039;&#039;melodically interesting but harmonically unrewarding&#039;&#039;&lt;br /&gt;
* [[5-11-13-15 hexany]] — &#039;&#039;highly recommended; an even mix of familiar and xenharmonic&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 9.n ====&lt;br /&gt;
* [[9-11-13-15 hexany]] — &#039;&#039;better used as a [[pentatonic]] scale by removing 1 note&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-7 hexany]] — &#039;&#039;cold, hazy&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
* [[1-5-7-9 hexany]] — &#039;&#039;whole tone scale-like but with a [[quarter tone]], making it very xenharmonic&#039;&#039;&lt;br /&gt;
* [[1-7-9-15 hexany]] — &#039;&#039;lopsided but useful for making [[bihexany]]s&#039;&#039;&lt;br /&gt;
* [[1-7-13-15 hexany]] — &#039;&#039;useful for making [[bihexany]] versions of [[10edo]], which would be a type of [[neji]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-7-9 hexany]] — &#039;&#039;useful for melody and harmony&#039;&#039;&lt;br /&gt;
* [[3-5-7-13 hexany]] — &#039;&#039;useful for building [[dekany]]s&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 hexany]] — &#039;&#039;the optimal configuration for maximising the number and variety of simple harmonies available in a hexatonic scale; strong melodically also&#039;&#039;&lt;br /&gt;
* [[3-5-15-21 hexany]] — &#039;&#039;solidly rooted and consonant&#039;&#039;&lt;br /&gt;
* [[3-7-9-15 hexany]] — &#039;&#039;big variety of chords available, both familiar and xenharmonic ones&#039;&#039;&lt;br /&gt;
* [[3-7-13-15 hexany]] — &#039;&#039;related to the [[negri]] scale; useful for building [[bihexany]]s or [[dekany]]s&#039;&#039;&lt;br /&gt;
* [[3-9-15-21 hexany]] — &#039;&#039;very similar to the [[1-3-5-7 hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-9-13 hexany]] — &#039;&#039;very xenharmonic; easy to expand to a [[bihexany]] or [[dekany]]&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 hexany]] — &#039;&#039;potential for good compositions; a [[detempering]] of the [[starling]] scale&#039;&#039;&lt;br /&gt;
* [[5-7-13-15 hexany]] — &#039;&#039;both harmonically and melodically strong, and useful for [[bihexany]]s&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-13-15 hexany]] — &#039;&#039;useful for building [[bihexany]]s or [[dekany]]s out of&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 9.n ====&lt;br /&gt;
* [[9-25-49-81 hexany]] — &#039;&#039;a diminished tetrad with built-in beating effects&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-7-11-15 hexany]] — &#039;&#039;a little unwieldy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-7-11 hexany]] — &#039;&#039;very xenharmonic&#039;&#039;&lt;br /&gt;
* [[3-7-9-55 hexany]] — &#039;&#039;creates interesting complex beating when played in the bass or sub bass range&#039;&#039;&lt;br /&gt;
* [[3-7-11-15 hexany]] — &#039;&#039;xenharmonic but also with sweet major thirds&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-7-9-11 hexany]] — &#039;&#039;a [[neji]] of [[6edo]] with an [[primodality|over-35 semiprime]] feel&#039;&#039;&lt;br /&gt;
* [[5-7-9-33 hexany]] — &#039;&#039;though the small steps are mathematically distinct from one another, they don&#039;t sound audibly distinct&#039;&#039;&lt;br /&gt;
* [[5-7-11-15 hexany]] — &#039;&#039;lopsided&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-9-11-15 hexany]] — &#039;&#039;useful for building [[bihexany]]s&#039;&#039;&lt;br /&gt;
* [[:File:Hexany 7 11 17 45 cents.png|7-11-17-45 hexany]] — &#039;&#039;dark, supernatural, metallic&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 27.n ====&lt;br /&gt;
* [[:File:Hexany 27 35 47 59 cents.png|27-35-47-59 hexany]] — &#039;&#039;like melting rainbow ice cream in the sun&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-17s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 7.n ====&lt;br /&gt;
* [[7-11-13-15 hexany]] — &#039;&#039;useful for writing melody - expanding into a [[bihexany]] makes it more useful still&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Hexany 1029]]&lt;br /&gt;
* [[Hexany 126]]&lt;br /&gt;
* [[Hexany 225]]&lt;br /&gt;
* [[Hexany 2401]]&lt;br /&gt;
* [[Hexany 245]]&lt;br /&gt;
* [[Hexany 3136]]&lt;br /&gt;
* [[Hexany 4375]]&lt;br /&gt;
* [[Hexany 5120]]&lt;br /&gt;
* [[Hexany 6144]]&lt;br /&gt;
* [[Hexany 65625]]&lt;br /&gt;
* [[Hexany 875]]&lt;br /&gt;
* [[User:BudjarnLambeth/My favourite hexanies using at least one odd greater than 15]]&lt;br /&gt;
&lt;br /&gt;
== Dekanies (10-tone) ==&lt;br /&gt;
[[Category:10-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Dekany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s subgroups ===&lt;br /&gt;
* [[1-5-7-11-13 dekany]]&lt;br /&gt;
* [[5-7-9-11-13 dekany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
* [[1-3-7-9-11 dekany]]&lt;br /&gt;
* [[1-3-7-11-13 dekany]]&lt;br /&gt;
* [[1-3-9-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-29 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-11-13 dekany]] — &#039;&#039;highly unusual but not necessarily bad&#039;&#039;&lt;br /&gt;
* [[3-7-9-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
* [[1-3-5-9-11 dekany]]&lt;br /&gt;
* [[1-3-5-9-13 dekany]]&lt;br /&gt;
* [[1-3-5-9-81 dekany]]&lt;br /&gt;
* [[1-3-5-11-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-13-15 dekany]]&lt;br /&gt;
* [[1-3-11-13-15 dekany]]&lt;br /&gt;
* [[1-5-9-11-13 dekany]]&lt;br /&gt;
* [[1-5-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-9-11-13-15 dekany]]&lt;br /&gt;
* [[3-5-9-11-13 dekany]]&lt;br /&gt;
* [[3-5-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-9-11-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
* [[1-3-5-7-9 dekany]]&lt;br /&gt;
* [[1-3-5-7-13 dekany]]&lt;br /&gt;
* [[1-3-5-7-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-9-15 dekany]]&lt;br /&gt;
* [[1-3-7-9-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-15 dekany]]&lt;br /&gt;
* [[1-3-7-13-15 dekany]]&lt;br /&gt;
* [[1-5-7-9-13 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9-15 dekany]]&lt;br /&gt;
* [[1-5-7-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-13-15 dekany]]&lt;br /&gt;
* [[3-5-7-9-13 dekany]]&lt;br /&gt;
* [[3-5-7-9-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-13-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-13-15 dekany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
* [[1-3-5-7-11 dekany]]&lt;br /&gt;
* [[1-3-7-11-15 dekany]]&lt;br /&gt;
* [[1-5-7-9-11 dekany]]&lt;br /&gt;
* [[1-5-7-11-15 dekany]] — &#039;&#039;recommended but extra spicy&#039;&#039;&lt;br /&gt;
* [[1-7-9-11-15 dekany]]&lt;br /&gt;
* [[3-5-7-9-11 dekany]]&lt;br /&gt;
* [[3-5-7-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-11-15 dekany]]&lt;br /&gt;
* [[5-7-9-11-15 dekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-17s subgroups ===&lt;br /&gt;
* [[1-7-11-13-15 dekany]]&lt;br /&gt;
* [[3-5-7-11-13 dekany]]&lt;br /&gt;
* [[3-7-11-13-15 dekany]]&lt;br /&gt;
* [[5-7-11-13-15 dekany]]&lt;br /&gt;
* [[7-9-11-13-15 dekany]] — &#039;&#039;recommended, but extra spicy&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Related to [[regular temperament]] scales ===&lt;br /&gt;
* [[Dekany agni]]&lt;br /&gt;
* [[Dekany apollo]]&lt;br /&gt;
* [[Dekany guanyin]]&lt;br /&gt;
* [[Dekany indra]]&lt;br /&gt;
* [[Dekany jove]]&lt;br /&gt;
* [[Dekany laka]]&lt;br /&gt;
* [[Dekany marvel]]&lt;br /&gt;
* [[Dekany minerva]]&lt;br /&gt;
* [[Dekany pele]]&lt;br /&gt;
* [[Dekany portent]]&lt;br /&gt;
* [[Dekany prodigy]]&lt;br /&gt;
* [[Dekany sensamagic]]&lt;br /&gt;
* [[Dekany spectacle]]&lt;br /&gt;
* [[Dekany zeus]]&lt;br /&gt;
* [[Dekany-cs-marv]]&lt;br /&gt;
* [[Dekanymarvwoo]]&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Deka1029]]&lt;br /&gt;
* [[Deka126]]&lt;br /&gt;
* [[Deka1728]]&lt;br /&gt;
* [[Deka225]]&lt;br /&gt;
* [[Deka2401]]&lt;br /&gt;
* [[Deka245]]&lt;br /&gt;
* [[Deka3136]]&lt;br /&gt;
* [[Deka4375]]&lt;br /&gt;
* [[Deka5120]]&lt;br /&gt;
* [[Deka6144]]&lt;br /&gt;
* [[Deka65625]]&lt;br /&gt;
* [[Deka875]]&lt;br /&gt;
* [[Dekany-cs]]&lt;br /&gt;
&lt;br /&gt;
== Bihexanies (12-tone) ==&lt;br /&gt;
[[Category:12-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Bihexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 7-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-7 by 3/2 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 8/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 10/7 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 12/7 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 9-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-7 by 9/5 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 9/7 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 9/8 bihexany]]&lt;br /&gt;
* [[1-3-5-9 by 7/5 bihexany]]&lt;br /&gt;
* [[1-3-7-9 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9 by 4/3 bihexany]]&lt;br /&gt;
* [[3-5-7-9 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 11-odd-limit elements ===&lt;br /&gt;
* [[1-3-7-9 by 11/8 bihexany]]&lt;br /&gt;
* [[1-3-7-11 by 18/11 bihexany]]&lt;br /&gt;
* [[1-7-9-11 by 4/3 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-11 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-11 by 5/4 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 13-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-9 by 13/9 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-13 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-13 by 4/3 bihexany]]&lt;br /&gt;
* [[5-9-11-13 by 3/2 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Generated by 15-odd-limit elements ===&lt;br /&gt;
&lt;br /&gt;
==== No-7s ====&lt;br /&gt;
* [[1-3-5-13 by 18/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 by 11/8 bihexany]]&lt;br /&gt;
* [[1-3-11-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-13-15 by 18/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-11-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-5-13-15 by 16/9 bihexany]]&lt;br /&gt;
* [[1-9-11-15 by 12/11 bihexany]]&lt;br /&gt;
* [[1-9-13-15 by 8/5 bihexany]]&lt;br /&gt;
* [[1-11-13-15 by 4/3 bihexany]]&lt;br /&gt;
* [[3-5-9-15 by 6/5 bihexany]]&lt;br /&gt;
* [[3-5-9-15 by 10/9 bihexany]]&lt;br /&gt;
* [[5-9-11-15 by 5/4 bihexany]]&lt;br /&gt;
* [[5-9-11-15 by 15/13 bihexany]]&lt;br /&gt;
* [[5-9-13-15 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-11-13-15 by 11/9 bihexany]]&lt;br /&gt;
* [[9-11-13-15 by 3/2 bihexany]]&lt;br /&gt;
* [[9-11-13-15 by 33/26 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== No-11s ====&lt;br /&gt;
* [[1-3-5-7 by 15/14 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7 by 16/15 bihexany]]&lt;br /&gt;
* [[1-3-7-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-3-7-15 by 9/7 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-15 by 7/6 bihexany]]&lt;br /&gt;
* [[1-5-7-15 by 6/5 bihexany]]&lt;br /&gt;
* [[1-7-9-15 by 4/3 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-15 by 7/5 bihexany]]&lt;br /&gt;
* [[1-7-13-15 by 7/5 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 by 9/5 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 9/8 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 4/3 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 7/5 bihexany]]&lt;br /&gt;
* [[5-7-9-15 by 5/4 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 by 7/4 bihexany]]&lt;br /&gt;
* [[5-7-9-15 by 9/8 bihexany]]&lt;br /&gt;
* [[5-7-13-15 by 9/8 bihexany]]&lt;br /&gt;
* [[5-7-13-15 by 22/13 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== No-13s ====&lt;br /&gt;
* [[3-5-7-15 by 11/7 bihexany]]&lt;br /&gt;
* [[3-7-11-15 by 7/5 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-15 by 11/9 bihexany]]&lt;br /&gt;
* [[5-7-11-15 by 18/11 bihexany]]&lt;br /&gt;
* [[7-9-11-15 by 3/2 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== No-17s ====&lt;br /&gt;
* [[7-11-13-15 by 7/5 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 17-odd-limit elements ===&lt;br /&gt;
* [[1-3-5-9 by 17/12 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-9-15 by 17/12 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 17/14 bihexany]]&lt;br /&gt;
* [[3-5-11-13 by 24/17 bihexany]]&lt;br /&gt;
* [[3-11-13-15 by 24/17 bihexany]]&lt;br /&gt;
&lt;br /&gt;
=== Generated by 19-odd-limit elements ===&lt;br /&gt;
* [[1-3-9-17 by 19/16 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-15-19 by 9/8 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 19/14 bihexany]]&lt;br /&gt;
* [[3-5-13-15 by 19/17 bihexany]]&lt;br /&gt;
* [[3-7-9-15 by 19/17 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Higher odd-limit elements ===&lt;br /&gt;
&lt;br /&gt;
==== 21-odd ====&lt;br /&gt;
* [[1-3-5-7 by 21/16 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 40/21 bihexany]]&lt;br /&gt;
* [[3-5-11-15 by 21/11 bihexany]]&lt;br /&gt;
* [[3-7-13-15 by 21/13 bihexany]]&lt;br /&gt;
* [[7-9-13-15 by 21/13 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 23-odd ====&lt;br /&gt;
* [[3-5-7-15 by 23/14 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 25-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 27-odd ====&lt;br /&gt;
* [[1-5-7-15 by 32/27 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 27/14 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-13-15 by 27/26 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 29-odd ====&lt;br /&gt;
* [[5-7-9-15 by 29/18 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 31-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 33-odd ====&lt;br /&gt;
* [[1-5-11-15 by 40/33 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 35-odd ====&lt;br /&gt;
* [[1-3-5-7 by 36/35 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 48/35 bihexany]]&lt;br /&gt;
* [[1-3-5-7 by 64/35 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 by 48/35 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 37-odd to 43-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 45-odd ====&lt;br /&gt;
* [[1-3-5-7 by 56/45 bihexany]]&lt;br /&gt;
* [[1-3-5-9 by 64/45 bihexany]]&lt;br /&gt;
* [[1-5-9-15 by 64/45 bihexany]]&lt;br /&gt;
* [[3-5-7-15 by 45/28 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 47-odd to 53-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 55-odd ====&lt;br /&gt;
* [[1-9-11-15 by 72/55 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 57-odd to 61-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 63-odd ====&lt;br /&gt;
* [[1-3-5-7 by 80/63 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 65-odd ====&lt;br /&gt;
* [[3-5-11-13 by 96/65 bihexany]] — &#039;&#039;good for metallophone timbres like bells or Gamelan&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 67-odd to 97-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 99-odd ====&lt;br /&gt;
* [[1-7-13-15 by 140/99 bihexany]]&lt;br /&gt;
&lt;br /&gt;
==== 101-odd to 133-odd ====&lt;br /&gt;
&#039;&#039;(none documented)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 135-odd ====&lt;br /&gt;
* [[1-3-9-135 by 57/34 bihexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Bihexanymyna]]&lt;br /&gt;
* [[GW Smith bihexany 14 Feb 2011]]&lt;br /&gt;
&lt;br /&gt;
== Duohexanies (12-tone) ==&lt;br /&gt;
[[Category:12-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Duohexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* [[Duohex]]&lt;br /&gt;
* [[Duohexmarvwoo]]&lt;br /&gt;
* [[Duohexmean]]&lt;br /&gt;
* [[Hexanys-valentino]]&lt;br /&gt;
&lt;br /&gt;
== Stellated hexanies (14-tone) ==&lt;br /&gt;
[[Category:14-tone scales]]&lt;br /&gt;
&#039;&#039;Main page: [[Stellated hexany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-3s subgroups ===&lt;br /&gt;
* [[1-5-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-13 stellated hexany]]&lt;br /&gt;
* [[1-5-11-13 stellated hexany]]&lt;br /&gt;
* [[1-7-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== In no-5s subgroups ===&lt;br /&gt;
* [[1-3-7-9 stellated hexany]]&lt;br /&gt;
* [[1-3-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-9-11 stellated hexany]]&lt;br /&gt;
* [[1-3-9-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-7-9-11 stellated hexany]]&lt;br /&gt;
* [[1-7-9-13 stellated hexany]]&lt;br /&gt;
* [[3-7-9-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-9-13 stellated hexany]] — &#039;&#039;recommended, but with 2 notes removed - read article&#039;&#039;&lt;br /&gt;
* [[3-7-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-11-13 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-7s subgroups ===&lt;br /&gt;
&lt;br /&gt;
==== 1.n ====&lt;br /&gt;
* [[1-3-5-9 stellated hexany]]&lt;br /&gt;
* [[1-3-5-11 stellated hexany]]&lt;br /&gt;
* [[1-3-5-13 stellated hexany]]&lt;br /&gt;
* [[1-3-5-15 stellated hexany]]&lt;br /&gt;
* [[1-3-9-15 stellated hexany]]&lt;br /&gt;
* [[1-3-11-15 stellated hexany]]&lt;br /&gt;
* [[1-3-13-15 stellated hexany]]&lt;br /&gt;
* [[1-5-9-11 stellated hexany]]&lt;br /&gt;
* [[1-5-9-13 stellated hexany]]&lt;br /&gt;
* [[1-5-9-15 stellated hexany]]&lt;br /&gt;
* [[1-5-11-15 stellated hexany]]&lt;br /&gt;
* [[1-5-13-15 stellated hexany]]&lt;br /&gt;
* [[1-15-45-75 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==== 3.n ====&lt;br /&gt;
* [[3-5-9-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-15 stellated hexany]]&lt;br /&gt;
* [[3-5-9-25 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-27 stellated hexany]]&lt;br /&gt;
* [[3-5-11-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-11-15 stellated hexany]]&lt;br /&gt;
* [[3-5-13-15 stellated hexany]]&lt;br /&gt;
* [[3-9-11-15 stellated hexany]]&lt;br /&gt;
* [[3-9-13-15 stellated hexany]]&lt;br /&gt;
* [[3-9-25-625 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-11-13-15 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
==== 5.n ====&lt;br /&gt;
* [[5-9-11-13 stellated hexany]]&lt;br /&gt;
* [[5-9-11-15 stellated hexany]]&lt;br /&gt;
* [[5-9-13-15 stellated hexany]]&lt;br /&gt;
* [[5-11-13-15 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-11s subgroups ===&lt;br /&gt;
* [[1-3-5-7 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-15 stellated hexany]]&lt;br /&gt;
* [[1-5-7-9 stellated hexany]]&lt;br /&gt;
* [[1-5-7-15 stellated hexany]]&lt;br /&gt;
* [[1-7-9-15 stellated hexany]]&lt;br /&gt;
* [[1-7-13-15 stellated hexany]]&lt;br /&gt;
* [[3-5-7-9 stellated hexany]] — &#039;&#039;recommended with 2 notes removed - read article&#039;&#039;&lt;br /&gt;
* [[3-5-7-13 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-15 stellated hexany]]&lt;br /&gt;
* [[3-7-9-15 stellated hexany]]&lt;br /&gt;
* [[3-7-13-15 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-9-15-21 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[5-7-9-13 stellated hexany]]&lt;br /&gt;
* [[5-7-9-15 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== In no-13s subgroups ===&lt;br /&gt;
* [[1-7-11-15 stellated hexany]]&lt;br /&gt;
* [[3-5-7-11 stellated hexany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-7-11-15 stellated hexany]]&lt;br /&gt;
* [[5-7-9-11 stellated hexany]]&lt;br /&gt;
&lt;br /&gt;
=== Not yet categorised ===&lt;br /&gt;
* [[Stelhex]]&lt;br /&gt;
* [[Stelhex-catakleismic]]&lt;br /&gt;
* [[Stelhex2]]&lt;br /&gt;
* [[Stelhex5]]&lt;br /&gt;
* [[Stellarhex]]&lt;br /&gt;
&lt;br /&gt;
== Pentadekanies (15-tone) ==&lt;br /&gt;
&#039;&#039;Main page: [[Pentadekany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 1.3.n ===&lt;br /&gt;
* [[1-3-5-7-9-11 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-9-13 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7-9-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-11-13 pentadekany]]&lt;br /&gt;
* [[1-3-5-7-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-5-7-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-11-13 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-11-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-9-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-5-11-13-15 pentadekany]] — &#039;&#039;recommended but only for advanced composers&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-11-13 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-3-7-9-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-7-11-13-15 pentadekany]]&lt;br /&gt;
* [[1-3-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.5.n ===&lt;br /&gt;
* [[1-5-7-9-11-13 pentadekany]]&lt;br /&gt;
* [[1-5-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-9-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[1-5-7-11-13-15 pentadekany]]&lt;br /&gt;
* [[1-5-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.7.n ===&lt;br /&gt;
* [[1-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.5.n ===&lt;br /&gt;
* [[3-5-7-9-11-13 pentadekany]]&lt;br /&gt;
* [[3-5-7-9-11-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-7-9-13-15 pentadekany]]&lt;br /&gt;
* [[3-5-7-11-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
* [[3-5-9-11-13-15 pentadekany]] — &#039;&#039;recommended&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 3.7.n ===&lt;br /&gt;
* [[3-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
=== 5.7.n ===&lt;br /&gt;
* [[5-7-9-11-13-15 pentadekany]]&lt;br /&gt;
&lt;br /&gt;
== Eikosanies (20-tone) ==&lt;br /&gt;
&#039;&#039;Main page: [[Eikosany]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
=== 1.3.n ===&lt;br /&gt;
* [[1-3-5-7-9-11 eikosany]]&lt;br /&gt;
* [[1-3-5-7-9-13 eikosany]]&lt;br /&gt;
* [[1-3-5-7-9-15 eikosany]]&lt;br /&gt;
* [[1-3-5-7-11-13 eikosany]]&lt;br /&gt;
* [[1-3-5-7-11-15 eikosany]]&lt;br /&gt;
* [[1-3-5-7-13-15 eikosany]]&lt;br /&gt;
* [[1-3-5-9-11-13 eikosany]]&lt;br /&gt;
* [[1-3-5-9-11-15 eikosany]]&lt;br /&gt;
* [[1-3-5-9-13-15 eikosany]]&lt;br /&gt;
* [[1-3-5-11-13-15 eikosany]]&lt;br /&gt;
* [[1-3-7-9-11-13 eikosany]]&lt;br /&gt;
* [[1-3-7-9-11-15 eikosany]]&lt;br /&gt;
* [[1-3-7-9-13-15 eikosany]]&lt;br /&gt;
* [[1-3-7-11-13-15 eikosany]]&lt;br /&gt;
* [[1-3-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.5.n ===&lt;br /&gt;
* [[1-5-7-9-11-13 eikosany]]&lt;br /&gt;
* [[1-5-7-9-11-15 eikosany]]&lt;br /&gt;
* [[1-5-7-9-13-15 eikosany]]&lt;br /&gt;
* [[1-5-7-11-13-15 eikosany]]&lt;br /&gt;
* [[1-5-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 1.7.n ===&lt;br /&gt;
* [[1-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.5.n ===&lt;br /&gt;
* [[3-5-7-9-11-13 eikosany]]&lt;br /&gt;
* [[3-5-7-9-11-15 eikosany]]&lt;br /&gt;
* [[3-5-7-9-13-15 eikosany]]&lt;br /&gt;
* [[3-5-7-11-13-15 eikosany]]&lt;br /&gt;
* [[3-5-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 3.7.n ===&lt;br /&gt;
* [[3-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== 5.7.n ===&lt;br /&gt;
* [[5-7-9-11-13-15 eikosany]]&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
* [[Eikosanyplusop]]&lt;br /&gt;
&lt;br /&gt;
{{navbox scale gallery}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Combination product sets| ]]&lt;br /&gt;
[[Category:Lists of scales]]&lt;br /&gt;
[[Category:Just intonation scales]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User_talk:MisterShafXen&amp;diff=229661</id>
		<title>User talk:MisterShafXen</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User_talk:MisterShafXen&amp;diff=229661"/>
		<updated>2026-05-05T02:05:51Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Notice */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Creating new edo pages ==&lt;br /&gt;
Please remember to add a link in the &#039;&#039;EDO&#039;&#039; page when you create new edo pages. I see you&#039;ve created a couple of empty edo pages. You have anything coming up to the edos you created pages for? [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 13:22, 14 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
: MisterShafXen, thank you for your efforts to improve the wiki. &lt;br /&gt;
&lt;br /&gt;
: If you have been creating pages from the “wanted pages” list, it may be best to stop doing that, and to instead work on adding more content to the already-existing pages in [[:Category:Stubs]].&lt;br /&gt;
&lt;br /&gt;
: I have recently added a little blurb to [[Xenharmonic Wiki:Conventions]] explaining why “wanted pages” can be misleading and what other things to do instead.&lt;br /&gt;
&lt;br /&gt;
: I want to reiterate that I am thankful for your efforts and appreciative that you are here. I’m just trying to help you put your enthusiasm and good will to the best use.&lt;br /&gt;
&lt;br /&gt;
: Kind regards,&lt;br /&gt;
&lt;br /&gt;
: --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 23:31, 14 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
Budjarn has a great point. So far you&#039;ve created a bunch of edo pages with only infoboxes. We all wonder what you have to say about those tunings, but if you don&#039;t have anything to say yet, I&#039;d like to ask you to do us a favor to stop creating new pages for now cuz we don&#039;t have many volunteers to fill them with real contents. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 18:14, 16 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
Any chance we&#039;ll have a talk? [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 19:25, 17 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
Sure!  [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 16:54, 7 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== To create an infobox ==&lt;br /&gt;
To create an infobox with the visual editor, find &#039;&#039;insert&#039;&#039; on the same line as the &#039;&#039;save changes&#039;&#039; button. Click &#039;&#039;insert&#039;&#039; → &#039;&#039;template&#039;&#039;. Enter &amp;lt;code&amp;gt;Infobox Interval&amp;lt;/code&amp;gt; in the text box (if it&#039;s an interval page), and click &#039;&#039;insert&#039;&#039;. To create an infobox in the source editor, simply enter &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;{{Infobox Interval}}&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;. You may use the &#039;&#039;SandBox&#039;&#039; page to experiment with editing. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 17:00, 15 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
: It doesn’t show me the insert thing, I don’t know why. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 13:14, 16 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
:: [[File:HowToInfoboxInterval.jpeg|500px|thumb|left]]&lt;br /&gt;
:: Here are screenshots of the process in the visual editor. &lt;br /&gt;
:: Click on the image to zoom in.&lt;br /&gt;
:: As Flora said, to experiment with editing, please use the page [[SandBox]].&lt;br /&gt;
:: --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 03:44, 17 January 2025 (UTC)&lt;br /&gt;
{{clear}}&lt;br /&gt;
&lt;br /&gt;
Now I understand… I am using mobile. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 12:45, 23 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Uploading pictures ==&lt;br /&gt;
You pictures aren&#039;t properly rotated, and it&#039;s generally not great to have to click a link to see it. Why not typing them down in plain text? [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 14:23, 17 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
I’ve tried putting it in plain text. Someone else suggested putting pictures instead. I can’t seem to rotate it properly, it’s so annoying. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 14:41, 17 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Notice ==&lt;br /&gt;
I received many complaints about your conduct on this wiki. Your contributions have been considered unhelpful due to a massive lack of context. We asked you to provide context to your notation to various edos like what purpose they served and what method was used. There&#039;s still no answers. I think in general you can do us a favor by using your user namespace (pages of the form &amp;lt;code&amp;gt;User:MisterShafXen/[Title]&amp;lt;/code&amp;gt;) more. The main namespace isn&#039;t where you put your idiosyncratic stuff without explanation. More specifically we ask you to&lt;br /&gt;
* not create new equal tuning pages and interval pages until you have some substantial human-made contents (not machine-generated contents) to add. &lt;br /&gt;
* not upload handwritten pictures. &lt;br /&gt;
** get some digital formatting tools. &lt;br /&gt;
* keep your notation solutions to your user space. &lt;br /&gt;
&lt;br /&gt;
Finally, if you add links, pls add them in the proper section. Don&#039;t just carelessly put it in the intro. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 20:50, 1 February 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Sure! I’m still learning…&lt;br /&gt;
I will be putting in my reasoning for my notation in the next few days. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 18:47, 3 February 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Notice regarding temperament pages ==&lt;br /&gt;
The established practice on the wiki is to not create pages for individual temperaments before their technical data is recorded on a family page, and in general to not create pages for individual temperaments without there being cause for a greater exploration of a temperament than is available on a family page like [[Escapade family]]. In the case of your page, Sharpquart (which has since been deleted because the temperament interpretation come up with for that generator already exists, as [[Keemic temperaments #Chromo|Chromo]]), you did not provide this sort of exploration. You displayed a fundamental misunderstanding of what a temperament is (by declaring a generator of &amp;quot;exactly 53.5 cents&amp;quot;), as it is explicit that temperaments are not the same thing as scale structures. If you wanted to record on the wiki a scale family generated using that generator, it would be better served in the form of a Scala file like many pages on the wiki are.&lt;br /&gt;
&lt;br /&gt;
You are not obligated to understand the mathematical concepts presented on the wiki, but only &#039;&#039;if you are not to claim any one of the ideas you place on the wiki&#039;&#039; to be an instance of such a concept. You &#039;&#039;are&#039;&#039; obligated to explain what xenharmonic interest, however niche, your ideas might possess, or to express them in a way where it seems plausible that they have such interest. I understand that you may think of the wiki as being created by people doing much the same thing you are, and the preponderance of often unhelpful temperaments doesn&#039;t help to dispel such notions. However, even if the people who wrote up most of the contents of the temperament family pages &#039;&#039;were&#039;&#039; like you in mind (and I don&#039;t believe they were, the quality of their contributions notwithstanding), the current wiki holds itself to a higher standard than it once had, and all you would be doing is adding to, rather than ameliorating, the wiki&#039;s problem.&lt;br /&gt;
&lt;br /&gt;
Some people believe that you should receive a temporary block on the wiki; I will not act on that on my own initiative. Therefore, consider this a warning. --[[User:Lériendil|Lériendil]] ([[User talk:Lériendil|talk]]) 16:15, 25 March 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
To add on to Leriendil’s message: There is probably no material needing to be added on the wiki which can be added by someone without significant knowledge of xenharmonic theory (i.e. comparable to or beyond what the wiki catalogues) or significant knowledge of performance practice. [[User:Hkm|hkm]] ([[User talk:Hkm|talk]]) 19:15, 25 March 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Ok, thanks for the warning. Please note that I consider myself to be an adventurous beginner on this wiki. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 12:54, 4 April 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Formatting ==&lt;br /&gt;
Pls take some time to learn basic wiki formatting at Help: Editing. Don&#039;t burden others to finish up what you leave out like [https://en.xen.wiki/index.php?title=Music_in_14edo&amp;amp;curid=17182&amp;amp;diff=189609&amp;amp;oldid=173465 this]. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 14:45, 2 April 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thanks for telling me where to find the formatting guide! [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 12:52, 4 April 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Interval page formatting ==&lt;br /&gt;
Pls use Template: Monzo to type monzos. Pls put Template: Infobox interval at the top of each interval page. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 11:35, 19 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Ok, I&#039;ll try that!&lt;br /&gt;
&lt;br /&gt;
== Notability ==&lt;br /&gt;
&lt;br /&gt;
You&#039;ve created a few pages which are not considered notable enough for the wiki. You might want to read the [[notability guidelines]]. Specifically, you created pages about very complex intervals (with high [[prime limit]] or large numerator/denominator) that are also large enough (more than one cent at that complexity) that they aren&#039;t useful for tempering out. It&#039;s true that there are more complex intervals documented on the wiki, like [[393216/390625]], but these intervals are notable because tempering them out leads to useful structures with a somewhat small [[prime limit]]; in the notability guidelines, we would consider them notable by community content, theoretical value, or practical application.&lt;br /&gt;
&lt;br /&gt;
You&#039;ve also created at least one page for an equal division of an interval other than the octave. These pages could be fine as long as there is interesting theory behind those divisions--perhaps they represent [[just intonation]] very accurately, or they are used in non-Western musical cultures. The page you created, [[8ed6]] happened to have a neat relation to the [[wuerschmidt]] temperament, so there was some interesting theory behind that division. As a result, the page was marked as [[niche]] rather than being deleted. But this was something of a lucky outcome for you--if there was no connection to wuerschmidt, the page might have been deleted due to not fitting the notability guidelines.&lt;br /&gt;
&lt;br /&gt;
I see that you&#039;ve joined the XA Discord--if you&#039;re wondering whether a page you&#039;re considering creating meets notability guidelines, feel free to ask in the #wiki channel. You can also create any page you want on your userspace. --[[User:Hkm|hkm]] ([[User talk:Hkm|talk]]) 20:27, 20 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thanks for making me aware. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 22:09, 20 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
: I want to clarify that the following is not really true:&lt;br /&gt;
:: You can also create any page you want on your userspace. &lt;br /&gt;
: While the guidelines are not as strictly enforced on userspace pages, they are still part of this wiki and should contain useful information.&lt;br /&gt;
: Creating many pages in your userspace which do not follow the notability guidelines can be perceived as spam. &lt;br /&gt;
: – [[User:Sintel|Sintel🎏]] ([[User_talk:Sintel|talk]]) 18:10, 31 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thanks for the clarification.&lt;br /&gt;
[[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 18:56, 31 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Duplicate pages ==&lt;br /&gt;
&lt;br /&gt;
Hi MisterShafXen,&lt;br /&gt;
&lt;br /&gt;
I noticed you create pages such as [[User:MisterShafXen/8edo]], which are essentially reduced versions of their equivalent from the main namespace, such as [[8edo]]. I know you say you like to develop your own theory, but if you&#039;re going to just duplicate information without any added value, it is likely that the admins will delete the pages without asking upfront. I thought I&#039;d point it out in case you didn&#039;t notice, either.&lt;br /&gt;
&lt;br /&gt;
The Xen Wiki is already a mess as it is already, and while user pages don&#039;t interfere as much in most viewers&#039; experience, it nonetheless adds noise to the whole. If you want to experiment with templates, or browse the &amp;quot;stats&amp;quot; of various tunings, I suggest you create a userspace sandbox (i.e. [[User:MisterShafXen/Sandbox]]) and make use of the &amp;quot;preview&amp;quot; feature, if you use the source editor, to display the page without needing to save it, if you don&#039;t need to keep it on the long term (e.g. if it&#039;s a tuning system you regularly use to make music). Although the website can probably handle hundreds of additional pages without any technical issue, it&#039;s more of a problem for the admins (like me), because that means additional maintenance work, and with already over 20,000 pages, it&#039;s difficult to keep everything tidy and it is extremely time-consuming.&lt;br /&gt;
&lt;br /&gt;
If you continue to create numerous pages that admins are going to delete afterwards anyway, you might receive an official warning from admins. The userspace has more freedom than the main namespace, but it&#039;s not free-for-all either. Thank you for your consideration. --[[User:Fredg999|Fredg999]] ([[User talk:Fredg999|talk]]) 17:52, 1 August 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thank you for your suggestion! I will definitely take it into consideration. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 18:14, 1 August 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Notice ==&lt;br /&gt;
Plz stop creating articles with only machine-generated contents. Consider this a formal warning. —[[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 18:57, 2 May 2026 (UTC)&lt;br /&gt;
&lt;br /&gt;
Hello Flora, &lt;br /&gt;
I very much appreciate that you have been gracious enough to give me a formal warning against creating articles with only machine-generated content. However, I do have an objection. The majority of the articles I have recently created using only templates have been either articles on specific MOS scales and articles listing all MOSes in given EDOs. At the very least, the latter articles that were already on the wiki did not appear to have any humanly written content. In addition to this, a good few existing articles on specific MOS scales have at most 1-2 lines of humanly written content. As such, I saw it fit to create these kinds of articles using only templates.&lt;br /&gt;
I would like to reiterate that I very much appreciate the severity of this warning, and I will do my best to add original content when creating articles.&lt;br /&gt;
[[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 19:39, 2 May 2026 (UTC)&lt;br /&gt;
&lt;br /&gt;
: Hello MisterShafXen, those pre-existing pages with only machine-generated content were made years ago, before the [[Xenharmonic Wiki:Notability guidelines]] were created. (I even made many of them.) Those pages would not be made today. Many of them should probably be deleted but the moderators have more important things to do than go through old pages one by one deciding what to delete. If you want to contribute to MOS pages, then rather than making new empty MOS pages, it would be more helpful to write some text for those already-existing pages. That would be much appreciated. --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 02:04, 5 May 2026 (UTC)&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=User_talk:MisterShafXen&amp;diff=229660</id>
		<title>User talk:MisterShafXen</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=User_talk:MisterShafXen&amp;diff=229660"/>
		<updated>2026-05-05T02:05:25Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Notice */ explained why many existing pages have no content, and suggested improving those pages instead of making new ones&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Creating new edo pages ==&lt;br /&gt;
Please remember to add a link in the &#039;&#039;EDO&#039;&#039; page when you create new edo pages. I see you&#039;ve created a couple of empty edo pages. You have anything coming up to the edos you created pages for? [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 13:22, 14 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
: MisterShafXen, thank you for your efforts to improve the wiki. &lt;br /&gt;
&lt;br /&gt;
: If you have been creating pages from the “wanted pages” list, it may be best to stop doing that, and to instead work on adding more content to the already-existing pages in [[:Category:Stubs]].&lt;br /&gt;
&lt;br /&gt;
: I have recently added a little blurb to [[Xenharmonic Wiki:Conventions]] explaining why “wanted pages” can be misleading and what other things to do instead.&lt;br /&gt;
&lt;br /&gt;
: I want to reiterate that I am thankful for your efforts and appreciative that you are here. I’m just trying to help you put your enthusiasm and good will to the best use.&lt;br /&gt;
&lt;br /&gt;
: Kind regards,&lt;br /&gt;
&lt;br /&gt;
: --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 23:31, 14 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
Budjarn has a great point. So far you&#039;ve created a bunch of edo pages with only infoboxes. We all wonder what you have to say about those tunings, but if you don&#039;t have anything to say yet, I&#039;d like to ask you to do us a favor to stop creating new pages for now cuz we don&#039;t have many volunteers to fill them with real contents. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 18:14, 16 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
Any chance we&#039;ll have a talk? [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 19:25, 17 December 2024 (UTC)&lt;br /&gt;
&lt;br /&gt;
Sure!  [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 16:54, 7 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== To create an infobox ==&lt;br /&gt;
To create an infobox with the visual editor, find &#039;&#039;insert&#039;&#039; on the same line as the &#039;&#039;save changes&#039;&#039; button. Click &#039;&#039;insert&#039;&#039; → &#039;&#039;template&#039;&#039;. Enter &amp;lt;code&amp;gt;Infobox Interval&amp;lt;/code&amp;gt; in the text box (if it&#039;s an interval page), and click &#039;&#039;insert&#039;&#039;. To create an infobox in the source editor, simply enter &amp;lt;code&amp;gt;&amp;lt;nowiki&amp;gt;{{Infobox Interval}}&amp;lt;/nowiki&amp;gt;&amp;lt;/code&amp;gt;. You may use the &#039;&#039;SandBox&#039;&#039; page to experiment with editing. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 17:00, 15 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
: It doesn’t show me the insert thing, I don’t know why. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 13:14, 16 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
:: [[File:HowToInfoboxInterval.jpeg|500px|thumb|left]]&lt;br /&gt;
:: Here are screenshots of the process in the visual editor. &lt;br /&gt;
:: Click on the image to zoom in.&lt;br /&gt;
:: As Flora said, to experiment with editing, please use the page [[SandBox]].&lt;br /&gt;
:: --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 03:44, 17 January 2025 (UTC)&lt;br /&gt;
{{clear}}&lt;br /&gt;
&lt;br /&gt;
Now I understand… I am using mobile. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 12:45, 23 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Uploading pictures ==&lt;br /&gt;
You pictures aren&#039;t properly rotated, and it&#039;s generally not great to have to click a link to see it. Why not typing them down in plain text? [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 14:23, 17 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
I’ve tried putting it in plain text. Someone else suggested putting pictures instead. I can’t seem to rotate it properly, it’s so annoying. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 14:41, 17 January 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Notice ==&lt;br /&gt;
I received many complaints about your conduct on this wiki. Your contributions have been considered unhelpful due to a massive lack of context. We asked you to provide context to your notation to various edos like what purpose they served and what method was used. There&#039;s still no answers. I think in general you can do us a favor by using your user namespace (pages of the form &amp;lt;code&amp;gt;User:MisterShafXen/[Title]&amp;lt;/code&amp;gt;) more. The main namespace isn&#039;t where you put your idiosyncratic stuff without explanation. More specifically we ask you to&lt;br /&gt;
* not create new equal tuning pages and interval pages until you have some substantial human-made contents (not machine-generated contents) to add. &lt;br /&gt;
* not upload handwritten pictures. &lt;br /&gt;
** get some digital formatting tools. &lt;br /&gt;
* keep your notation solutions to your user space. &lt;br /&gt;
&lt;br /&gt;
Finally, if you add links, pls add them in the proper section. Don&#039;t just carelessly put it in the intro. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 20:50, 1 February 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Sure! I’m still learning…&lt;br /&gt;
I will be putting in my reasoning for my notation in the next few days. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 18:47, 3 February 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Notice regarding temperament pages ==&lt;br /&gt;
The established practice on the wiki is to not create pages for individual temperaments before their technical data is recorded on a family page, and in general to not create pages for individual temperaments without there being cause for a greater exploration of a temperament than is available on a family page like [[Escapade family]]. In the case of your page, Sharpquart (which has since been deleted because the temperament interpretation come up with for that generator already exists, as [[Keemic temperaments #Chromo|Chromo]]), you did not provide this sort of exploration. You displayed a fundamental misunderstanding of what a temperament is (by declaring a generator of &amp;quot;exactly 53.5 cents&amp;quot;), as it is explicit that temperaments are not the same thing as scale structures. If you wanted to record on the wiki a scale family generated using that generator, it would be better served in the form of a Scala file like many pages on the wiki are.&lt;br /&gt;
&lt;br /&gt;
You are not obligated to understand the mathematical concepts presented on the wiki, but only &#039;&#039;if you are not to claim any one of the ideas you place on the wiki&#039;&#039; to be an instance of such a concept. You &#039;&#039;are&#039;&#039; obligated to explain what xenharmonic interest, however niche, your ideas might possess, or to express them in a way where it seems plausible that they have such interest. I understand that you may think of the wiki as being created by people doing much the same thing you are, and the preponderance of often unhelpful temperaments doesn&#039;t help to dispel such notions. However, even if the people who wrote up most of the contents of the temperament family pages &#039;&#039;were&#039;&#039; like you in mind (and I don&#039;t believe they were, the quality of their contributions notwithstanding), the current wiki holds itself to a higher standard than it once had, and all you would be doing is adding to, rather than ameliorating, the wiki&#039;s problem.&lt;br /&gt;
&lt;br /&gt;
Some people believe that you should receive a temporary block on the wiki; I will not act on that on my own initiative. Therefore, consider this a warning. --[[User:Lériendil|Lériendil]] ([[User talk:Lériendil|talk]]) 16:15, 25 March 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
To add on to Leriendil’s message: There is probably no material needing to be added on the wiki which can be added by someone without significant knowledge of xenharmonic theory (i.e. comparable to or beyond what the wiki catalogues) or significant knowledge of performance practice. [[User:Hkm|hkm]] ([[User talk:Hkm|talk]]) 19:15, 25 March 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Ok, thanks for the warning. Please note that I consider myself to be an adventurous beginner on this wiki. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 12:54, 4 April 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Formatting ==&lt;br /&gt;
Pls take some time to learn basic wiki formatting at Help: Editing. Don&#039;t burden others to finish up what you leave out like [https://en.xen.wiki/index.php?title=Music_in_14edo&amp;amp;curid=17182&amp;amp;diff=189609&amp;amp;oldid=173465 this]. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 14:45, 2 April 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thanks for telling me where to find the formatting guide! [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 12:52, 4 April 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Interval page formatting ==&lt;br /&gt;
Pls use Template: Monzo to type monzos. Pls put Template: Infobox interval at the top of each interval page. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 11:35, 19 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Ok, I&#039;ll try that!&lt;br /&gt;
&lt;br /&gt;
== Notability ==&lt;br /&gt;
&lt;br /&gt;
You&#039;ve created a few pages which are not considered notable enough for the wiki. You might want to read the [[notability guidelines]]. Specifically, you created pages about very complex intervals (with high [[prime limit]] or large numerator/denominator) that are also large enough (more than one cent at that complexity) that they aren&#039;t useful for tempering out. It&#039;s true that there are more complex intervals documented on the wiki, like [[393216/390625]], but these intervals are notable because tempering them out leads to useful structures with a somewhat small [[prime limit]]; in the notability guidelines, we would consider them notable by community content, theoretical value, or practical application.&lt;br /&gt;
&lt;br /&gt;
You&#039;ve also created at least one page for an equal division of an interval other than the octave. These pages could be fine as long as there is interesting theory behind those divisions--perhaps they represent [[just intonation]] very accurately, or they are used in non-Western musical cultures. The page you created, [[8ed6]] happened to have a neat relation to the [[wuerschmidt]] temperament, so there was some interesting theory behind that division. As a result, the page was marked as [[niche]] rather than being deleted. But this was something of a lucky outcome for you--if there was no connection to wuerschmidt, the page might have been deleted due to not fitting the notability guidelines.&lt;br /&gt;
&lt;br /&gt;
I see that you&#039;ve joined the XA Discord--if you&#039;re wondering whether a page you&#039;re considering creating meets notability guidelines, feel free to ask in the #wiki channel. You can also create any page you want on your userspace. --[[User:Hkm|hkm]] ([[User talk:Hkm|talk]]) 20:27, 20 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thanks for making me aware. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 22:09, 20 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
: I want to clarify that the following is not really true:&lt;br /&gt;
:: You can also create any page you want on your userspace. &lt;br /&gt;
: While the guidelines are not as strictly enforced on userspace pages, they are still part of this wiki and should contain useful information.&lt;br /&gt;
: Creating many pages in your userspace which do not follow the notability guidelines can be perceived as spam. &lt;br /&gt;
: – [[User:Sintel|Sintel🎏]] ([[User_talk:Sintel|talk]]) 18:10, 31 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thanks for the clarification.&lt;br /&gt;
[[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 18:56, 31 July 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Duplicate pages ==&lt;br /&gt;
&lt;br /&gt;
Hi MisterShafXen,&lt;br /&gt;
&lt;br /&gt;
I noticed you create pages such as [[User:MisterShafXen/8edo]], which are essentially reduced versions of their equivalent from the main namespace, such as [[8edo]]. I know you say you like to develop your own theory, but if you&#039;re going to just duplicate information without any added value, it is likely that the admins will delete the pages without asking upfront. I thought I&#039;d point it out in case you didn&#039;t notice, either.&lt;br /&gt;
&lt;br /&gt;
The Xen Wiki is already a mess as it is already, and while user pages don&#039;t interfere as much in most viewers&#039; experience, it nonetheless adds noise to the whole. If you want to experiment with templates, or browse the &amp;quot;stats&amp;quot; of various tunings, I suggest you create a userspace sandbox (i.e. [[User:MisterShafXen/Sandbox]]) and make use of the &amp;quot;preview&amp;quot; feature, if you use the source editor, to display the page without needing to save it, if you don&#039;t need to keep it on the long term (e.g. if it&#039;s a tuning system you regularly use to make music). Although the website can probably handle hundreds of additional pages without any technical issue, it&#039;s more of a problem for the admins (like me), because that means additional maintenance work, and with already over 20,000 pages, it&#039;s difficult to keep everything tidy and it is extremely time-consuming.&lt;br /&gt;
&lt;br /&gt;
If you continue to create numerous pages that admins are going to delete afterwards anyway, you might receive an official warning from admins. The userspace has more freedom than the main namespace, but it&#039;s not free-for-all either. Thank you for your consideration. --[[User:Fredg999|Fredg999]] ([[User talk:Fredg999|talk]]) 17:52, 1 August 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
Thank you for your suggestion! I will definitely take it into consideration. [[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 18:14, 1 August 2025 (UTC)&lt;br /&gt;
&lt;br /&gt;
== Notice ==&lt;br /&gt;
Plz stop creating articles with only machine-generated contents. Consider this a formal warning. —[[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 18:57, 2 May 2026 (UTC)&lt;br /&gt;
&lt;br /&gt;
Hello Flora, &lt;br /&gt;
I very much appreciate that you have been gracious enough to give me a formal warning against creating articles with only machine-generated content. However, I do have an objection. The majority of the articles I have recently created using only templates have been either articles on specific MOS scales and articles listing all MOSes in given EDOs. At the very least, the latter articles that were already on the wiki did not appear to have any humanly written content. In addition to this, a good few existing articles on specific MOS scales have at most 1-2 lines of humanly written content. As such, I saw it fit to create these kinds of articles using only templates.&lt;br /&gt;
I would like to reiterate that I very much appreciate the severity of this warning, and I will do my best to add original content when creating articles.&lt;br /&gt;
[[User:MisterShafXen|MisterShafXen]] ([[User talk:MisterShafXen|talk]]) 19:39, 2 May 2026 (UTC)&lt;br /&gt;
&lt;br /&gt;
: Hello MisterShafXen, those pre-existing pages with only machine-generated content were made years ago, before the [[Xenharmonic Wiki:Notability guidelines]] were created. (I even made many of them.) Those pages would not be made today. Many of them should probably be deleted but the moderators have more important things to do than go through old pages one by one deciding what to delete. If you want to contribute to MOS pages, then rather than making new MOS pages, it would be more helpful to write some text for those already-existing pages. That would be much appreciated. --[[User:BudjarnLambeth|BudjarnLambeth]] ([[User talk:BudjarnLambeth|talk]]) 02:04, 5 May 2026 (UTC)&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=84edo&amp;diff=229408</id>
		<title>84edo</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=84edo&amp;diff=229408"/>
		<updated>2026-05-02T09:38:58Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Rank-2 temperaments */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox ET}}&lt;br /&gt;
{{ED intro}}&lt;br /&gt;
&lt;br /&gt;
== Theory ==&lt;br /&gt;
84edo shares the [[3/2|perfect fifth]] with [[12edo]], [[tempering out]] the [[Pythagorean comma]] in its [[patent val]]. In the [[5-limit]] it tempers out the [[sensipent comma]]; in the [[7-limit]] [[225/224]], [[1728/1715]], [[2430/2401]], [[6144/6125]], [[support]]ing [[orwell]], [[compton]], and [[sensei]]. In the [[13-limit]] it is the [[optimal patent val]] for the rank-5 temperament tempering out [[144/143]]. &lt;br /&gt;
&lt;br /&gt;
84edo is where the orwell temperament takes its name from, since the generator of [[7/6]] is equal to 19 steps of the edo, referencing the [[Wikipedia: Nineteen Eighty-Four|book 1984]]. Orwell in 84edo comes in two varieties—the 84e val {{val| 84 133 195 236 &#039;&#039;&#039;290&#039;&#039;&#039; }}, supporting the original orwell, and its [[patent val]] {{val| 84 133 195 236 &#039;&#039;&#039;291&#039;&#039;&#039; }} supporting [[newspeak]]. 84edo orwell offers [[mos scale]]s of size 9, 13, 22, and 31, of which the 31-note scale is the [[maximal evenness]] scale.&lt;br /&gt;
&lt;br /&gt;
=== Prime harmonics ===&lt;br /&gt;
{{Harmonics in equal|84|columns=12}}&lt;br /&gt;
{{Harmonics in equal|84|columns=12|start=13|collapsed=1|title=Approximation of prime harmonics in 84edo (continued)}}&lt;br /&gt;
&lt;br /&gt;
=== Subsets and supersets ===&lt;br /&gt;
84 is a [[largely composite]] number. Since 84 factors as {{factorization|84}}, 84edo has subset edos {{EDOs| 2, 3, 4, 6, 7, 12, 14, 21, 28, 42 }}. Being a small multiple of 28, it tempers out the [[oquatonic|oquatonic comma]], which maps 5/4 to 9\28.&lt;br /&gt;
&lt;br /&gt;
== Intervals ==&lt;br /&gt;
{| class=&amp;quot;wikitable center-1 right-2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! #&lt;br /&gt;
! Cents&lt;br /&gt;
! Approximate ratios*&lt;br /&gt;
! colspan=&amp;quot;3&amp;quot; | [[Ups and downs notation]]&lt;br /&gt;
|-&lt;br /&gt;
| 0&lt;br /&gt;
| 0.0&lt;br /&gt;
| [[1/1]]&lt;br /&gt;
| Perfect 1sn&lt;br /&gt;
| P1&lt;br /&gt;
| D&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 14.3&lt;br /&gt;
| &#039;&#039;[[81/80]]&#039;&#039;, [[105/104]], [[126/125]], [[169/168]], [[196/195]]&lt;br /&gt;
| Up 1sn&lt;br /&gt;
| ^1&lt;br /&gt;
| ^D&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 28.6&lt;br /&gt;
| [[50/49]], [[64/63]], [[65/64]], &#039;&#039;[[91/90]]&#039;&#039;&lt;br /&gt;
| Dup 1sn&lt;br /&gt;
| ^^1&lt;br /&gt;
| ^^D&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| 42.9&lt;br /&gt;
| [[36/35]], [[40/39]], [[46/45]], [[49/48]]&lt;br /&gt;
| Trup 1sn&lt;br /&gt;
| ^^^1&lt;br /&gt;
| ^^^D&lt;br /&gt;
|-&lt;br /&gt;
| 4&lt;br /&gt;
| 57.1&lt;br /&gt;
| &#039;&#039;[[27/26]]&#039;&#039;&lt;br /&gt;
| Trudminor 2nd&lt;br /&gt;
| vvvm2&lt;br /&gt;
| vvvEb&lt;br /&gt;
|-&lt;br /&gt;
| 5&lt;br /&gt;
| 71.4&lt;br /&gt;
| [[24/23]], [[25/24]], [[26/25]], &#039;&#039;[[28/27]]&#039;&#039;&lt;br /&gt;
| Dudminor 2nd&lt;br /&gt;
| vvm2&lt;br /&gt;
| vvEb&lt;br /&gt;
|-&lt;br /&gt;
| 6&lt;br /&gt;
| 85.7&lt;br /&gt;
| [[20/19]], [[21/20]]&lt;br /&gt;
| Downminor 2nd&lt;br /&gt;
| vm2&lt;br /&gt;
| vEb&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| 100.0&lt;br /&gt;
| [[19/18]]&lt;br /&gt;
| Minor 2nd&lt;br /&gt;
| m2&lt;br /&gt;
| Eb&lt;br /&gt;
|-&lt;br /&gt;
| 8&lt;br /&gt;
| 114.3&lt;br /&gt;
| [[15/14]], [[16/15]]&lt;br /&gt;
| Upminor 2nd&lt;br /&gt;
| ^m2&lt;br /&gt;
| ^Eb&lt;br /&gt;
|-&lt;br /&gt;
| 9&lt;br /&gt;
| 128.6&lt;br /&gt;
| [[14/13]]&lt;br /&gt;
| Dupminor 2nd&lt;br /&gt;
| ^^m2&lt;br /&gt;
| ^^Eb&lt;br /&gt;
|-&lt;br /&gt;
| 10&lt;br /&gt;
| 142.9&lt;br /&gt;
| [[13/12]]&lt;br /&gt;
| Trupminor 2nd&lt;br /&gt;
| ^^^m2&lt;br /&gt;
| ^^^Eb&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| 157.1&lt;br /&gt;
| [[23/21]]&lt;br /&gt;
| Trudmajor 2nd&lt;br /&gt;
| vvvM2&lt;br /&gt;
| vvvE&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| 171.4&lt;br /&gt;
| [[21/19]]&lt;br /&gt;
| Dudmajor 2nd&lt;br /&gt;
| vvM2&lt;br /&gt;
| vvE&lt;br /&gt;
|-&lt;br /&gt;
| 13&lt;br /&gt;
| 185.7&lt;br /&gt;
| [[10/9]]&lt;br /&gt;
| Downmajor 2nd&lt;br /&gt;
| vM2&lt;br /&gt;
| vE&lt;br /&gt;
|-&lt;br /&gt;
| 14&lt;br /&gt;
| 200.0&lt;br /&gt;
| [[9/8]]&lt;br /&gt;
| Major 2nd&lt;br /&gt;
| M2&lt;br /&gt;
| E&lt;br /&gt;
|-&lt;br /&gt;
| 15&lt;br /&gt;
| 214.3&lt;br /&gt;
| [[26/23]]&lt;br /&gt;
| Upmajor 2nd&lt;br /&gt;
| ^M2&lt;br /&gt;
| ^E&lt;br /&gt;
|-&lt;br /&gt;
| 16&lt;br /&gt;
| 228.6&lt;br /&gt;
| [[8/7]]&lt;br /&gt;
| Dupmajor 2nd&lt;br /&gt;
| ^^M2&lt;br /&gt;
| ^^E&lt;br /&gt;
|-&lt;br /&gt;
| 17&lt;br /&gt;
| 242.9&lt;br /&gt;
| [[15/13]], [[23/20]]&lt;br /&gt;
| Trupmajor 2nd&lt;br /&gt;
| ^^^M2&lt;br /&gt;
| ^^^E&lt;br /&gt;
|-&lt;br /&gt;
| 18&lt;br /&gt;
| 257.1&lt;br /&gt;
| [[52/45]]&lt;br /&gt;
| Trudminor 3rd&lt;br /&gt;
| vvvm3&lt;br /&gt;
| vvvF&lt;br /&gt;
|-&lt;br /&gt;
| 19&lt;br /&gt;
| 271.4&lt;br /&gt;
| [[7/6]]&lt;br /&gt;
| Dudminor 3rd&lt;br /&gt;
| vvm2&lt;br /&gt;
| vvF&lt;br /&gt;
|-&lt;br /&gt;
| 20&lt;br /&gt;
| 285.7&lt;br /&gt;
| [[45/38]], [[46/39]]&lt;br /&gt;
| Downminor 3rd&lt;br /&gt;
| vm3&lt;br /&gt;
| vF&lt;br /&gt;
|-&lt;br /&gt;
| 21&lt;br /&gt;
| 300.0&lt;br /&gt;
| [[19/16]], [[25/21]], [[32/27]]&lt;br /&gt;
| Minor 3rd&lt;br /&gt;
| m3&lt;br /&gt;
| F&lt;br /&gt;
|-&lt;br /&gt;
| 22&lt;br /&gt;
| 314.3&lt;br /&gt;
| [[6/5]]&lt;br /&gt;
| Upminor 3rd&lt;br /&gt;
| ^m3&lt;br /&gt;
| ^F&lt;br /&gt;
|-&lt;br /&gt;
| 23&lt;br /&gt;
| 328.6&lt;br /&gt;
| [[23/19]]&lt;br /&gt;
| Dupminor 3rd&lt;br /&gt;
| ^^m3&lt;br /&gt;
| ^^F&lt;br /&gt;
|-&lt;br /&gt;
| 24&lt;br /&gt;
| 342.9&lt;br /&gt;
| [[28/23]], [[39/32]]&lt;br /&gt;
| Trupminor 3rd&lt;br /&gt;
| ^^^m3&lt;br /&gt;
| ^^^F&lt;br /&gt;
|-&lt;br /&gt;
| 25&lt;br /&gt;
| 357.1&lt;br /&gt;
| [[16/13]]&lt;br /&gt;
| Trudmajor 3rd&lt;br /&gt;
| vvvM3&lt;br /&gt;
| vvvF#&lt;br /&gt;
|-&lt;br /&gt;
| 26&lt;br /&gt;
| 371.4&lt;br /&gt;
| [[26/21]]&lt;br /&gt;
| Dudmajor 3rd&lt;br /&gt;
| vvM3&lt;br /&gt;
| vvF#&lt;br /&gt;
|-&lt;br /&gt;
| 27&lt;br /&gt;
| 385.7&lt;br /&gt;
| [[5/4]]&lt;br /&gt;
| Downmajor 3rd&lt;br /&gt;
| vM3&lt;br /&gt;
| vF#&lt;br /&gt;
|-&lt;br /&gt;
| 28&lt;br /&gt;
| 400.0&lt;br /&gt;
| [[24/19]]&lt;br /&gt;
| Major 3rd&lt;br /&gt;
| M3&lt;br /&gt;
| F#&lt;br /&gt;
|-&lt;br /&gt;
| 29&lt;br /&gt;
| 414.3&lt;br /&gt;
| [[19/15]]&lt;br /&gt;
| Upmajor 3rd&lt;br /&gt;
| ^M3&lt;br /&gt;
| ^F#&lt;br /&gt;
|-&lt;br /&gt;
| 30&lt;br /&gt;
| 428.6&lt;br /&gt;
| [[9/7]], [[23/18]], [[32/25]]&lt;br /&gt;
| Dupmajor 3rd&lt;br /&gt;
| ^^M3&lt;br /&gt;
| ^^F#&lt;br /&gt;
|-&lt;br /&gt;
| 31&lt;br /&gt;
| 442.9&lt;br /&gt;
| [[84/65]]&lt;br /&gt;
| Trupmajor 3rd&lt;br /&gt;
| ^^^M3&lt;br /&gt;
| ^^^F#&lt;br /&gt;
|-&lt;br /&gt;
| 32&lt;br /&gt;
| 457.1&lt;br /&gt;
| [[13/10]], [[30/23]]&lt;br /&gt;
| Trud 4th&lt;br /&gt;
| vvv4&lt;br /&gt;
| vvvG&lt;br /&gt;
|-&lt;br /&gt;
| 33&lt;br /&gt;
| 471.4&lt;br /&gt;
| [[21/16]]&lt;br /&gt;
| Dud 4th&lt;br /&gt;
| vv4&lt;br /&gt;
| vvG&lt;br /&gt;
|-&lt;br /&gt;
| 34&lt;br /&gt;
| 485.7&lt;br /&gt;
| [[65/49]]&lt;br /&gt;
| Down 4th&lt;br /&gt;
| v4&lt;br /&gt;
| vG&lt;br /&gt;
|-&lt;br /&gt;
| 35&lt;br /&gt;
| 500.0&lt;br /&gt;
| [[4/3]]&lt;br /&gt;
| Perfect 4th&lt;br /&gt;
| P4&lt;br /&gt;
| G&lt;br /&gt;
|-&lt;br /&gt;
| 36&lt;br /&gt;
| 514.3&lt;br /&gt;
| [[27/20]]&lt;br /&gt;
| Up 4th&lt;br /&gt;
| ^4&lt;br /&gt;
| ^G&lt;br /&gt;
|-&lt;br /&gt;
| 37&lt;br /&gt;
| 528.6&lt;br /&gt;
| [[19/14]]&lt;br /&gt;
| Dup 4th&lt;br /&gt;
| ^^4&lt;br /&gt;
| ^^G&lt;br /&gt;
|-&lt;br /&gt;
| 38&lt;br /&gt;
| 542.9&lt;br /&gt;
| [[26/19]]&lt;br /&gt;
| Trup 4th&lt;br /&gt;
| ^^^4&lt;br /&gt;
| ^^^G&lt;br /&gt;
|-&lt;br /&gt;
| 39&lt;br /&gt;
| 557.1&lt;br /&gt;
| [[18/13]]&lt;br /&gt;
| Trudaug 4th&lt;br /&gt;
| vvvA4&lt;br /&gt;
| vvvG#&lt;br /&gt;
|-&lt;br /&gt;
| 40&lt;br /&gt;
| 571.4&lt;br /&gt;
| [[25/18]], [[32/23]]&lt;br /&gt;
| Dudaug 4th&lt;br /&gt;
| vvA4&lt;br /&gt;
| vvG#&lt;br /&gt;
|-&lt;br /&gt;
| 41&lt;br /&gt;
| 585.7&lt;br /&gt;
| [[7/5]]&lt;br /&gt;
| Downaug 4th&lt;br /&gt;
| vA4&lt;br /&gt;
| vG#&lt;br /&gt;
|-&lt;br /&gt;
| 42&lt;br /&gt;
| 600.0&lt;br /&gt;
| [[27/19]], [[38/27]]&lt;br /&gt;
| Aug 4th, Dim 5th&lt;br /&gt;
| A4, d5&lt;br /&gt;
| G#, Ab&lt;br /&gt;
|-&lt;br /&gt;
| 43&lt;br /&gt;
| 614.3&lt;br /&gt;
| [[10/7]]&lt;br /&gt;
| Updim 5th&lt;br /&gt;
| ^d5&lt;br /&gt;
| ^Ab&lt;br /&gt;
|-&lt;br /&gt;
| 44&lt;br /&gt;
| 628.6&lt;br /&gt;
| [[23/16]], [[36/25]]&lt;br /&gt;
| Dupdim 5th&lt;br /&gt;
| ^^d5&lt;br /&gt;
| ^^Ab&lt;br /&gt;
|-&lt;br /&gt;
| 45&lt;br /&gt;
| 642.9&lt;br /&gt;
| [[13/9]]&lt;br /&gt;
| Trupdim 5th&lt;br /&gt;
| ^^^d5&lt;br /&gt;
| ^^^Ab&lt;br /&gt;
|-&lt;br /&gt;
| 46&lt;br /&gt;
| 657.1&lt;br /&gt;
| [[19/13]]&lt;br /&gt;
| Trud 5th&lt;br /&gt;
| vvv5&lt;br /&gt;
| vvvA&lt;br /&gt;
|-&lt;br /&gt;
| 47&lt;br /&gt;
| 671.4&lt;br /&gt;
| [[28/19]]&lt;br /&gt;
| Dud 5th&lt;br /&gt;
| vv5&lt;br /&gt;
| vvA&lt;br /&gt;
|-&lt;br /&gt;
| 48&lt;br /&gt;
| 685.7&lt;br /&gt;
| [[40/27]]&lt;br /&gt;
| Down 5th&lt;br /&gt;
| v5&lt;br /&gt;
| vA&lt;br /&gt;
|-&lt;br /&gt;
| 49&lt;br /&gt;
| 700.0&lt;br /&gt;
| [[3/2]]&lt;br /&gt;
| Perfect 5th&lt;br /&gt;
| P5&lt;br /&gt;
| A&lt;br /&gt;
|-&lt;br /&gt;
| 50&lt;br /&gt;
| 714.3&lt;br /&gt;
| [[98/65]]&lt;br /&gt;
| Up 5th&lt;br /&gt;
| ^5&lt;br /&gt;
| ^A&lt;br /&gt;
|-&lt;br /&gt;
| 51&lt;br /&gt;
| 728.6&lt;br /&gt;
| [[32/21]]&lt;br /&gt;
| Dup 5th&lt;br /&gt;
| ^^5&lt;br /&gt;
| ^^A&lt;br /&gt;
|-&lt;br /&gt;
| 52&lt;br /&gt;
| 742.9&lt;br /&gt;
| [[20/13]], [[23/15]]&lt;br /&gt;
| Trup 5th&lt;br /&gt;
| ^^^5&lt;br /&gt;
| ^^^A&lt;br /&gt;
|-&lt;br /&gt;
| 53&lt;br /&gt;
| 757.1&lt;br /&gt;
| [[65/42]]&lt;br /&gt;
| Trudminor 6th&lt;br /&gt;
| vvvm6&lt;br /&gt;
| vvvBb&lt;br /&gt;
|-&lt;br /&gt;
| 54&lt;br /&gt;
| 771.4&lt;br /&gt;
| [[14/9]], [[25/16]], [[36/23]]&lt;br /&gt;
| Dudminor 6th&lt;br /&gt;
| vvm6&lt;br /&gt;
| vvBb&lt;br /&gt;
|-&lt;br /&gt;
| 55&lt;br /&gt;
| 785.7&lt;br /&gt;
| [[30/19]]&lt;br /&gt;
| Downminor 6th&lt;br /&gt;
| vm6&lt;br /&gt;
| vBb&lt;br /&gt;
|-&lt;br /&gt;
| 56&lt;br /&gt;
| 800.0&lt;br /&gt;
| [[19/12]]&lt;br /&gt;
| Minor 6th&lt;br /&gt;
| m6&lt;br /&gt;
| Bb&lt;br /&gt;
|-&lt;br /&gt;
| 57&lt;br /&gt;
| 814.3&lt;br /&gt;
| [[8/5]]&lt;br /&gt;
| Upminor 6th&lt;br /&gt;
| ^m6&lt;br /&gt;
| ^Bb&lt;br /&gt;
|-&lt;br /&gt;
| 58&lt;br /&gt;
| 828.6&lt;br /&gt;
| [[21/13]]&lt;br /&gt;
| Dupminor 6th&lt;br /&gt;
| ^^m6&lt;br /&gt;
| ^^Bb&lt;br /&gt;
|-&lt;br /&gt;
| 59&lt;br /&gt;
| 842.9&lt;br /&gt;
| [[13/8]]&lt;br /&gt;
| Trupminor 6th&lt;br /&gt;
| ^^^m6&lt;br /&gt;
| ^^^Bb&lt;br /&gt;
|-&lt;br /&gt;
| 60&lt;br /&gt;
| 857.1&lt;br /&gt;
| [[23/14]], [[64/39]]&lt;br /&gt;
| Trudmajor 6th&lt;br /&gt;
| vvvM6&lt;br /&gt;
| vvvB&lt;br /&gt;
|-&lt;br /&gt;
| 61&lt;br /&gt;
| 871.4&lt;br /&gt;
| [[38/23]]&lt;br /&gt;
| Dudmajor 6th&lt;br /&gt;
| vvM6&lt;br /&gt;
| vvB&lt;br /&gt;
|-&lt;br /&gt;
| 62&lt;br /&gt;
| 885.7&lt;br /&gt;
| [[5/3]]&lt;br /&gt;
| Downmajor 6th&lt;br /&gt;
| vM6&lt;br /&gt;
| vB&lt;br /&gt;
|-&lt;br /&gt;
| 63&lt;br /&gt;
| 900.0&lt;br /&gt;
| [[32/19]], [[27/16]], [[42/25]]&lt;br /&gt;
| Major 6th&lt;br /&gt;
| M6&lt;br /&gt;
| B&lt;br /&gt;
|-&lt;br /&gt;
| 64&lt;br /&gt;
| 914.3&lt;br /&gt;
| [[39/23]], [[76/45]]&lt;br /&gt;
| Upmajor 6th&lt;br /&gt;
| ^M6&lt;br /&gt;
| ^B&lt;br /&gt;
|-&lt;br /&gt;
| 65&lt;br /&gt;
| 928.6&lt;br /&gt;
| [[12/7]]&lt;br /&gt;
| Dupmajor 6th&lt;br /&gt;
| ^^M6&lt;br /&gt;
| ^^B&lt;br /&gt;
|-&lt;br /&gt;
| 66&lt;br /&gt;
| 942.9&lt;br /&gt;
| [[45/26]]&lt;br /&gt;
| Trupmajor 6th&lt;br /&gt;
| ^^^M6&lt;br /&gt;
| ^^^B&lt;br /&gt;
|-&lt;br /&gt;
| 67&lt;br /&gt;
| 957.1&lt;br /&gt;
| [[26/15]], [[40/23]]&lt;br /&gt;
| Trudminor 7th&lt;br /&gt;
| vvvm7&lt;br /&gt;
| vvvC&lt;br /&gt;
|-&lt;br /&gt;
| 68&lt;br /&gt;
| 971.4&lt;br /&gt;
| [[7/4]]&lt;br /&gt;
| Dudminor 7th&lt;br /&gt;
| vvm7&lt;br /&gt;
| vvC&lt;br /&gt;
|-&lt;br /&gt;
| 69&lt;br /&gt;
| 985.7&lt;br /&gt;
| [[23/13]]&lt;br /&gt;
| Downminor 7th&lt;br /&gt;
| vm7&lt;br /&gt;
| vC&lt;br /&gt;
|-&lt;br /&gt;
| 70&lt;br /&gt;
| 1000.0&lt;br /&gt;
| [[16/9]]&lt;br /&gt;
| Minor 7th&lt;br /&gt;
| m7&lt;br /&gt;
| C&lt;br /&gt;
|-&lt;br /&gt;
| 71&lt;br /&gt;
| 1014.3&lt;br /&gt;
| [[9/5]]&lt;br /&gt;
| Upminor 7th&lt;br /&gt;
| ^m7&lt;br /&gt;
| ^C&lt;br /&gt;
|-&lt;br /&gt;
| 72&lt;br /&gt;
| 1028.6&lt;br /&gt;
| [[38/21]]&lt;br /&gt;
| Dupminor 7th&lt;br /&gt;
| ^^m7&lt;br /&gt;
| ^^C&lt;br /&gt;
|-&lt;br /&gt;
| 73&lt;br /&gt;
| 1042.9&lt;br /&gt;
| [[42/23]]&lt;br /&gt;
| Trupminor 7th&lt;br /&gt;
| ^^^m7&lt;br /&gt;
| ^^^C&lt;br /&gt;
|-&lt;br /&gt;
| 74&lt;br /&gt;
| 1057.1&lt;br /&gt;
| [[24/13]]&lt;br /&gt;
| Trudmajor 7th&lt;br /&gt;
| vvvM7&lt;br /&gt;
| vvvC#&lt;br /&gt;
|-&lt;br /&gt;
| 75&lt;br /&gt;
| 1071.4&lt;br /&gt;
| [[13/7]]&lt;br /&gt;
| Dudmajor 7th&lt;br /&gt;
| vvM7&lt;br /&gt;
| vvC#&lt;br /&gt;
|-&lt;br /&gt;
| 76&lt;br /&gt;
| 1085.7&lt;br /&gt;
| [[15/8]], [[28/15]]&lt;br /&gt;
| Downmajor 7th&lt;br /&gt;
| vM7&lt;br /&gt;
| vC#&lt;br /&gt;
|-&lt;br /&gt;
| 77&lt;br /&gt;
| 1100.0&lt;br /&gt;
| [[36/19]]&lt;br /&gt;
| Major 7th&lt;br /&gt;
| M7&lt;br /&gt;
| C#&lt;br /&gt;
|-&lt;br /&gt;
| 78&lt;br /&gt;
| 1114.3&lt;br /&gt;
| [[19/10]], [[40/21]]&lt;br /&gt;
| Upmajor 7th&lt;br /&gt;
| ^M7&lt;br /&gt;
| ^C#&lt;br /&gt;
|-&lt;br /&gt;
| 79&lt;br /&gt;
| 1128.6&lt;br /&gt;
| [[23/12]], [[25/13]], &#039;&#039;[[27/14]]&#039;&#039;, [[48/25]]&lt;br /&gt;
| Dupmajor 7th&lt;br /&gt;
| ^^M7&lt;br /&gt;
| ^^C#&lt;br /&gt;
|-&lt;br /&gt;
| 80&lt;br /&gt;
| 1142.9&lt;br /&gt;
| &#039;&#039;[[52/27]]&#039;&#039;&lt;br /&gt;
| Trupmajor 7th&lt;br /&gt;
| ^^^M7&lt;br /&gt;
| ^^^C#&lt;br /&gt;
|-&lt;br /&gt;
| 81&lt;br /&gt;
| 1157.1&lt;br /&gt;
| [[35/18]], [[39/20]], [[96/49]]&lt;br /&gt;
| Trud 8ve&lt;br /&gt;
| vvv8&lt;br /&gt;
| vvvD&lt;br /&gt;
|-&lt;br /&gt;
| 82&lt;br /&gt;
| 1171.4&lt;br /&gt;
| [[45/23]], [[49/25]], [[63/32]], [[128/65]], &#039;&#039;[[180/91]]&#039;&#039;&lt;br /&gt;
| Dud 8ve&lt;br /&gt;
| vv8&lt;br /&gt;
| vvD&lt;br /&gt;
|-&lt;br /&gt;
| 83&lt;br /&gt;
| 1185.7&lt;br /&gt;
| [[125/63]], &#039;&#039;[[160/81]]&#039;&#039;, [[195/98]], [[336/169]]&lt;br /&gt;
| Down 8ve&lt;br /&gt;
| v8&lt;br /&gt;
| vD&lt;br /&gt;
|-&lt;br /&gt;
| 84&lt;br /&gt;
| 1200.0&lt;br /&gt;
| [[2/1]]&lt;br /&gt;
| Perfect 8ve&lt;br /&gt;
| P8&lt;br /&gt;
| D&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;nowiki/&amp;gt;* As a 2.3.5.7.13.19.23-subgroup temperament&lt;br /&gt;
&lt;br /&gt;
== Notation ==&lt;br /&gt;
=== Ups and downs notation ===&lt;br /&gt;
&lt;br /&gt;
84edo can be notated using [[ups and downs notation|ups and downs]]. Trup is equivalent to quudsharp, trudsharp is equivalent to quup, etc.&lt;br /&gt;
{{Ups and downs sharpness|84}}&lt;br /&gt;
&lt;br /&gt;
Alternatively, sharps and flats with arrows borrowed from [[Helmholtz–Ellis notation]] can be used:&lt;br /&gt;
{{Sharpness-sharp7|84}}&lt;br /&gt;
&lt;br /&gt;
=== 4L 5s (gramitonic) notation ===&lt;br /&gt;
This notation is based on Orwell[9]. Notes are denoted as {{nowrap|LsLsLsLss {{=}} JKLMNOPQRJ}}, and raising and lowering by a chroma ({{nowrap|L − s}}), 3 steps in this instance, is denoted by &amp;amp;amp;&amp;amp;nbsp;(&amp;quot;amp&amp;quot;) and @&amp;amp;nbsp;(&amp;quot;at&amp;quot;). &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable center-1 right-2 center-3&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! #&lt;br /&gt;
! Cents&lt;br /&gt;
! Note&lt;br /&gt;
! Name&lt;br /&gt;
! Associated Ratio&lt;br /&gt;
|-&lt;br /&gt;
| 0&lt;br /&gt;
| 0.0&lt;br /&gt;
| J&lt;br /&gt;
| Perfect 0-gramstep&lt;br /&gt;
| 1/1&lt;br /&gt;
|-&lt;br /&gt;
| 8&lt;br /&gt;
| 114.3&lt;br /&gt;
| K@&lt;br /&gt;
| Minor 1-gramstep&lt;br /&gt;
| 15/14~16/15&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| 157.1&lt;br /&gt;
| K&lt;br /&gt;
| Major 1-gramstep&lt;br /&gt;
| 11/10~12/11&lt;br /&gt;
|-&lt;br /&gt;
| 16&lt;br /&gt;
| 228.6&lt;br /&gt;
| L@&lt;br /&gt;
| Diminished 2-gramstep&lt;br /&gt;
| 8/7&lt;br /&gt;
|-&lt;br /&gt;
| 19&lt;br /&gt;
| 271.4&lt;br /&gt;
| L&lt;br /&gt;
| Perfect 2-gramstep&lt;br /&gt;
| 7/6&lt;br /&gt;
|-&lt;br /&gt;
| 27&lt;br /&gt;
| 385.7&lt;br /&gt;
| M@&lt;br /&gt;
| Minor 3-gramstep&lt;br /&gt;
| 5/4&lt;br /&gt;
|-&lt;br /&gt;
| 30&lt;br /&gt;
| 428.6&lt;br /&gt;
| M&lt;br /&gt;
| Major 3-gramstep&lt;br /&gt;
| 9/7&lt;br /&gt;
|-&lt;br /&gt;
| 35&lt;br /&gt;
| 500.0&lt;br /&gt;
| N@&lt;br /&gt;
| Minor 4-gramstep&lt;br /&gt;
| 4/3&lt;br /&gt;
|-&lt;br /&gt;
| 38&lt;br /&gt;
| 542.9&lt;br /&gt;
| N&lt;br /&gt;
| Major 4-gramstep&lt;br /&gt;
| 11/8~15/11&lt;br /&gt;
|-&lt;br /&gt;
| 46&lt;br /&gt;
| 657.1&lt;br /&gt;
| O@&lt;br /&gt;
| Minor 5-gramstep&lt;br /&gt;
| 16/11~22/15&lt;br /&gt;
|-&lt;br /&gt;
| 49&lt;br /&gt;
| 700.0&lt;br /&gt;
| O&lt;br /&gt;
| Major 5-gramstep&lt;br /&gt;
| 3/2&lt;br /&gt;
|-&lt;br /&gt;
| 54&lt;br /&gt;
| 771.4&lt;br /&gt;
| P@&lt;br /&gt;
| Minor 6-gramstep&lt;br /&gt;
| 14/9&lt;br /&gt;
|-&lt;br /&gt;
| 57&lt;br /&gt;
| 814.3&lt;br /&gt;
| P&lt;br /&gt;
| Major 6-gramstep&lt;br /&gt;
| 8/5&lt;br /&gt;
|-&lt;br /&gt;
| 65&lt;br /&gt;
| 928.6&lt;br /&gt;
| Q@&lt;br /&gt;
| Perfect 7-gramstep&lt;br /&gt;
| 12/7&lt;br /&gt;
|-&lt;br /&gt;
| 68&lt;br /&gt;
| 971.4&lt;br /&gt;
| Q&lt;br /&gt;
| Augmented 7-gramstep&lt;br /&gt;
| 7/4&lt;br /&gt;
|-&lt;br /&gt;
| 73&lt;br /&gt;
| 1042.9&lt;br /&gt;
| R@&lt;br /&gt;
| Minor 8-gramstep&lt;br /&gt;
| 11/6~20/11&lt;br /&gt;
|-&lt;br /&gt;
| 76&lt;br /&gt;
| 1085.7&lt;br /&gt;
| R&lt;br /&gt;
| Major 8-gramstep&lt;br /&gt;
| 15/8~28/15&lt;br /&gt;
|-&lt;br /&gt;
| 84&lt;br /&gt;
| 1200.0&lt;br /&gt;
| J&lt;br /&gt;
| Perfect 9-gramstep&lt;br /&gt;
| 2/1&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Approximation to JI ==&lt;br /&gt;
=== 15-odd-limit intervals ===&lt;br /&gt;
{{Q-odd-limit intervals|84}}&lt;br /&gt;
&lt;br /&gt;
=== Higher-limit JI ===&lt;br /&gt;
84edo has fairly good approximation to higher [[prime harmonic]]s such as [[13/1|13]], [[19/1|19]], [[23/1|23]], [[29/1|29]], [[31/1|31]], 41, 43, 53, 59, 61, 73 and 89, so that it is for its size very performant for much of the 61-limit, with more off primes usually being sharp so that they can cancel opportunistically with other sharp harmonics. In fact, it is [[consistent]] in the no-11 no-17 no-27 no-37 no-47 no-49 no-51 no-55 65-odd-limit excepting only 1 inconsistent pair, 45/43 and 86/45, which are inconsistent by ~0.13{{cent}} (off by ~7.3{{cent}}), offering a truly vast inventory of harmony to draw from that has mostly been unexplored. This is especially true because its approximation powers do not end there: prime 11, due to its simplicity (and thus lesser tuning fidelity), is certainly usable (just causes some inconsistencies), and there are higher primes that are reasonably in-tune too when supported by context. The only missing primes are thus 17, 37, 47, 67, 71, 79 and 83, which except for 17 are all about 6 cents sharp, similar to the sharpness of prime 11, so that it somewhat makes up for these omissions by having a very accurate 22:37:47:67:71:79:83 chord, to which various additions are possible (though usually increasing the error as a result).&lt;br /&gt;
&lt;br /&gt;
== Regular temperament properties ==&lt;br /&gt;
{| class=&amp;quot;wikitable center-4 center-5 center-6&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Subgroup]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Comma list]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Mapping]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | Optimal&amp;lt;br&amp;gt;8ve stretch (¢)&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; | Tuning error&lt;br /&gt;
|-&lt;br /&gt;
! [[TE error|Absolute]] (¢)&lt;br /&gt;
! [[TE simple badness|Relative]] (%)&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5&lt;br /&gt;
| 78732/78125, 531441/524288&lt;br /&gt;
| {{mapping| 84 133 195 }}&lt;br /&gt;
| +0.498&lt;br /&gt;
| 0.531&lt;br /&gt;
| 3.72&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7&lt;br /&gt;
| 225/224, 1728/1715, 78732/78125&lt;br /&gt;
| {{mapping| 84 133 195 236 }}&lt;br /&gt;
| +0.141&lt;br /&gt;
| 0.769&lt;br /&gt;
| 5.39&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7.13&lt;br /&gt;
| 225/224, 351/350, 640/637, 1701/1690&lt;br /&gt;
| {{mapping| 84 133 195 236 311 }}&lt;br /&gt;
| −0.013&lt;br /&gt;
| 0.754&lt;br /&gt;
| 5.28&lt;br /&gt;
|- style=&amp;quot;border-top: double;&amp;quot;&lt;br /&gt;
| 2.3.5.7.11&lt;br /&gt;
| 225/224, 441/440, 1344/1331, 1728/1715&lt;br /&gt;
| {{mapping| 84 133 195 236 291 }} (84)&lt;br /&gt;
| −0.225&lt;br /&gt;
| 1.003&lt;br /&gt;
| 7.02&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7.11.13&lt;br /&gt;
| 144/143, 225/224, 351/350, 441/440, 975/968&lt;br /&gt;
| {{mapping| 84 133 195 236 291 311 }} (84)&lt;br /&gt;
| −0.292&lt;br /&gt;
| 0.928&lt;br /&gt;
| 6.50&lt;br /&gt;
|- style=&amp;quot;border-top: double;&amp;quot;&lt;br /&gt;
| 2.3.5.7.11&lt;br /&gt;
| 99/98, 121/120, 176/175, 78732/78125&lt;br /&gt;
| {{mapping| 84 133 195 236 290 }} (84e)&lt;br /&gt;
| +0.601&lt;br /&gt;
| 1.151&lt;br /&gt;
| 8.05&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7.11.13&lt;br /&gt;
| 99/98, 121/120, 176/175, 275/273, 1701/1690&lt;br /&gt;
| {{mapping| 84 133 195 236 290 311 }} (84e)&lt;br /&gt;
| +0.396&lt;br /&gt;
| 1.146&lt;br /&gt;
| 8.02&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Rank-2 temperaments ===&lt;br /&gt;
{| class=&amp;quot;wikitable center-all left-5&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;font-size: 105%;&amp;quot; | Table of rank-2 temperaments by generator&lt;br /&gt;
|-&lt;br /&gt;
! Periods&amp;lt;br&amp;gt;per 8ve&lt;br /&gt;
! Generator*&lt;br /&gt;
! Cents*&lt;br /&gt;
! Associated&amp;lt;br&amp;gt;ratio*&lt;br /&gt;
! Temperament&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 19\84&lt;br /&gt;
| 271.43&lt;br /&gt;
| 7/6&lt;br /&gt;
| [[Orwell]] (84e) / [[newspeak]] (84)&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 25\84&lt;br /&gt;
| 357.14&lt;br /&gt;
| 768/625&lt;br /&gt;
| [[Dodifo]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 27\84&lt;br /&gt;
| 385.71&lt;br /&gt;
| 5/4&lt;br /&gt;
| [[Mutt]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 31\84&lt;br /&gt;
| 442.86&lt;br /&gt;
| 125/81&lt;br /&gt;
| [[Sensei]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 41\84&lt;br /&gt;
| 585.71&lt;br /&gt;
| 7/5&lt;br /&gt;
| [[Merman]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 5\84&lt;br /&gt;
| 71.43&lt;br /&gt;
| 25/24&lt;br /&gt;
| [[Narayana]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 11\84&lt;br /&gt;
| 157.14&lt;br /&gt;
| 35/32&lt;br /&gt;
| [[Bison]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 13\84&lt;br /&gt;
| 185.71&lt;br /&gt;
| 10/9&lt;br /&gt;
| [[Secant]]&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| 11\84&lt;br /&gt;
| 157.14&lt;br /&gt;
| 35/32&lt;br /&gt;
| [[Nessafof]]&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| 5\84&lt;br /&gt;
| 500.00&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 4/3&amp;lt;br&amp;gt;(81/80)&lt;br /&gt;
| [[Absurdity]]&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| 27\84&amp;lt;br&amp;gt;(1\84)&lt;br /&gt;
| 385.71&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 5/4&amp;lt;br&amp;gt;(126/125)&lt;br /&gt;
| [[Compton]]&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| 68\84&amp;lt;br&amp;gt;(2\84)&lt;br /&gt;
| 971.4&amp;lt;br&amp;gt;(28.6)&lt;br /&gt;
| 7/4&amp;lt;br&amp;gt;(64/63)&lt;br /&gt;
| [[Catler]]&lt;br /&gt;
|-&lt;br /&gt;
| 21&lt;br /&gt;
| 41\84&amp;lt;br&amp;gt;(1\84)	&lt;br /&gt;
| 585.71&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 91875/65536&amp;lt;br&amp;gt;(126/125)&lt;br /&gt;
| [[Akjayland]]&lt;br /&gt;
|-&lt;br /&gt;
| 28&lt;br /&gt;
| 49\84&amp;lt;br&amp;gt;(1\84)&lt;br /&gt;
| 500.00&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 4/3&amp;lt;br&amp;gt;(105/104)&lt;br /&gt;
| [[Oquatonic]]&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;nowiki/&amp;gt;* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave, and [[normal forms #Minimal-generator form|minimal form]] in parentheses if distinct&lt;br /&gt;
&lt;br /&gt;
== Scales ==&lt;br /&gt;
=== MOS ===&lt;br /&gt;
Brightest mode is listed.&lt;br /&gt;
&lt;br /&gt;
* [[Orwell]]&lt;br /&gt;
** Orwell[9] ([[4L 5s]]) – 11 8 11 8 11 8 11 8 8 &lt;br /&gt;
** Orwell[13] ([[9L 4s]]) – 8 8 8 3 8 8 3 8 8 3 8 8 3&lt;br /&gt;
** Orwell[22] ([[13L 9s]])&lt;br /&gt;
** Orwell[31] ([[22L 9s]])&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
* [[5- to 10-tone scales in 84edo]]&lt;br /&gt;
* [[Maeve Gutierrez|Gutierrez Moonglade scale]]&lt;br /&gt;
&lt;br /&gt;
== Instruments ==&lt;br /&gt;
If you have a precise enough tuner and stable enough instruments, 84edo can be played using 7 instruments tuned a 14th of a tone apart. &lt;br /&gt;
&lt;br /&gt;
You could also try the [[Lumatone mapping for 84edo]]&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
; {{W|John Cage}}&lt;br /&gt;
* &#039;&#039;Ten&#039;&#039; for chamber ensemble (1991) [https://youtu.be/PE_2Ds_6qGk Ives Ensemble recording (YouTube)] {{dead link}}&lt;br /&gt;
* &#039;&#039;Two4&#039;&#039; for violin and piano or shō (1991) [https://youtu.be/sLOrpd5onCs Harr &amp;amp;amp; Miyata recording (YouTube)]&lt;br /&gt;
* &#039;&#039;Two5&#039;&#039; for tenor trombone and piano (1991) [https://youtu.be/YOtQZIqfY1w Fulkerson &amp;amp;amp; Denyer recording (YouTube)]&lt;br /&gt;
* &#039;&#039;Two6&#039;&#039; for violin and piano (1992) [https://youtu.be/XkX37zH6AbU Haar &amp;amp;amp; Snijders recording (YouTube)]&lt;br /&gt;
&lt;br /&gt;
; [[Bryan Deister]]&lt;br /&gt;
* [https://www.youtube.com/shorts/Sqkxrmwggr0 &#039;&#039;microtonal improvisation in 84edo&#039;&#039;] (2025)&lt;br /&gt;
&lt;br /&gt;
; [[Eliora]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=wTgOV_gVzuQ &#039;&#039;Requiem in Gb 1/7 Orwell&#039;&#039;] (2023)&lt;br /&gt;
&lt;br /&gt;
; [[JUMBLE]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=blFYmTtFUWY &#039;&#039;Undiminished&#039;&#039;] (2023)&lt;br /&gt;
&lt;br /&gt;
[[Category:Equal divisions of the octave|##]] &amp;lt;!-- 2-digit number --&amp;gt;&lt;br /&gt;
[[Category:84edo| ]] &amp;lt;!-- main article --&amp;gt;&lt;br /&gt;
[[Category:John Cage]]&lt;br /&gt;
[[Category:Listen]]&lt;br /&gt;
[[Category:Compton]]&lt;br /&gt;
[[Category:Grossmic]]&lt;br /&gt;
[[Category:Orwell]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=84edo&amp;diff=229407</id>
		<title>84edo</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=84edo&amp;diff=229407"/>
		<updated>2026-05-02T09:37:39Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Rank-2 temperaments */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox ET}}&lt;br /&gt;
{{ED intro}}&lt;br /&gt;
&lt;br /&gt;
== Theory ==&lt;br /&gt;
84edo shares the [[3/2|perfect fifth]] with [[12edo]], [[tempering out]] the [[Pythagorean comma]] in its [[patent val]]. In the [[5-limit]] it tempers out the [[sensipent comma]]; in the [[7-limit]] [[225/224]], [[1728/1715]], [[2430/2401]], [[6144/6125]], [[support]]ing [[orwell]], [[compton]], and [[sensei]]. In the [[13-limit]] it is the [[optimal patent val]] for the rank-5 temperament tempering out [[144/143]]. &lt;br /&gt;
&lt;br /&gt;
84edo is where the orwell temperament takes its name from, since the generator of [[7/6]] is equal to 19 steps of the edo, referencing the [[Wikipedia: Nineteen Eighty-Four|book 1984]]. Orwell in 84edo comes in two varieties—the 84e val {{val| 84 133 195 236 &#039;&#039;&#039;290&#039;&#039;&#039; }}, supporting the original orwell, and its [[patent val]] {{val| 84 133 195 236 &#039;&#039;&#039;291&#039;&#039;&#039; }} supporting [[newspeak]]. 84edo orwell offers [[mos scale]]s of size 9, 13, 22, and 31, of which the 31-note scale is the [[maximal evenness]] scale.&lt;br /&gt;
&lt;br /&gt;
=== Prime harmonics ===&lt;br /&gt;
{{Harmonics in equal|84|columns=12}}&lt;br /&gt;
{{Harmonics in equal|84|columns=12|start=13|collapsed=1|title=Approximation of prime harmonics in 84edo (continued)}}&lt;br /&gt;
&lt;br /&gt;
=== Subsets and supersets ===&lt;br /&gt;
84 is a [[largely composite]] number. Since 84 factors as {{factorization|84}}, 84edo has subset edos {{EDOs| 2, 3, 4, 6, 7, 12, 14, 21, 28, 42 }}. Being a small multiple of 28, it tempers out the [[oquatonic|oquatonic comma]], which maps 5/4 to 9\28.&lt;br /&gt;
&lt;br /&gt;
== Intervals ==&lt;br /&gt;
{| class=&amp;quot;wikitable center-1 right-2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! #&lt;br /&gt;
! Cents&lt;br /&gt;
! Approximate ratios*&lt;br /&gt;
! colspan=&amp;quot;3&amp;quot; | [[Ups and downs notation]]&lt;br /&gt;
|-&lt;br /&gt;
| 0&lt;br /&gt;
| 0.0&lt;br /&gt;
| [[1/1]]&lt;br /&gt;
| Perfect 1sn&lt;br /&gt;
| P1&lt;br /&gt;
| D&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 14.3&lt;br /&gt;
| &#039;&#039;[[81/80]]&#039;&#039;, [[105/104]], [[126/125]], [[169/168]], [[196/195]]&lt;br /&gt;
| Up 1sn&lt;br /&gt;
| ^1&lt;br /&gt;
| ^D&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 28.6&lt;br /&gt;
| [[50/49]], [[64/63]], [[65/64]], &#039;&#039;[[91/90]]&#039;&#039;&lt;br /&gt;
| Dup 1sn&lt;br /&gt;
| ^^1&lt;br /&gt;
| ^^D&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| 42.9&lt;br /&gt;
| [[36/35]], [[40/39]], [[46/45]], [[49/48]]&lt;br /&gt;
| Trup 1sn&lt;br /&gt;
| ^^^1&lt;br /&gt;
| ^^^D&lt;br /&gt;
|-&lt;br /&gt;
| 4&lt;br /&gt;
| 57.1&lt;br /&gt;
| &#039;&#039;[[27/26]]&#039;&#039;&lt;br /&gt;
| Trudminor 2nd&lt;br /&gt;
| vvvm2&lt;br /&gt;
| vvvEb&lt;br /&gt;
|-&lt;br /&gt;
| 5&lt;br /&gt;
| 71.4&lt;br /&gt;
| [[24/23]], [[25/24]], [[26/25]], &#039;&#039;[[28/27]]&#039;&#039;&lt;br /&gt;
| Dudminor 2nd&lt;br /&gt;
| vvm2&lt;br /&gt;
| vvEb&lt;br /&gt;
|-&lt;br /&gt;
| 6&lt;br /&gt;
| 85.7&lt;br /&gt;
| [[20/19]], [[21/20]]&lt;br /&gt;
| Downminor 2nd&lt;br /&gt;
| vm2&lt;br /&gt;
| vEb&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| 100.0&lt;br /&gt;
| [[19/18]]&lt;br /&gt;
| Minor 2nd&lt;br /&gt;
| m2&lt;br /&gt;
| Eb&lt;br /&gt;
|-&lt;br /&gt;
| 8&lt;br /&gt;
| 114.3&lt;br /&gt;
| [[15/14]], [[16/15]]&lt;br /&gt;
| Upminor 2nd&lt;br /&gt;
| ^m2&lt;br /&gt;
| ^Eb&lt;br /&gt;
|-&lt;br /&gt;
| 9&lt;br /&gt;
| 128.6&lt;br /&gt;
| [[14/13]]&lt;br /&gt;
| Dupminor 2nd&lt;br /&gt;
| ^^m2&lt;br /&gt;
| ^^Eb&lt;br /&gt;
|-&lt;br /&gt;
| 10&lt;br /&gt;
| 142.9&lt;br /&gt;
| [[13/12]]&lt;br /&gt;
| Trupminor 2nd&lt;br /&gt;
| ^^^m2&lt;br /&gt;
| ^^^Eb&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| 157.1&lt;br /&gt;
| [[23/21]]&lt;br /&gt;
| Trudmajor 2nd&lt;br /&gt;
| vvvM2&lt;br /&gt;
| vvvE&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| 171.4&lt;br /&gt;
| [[21/19]]&lt;br /&gt;
| Dudmajor 2nd&lt;br /&gt;
| vvM2&lt;br /&gt;
| vvE&lt;br /&gt;
|-&lt;br /&gt;
| 13&lt;br /&gt;
| 185.7&lt;br /&gt;
| [[10/9]]&lt;br /&gt;
| Downmajor 2nd&lt;br /&gt;
| vM2&lt;br /&gt;
| vE&lt;br /&gt;
|-&lt;br /&gt;
| 14&lt;br /&gt;
| 200.0&lt;br /&gt;
| [[9/8]]&lt;br /&gt;
| Major 2nd&lt;br /&gt;
| M2&lt;br /&gt;
| E&lt;br /&gt;
|-&lt;br /&gt;
| 15&lt;br /&gt;
| 214.3&lt;br /&gt;
| [[26/23]]&lt;br /&gt;
| Upmajor 2nd&lt;br /&gt;
| ^M2&lt;br /&gt;
| ^E&lt;br /&gt;
|-&lt;br /&gt;
| 16&lt;br /&gt;
| 228.6&lt;br /&gt;
| [[8/7]]&lt;br /&gt;
| Dupmajor 2nd&lt;br /&gt;
| ^^M2&lt;br /&gt;
| ^^E&lt;br /&gt;
|-&lt;br /&gt;
| 17&lt;br /&gt;
| 242.9&lt;br /&gt;
| [[15/13]], [[23/20]]&lt;br /&gt;
| Trupmajor 2nd&lt;br /&gt;
| ^^^M2&lt;br /&gt;
| ^^^E&lt;br /&gt;
|-&lt;br /&gt;
| 18&lt;br /&gt;
| 257.1&lt;br /&gt;
| [[52/45]]&lt;br /&gt;
| Trudminor 3rd&lt;br /&gt;
| vvvm3&lt;br /&gt;
| vvvF&lt;br /&gt;
|-&lt;br /&gt;
| 19&lt;br /&gt;
| 271.4&lt;br /&gt;
| [[7/6]]&lt;br /&gt;
| Dudminor 3rd&lt;br /&gt;
| vvm2&lt;br /&gt;
| vvF&lt;br /&gt;
|-&lt;br /&gt;
| 20&lt;br /&gt;
| 285.7&lt;br /&gt;
| [[45/38]], [[46/39]]&lt;br /&gt;
| Downminor 3rd&lt;br /&gt;
| vm3&lt;br /&gt;
| vF&lt;br /&gt;
|-&lt;br /&gt;
| 21&lt;br /&gt;
| 300.0&lt;br /&gt;
| [[19/16]], [[25/21]], [[32/27]]&lt;br /&gt;
| Minor 3rd&lt;br /&gt;
| m3&lt;br /&gt;
| F&lt;br /&gt;
|-&lt;br /&gt;
| 22&lt;br /&gt;
| 314.3&lt;br /&gt;
| [[6/5]]&lt;br /&gt;
| Upminor 3rd&lt;br /&gt;
| ^m3&lt;br /&gt;
| ^F&lt;br /&gt;
|-&lt;br /&gt;
| 23&lt;br /&gt;
| 328.6&lt;br /&gt;
| [[23/19]]&lt;br /&gt;
| Dupminor 3rd&lt;br /&gt;
| ^^m3&lt;br /&gt;
| ^^F&lt;br /&gt;
|-&lt;br /&gt;
| 24&lt;br /&gt;
| 342.9&lt;br /&gt;
| [[28/23]], [[39/32]]&lt;br /&gt;
| Trupminor 3rd&lt;br /&gt;
| ^^^m3&lt;br /&gt;
| ^^^F&lt;br /&gt;
|-&lt;br /&gt;
| 25&lt;br /&gt;
| 357.1&lt;br /&gt;
| [[16/13]]&lt;br /&gt;
| Trudmajor 3rd&lt;br /&gt;
| vvvM3&lt;br /&gt;
| vvvF#&lt;br /&gt;
|-&lt;br /&gt;
| 26&lt;br /&gt;
| 371.4&lt;br /&gt;
| [[26/21]]&lt;br /&gt;
| Dudmajor 3rd&lt;br /&gt;
| vvM3&lt;br /&gt;
| vvF#&lt;br /&gt;
|-&lt;br /&gt;
| 27&lt;br /&gt;
| 385.7&lt;br /&gt;
| [[5/4]]&lt;br /&gt;
| Downmajor 3rd&lt;br /&gt;
| vM3&lt;br /&gt;
| vF#&lt;br /&gt;
|-&lt;br /&gt;
| 28&lt;br /&gt;
| 400.0&lt;br /&gt;
| [[24/19]]&lt;br /&gt;
| Major 3rd&lt;br /&gt;
| M3&lt;br /&gt;
| F#&lt;br /&gt;
|-&lt;br /&gt;
| 29&lt;br /&gt;
| 414.3&lt;br /&gt;
| [[19/15]]&lt;br /&gt;
| Upmajor 3rd&lt;br /&gt;
| ^M3&lt;br /&gt;
| ^F#&lt;br /&gt;
|-&lt;br /&gt;
| 30&lt;br /&gt;
| 428.6&lt;br /&gt;
| [[9/7]], [[23/18]], [[32/25]]&lt;br /&gt;
| Dupmajor 3rd&lt;br /&gt;
| ^^M3&lt;br /&gt;
| ^^F#&lt;br /&gt;
|-&lt;br /&gt;
| 31&lt;br /&gt;
| 442.9&lt;br /&gt;
| [[84/65]]&lt;br /&gt;
| Trupmajor 3rd&lt;br /&gt;
| ^^^M3&lt;br /&gt;
| ^^^F#&lt;br /&gt;
|-&lt;br /&gt;
| 32&lt;br /&gt;
| 457.1&lt;br /&gt;
| [[13/10]], [[30/23]]&lt;br /&gt;
| Trud 4th&lt;br /&gt;
| vvv4&lt;br /&gt;
| vvvG&lt;br /&gt;
|-&lt;br /&gt;
| 33&lt;br /&gt;
| 471.4&lt;br /&gt;
| [[21/16]]&lt;br /&gt;
| Dud 4th&lt;br /&gt;
| vv4&lt;br /&gt;
| vvG&lt;br /&gt;
|-&lt;br /&gt;
| 34&lt;br /&gt;
| 485.7&lt;br /&gt;
| [[65/49]]&lt;br /&gt;
| Down 4th&lt;br /&gt;
| v4&lt;br /&gt;
| vG&lt;br /&gt;
|-&lt;br /&gt;
| 35&lt;br /&gt;
| 500.0&lt;br /&gt;
| [[4/3]]&lt;br /&gt;
| Perfect 4th&lt;br /&gt;
| P4&lt;br /&gt;
| G&lt;br /&gt;
|-&lt;br /&gt;
| 36&lt;br /&gt;
| 514.3&lt;br /&gt;
| [[27/20]]&lt;br /&gt;
| Up 4th&lt;br /&gt;
| ^4&lt;br /&gt;
| ^G&lt;br /&gt;
|-&lt;br /&gt;
| 37&lt;br /&gt;
| 528.6&lt;br /&gt;
| [[19/14]]&lt;br /&gt;
| Dup 4th&lt;br /&gt;
| ^^4&lt;br /&gt;
| ^^G&lt;br /&gt;
|-&lt;br /&gt;
| 38&lt;br /&gt;
| 542.9&lt;br /&gt;
| [[26/19]]&lt;br /&gt;
| Trup 4th&lt;br /&gt;
| ^^^4&lt;br /&gt;
| ^^^G&lt;br /&gt;
|-&lt;br /&gt;
| 39&lt;br /&gt;
| 557.1&lt;br /&gt;
| [[18/13]]&lt;br /&gt;
| Trudaug 4th&lt;br /&gt;
| vvvA4&lt;br /&gt;
| vvvG#&lt;br /&gt;
|-&lt;br /&gt;
| 40&lt;br /&gt;
| 571.4&lt;br /&gt;
| [[25/18]], [[32/23]]&lt;br /&gt;
| Dudaug 4th&lt;br /&gt;
| vvA4&lt;br /&gt;
| vvG#&lt;br /&gt;
|-&lt;br /&gt;
| 41&lt;br /&gt;
| 585.7&lt;br /&gt;
| [[7/5]]&lt;br /&gt;
| Downaug 4th&lt;br /&gt;
| vA4&lt;br /&gt;
| vG#&lt;br /&gt;
|-&lt;br /&gt;
| 42&lt;br /&gt;
| 600.0&lt;br /&gt;
| [[27/19]], [[38/27]]&lt;br /&gt;
| Aug 4th, Dim 5th&lt;br /&gt;
| A4, d5&lt;br /&gt;
| G#, Ab&lt;br /&gt;
|-&lt;br /&gt;
| 43&lt;br /&gt;
| 614.3&lt;br /&gt;
| [[10/7]]&lt;br /&gt;
| Updim 5th&lt;br /&gt;
| ^d5&lt;br /&gt;
| ^Ab&lt;br /&gt;
|-&lt;br /&gt;
| 44&lt;br /&gt;
| 628.6&lt;br /&gt;
| [[23/16]], [[36/25]]&lt;br /&gt;
| Dupdim 5th&lt;br /&gt;
| ^^d5&lt;br /&gt;
| ^^Ab&lt;br /&gt;
|-&lt;br /&gt;
| 45&lt;br /&gt;
| 642.9&lt;br /&gt;
| [[13/9]]&lt;br /&gt;
| Trupdim 5th&lt;br /&gt;
| ^^^d5&lt;br /&gt;
| ^^^Ab&lt;br /&gt;
|-&lt;br /&gt;
| 46&lt;br /&gt;
| 657.1&lt;br /&gt;
| [[19/13]]&lt;br /&gt;
| Trud 5th&lt;br /&gt;
| vvv5&lt;br /&gt;
| vvvA&lt;br /&gt;
|-&lt;br /&gt;
| 47&lt;br /&gt;
| 671.4&lt;br /&gt;
| [[28/19]]&lt;br /&gt;
| Dud 5th&lt;br /&gt;
| vv5&lt;br /&gt;
| vvA&lt;br /&gt;
|-&lt;br /&gt;
| 48&lt;br /&gt;
| 685.7&lt;br /&gt;
| [[40/27]]&lt;br /&gt;
| Down 5th&lt;br /&gt;
| v5&lt;br /&gt;
| vA&lt;br /&gt;
|-&lt;br /&gt;
| 49&lt;br /&gt;
| 700.0&lt;br /&gt;
| [[3/2]]&lt;br /&gt;
| Perfect 5th&lt;br /&gt;
| P5&lt;br /&gt;
| A&lt;br /&gt;
|-&lt;br /&gt;
| 50&lt;br /&gt;
| 714.3&lt;br /&gt;
| [[98/65]]&lt;br /&gt;
| Up 5th&lt;br /&gt;
| ^5&lt;br /&gt;
| ^A&lt;br /&gt;
|-&lt;br /&gt;
| 51&lt;br /&gt;
| 728.6&lt;br /&gt;
| [[32/21]]&lt;br /&gt;
| Dup 5th&lt;br /&gt;
| ^^5&lt;br /&gt;
| ^^A&lt;br /&gt;
|-&lt;br /&gt;
| 52&lt;br /&gt;
| 742.9&lt;br /&gt;
| [[20/13]], [[23/15]]&lt;br /&gt;
| Trup 5th&lt;br /&gt;
| ^^^5&lt;br /&gt;
| ^^^A&lt;br /&gt;
|-&lt;br /&gt;
| 53&lt;br /&gt;
| 757.1&lt;br /&gt;
| [[65/42]]&lt;br /&gt;
| Trudminor 6th&lt;br /&gt;
| vvvm6&lt;br /&gt;
| vvvBb&lt;br /&gt;
|-&lt;br /&gt;
| 54&lt;br /&gt;
| 771.4&lt;br /&gt;
| [[14/9]], [[25/16]], [[36/23]]&lt;br /&gt;
| Dudminor 6th&lt;br /&gt;
| vvm6&lt;br /&gt;
| vvBb&lt;br /&gt;
|-&lt;br /&gt;
| 55&lt;br /&gt;
| 785.7&lt;br /&gt;
| [[30/19]]&lt;br /&gt;
| Downminor 6th&lt;br /&gt;
| vm6&lt;br /&gt;
| vBb&lt;br /&gt;
|-&lt;br /&gt;
| 56&lt;br /&gt;
| 800.0&lt;br /&gt;
| [[19/12]]&lt;br /&gt;
| Minor 6th&lt;br /&gt;
| m6&lt;br /&gt;
| Bb&lt;br /&gt;
|-&lt;br /&gt;
| 57&lt;br /&gt;
| 814.3&lt;br /&gt;
| [[8/5]]&lt;br /&gt;
| Upminor 6th&lt;br /&gt;
| ^m6&lt;br /&gt;
| ^Bb&lt;br /&gt;
|-&lt;br /&gt;
| 58&lt;br /&gt;
| 828.6&lt;br /&gt;
| [[21/13]]&lt;br /&gt;
| Dupminor 6th&lt;br /&gt;
| ^^m6&lt;br /&gt;
| ^^Bb&lt;br /&gt;
|-&lt;br /&gt;
| 59&lt;br /&gt;
| 842.9&lt;br /&gt;
| [[13/8]]&lt;br /&gt;
| Trupminor 6th&lt;br /&gt;
| ^^^m6&lt;br /&gt;
| ^^^Bb&lt;br /&gt;
|-&lt;br /&gt;
| 60&lt;br /&gt;
| 857.1&lt;br /&gt;
| [[23/14]], [[64/39]]&lt;br /&gt;
| Trudmajor 6th&lt;br /&gt;
| vvvM6&lt;br /&gt;
| vvvB&lt;br /&gt;
|-&lt;br /&gt;
| 61&lt;br /&gt;
| 871.4&lt;br /&gt;
| [[38/23]]&lt;br /&gt;
| Dudmajor 6th&lt;br /&gt;
| vvM6&lt;br /&gt;
| vvB&lt;br /&gt;
|-&lt;br /&gt;
| 62&lt;br /&gt;
| 885.7&lt;br /&gt;
| [[5/3]]&lt;br /&gt;
| Downmajor 6th&lt;br /&gt;
| vM6&lt;br /&gt;
| vB&lt;br /&gt;
|-&lt;br /&gt;
| 63&lt;br /&gt;
| 900.0&lt;br /&gt;
| [[32/19]], [[27/16]], [[42/25]]&lt;br /&gt;
| Major 6th&lt;br /&gt;
| M6&lt;br /&gt;
| B&lt;br /&gt;
|-&lt;br /&gt;
| 64&lt;br /&gt;
| 914.3&lt;br /&gt;
| [[39/23]], [[76/45]]&lt;br /&gt;
| Upmajor 6th&lt;br /&gt;
| ^M6&lt;br /&gt;
| ^B&lt;br /&gt;
|-&lt;br /&gt;
| 65&lt;br /&gt;
| 928.6&lt;br /&gt;
| [[12/7]]&lt;br /&gt;
| Dupmajor 6th&lt;br /&gt;
| ^^M6&lt;br /&gt;
| ^^B&lt;br /&gt;
|-&lt;br /&gt;
| 66&lt;br /&gt;
| 942.9&lt;br /&gt;
| [[45/26]]&lt;br /&gt;
| Trupmajor 6th&lt;br /&gt;
| ^^^M6&lt;br /&gt;
| ^^^B&lt;br /&gt;
|-&lt;br /&gt;
| 67&lt;br /&gt;
| 957.1&lt;br /&gt;
| [[26/15]], [[40/23]]&lt;br /&gt;
| Trudminor 7th&lt;br /&gt;
| vvvm7&lt;br /&gt;
| vvvC&lt;br /&gt;
|-&lt;br /&gt;
| 68&lt;br /&gt;
| 971.4&lt;br /&gt;
| [[7/4]]&lt;br /&gt;
| Dudminor 7th&lt;br /&gt;
| vvm7&lt;br /&gt;
| vvC&lt;br /&gt;
|-&lt;br /&gt;
| 69&lt;br /&gt;
| 985.7&lt;br /&gt;
| [[23/13]]&lt;br /&gt;
| Downminor 7th&lt;br /&gt;
| vm7&lt;br /&gt;
| vC&lt;br /&gt;
|-&lt;br /&gt;
| 70&lt;br /&gt;
| 1000.0&lt;br /&gt;
| [[16/9]]&lt;br /&gt;
| Minor 7th&lt;br /&gt;
| m7&lt;br /&gt;
| C&lt;br /&gt;
|-&lt;br /&gt;
| 71&lt;br /&gt;
| 1014.3&lt;br /&gt;
| [[9/5]]&lt;br /&gt;
| Upminor 7th&lt;br /&gt;
| ^m7&lt;br /&gt;
| ^C&lt;br /&gt;
|-&lt;br /&gt;
| 72&lt;br /&gt;
| 1028.6&lt;br /&gt;
| [[38/21]]&lt;br /&gt;
| Dupminor 7th&lt;br /&gt;
| ^^m7&lt;br /&gt;
| ^^C&lt;br /&gt;
|-&lt;br /&gt;
| 73&lt;br /&gt;
| 1042.9&lt;br /&gt;
| [[42/23]]&lt;br /&gt;
| Trupminor 7th&lt;br /&gt;
| ^^^m7&lt;br /&gt;
| ^^^C&lt;br /&gt;
|-&lt;br /&gt;
| 74&lt;br /&gt;
| 1057.1&lt;br /&gt;
| [[24/13]]&lt;br /&gt;
| Trudmajor 7th&lt;br /&gt;
| vvvM7&lt;br /&gt;
| vvvC#&lt;br /&gt;
|-&lt;br /&gt;
| 75&lt;br /&gt;
| 1071.4&lt;br /&gt;
| [[13/7]]&lt;br /&gt;
| Dudmajor 7th&lt;br /&gt;
| vvM7&lt;br /&gt;
| vvC#&lt;br /&gt;
|-&lt;br /&gt;
| 76&lt;br /&gt;
| 1085.7&lt;br /&gt;
| [[15/8]], [[28/15]]&lt;br /&gt;
| Downmajor 7th&lt;br /&gt;
| vM7&lt;br /&gt;
| vC#&lt;br /&gt;
|-&lt;br /&gt;
| 77&lt;br /&gt;
| 1100.0&lt;br /&gt;
| [[36/19]]&lt;br /&gt;
| Major 7th&lt;br /&gt;
| M7&lt;br /&gt;
| C#&lt;br /&gt;
|-&lt;br /&gt;
| 78&lt;br /&gt;
| 1114.3&lt;br /&gt;
| [[19/10]], [[40/21]]&lt;br /&gt;
| Upmajor 7th&lt;br /&gt;
| ^M7&lt;br /&gt;
| ^C#&lt;br /&gt;
|-&lt;br /&gt;
| 79&lt;br /&gt;
| 1128.6&lt;br /&gt;
| [[23/12]], [[25/13]], &#039;&#039;[[27/14]]&#039;&#039;, [[48/25]]&lt;br /&gt;
| Dupmajor 7th&lt;br /&gt;
| ^^M7&lt;br /&gt;
| ^^C#&lt;br /&gt;
|-&lt;br /&gt;
| 80&lt;br /&gt;
| 1142.9&lt;br /&gt;
| &#039;&#039;[[52/27]]&#039;&#039;&lt;br /&gt;
| Trupmajor 7th&lt;br /&gt;
| ^^^M7&lt;br /&gt;
| ^^^C#&lt;br /&gt;
|-&lt;br /&gt;
| 81&lt;br /&gt;
| 1157.1&lt;br /&gt;
| [[35/18]], [[39/20]], [[96/49]]&lt;br /&gt;
| Trud 8ve&lt;br /&gt;
| vvv8&lt;br /&gt;
| vvvD&lt;br /&gt;
|-&lt;br /&gt;
| 82&lt;br /&gt;
| 1171.4&lt;br /&gt;
| [[45/23]], [[49/25]], [[63/32]], [[128/65]], &#039;&#039;[[180/91]]&#039;&#039;&lt;br /&gt;
| Dud 8ve&lt;br /&gt;
| vv8&lt;br /&gt;
| vvD&lt;br /&gt;
|-&lt;br /&gt;
| 83&lt;br /&gt;
| 1185.7&lt;br /&gt;
| [[125/63]], &#039;&#039;[[160/81]]&#039;&#039;, [[195/98]], [[336/169]]&lt;br /&gt;
| Down 8ve&lt;br /&gt;
| v8&lt;br /&gt;
| vD&lt;br /&gt;
|-&lt;br /&gt;
| 84&lt;br /&gt;
| 1200.0&lt;br /&gt;
| [[2/1]]&lt;br /&gt;
| Perfect 8ve&lt;br /&gt;
| P8&lt;br /&gt;
| D&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;nowiki/&amp;gt;* As a 2.3.5.7.13.19.23-subgroup temperament&lt;br /&gt;
&lt;br /&gt;
== Notation ==&lt;br /&gt;
=== Ups and downs notation ===&lt;br /&gt;
&lt;br /&gt;
84edo can be notated using [[ups and downs notation|ups and downs]]. Trup is equivalent to quudsharp, trudsharp is equivalent to quup, etc.&lt;br /&gt;
{{Ups and downs sharpness|84}}&lt;br /&gt;
&lt;br /&gt;
Alternatively, sharps and flats with arrows borrowed from [[Helmholtz–Ellis notation]] can be used:&lt;br /&gt;
{{Sharpness-sharp7|84}}&lt;br /&gt;
&lt;br /&gt;
=== 4L 5s (gramitonic) notation ===&lt;br /&gt;
This notation is based on Orwell[9]. Notes are denoted as {{nowrap|LsLsLsLss {{=}} JKLMNOPQRJ}}, and raising and lowering by a chroma ({{nowrap|L − s}}), 3 steps in this instance, is denoted by &amp;amp;amp;&amp;amp;nbsp;(&amp;quot;amp&amp;quot;) and @&amp;amp;nbsp;(&amp;quot;at&amp;quot;). &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable center-1 right-2 center-3&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! #&lt;br /&gt;
! Cents&lt;br /&gt;
! Note&lt;br /&gt;
! Name&lt;br /&gt;
! Associated Ratio&lt;br /&gt;
|-&lt;br /&gt;
| 0&lt;br /&gt;
| 0.0&lt;br /&gt;
| J&lt;br /&gt;
| Perfect 0-gramstep&lt;br /&gt;
| 1/1&lt;br /&gt;
|-&lt;br /&gt;
| 8&lt;br /&gt;
| 114.3&lt;br /&gt;
| K@&lt;br /&gt;
| Minor 1-gramstep&lt;br /&gt;
| 15/14~16/15&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| 157.1&lt;br /&gt;
| K&lt;br /&gt;
| Major 1-gramstep&lt;br /&gt;
| 11/10~12/11&lt;br /&gt;
|-&lt;br /&gt;
| 16&lt;br /&gt;
| 228.6&lt;br /&gt;
| L@&lt;br /&gt;
| Diminished 2-gramstep&lt;br /&gt;
| 8/7&lt;br /&gt;
|-&lt;br /&gt;
| 19&lt;br /&gt;
| 271.4&lt;br /&gt;
| L&lt;br /&gt;
| Perfect 2-gramstep&lt;br /&gt;
| 7/6&lt;br /&gt;
|-&lt;br /&gt;
| 27&lt;br /&gt;
| 385.7&lt;br /&gt;
| M@&lt;br /&gt;
| Minor 3-gramstep&lt;br /&gt;
| 5/4&lt;br /&gt;
|-&lt;br /&gt;
| 30&lt;br /&gt;
| 428.6&lt;br /&gt;
| M&lt;br /&gt;
| Major 3-gramstep&lt;br /&gt;
| 9/7&lt;br /&gt;
|-&lt;br /&gt;
| 35&lt;br /&gt;
| 500.0&lt;br /&gt;
| N@&lt;br /&gt;
| Minor 4-gramstep&lt;br /&gt;
| 4/3&lt;br /&gt;
|-&lt;br /&gt;
| 38&lt;br /&gt;
| 542.9&lt;br /&gt;
| N&lt;br /&gt;
| Major 4-gramstep&lt;br /&gt;
| 11/8~15/11&lt;br /&gt;
|-&lt;br /&gt;
| 46&lt;br /&gt;
| 657.1&lt;br /&gt;
| O@&lt;br /&gt;
| Minor 5-gramstep&lt;br /&gt;
| 16/11~22/15&lt;br /&gt;
|-&lt;br /&gt;
| 49&lt;br /&gt;
| 700.0&lt;br /&gt;
| O&lt;br /&gt;
| Major 5-gramstep&lt;br /&gt;
| 3/2&lt;br /&gt;
|-&lt;br /&gt;
| 54&lt;br /&gt;
| 771.4&lt;br /&gt;
| P@&lt;br /&gt;
| Minor 6-gramstep&lt;br /&gt;
| 14/9&lt;br /&gt;
|-&lt;br /&gt;
| 57&lt;br /&gt;
| 814.3&lt;br /&gt;
| P&lt;br /&gt;
| Major 6-gramstep&lt;br /&gt;
| 8/5&lt;br /&gt;
|-&lt;br /&gt;
| 65&lt;br /&gt;
| 928.6&lt;br /&gt;
| Q@&lt;br /&gt;
| Perfect 7-gramstep&lt;br /&gt;
| 12/7&lt;br /&gt;
|-&lt;br /&gt;
| 68&lt;br /&gt;
| 971.4&lt;br /&gt;
| Q&lt;br /&gt;
| Augmented 7-gramstep&lt;br /&gt;
| 7/4&lt;br /&gt;
|-&lt;br /&gt;
| 73&lt;br /&gt;
| 1042.9&lt;br /&gt;
| R@&lt;br /&gt;
| Minor 8-gramstep&lt;br /&gt;
| 11/6~20/11&lt;br /&gt;
|-&lt;br /&gt;
| 76&lt;br /&gt;
| 1085.7&lt;br /&gt;
| R&lt;br /&gt;
| Major 8-gramstep&lt;br /&gt;
| 15/8~28/15&lt;br /&gt;
|-&lt;br /&gt;
| 84&lt;br /&gt;
| 1200.0&lt;br /&gt;
| J&lt;br /&gt;
| Perfect 9-gramstep&lt;br /&gt;
| 2/1&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Approximation to JI ==&lt;br /&gt;
=== 15-odd-limit intervals ===&lt;br /&gt;
{{Q-odd-limit intervals|84}}&lt;br /&gt;
&lt;br /&gt;
=== Higher-limit JI ===&lt;br /&gt;
84edo has fairly good approximation to higher [[prime harmonic]]s such as [[13/1|13]], [[19/1|19]], [[23/1|23]], [[29/1|29]], [[31/1|31]], 41, 43, 53, 59, 61, 73 and 89, so that it is for its size very performant for much of the 61-limit, with more off primes usually being sharp so that they can cancel opportunistically with other sharp harmonics. In fact, it is [[consistent]] in the no-11 no-17 no-27 no-37 no-47 no-49 no-51 no-55 65-odd-limit excepting only 1 inconsistent pair, 45/43 and 86/45, which are inconsistent by ~0.13{{cent}} (off by ~7.3{{cent}}), offering a truly vast inventory of harmony to draw from that has mostly been unexplored. This is especially true because its approximation powers do not end there: prime 11, due to its simplicity (and thus lesser tuning fidelity), is certainly usable (just causes some inconsistencies), and there are higher primes that are reasonably in-tune too when supported by context. The only missing primes are thus 17, 37, 47, 67, 71, 79 and 83, which except for 17 are all about 6 cents sharp, similar to the sharpness of prime 11, so that it somewhat makes up for these omissions by having a very accurate 22:37:47:67:71:79:83 chord, to which various additions are possible (though usually increasing the error as a result).&lt;br /&gt;
&lt;br /&gt;
== Regular temperament properties ==&lt;br /&gt;
{| class=&amp;quot;wikitable center-4 center-5 center-6&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Subgroup]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Comma list]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Mapping]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | Optimal&amp;lt;br&amp;gt;8ve stretch (¢)&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; | Tuning error&lt;br /&gt;
|-&lt;br /&gt;
! [[TE error|Absolute]] (¢)&lt;br /&gt;
! [[TE simple badness|Relative]] (%)&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5&lt;br /&gt;
| 78732/78125, 531441/524288&lt;br /&gt;
| {{mapping| 84 133 195 }}&lt;br /&gt;
| +0.498&lt;br /&gt;
| 0.531&lt;br /&gt;
| 3.72&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7&lt;br /&gt;
| 225/224, 1728/1715, 78732/78125&lt;br /&gt;
| {{mapping| 84 133 195 236 }}&lt;br /&gt;
| +0.141&lt;br /&gt;
| 0.769&lt;br /&gt;
| 5.39&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7.13&lt;br /&gt;
| 225/224, 351/350, 640/637, 1701/1690&lt;br /&gt;
| {{mapping| 84 133 195 236 311 }}&lt;br /&gt;
| −0.013&lt;br /&gt;
| 0.754&lt;br /&gt;
| 5.28&lt;br /&gt;
|- style=&amp;quot;border-top: double;&amp;quot;&lt;br /&gt;
| 2.3.5.7.11&lt;br /&gt;
| 225/224, 441/440, 1344/1331, 1728/1715&lt;br /&gt;
| {{mapping| 84 133 195 236 291 }} (84)&lt;br /&gt;
| −0.225&lt;br /&gt;
| 1.003&lt;br /&gt;
| 7.02&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7.11.13&lt;br /&gt;
| 144/143, 225/224, 351/350, 441/440, 975/968&lt;br /&gt;
| {{mapping| 84 133 195 236 291 311 }} (84)&lt;br /&gt;
| −0.292&lt;br /&gt;
| 0.928&lt;br /&gt;
| 6.50&lt;br /&gt;
|- style=&amp;quot;border-top: double;&amp;quot;&lt;br /&gt;
| 2.3.5.7.11&lt;br /&gt;
| 99/98, 121/120, 176/175, 78732/78125&lt;br /&gt;
| {{mapping| 84 133 195 236 290 }} (84e)&lt;br /&gt;
| +0.601&lt;br /&gt;
| 1.151&lt;br /&gt;
| 8.05&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7.11.13&lt;br /&gt;
| 99/98, 121/120, 176/175, 275/273, 1701/1690&lt;br /&gt;
| {{mapping| 84 133 195 236 290 311 }} (84e)&lt;br /&gt;
| +0.396&lt;br /&gt;
| 1.146&lt;br /&gt;
| 8.02&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Rank-2 temperaments ===&lt;br /&gt;
{| class=&amp;quot;wikitable center-all left-5&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;font-size: 105%;&amp;quot; | Table of rank-2 temperaments by generator&lt;br /&gt;
|-&lt;br /&gt;
! Periods&amp;lt;br&amp;gt;per 8ve&lt;br /&gt;
! Generator*&lt;br /&gt;
! Cents*&lt;br /&gt;
! Associated&amp;lt;br&amp;gt;ratio*&lt;br /&gt;
! Temperament&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 19\84&lt;br /&gt;
| 271.43&lt;br /&gt;
| 7/6&lt;br /&gt;
| [[Orwell]] (84e) / [[newspeak]] (84)&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 25\84&lt;br /&gt;
| 357.14&lt;br /&gt;
| 768/625&lt;br /&gt;
| [[Dodifo]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 27\84&lt;br /&gt;
| 385.71&lt;br /&gt;
| 5/4&lt;br /&gt;
| [[Mutt]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 31\84&lt;br /&gt;
| 442.86&lt;br /&gt;
| 125/81&lt;br /&gt;
| [[Sensei]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 41\84&lt;br /&gt;
| 585.71&lt;br /&gt;
| 7/5&lt;br /&gt;
| [[Merman]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 5\84&lt;br /&gt;
| 71.43&lt;br /&gt;
| 25/24&lt;br /&gt;
| [[Narayana]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 11\84&lt;br /&gt;
| 157.14&lt;br /&gt;
| 35/32&lt;br /&gt;
| [[Bison]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 13\84&lt;br /&gt;
| 185.71&lt;br /&gt;
| 10/9&lt;br /&gt;
| [[Secant]]&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| 11\84&lt;br /&gt;
| 157.14&lt;br /&gt;
| 35/32&lt;br /&gt;
| [[Nessafof]]&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| 5\84&lt;br /&gt;
| 500.00&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 4/3&amp;lt;br&amp;gt;(81/80)&lt;br /&gt;
| [[Absurdity]]&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| 27\84&amp;lt;br&amp;gt;(1\84)&lt;br /&gt;
| 385.71&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 5/4&amp;lt;br&amp;gt;(126/125)&lt;br /&gt;
| [[Compton]]&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| 68\84&amp;lt;br&amp;gt;(2\84)&lt;br /&gt;
| 971.4&amp;lt;br&amp;gt;(28.6)&lt;br /&gt;
| 7/4&amp;lt;br&amp;gt;(16/15)&lt;br /&gt;
| [[Catler]]&lt;br /&gt;
|-&lt;br /&gt;
| 21&lt;br /&gt;
| 41\84&amp;lt;br&amp;gt;(1\84)	&lt;br /&gt;
| 585.71&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 91875/65536&amp;lt;br&amp;gt;(126/125)&lt;br /&gt;
| [[Akjayland]]&lt;br /&gt;
|-&lt;br /&gt;
| 28&lt;br /&gt;
| 49\84&amp;lt;br&amp;gt;(1\84)&lt;br /&gt;
| 500.00&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 4/3&amp;lt;br&amp;gt;(105/104)&lt;br /&gt;
| [[Oquatonic]]&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;nowiki/&amp;gt;* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave, and [[normal forms #Minimal-generator form|minimal form]] in parentheses if distinct&lt;br /&gt;
&lt;br /&gt;
== Scales ==&lt;br /&gt;
=== MOS ===&lt;br /&gt;
Brightest mode is listed.&lt;br /&gt;
&lt;br /&gt;
* [[Orwell]]&lt;br /&gt;
** Orwell[9] ([[4L 5s]]) – 11 8 11 8 11 8 11 8 8 &lt;br /&gt;
** Orwell[13] ([[9L 4s]]) – 8 8 8 3 8 8 3 8 8 3 8 8 3&lt;br /&gt;
** Orwell[22] ([[13L 9s]])&lt;br /&gt;
** Orwell[31] ([[22L 9s]])&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
* [[5- to 10-tone scales in 84edo]]&lt;br /&gt;
* [[Maeve Gutierrez|Gutierrez Moonglade scale]]&lt;br /&gt;
&lt;br /&gt;
== Instruments ==&lt;br /&gt;
If you have a precise enough tuner and stable enough instruments, 84edo can be played using 7 instruments tuned a 14th of a tone apart. &lt;br /&gt;
&lt;br /&gt;
You could also try the [[Lumatone mapping for 84edo]]&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
; {{W|John Cage}}&lt;br /&gt;
* &#039;&#039;Ten&#039;&#039; for chamber ensemble (1991) [https://youtu.be/PE_2Ds_6qGk Ives Ensemble recording (YouTube)] {{dead link}}&lt;br /&gt;
* &#039;&#039;Two4&#039;&#039; for violin and piano or shō (1991) [https://youtu.be/sLOrpd5onCs Harr &amp;amp;amp; Miyata recording (YouTube)]&lt;br /&gt;
* &#039;&#039;Two5&#039;&#039; for tenor trombone and piano (1991) [https://youtu.be/YOtQZIqfY1w Fulkerson &amp;amp;amp; Denyer recording (YouTube)]&lt;br /&gt;
* &#039;&#039;Two6&#039;&#039; for violin and piano (1992) [https://youtu.be/XkX37zH6AbU Haar &amp;amp;amp; Snijders recording (YouTube)]&lt;br /&gt;
&lt;br /&gt;
; [[Bryan Deister]]&lt;br /&gt;
* [https://www.youtube.com/shorts/Sqkxrmwggr0 &#039;&#039;microtonal improvisation in 84edo&#039;&#039;] (2025)&lt;br /&gt;
&lt;br /&gt;
; [[Eliora]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=wTgOV_gVzuQ &#039;&#039;Requiem in Gb 1/7 Orwell&#039;&#039;] (2023)&lt;br /&gt;
&lt;br /&gt;
; [[JUMBLE]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=blFYmTtFUWY &#039;&#039;Undiminished&#039;&#039;] (2023)&lt;br /&gt;
&lt;br /&gt;
[[Category:Equal divisions of the octave|##]] &amp;lt;!-- 2-digit number --&amp;gt;&lt;br /&gt;
[[Category:84edo| ]] &amp;lt;!-- main article --&amp;gt;&lt;br /&gt;
[[Category:John Cage]]&lt;br /&gt;
[[Category:Listen]]&lt;br /&gt;
[[Category:Compton]]&lt;br /&gt;
[[Category:Grossmic]]&lt;br /&gt;
[[Category:Orwell]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=84edo&amp;diff=229405</id>
		<title>84edo</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=84edo&amp;diff=229405"/>
		<updated>2026-05-02T09:37:06Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Rank-2 temperaments */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox ET}}&lt;br /&gt;
{{ED intro}}&lt;br /&gt;
&lt;br /&gt;
== Theory ==&lt;br /&gt;
84edo shares the [[3/2|perfect fifth]] with [[12edo]], [[tempering out]] the [[Pythagorean comma]] in its [[patent val]]. In the [[5-limit]] it tempers out the [[sensipent comma]]; in the [[7-limit]] [[225/224]], [[1728/1715]], [[2430/2401]], [[6144/6125]], [[support]]ing [[orwell]], [[compton]], and [[sensei]]. In the [[13-limit]] it is the [[optimal patent val]] for the rank-5 temperament tempering out [[144/143]]. &lt;br /&gt;
&lt;br /&gt;
84edo is where the orwell temperament takes its name from, since the generator of [[7/6]] is equal to 19 steps of the edo, referencing the [[Wikipedia: Nineteen Eighty-Four|book 1984]]. Orwell in 84edo comes in two varieties—the 84e val {{val| 84 133 195 236 &#039;&#039;&#039;290&#039;&#039;&#039; }}, supporting the original orwell, and its [[patent val]] {{val| 84 133 195 236 &#039;&#039;&#039;291&#039;&#039;&#039; }} supporting [[newspeak]]. 84edo orwell offers [[mos scale]]s of size 9, 13, 22, and 31, of which the 31-note scale is the [[maximal evenness]] scale.&lt;br /&gt;
&lt;br /&gt;
=== Prime harmonics ===&lt;br /&gt;
{{Harmonics in equal|84|columns=12}}&lt;br /&gt;
{{Harmonics in equal|84|columns=12|start=13|collapsed=1|title=Approximation of prime harmonics in 84edo (continued)}}&lt;br /&gt;
&lt;br /&gt;
=== Subsets and supersets ===&lt;br /&gt;
84 is a [[largely composite]] number. Since 84 factors as {{factorization|84}}, 84edo has subset edos {{EDOs| 2, 3, 4, 6, 7, 12, 14, 21, 28, 42 }}. Being a small multiple of 28, it tempers out the [[oquatonic|oquatonic comma]], which maps 5/4 to 9\28.&lt;br /&gt;
&lt;br /&gt;
== Intervals ==&lt;br /&gt;
{| class=&amp;quot;wikitable center-1 right-2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! #&lt;br /&gt;
! Cents&lt;br /&gt;
! Approximate ratios*&lt;br /&gt;
! colspan=&amp;quot;3&amp;quot; | [[Ups and downs notation]]&lt;br /&gt;
|-&lt;br /&gt;
| 0&lt;br /&gt;
| 0.0&lt;br /&gt;
| [[1/1]]&lt;br /&gt;
| Perfect 1sn&lt;br /&gt;
| P1&lt;br /&gt;
| D&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 14.3&lt;br /&gt;
| &#039;&#039;[[81/80]]&#039;&#039;, [[105/104]], [[126/125]], [[169/168]], [[196/195]]&lt;br /&gt;
| Up 1sn&lt;br /&gt;
| ^1&lt;br /&gt;
| ^D&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 28.6&lt;br /&gt;
| [[50/49]], [[64/63]], [[65/64]], &#039;&#039;[[91/90]]&#039;&#039;&lt;br /&gt;
| Dup 1sn&lt;br /&gt;
| ^^1&lt;br /&gt;
| ^^D&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| 42.9&lt;br /&gt;
| [[36/35]], [[40/39]], [[46/45]], [[49/48]]&lt;br /&gt;
| Trup 1sn&lt;br /&gt;
| ^^^1&lt;br /&gt;
| ^^^D&lt;br /&gt;
|-&lt;br /&gt;
| 4&lt;br /&gt;
| 57.1&lt;br /&gt;
| &#039;&#039;[[27/26]]&#039;&#039;&lt;br /&gt;
| Trudminor 2nd&lt;br /&gt;
| vvvm2&lt;br /&gt;
| vvvEb&lt;br /&gt;
|-&lt;br /&gt;
| 5&lt;br /&gt;
| 71.4&lt;br /&gt;
| [[24/23]], [[25/24]], [[26/25]], &#039;&#039;[[28/27]]&#039;&#039;&lt;br /&gt;
| Dudminor 2nd&lt;br /&gt;
| vvm2&lt;br /&gt;
| vvEb&lt;br /&gt;
|-&lt;br /&gt;
| 6&lt;br /&gt;
| 85.7&lt;br /&gt;
| [[20/19]], [[21/20]]&lt;br /&gt;
| Downminor 2nd&lt;br /&gt;
| vm2&lt;br /&gt;
| vEb&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| 100.0&lt;br /&gt;
| [[19/18]]&lt;br /&gt;
| Minor 2nd&lt;br /&gt;
| m2&lt;br /&gt;
| Eb&lt;br /&gt;
|-&lt;br /&gt;
| 8&lt;br /&gt;
| 114.3&lt;br /&gt;
| [[15/14]], [[16/15]]&lt;br /&gt;
| Upminor 2nd&lt;br /&gt;
| ^m2&lt;br /&gt;
| ^Eb&lt;br /&gt;
|-&lt;br /&gt;
| 9&lt;br /&gt;
| 128.6&lt;br /&gt;
| [[14/13]]&lt;br /&gt;
| Dupminor 2nd&lt;br /&gt;
| ^^m2&lt;br /&gt;
| ^^Eb&lt;br /&gt;
|-&lt;br /&gt;
| 10&lt;br /&gt;
| 142.9&lt;br /&gt;
| [[13/12]]&lt;br /&gt;
| Trupminor 2nd&lt;br /&gt;
| ^^^m2&lt;br /&gt;
| ^^^Eb&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| 157.1&lt;br /&gt;
| [[23/21]]&lt;br /&gt;
| Trudmajor 2nd&lt;br /&gt;
| vvvM2&lt;br /&gt;
| vvvE&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| 171.4&lt;br /&gt;
| [[21/19]]&lt;br /&gt;
| Dudmajor 2nd&lt;br /&gt;
| vvM2&lt;br /&gt;
| vvE&lt;br /&gt;
|-&lt;br /&gt;
| 13&lt;br /&gt;
| 185.7&lt;br /&gt;
| [[10/9]]&lt;br /&gt;
| Downmajor 2nd&lt;br /&gt;
| vM2&lt;br /&gt;
| vE&lt;br /&gt;
|-&lt;br /&gt;
| 14&lt;br /&gt;
| 200.0&lt;br /&gt;
| [[9/8]]&lt;br /&gt;
| Major 2nd&lt;br /&gt;
| M2&lt;br /&gt;
| E&lt;br /&gt;
|-&lt;br /&gt;
| 15&lt;br /&gt;
| 214.3&lt;br /&gt;
| [[26/23]]&lt;br /&gt;
| Upmajor 2nd&lt;br /&gt;
| ^M2&lt;br /&gt;
| ^E&lt;br /&gt;
|-&lt;br /&gt;
| 16&lt;br /&gt;
| 228.6&lt;br /&gt;
| [[8/7]]&lt;br /&gt;
| Dupmajor 2nd&lt;br /&gt;
| ^^M2&lt;br /&gt;
| ^^E&lt;br /&gt;
|-&lt;br /&gt;
| 17&lt;br /&gt;
| 242.9&lt;br /&gt;
| [[15/13]], [[23/20]]&lt;br /&gt;
| Trupmajor 2nd&lt;br /&gt;
| ^^^M2&lt;br /&gt;
| ^^^E&lt;br /&gt;
|-&lt;br /&gt;
| 18&lt;br /&gt;
| 257.1&lt;br /&gt;
| [[52/45]]&lt;br /&gt;
| Trudminor 3rd&lt;br /&gt;
| vvvm3&lt;br /&gt;
| vvvF&lt;br /&gt;
|-&lt;br /&gt;
| 19&lt;br /&gt;
| 271.4&lt;br /&gt;
| [[7/6]]&lt;br /&gt;
| Dudminor 3rd&lt;br /&gt;
| vvm2&lt;br /&gt;
| vvF&lt;br /&gt;
|-&lt;br /&gt;
| 20&lt;br /&gt;
| 285.7&lt;br /&gt;
| [[45/38]], [[46/39]]&lt;br /&gt;
| Downminor 3rd&lt;br /&gt;
| vm3&lt;br /&gt;
| vF&lt;br /&gt;
|-&lt;br /&gt;
| 21&lt;br /&gt;
| 300.0&lt;br /&gt;
| [[19/16]], [[25/21]], [[32/27]]&lt;br /&gt;
| Minor 3rd&lt;br /&gt;
| m3&lt;br /&gt;
| F&lt;br /&gt;
|-&lt;br /&gt;
| 22&lt;br /&gt;
| 314.3&lt;br /&gt;
| [[6/5]]&lt;br /&gt;
| Upminor 3rd&lt;br /&gt;
| ^m3&lt;br /&gt;
| ^F&lt;br /&gt;
|-&lt;br /&gt;
| 23&lt;br /&gt;
| 328.6&lt;br /&gt;
| [[23/19]]&lt;br /&gt;
| Dupminor 3rd&lt;br /&gt;
| ^^m3&lt;br /&gt;
| ^^F&lt;br /&gt;
|-&lt;br /&gt;
| 24&lt;br /&gt;
| 342.9&lt;br /&gt;
| [[28/23]], [[39/32]]&lt;br /&gt;
| Trupminor 3rd&lt;br /&gt;
| ^^^m3&lt;br /&gt;
| ^^^F&lt;br /&gt;
|-&lt;br /&gt;
| 25&lt;br /&gt;
| 357.1&lt;br /&gt;
| [[16/13]]&lt;br /&gt;
| Trudmajor 3rd&lt;br /&gt;
| vvvM3&lt;br /&gt;
| vvvF#&lt;br /&gt;
|-&lt;br /&gt;
| 26&lt;br /&gt;
| 371.4&lt;br /&gt;
| [[26/21]]&lt;br /&gt;
| Dudmajor 3rd&lt;br /&gt;
| vvM3&lt;br /&gt;
| vvF#&lt;br /&gt;
|-&lt;br /&gt;
| 27&lt;br /&gt;
| 385.7&lt;br /&gt;
| [[5/4]]&lt;br /&gt;
| Downmajor 3rd&lt;br /&gt;
| vM3&lt;br /&gt;
| vF#&lt;br /&gt;
|-&lt;br /&gt;
| 28&lt;br /&gt;
| 400.0&lt;br /&gt;
| [[24/19]]&lt;br /&gt;
| Major 3rd&lt;br /&gt;
| M3&lt;br /&gt;
| F#&lt;br /&gt;
|-&lt;br /&gt;
| 29&lt;br /&gt;
| 414.3&lt;br /&gt;
| [[19/15]]&lt;br /&gt;
| Upmajor 3rd&lt;br /&gt;
| ^M3&lt;br /&gt;
| ^F#&lt;br /&gt;
|-&lt;br /&gt;
| 30&lt;br /&gt;
| 428.6&lt;br /&gt;
| [[9/7]], [[23/18]], [[32/25]]&lt;br /&gt;
| Dupmajor 3rd&lt;br /&gt;
| ^^M3&lt;br /&gt;
| ^^F#&lt;br /&gt;
|-&lt;br /&gt;
| 31&lt;br /&gt;
| 442.9&lt;br /&gt;
| [[84/65]]&lt;br /&gt;
| Trupmajor 3rd&lt;br /&gt;
| ^^^M3&lt;br /&gt;
| ^^^F#&lt;br /&gt;
|-&lt;br /&gt;
| 32&lt;br /&gt;
| 457.1&lt;br /&gt;
| [[13/10]], [[30/23]]&lt;br /&gt;
| Trud 4th&lt;br /&gt;
| vvv4&lt;br /&gt;
| vvvG&lt;br /&gt;
|-&lt;br /&gt;
| 33&lt;br /&gt;
| 471.4&lt;br /&gt;
| [[21/16]]&lt;br /&gt;
| Dud 4th&lt;br /&gt;
| vv4&lt;br /&gt;
| vvG&lt;br /&gt;
|-&lt;br /&gt;
| 34&lt;br /&gt;
| 485.7&lt;br /&gt;
| [[65/49]]&lt;br /&gt;
| Down 4th&lt;br /&gt;
| v4&lt;br /&gt;
| vG&lt;br /&gt;
|-&lt;br /&gt;
| 35&lt;br /&gt;
| 500.0&lt;br /&gt;
| [[4/3]]&lt;br /&gt;
| Perfect 4th&lt;br /&gt;
| P4&lt;br /&gt;
| G&lt;br /&gt;
|-&lt;br /&gt;
| 36&lt;br /&gt;
| 514.3&lt;br /&gt;
| [[27/20]]&lt;br /&gt;
| Up 4th&lt;br /&gt;
| ^4&lt;br /&gt;
| ^G&lt;br /&gt;
|-&lt;br /&gt;
| 37&lt;br /&gt;
| 528.6&lt;br /&gt;
| [[19/14]]&lt;br /&gt;
| Dup 4th&lt;br /&gt;
| ^^4&lt;br /&gt;
| ^^G&lt;br /&gt;
|-&lt;br /&gt;
| 38&lt;br /&gt;
| 542.9&lt;br /&gt;
| [[26/19]]&lt;br /&gt;
| Trup 4th&lt;br /&gt;
| ^^^4&lt;br /&gt;
| ^^^G&lt;br /&gt;
|-&lt;br /&gt;
| 39&lt;br /&gt;
| 557.1&lt;br /&gt;
| [[18/13]]&lt;br /&gt;
| Trudaug 4th&lt;br /&gt;
| vvvA4&lt;br /&gt;
| vvvG#&lt;br /&gt;
|-&lt;br /&gt;
| 40&lt;br /&gt;
| 571.4&lt;br /&gt;
| [[25/18]], [[32/23]]&lt;br /&gt;
| Dudaug 4th&lt;br /&gt;
| vvA4&lt;br /&gt;
| vvG#&lt;br /&gt;
|-&lt;br /&gt;
| 41&lt;br /&gt;
| 585.7&lt;br /&gt;
| [[7/5]]&lt;br /&gt;
| Downaug 4th&lt;br /&gt;
| vA4&lt;br /&gt;
| vG#&lt;br /&gt;
|-&lt;br /&gt;
| 42&lt;br /&gt;
| 600.0&lt;br /&gt;
| [[27/19]], [[38/27]]&lt;br /&gt;
| Aug 4th, Dim 5th&lt;br /&gt;
| A4, d5&lt;br /&gt;
| G#, Ab&lt;br /&gt;
|-&lt;br /&gt;
| 43&lt;br /&gt;
| 614.3&lt;br /&gt;
| [[10/7]]&lt;br /&gt;
| Updim 5th&lt;br /&gt;
| ^d5&lt;br /&gt;
| ^Ab&lt;br /&gt;
|-&lt;br /&gt;
| 44&lt;br /&gt;
| 628.6&lt;br /&gt;
| [[23/16]], [[36/25]]&lt;br /&gt;
| Dupdim 5th&lt;br /&gt;
| ^^d5&lt;br /&gt;
| ^^Ab&lt;br /&gt;
|-&lt;br /&gt;
| 45&lt;br /&gt;
| 642.9&lt;br /&gt;
| [[13/9]]&lt;br /&gt;
| Trupdim 5th&lt;br /&gt;
| ^^^d5&lt;br /&gt;
| ^^^Ab&lt;br /&gt;
|-&lt;br /&gt;
| 46&lt;br /&gt;
| 657.1&lt;br /&gt;
| [[19/13]]&lt;br /&gt;
| Trud 5th&lt;br /&gt;
| vvv5&lt;br /&gt;
| vvvA&lt;br /&gt;
|-&lt;br /&gt;
| 47&lt;br /&gt;
| 671.4&lt;br /&gt;
| [[28/19]]&lt;br /&gt;
| Dud 5th&lt;br /&gt;
| vv5&lt;br /&gt;
| vvA&lt;br /&gt;
|-&lt;br /&gt;
| 48&lt;br /&gt;
| 685.7&lt;br /&gt;
| [[40/27]]&lt;br /&gt;
| Down 5th&lt;br /&gt;
| v5&lt;br /&gt;
| vA&lt;br /&gt;
|-&lt;br /&gt;
| 49&lt;br /&gt;
| 700.0&lt;br /&gt;
| [[3/2]]&lt;br /&gt;
| Perfect 5th&lt;br /&gt;
| P5&lt;br /&gt;
| A&lt;br /&gt;
|-&lt;br /&gt;
| 50&lt;br /&gt;
| 714.3&lt;br /&gt;
| [[98/65]]&lt;br /&gt;
| Up 5th&lt;br /&gt;
| ^5&lt;br /&gt;
| ^A&lt;br /&gt;
|-&lt;br /&gt;
| 51&lt;br /&gt;
| 728.6&lt;br /&gt;
| [[32/21]]&lt;br /&gt;
| Dup 5th&lt;br /&gt;
| ^^5&lt;br /&gt;
| ^^A&lt;br /&gt;
|-&lt;br /&gt;
| 52&lt;br /&gt;
| 742.9&lt;br /&gt;
| [[20/13]], [[23/15]]&lt;br /&gt;
| Trup 5th&lt;br /&gt;
| ^^^5&lt;br /&gt;
| ^^^A&lt;br /&gt;
|-&lt;br /&gt;
| 53&lt;br /&gt;
| 757.1&lt;br /&gt;
| [[65/42]]&lt;br /&gt;
| Trudminor 6th&lt;br /&gt;
| vvvm6&lt;br /&gt;
| vvvBb&lt;br /&gt;
|-&lt;br /&gt;
| 54&lt;br /&gt;
| 771.4&lt;br /&gt;
| [[14/9]], [[25/16]], [[36/23]]&lt;br /&gt;
| Dudminor 6th&lt;br /&gt;
| vvm6&lt;br /&gt;
| vvBb&lt;br /&gt;
|-&lt;br /&gt;
| 55&lt;br /&gt;
| 785.7&lt;br /&gt;
| [[30/19]]&lt;br /&gt;
| Downminor 6th&lt;br /&gt;
| vm6&lt;br /&gt;
| vBb&lt;br /&gt;
|-&lt;br /&gt;
| 56&lt;br /&gt;
| 800.0&lt;br /&gt;
| [[19/12]]&lt;br /&gt;
| Minor 6th&lt;br /&gt;
| m6&lt;br /&gt;
| Bb&lt;br /&gt;
|-&lt;br /&gt;
| 57&lt;br /&gt;
| 814.3&lt;br /&gt;
| [[8/5]]&lt;br /&gt;
| Upminor 6th&lt;br /&gt;
| ^m6&lt;br /&gt;
| ^Bb&lt;br /&gt;
|-&lt;br /&gt;
| 58&lt;br /&gt;
| 828.6&lt;br /&gt;
| [[21/13]]&lt;br /&gt;
| Dupminor 6th&lt;br /&gt;
| ^^m6&lt;br /&gt;
| ^^Bb&lt;br /&gt;
|-&lt;br /&gt;
| 59&lt;br /&gt;
| 842.9&lt;br /&gt;
| [[13/8]]&lt;br /&gt;
| Trupminor 6th&lt;br /&gt;
| ^^^m6&lt;br /&gt;
| ^^^Bb&lt;br /&gt;
|-&lt;br /&gt;
| 60&lt;br /&gt;
| 857.1&lt;br /&gt;
| [[23/14]], [[64/39]]&lt;br /&gt;
| Trudmajor 6th&lt;br /&gt;
| vvvM6&lt;br /&gt;
| vvvB&lt;br /&gt;
|-&lt;br /&gt;
| 61&lt;br /&gt;
| 871.4&lt;br /&gt;
| [[38/23]]&lt;br /&gt;
| Dudmajor 6th&lt;br /&gt;
| vvM6&lt;br /&gt;
| vvB&lt;br /&gt;
|-&lt;br /&gt;
| 62&lt;br /&gt;
| 885.7&lt;br /&gt;
| [[5/3]]&lt;br /&gt;
| Downmajor 6th&lt;br /&gt;
| vM6&lt;br /&gt;
| vB&lt;br /&gt;
|-&lt;br /&gt;
| 63&lt;br /&gt;
| 900.0&lt;br /&gt;
| [[32/19]], [[27/16]], [[42/25]]&lt;br /&gt;
| Major 6th&lt;br /&gt;
| M6&lt;br /&gt;
| B&lt;br /&gt;
|-&lt;br /&gt;
| 64&lt;br /&gt;
| 914.3&lt;br /&gt;
| [[39/23]], [[76/45]]&lt;br /&gt;
| Upmajor 6th&lt;br /&gt;
| ^M6&lt;br /&gt;
| ^B&lt;br /&gt;
|-&lt;br /&gt;
| 65&lt;br /&gt;
| 928.6&lt;br /&gt;
| [[12/7]]&lt;br /&gt;
| Dupmajor 6th&lt;br /&gt;
| ^^M6&lt;br /&gt;
| ^^B&lt;br /&gt;
|-&lt;br /&gt;
| 66&lt;br /&gt;
| 942.9&lt;br /&gt;
| [[45/26]]&lt;br /&gt;
| Trupmajor 6th&lt;br /&gt;
| ^^^M6&lt;br /&gt;
| ^^^B&lt;br /&gt;
|-&lt;br /&gt;
| 67&lt;br /&gt;
| 957.1&lt;br /&gt;
| [[26/15]], [[40/23]]&lt;br /&gt;
| Trudminor 7th&lt;br /&gt;
| vvvm7&lt;br /&gt;
| vvvC&lt;br /&gt;
|-&lt;br /&gt;
| 68&lt;br /&gt;
| 971.4&lt;br /&gt;
| [[7/4]]&lt;br /&gt;
| Dudminor 7th&lt;br /&gt;
| vvm7&lt;br /&gt;
| vvC&lt;br /&gt;
|-&lt;br /&gt;
| 69&lt;br /&gt;
| 985.7&lt;br /&gt;
| [[23/13]]&lt;br /&gt;
| Downminor 7th&lt;br /&gt;
| vm7&lt;br /&gt;
| vC&lt;br /&gt;
|-&lt;br /&gt;
| 70&lt;br /&gt;
| 1000.0&lt;br /&gt;
| [[16/9]]&lt;br /&gt;
| Minor 7th&lt;br /&gt;
| m7&lt;br /&gt;
| C&lt;br /&gt;
|-&lt;br /&gt;
| 71&lt;br /&gt;
| 1014.3&lt;br /&gt;
| [[9/5]]&lt;br /&gt;
| Upminor 7th&lt;br /&gt;
| ^m7&lt;br /&gt;
| ^C&lt;br /&gt;
|-&lt;br /&gt;
| 72&lt;br /&gt;
| 1028.6&lt;br /&gt;
| [[38/21]]&lt;br /&gt;
| Dupminor 7th&lt;br /&gt;
| ^^m7&lt;br /&gt;
| ^^C&lt;br /&gt;
|-&lt;br /&gt;
| 73&lt;br /&gt;
| 1042.9&lt;br /&gt;
| [[42/23]]&lt;br /&gt;
| Trupminor 7th&lt;br /&gt;
| ^^^m7&lt;br /&gt;
| ^^^C&lt;br /&gt;
|-&lt;br /&gt;
| 74&lt;br /&gt;
| 1057.1&lt;br /&gt;
| [[24/13]]&lt;br /&gt;
| Trudmajor 7th&lt;br /&gt;
| vvvM7&lt;br /&gt;
| vvvC#&lt;br /&gt;
|-&lt;br /&gt;
| 75&lt;br /&gt;
| 1071.4&lt;br /&gt;
| [[13/7]]&lt;br /&gt;
| Dudmajor 7th&lt;br /&gt;
| vvM7&lt;br /&gt;
| vvC#&lt;br /&gt;
|-&lt;br /&gt;
| 76&lt;br /&gt;
| 1085.7&lt;br /&gt;
| [[15/8]], [[28/15]]&lt;br /&gt;
| Downmajor 7th&lt;br /&gt;
| vM7&lt;br /&gt;
| vC#&lt;br /&gt;
|-&lt;br /&gt;
| 77&lt;br /&gt;
| 1100.0&lt;br /&gt;
| [[36/19]]&lt;br /&gt;
| Major 7th&lt;br /&gt;
| M7&lt;br /&gt;
| C#&lt;br /&gt;
|-&lt;br /&gt;
| 78&lt;br /&gt;
| 1114.3&lt;br /&gt;
| [[19/10]], [[40/21]]&lt;br /&gt;
| Upmajor 7th&lt;br /&gt;
| ^M7&lt;br /&gt;
| ^C#&lt;br /&gt;
|-&lt;br /&gt;
| 79&lt;br /&gt;
| 1128.6&lt;br /&gt;
| [[23/12]], [[25/13]], &#039;&#039;[[27/14]]&#039;&#039;, [[48/25]]&lt;br /&gt;
| Dupmajor 7th&lt;br /&gt;
| ^^M7&lt;br /&gt;
| ^^C#&lt;br /&gt;
|-&lt;br /&gt;
| 80&lt;br /&gt;
| 1142.9&lt;br /&gt;
| &#039;&#039;[[52/27]]&#039;&#039;&lt;br /&gt;
| Trupmajor 7th&lt;br /&gt;
| ^^^M7&lt;br /&gt;
| ^^^C#&lt;br /&gt;
|-&lt;br /&gt;
| 81&lt;br /&gt;
| 1157.1&lt;br /&gt;
| [[35/18]], [[39/20]], [[96/49]]&lt;br /&gt;
| Trud 8ve&lt;br /&gt;
| vvv8&lt;br /&gt;
| vvvD&lt;br /&gt;
|-&lt;br /&gt;
| 82&lt;br /&gt;
| 1171.4&lt;br /&gt;
| [[45/23]], [[49/25]], [[63/32]], [[128/65]], &#039;&#039;[[180/91]]&#039;&#039;&lt;br /&gt;
| Dud 8ve&lt;br /&gt;
| vv8&lt;br /&gt;
| vvD&lt;br /&gt;
|-&lt;br /&gt;
| 83&lt;br /&gt;
| 1185.7&lt;br /&gt;
| [[125/63]], &#039;&#039;[[160/81]]&#039;&#039;, [[195/98]], [[336/169]]&lt;br /&gt;
| Down 8ve&lt;br /&gt;
| v8&lt;br /&gt;
| vD&lt;br /&gt;
|-&lt;br /&gt;
| 84&lt;br /&gt;
| 1200.0&lt;br /&gt;
| [[2/1]]&lt;br /&gt;
| Perfect 8ve&lt;br /&gt;
| P8&lt;br /&gt;
| D&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;nowiki/&amp;gt;* As a 2.3.5.7.13.19.23-subgroup temperament&lt;br /&gt;
&lt;br /&gt;
== Notation ==&lt;br /&gt;
=== Ups and downs notation ===&lt;br /&gt;
&lt;br /&gt;
84edo can be notated using [[ups and downs notation|ups and downs]]. Trup is equivalent to quudsharp, trudsharp is equivalent to quup, etc.&lt;br /&gt;
{{Ups and downs sharpness|84}}&lt;br /&gt;
&lt;br /&gt;
Alternatively, sharps and flats with arrows borrowed from [[Helmholtz–Ellis notation]] can be used:&lt;br /&gt;
{{Sharpness-sharp7|84}}&lt;br /&gt;
&lt;br /&gt;
=== 4L 5s (gramitonic) notation ===&lt;br /&gt;
This notation is based on Orwell[9]. Notes are denoted as {{nowrap|LsLsLsLss {{=}} JKLMNOPQRJ}}, and raising and lowering by a chroma ({{nowrap|L − s}}), 3 steps in this instance, is denoted by &amp;amp;amp;&amp;amp;nbsp;(&amp;quot;amp&amp;quot;) and @&amp;amp;nbsp;(&amp;quot;at&amp;quot;). &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable center-1 right-2 center-3&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! #&lt;br /&gt;
! Cents&lt;br /&gt;
! Note&lt;br /&gt;
! Name&lt;br /&gt;
! Associated Ratio&lt;br /&gt;
|-&lt;br /&gt;
| 0&lt;br /&gt;
| 0.0&lt;br /&gt;
| J&lt;br /&gt;
| Perfect 0-gramstep&lt;br /&gt;
| 1/1&lt;br /&gt;
|-&lt;br /&gt;
| 8&lt;br /&gt;
| 114.3&lt;br /&gt;
| K@&lt;br /&gt;
| Minor 1-gramstep&lt;br /&gt;
| 15/14~16/15&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| 157.1&lt;br /&gt;
| K&lt;br /&gt;
| Major 1-gramstep&lt;br /&gt;
| 11/10~12/11&lt;br /&gt;
|-&lt;br /&gt;
| 16&lt;br /&gt;
| 228.6&lt;br /&gt;
| L@&lt;br /&gt;
| Diminished 2-gramstep&lt;br /&gt;
| 8/7&lt;br /&gt;
|-&lt;br /&gt;
| 19&lt;br /&gt;
| 271.4&lt;br /&gt;
| L&lt;br /&gt;
| Perfect 2-gramstep&lt;br /&gt;
| 7/6&lt;br /&gt;
|-&lt;br /&gt;
| 27&lt;br /&gt;
| 385.7&lt;br /&gt;
| M@&lt;br /&gt;
| Minor 3-gramstep&lt;br /&gt;
| 5/4&lt;br /&gt;
|-&lt;br /&gt;
| 30&lt;br /&gt;
| 428.6&lt;br /&gt;
| M&lt;br /&gt;
| Major 3-gramstep&lt;br /&gt;
| 9/7&lt;br /&gt;
|-&lt;br /&gt;
| 35&lt;br /&gt;
| 500.0&lt;br /&gt;
| N@&lt;br /&gt;
| Minor 4-gramstep&lt;br /&gt;
| 4/3&lt;br /&gt;
|-&lt;br /&gt;
| 38&lt;br /&gt;
| 542.9&lt;br /&gt;
| N&lt;br /&gt;
| Major 4-gramstep&lt;br /&gt;
| 11/8~15/11&lt;br /&gt;
|-&lt;br /&gt;
| 46&lt;br /&gt;
| 657.1&lt;br /&gt;
| O@&lt;br /&gt;
| Minor 5-gramstep&lt;br /&gt;
| 16/11~22/15&lt;br /&gt;
|-&lt;br /&gt;
| 49&lt;br /&gt;
| 700.0&lt;br /&gt;
| O&lt;br /&gt;
| Major 5-gramstep&lt;br /&gt;
| 3/2&lt;br /&gt;
|-&lt;br /&gt;
| 54&lt;br /&gt;
| 771.4&lt;br /&gt;
| P@&lt;br /&gt;
| Minor 6-gramstep&lt;br /&gt;
| 14/9&lt;br /&gt;
|-&lt;br /&gt;
| 57&lt;br /&gt;
| 814.3&lt;br /&gt;
| P&lt;br /&gt;
| Major 6-gramstep&lt;br /&gt;
| 8/5&lt;br /&gt;
|-&lt;br /&gt;
| 65&lt;br /&gt;
| 928.6&lt;br /&gt;
| Q@&lt;br /&gt;
| Perfect 7-gramstep&lt;br /&gt;
| 12/7&lt;br /&gt;
|-&lt;br /&gt;
| 68&lt;br /&gt;
| 971.4&lt;br /&gt;
| Q&lt;br /&gt;
| Augmented 7-gramstep&lt;br /&gt;
| 7/4&lt;br /&gt;
|-&lt;br /&gt;
| 73&lt;br /&gt;
| 1042.9&lt;br /&gt;
| R@&lt;br /&gt;
| Minor 8-gramstep&lt;br /&gt;
| 11/6~20/11&lt;br /&gt;
|-&lt;br /&gt;
| 76&lt;br /&gt;
| 1085.7&lt;br /&gt;
| R&lt;br /&gt;
| Major 8-gramstep&lt;br /&gt;
| 15/8~28/15&lt;br /&gt;
|-&lt;br /&gt;
| 84&lt;br /&gt;
| 1200.0&lt;br /&gt;
| J&lt;br /&gt;
| Perfect 9-gramstep&lt;br /&gt;
| 2/1&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Approximation to JI ==&lt;br /&gt;
=== 15-odd-limit intervals ===&lt;br /&gt;
{{Q-odd-limit intervals|84}}&lt;br /&gt;
&lt;br /&gt;
=== Higher-limit JI ===&lt;br /&gt;
84edo has fairly good approximation to higher [[prime harmonic]]s such as [[13/1|13]], [[19/1|19]], [[23/1|23]], [[29/1|29]], [[31/1|31]], 41, 43, 53, 59, 61, 73 and 89, so that it is for its size very performant for much of the 61-limit, with more off primes usually being sharp so that they can cancel opportunistically with other sharp harmonics. In fact, it is [[consistent]] in the no-11 no-17 no-27 no-37 no-47 no-49 no-51 no-55 65-odd-limit excepting only 1 inconsistent pair, 45/43 and 86/45, which are inconsistent by ~0.13{{cent}} (off by ~7.3{{cent}}), offering a truly vast inventory of harmony to draw from that has mostly been unexplored. This is especially true because its approximation powers do not end there: prime 11, due to its simplicity (and thus lesser tuning fidelity), is certainly usable (just causes some inconsistencies), and there are higher primes that are reasonably in-tune too when supported by context. The only missing primes are thus 17, 37, 47, 67, 71, 79 and 83, which except for 17 are all about 6 cents sharp, similar to the sharpness of prime 11, so that it somewhat makes up for these omissions by having a very accurate 22:37:47:67:71:79:83 chord, to which various additions are possible (though usually increasing the error as a result).&lt;br /&gt;
&lt;br /&gt;
== Regular temperament properties ==&lt;br /&gt;
{| class=&amp;quot;wikitable center-4 center-5 center-6&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Subgroup]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Comma list]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Mapping]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | Optimal&amp;lt;br&amp;gt;8ve stretch (¢)&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; | Tuning error&lt;br /&gt;
|-&lt;br /&gt;
! [[TE error|Absolute]] (¢)&lt;br /&gt;
! [[TE simple badness|Relative]] (%)&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5&lt;br /&gt;
| 78732/78125, 531441/524288&lt;br /&gt;
| {{mapping| 84 133 195 }}&lt;br /&gt;
| +0.498&lt;br /&gt;
| 0.531&lt;br /&gt;
| 3.72&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7&lt;br /&gt;
| 225/224, 1728/1715, 78732/78125&lt;br /&gt;
| {{mapping| 84 133 195 236 }}&lt;br /&gt;
| +0.141&lt;br /&gt;
| 0.769&lt;br /&gt;
| 5.39&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7.13&lt;br /&gt;
| 225/224, 351/350, 640/637, 1701/1690&lt;br /&gt;
| {{mapping| 84 133 195 236 311 }}&lt;br /&gt;
| −0.013&lt;br /&gt;
| 0.754&lt;br /&gt;
| 5.28&lt;br /&gt;
|- style=&amp;quot;border-top: double;&amp;quot;&lt;br /&gt;
| 2.3.5.7.11&lt;br /&gt;
| 225/224, 441/440, 1344/1331, 1728/1715&lt;br /&gt;
| {{mapping| 84 133 195 236 291 }} (84)&lt;br /&gt;
| −0.225&lt;br /&gt;
| 1.003&lt;br /&gt;
| 7.02&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7.11.13&lt;br /&gt;
| 144/143, 225/224, 351/350, 441/440, 975/968&lt;br /&gt;
| {{mapping| 84 133 195 236 291 311 }} (84)&lt;br /&gt;
| −0.292&lt;br /&gt;
| 0.928&lt;br /&gt;
| 6.50&lt;br /&gt;
|- style=&amp;quot;border-top: double;&amp;quot;&lt;br /&gt;
| 2.3.5.7.11&lt;br /&gt;
| 99/98, 121/120, 176/175, 78732/78125&lt;br /&gt;
| {{mapping| 84 133 195 236 290 }} (84e)&lt;br /&gt;
| +0.601&lt;br /&gt;
| 1.151&lt;br /&gt;
| 8.05&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7.11.13&lt;br /&gt;
| 99/98, 121/120, 176/175, 275/273, 1701/1690&lt;br /&gt;
| {{mapping| 84 133 195 236 290 311 }} (84e)&lt;br /&gt;
| +0.396&lt;br /&gt;
| 1.146&lt;br /&gt;
| 8.02&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Rank-2 temperaments ===&lt;br /&gt;
{| class=&amp;quot;wikitable center-all left-5&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;font-size: 105%;&amp;quot; | Table of rank-2 temperaments by generator&lt;br /&gt;
|-&lt;br /&gt;
! Periods&amp;lt;br&amp;gt;per 8ve&lt;br /&gt;
! Generator*&lt;br /&gt;
! Cents*&lt;br /&gt;
! Associated&amp;lt;br&amp;gt;ratio*&lt;br /&gt;
! Temperament&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 19\84&lt;br /&gt;
| 271.43&lt;br /&gt;
| 7/6&lt;br /&gt;
| [[Orwell]] (84e) / [[newspeak]] (84)&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 25\84&lt;br /&gt;
| 357.14&lt;br /&gt;
| 768/625&lt;br /&gt;
| [[Dodifo]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 27\84&lt;br /&gt;
| 385.71&lt;br /&gt;
| 5/4&lt;br /&gt;
| [[Mutt]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 31\84&lt;br /&gt;
| 442.86&lt;br /&gt;
| 125/81&lt;br /&gt;
| [[Sensei]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 41\84&lt;br /&gt;
| 585.71&lt;br /&gt;
| 7/5&lt;br /&gt;
| [[Merman]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 5\84&lt;br /&gt;
| 71.43&lt;br /&gt;
| 25/24&lt;br /&gt;
| [[Narayana]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 11\84&lt;br /&gt;
| 157.14&lt;br /&gt;
| 35/32&lt;br /&gt;
| [[Bison]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 13\84&lt;br /&gt;
| 185.71&lt;br /&gt;
| 10/9&lt;br /&gt;
| [[Secant]]&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| 11\84&lt;br /&gt;
| 157.14&lt;br /&gt;
| 35/32&lt;br /&gt;
| [[Nessafof]]&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| 5\84&lt;br /&gt;
| 500.00&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 4/3&amp;lt;br&amp;gt;(81/80)&lt;br /&gt;
| [[Absurdity]]&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| 27\84&amp;lt;br&amp;gt;(1\84)&lt;br /&gt;
| 385.71&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 5/4&amp;lt;br&amp;gt;(126/125)&lt;br /&gt;
| [[Compton]]&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| (2\84)&lt;br /&gt;
| (28.6)&lt;br /&gt;
| 7/4&amp;lt;br&amp;gt;(16/15)&lt;br /&gt;
| [[Catler]]&lt;br /&gt;
|-&lt;br /&gt;
| 21&lt;br /&gt;
| 41\84&amp;lt;br&amp;gt;(1\84)	&lt;br /&gt;
| 585.71&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 91875/65536&amp;lt;br&amp;gt;(126/125)&lt;br /&gt;
| [[Akjayland]]&lt;br /&gt;
|-&lt;br /&gt;
| 28&lt;br /&gt;
| 49\84&amp;lt;br&amp;gt;(1\84)&lt;br /&gt;
| 500.00&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 4/3&amp;lt;br&amp;gt;(105/104)&lt;br /&gt;
| [[Oquatonic]]&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;nowiki/&amp;gt;* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave, and [[normal forms #Minimal-generator form|minimal form]] in parentheses if distinct&lt;br /&gt;
&lt;br /&gt;
== Scales ==&lt;br /&gt;
=== MOS ===&lt;br /&gt;
Brightest mode is listed.&lt;br /&gt;
&lt;br /&gt;
* [[Orwell]]&lt;br /&gt;
** Orwell[9] ([[4L 5s]]) – 11 8 11 8 11 8 11 8 8 &lt;br /&gt;
** Orwell[13] ([[9L 4s]]) – 8 8 8 3 8 8 3 8 8 3 8 8 3&lt;br /&gt;
** Orwell[22] ([[13L 9s]])&lt;br /&gt;
** Orwell[31] ([[22L 9s]])&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
* [[5- to 10-tone scales in 84edo]]&lt;br /&gt;
* [[Maeve Gutierrez|Gutierrez Moonglade scale]]&lt;br /&gt;
&lt;br /&gt;
== Instruments ==&lt;br /&gt;
If you have a precise enough tuner and stable enough instruments, 84edo can be played using 7 instruments tuned a 14th of a tone apart. &lt;br /&gt;
&lt;br /&gt;
You could also try the [[Lumatone mapping for 84edo]]&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
; {{W|John Cage}}&lt;br /&gt;
* &#039;&#039;Ten&#039;&#039; for chamber ensemble (1991) [https://youtu.be/PE_2Ds_6qGk Ives Ensemble recording (YouTube)] {{dead link}}&lt;br /&gt;
* &#039;&#039;Two4&#039;&#039; for violin and piano or shō (1991) [https://youtu.be/sLOrpd5onCs Harr &amp;amp;amp; Miyata recording (YouTube)]&lt;br /&gt;
* &#039;&#039;Two5&#039;&#039; for tenor trombone and piano (1991) [https://youtu.be/YOtQZIqfY1w Fulkerson &amp;amp;amp; Denyer recording (YouTube)]&lt;br /&gt;
* &#039;&#039;Two6&#039;&#039; for violin and piano (1992) [https://youtu.be/XkX37zH6AbU Haar &amp;amp;amp; Snijders recording (YouTube)]&lt;br /&gt;
&lt;br /&gt;
; [[Bryan Deister]]&lt;br /&gt;
* [https://www.youtube.com/shorts/Sqkxrmwggr0 &#039;&#039;microtonal improvisation in 84edo&#039;&#039;] (2025)&lt;br /&gt;
&lt;br /&gt;
; [[Eliora]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=wTgOV_gVzuQ &#039;&#039;Requiem in Gb 1/7 Orwell&#039;&#039;] (2023)&lt;br /&gt;
&lt;br /&gt;
; [[JUMBLE]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=blFYmTtFUWY &#039;&#039;Undiminished&#039;&#039;] (2023)&lt;br /&gt;
&lt;br /&gt;
[[Category:Equal divisions of the octave|##]] &amp;lt;!-- 2-digit number --&amp;gt;&lt;br /&gt;
[[Category:84edo| ]] &amp;lt;!-- main article --&amp;gt;&lt;br /&gt;
[[Category:John Cage]]&lt;br /&gt;
[[Category:Listen]]&lt;br /&gt;
[[Category:Compton]]&lt;br /&gt;
[[Category:Grossmic]]&lt;br /&gt;
[[Category:Orwell]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
	<entry>
		<id>https://en.xen.wiki/index.php?title=84edo&amp;diff=229403</id>
		<title>84edo</title>
		<link rel="alternate" type="text/html" href="https://en.xen.wiki/index.php?title=84edo&amp;diff=229403"/>
		<updated>2026-05-02T09:35:48Z</updated>

		<summary type="html">&lt;p&gt;BudjarnLambeth: /* Rank-2 temperaments */ add Catler&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Infobox ET}}&lt;br /&gt;
{{ED intro}}&lt;br /&gt;
&lt;br /&gt;
== Theory ==&lt;br /&gt;
84edo shares the [[3/2|perfect fifth]] with [[12edo]], [[tempering out]] the [[Pythagorean comma]] in its [[patent val]]. In the [[5-limit]] it tempers out the [[sensipent comma]]; in the [[7-limit]] [[225/224]], [[1728/1715]], [[2430/2401]], [[6144/6125]], [[support]]ing [[orwell]], [[compton]], and [[sensei]]. In the [[13-limit]] it is the [[optimal patent val]] for the rank-5 temperament tempering out [[144/143]]. &lt;br /&gt;
&lt;br /&gt;
84edo is where the orwell temperament takes its name from, since the generator of [[7/6]] is equal to 19 steps of the edo, referencing the [[Wikipedia: Nineteen Eighty-Four|book 1984]]. Orwell in 84edo comes in two varieties—the 84e val {{val| 84 133 195 236 &#039;&#039;&#039;290&#039;&#039;&#039; }}, supporting the original orwell, and its [[patent val]] {{val| 84 133 195 236 &#039;&#039;&#039;291&#039;&#039;&#039; }} supporting [[newspeak]]. 84edo orwell offers [[mos scale]]s of size 9, 13, 22, and 31, of which the 31-note scale is the [[maximal evenness]] scale.&lt;br /&gt;
&lt;br /&gt;
=== Prime harmonics ===&lt;br /&gt;
{{Harmonics in equal|84|columns=12}}&lt;br /&gt;
{{Harmonics in equal|84|columns=12|start=13|collapsed=1|title=Approximation of prime harmonics in 84edo (continued)}}&lt;br /&gt;
&lt;br /&gt;
=== Subsets and supersets ===&lt;br /&gt;
84 is a [[largely composite]] number. Since 84 factors as {{factorization|84}}, 84edo has subset edos {{EDOs| 2, 3, 4, 6, 7, 12, 14, 21, 28, 42 }}. Being a small multiple of 28, it tempers out the [[oquatonic|oquatonic comma]], which maps 5/4 to 9\28.&lt;br /&gt;
&lt;br /&gt;
== Intervals ==&lt;br /&gt;
{| class=&amp;quot;wikitable center-1 right-2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! #&lt;br /&gt;
! Cents&lt;br /&gt;
! Approximate ratios*&lt;br /&gt;
! colspan=&amp;quot;3&amp;quot; | [[Ups and downs notation]]&lt;br /&gt;
|-&lt;br /&gt;
| 0&lt;br /&gt;
| 0.0&lt;br /&gt;
| [[1/1]]&lt;br /&gt;
| Perfect 1sn&lt;br /&gt;
| P1&lt;br /&gt;
| D&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 14.3&lt;br /&gt;
| &#039;&#039;[[81/80]]&#039;&#039;, [[105/104]], [[126/125]], [[169/168]], [[196/195]]&lt;br /&gt;
| Up 1sn&lt;br /&gt;
| ^1&lt;br /&gt;
| ^D&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 28.6&lt;br /&gt;
| [[50/49]], [[64/63]], [[65/64]], &#039;&#039;[[91/90]]&#039;&#039;&lt;br /&gt;
| Dup 1sn&lt;br /&gt;
| ^^1&lt;br /&gt;
| ^^D&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| 42.9&lt;br /&gt;
| [[36/35]], [[40/39]], [[46/45]], [[49/48]]&lt;br /&gt;
| Trup 1sn&lt;br /&gt;
| ^^^1&lt;br /&gt;
| ^^^D&lt;br /&gt;
|-&lt;br /&gt;
| 4&lt;br /&gt;
| 57.1&lt;br /&gt;
| &#039;&#039;[[27/26]]&#039;&#039;&lt;br /&gt;
| Trudminor 2nd&lt;br /&gt;
| vvvm2&lt;br /&gt;
| vvvEb&lt;br /&gt;
|-&lt;br /&gt;
| 5&lt;br /&gt;
| 71.4&lt;br /&gt;
| [[24/23]], [[25/24]], [[26/25]], &#039;&#039;[[28/27]]&#039;&#039;&lt;br /&gt;
| Dudminor 2nd&lt;br /&gt;
| vvm2&lt;br /&gt;
| vvEb&lt;br /&gt;
|-&lt;br /&gt;
| 6&lt;br /&gt;
| 85.7&lt;br /&gt;
| [[20/19]], [[21/20]]&lt;br /&gt;
| Downminor 2nd&lt;br /&gt;
| vm2&lt;br /&gt;
| vEb&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| 100.0&lt;br /&gt;
| [[19/18]]&lt;br /&gt;
| Minor 2nd&lt;br /&gt;
| m2&lt;br /&gt;
| Eb&lt;br /&gt;
|-&lt;br /&gt;
| 8&lt;br /&gt;
| 114.3&lt;br /&gt;
| [[15/14]], [[16/15]]&lt;br /&gt;
| Upminor 2nd&lt;br /&gt;
| ^m2&lt;br /&gt;
| ^Eb&lt;br /&gt;
|-&lt;br /&gt;
| 9&lt;br /&gt;
| 128.6&lt;br /&gt;
| [[14/13]]&lt;br /&gt;
| Dupminor 2nd&lt;br /&gt;
| ^^m2&lt;br /&gt;
| ^^Eb&lt;br /&gt;
|-&lt;br /&gt;
| 10&lt;br /&gt;
| 142.9&lt;br /&gt;
| [[13/12]]&lt;br /&gt;
| Trupminor 2nd&lt;br /&gt;
| ^^^m2&lt;br /&gt;
| ^^^Eb&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| 157.1&lt;br /&gt;
| [[23/21]]&lt;br /&gt;
| Trudmajor 2nd&lt;br /&gt;
| vvvM2&lt;br /&gt;
| vvvE&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| 171.4&lt;br /&gt;
| [[21/19]]&lt;br /&gt;
| Dudmajor 2nd&lt;br /&gt;
| vvM2&lt;br /&gt;
| vvE&lt;br /&gt;
|-&lt;br /&gt;
| 13&lt;br /&gt;
| 185.7&lt;br /&gt;
| [[10/9]]&lt;br /&gt;
| Downmajor 2nd&lt;br /&gt;
| vM2&lt;br /&gt;
| vE&lt;br /&gt;
|-&lt;br /&gt;
| 14&lt;br /&gt;
| 200.0&lt;br /&gt;
| [[9/8]]&lt;br /&gt;
| Major 2nd&lt;br /&gt;
| M2&lt;br /&gt;
| E&lt;br /&gt;
|-&lt;br /&gt;
| 15&lt;br /&gt;
| 214.3&lt;br /&gt;
| [[26/23]]&lt;br /&gt;
| Upmajor 2nd&lt;br /&gt;
| ^M2&lt;br /&gt;
| ^E&lt;br /&gt;
|-&lt;br /&gt;
| 16&lt;br /&gt;
| 228.6&lt;br /&gt;
| [[8/7]]&lt;br /&gt;
| Dupmajor 2nd&lt;br /&gt;
| ^^M2&lt;br /&gt;
| ^^E&lt;br /&gt;
|-&lt;br /&gt;
| 17&lt;br /&gt;
| 242.9&lt;br /&gt;
| [[15/13]], [[23/20]]&lt;br /&gt;
| Trupmajor 2nd&lt;br /&gt;
| ^^^M2&lt;br /&gt;
| ^^^E&lt;br /&gt;
|-&lt;br /&gt;
| 18&lt;br /&gt;
| 257.1&lt;br /&gt;
| [[52/45]]&lt;br /&gt;
| Trudminor 3rd&lt;br /&gt;
| vvvm3&lt;br /&gt;
| vvvF&lt;br /&gt;
|-&lt;br /&gt;
| 19&lt;br /&gt;
| 271.4&lt;br /&gt;
| [[7/6]]&lt;br /&gt;
| Dudminor 3rd&lt;br /&gt;
| vvm2&lt;br /&gt;
| vvF&lt;br /&gt;
|-&lt;br /&gt;
| 20&lt;br /&gt;
| 285.7&lt;br /&gt;
| [[45/38]], [[46/39]]&lt;br /&gt;
| Downminor 3rd&lt;br /&gt;
| vm3&lt;br /&gt;
| vF&lt;br /&gt;
|-&lt;br /&gt;
| 21&lt;br /&gt;
| 300.0&lt;br /&gt;
| [[19/16]], [[25/21]], [[32/27]]&lt;br /&gt;
| Minor 3rd&lt;br /&gt;
| m3&lt;br /&gt;
| F&lt;br /&gt;
|-&lt;br /&gt;
| 22&lt;br /&gt;
| 314.3&lt;br /&gt;
| [[6/5]]&lt;br /&gt;
| Upminor 3rd&lt;br /&gt;
| ^m3&lt;br /&gt;
| ^F&lt;br /&gt;
|-&lt;br /&gt;
| 23&lt;br /&gt;
| 328.6&lt;br /&gt;
| [[23/19]]&lt;br /&gt;
| Dupminor 3rd&lt;br /&gt;
| ^^m3&lt;br /&gt;
| ^^F&lt;br /&gt;
|-&lt;br /&gt;
| 24&lt;br /&gt;
| 342.9&lt;br /&gt;
| [[28/23]], [[39/32]]&lt;br /&gt;
| Trupminor 3rd&lt;br /&gt;
| ^^^m3&lt;br /&gt;
| ^^^F&lt;br /&gt;
|-&lt;br /&gt;
| 25&lt;br /&gt;
| 357.1&lt;br /&gt;
| [[16/13]]&lt;br /&gt;
| Trudmajor 3rd&lt;br /&gt;
| vvvM3&lt;br /&gt;
| vvvF#&lt;br /&gt;
|-&lt;br /&gt;
| 26&lt;br /&gt;
| 371.4&lt;br /&gt;
| [[26/21]]&lt;br /&gt;
| Dudmajor 3rd&lt;br /&gt;
| vvM3&lt;br /&gt;
| vvF#&lt;br /&gt;
|-&lt;br /&gt;
| 27&lt;br /&gt;
| 385.7&lt;br /&gt;
| [[5/4]]&lt;br /&gt;
| Downmajor 3rd&lt;br /&gt;
| vM3&lt;br /&gt;
| vF#&lt;br /&gt;
|-&lt;br /&gt;
| 28&lt;br /&gt;
| 400.0&lt;br /&gt;
| [[24/19]]&lt;br /&gt;
| Major 3rd&lt;br /&gt;
| M3&lt;br /&gt;
| F#&lt;br /&gt;
|-&lt;br /&gt;
| 29&lt;br /&gt;
| 414.3&lt;br /&gt;
| [[19/15]]&lt;br /&gt;
| Upmajor 3rd&lt;br /&gt;
| ^M3&lt;br /&gt;
| ^F#&lt;br /&gt;
|-&lt;br /&gt;
| 30&lt;br /&gt;
| 428.6&lt;br /&gt;
| [[9/7]], [[23/18]], [[32/25]]&lt;br /&gt;
| Dupmajor 3rd&lt;br /&gt;
| ^^M3&lt;br /&gt;
| ^^F#&lt;br /&gt;
|-&lt;br /&gt;
| 31&lt;br /&gt;
| 442.9&lt;br /&gt;
| [[84/65]]&lt;br /&gt;
| Trupmajor 3rd&lt;br /&gt;
| ^^^M3&lt;br /&gt;
| ^^^F#&lt;br /&gt;
|-&lt;br /&gt;
| 32&lt;br /&gt;
| 457.1&lt;br /&gt;
| [[13/10]], [[30/23]]&lt;br /&gt;
| Trud 4th&lt;br /&gt;
| vvv4&lt;br /&gt;
| vvvG&lt;br /&gt;
|-&lt;br /&gt;
| 33&lt;br /&gt;
| 471.4&lt;br /&gt;
| [[21/16]]&lt;br /&gt;
| Dud 4th&lt;br /&gt;
| vv4&lt;br /&gt;
| vvG&lt;br /&gt;
|-&lt;br /&gt;
| 34&lt;br /&gt;
| 485.7&lt;br /&gt;
| [[65/49]]&lt;br /&gt;
| Down 4th&lt;br /&gt;
| v4&lt;br /&gt;
| vG&lt;br /&gt;
|-&lt;br /&gt;
| 35&lt;br /&gt;
| 500.0&lt;br /&gt;
| [[4/3]]&lt;br /&gt;
| Perfect 4th&lt;br /&gt;
| P4&lt;br /&gt;
| G&lt;br /&gt;
|-&lt;br /&gt;
| 36&lt;br /&gt;
| 514.3&lt;br /&gt;
| [[27/20]]&lt;br /&gt;
| Up 4th&lt;br /&gt;
| ^4&lt;br /&gt;
| ^G&lt;br /&gt;
|-&lt;br /&gt;
| 37&lt;br /&gt;
| 528.6&lt;br /&gt;
| [[19/14]]&lt;br /&gt;
| Dup 4th&lt;br /&gt;
| ^^4&lt;br /&gt;
| ^^G&lt;br /&gt;
|-&lt;br /&gt;
| 38&lt;br /&gt;
| 542.9&lt;br /&gt;
| [[26/19]]&lt;br /&gt;
| Trup 4th&lt;br /&gt;
| ^^^4&lt;br /&gt;
| ^^^G&lt;br /&gt;
|-&lt;br /&gt;
| 39&lt;br /&gt;
| 557.1&lt;br /&gt;
| [[18/13]]&lt;br /&gt;
| Trudaug 4th&lt;br /&gt;
| vvvA4&lt;br /&gt;
| vvvG#&lt;br /&gt;
|-&lt;br /&gt;
| 40&lt;br /&gt;
| 571.4&lt;br /&gt;
| [[25/18]], [[32/23]]&lt;br /&gt;
| Dudaug 4th&lt;br /&gt;
| vvA4&lt;br /&gt;
| vvG#&lt;br /&gt;
|-&lt;br /&gt;
| 41&lt;br /&gt;
| 585.7&lt;br /&gt;
| [[7/5]]&lt;br /&gt;
| Downaug 4th&lt;br /&gt;
| vA4&lt;br /&gt;
| vG#&lt;br /&gt;
|-&lt;br /&gt;
| 42&lt;br /&gt;
| 600.0&lt;br /&gt;
| [[27/19]], [[38/27]]&lt;br /&gt;
| Aug 4th, Dim 5th&lt;br /&gt;
| A4, d5&lt;br /&gt;
| G#, Ab&lt;br /&gt;
|-&lt;br /&gt;
| 43&lt;br /&gt;
| 614.3&lt;br /&gt;
| [[10/7]]&lt;br /&gt;
| Updim 5th&lt;br /&gt;
| ^d5&lt;br /&gt;
| ^Ab&lt;br /&gt;
|-&lt;br /&gt;
| 44&lt;br /&gt;
| 628.6&lt;br /&gt;
| [[23/16]], [[36/25]]&lt;br /&gt;
| Dupdim 5th&lt;br /&gt;
| ^^d5&lt;br /&gt;
| ^^Ab&lt;br /&gt;
|-&lt;br /&gt;
| 45&lt;br /&gt;
| 642.9&lt;br /&gt;
| [[13/9]]&lt;br /&gt;
| Trupdim 5th&lt;br /&gt;
| ^^^d5&lt;br /&gt;
| ^^^Ab&lt;br /&gt;
|-&lt;br /&gt;
| 46&lt;br /&gt;
| 657.1&lt;br /&gt;
| [[19/13]]&lt;br /&gt;
| Trud 5th&lt;br /&gt;
| vvv5&lt;br /&gt;
| vvvA&lt;br /&gt;
|-&lt;br /&gt;
| 47&lt;br /&gt;
| 671.4&lt;br /&gt;
| [[28/19]]&lt;br /&gt;
| Dud 5th&lt;br /&gt;
| vv5&lt;br /&gt;
| vvA&lt;br /&gt;
|-&lt;br /&gt;
| 48&lt;br /&gt;
| 685.7&lt;br /&gt;
| [[40/27]]&lt;br /&gt;
| Down 5th&lt;br /&gt;
| v5&lt;br /&gt;
| vA&lt;br /&gt;
|-&lt;br /&gt;
| 49&lt;br /&gt;
| 700.0&lt;br /&gt;
| [[3/2]]&lt;br /&gt;
| Perfect 5th&lt;br /&gt;
| P5&lt;br /&gt;
| A&lt;br /&gt;
|-&lt;br /&gt;
| 50&lt;br /&gt;
| 714.3&lt;br /&gt;
| [[98/65]]&lt;br /&gt;
| Up 5th&lt;br /&gt;
| ^5&lt;br /&gt;
| ^A&lt;br /&gt;
|-&lt;br /&gt;
| 51&lt;br /&gt;
| 728.6&lt;br /&gt;
| [[32/21]]&lt;br /&gt;
| Dup 5th&lt;br /&gt;
| ^^5&lt;br /&gt;
| ^^A&lt;br /&gt;
|-&lt;br /&gt;
| 52&lt;br /&gt;
| 742.9&lt;br /&gt;
| [[20/13]], [[23/15]]&lt;br /&gt;
| Trup 5th&lt;br /&gt;
| ^^^5&lt;br /&gt;
| ^^^A&lt;br /&gt;
|-&lt;br /&gt;
| 53&lt;br /&gt;
| 757.1&lt;br /&gt;
| [[65/42]]&lt;br /&gt;
| Trudminor 6th&lt;br /&gt;
| vvvm6&lt;br /&gt;
| vvvBb&lt;br /&gt;
|-&lt;br /&gt;
| 54&lt;br /&gt;
| 771.4&lt;br /&gt;
| [[14/9]], [[25/16]], [[36/23]]&lt;br /&gt;
| Dudminor 6th&lt;br /&gt;
| vvm6&lt;br /&gt;
| vvBb&lt;br /&gt;
|-&lt;br /&gt;
| 55&lt;br /&gt;
| 785.7&lt;br /&gt;
| [[30/19]]&lt;br /&gt;
| Downminor 6th&lt;br /&gt;
| vm6&lt;br /&gt;
| vBb&lt;br /&gt;
|-&lt;br /&gt;
| 56&lt;br /&gt;
| 800.0&lt;br /&gt;
| [[19/12]]&lt;br /&gt;
| Minor 6th&lt;br /&gt;
| m6&lt;br /&gt;
| Bb&lt;br /&gt;
|-&lt;br /&gt;
| 57&lt;br /&gt;
| 814.3&lt;br /&gt;
| [[8/5]]&lt;br /&gt;
| Upminor 6th&lt;br /&gt;
| ^m6&lt;br /&gt;
| ^Bb&lt;br /&gt;
|-&lt;br /&gt;
| 58&lt;br /&gt;
| 828.6&lt;br /&gt;
| [[21/13]]&lt;br /&gt;
| Dupminor 6th&lt;br /&gt;
| ^^m6&lt;br /&gt;
| ^^Bb&lt;br /&gt;
|-&lt;br /&gt;
| 59&lt;br /&gt;
| 842.9&lt;br /&gt;
| [[13/8]]&lt;br /&gt;
| Trupminor 6th&lt;br /&gt;
| ^^^m6&lt;br /&gt;
| ^^^Bb&lt;br /&gt;
|-&lt;br /&gt;
| 60&lt;br /&gt;
| 857.1&lt;br /&gt;
| [[23/14]], [[64/39]]&lt;br /&gt;
| Trudmajor 6th&lt;br /&gt;
| vvvM6&lt;br /&gt;
| vvvB&lt;br /&gt;
|-&lt;br /&gt;
| 61&lt;br /&gt;
| 871.4&lt;br /&gt;
| [[38/23]]&lt;br /&gt;
| Dudmajor 6th&lt;br /&gt;
| vvM6&lt;br /&gt;
| vvB&lt;br /&gt;
|-&lt;br /&gt;
| 62&lt;br /&gt;
| 885.7&lt;br /&gt;
| [[5/3]]&lt;br /&gt;
| Downmajor 6th&lt;br /&gt;
| vM6&lt;br /&gt;
| vB&lt;br /&gt;
|-&lt;br /&gt;
| 63&lt;br /&gt;
| 900.0&lt;br /&gt;
| [[32/19]], [[27/16]], [[42/25]]&lt;br /&gt;
| Major 6th&lt;br /&gt;
| M6&lt;br /&gt;
| B&lt;br /&gt;
|-&lt;br /&gt;
| 64&lt;br /&gt;
| 914.3&lt;br /&gt;
| [[39/23]], [[76/45]]&lt;br /&gt;
| Upmajor 6th&lt;br /&gt;
| ^M6&lt;br /&gt;
| ^B&lt;br /&gt;
|-&lt;br /&gt;
| 65&lt;br /&gt;
| 928.6&lt;br /&gt;
| [[12/7]]&lt;br /&gt;
| Dupmajor 6th&lt;br /&gt;
| ^^M6&lt;br /&gt;
| ^^B&lt;br /&gt;
|-&lt;br /&gt;
| 66&lt;br /&gt;
| 942.9&lt;br /&gt;
| [[45/26]]&lt;br /&gt;
| Trupmajor 6th&lt;br /&gt;
| ^^^M6&lt;br /&gt;
| ^^^B&lt;br /&gt;
|-&lt;br /&gt;
| 67&lt;br /&gt;
| 957.1&lt;br /&gt;
| [[26/15]], [[40/23]]&lt;br /&gt;
| Trudminor 7th&lt;br /&gt;
| vvvm7&lt;br /&gt;
| vvvC&lt;br /&gt;
|-&lt;br /&gt;
| 68&lt;br /&gt;
| 971.4&lt;br /&gt;
| [[7/4]]&lt;br /&gt;
| Dudminor 7th&lt;br /&gt;
| vvm7&lt;br /&gt;
| vvC&lt;br /&gt;
|-&lt;br /&gt;
| 69&lt;br /&gt;
| 985.7&lt;br /&gt;
| [[23/13]]&lt;br /&gt;
| Downminor 7th&lt;br /&gt;
| vm7&lt;br /&gt;
| vC&lt;br /&gt;
|-&lt;br /&gt;
| 70&lt;br /&gt;
| 1000.0&lt;br /&gt;
| [[16/9]]&lt;br /&gt;
| Minor 7th&lt;br /&gt;
| m7&lt;br /&gt;
| C&lt;br /&gt;
|-&lt;br /&gt;
| 71&lt;br /&gt;
| 1014.3&lt;br /&gt;
| [[9/5]]&lt;br /&gt;
| Upminor 7th&lt;br /&gt;
| ^m7&lt;br /&gt;
| ^C&lt;br /&gt;
|-&lt;br /&gt;
| 72&lt;br /&gt;
| 1028.6&lt;br /&gt;
| [[38/21]]&lt;br /&gt;
| Dupminor 7th&lt;br /&gt;
| ^^m7&lt;br /&gt;
| ^^C&lt;br /&gt;
|-&lt;br /&gt;
| 73&lt;br /&gt;
| 1042.9&lt;br /&gt;
| [[42/23]]&lt;br /&gt;
| Trupminor 7th&lt;br /&gt;
| ^^^m7&lt;br /&gt;
| ^^^C&lt;br /&gt;
|-&lt;br /&gt;
| 74&lt;br /&gt;
| 1057.1&lt;br /&gt;
| [[24/13]]&lt;br /&gt;
| Trudmajor 7th&lt;br /&gt;
| vvvM7&lt;br /&gt;
| vvvC#&lt;br /&gt;
|-&lt;br /&gt;
| 75&lt;br /&gt;
| 1071.4&lt;br /&gt;
| [[13/7]]&lt;br /&gt;
| Dudmajor 7th&lt;br /&gt;
| vvM7&lt;br /&gt;
| vvC#&lt;br /&gt;
|-&lt;br /&gt;
| 76&lt;br /&gt;
| 1085.7&lt;br /&gt;
| [[15/8]], [[28/15]]&lt;br /&gt;
| Downmajor 7th&lt;br /&gt;
| vM7&lt;br /&gt;
| vC#&lt;br /&gt;
|-&lt;br /&gt;
| 77&lt;br /&gt;
| 1100.0&lt;br /&gt;
| [[36/19]]&lt;br /&gt;
| Major 7th&lt;br /&gt;
| M7&lt;br /&gt;
| C#&lt;br /&gt;
|-&lt;br /&gt;
| 78&lt;br /&gt;
| 1114.3&lt;br /&gt;
| [[19/10]], [[40/21]]&lt;br /&gt;
| Upmajor 7th&lt;br /&gt;
| ^M7&lt;br /&gt;
| ^C#&lt;br /&gt;
|-&lt;br /&gt;
| 79&lt;br /&gt;
| 1128.6&lt;br /&gt;
| [[23/12]], [[25/13]], &#039;&#039;[[27/14]]&#039;&#039;, [[48/25]]&lt;br /&gt;
| Dupmajor 7th&lt;br /&gt;
| ^^M7&lt;br /&gt;
| ^^C#&lt;br /&gt;
|-&lt;br /&gt;
| 80&lt;br /&gt;
| 1142.9&lt;br /&gt;
| &#039;&#039;[[52/27]]&#039;&#039;&lt;br /&gt;
| Trupmajor 7th&lt;br /&gt;
| ^^^M7&lt;br /&gt;
| ^^^C#&lt;br /&gt;
|-&lt;br /&gt;
| 81&lt;br /&gt;
| 1157.1&lt;br /&gt;
| [[35/18]], [[39/20]], [[96/49]]&lt;br /&gt;
| Trud 8ve&lt;br /&gt;
| vvv8&lt;br /&gt;
| vvvD&lt;br /&gt;
|-&lt;br /&gt;
| 82&lt;br /&gt;
| 1171.4&lt;br /&gt;
| [[45/23]], [[49/25]], [[63/32]], [[128/65]], &#039;&#039;[[180/91]]&#039;&#039;&lt;br /&gt;
| Dud 8ve&lt;br /&gt;
| vv8&lt;br /&gt;
| vvD&lt;br /&gt;
|-&lt;br /&gt;
| 83&lt;br /&gt;
| 1185.7&lt;br /&gt;
| [[125/63]], &#039;&#039;[[160/81]]&#039;&#039;, [[195/98]], [[336/169]]&lt;br /&gt;
| Down 8ve&lt;br /&gt;
| v8&lt;br /&gt;
| vD&lt;br /&gt;
|-&lt;br /&gt;
| 84&lt;br /&gt;
| 1200.0&lt;br /&gt;
| [[2/1]]&lt;br /&gt;
| Perfect 8ve&lt;br /&gt;
| P8&lt;br /&gt;
| D&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;nowiki/&amp;gt;* As a 2.3.5.7.13.19.23-subgroup temperament&lt;br /&gt;
&lt;br /&gt;
== Notation ==&lt;br /&gt;
=== Ups and downs notation ===&lt;br /&gt;
&lt;br /&gt;
84edo can be notated using [[ups and downs notation|ups and downs]]. Trup is equivalent to quudsharp, trudsharp is equivalent to quup, etc.&lt;br /&gt;
{{Ups and downs sharpness|84}}&lt;br /&gt;
&lt;br /&gt;
Alternatively, sharps and flats with arrows borrowed from [[Helmholtz–Ellis notation]] can be used:&lt;br /&gt;
{{Sharpness-sharp7|84}}&lt;br /&gt;
&lt;br /&gt;
=== 4L 5s (gramitonic) notation ===&lt;br /&gt;
This notation is based on Orwell[9]. Notes are denoted as {{nowrap|LsLsLsLss {{=}} JKLMNOPQRJ}}, and raising and lowering by a chroma ({{nowrap|L − s}}), 3 steps in this instance, is denoted by &amp;amp;amp;&amp;amp;nbsp;(&amp;quot;amp&amp;quot;) and @&amp;amp;nbsp;(&amp;quot;at&amp;quot;). &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable center-1 right-2 center-3&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! #&lt;br /&gt;
! Cents&lt;br /&gt;
! Note&lt;br /&gt;
! Name&lt;br /&gt;
! Associated Ratio&lt;br /&gt;
|-&lt;br /&gt;
| 0&lt;br /&gt;
| 0.0&lt;br /&gt;
| J&lt;br /&gt;
| Perfect 0-gramstep&lt;br /&gt;
| 1/1&lt;br /&gt;
|-&lt;br /&gt;
| 8&lt;br /&gt;
| 114.3&lt;br /&gt;
| K@&lt;br /&gt;
| Minor 1-gramstep&lt;br /&gt;
| 15/14~16/15&lt;br /&gt;
|-&lt;br /&gt;
| 11&lt;br /&gt;
| 157.1&lt;br /&gt;
| K&lt;br /&gt;
| Major 1-gramstep&lt;br /&gt;
| 11/10~12/11&lt;br /&gt;
|-&lt;br /&gt;
| 16&lt;br /&gt;
| 228.6&lt;br /&gt;
| L@&lt;br /&gt;
| Diminished 2-gramstep&lt;br /&gt;
| 8/7&lt;br /&gt;
|-&lt;br /&gt;
| 19&lt;br /&gt;
| 271.4&lt;br /&gt;
| L&lt;br /&gt;
| Perfect 2-gramstep&lt;br /&gt;
| 7/6&lt;br /&gt;
|-&lt;br /&gt;
| 27&lt;br /&gt;
| 385.7&lt;br /&gt;
| M@&lt;br /&gt;
| Minor 3-gramstep&lt;br /&gt;
| 5/4&lt;br /&gt;
|-&lt;br /&gt;
| 30&lt;br /&gt;
| 428.6&lt;br /&gt;
| M&lt;br /&gt;
| Major 3-gramstep&lt;br /&gt;
| 9/7&lt;br /&gt;
|-&lt;br /&gt;
| 35&lt;br /&gt;
| 500.0&lt;br /&gt;
| N@&lt;br /&gt;
| Minor 4-gramstep&lt;br /&gt;
| 4/3&lt;br /&gt;
|-&lt;br /&gt;
| 38&lt;br /&gt;
| 542.9&lt;br /&gt;
| N&lt;br /&gt;
| Major 4-gramstep&lt;br /&gt;
| 11/8~15/11&lt;br /&gt;
|-&lt;br /&gt;
| 46&lt;br /&gt;
| 657.1&lt;br /&gt;
| O@&lt;br /&gt;
| Minor 5-gramstep&lt;br /&gt;
| 16/11~22/15&lt;br /&gt;
|-&lt;br /&gt;
| 49&lt;br /&gt;
| 700.0&lt;br /&gt;
| O&lt;br /&gt;
| Major 5-gramstep&lt;br /&gt;
| 3/2&lt;br /&gt;
|-&lt;br /&gt;
| 54&lt;br /&gt;
| 771.4&lt;br /&gt;
| P@&lt;br /&gt;
| Minor 6-gramstep&lt;br /&gt;
| 14/9&lt;br /&gt;
|-&lt;br /&gt;
| 57&lt;br /&gt;
| 814.3&lt;br /&gt;
| P&lt;br /&gt;
| Major 6-gramstep&lt;br /&gt;
| 8/5&lt;br /&gt;
|-&lt;br /&gt;
| 65&lt;br /&gt;
| 928.6&lt;br /&gt;
| Q@&lt;br /&gt;
| Perfect 7-gramstep&lt;br /&gt;
| 12/7&lt;br /&gt;
|-&lt;br /&gt;
| 68&lt;br /&gt;
| 971.4&lt;br /&gt;
| Q&lt;br /&gt;
| Augmented 7-gramstep&lt;br /&gt;
| 7/4&lt;br /&gt;
|-&lt;br /&gt;
| 73&lt;br /&gt;
| 1042.9&lt;br /&gt;
| R@&lt;br /&gt;
| Minor 8-gramstep&lt;br /&gt;
| 11/6~20/11&lt;br /&gt;
|-&lt;br /&gt;
| 76&lt;br /&gt;
| 1085.7&lt;br /&gt;
| R&lt;br /&gt;
| Major 8-gramstep&lt;br /&gt;
| 15/8~28/15&lt;br /&gt;
|-&lt;br /&gt;
| 84&lt;br /&gt;
| 1200.0&lt;br /&gt;
| J&lt;br /&gt;
| Perfect 9-gramstep&lt;br /&gt;
| 2/1&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Approximation to JI ==&lt;br /&gt;
=== 15-odd-limit intervals ===&lt;br /&gt;
{{Q-odd-limit intervals|84}}&lt;br /&gt;
&lt;br /&gt;
=== Higher-limit JI ===&lt;br /&gt;
84edo has fairly good approximation to higher [[prime harmonic]]s such as [[13/1|13]], [[19/1|19]], [[23/1|23]], [[29/1|29]], [[31/1|31]], 41, 43, 53, 59, 61, 73 and 89, so that it is for its size very performant for much of the 61-limit, with more off primes usually being sharp so that they can cancel opportunistically with other sharp harmonics. In fact, it is [[consistent]] in the no-11 no-17 no-27 no-37 no-47 no-49 no-51 no-55 65-odd-limit excepting only 1 inconsistent pair, 45/43 and 86/45, which are inconsistent by ~0.13{{cent}} (off by ~7.3{{cent}}), offering a truly vast inventory of harmony to draw from that has mostly been unexplored. This is especially true because its approximation powers do not end there: prime 11, due to its simplicity (and thus lesser tuning fidelity), is certainly usable (just causes some inconsistencies), and there are higher primes that are reasonably in-tune too when supported by context. The only missing primes are thus 17, 37, 47, 67, 71, 79 and 83, which except for 17 are all about 6 cents sharp, similar to the sharpness of prime 11, so that it somewhat makes up for these omissions by having a very accurate 22:37:47:67:71:79:83 chord, to which various additions are possible (though usually increasing the error as a result).&lt;br /&gt;
&lt;br /&gt;
== Regular temperament properties ==&lt;br /&gt;
{| class=&amp;quot;wikitable center-4 center-5 center-6&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Subgroup]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Comma list]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | [[Mapping]]&lt;br /&gt;
! rowspan=&amp;quot;2&amp;quot; | Optimal&amp;lt;br&amp;gt;8ve stretch (¢)&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; | Tuning error&lt;br /&gt;
|-&lt;br /&gt;
! [[TE error|Absolute]] (¢)&lt;br /&gt;
! [[TE simple badness|Relative]] (%)&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5&lt;br /&gt;
| 78732/78125, 531441/524288&lt;br /&gt;
| {{mapping| 84 133 195 }}&lt;br /&gt;
| +0.498&lt;br /&gt;
| 0.531&lt;br /&gt;
| 3.72&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7&lt;br /&gt;
| 225/224, 1728/1715, 78732/78125&lt;br /&gt;
| {{mapping| 84 133 195 236 }}&lt;br /&gt;
| +0.141&lt;br /&gt;
| 0.769&lt;br /&gt;
| 5.39&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7.13&lt;br /&gt;
| 225/224, 351/350, 640/637, 1701/1690&lt;br /&gt;
| {{mapping| 84 133 195 236 311 }}&lt;br /&gt;
| −0.013&lt;br /&gt;
| 0.754&lt;br /&gt;
| 5.28&lt;br /&gt;
|- style=&amp;quot;border-top: double;&amp;quot;&lt;br /&gt;
| 2.3.5.7.11&lt;br /&gt;
| 225/224, 441/440, 1344/1331, 1728/1715&lt;br /&gt;
| {{mapping| 84 133 195 236 291 }} (84)&lt;br /&gt;
| −0.225&lt;br /&gt;
| 1.003&lt;br /&gt;
| 7.02&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7.11.13&lt;br /&gt;
| 144/143, 225/224, 351/350, 441/440, 975/968&lt;br /&gt;
| {{mapping| 84 133 195 236 291 311 }} (84)&lt;br /&gt;
| −0.292&lt;br /&gt;
| 0.928&lt;br /&gt;
| 6.50&lt;br /&gt;
|- style=&amp;quot;border-top: double;&amp;quot;&lt;br /&gt;
| 2.3.5.7.11&lt;br /&gt;
| 99/98, 121/120, 176/175, 78732/78125&lt;br /&gt;
| {{mapping| 84 133 195 236 290 }} (84e)&lt;br /&gt;
| +0.601&lt;br /&gt;
| 1.151&lt;br /&gt;
| 8.05&lt;br /&gt;
|-&lt;br /&gt;
| 2.3.5.7.11.13&lt;br /&gt;
| 99/98, 121/120, 176/175, 275/273, 1701/1690&lt;br /&gt;
| {{mapping| 84 133 195 236 290 311 }} (84e)&lt;br /&gt;
| +0.396&lt;br /&gt;
| 1.146&lt;br /&gt;
| 8.02&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Rank-2 temperaments ===&lt;br /&gt;
{| class=&amp;quot;wikitable center-all left-5&amp;quot;&lt;br /&gt;
|+ style=&amp;quot;font-size: 105%;&amp;quot; | Table of rank-2 temperaments by generator&lt;br /&gt;
|-&lt;br /&gt;
! Periods&amp;lt;br&amp;gt;per 8ve&lt;br /&gt;
! Generator*&lt;br /&gt;
! Cents*&lt;br /&gt;
! Associated&amp;lt;br&amp;gt;ratio*&lt;br /&gt;
! Temperament&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 19\84&lt;br /&gt;
| 271.43&lt;br /&gt;
| 7/6&lt;br /&gt;
| [[Orwell]] (84e) / [[newspeak]] (84)&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 25\84&lt;br /&gt;
| 357.14&lt;br /&gt;
| 768/625&lt;br /&gt;
| [[Dodifo]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 27\84&lt;br /&gt;
| 385.71&lt;br /&gt;
| 5/4&lt;br /&gt;
| [[Mutt]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 31\84&lt;br /&gt;
| 442.86&lt;br /&gt;
| 125/81&lt;br /&gt;
| [[Sensei]]&lt;br /&gt;
|-&lt;br /&gt;
| 1&lt;br /&gt;
| 41\84&lt;br /&gt;
| 585.71&lt;br /&gt;
| 7/5&lt;br /&gt;
| [[Merman]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 5\84&lt;br /&gt;
| 71.43&lt;br /&gt;
| 25/24&lt;br /&gt;
| [[Narayana]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 11\84&lt;br /&gt;
| 157.14&lt;br /&gt;
| 35/32&lt;br /&gt;
| [[Bison]]&lt;br /&gt;
|-&lt;br /&gt;
| 2&lt;br /&gt;
| 13\84&lt;br /&gt;
| 185.71&lt;br /&gt;
| 10/9&lt;br /&gt;
| [[Secant]]&lt;br /&gt;
|-&lt;br /&gt;
| 3&lt;br /&gt;
| 11\84&lt;br /&gt;
| 157.14&lt;br /&gt;
| 35/32&lt;br /&gt;
| [[Nessafof]]&lt;br /&gt;
|-&lt;br /&gt;
| 7&lt;br /&gt;
| 5\84&lt;br /&gt;
| 500.00&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 4/3&amp;lt;br&amp;gt;(81/80)&lt;br /&gt;
| [[Absurdity]]&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| 27\84&amp;lt;br&amp;gt;(1\84)&lt;br /&gt;
| 385.71&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 5/4&amp;lt;br&amp;gt;(126/125)&lt;br /&gt;
| [[Compton]]&lt;br /&gt;
|-&lt;br /&gt;
| 12&lt;br /&gt;
| (2\84)&lt;br /&gt;
| (28.6)&lt;br /&gt;
|&lt;br /&gt;
| [[Catler]]&lt;br /&gt;
|-&lt;br /&gt;
| 21&lt;br /&gt;
| 41\84&amp;lt;br&amp;gt;(1\84)	&lt;br /&gt;
| 585.71&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 91875/65536&amp;lt;br&amp;gt;(126/125)&lt;br /&gt;
| [[Akjayland]]&lt;br /&gt;
|-&lt;br /&gt;
| 28&lt;br /&gt;
| 49\84&amp;lt;br&amp;gt;(1\84)&lt;br /&gt;
| 500.00&amp;lt;br&amp;gt;(14.29)&lt;br /&gt;
| 4/3&amp;lt;br&amp;gt;(105/104)&lt;br /&gt;
| [[Oquatonic]]&lt;br /&gt;
|}&lt;br /&gt;
&amp;lt;nowiki/&amp;gt;* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave, and [[normal forms #Minimal-generator form|minimal form]] in parentheses if distinct&lt;br /&gt;
&lt;br /&gt;
== Scales ==&lt;br /&gt;
=== MOS ===&lt;br /&gt;
Brightest mode is listed.&lt;br /&gt;
&lt;br /&gt;
* [[Orwell]]&lt;br /&gt;
** Orwell[9] ([[4L 5s]]) – 11 8 11 8 11 8 11 8 8 &lt;br /&gt;
** Orwell[13] ([[9L 4s]]) – 8 8 8 3 8 8 3 8 8 3 8 8 3&lt;br /&gt;
** Orwell[22] ([[13L 9s]])&lt;br /&gt;
** Orwell[31] ([[22L 9s]])&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
* [[5- to 10-tone scales in 84edo]]&lt;br /&gt;
* [[Maeve Gutierrez|Gutierrez Moonglade scale]]&lt;br /&gt;
&lt;br /&gt;
== Instruments ==&lt;br /&gt;
If you have a precise enough tuner and stable enough instruments, 84edo can be played using 7 instruments tuned a 14th of a tone apart. &lt;br /&gt;
&lt;br /&gt;
You could also try the [[Lumatone mapping for 84edo]]&lt;br /&gt;
&lt;br /&gt;
== Music ==&lt;br /&gt;
; {{W|John Cage}}&lt;br /&gt;
* &#039;&#039;Ten&#039;&#039; for chamber ensemble (1991) [https://youtu.be/PE_2Ds_6qGk Ives Ensemble recording (YouTube)] {{dead link}}&lt;br /&gt;
* &#039;&#039;Two4&#039;&#039; for violin and piano or shō (1991) [https://youtu.be/sLOrpd5onCs Harr &amp;amp;amp; Miyata recording (YouTube)]&lt;br /&gt;
* &#039;&#039;Two5&#039;&#039; for tenor trombone and piano (1991) [https://youtu.be/YOtQZIqfY1w Fulkerson &amp;amp;amp; Denyer recording (YouTube)]&lt;br /&gt;
* &#039;&#039;Two6&#039;&#039; for violin and piano (1992) [https://youtu.be/XkX37zH6AbU Haar &amp;amp;amp; Snijders recording (YouTube)]&lt;br /&gt;
&lt;br /&gt;
; [[Bryan Deister]]&lt;br /&gt;
* [https://www.youtube.com/shorts/Sqkxrmwggr0 &#039;&#039;microtonal improvisation in 84edo&#039;&#039;] (2025)&lt;br /&gt;
&lt;br /&gt;
; [[Eliora]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=wTgOV_gVzuQ &#039;&#039;Requiem in Gb 1/7 Orwell&#039;&#039;] (2023)&lt;br /&gt;
&lt;br /&gt;
; [[JUMBLE]]&lt;br /&gt;
* [https://www.youtube.com/watch?v=blFYmTtFUWY &#039;&#039;Undiminished&#039;&#039;] (2023)&lt;br /&gt;
&lt;br /&gt;
[[Category:Equal divisions of the octave|##]] &amp;lt;!-- 2-digit number --&amp;gt;&lt;br /&gt;
[[Category:84edo| ]] &amp;lt;!-- main article --&amp;gt;&lt;br /&gt;
[[Category:John Cage]]&lt;br /&gt;
[[Category:Listen]]&lt;br /&gt;
[[Category:Compton]]&lt;br /&gt;
[[Category:Grossmic]]&lt;br /&gt;
[[Category:Orwell]]&lt;/div&gt;</summary>
		<author><name>BudjarnLambeth</name></author>
	</entry>
</feed>